Label:arpa records
Cat-No:arpa003
Release-Date:16.05.2011
Genre:Techno
Configuration:12"
Barcode:827170403567
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Last in:25.05.2011
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Label:arpa records
Cat-No:arpa003
Release-Date:16.05.2011
Genre:Techno
Configuration:12"
Barcode:827170403567
This time around we will be celebrating the third release on Arpa Records from label owner DJ SODEYAMA entitled "LIFE". This release sees the ever enterprising DJ return to his roots with an uplifting house track with a deep rooted acid bass and a booty shaking groove that can explode on any dance floor. For the remixes Arpa Records have been lucky enough to invite the talents of the one and only RADIOSLAVE who has provided the lucky listeners with over 12 minutes of pure unadulterated minimal bash.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from dj sodeyama
Label:arpa records
Cat-No:arpa002
Release-Date:25.02.2011
Genre:Techno
Configuration:12"
Barcode:827170390669
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Label:arpa records
Cat-No:arpa002
Release-Date:25.02.2011
Genre:Techno
Configuration:12"
Barcode:827170390669
Not long after his "Miles (inc. Nick Curly Remix)" release, DJ SODEYAMA's follow up on ARPA Records is about to hit the shelves. On a deeper tip, DJ SODEYAMA will exhibit his range as one for Tokyo's premier electronic music artists by releasing the "Abyss" also on ARPA Records. To showcase the talent from both home and abroad DJ SODEYAMA has picked out some of the most exciting artists within the electronic music scene today in Glimpse (Coccon / Cadenza / Crosstown Rebels) and Tokyo's very own Ryo Murakami (Poker Flat). Dropping some real bottom heavy beats alongside some rhythmic percussion the "Abyss" release will prove to be a future classic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:arpa records
Cat-No:arpa001
Release-Date:07.01.2011
Genre:Techno
Configuration:12"
Barcode:827170379664
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Label:arpa records
Cat-No:arpa001
Release-Date:07.01.2011
Genre:Techno
Configuration:12"
Barcode:827170379664
early support from Locodice, Matthias Tanzmann, Gregor Tresher, Dubfire, Nic Fanciulli!
New Japanese dance music label, ARPA RECORDS is launching as its first release very own label boss DJ SODEYAMA's techno track "MILES". Previously having released on respected labels ZENIT, ANTE ZENIT and more recently on labels ARCHIPEL, KUMO, WE ARE, DJ SODEYAMA's tracks feature a wide range of musical dimensions and have gained much credibility and interest from DJs worldwide. The original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by Richard Spitzer and a deep but solid synth groove. 8BIT and CECILLE label boss Nick Curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
New Japanese dance music label, ARPA RECORDS is launching as its first release very own label boss DJ SODEYAMA's techno track "MILES". Previously having released on respected labels ZENIT, ANTE ZENIT and more recently on labels ARCHIPEL, KUMO, WE ARE, DJ SODEYAMA's tracks feature a wide range of musical dimensions and have gained much credibility and interest from DJs worldwide. The original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by Richard Spitzer and a deep but solid synth groove. 8BIT and CECILLE label boss Nick Curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from arpa records
12"
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Label:arpa records
Cat-No:arpa005
Release-Date:15.03.2012
Genre:Techno
Configuration:12"
Barcode:827170440869
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Label:arpa records
Cat-No:arpa005
Release-Date:15.03.2012
Genre:Techno
Configuration:12"
Barcode:827170440869
1
DJ PI-GE, - Candyland
2
DJ PI-GE, - Candyland
3
DJ PI-GE, - Candyland
CANDY LAND is DJ PI-GE's first solo release from Arpa Records., It follows on from his previous collaboration with MATHIAS KADEN as unit "MATHI MIDORI& PI-GE" who released the "KONOMAMA" ep on RAUM…musik The EP gained critical acclaim, especially for the inspiring remixes by Reboot and Maayan nidam. "CANDY LAND( original mix) - track one is a minimal track structured with profound bass, crunchy guitar samples and simple rhythm, peppered with minimalistic voice samples, it features a high impact breakdown. On the Track 2 is a remix by CHRISTIAN BURKHARDT, one of the most remarkable producers at the moment and his tracks have been released various leading labels such as RAUM…musik, Oslo, and Cocoon to name a few. His remix fuses the characters of the original track with a unique new school rhythm and groove. On the 3rd track is deep and dark remix by DJ Sodeyama, label honcho of Arpa Records. This remix form an extended journey of over 10mins with a deep and dark introduction thats combined with experimental sounds as the track builds. All in all a great package for DJs of Deep House, Tech House and Techno.
