House and techno purveyor Ejeca delivers with a high-octane release, ‘Keep Climbing EP’ on Needwant Records, which celebrates 100 releases. The four-tracker is available on a limited run of vinyl. From its inception, Needwant has focussed on pioneering the sounds of tomorrow, developing exciting artists in the world of crossover dance and electronic music including lau.ra, Kiwi, and Ejeca, who first released on the label in 2013. The title track kicks off the EP with serious force; heavy kicks and a glitchy melody loops hypnotically before making way for the track’s commanding vocal which is equally entrancing. Like its title, ‘Keep Climbing’ builds and builds, generating full-throttle energy that is finally erupted after a euphoric piano breakdown. ‘Vader’ reduces the pace and deepens the mood with a deep humming bassline, twinkling chords, and eerie strings. A breakdown follows with Ejaca’s signature ravey piano-lines in combination with hooky top-line vocals that seamlessly takes the track into peak-time party territory. The track is dynamic, enthralling, and highlights the depth to Ejeca’s production. ‘Won’t Beat Me’ is colourfully uplifting from the offset with bright piano and arpeggiating pads shimmering in tandem. The vocal is contagiously catchy, topping the instrumentation with positive energy which is present throughout the track’s duration. ‘Won’t Beat Me’ is a peak-time club big-hitter. Rounding off the EP is ‘Zyfer’ which boasts uncompromisingly chunky kicks and raw industrial echoes, before cleverly switching to a contrasting sonic soundscape in true Ejeca style. 8-bit arpeggiating chords bubble before warping into a driving club melody which dances on top of the heavy-hitting kicks and groovy percussion. The EP perfectly captures the ethos of Needwant; forward-thinking music with innovative ideas from an artist who contributed to the label in its early stages. 100 releases on and Needwant continues to push the sounds of tomorrow in slick style.

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Tracklisting:
A1 EJECA - Take It
A2 EJECA - Away
A3 EJECA - Clunk
B1 EJECA - Mallusk
B2 EJECA - Static

Release Note:
Northern Irish Techno maestro EJECA is back with his fourth full-length EP on Shall Not Fade, following up on the sublime grooves of Free From. This time round, expect high-octane drama from the off; borrowing sounds from across the hardcore continuum EJECA shows off his skill for dance music production.

Take It EP's title track is a force of bouncing hardcore, harsh synths and firey vocals which begs to be played out in the early hours for a fever-pitch dancefloor, nonstop to the end. By comparison, "Away" is minimalist. Riding on a chunky bassline, the glittering melody rises slowly to create an effervescent soundscape with a driving beat.

The peaks and drops of "Clunk" are dizzying, a tight rave-influenced number closing the A-Side; B1 "Mallusk" builds the tension with elongated pads and rolling breaks. Take It closes out with "Static", an icy crescendo of cold vocal cuts and ghostly distortion holding the line between techno and noise.

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One of Belfast's finest exports, EJECA is no stranger to Shall Not Fade. Initially appearing on the label last year with the infectious hardcore-tinged Polar Nation EP. This time round EJECA demonstrates his knowledge of the harder edge of UK dance music with the weighty Sunburst EP, backed with a killer remix from Cinthie.

The pulsing kick of "Stoke It" is tempting, like the low end frequencies felt echoing out of some dark Berlin club; paired with dramatic analogue synth effects and old-school energy, it pushes straight into high stakes rave callback "Faith". Then closing the A-side is the glimmering electro-disco-beat of "The Basics". Think early Warp Records meets modern space-age drama.

The title track can be found opening up the B-side; unrelenting blissful arps allow space for a slow build-up so that the eventual kick-drum catches you off guard. It swirls towards a cliffhanger drop, forming a beautiful centrepiece to the record. "Looksee" is the slightly more relaxed B2, muted low-end bassline and protracted pads giving a well-deserved breather from previous intensity. Ejeca has enlisted the much-revered Berlin DJ and producer Cinthie on remix duties for the expansive title track; her bouncing house edit reimagines the tense, entrancing production of the original into a seductive groove that closes the driving, dark EP with a bit of sunshine.

