12” (full cover + download) - Incl. Remix by OCB from Casa Voyager.

Tracklist
A1) Tightrope
A2) Tightrope (OCB Remix)
B1) Freefall
B2) Spiral

Infotext
Joonam is here. The new project from fellow NY friends Elon Admony & Nima Khalilian is landing its
breaks and techno laden debut EP on Vakant this Summer. On remix duties we welcome OCB from
Casa Voyager.
Fotography by Expreso Nova (Valentín Rodríguez) More

12” (+ download)

Tracklist
A1) Superior Things
A2) Heatwave
B1) Chappers Said So (Voiski Remix)
B2) Chappers Said So

Infotext

CYRK, the Belgian-German duo of Sammy Goossens and Pascal Hetzel, is giving its debut release on Vakant with three fast-paced no-holds-barred electro jams topped off with a remix by French producer Voiski.

'Superior Things', the eponymous title track, kicks off the EP with driving funk and and acid lead synths, followed by 'Heatwave', another futuristic high-tech-funker. On the flip we have 'Chappers Said So', a sublime homage to classic Detroit electro and last but definitely not least Voiski's remix of the latter, an immersive and trance-inducing techno re-work for you to get lost in.

Artwork by SEO – www.artseo.de
More

12” (+ download)

Tracklist
A1) Ate-Up
A2) Crisis Engine
B1) Alex, Why? (Maenad Veyl Edit)
B2) Alex, Why? (AQXDM Remix)

Infotext
Forever cursed with “deep-“ and “tech-house” labels by the press due to decisions taken 10 years ago before he had any idea how this industry worked, Avatism returns mildly angrier than ever before with ‘Ate-Up’, an EP the producer actually started writing during an MDMA-induced lucid dream after Vakant label boss spiked his drinks in 2011.

To give his poor soul some credibility, we’ve enlisted AQXDM (Aquarian & Deapmash, fresh from their storming debut on Bedouin Records) and the mysterious Maenad Veyl (Veyl, Pinkman, Death & Leisure) on remix duties.
More

Excellent 12" Package with 2 (!) Vinyl Only Remixes + manually stamped + download + A2 poster!

Tracklist
A1) Let's Go Program Thomas
A2) Let's Go Program Thomas (The Exaltics Remix) - VINYL ONLY
B1) Pranic Lift 777
B2) Pranic Lift 777 (Evigt Mörker Remix) - VINYL ONLY

Infotext
Kenneth Scott finally making his debut on Vakant, long overdue, such a great DJ and repeated guest
at Vakant parties. Phew.. Remixes by The Exaltics, co-owner of acclaimed electro imprint Solar One
Music, and Evigt Mörker of Northern Electronics fame. The Exaltics & Evigt Mörker Remix will only
appear on the vinyl. More

Tracklist:
A1) Dinner with Bogdan
A2) Ararapira Jazz
B1) Ararapira Jazz (Spacetravel Remix) - VINYL ONLY
B2) Desorientado feat. Sabino

Infotext:
Cesare vs Disorder, one half of Azimute and Serialism label head, returns to Vakant. The remix by Perlon artist Spacetravel will only appear on the vinyl. More

12" (stamped + download)
Tracklist:
A1) Lone
A2) Sib
B1) Hord (Convextion Remix) - VINYL ONLY
B2) Hord

Infotext
Tolga Fidan returns to Vakant. Remix by Convextion (vinyl only).
More

Tracklist:
A1) Seria A2) Mais Sus B1) Cu Balans (Varhat Remix) - VINYL ONLY B2) Cu Balans