This EP is supported by DORIAN PAIC / FEDERICO MOLINARI / TIM XAVIER / MATHIAS KADEN / JOEL MULL / NICK CURLY / PHEEK and more…
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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This EP is supported by DORIAN PAIC / FEDERICO MOLINARI / TIM XAVIER / MATHIAS KADEN / JOEL MULL / NICK CURLY / PHEEK and more…
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Liebigstrasse 2-20
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12"
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Label:arpa records
Cat-No:arpa004
Release-Date:20.07.2011
Genre:Techno
Configuration:12"
Barcode:827170412262
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Label:arpa records
Cat-No:arpa004
Release-Date:20.07.2011
Genre:Techno
Configuration:12"
Barcode:827170412262
A new gem ARPA004 has arrived from ARPA records.
The rising producer duo under the alias 'FKTB' has been rocking the dance floors with their uplifting cutting edge dance tracks that feature sample elements from the Chicago scene. Includes playful remixed versions by 'TIM XAVIER,' label master of clink, LTD400, and 'A mochi,' who is one of the busiest heavy hitters released under several labels, and also label owner of ARPA records 'DJ SODEYAMA' himself.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The rising producer duo under the alias 'FKTB' has been rocking the dance floors with their uplifting cutting edge dance tracks that feature sample elements from the Chicago scene. Includes playful remixed versions by 'TIM XAVIER,' label master of clink, LTD400, and 'A mochi,' who is one of the busiest heavy hitters released under several labels, and also label owner of ARPA records 'DJ SODEYAMA' himself.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:arpa records
Cat-No:arpa002
Release-Date:25.02.2011
Genre:Techno
Configuration:12"
Barcode:827170390669
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Label:arpa records
Cat-No:arpa002
Release-Date:25.02.2011
Genre:Techno
Configuration:12"
Barcode:827170390669
Not long after his "Miles (inc. Nick Curly Remix)" release, DJ SODEYAMA's follow up on ARPA Records is about to hit the shelves. On a deeper tip, DJ SODEYAMA will exhibit his range as one for Tokyo's premier electronic music artists by releasing the "Abyss" also on ARPA Records. To showcase the talent from both home and abroad DJ SODEYAMA has picked out some of the most exciting artists within the electronic music scene today in Glimpse (Coccon / Cadenza / Crosstown Rebels) and Tokyo's very own Ryo Murakami (Poker Flat). Dropping some real bottom heavy beats alongside some rhythmic percussion the "Abyss" release will prove to be a future classic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
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Germany
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Label:arpa records
Cat-No:arpa001
Release-Date:07.01.2011
Genre:Techno
Configuration:12"
Barcode:827170379664
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Label:arpa records
Cat-No:arpa001
Release-Date:07.01.2011
Genre:Techno
Configuration:12"
Barcode:827170379664
early support from Locodice, Matthias Tanzmann, Gregor Tresher, Dubfire, Nic Fanciulli!