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Off the back of his debut album as Trance Wax in November, Belfast producer Ejeca returns with his new project of mixtapes of all original material spanning across his musical influences. The first instalment of the mixtape series comes in the shape of 45 minutes of hi-nrg hardcore and rave. The first run of cassette tapes sold out over a weekend and this new edition includes on body printing and fluo pink cassette tape. Limited run of 100 tapes.

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The Belfast based DJ & producer, Garry McCartney, otherwise known as EJECA, has been steadily and consistently building his sound and profile over time, through a series of impressive releases for Aus Music, Unknown To The Unknown, W&O Street Tracks, BPitch Control and Last Night On Earth, amongst others. EJECA carves out an energetic slab of audacious party house on ‘Unloving’, resplendent with rolling beats and stabby chords, and topped off with dramatic strings and vocal chops. Elsewhere on the EP, EJECA unleashes some 303 bassline action and dark vocals on ‘Standard Acid House Track’, which thankfully rises well above anything standard! And on ‘Crystal Maze’, EJECA harks back to the darker dance energies that were a staple of the late 1980s UK acid house boom. Wrapping up the EP, ‘ISWHATIS’ gets ever so slightly twisted with an orbiting synth hook and weighty stabs over a spirited rhythm section.

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The debut release on Exploris has finally arrived from label head Ejeca. Having initially built a name with more vocal lead releases, 2014 has seen Ejeca move into slightly tougher territory and EXP001 drops 3 techno cuts that range from the off kilter to the more industrial in style. This first release makes its stamp and sets the tone for what is to follow from both Ejeca and Exploris, genre bending music that is hard to categorise, whilst always maintaining that dance floor effectiveness found in his earlier works. With support from major players ranging from underground stalwarts Steve Bug, Eats Everything, Catz N Dogz, Bicep, Dusky,Tim Sweeney and Mark Henning, to nationally recognised radio hosts such as Skream, B.Traits and Monki, this is a record that will have mass appeal. Having already received acclaim as techno record of the month in Mixmag and with press support across the board from the likes of DJ Mag and XLR8R, now is the time for this to find it’s way into the public domain. A bold opening statement from Exploris and an insight into what to expect from Ejeca and Exploris.

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After a great response from Ejeca’s ‘Frequency‘ EP previously released on Sasha's imprint 'Last Night On Earth' in January 2013, the label continues to support his sound by releasing a new 4 track EP called ‘Contemplation’ that will be available on the 28th July consisting of a wide range of electronics from Ejeca’s many musical influences. Never one to stick with a particular sound for too long, Ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. Just good quality and interesting electronic music, which is exactly what ‘Contemplation’ and Last Night On Earth are all about.


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Northern Irishman Ejeca makes his second appearance on London based Needwant after his highly successful 'Horizon EP'. Title track 'Together' showcases the talented producer's style when it comes to combining a new twist on 90s garage with a 4/4 beat. The tracks huge euphoric breakdown cleverly reference the past whilst still keeping the future in mind, a signature sound that Ejeca has become so well known for over the past twelve months. House maestro Terrence Parker makes his first appearance on Needwant with his flawless 'Motor City Soul Mix' of 'Together' adding deep, warm chords for an elevating affair. A major highlight in his recent DJ sets, Ejeca has included a special 'Night Edit' of the mighty 'Horizon' for the flip side of this release with the second original track 'Forest' taking things deeper to round off this killer package. Things have really been taking off lately for fast rising star Ejeca with a residency at this years Warehouse Project in Manchester, various Ibiza dates including Pacha, Ushuaia and Sankey's and a thirteen date tour of the USA about to kick off.