Infotext:
Consistency and a diverse but functional aesthetic have kept Berlin based record label Vakant ahead of most imprints operating in the same space. Having released records since 2004 they have focused on working with only a select number of artists as they believe this is the only way to endure in a scene which is susceptible to trends, with Premiesku being part of the family as well as the likes of DeWalta and Avatism. Having already released a highly successful EP on the label in 2014, and more recently being a part of the labels latest anniversary compilation, 10 Years Vakant, the Romanian trio return with a driving four track EP. This EP features catchy melodies, vivid emotion and driving, floor-focussed percussion, which consists of three original tracks as well as the ever-dependable Varhat stepping up on remix duties. One of Frances most exciting exports, Varhat has already released a string of impressive records on labels such as Mulen and Howl. His interpretation of 'Cu Balans' brings a signature sound which portrays a lighter more bouncy feel to the track.
Premiesku which consists of Livio & Roby and George G are a Romanian joint alias that have been releasing and performing together for over nine years. Their widespread influence on the flourishing underground scene is no secret, their innovative live performances, and constant flow of cutting edge productions remain one of their nation's leading lights in the field.
More

Tracklist:
A1) Octogonal Library
B1) Betelgeuse Descent
B2) Black Head Junction

Infotext:
Vakant comes back with a very special release from an unknown group of creative entities. Three cuts of tribal space techno weaponry aimed at the dancefloor. We have received a message from entities lost in between the stars in the vacuum of interstellar space. The transmission was encrypted in an ancient code we were able to translated into frequencies understandable to earthlings. A psychic telegram has been sent to us, activating the body and the mind, divided into aggregations of codes that form three tracks of straight in your face, high-octane fueled, acidic tribal techno, riding on solid bass lines, trippy synths, shiny percussions and abstract ambiences.
More

Tracklist:
A) Contemporary State Of Mind B1) N.M.K.S B2) Midnight Arguments

Infotext:
Expectedly powerful three tracker from the Belgian Sons of Tiki who are slowly shifting their sound to a little more subtle but yet driving direction.
More

VINYL INCL DOWNLOAD CODES
Tracklist:
A) No Such Key B1) Fold B2) St3am
Infotext:
State-of-the-art techno from Nico Purman. The Argentinean's vision of contemporary club music has always been located somewhere between techno and electro. His Pattern Recognition EP turns out to be Nico's most uncompromising work since his early releases on Vakant and scores with three bold and infectious tracks for the club.
More

Tracklist:
A1) Electricity Reshape A2) Singular Reshape B1) Tidal Reshape B2) Modal Reshape
Infotext
Romanian house business at its best. Livio & Roby return to Vakant with this 4 tracker after their last excursion as Premiesku. Gotta love them either way!
More

12" Tracklist:
A1) Three-man Attack A2) Three-man Attack (Malin Genie Remix)
B1) Don't Reach Back B2) Don't Reach Back (Dorian Paic Remix)
Infotext
Belgian duo Sons of Tiki bringing the heat to the dancefloor with their new EP. Featuring remixes by Malin Genie and Dorian Paic.
More

EAN/UPC: 827170588264
12" Tracklist:
A1) Vortex A2) Unreason B1) Vortex (Cristi Cons Remix) B2) Vortex (Fango Remix)
Infotext:
It's not a simple thing to write about your own tunes. Your concept is innate, the music itself is in your mind and comes out as a natural flow, talking about it is a different thing. This time I wanted to come up with something different for my new EP on Vakant. Something unexpected for the ones who know Cesare vs Disorder's sound. I wanted to make a few tunes that reminded me about those lost feelings of the 90s, when electronic music was made not only for the clubs but also for the soul and the mind, not directly for a purpose but as a natural answer to time and space. After the classic "orientation" battle with head-honcho Alex we finally agreed on these tunes "Vortex" and "Unreason", one I would say more spaced out and heavy orientated, the other almost resembling those Electronica times when I really enjoyed flying with my brain and my emotions.

We finally also agreed to add a couple of remixes of Vortex by Romanian rising star Cristi Cons and Italian talent Fango. They both delivered unique stellar interpretations and I am happy to present the project to the world.

