UPC: 827170136021 Release: 02.12.2013
Tracklist: A1: Machinarium A2: Lolo & Pepe B1: Kitana
The follow up to Mario's highly successful remix for Downtown Party Network's vocal beauty Space Me Out on Best Kept Secret's mother label Silence Music, Machinarium is a four track EP, which delves even deeper into dream like soundscapes where pop heroes meet for a collective dance on the dance floor of a distant space station.


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Releasedate: 20.5.2013
A1: Daniel Bortz Remix ISRC: DECK20900811
A2: Original Mix ISRC: DECK20900811
B1: Show B Remix ISRC: DECK20900813
B2: Darius Vaikas Remix ISRC: DECK20900815
Moodmusic Records brings you a remix pack of one of most outstanding album cuts from his recent Journey long player. Daniel Bortz, Show-B and Darius Vaikas doing the remix honours.Nuff Said. More

A1. Do You Remember (The Revenge Drama Mix)
B1. Do You Remember (6th Borough Dub)
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The fourth and final installment in Future Classic's Aprés vinyl series, dedicated to its weekly Sunday afternoon sessions of the same name that has hosted guests including Brennan Green, Joakim, Mock & Toof, Mudd, Lovefingers, Aeroplane, Canyons, Jamie Lloyd, Padded Cell, Idjut Boys, Foolish Felix, Todd Terje, Sidwho?, Loin Brothers, Jazzanova, Karsten John, Jimi Polar, Marcus Worgull, The Revenge, Yam Who?, Peret Mako, Arto Mwambé, Move D, Roland Appel, Dave Aju, Trus' Me, Jacques Renault, Will Saul & Woolfy to name a few with residents Nathan McLay & Chad Gillard.The vinyl version of volume four features music by Lithuania's Mario Basanov and remixes by Arithmatix! (a new project from the artist formerly known as Touch Sensitive) and Downtown Party Network (Eskimo), with a lovely vocal and instrumental mix by 6th Borough Project (Craig Smith & The Revenge) and another by Newfoundland as digital exclusives.
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Tracklist:
A1: Hoy B1: Kids
Short info:
Who is zoé zoe? It's not a new French fashion designer. It's not a new grill bar in your neighborhood either. And it's not a newfound African tribe, nor a Thailand made bio energy drink. It's a Lithuanian small town boy turned promising groom, turned taxi driver, turned Techno producer, turned Berlin inhabitant or the other way round. He could also be a man behind that secret weapon of your summer 2015 sets. Hoy!
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Tracklist:
A1: Guilt B1: No Regrets
Short info:
Darius Vaikas is exploring House territories with his own custom made compass. Some may know him from You Will Never Be Alone, a little leftfield gem featured on a very limited Project: Mooncircle's EP split among four artists. Some may know him because of an amazing remix he did for the fellow Lithuanians mmpsuf and their song The Sailors. His original track White Eights was one of the highlights of Silence Please!, a compilation presented by Get Physical Music. But everyone should know that this is just a beginning and a new Darius' EP for Best Kept Secret is yet another proof of an emerging talent and his idiosyncratic sound.
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UPC: 827170549364 Release: 30.06.2014
Tracklist: A1: Blondes - Elise (Vidis Tool) B1: Fabian Dikof - Bleary Faces (Vidis Tool)
Short info:
Sometimes accidental meetings and little misunderstandings bring to unexpected outcomes. One friendly chat over a glass of Japanese whiskey with a New York based duo and one missed remix deadline for friends in Berlin ended up being quite a nice remix bundle on a Vilnius based label by a Vilnius based chap for those who know. Right on time for your special summer set.
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UPC: 827170136021 Release: 02.12.2013
Tracklist: A1: Machinarium A2: Lolo & Pepe B1: Kitana
The follow up to Mario's highly successful remix for Downtown Party Network's vocal beauty Space Me Out on Best Kept Secret's mother label Silence Music, Machinarium is a four track EP, which delves even deeper into dream like soundscapes where pop heroes meet for a collective dance on the dance floor of a distant space station.