New Japanese dance music label, ARPA RECORDS is launching as its first release very own label boss DJ SODEYAMA's techno track "MILES". Previously having released on respected labels ZENIT, ANTE ZENIT and more recently on labels ARCHIPEL, KUMO, WE ARE, DJ SODEYAMA's tracks feature a wide range of musical dimensions and have gained much credibility and interest from DJs worldwide. The original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by Richard Spitzer and a deep but solid synth groove. 8BIT and CECILLE label boss Nick Curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
New Japanese dance music label, ARPA RECORDS is launching as its first release very own label boss DJ SODEYAMA's techno track "MILES". Previously having released on respected labels ZENIT, ANTE ZENIT and more recently on labels ARCHIPEL, KUMO, WE ARE, DJ SODEYAMA's tracks feature a wide range of musical dimensions and have gained much credibility and interest from DJs worldwide. The original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by Richard Spitzer and a deep but solid synth groove. 8BIT and CECILLE label boss Nick Curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Cat-No:rb104
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1
Dusky - A1. Static (Cinthie Remix)
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2
Dusky - B1. Fridge (KiNK Remix)
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Dusky - B2. Lea Valley (rumu Remix)
Tracklist
A1. Static (Cinthie Remix)
B1. Fridge (KiNK Remix)
B2. Lea Valley (rumu Remix)
Release Info:
Dusky’s Life Signs project for Running Back remixed! The Londoners and their distinct hallmark of euphoric, yet multilayered dance floor dynamite get treated by Cinthie, KiNK and Rumu. Similar to the scope of original artists themselves, their interpretations are a wide choice of styles and suitable for different usages. Berlin’s true school house head Cinthie delivers her tried, tested and desired method of disco bass lines and deep house melodies on „Static“, while everyone’s favorite live act from Sofia turns the sounds of „Fridge“ into a lost mid-90ies techno classic. KiNK’s high-octane take would fit perfectly on every fantasy mixtape of Derrick May or Laurent Garnier of those days. Last, but not least, Dusky very own discovery and 17Steps artist Rumu uses „Lea Valley“ to punch his ticket with the UK bass and breaks fare. These goods sell well!
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Liebigstrasse 2-20
DE - 22113 Hamburg
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A1. Static (Cinthie Remix)
B1. Fridge (KiNK Remix)
B2. Lea Valley (rumu Remix)
Release Info:
Dusky’s Life Signs project for Running Back remixed! The Londoners and their distinct hallmark of euphoric, yet multilayered dance floor dynamite get treated by Cinthie, KiNK and Rumu. Similar to the scope of original artists themselves, their interpretations are a wide choice of styles and suitable for different usages. Berlin’s true school house head Cinthie delivers her tried, tested and desired method of disco bass lines and deep house melodies on „Static“, while everyone’s favorite live act from Sofia turns the sounds of „Fridge“ into a lost mid-90ies techno classic. KiNK’s high-octane take would fit perfectly on every fantasy mixtape of Derrick May or Laurent Garnier of those days. Last, but not least, Dusky very own discovery and 17Steps artist Rumu uses „Lea Valley“ to punch his ticket with the UK bass and breaks fare. These goods sell well!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Running Back
Cat-No:rb074RMX
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Genre:House
Configuration:12" Excl
Barcode:4251648414773
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Label:Running Back
Cat-No:rb074RMX
Release-Date:30.08.2019
Genre:House
Configuration:12" Excl
Barcode:4251648414773
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Krystal Klear - Euphoric Dreams (KiNK Remix)
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Krystal Klear - Euphoric Dreams (KiNK Drums & Bass Mix)
Tracklist
A1. Euphoric Dreams (KiNK Remix)
B1. Euphoric Dreams (KiNK Drums & Bass Mix)
Shortinfo:
Since its release in February, Krystal Klears ‘Euphoric Dreams’ has received incredible support across the board. From a BBC Radio 1 Exclusive, which saw the track sweep all the respective ‘Track of the Week’ accolades on Danny Howard, Pete Tong and Annie Mac’s Dance music shows to incredible support from Boiler Room, Resident Advisor and Mixmag.
Running Back’s in-house hit machine KiNK takes on remix duties. Currently riding high on his Piano Power EP. KiNK is known for his love of hardware, from classic 808’s to modular synths, and has created his own brand of free-flowing exploratory house and techno, with interactive live shows and an obsession for music technology.