Cesare
More

UPC 827170562165 RD: 15.09.2014
12" Tracklist: A1) Conducting The Method A2) Sothis B1) Modern Conflict Theory B2) Sothis (Dead Heat Remix)
Info:
After first performing together at Sonar Festival with what was essentially a live version of our respective "B.O.A.T.S." and "Adamant" albums, Thomas and I decided to expand on these ideas for something more broad and improvisation-centric. After months in the studio drinking nothing but amaretto and working on new music for this purpose, our new live experiment (now simply called CW/A) was ready. The reception on these shows was so (thankfully) positive that Vakant eventually pressured us into releasing some sections as tracks. "Conducting the Method" is nothing other than a sample of what this new project is about: a collection of three excerpts taken from this year's performances. To round things off, we invited over our friends Dead Heat for a reinterpretation of one of our tracks. We can state with confidence that we are excited these tracks are no longer confined to our club and festival performances and can't wait for everyone to hear them. Hopefully you will enjoy them as much as we enjoy playing them out.
Francesco
More

UPC 827170555969 RD: 28.07.2014
12" Tracklist: A1) Pe Dos A2) Noococ (Sons of Tiki Remix) B1) Pe Dos (Avatism Remix) B2) Trandafirit
Info
Sitting down and writing about our latest EP was a fun but challenging exercise, we scratched our heads and this may sound bad but we couldn't think of deep, dark interesting stories on how we made these tracks or what they represent. These jams are simply a combination of previous and random happy accidents that have come together and saying anything else would be a lie. This however does not mean that the thinking behind them is completely random, the three cuts that we selected for this EP we feel are a journey of experimentation and a culmination of unexpected sounds and feelings. A word that we found best described the EP was 'Irony'. The most ironic thing we feel is that the main basis of these tracks were born on the stage during our live performances and they have now been reworked and moulded into a record. We however feel that this brings an interesting element to the EP that yes it is recorded and set, but you are not quite sure where the next sound or feeling will come from. A hi hat? A kick? It is pure 'organised randomness'... I suppose we should talk about some of the music and try and explain what we mean! We start with 'Pe dos', which in plain English means inside out and it was a track that we had started back in 2011. We were flicking through our 'curiosity closets' one day and found it, we played around with it and heard a kick drum that was not arranged correctly in the sequence due to a random manipulation of the sequencer. Our first thought was to just change it, but then we decided to wait..... when all the other sounds of the tracks came together we threw the kick back in and BAM, Even the acapella voice of the track was screaming. Therefore it was a simple for us to name this track as we worked on it in a completely back to front and "Inside Out" way! The other two tracks on the EP were born in a similar way, reborn again out of the dark corners of our packed 'curiosity closet'. The track 'Noococ' is perhaps the track with the most irony on the EP. Having been made originally after an amazing gig at Amnesia in Ibiza in 2012, we were in a recording frame of mind which gave the song its basis but we would still play it within our live shows. 'Noococ' has been therefore from recorded track, to live and now back to recorded in a quite weird but groovy journey. The final track, 'Trandafirit' has no such meaning. It is again a raw track stemming our live show some time ago that inspired us to recreate and retouch. Again through experiments and lots of head banging on walls, we recreated and accomplished a track that stayed true to the original writing of it but also embodied change which in a way is symbolic of the development of our project over the years. Now, we did warn you at the beginning of this wordy mess that it has been 'organised randomness' that has brought us to create these tracks and this EP, but one thing we are sure about is that we knew we would love to and be very honoured is to be able to put out this collection of cuts via Vakant. A label that has been close to our hearts and heads for a long time. We hope you enjoy the EP and that the music can help translate some of the shit above.
Much Love!
Livio, Roby & George
More