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UPC: 827170512566 Release: 26.08.2013
Tracklist: A1: Few Nolder - Private Drive A2: Few Nolder - Private Drive (Mikesh & Filburt Remix) B1: Few Nolder - Noughts B2: Few Nolder - Noughts (Matt Walsh Remix)
Few Nolder first introduced himself in a deep and delicate manner back in 2006. A Lithuanian label Partyzanai released his debut EP and some black techno magic happened. Soon after Few Nolder had his single out on Mike Paradinas' highly regarded Planet Mu, and his debut album was soon to follow. Silence Family, the music label, event promotion and artist agency founded by Vidis for bringing together luminaries of Lithuanian electronica, started operating in 2009. Few Nolder quickly became involved. He even branched out into a shady space disco alias New Found Land that steps into the stage when it is least expected. Live gigs in Lithuania and abroad (Latvia, Estonia, Russia, UK, Austria, Germany, France), varied original productions, unexpected co-productions, genre bending remix work, even electronic operas and ballets - the last few years have been an adventurous ride full of events and discoveries. Few Nolder is now ready to release a new 12" on Silence's sub label Best Kept Secret to further his recherche and moody point of artistic view that someone once pinned down as 'female techno'. Never failing to surprise, always full of unprecedented material that takes the listener to a mellow yet driving soundscape.
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Saulty and Bradka, the two behind Vilnius based Downtown Party Network tag team, combine together more than 10 years of DJ and production experience. Their original productions have been signed by Eskimo, Loud East, Bear Funk. Their remix work has been commissioned by Pete Herbert, Kolombo, Main Stem, Deadstock 33's, TJ Kong & Nuno Dos Santos and even Sander Kleinenberg. Their gig geography ranges from London to Dubai. Which doesn't give even a tiny shadow of doubt on their musical credibility and ability to rock the party. Here they deliver the first single of another kind for Best Kept Secret - killer bass line combined with irresistible Jazz chords on A side and some Metro Area'ish stripped down funkiness on B side. Dance music machinery at its best.

Best Kept Secret - hidden sounds of Vilnius House scene uncovered & presented by Vidis.
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Following the much talked about and played out ones on Japanese Endless Flight, Australian Future Classic, German Best Works, British Crosstownrebels, and Otherworldly Philomena - a string of tracks and releases of 2011 supported by Âme, Dixon, Damian Lazarus, Andre Lodemann, Soul Clap, Sasha, Joakim and far too many others to mention, here comes a four track EP of interplanetary body music of Mario & Vidis.
It's Vilnius House!
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barcode:827170492264 release date: 13.05.2013 Tracklisting: A1: Downtown Party Network - Crazy Cow Bell B1: Downtown Party Network - Owls Don't Cry
The Animal Planet is a follow up to Downtown Party Network's last year's debut on Best Kept Secret - The Machine Man EP, which sold out in a matter of a few weeks. This one is a dance floor killer of no less proportions. Taken from a recently released Silence Please! compilation, presented by Get Physical Music, and mixed by Best Kept Secret's head honcho Vidis, Crazy Cow Bell and Owls Don't Cry are two best selling tracks from the album. Release your inner animal. More

Tracklist:
A1. Love Runaway ft Tamara Lee
A2. Crimped Hair
B1. Love Runaway ft Tamara Lee (Ray Mang Remix)
B2. Love Runaway ft Tamara Lee (Ray Mang Reprise)


Key Selling Points
California-based label Ritual Release introduce new & as-yet unknown duo Guruku. Love Runaway is their debut EP and comes with remixes by disco don Ray Mang.
Title track ‘Love Runaway’ features criminally underheard Tamara Lee on vocals and co-writing duties. LA funk/R&B/future twang auteur Harriet Brown (Innovative Leisure, Phantom Island, World Building) provides guest vocals on the EP’s second original track, ‘Crimped Hair’.
On the flip, Ray Mang delivers a masterclass in honing ‘Love Runaway’ for peak dancefloor effect in a choice of extended remix or dubby reprise.
“Absolutely essential release. A really good song is turned into a modern disco monster by Ray Mang, channeling Prelude Records circa 1982.” – Bill Brewster (DJ History, UK)

GENRE: Boogie, Disco, Funk
FOR FANS OF: Maurice Fulton, The Vision, Dreamcast, Star Creature
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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.



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Tracklist
A1. Tell - ‘Because I Love You’
A2. DJ Psychiatre - ‘Faux Départ’
A3. North of the Island - ‘Kit Kat’
B1. Juravlove - ‘Malishka’
B2. Casino Times - ‘We Are One’
B3. Aguila - ‘Hazy Dew’


Highlight:
Introducing the Volume 2 of Various Artists, blending House, Deep, and Balearic vibes. In the same vein as Volume 1, and still eager to mix various styles and influences by inviting long-time favorites and members of our close entourage, N&B is back at it. The album features DJs from all over the world, from Brighton with Casino Times to Manchester with North Of the Island, and even from Paris. Notably, they have collaborated with long-time label partners such as Tell and Juravlove, while also introducing new talents like DJ Psychiatre and Aguila.






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AAL record on Other People.
Pressed on to wax due to popular demand.

Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
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Tracklist

A1. DVS1 - Lower Wacker Drive
A2. I:Cube - Folie Noire
B1. Marko East & Jordi Chu - Go Kart
B2. Like A Tim - Wonderline 1 (Prins Thomas Diskomiks)
B3. Katerina - Meet Chu In My Dreams

Release Note:

Dial 303! The new and hopefully also durable sampler series on Running Back is here.

Dedicated to the twang of Roland’s silver baseline box with a varied string of artists: DVS1, Marko East & Jordi Chu (whose collaboration sparked the idea of a whole series), Like A Tim via Prins Thomas, Katerina and I:Cube.

The Parisian put it in a nutshell, too: „Although rinsed to death to the point of becoming a parody of itself, acid will last forever.“ Therefore, his Folie Noire is combining the original recipes with hypnotic European influences, while Marko and Jordi present a rough and direct 303-909 live jam, Prins Thomas puts his wickedest smile on Like A Tim’s Wonderline from 2005 and Katerina sets a lucid dream to sanguine music.