KiNK’s remix offers a prime-time dancefloor destroyer, building on the original’s energy he rethinks the original melodies and combines them with a FM style bass line that cuts throughout the track. A kin to the original from Krystal Klear, it assures peak-time euphoric madness. On the flip KiNK delivers a Drums & Bass mix, stripped down Stevie Poindexter style jack track for those sweaty moments.
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Liebigstrasse 2-20
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A1. Euphoric Dreams (KiNK Remix)
B1. Euphoric Dreams (KiNK Drums & Bass Mix)
Shortinfo:
Since its release in February, Krystal Klears ‘Euphoric Dreams’ has received incredible support across the board. From a BBC Radio 1 Exclusive, which saw the track sweep all the respective ‘Track of the Week’ accolades on Danny Howard, Pete Tong and Annie Mac’s Dance music shows to incredible support from Boiler Room, Resident Advisor and Mixmag.
Running Back’s in-house hit machine KiNK takes on remix duties. Currently riding high on his Piano Power EP. KiNK is known for his love of hardware, from classic 808’s to modular synths, and has created his own brand of free-flowing exploratory house and techno, with interactive live shows and an obsession for music technology.
KiNK’s remix offers a prime-time dancefloor destroyer, building on the original’s energy he rethinks the original melodies and combines them with a FM style bass line that cuts throughout the track. A kin to the original from Krystal Klear, it assures peak-time euphoric madness. On the flip KiNK delivers a Drums & Bass mix, stripped down Stevie Poindexter style jack track for those sweaty moments.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Cocoon Recordings
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Release-Date:04.02.2022
Genre:Techno
Configuration:12" Excl
Barcode:4251648415183
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Cat-No:COR12171
Release-Date:04.02.2022
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1
Sven Väth - (1) Mystic Voices (DE-Q20-22-00006)
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2
Sven Väth - (2) Butoh (DE-Q20-22-00008)
Tracklist:
(1) Sven Väth – Mystic Voices (DE-Q20-22-00006)
(2) Sven Väth – Butoh (DE-Q20-22-00008)
Release Info:
Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher
The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece!
But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set!
First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find.
“Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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(1) Sven Väth – Mystic Voices (DE-Q20-22-00006)
(2) Sven Väth – Butoh (DE-Q20-22-00008)
Release Info:
Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher
The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece!
But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set!
First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find.
“Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:HFN Music
Cat-No:hfn13s
Release-Date:14.02.2012
Genre:Alternative/Electronic
Configuration:7" Excl
Barcode:4250382412663
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Label:HFN Music
Cat-No:hfn13s
Release-Date:14.02.2012
Genre:Alternative/Electronic
Configuration:7" Excl
Barcode:4250382412663
