completely new record experience with blockchain technology: “Phygital Vinyl"



EXTRA HEAVY WEIGHT 200GRAMS

LIMITED TO 333 UNITS

SERIAL NUMBERED

VINYL GOES AROUND PRESSING

MADE IN JAPAN

PURPLE COLOR PHYGITAL VINYL

JAPANESE OBI + INSERT



A next generation record developed by VINYL GOES AROUND.

The record's label contains an NFC chip with a QR code.

By scanning the QR code, you can connect to the blockchain and prove ownership of the record via an app.

This allows you to connect with the artist and label, creating a new music experience both online and offline.

What's more, if you don't have a turntable, you can listen to the tracks within the app. We are also exploring integration with the metaverse for future developments.

This release is the first in the ground-breaking 'Phygital Vinyl' series.

Scan the QR code in the app to receive a special secret gift later.

Enjoy this innovative new experience!

The Phygital Vinyl can also be enjoyed as a normal record.



Billy Wooten, an Indianapolis vibraphonist who has also participated in Grant Green's Blue Note record "Visions" and Richard Evans' albums. The enthusiastic performance of Utten's regular band "The Udung Glass" at the small club "Nineteens Hall" in Indianapolis in 1972, composed of vibraphone, organ, guitar, and drums, is a miracle that should be handed down as a legend. Live recording!

When it was first made into a CD, it was a legendary release that drove jazz-funk and rare groove fans crazy as a masterpiece, capturing the groove, incandescence, and audience enthusiasm like never before.

This is a work that must be inherited by a new generation of jazz listeners!


Tracklist

A1. Monkey Hips & Rice
A2. We've Only Just Begun
A3. Joy Ride

B1. In The Rain
B2. Day Dreaming
B3. Love Is Here



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This 1998 album features sessions from the late '70s by Weldon Irvin with Don Blackman and a young Marcus Miller. This classic album is packed with mellow jazz and soul, including the killer soul track "Morning Sunrise," sampled by Jay-Z, Drake, and others, and is now available for reissue!



Known for his rare groove classics like Spirit Man in 1975 and Sinbad in 1976, Irvin's work shines here and highlights come thick and fast. They include the soulful 'Morning Sunrise' which was famously sampled by Jay-Z and Drake, the jazzy funk of 'The Sisters' with Miller's bass and Tom Brown's trumpet and the smooth 'Heard It All Before' which mixes urban sophistication with mellow fusion. Toni Smith's dynamic vocals on the funky 'Think I'll Stay A While' is another doozy which makes this masterpiece rich with jazz, soul and funk goodness.



Tracklist



A1. The Sisters
A2. Nursery Rhyme Song
A3. Think I'll Stay A While
A4. Misty Dawn
A5. Morning Sunrise

B1. Shopping
B2. It's Funky
B3. Sexy Eyes
B4. Egypt
B5. Heard It All Before
B6. Blue In Green



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Following the success of Watarase “ECHO”, which compiled previously unreleased takes of his signature work Watarase through the lens of Minoru Wakasugi, a pioneer of the Japanese jazz scene, the second installment of the series, Watarase “VOICE”, is now being released by P-VINE.

Fumio Itabashi is a jazz pianist who has garnered global recognition from jazz enthusiasts around the world. Following the success of Watarase ECHO, which compiled previously unreleased takes of his signature work Watarase through the lens of Minoru Wakasugi, a pioneer of the Japanese jazz scene, the second installment of the series, Watarase VOICE, is now being released by P-VINE. This new album focuses on the "voice" aspect, compiling previously unreleased tracks that feature a diverse array of vocalists who participated in Watarase.



Looking back on a remarkable 40-year career, the series carefully selects and presents the Watarase compositions that are most deserving of being heard today. Through this series, listeners can experience a glimpse into Fumio Itabashi’s life and his ongoing passion for expressing the pinnacle of jazz as an art form, a passion that continues to this day. The Watarase series offers a unique opportunity to savor not just the music, but the essence of Itabashi’s dedication to jazz.



Tracklist

TBA


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This best-of album, curated from his vast catalog, features eight carefully selected songs that highlight his genius. With exclusive access to the master rights to all of his works, P-VINE presents this showcase, a truly special collection that reflects the depth and breadth of Irvine's musical contributions.



Weldon Irvine was a musician whose cutting-edge style and emotionally resonant melodies won him widespread admiration across generations and genres, from the jazz and soul scenes of the 1970s to the club and rare groove movements of the 1990s and beyond. Known for his diverse musicality, Irvine left behind a legacy of timeless tracks. This best-of album, curated from his vast catalog, features eight carefully selected songs that highlight his genius. With exclusive access to the master rights to all of his works, P-VINE presents this showcase, a truly special collection that reflects the depth and breadth of Irvine's musical contributions.



Tracklist

TBA

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Tracklist
A1. Ricardo Marrero & The Group - Babalonia 3:20
A2. Spice - The Last Time 4:05
A3. 1619 Bad Ass Band - Nothing Can Stop My Loving You 3:54
A4. The Corner Gang - The Music Of Your Mind 2:25
A5. Reality – Let’s Party People

B1. Cynthia Schloss - There's A Fire 2:26
B2. The Ultimates - Girl I've Been Trying To Tell You 2:58
B3. Erik Dunbar - You Must Be From Heaven 3:25
B4. The Topics - God And You 3:35
B5. Lloyd Price – Music – Music 3:59

(Japanese OBI-Strip) The best tracks from the legendary tax scam records of TSG have been compiled into an LP!