Finally, there is a rare and much desired musical outing by the unique DVS1. A direct ode to Chicago’s acid and beatdown styles and its Midwest companions, it is a heads-down-lights-down late night track made for driving up and down Lower Wacker Drive. Trippy trip artwork by the inimitable Gasius.

Trivia: If the piano is the bread of house music, the acid line is its butter!










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RE Edition, Orignal Pressing 2020!

Tracklist 12":

A1 NX1 - AB1
A2 Stephanie Sykes - Blur
B Jay Quentin - Information Superhighway


Agenda 2020 ://about blank-style.

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Special remarks

Tracklist
A1. Children Of the E (Kink SP1200 Remix)
A2. Children Of the E (Kink & Rachel Remix Gerd Janson Edit)
B1. A1. Children Of the E (Justin Va Der Volgen Remix)
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Tracklist:
(1) Sven Väth – Mystic Voices (DE-Q20-22-00006)
(2) Sven Väth – Butoh (DE-Q20-22-00008)

Release Info:
Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher


The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece!

But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set!

First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find.

“Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.




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“Reptile Youth is a riot, a dream and a 21st century fuck you dadaism movement.” - Mads Damsgaard Having already earned a devotional following after a series of intense, raucous and explosive gigs across Europe and Asia, the release of their debut single ‘Speeddance’ will let the rest of the world in on the Reptile Youth secret. Formed in Denmark in 2009 by Vocalist Mads Damsgaard Kristiansen and bassist Esben Valløe, and previously known as Reptile and Retard, the band toured extensively in 2010 and 2011 to rapturous acclaim from audiences and critics alike. Their live shows have border on barely contained chaos, their dominance of the stage inspiring a fervent following among those in the know. Danish producer Kasper Bjørke, acting as A&R and executive producer for the band, is the man ensuring the transfer of this volatile energy to Reptile Youth’s releases. In 3 minutes of high-octane pop punk perfection, ‘Speeddance’ is a slap in the face to the indie pretenders, and a call to arms for a new generation. On the visual side UK photographer David Richardson took responsibility for the cover shooting. “Speeddance is a reaction to a world of conformity. It‘s a hope and an encouragement for our generation to rise against this. Sometimes you need to lose yourself to fi nd your way. Speeddance is this way of losing yourself“ says Esben Valløe. Propelled by Esben’s elastic bass, ‘Speeddance’ fi res out
of the traps with kinetic urgency, giving way only to Mads’ anthemic, semi-deranged vocal hook. Dripping with drama, lust, and absolute self belief, the track’s pulse is a pure rock n roll statement - welcome to Reptile Youth, the bastard sons of psychedelic Sixites Soul, Post Punk and Synth Pop. This 7inch is a bold statement of intent – furious, sexy and provocative. In a further homage to their punk forefathers, accompanying the original on the single is a remake of ‘Speeddance‘ by much-lauded Norwegian band Deathcrush - the trio of Andreas Larssen, Åse Røyset and Linn Nystadnes. After seeing them playing in a sweaty apartment in Copenhagen, Reptile Youth quickly asked them to record their own version of the song. Åse and Linn‘s formidable female drawl leads the riot, as dance-punk meets postfuck- noise-disco in a great big slice of attitude pie. Very close ‘to the embodiment of all that‘s good with dirty and intoxicating noise-rock‘, as described by UK techno veteran Luke Slater, this Nordic outfi t are hot on the heels of Reptile Youth, careering around the rocky highways of the music industry with plenty of afore-missed artistry. Signed to influential hfn music, with a hotly anticipated album produced by Dave M. Allen (The Cure, Sisters of Mercy) and Marc Ralph (Hot Chip) due out in spring, 2012 is undoubtedly the year of the Reptile and the Youth.
7 inch tracklist:
A: Speeddance
B: Speeddance (Remake by Deathcrush) More

Electronic / Ambient / Experimental

Format: 2LP

Tracklist:

A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1

Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.

While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.

Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.

I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.

I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.

This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.

There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.

John Frusciante

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LP Full-colour artwork with double-sided insert

Tracklist


A1. Combine
A2. Delinquent Dreams
A3. Toteninsel
A4. Recurring Horrors
B1. Frost
B2. No Man's Land
B3. Blue Hours


Shortinfo:

Shortinfo:

Christoph de Babalon has relished the two years since his last full-length outing for A Colourful Storm, crossing paths with a new guard of prodigies while maintaining ties with a legion of disciples. Aphex Twin, his old foe, even played "Realistic Riot Ritual Routine" at the now-infamous Warehouse Project set, smashing it to bits and pieces over "Polynomial-C". Recurring Horrors dives deep into de Babalon's DAT archive, dragging out ghosts while pressing the jaw-dropping, nine-minute breakcore epic, "No Man's Land" to vinyl for the first time. Unmissable smut.

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