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Jump’ kicks things off in style here, with it’s off-kilter drums creating a bumpy, energetic vibe, while bright chord progressions, hi-strings and looming, drawn-out bass tones create the melodic depths. Sampled and manipulated vocal snippets are also introduced building their own melodic movement, while the envelopes of each element are subtly tweaked to falter and evolve throughout the records duration. Stepping up next is ‘Purnsley’, taking things deeper with a cosseting, ethereal vibe, the Brit producer employs warm, heavily side-chained pads with dubbed-out vocal lines and shuffling drums, to create a sensual after-hours groove. Entering the B-Side we have ‘Home’, where Ejeca journeys on a retro-inspired tip, with classic Hammond organ sounds, NY garage style vocals and crunchy 909 drums. The cut blossoms in true house fashion introducing and retracting elements every thirty-two bars, resulting in simple yet undeniably effective structure sure to grab attention on dance floors. Finally to close the release, ‘Agent Of The Deep’, is turned in, and as the name would suggest, the record is soul-laden, emotive house, instilled with some smoky production techniques such as fluttering white noise, chorused strings and rolling toms, thrown into the depths of the background for good measure, resulting in a tasteful, classic meets contemporary workout.


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A1. HI ROLLIN A2. NEVA 2 FAR B1. TIME FOR CHANGE B2. NASSAU STORM

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Peckham 5-piece Haraket return to Melodica Recordings with the eagerly awaited follow up to their debut EP from earlier this year. 4-tracker 'Ílk' flows seamlessly from the early promise of 'Taint/Attgo', preserving wall-of-sound dynamics with delicate source material, moody electronics, live / programmed beats and effected vocal lines.

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As an interlude between Haraket's forthcoming EP and their last, we've pulled in some favours for an exclusive little remix package featuring moody dancefloor renditions of 'Attgo' & 'Taint'. This is one for those twilight basement parties

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Introducing Haraket, a 5 piece from South London who are set to release their debut 12" / digital single on Melodic Recordings this Spring. The band emerged from the creative chaos of school and college bands in and around Peckham that have already given the world King Krule. This is the first in a series of releases with Melodica Recordings, with an album due next year. Haraket fuse wall-of-sound dynamics with often delicate source material, moody electronics, programmed beats and effected vocal lines. Think a post dubstep version of early Underworld or A Certain Ratio reinvented by the new digital century. 'Taint' / 'Attgo' showcases the young band's keen ear for contrast, sensuous tonal material and high drama, something that is reflected ten-fold in their live shows. To accompany the two original tracks the band have commissioned three remixes from the likes of Djrum, BBC 'Sound Of 2013' nominee King Krule with Jamie Isaac, and Mokadem. 'Taint' is a slow-building, intricate guitar track built around the vocal tones of Abigail Hardiman, sounding mostly live for the first part before subtle electronics begin to permeate the surface. The arrangement is crisp, nodding to the clean percussive tones of Foals, before an all-out cymbal smashing crescendo ensues and the sultry tones are thrown into waves of cacophonous delays. 'Attgo' shows the band's brooding melancholic side, with all source material heavily augmented with digital processes and effects. The vocals of Ogul-can Genc are short and barely recognisable, acting like breathy musical punctuation. The off kilter synth lines and percussion throughout hint at the cavernous dread of early 2005 dubstep, pairing it with banks of crushed guitars and live drums.
Djrum follows on from his accomplished work on 2nd Drop records with a captivating take on 'Taint', morphing it into something of a polar opposite. It's moody and dark, sounding like the soundtrack of a film Noir with Hardiman's vocals appearing in a new, smoky light. Local boy and man of the moment King Krule teams up with Jamie Isaac to roll things right down for a dubby downtempo refix. By leaving out the guitars, introducing some strings and reeling out the dub FX, they've created a perfect little sun-drenched oddity. For digital buyers only, we have a remix from London-based artist Mokadem. Her twlight house hybrid is the perfect dancefloor antidote. Bold bass, smart effects and a super tight arrangement make this version absolutely killer.

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