UPC 827170548367 RD: 10.06.2014
12" Tracklist: A) Quantum Entanglement - Acid Thunder feat. Mentrix AA) Quantum Entanglement - Need You feat. Fink
Infotext
For the second instalment from Quantum Entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before CDJs calculated the bpm for you...you had to touch things, buy things, and the bassline ruled over all. Acid Thunder, a classic by Fast Eddie, was the first dance record i ever bought. It was important. The guy who sold it to me, at the time a spotty school kid in his school uniform, was called John Stapleton, and the shop was Sidetrax in Bristol. Mentrix totally gets the kinda NY sluttiness of the original, and brings it right up to date....less of a cover, more of a homage, the entanglement of then and now. Need You is an entanglement of two very unlikely BFFs... John Lee Hooker and Joey Beltram. This isn't really a cover, it's more like the offspring of many things, times, and moments - it's like the grandchild of John Lee Hooker's track dated the nephew of Joey Beltram's track and lived in Neukölln. Again, Direct - "Techno Gone Mad" on R&S was another of my earliest techno purchases - at the time it was considered "Dutch Hardcore" but now, it's almost cute....
Quantum Entanglement....recycling other people's good ideas since January 2014"
Fin Greenall
More

UPC 827170536968 Release: 17.03.2014
12" Tracklist: A1) Avatism - Serpentine (Clockwork (C/W) Remix) A2) Avatism - Adamant (Lake People Remix) B1) Avatism - Laments feat. Federico Rizzo (DeWalta Remix) B2) Avatism - Bitter Reminiscence feat. Clockwork (C/W) (Fairmont Remix)
Hey everyone,
It's me again. I'm sipping coffee and staring at this Mac's calendar, suddenly realising it's already been more than 4 months since the release of "Adamant". I think thank-yous are way overdue so I'd like to take this opportunity to acknowledge everyone involved in the project as these have been a really amazing four months. Enough nonsense and let's back to business, or the purpose of this text: I (drumroll) proudly present the final 5 re-interpretations from some talented friends. It's an honour for me to have Francesco's techno, David's modular madness, Jake's synthwork and Martin's melodies all in one package, but being both fan and friend of everyone on board I'd be blatantly biased in describing this record's contents. So, since it's 2014, why don't we switch banalities, skip the "description" and "let the music do the talking" (ugh, did I really just write that?)
Thank you all!
PS. Seriously, does anyone read these anymore?
T

More

UPC 827170136823 Release: 13.01.2014
2LP tracklist:
A) Adamant, Different Spaces feat. Forrest Ghost, Coil
B) Planetario feat. Mind Against, Behind The Hourglass, Blackened
C) Bitter Reminiscence feat. Clockwork (C/W), Laments feat. Federico Rizzo,Curtains feat. Blue Mountain Club
D) Not Everything is Lost, Mastodon
For over 12 months Thomas Feriero AKA Avatism, our friend and label partner, has been staying at home and working on his album. He moved to Berlin to work on it and now sadly (for us) yet (gladly) for him he is moving back to Milan. Poof! Just Like that. So what did this year entail exactly? Well for some of us not much. We got to see him in his studio comfy pants a couple of times (he wears slippers) we heard his studio woes, ate pasta with him, drank beers and of course got to hear his album at every juncture. While this self-imposed exile may have been a little worrisome the result is fortunately spectacular. Adamant is a glimpse into how a city shapes a life and how intrinsically life then shapes music. It's less than 2 years since his first gig yet in that time he's managed to craft killer EPs on Vakant and Dumb Unit, collaborated with Clockwork & Mind Against (who both make appearances on the album) played diverse shows including SONAR By Night and generally had a really good run at it all. While many would be content simply continuing on this already exciting path, Thomas decided that Adamant was a chance to explore other forms of writing production & collaboration and imposed strict conditions so that Adamant would evolve differently than his earlier works. "I imposed mandates on myself while making it: The tracks (the music, at least) had to be written in a day. "Written", not mixed, arranged or produced, simply "written" and even though I was convinced the album was going into a different/wrong direction approximately 292829 times while making it I decided to follow through on all the musical parts that I developed in these one day cycles." As an artist and friend it is alway inspiring to see something take shape from its single (Logic) cell beginnings to the ornate abstractness where it now resides. It is an album that exudes a depth and immediacy, the restrictions and exile only strengthening Thomas' depth and detailing. The uncertainty, the melancholy, the general studio stink now neatly wrapped into a glittering whole that we're pretty confident the world will enjoy. J.Caufield
More