“Reptile Youth is a riot, a dream and a 21st century fuck you dadaism movement.” - Mads Damsgaard Having already earned a devotional following after a series of intense, raucous and explosive gigs across Europe and Asia, the release of their debut single ‘Speeddance’ will let the rest of the world in on the Reptile Youth secret. Formed in Denmark in 2009 by Vocalist Mads Damsgaard Kristiansen and bassist Esben Valløe, and previously known as Reptile and Retard, the band toured extensively in 2010 and 2011 to rapturous acclaim from audiences and critics alike. Their live shows have border on barely contained chaos, their dominance of the stage inspiring a fervent following among those in the know. Danish producer Kasper Bjørke, acting as A&R and executive producer for the band, is the man ensuring the transfer of this volatile energy to Reptile Youth’s releases. In 3 minutes of high-octane pop punk perfection, ‘Speeddance’ is a slap in the face to the indie pretenders, and a call to arms for a new generation. On the visual side UK photographer David Richardson took responsibility for the cover shooting. “Speeddance is a reaction to a world of conformity. It‘s a hope and an encouragement for our generation to rise against this. Sometimes you need to lose yourself to fi nd your way. Speeddance is this way of losing yourself“ says Esben Valløe. Propelled by Esben’s elastic bass, ‘Speeddance’ fi res out
of the traps with kinetic urgency, giving way only to Mads’ anthemic, semi-deranged vocal hook. Dripping with drama, lust, and absolute self belief, the track’s pulse is a pure rock n roll statement - welcome to Reptile Youth, the bastard sons of psychedelic Sixites Soul, Post Punk and Synth Pop. This 7inch is a bold statement of intent – furious, sexy and provocative. In a further homage to their punk forefathers, accompanying the original on the single is a remake of ‘Speeddance‘ by much-lauded Norwegian band Deathcrush - the trio of Andreas Larssen, Åse Røyset and Linn Nystadnes. After seeing them playing in a sweaty apartment in Copenhagen, Reptile Youth quickly asked them to record their own version of the song. Åse and Linn‘s formidable female drawl leads the riot, as dance-punk meets postfuck- noise-disco in a great big slice of attitude pie. Very close ‘to the embodiment of all that‘s good with dirty and intoxicating noise-rock‘, as described by UK techno veteran Luke Slater, this Nordic outfi t are hot on the heels of Reptile Youth, careering around the rocky highways of the music industry with plenty of afore-missed artistry. Signed to influential hfn music, with a hotly anticipated album produced by Dave M. Allen (The Cure, Sisters of Mercy) and Marc Ralph (Hot Chip) due out in spring, 2012 is undoubtedly the year of the Reptile and the Youth.
7 inch tracklist:
A: Speeddance
B: Speeddance (Remake by Deathcrush)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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of the traps with kinetic urgency, giving way only to Mads’ anthemic, semi-deranged vocal hook. Dripping with drama, lust, and absolute self belief, the track’s pulse is a pure rock n roll statement - welcome to Reptile Youth, the bastard sons of psychedelic Sixites Soul, Post Punk and Synth Pop. This 7inch is a bold statement of intent – furious, sexy and provocative. In a further homage to their punk forefathers, accompanying the original on the single is a remake of ‘Speeddance‘ by much-lauded Norwegian band Deathcrush - the trio of Andreas Larssen, Åse Røyset and Linn Nystadnes. After seeing them playing in a sweaty apartment in Copenhagen, Reptile Youth quickly asked them to record their own version of the song. Åse and Linn‘s formidable female drawl leads the riot, as dance-punk meets postfuck- noise-disco in a great big slice of attitude pie. Very close ‘to the embodiment of all that‘s good with dirty and intoxicating noise-rock‘, as described by UK techno veteran Luke Slater, this Nordic outfi t are hot on the heels of Reptile Youth, careering around the rocky highways of the music industry with plenty of afore-missed artistry. Signed to influential hfn music, with a hotly anticipated album produced by Dave M. Allen (The Cure, Sisters of Mercy) and Marc Ralph (Hot Chip) due out in spring, 2012 is undoubtedly the year of the Reptile and the Youth.