The original pressings are already hard to find, being extremely rare! Plus, to collect them all, you'd need the cost of a car for this parade of super pricey premium editions! If you want to enjoy the ultimate rare grooves, this is your only option!
These soul and funk performances, buried in the midst of the late 70s US record industry, which could be considered the destiny of the TAX SCAM label, are a must-listen!

Enjoy killer tunes with grooves and feelings that are just as good as the hits of the time!




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Tracklist

A1. Erik Tagg - Got To Be Lovin' You
A2. Lui - Oh, Oh(I Think I'm Fallin' In Love
A3. Chocolateclay - The Cream Is Rising To The Top
A4. Ted Coleman Band - If We Took The Time (Where Do We Go From Here)
A5. Babadu! - All I've Got To Give
A6. Danny Dee - My Girl Friday

B1. Positive Force - Everything You Do
B2. Jim Schmidt - Love Has Taken It All Away
B3. Matthew Larkin Cassell - Fly Away
B4. Moonpie - Sunshine Of My Life
B5. Cantaro Ihara - Twiny

(Black vinyl LP + Japanese Obi-strip) Best selection of P-VINE presents "Groove Diggers" series

First limited edition with Obi strip

Groove-Diggers Presents! A vinyl compilation that explores the essence of "rare groove" from super killer tunes that everyone has heard of at least once to extremely rare tunes that only a few people know about!
Since its launch in 2006, the Groove-Diggers series has been unearthing high-quality records (grooves) from soul, funk, jazz, Brazilian, and Latin music, regardless of genre, nationality, or era, and has released over 100 titles so far.
This is the ultimate collection that could only be achieved through this series, selecting from extremely rare records known only to those in the know to super killer tunes that everyone has heard at least once!
This first release includes the unquestionable killer tune ``You Are the One That I Need'' by Chicago funk band Southside Movement and female singer Jackie Ross, a tropical / Brazilian-flavored groovy soul, as well as the euphoric, superb free soul “Disco City” from Ernie Story's “Meditation Blue”, a super rare AOR-meets-modern soul record that was miraculously reissued last year.




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Two tracks taken from the Heavy Rhyme Experience long player from 1992 featuring hip hop heavyweights Main Source & Grand Puba. Issued on 7" for the first time by P-Vine on a limited 45.

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For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!

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"For Japanese people, min'yo is both the closest, and most distant, folk music" explains band-leader Katsumi Tanaka. "We may not feel it in our daily, urban lives, yet the melodies, the style of singing and the rhythm of the taiko drums are engrained in our DNA".Initially indifferent to min'yo, a tragic event in recent Japanese history set Tanaka on his current path: "Following the Tohoku earthquake of 2011, I reflected on my life, work and identity. A fan of world music, I began searching for Japanese roots music I could identify with. Discovering mid-late 20th century acts like Hibari Misora, Chiemi Eri and the Tokyo Cuban Boys, I was captivated by their eccentric arrangements and how they mixed min'yo with latin and jazz music."Lead singer Freddie Tsukamoto fell for min'yo after hearing a song from his hometown on a TV competition whilst in a restaurant. It was a revelation – until then he had been an aspiring jazz singer yet was uncomfortable singing in English. The restaurateur told him a min'yo teacher was his neighbour and the two connected. Tanaka and Freddie formed Minyo Crusaders in 2011 in Fussa, a city where the US military Yokota Air Base is located, in western Tokyo.Recruiting other local musicians versed in afro and latin rhythms, they began hosting jam sessions at the Banana House, a building that was previously part of the military base and that used to house US soldiers. The band started recording their music, and their debut album "Echoes Of Japan" was released in 2017. It received huge acclaim in Japan and abroad, and was also released by British label Mais Um in 2019. Several European tours followed, as well as some US and South America gigs.In this second opus, the Minyo Crusaders take us on a trip to Japanese folk songs fused with latin rhythms. Their unique arrangements breathe new life to classics like Kiso Bushi, Sado Okesa or Soran Bushi, among many other min'yo songs from all over Japan that were originally performed by Japanese fishermen, coal miners and sumo wrestlers hundreds of years ago. The magical groove created here proves once again that the Minyo Crusaders are one of the most dynamic representatives of the current Japanese world music scene. Yoi Yoi, Enjoy!

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This is one of the greatest albums of spiritual jazz related back in the 80's by Prince Billy Mahdi Wright who is a jazz saxophonist in the underground scene of Chicago. This is his only record as band leader and it finds him link up with Eldee Young who is well known as member of Young Holt Unlimited. She is credited as bassist of this album, and what an album it is. P-VINE released it as CD this summer and now present it as reissue LP for the first time, so do not sleep.

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Anané’s Take A Ride EP was produced by Two Soul Fusion, aka Louie Vega and Josh Milan, all with live string arrangements courtesy of the Apple Hill String Quartet and conducted by Leroy Burgess. The recording dives from the effortless heights of Punk Disco (Let Me Be Your Fantasy, High) into the swirling eddies of Jazz Funk (Coffy Is The Color) before climbing back out into the languorous arms of Italo-Disco (Tutto Previsto). Strings across the production were The EP is held together in its entirety by the dreamy, sumptuous vocal of its creator Anané, who considers her top line one vital part of the instrumental whole. “I am art,” Anané reflects carefully, “for I am the music as much as I am the singer. Creation means to crawl into the unseen of my own dreams and becoming the beast of my vision, singing to the world as I go by.”

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Cult status for those new york disco cuts pioneered by legendary djs such as Larry Levan, Franckie Knuckles, Junior Vasquez, David Morales.



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BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music's acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.

This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.

Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.

Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.

The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world's leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.

Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan's fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.

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