Tracklist
A1. Static (Cinthie Remix)
B1. Fridge (KiNK Remix)
B2. Lea Valley (rumu Remix)

Release Info:
Dusky’s Life Signs project for Running Back remixed! The Londoners and their distinct hallmark of euphoric, yet multilayered dance floor dynamite get treated by Cinthie, KiNK and Rumu. Similar to the scope of original artists themselves, their interpretations are a wide choice of styles and suitable for different usages. Berlin’s true school house head Cinthie delivers her tried, tested and desired method of disco bass lines and deep house melodies on „Static“, while everyone’s favorite live act from Sofia turns the sounds of „Fridge“ into a lost mid-90ies techno classic. KiNK’s high-octane take would fit perfectly on every fantasy mixtape of Derrick May or Laurent Garnier of those days. Last, but not least, Dusky very own discovery and 17Steps artist Rumu uses „Lea Valley“ to punch his ticket with the UK bass and breaks fare. These goods sell well!


More

Tracklist
A1. Euphoric Dreams (KiNK Remix)
B1. Euphoric Dreams (KiNK Drums & Bass Mix)

Shortinfo:

Since its release in February, Krystal Klears ‘Euphoric Dreams’ has received incredible support across the board. From a BBC Radio 1 Exclusive, which saw the track sweep all the respective ‘Track of the Week’ accolades on Danny Howard, Pete Tong and Annie Mac’s Dance music shows to incredible support from Boiler Room, Resident Advisor and Mixmag.

Running Back’s in-house hit machine KiNK takes on remix duties. Currently riding high on his Piano Power EP. KiNK is known for his love of hardware, from classic 808’s to modular synths, and has created his own brand of free-flowing exploratory house and techno, with interactive live shows and an obsession for music technology.

KiNK’s remix offers a prime-time dancefloor destroyer, building on the original’s energy he rethinks the original melodies and combines them with a FM style bass line that cuts throughout the track. A kin to the original from Krystal Klear, it assures peak-time euphoric madness. On the flip KiNK delivers a Drums & Bass mix, stripped down Stevie Poindexter style jack track for those sweaty moments.

More

Tracklist:
(1) Sven Väth – Mystic Voices (DE-Q20-22-00006)
(2) Sven Väth – Butoh (DE-Q20-22-00008)

Release Info:
Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher


The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece!

But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set!

First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find.

“Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.




