Tracklist
A. The Zen of Xen Parts I & II (feat. Xen) (12:54)
B1. Heart for Yes. Like for No (04:51)
B2. Hubris (06:42)


Key Selling Points
The mighty Man Power returns to Correspondant. One of the earliest labels to champion his explorative technoid landscapes, and deliver his debut album, the Mexico based composer makes a welcome return with three truly singular trips…

‘The Zen Of Xen’ comes in two segued parts, comprising almost 13 minutes of full intergalactic immersion. Laced with the alluring deep-dream vocals of Tel Aviv’s Xen, anchored with tripped-out humanized harmonics and weaved with soaring pads, it’s a genuinely emotional narrative that’s been cooking away on Man Power’s creative wishlist since he first met Xen at a show five years ago.

Elsewhere ‘Heart For Yes, Life For No’ will have you spitting rainbow emojis all night. An incredible piece of vibrant melodic techno rooted in synthesis, galvanized with emotive layers, driven by feels it sets us up perfectly for the fantastical finale ‘Hubris’. Cosmic, soft-focused, sparkling but topped with a choral chant that comes in from nowhere and arrests every sense as the elements rise and fuse with theatre.

By far one of Man Power’s most techno-focused and biggest records to date.




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Tracklist
A1 Chorus (6:59)
A2 Bushwick (6:54)
A3 Day2 (5:40)

B1 BS (6:33)
B2 Sin (5:43)
B3 Chorus (Outro) (4:29)


Key Selling Points

The chorus: that moment where everyone connects and participates in unity. A moment anyone who's shared a dancefloor can recognise whether it's a festival arena, subterranean dark room or an illegal rave in a field, warehouse or any abandoned canvas between… Like the ones Cologne's Julian Stetter has come from.

Inspired by subversive communities, all pulling together for a greater cause, his background in underground parties can be felt in everything he's done so far: his work with the Ancient Future Now label, his vast imaginative techno constructions and now his work with Jennifer Cardini's long-standing community Correspondant with the widescreen odyssey that is 'Chorus'

Six slices of evocative narrative-rich electronic soul inspired by his on-going international experiences on the road; loaded with poignant introspection, thunderous rumbles and playful theatrics, the EP is bookended by two versions of 'Chorus', a vision of scorching hope and lift that can seize a full floor's attention in seconds and full live up to the track's title, message and meaning. By far Julian's most significant solo EP to date, this is a moment for us all to connect and participate. Join in if you know the chorus…



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Tracklist
A1 - Dino Lenny & Fiberroot "Suddenly"
A2 - Fiberroot "Echo Silent" (MR TC Remix)
B1 - Fiberroot "Echo Silent"
B2 - Dino Lenny & Fiberoot "Suddenly" (Jonathan Kusuma Remix)



Last seen baring his musical soul on Maceo Plex's Ellum, innovative Valencian artist FiberRoot now makes his debut on Correspondant. Making himself known with three soul surging originals; FiberRoot's spell-binding aesthetic and diverse palette complements Jennifer Cardini's label perfectly as it taps deep into most rudimental electronic foundations.

'Suddenly' sets the agenda: teaming up with OG maestro Dino Lenny, the title tracks hits with authentic blasts of Italo romance and rich analog craft. 'Echo Silent' follows suit with more of a droning, loopy, wall-of-sound surge of introspective hypnosis while 'Looking From The Outside' hits with more a clash-style feeling thanks to its loose drums and sweaty throbbing electro bassline.

Remix-wise Glasgow's MR TC goes Nordic with his mystic refix of 'Echo Silent' while Jonathan Kusuma takes 'Suddenly' to deeper, darker, driving places. Three arresting originals, two immaculate versions; 'Suddenly' is a landmark release for this exciting enigmatic man. We suspect he'll be corresponding with us again very soon….





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Tracklist
A1. Caribbean Zen Mode (Original)
A2. Caribbean Zen Mode (Gerd Janson's Bonus Drums)
B. Caribbean Zen Mode (Gerd Janson's Remix)

It's time to re-engage with your inner peace as Yovav follows his previous Correspondant cameo ('Andiamo' on 'Compilation 05' in case you're wondering) with this sublime exercise in horizontalism. Charmingly balmy, harmonic and hypnotic; this is the sound of Yovav bathing us in a gilded sonic sunset. Well… It's not called 'Caribbean Zen Mode' for nothing,

Remix-wise we're in for a treat as Tuff City Kid Gerd Janson lays down a delicious hip-swaying Balearic version. Delicately layered with glistening guitars, chimes, harps and a rolling percussive groove that opens up into a broken swing while the steady kick matches the slinky, sultry bass notes, it comes complete with its own bonus drum groove for added deep mix creativity.
Inner peace found, zen mode activated. Thank you Yovav.