7 inch tracklist:
A: Speeddance
B: Speeddance (Remake by Deathcrush)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Avenue 66
Cat-No:AVE66-15
Release-Date:03.02.2023
Configuration:2LP Excl
Barcode:4251804129510
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Last in:05.07.2023
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Last in:05.07.2023
Label:Avenue 66
Cat-No:AVE66-15
Release-Date:03.02.2023
Configuration:2LP Excl
Barcode:4251804129510
Electronic / Ambient / Experimental
Format: 2LP
Tracklist:
A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: 2LP
Tracklist:
A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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in stock
Last in:21.08.2024
Label:Pampa
Cat-No:pampa033
Release-Date:08.12.2023
Genre:House
Configuration:12" Excl
Barcode:4251648411604
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1
Gerry Read - It’ll all be over 03:55min
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2
Gerry Read - Satyricon 04:58min
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3
Gerry Read - It’ll all be over (DJ Koze remix) 05:01min
2023 repress
Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min
Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min
Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Noire & Blanche
Cat-No:N&B011LP
Release-Date:19.01.2024
Genre:House
Configuration:12" Excl
Barcode:4062548072389
in stock
Last in:30.11.2023
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Last in:30.11.2023
Label:Noire & Blanche
Cat-No:N&B011LP
Release-Date:19.01.2024
Genre:House
Configuration:12" Excl
Barcode:4062548072389
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1
Tell - ‘Because I Love You’
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2
DJ Psychiatre - ‘Faux Départ’
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3
North of the Island - ‘Kit Kat’
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4
Juravlove - ‘Malishka’
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5
Casino Times - ‘We Are One’
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6
Aguila - ‘Hazy Dew’
Tracklist
A1. Tell - ‘Because I Love You’
A2. DJ Psychiatre - ‘Faux Départ’
A3. North of the Island - ‘Kit Kat’
B1. Juravlove - ‘Malishka’
B2. Casino Times - ‘We Are One’
B3. Aguila - ‘Hazy Dew’
Highlight:
Introducing the Volume 2 of Various Artists, blending House, Deep, and Balearic vibes. In the same vein as Volume 1, and still eager to mix various styles and influences by inviting long-time favorites and members of our close entourage, N&B is back at it. The album features DJs from all over the world, from Brighton with Casino Times to Manchester with North Of the Island, and even from Paris. Notably, they have collaborated with long-time label partners such as Tell and Juravlove, while also introducing new talents like DJ Psychiatre and Aguila.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Tell - ‘Because I Love You’
A2. DJ Psychiatre - ‘Faux Départ’
A3. North of the Island - ‘Kit Kat’
B1. Juravlove - ‘Malishka’
B2. Casino Times - ‘We Are One’
B3. Aguila - ‘Hazy Dew’
Highlight:
Introducing the Volume 2 of Various Artists, blending House, Deep, and Balearic vibes. In the same vein as Volume 1, and still eager to mix various styles and influences by inviting long-time favorites and members of our close entourage, N&B is back at it. The album features DJs from all over the world, from Brighton with Casino Times to Manchester with North Of the Island, and even from Paris. Notably, they have collaborated with long-time label partners such as Tell and Juravlove, while also introducing new talents like DJ Psychiatre and Aguila.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Be With Records
Cat-No:BEWITH017LP
Release-Date:25.08.2017
Genre:Soul/Funk
Configuration:LP Excl
Barcode:8713748984908
in stock
Last in:11.02.2020
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in stock
Last in:11.02.2020
Label:Be With Records
Cat-No:BEWITH017LP
Release-Date:25.08.2017
Genre:Soul/Funk
Configuration:LP Excl
Barcode:8713748984908
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
backorder
Label:Other People
Cat-No:OP048
Release-Date:12.10.2018
Configuration:2LP Excl
Barcode:4260544823947
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Last in:07.03.2024
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backorder
Last in:07.03.2024
Label:Other People
Cat-No:OP048
Release-Date:12.10.2018
Configuration:2LP Excl
Barcode:4260544823947
AAL record on Other People.
Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Running Back
Cat-No:rbacidep1
Release-Date:03.03.2023
Genre:House
Configuration:12" Excl
Barcode:4251804139946
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Last in:24.02.2023
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Last in:24.02.2023
Label:Running Back
Cat-No:rbacidep1
Release-Date:03.03.2023
Genre:House
Configuration:12" Excl
Barcode:4251804139946
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1
DVS1 - Lower Wacker Drive
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2
I:Cube - Folie Noire
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3
Marko East & Jordi Chu - Go Kart
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4
Like A Tim - Wonderline 1 (Prins Thomas Diskomiks)
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5
Katerina - Meet Chu In My Dreams
Tracklist
A1. DVS1 - Lower Wacker Drive
A2. I:Cube - Folie Noire
B1. Marko East & Jordi Chu - Go Kart
B2. Like A Tim - Wonderline 1 (Prins Thomas Diskomiks)
B3. Katerina - Meet Chu In My Dreams
Release Note:
Dial 303! The new and hopefully also durable sampler series on Running Back is here.