More

“Reptile Youth is a riot, a dream and a 21st century fuck you dadaism movement.” - Mads Damsgaard Having already earned a devotional following after a series of intense, raucous and explosive gigs across Europe and Asia, the release of their debut single ‘Speeddance’ will let the rest of the world in on the Reptile Youth secret. Formed in Denmark in 2009 by Vocalist Mads Damsgaard Kristiansen and bassist Esben Valløe, and previously known as Reptile and Retard, the band toured extensively in 2010 and 2011 to rapturous acclaim from audiences and critics alike. Their live shows have border on barely contained chaos, their dominance of the stage inspiring a fervent following among those in the know. Danish producer Kasper Bjørke, acting as A&R and executive producer for the band, is the man ensuring the transfer of this volatile energy to Reptile Youth’s releases. In 3 minutes of high-octane pop punk perfection, ‘Speeddance’ is a slap in the face to the indie pretenders, and a call to arms for a new generation. On the visual side UK photographer David Richardson took responsibility for the cover shooting. “Speeddance is a reaction to a world of conformity. It‘s a hope and an encouragement for our generation to rise against this. Sometimes you need to lose yourself to fi nd your way. Speeddance is this way of losing yourself“ says Esben Valløe. Propelled by Esben’s elastic bass, ‘Speeddance’ fi res out
of the traps with kinetic urgency, giving way only to Mads’ anthemic, semi-deranged vocal hook. Dripping with drama, lust, and absolute self belief, the track’s pulse is a pure rock n roll statement - welcome to Reptile Youth, the bastard sons of psychedelic Sixites Soul, Post Punk and Synth Pop. This 7inch is a bold statement of intent – furious, sexy and provocative. In a further homage to their punk forefathers, accompanying the original on the single is a remake of ‘Speeddance‘ by much-lauded Norwegian band Deathcrush - the trio of Andreas Larssen, Åse Røyset and Linn Nystadnes. After seeing them playing in a sweaty apartment in Copenhagen, Reptile Youth quickly asked them to record their own version of the song. Åse and Linn‘s formidable female drawl leads the riot, as dance-punk meets postfuck- noise-disco in a great big slice of attitude pie. Very close ‘to the embodiment of all that‘s good with dirty and intoxicating noise-rock‘, as described by UK techno veteran Luke Slater, this Nordic outfi t are hot on the heels of Reptile Youth, careering around the rocky highways of the music industry with plenty of afore-missed artistry. Signed to influential hfn music, with a hotly anticipated album produced by Dave M. Allen (The Cure, Sisters of Mercy) and Marc Ralph (Hot Chip) due out in spring, 2012 is undoubtedly the year of the Reptile and the Youth.
7 inch tracklist:
A: Speeddance
B: Speeddance (Remake by Deathcrush) More

Electronic / Ambient / Experimental

Format: 2LP

Tracklist:

A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1

Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.

While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.

Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.

I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.

I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.

This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.

There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.

John Frusciante

More

2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.



More

Tracklist
A1. Tell - ‘Because I Love You’
A2. DJ Psychiatre - ‘Faux Départ’
A3. North of the Island - ‘Kit Kat’
B1. Juravlove - ‘Malishka’
B2. Casino Times - ‘We Are One’
B3. Aguila - ‘Hazy Dew’


Highlight:
Introducing the Volume 2 of Various Artists, blending House, Deep, and Balearic vibes. In the same vein as Volume 1, and still eager to mix various styles and influences by inviting long-time favorites and members of our close entourage, N&B is back at it. The album features DJs from all over the world, from Brighton with Casino Times to Manchester with North Of the Island, and even from Paris. Notably, they have collaborated with long-time label partners such as Tell and Juravlove, while also introducing new talents like DJ Psychiatre and Aguila.






More

AAL record on Other People.
Pressed on to wax due to popular demand.

Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
More

Tracklist

A1. DVS1 - Lower Wacker Drive
A2. I:Cube - Folie Noire
B1. Marko East & Jordi Chu - Go Kart
B2. Like A Tim - Wonderline 1 (Prins Thomas Diskomiks)
B3. Katerina - Meet Chu In My Dreams

Release Note:

Dial 303! The new and hopefully also durable sampler series on Running Back is here.

Dedicated to the twang of Roland’s silver baseline box with a varied string of artists: DVS1, Marko East & Jordi Chu (whose collaboration sparked the idea of a whole series), Like A Tim via Prins Thomas, Katerina and I:Cube.

The Parisian put it in a nutshell, too: „Although rinsed to death to the point of becoming a parody of itself, acid will last forever.“ Therefore, his Folie Noire is combining the original recipes with hypnotic European influences, while Marko and Jordi present a rough and direct 303-909 live jam, Prins Thomas puts his wickedest smile on Like A Tim’s Wonderline from 2005 and Katerina sets a lucid dream to sanguine music.

Finally, there is a rare and much desired musical outing by the unique DVS1. A direct ode to Chicago’s acid and beatdown styles and its Midwest companions, it is a heads-down-lights-down late night track made for driving up and down Lower Wacker Drive. Trippy trip artwork by the inimitable Gasius.

Trivia: If the piano is the bread of house music, the acid line is its butter!










More