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Tracklist
A1. Take Control (Original)
A2. Take Control (Simple Symmetry Remix)
B1. Last Gun (Original)
B2. Last Gun (INIT Remix)

Hot on the heels of their role on Correspondant Compilation Five, Mexican maestros Zombies In Miami return to Jennifer Cardini's label once again this summer with two supreme space-aged head jams.

Following recent disco excursions on Hippie Dance and Bordello A Parigi, the duo retreat to the shadier, heavyweight side of their signature with 'Take Control' and 'Last Gun'.

'Take Control' is a glacial creeper laced with frosty electroid synths and a smouldering hypnotic beat while 'Last Gun' firms our focus on the looming lower tones, creating an ominous fog for the sunlight arpeggios to climb through evocatively. Complete with on-point remixes from the Lipsky brothers' Simple Symmetry and Benedikt Frey & Nadia D'Alo's INIT project, this will have you taking control for a long time to come.


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Something special: Frenchman Sebastien Bouchet is launching his brand-new Sebastopol project. New name, same deliciously deviant electronica: his debut is compiled with serious detail and a cool coherency of humanised textures, trippiness and barbed, shadowy soul. ‘Assassin’ shoots to kill with its pranged-out toplines, gloriously wonked-out bass hooked and slurred vocal elements while ‘Manethon’ trips out on a broken note and melts into one of Sebastien’s most magically far-out breakdowns to date. The remixers echo his unique creativity with two suberb versions: Alessandro Adriani whips up dense layers of psychedelic tech on ‘Assassin’, while Privacy adds a gritty physical crunch to ‘Manethon’. Bringing the whole package together with a range that will resonate with all corners, this signs the start of a whole new chapter for Sebastopol. We can’t wait to hear what he brings next.

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Raunachte huntsmen Die Wilde Jagd return to Jennifer Cardini’s Correspondant. Previously spotted on the label’s far-reaching ‘Compilation 4’ album earlier this year, the duo ride back into town with two more chilling tales. Building on the immersive, otherworldly scenes they’ve painted on Bureau B – including last year’s self-titled album – the duo, comprising Ralf Beck and Sebastian Lee Philipp, continue to paint lavish landscape scenery with thick oil paint synthesis
‘Geisterfahrer’ (translating to wrong-way driver or ghost driver) is all about the anticipation. The second those introductory cymbals splash and the sinewy synth bass texture start to loop there’s an overwhelming sense of drama and suspense that pays off with every detailed ingredient. We hurtle through the night to the sound of ‘Drachenfels’. As its name suggests, it’s a mountainous sonic hike which surges higher and higher into the clouds. Bar by bar, ripple by ripple the scenery and physicality grows with a sense of triumph as more elements are added. Reaching the summit the moment the beats finally kick in.
It’s down to DFA’s Factory Floor to close this vast atmospheric scene with a remix. And they do so with a beautifully blunt electro twist where chunky 909 drums punch a slo-mo break while immense dubby washes of drums scatter down across the analogue groove with a kilter-teasing defiance. A fittingly brazen contrast to the cinematica conjured by Beck and Philipp.

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Correspondant 40 was born in 2012 with the first ever meeting of Benoit Gagnon and Massimiliano Pagliara. Benoit initially sent the tracks that now form the "In Spirals" EP to Massimiliano for nothing more than feedback. However Massi felt so inspired by the music that he felt compelled to add his personal analogue touch. Opening track ‚In Spirals' is an unabashed ode to funked up baselines and sparkling Italo melodies. ‚Agamous' pulls us in to sensual acid territory by taking 808 beats and 303 beeps into unchartered sexy locales. ‚Go South' continues the sexed up and synthy motif, and throws some electricised jungle drumming into the mix, making this the most intense and darkest track on the EP. ‚Don't Push Me', begins its journey with a more grooving disco percussion line and then heaps on some Chicago pads, ultimately blossoming into a full blown hands-in-the-air synth-exercise.

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