Dedicated to the twang of Roland’s silver baseline box with a varied string of artists: DVS1, Marko East & Jordi Chu (whose collaboration sparked the idea of a whole series), Like A Tim via Prins Thomas, Katerina and I:Cube.
The Parisian put it in a nutshell, too: „Although rinsed to death to the point of becoming a parody of itself, acid will last forever.“ Therefore, his Folie Noire is combining the original recipes with hypnotic European influences, while Marko and Jordi present a rough and direct 303-909 live jam, Prins Thomas puts his wickedest smile on Like A Tim’s Wonderline from 2005 and Katerina sets a lucid dream to sanguine music.
Finally, there is a rare and much desired musical outing by the unique DVS1. A direct ode to Chicago’s acid and beatdown styles and its Midwest companions, it is a heads-down-lights-down late night track made for driving up and down Lower Wacker Drive. Trippy trip artwork by the inimitable Gasius.
Trivia: If the piano is the bread of house music, the acid line is its butter!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. DVS1 - Lower Wacker Drive
A2. I:Cube - Folie Noire
B1. Marko East & Jordi Chu - Go Kart
B2. Like A Tim - Wonderline 1 (Prins Thomas Diskomiks)
B3. Katerina - Meet Chu In My Dreams
Release Note:
Dial 303! The new and hopefully also durable sampler series on Running Back is here.
Dedicated to the twang of Roland’s silver baseline box with a varied string of artists: DVS1, Marko East & Jordi Chu (whose collaboration sparked the idea of a whole series), Like A Tim via Prins Thomas, Katerina and I:Cube.
The Parisian put it in a nutshell, too: „Although rinsed to death to the point of becoming a parody of itself, acid will last forever.“ Therefore, his Folie Noire is combining the original recipes with hypnotic European influences, while Marko and Jordi present a rough and direct 303-909 live jam, Prins Thomas puts his wickedest smile on Like A Tim’s Wonderline from 2005 and Katerina sets a lucid dream to sanguine music.
Finally, there is a rare and much desired musical outing by the unique DVS1. A direct ode to Chicago’s acid and beatdown styles and its Midwest companions, it is a heads-down-lights-down late night track made for driving up and down Lower Wacker Drive. Trippy trip artwork by the inimitable Gasius.
Trivia: If the piano is the bread of house music, the acid line is its butter!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:://about blank
Cat-No:ab004
Release-Date:31.01.2020
Genre:House
Configuration:12" Excl
Barcode:
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Last in:30.07.2020
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Last in:30.07.2020
Label:://about blank
Cat-No:ab004
Release-Date:31.01.2020
Genre:House
Configuration:12" Excl
Barcode:
RE Edition, Orignal Pressing 2020!
Tracklist 12":
A1 NX1 - AB1
A2 Stephanie Sykes - Blur
B Jay Quentin - Information Superhighway
Agenda 2020 ://about blank-style.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist 12":
A1 NX1 - AB1
A2 Stephanie Sykes - Blur
B Jay Quentin - Information Superhighway
Agenda 2020 ://about blank-style.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Running Back
Cat-No:rb013.3
Release-Date:07.07.2017
Genre:House
Configuration:12" Excl
Barcode:4260038318829
in stock
Last in:12.06.2017
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Last in:12.06.2017
Label:Running Back
Cat-No:rb013.3
Release-Date:07.07.2017
Genre:House
Configuration:12" Excl
Barcode:4260038318829
Special remarks
Tracklist
A1. Children Of the E (Kink SP1200 Remix)
A2. Children Of the E (Kink & Rachel Remix Gerd Janson Edit)
B1. A1. Children Of the E (Justin Va Der Volgen Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
A1. Children Of the E (Kink SP1200 Remix)
A2. Children Of the E (Kink & Rachel Remix Gerd Janson Edit)
B1. A1. Children Of the E (Justin Va Der Volgen Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore