Jordan Peak fits the Instinkt brand like a glove. This grenade of a release has concrete boots that will be smashing holes in dance floors for months to come. ‘Drums for Days’ is the most powerful release on this label to date with two tracks combing some stunning drum programming and the trippiest vocal hook you’ll hear this year. New-school house with just the right amount of nostalgia done in the classy way only Jordan Peak is capable of.
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Jordan Peak makes a stellar return to the Air London imprint this September with the 'Cause For Concern' EP, a three-track collection from the London based producer. The ever on-point Jordan Peak has been continually delivering striking and versatile material over the past four years, releasing records via some leading labels in underground house and techno, such as Tsuba, Robsoul, Bass Culture and One Records. Here we see Jordan return to the Air London label, following his 'It's Time / Hanging By A Thread' EP on the imprint last year. Peak kicks off the 'Cause For Concern' EP with 'Tones & Textures', a rugged groove-led workout fuelled by a bumpy, penetrating rhythm. The synthesized elements then add a warm and charming character to the composition, meandering around the percussive foundation; Peak employs ethereal pads, swirling dub echoes and resonant stabs here to create a mesmerizing and hypnotic vibe. Following is 'Sacred Ground' which picks up the pace slightly with insistent sub tones, naturally swung organic percussion, ever evolving, tension building atmospherics and a trippy spoken-word vocal line uttering the track's title sporadically. Once again resulting in a classy, understated piece of work from this clear-cut talent. The package is then closed with 'Divider', a brilliant construction to finish the package which sees Jordan opt for a more minimalistic approach, stripping back the drums to a sparse yet punchy vibe, while rounded low-end tones drive things along, and bubbling bell sounds, gritty stabs and aggressive bass hits are thrown into the mix intermittently.
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We welcome UK’s rising star Jordan Peak on board for his first fully fledged techno release. Jordan has been making waves ever since his entrance on the international circuit in 2011 and with releases on Bass Culture and Robsoul a.o. his future is looking bright. Last year he started his own imprint Rogue Society, a label focused on music on the borders of house and techno. Jordan’s first steps into purist techno territory appear more like giant leaps. All four tracks sound like he is been making techno tunes for years, an extraordinary display of his talent. Black Paint kicks of a funk fuelled groove accompanied by modern day dub stabs and fx programming. Follow up Crocodile Tears brings memories of early Slam/Soma records to mind, updated to 2014. On the flipside you’ll find 2 dark, hypnotic groovers. Relentless in their pace, both with catchy melody lines that’ll stick in your brain for weeks to come. Another fantastic BALANS debut More

2024 Repress

3 DANCEFLOOR HOUSE SECRET WEAPONS NEVER RELEASED ON VINYL. FROM PARIS TO TORONTO AND BACK ! LIMITED PRESSING NOT TO BE MISSED ! More

Repress!

Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential.... More

Three classic house cuts by label boss himself ! Strictly limited , not to be missed ! More

New Sampler with Unreleased tracks by Mark Farina, DJ Sneak, Joss Moog & Phil Weeks

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ROFirst volume with Lorenzo - Get Deep (ROSBOULLTD07), Joss Moog - Forever Pimpin’ (ROBSOUL50) & Phil Weeks – Hypnose (ROBSOUL07) what else?

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One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.

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One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.

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Having brought us his Ladies Night EP back in March alongside partner in crime Bas Roos; Dutchman Chris Stussy returns to the fold. This time flying solo on his Nightdriver EP. Steering away from the sample-stacked party peakers of his previous outing, Stussy delivers a more subtle and refined four track selection that opens with the shuffle and smooth chords of 'Nightdriver'. The warm bass and glistening keys of 'Crate Diggin'' takes up the beat baton, before 'One Way' ups the ante with its insistent and irresistible groove. Finally Chris caps this impressive outing with the disco infused, smooth flow of 'Lonely'.

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Its been almost a year since our Robsoul brother Chris Carrier unveiled new music on the label. After recent remix and release forays on Hot Creations, Cuttin’ Headz and his own Adult Only imprint, Mr Consistent is back with a trio of hot new jams. With its familiar screams and bumping bassline, title track ‘Plastic Dance’ sets the trend as its tickled ivories and snatched snares create a dancefloor commotion. ‘Hoverbike,' with its future facing title, actually presents crisp classic sounds wrapped in a haze of floating filters. A track that will draw even the most reluctant groovers to the dancefloor. For those still holding out, Chris also drops a bass-heavy Dub version to give them an extra nudge.

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Summer's round the corner and Javi Bora & IAAM are back on Robsoul with a sizzling new soundtrack for the weeks ahead. Somewhat of a label regular, Javi makes his fourth Robsoul return, backing up EP’s in 2012, ’13 & ’14. He teams up with fellow Spaniard and regular sparring partner IAAM, as they follow up recent releases on Music For Freaks and Bauhaus with ’Tonight,' a four track party-starter of an EP. The drum-laden ‘Perklap-Style’ opens the EP and its raw energy is quickly followed by the filtered disco flavour of ’Tonight’. On the flip the funky feels continue with ‘I Just Can Feel’ as its classic sample calls for some choreographed roof raising. Finally, closing up is ‘Rolling Up,' a bass-heavy beat tool that brings a perfect end to Tonight. More

D’Julz’s ‘Ze Box’ Ep, his 2014 debut for Robsoul, remains one the labels most popular to date. Now, as the Frenchman and renowned House luminary embarks on what is already a landmark year personally; he returns to the label to follow up last years Edits outing with a sultry new selection of tracks on the ‘Foxxy’ Ep. 2017 signals the twentieth anniversary of D’Julz’s seminal Bass Culture club night at Rex Club in Paris. A celebration of a party born from frustration with his City’s scene, it went on to become one of the longest standing and most respected nights of a generation. Sharing the booth with just one invited artist each night, each playing extended sets, gave the Parisian a perfect outlet for perfecting his craft. Skills honed at those Bass Culture nights not only helped craft an enviable DJ style, but also influenced his talent in both a&r’ing for his Bass Culture record label and the production of his own music. The Foxxy Ep finds D’Julz in a playful mood. ‘Ze Fox’ opens up with its stretched filters, funky guitar lick and merry vocal. The jittery hats of ‘Big Kid’ follows with its disco loops and sunshine vibe delivering smiles for miles, making you, yeah, feel like a big kid. ’Next’ is the cute little heartbreaker that brings this Foxxy Ep to a close. Its rough, juddering and yet grooving bassline is matched with synth washes, piercing snares and bird calls to create a perfect finale to a perfect EP.
You’ll wanna take her home. Foxxy.

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