LP, 180G

Tracklist vinyl :

A1 JD kst
A2 tor un
A3 ufx33
A4 wolod
B1 bemo1
B2 arpszym
B3 DIM machine

The sun, kissing the forehead through half-closed blinds; the night, coming uninvited through a
windowpane like a damp, sticky shroud. Light and darkness, solid foundations and elusive glimpses
of parallel realities. Armies of digital insects - taken aback by warmth of one brave heart, 90s chillout
rooms updated for todays vast and desolated space full of fragile souls desperate in their look for
any kind of communion; “artificial intelligence” after three decades of wandering, trying to finally
find a helping hand, solace and peace. Shimmer and shine. Welcome to “Pristine”, a new recording
from the mind of Jacek Sienkiewicz.
For the past years Jacek has been escaping his image of relentless producer and performer of
driving, multi-layered club music. His most recent works include deep ambient records, abstract
electro-acoustic experiments, and super smart, stripped-down yet incredibly complex
contemporary electronica. The last few records, mostly on his own label Recognition include albums
with Max Loderbauer and Atom™, reinterpretations of works by Bogdan Mazurek of the legendary
Polish Radio Experimental Studio, scores for radio plays and last year’s massively overlooked
“Krasz”, music for theatrical performance of Ballard’s/Cronenberg’s “Crash”.
“Pristine”, a labour of love, is at times abstract and atonal, at times breathtakingly beautiful and
tender.

8 tracks written and performed in Jacek’s unmistakable, singular style, and covering many grounds -
abstract, electronic forms, neo-classical wonders, super tight compositions and freeform, jazz-like
improvisations and stripped-down rhythms. Different moods, machine-translated and reverseengineered in a variety of recording locations, make up this exceptional record.
Shimmer and shine, immerse and enjoy.

Co-Financed By The Minister Of Culture And National Heritage of Poland.
The project has been implemented in co-production with Recognition Records and the National Centre for
Culture of Poland More

Tracklist 12":

A. LIGHTIN
B. TRAKER


Short Info:


Most recently Jacek Sienkiewicz had been mainly preoccupied with with experimental music - his explorations of outer limits of sound resulted in 3 albums released already in 2019, with two more to follow by the end of the year. So, It was good and perhaps refreshing to hear his surprising return to the dancefloor with "Lightin", an unexpected Summer afterparty anthem released digitally in June. By popular demand, it's now released on vinyl in its full, 11+ minutes glory. Lightweight, gentle and tuneful, propelled by a syncopated rhythm, it rolls like a steam engine taking you to your favourite holiday destination. Side B brings us another new track - "Tracker" is definitely built for clubs and designed for peak time moments, be it in a cramped, dark basement or a big room at a festival. This EP is Jacek's first new club-oriented record on his Recognition label since 2016's "Hideland" - and a teaser for an all-new album, due next year.
More

- Limited vinyl only release
- Including postcard with download code for another new album from Jacek Sienkiewicz.
!
IMOW, or “In My Own Wave” - Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz’s most personal work to date and very possibly his best!

Tracklist:
A1 short film
A2 prayers
A3 superior
A4 no8
B1 IMOW
B2 museum
B3 flock
B4 me

Info:
IMOW, or “In My Own Wave” is a moody record. Although overtly experimental in form, it’s quite different
to Sienkiewicz’s abstract, improvisational albums recorded with Max Loderbauer or AtomTM.
Clocking in only 35 minutes and comprising of eight tracks, “IMOW” is several years of work distilled
into a dense, concise whole.
Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz’s most personal work
to date and very possibly his best: his constant struggle to find a perfect balance of flesh and machine,
or to translate human emotions to sound by means of a modern studio is manifested here in its purest,
most consistent and, surprisingly, very accessible form. From subtle drones, through chants and
rhythms echoing in mountainous chambers, to innumerable insect-like sounds and tiny details, it’s an
encephalogram recorded to tape (or disk). With all its complexity, it’s not overwhelming: the meticulously
constructed compositions leave both space for the sounds to breathe, and for the listener to
fully experience it, without being bored, tired, wishing for less or being hungry for more. And there’s
beauty in this record, and hope - in the world of overpowering darkness and constant noise “IMOW”
feels like a peaceful trip into the untouched nature with all its wonders - offering in equal parts rest,
strength and inspiration. More

Tracklist:
A SU17
B1 Mustang
B2 Mustang (Tobias. Remix)
Info:
Time for a little Recognition… Pets welcome a true Polish techno founding father to the fold: Jacek Sienkiewicz.
DJ since the early 90s, producer since the late 90s and one of the earliest artists to stamp their country down on the techno map; Jacek was one of the first Polish producers to be signed by the likes of Trapez, Cocoon and Klang and laid down the foundations for the likes of Pets founders Catz N Dogz several years later when they emerged as 3 Channels. OG status confirmed, he’s remained just as consistent as he is influential. This single is proof: ‘SU17’ is a bubbling sine cauldron that starts with a simmer but builds to a boil with its ever-morphing, lava-like flow. Expert drum momentum and sudden layers of instrumental help to create a fluid three-track-in-one experience that spellbinds you crowd for the entire eight minutes without realising.
‘Mustang’ is a cascading synth odyssey that gently rises and falls like an Escher looped staircase. Gradually building in momentum with more of Jacek’s signature hypnosis flare, it’s not until the drums double up with an almost live-style visceral feel that you realise just how high Jacek’s taken you. It
comes complete with a star-lit switch from Berlin’s serial innovator Tobias, where the synths are deftly refocused and a whole layer of orchestral delight are layered within. The perfect way to follow up last summer’s reissue of his 2002 track ‘Case Filter’ on ‘Friends Of Pets Part 3’, Jacek and Pets feedback loop of roots, inspiration and future is beginning to warm up… More

Tracklist / EP:
A1. 140bpm
A2. part of 9
B1. galop
B2. dewild99
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the records 9702 (CD version) and 9799 (four exclusive tracks on a vinyl EP). Four tracks from single come from the time of Jacek Sienkiewicz's first record (Recognition CD). These earliest recordings openly refer to a formula and rhythmical density of Detroit Techno, although end result of this confrontation turns out to be surprisingly "separate" and individualistic. In turn, 9702 album contains a set of varied tracks recorded withing five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations an his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.
More

Tracklist:
1.untitled pc 2.step! 3.2000X 4.rekognize u 5.overlooked 6.george 7.neja 8.ky lie 9. dziunia 10.mm 95 (sad) 11. down at heel 12. ost at ni
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the “9702”. Album contains a set of varied tracks recorded within five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990’s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations and his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look. More

Tracklist:
1/a1. hide away 2/a2. first run 3/b1. desert plan 4/b2. kingdom of lo 5/c1. hideland 6/c2. gone 7/d1. radionist 8/d2. last run

Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.
www.recognition.pl
More

Tracklist:
1/a1. hide away
2/a2. first run
3/b1. desert plan
4/b2. kingdom of lo
5/c1. hideland
6/c2. gone
7/d1. radionist
8/d2. last run
9. Summer 2016 (CD only)
Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality. More

tracklist:
A1: INST1 A2: INST2 B1: INST3 B2: INST4
Info:
Instynkt - highly anticipated record released by highly unanticipated duo of two labels Bocian (whose repertoire stretches from freeform noise to
improvised jazz) and Recognition (known for state-of-the-art modern techno sound). Four new tracks by Jacek Sienkiewicz appear both as essence and
antithesis of artist's earlier work, instead confronting listener with hardly categorisable and puzzling form. You can still manage to hear echoes of
electronic music masters (from Autechre to Xenakis) in this material, but Instynkt functions as an autonomous entity, or a sound event provoking
questions rather than attempting to answer them. This proposal, very distinct and floating beyond today's tendencies, will undoubtedly worry pessimists
shedding their tears over end-of-all-aesthetics and music losing its magical aura. It is also quite likely to awaken a need for further exploration in all
listeners open enough - and daring enough.
all tracks by jacek sienkiewicz / recorded at recognition hq / warsaw / 2014 More

The new Jacek Scienkiewicz EP INCLUDES THE FULL ALBUM CD IN NICE CARTON SLEEVE

Tracklist EP: A1. Drifting B1. Vagrant Blues B2. Free Float

Tracklist CD: 1. Stand Up 2. 130mm 3. 230km 4. Drifting 5. Vagrant Blues 6. No Matter What 7. Mistrz 8. Free Float 9. Sunsetstorm 10. Suppress Your Pressure

Short Info:

Jacek Sienkiewicz is back. “Drifting” is the artist's 5th full-length release and the second one on his Warsaw-based label Recognition since 1999. His records were played and strongly supported by
renowned artists such as Sven Väth and Richie Hawtin; legendary producers like Ricardo Villalobos, Uwe Schmidt and recently, Max Loderbauer collaborated with Jacek. “Drifting” takes its listener on a complex but still accessible journey to a state-of-the-art Techno territory where Carl Craig melodies coexist with stark minimalism of Robert Hood, but they serve only as entry points for further exploration. There is no doubt - Sienkiewicz knows all of his roots yet he
creates signature sound that results from his highly original approach to modern electronic music production. His new album can be seen as a personal diary that Sienkiewicz uses to invite all listeners, no matter what their listening preferences might be, for a deep and unique ride. Constant drift and dislocation creates imaginary landscapes of future unknown. It is a surprise gift in the times of market flood with predictable releases and tasteless hype.
Above all, this album comes both from the soul and the brain and it shouldn't be missed. Every listen is a different adventure. Enjoy.

More

Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)

Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
More

- Limited Vinyl Box Set including 6x purple 12” vinyl & download code

Tracklist LP
1. (A1) New Jackson – Acid Jackson (DE-Q20-23-00017)
2. (B1) Ian Pooley – DDG Talk (DE-Q20-23-00018)
3. (C1) Jakob Reiter – Il Rotori (DE-Q20-23-00019)
4. (D1) DJ Tennis – Take It, Take It (DE-Q20-23-00020)
5. (E1) Drumcomplex & Frank Sonic – Lacalute (DE-Q20-23-00021)
6. (F1) Michael Klein – Time Warp (DE-Q20-23-00022)
7. (G1) Benjamin Damage – Light (DE-Q20-23-00023)
8. (H1) Levon Vincent – Waiting (DE-Q20-23-00024)
9. (I1) Space Dimension Controller – Cold Tunings (DE-Q20-23-00025)
10. (J1) Orlando Voorn – Samurai (DE-Q20-23-00026)
11. (K1) Marco Faraone & The Florentian Cabaret – Uni-Verse (DE-Q20-23-00027)
12. (L1) Fango – Betta (DE-Q20-23-00028)

Cocoon Recordings presents: Cocoon Compilation U

Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation.
The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.

New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori” then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.

DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.

Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!

Entering the final stage, no one less than Orlando Voorn spreads happiness all over.
Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.

Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.
More

a pair of 2 cocoon slipmats black with neon orange print print (pair!) More

2x12"

Tracklist:
(A1) DeFeKT x Extrawelt – Halluzinelle (DE-Q20-22-00039)
(A2) SUDO – Daytona (DE-Q20-22-00040)
(B1) JA:CK – Solaris (DE-Q20-22-00041)
(B2) Avision – Groove Theory (DE-Q20-22-00042)
(C1) Zzino & Insider – Mindcrush (DE-Q20-22-00043)
(C2) Monaco, Povoa – Makeup Artist (DE-Q20-22-00044)
(D1) Defex, Tsodor – Sieg Der Liebe (DE-Q20-22-00045)
(D2) Christopher Ledger – X24 (DE-Q20-22-00046)

As ever, Cocoon Recordings celebrate the turn of the year with another mouth-watering collection of
electronic music. Dots And Pearls Volume 7 includes eight choice techno cuts of varying shapes and
sizes, that somehow manage to acknowledge both past and future, while staying forever rooted in the
‘here and now’.
The lush, beach bar vibes of ‘Halluzinelle’ get things rolling courtesy of DeFeKT x Extrawelt, and it’s
not long before we’re lost in the subsonic undertow as the warm acidic vibes ebb and flow. Sudo’s
‘Daytona’ then compliments a dark, low-slung groove with a soaring, nostalgic melody that reaches
skywards, melting hearts and minds in the process. ‘Solaris’ takes a more urgent turn as JA:CK
utilizes growling synths, stuttering arpeggios and an elongated breakdown, slowly raising the stakes
as the dance floor starts folding in on itself. Avision offers no respite on ‘Groove Theory’, maintaining
the intensity while surfing the frequencies through a dense forest of loops with a pounding 909 for
company. Zzino & Insider continue the 90s leaning retrospective with ‘Mind Crush’ and they’re
certainly true to their word, juxtaposing razor-sharp acid arpeggios with seductive chords and analog
washes in a cavernous, serotonin-soaked epiphany of sound. Monaco, Povoa then gets downright
dirty on ‘Makeup Artist’, raising the tempo with freaking metallic riffs, twisted vocals and a plethora of
disorientating filter action that’ll push even the most headstrong dancefloor to the brink of implosion.
Defex, Tsodor reels it in just in time on the epic ‘Sieg der Liebe’, unleashing thick swathes of
melancholy chords over a fat, rolling groove and the beats remain broken to the end, as Christopher
Ledger closes things out with a classic slice of sci-fi electro. ‘X24’ is all stuttering edits, intricate
sequences, squelching fx and metallic bleeps, adding yet another unexpected dimension to this
dynamic compilation series. More

- Limited Vinyl Box Set including 6x blue vinyl & download code

Tracklisting:
1. (A1) Stephen Brown – Level Steps (DE-Q20-22-00026)
2. (B1) Claude VonStroke – Moody Fuse (DE-Q20-22-00027)
3. (C1) Denis Horvat – Monomono (DE-Q20-22-00028)
4. (D1) Daniel Avery – Your Future Looks Different In The Light (DE-Q20-22-00029)
5. (E1) Jeroen Search – Subversive Elements (DE-Q20-22-00030)
6. (F1) Marco Bailey – Kanai (DE-Q20-22-00031)
7. (G1) Damiano Von Erckert – 500 People, 500 Hearts, 1 Love (DE-Q20-22-00032)
8. (H1) YOKTO – Vision99 (DE-Q20-22-00033)
9. (I1) Jonathan Kaspar – CCC (DE-Q20-22-00034)
10. (J1) The Emperor Machine – The Art Of Electronics (DE-Q20-22-00035)
11. (K1) Carl Finlow – Surface Control (DE-Q20-22-00036)
12. (L1) DeFeKT – Terraform (DE-Q20-22-00037)

Release Info:
Cocoon Recordings presents: Cocoon Compilation T
Another year, another expertly curated compilation touches down courtesy of Cocoon
Recordings. Somehow, the world keeps turning and with it the Cocoon universe keeps
expanding, causing subtle yet persuasive shifts in the sonic soundscape that continue to
capture and captivate the imagination. In time-honored tradition the old guard and the new
combine with devastating effect, to define the current state of play…
Veteran Techno producer Stephen Brown makes it clear the compilation series is back with a bang,
opening things up in epic fashion with the lucid dreamscape ‘Level Steps’ - a true work of art. Another
heavy-weight hitter steps straight up in the form of Claude von Stroke, who adds his own unique
swagger to proceedings with those trademark shuffling beats and freaky, hypnotic bleeps scuffling for
dominance on ‘Moody Fuse’. Denis Horvat then slows things down on ‘Monomono’, with post-raveNew Release Information
abstractions and disobedient synth-patches causing mayhem before the track finally unfolds in all its
terrifying beauty.
Motoring on, the collection wastes no time reaching that familiar tipping point as we enter the techno
phase of the journey. A very special appearance from Daniel Avery makes it all the more worthwhile
amid a dense forest of chiming melodies and blistering electrical surges on ‘Your Future Looks
Different In The Light’, before Jeroen Search’s aptly titled ‘Subversive Elements’ lead us deeper and
deeper, into the matrix.
Marco Bailey then kicks off a triptych of trance with some massive filtered piano action
on ‘Kanai’ that’s destined to trigger a serotonin smile with everyone it touches. Revisiting the huge,
ever-growing pulsating brain of planet Orb, Damiano van Erckert continues the loved-up vibe on the
gorgeously titled ‘500 People 500 Hearts 1 Love’, expertly complimenting the classic ambience with
some slick 909 snare and cymbal interplay. The melodic pull of ‘Vision99’ then signifies that the party
is peaking at just the right moment as YOKTO concocts a glistening, psychedelic groove. The
emotional resonance climbs ever higher with brittle melodies endlessly circling a lush, throbbing bass
drone to create the sense of something stirring out of reach.
Just when you think the acid sound is done and dusted, up pops a track like Jonathan Kaspar’s ‘CCC’
that somehow manages to offer an entirely new perspective. Riding in on a wave of expectant
arpeggios, the squelching bass and noise filter go toe to toe before Kaspar gets busy with a freaky
tempo excursion that’ll be destroying dance floors all year long. ‘The Art of Electronics’ is, as the title
suggests, another superlative example of pure analogue fire, served up by UK legend, Andrew
Meecham aka The Emperor Machine. The funk starts to flow as the bass drops, the machines cut
loose and a swarm of cascading bleeps ride the trans-europa express to oblivion.
Electro overlord Carl Finlow, has come to define the UK take on the genre over the last couple of
decades. Here, he makes his long overdue label debut, taking us into the closing straight with a
nervous sliver of dystopian futurism, complete with molten basslines and a fuzzy logic that underpins
the tight, laser-guided groove on ‘Surface Control’. DeFeKT then draws this great adventure to a close
with the deliciously dark robo-disco overtones of ‘Terraform’ creating a dusky landscape that skillfully
seduces the listener before the tension finally breaks in a wash of ecstatic chords.
All in all, it’s a supremely ambitious collection of tracks, generously featuring some of the most
inspirational and durable artists of their respective generations. In fact, is this perhaps the best Cocoon
Compilation to date More

3x12" Gatefold White Vinyl (Download Code Inside)


1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)



Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.

It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)

However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.

The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."

Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."



More

2021 Repress, Black Doublehole Sleeve


Tracklisting:
A. Titelheld 8:09
B1. Titelheld (FSK 18) 5:26
B2. Stammgast 5:48

English:
With respect, my name is Minimal Rock! Extrawelt give us a good going over and bravely break new grounds with their "Titelheld" EP. Here, insane minimal sounds merge with Rock flair, Electro and Trance harmonies. The title track with the telling name "Titelheld" brings us an electro hymnus with hints to Anthony Rother or Codec&Flexor, paired with a juicy deal of pain in the heart. A guaranteed hit for next summer!
"Stammgast" is a perfect DJ tool, which has a strong recognition effect, still, and makes the crowd go wild in seconds. Minimal rock par excellence!
For all of you who don't know much about Extrawelt (yet): the human beings behind this project name are Arne Schaffhausen and Wayan Raabe, who have worked primarily under the akas Midimiliz and Spiralallianz. Until now, they have released more than thirty maxi singles and several albums (on Border Community among others!), and will record a new 12" for Traum Schallplatten this summer.


More

- Limited edition 6x12“ vinyl deluxe boxset, with individual fluorescent color sleeves and paper insert
(700 copies only)

Tracklisting:
1. (A1) Rampa – 2000 (DE-Q20-20-00042)
2. (A2) Emanuel Satie – Departure (DE-Q20-20-00043)
3. (B1) Solomun – We’ll Never Have Today Again (DE-Q20-20-00044)
4. (C1) Gregor Tresher – Nostalgia (Is The Enemy) (DE-Q20-20-00045)
5. (D1) Joseph Ashworth – Eavesdrop (DE-Q20-20-00046)
6. (D2) Pig & Dan – Trauma (DE-Q20-20-00047)
7. (E1) Josh Wink – Nuclei (DE-Q20-20-00048)
8. (F1) Ricardo Tobar – El Eterna (DE-Q20-20-00049)
9. (G1) Tiga & Roman Flügel – Look To The Sky (DE-Q20-20-00050)
10. (G2) Planetary Assault Systems – Raww (DE-Q20-20-00051)
11. (H1) Jacek Sienkiewicz – Digitavi (DE-Q20-20-00052)
12. (I1) André Galluzzi & Daniel Stefanik – The Regulator (DE-Q20-20-00053)
13. (J1) Extrawelt – Murder Ballet (DE-Q20-20-00054)
14. (K1) Petar Dundov – Overtone (DE-Q20-20-00055)
15. (L1) Sebastian Mullaert – Kikaqu (DE-Q20-20-00056)

Release Info:
To celebrate 20 since inception, Sven Väth’s Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. Presented as a deluxe 6 x 12" box set with a silver foil cover and paper insert with individual sleeves and luminescent paint, this is a suitably spectacular collection that pays homage to one of techno's finest operations.
20 years is a long time in any facet of life, but in techno it is eons. The genre evolves so quickly that staying relevant for even half that time is some achievement, so to still be recognised as one of the genre's most iconic and influential labels after such an extended period is testament to the vision of its founder Sven Väth. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late eighties that he has steered into much broader realms ever since. Thanks to carefully A&Ring a mix of red hot new talents and plenty of his
original pioneering peers, Väth has ensured Cocoon has always covered all points of the spectrum:
there have been hundreds of thrilling dance floor 12"s, a treasure trove of full length albums that have brought plenty of detail and depth to techno and multiple mix series including the annual Sound of the Season which distills Ibiza's latest trends into two vital CDs, and the annual alphabet compilations
which showcase the label's finest moments.
Then, of course, there have been the parties, which have taken many forms over the years, from selfrun festivals like Green and Blue & Cocoon in the Park to carefully curated label nights at the world's foremost clubs via, most famously, their flagship and globally recognised Monday night parties in Ibiza at super clubs such as Amnesia. These very much introduced the White Isle to techno and in the 20 years since the first party have become family gatherings that have solidified the sound's presence on the island for ever more, thanks to the world class line ups, out of this world production, colourful characters and fantastical themes that have made each session so legendary.
Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of '2000' and Emanuel Satie keeps the melodic vibes alive with his wistful 'Departure' and then
Diynamic label boss Solomun serves up a rare new production 'We Will Never Have Today Again' which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with 'Nostalgia (is The Enemy) and Joseph
Ashworth's 'Eavesdrop' reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offer an intense cosmic workout with ‘Trauma', while US legend Josh Wink keeps it deep and heads down with his gritty roller
'Nuclei.' After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga & Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his Mind melting cosmic melodies and pounding
drum rhythms.
There is paranoia and urgency in the excellent work of Jacek Sienkiewicz, dark industry when Andre Galluzzi & Daniel Stefanik link on 'The Regulator' and high grade machine soul from Extrawelt. Croatian mainstay Petar Dundov brings his trademark melodic magic to 'Overtone' and things come to
a perfect close with the techno warmth and mellifluous synth work of Sebastian Mullaert's ‘Kikaqu'.
Despite its rich history, this fantastic collection of new and exclusive music continues to look to the future and take techno in bold new directions, just as Cocoon always has. More

Includes: 4x12" LP + Download Code in Collectors Cardboard Box , Print with Hotfoiled Typo on Rough Carton.

To coincide with their 15-year anniversary, Extrawelt are quietly proud to release Extra Welt
Hits. A collectors box, which covers every album and period from their dominant yet enigmatic
history as one of Germany’s most highly regarded electronic acts. Etched into the 4-piece
vinyl box-set is a 15-track playlist which takes us back to the dawn of their beautiful “Extra
World”.

Tracklist:

1. (A1) Extrawelt – Fernweh
2. (A2) Extrawelt – Die Zitrone Der Schöpfung
3. (B1) Extrawelt – Titelheld
4. (B2) Extrawelt – Die Welt Ist Nicht Genug
5. (C1) Minilogue – The Leopard (Extrawelt Remix)
6. (C2) Extrawelt – Pink Panzer
7. (D1) Extrawelt – Soopertrack
8. (D2) Extrawelt – Herzstück (Live Version)
9. (E1) Extrawelt – Dark Side Of My Room (Live Version)
10. (E2) Extrawelt – 8000
11. (F1) Extrawelt – Doch Doch
12. (F2) Extrawelt – Gott Ist Schrott
13. (G1) Extrawelt – Drehfehler
14. (G2) Extrawelt – Neuland
15. (H1) Extrawelt – Zu Fuss (Live Version)


Extra Welt Hits is a time capsule drenched in the essence of the act’s DNA. Accentuated by newlyremastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording
spills into the next with sonic precision. From the monumental masterpiece of the album’s opening
track ‘Ferneh’, through to the “One- way ticket to oblivion, please” hits of ‘Soopertrack’ and ‘Titelheld’,
the listener is left captivated. And, because it’s what they do best, the destruction and artful
reconstruction echoed through their shows are also present. These are beamed out in the exclusive
live versions of ‘Zu Fuss’, ‘Dark Side Of My Room’ and ‘Herzstück’. Recorded in Tokyo, Paris and at
the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the
most influential live-acts of the semi- underground. That live-act—a futuristic symphony of dance
music—is both undefinable and strays well past the norm. Their chance to manipulate their creations
in a flow of measured spontaneity, it continues to leave permanent impressions on audiencesNew Release Information
everywhere. The result is an experience focussed on purism with great care in presenting the deepest
core of their craft, in essence; exactly what sums up their musical galaxy.
It was never the acts plan to release a best-of album, especially at the unusual 15- year mark, rather, it
rolled into motion naturally as a way to immortalise the victory of being around so long (in a scene
where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is
something of a triumph). With that, Extrawelt invite those that were there from the start to join them in
getting a kick out of being “officially mature”. And for those that were not, to have the chance to hear
their story up until now, like it’s never been told before. And yes, while the listener may have outlived
many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave,
intangible and absorbing music—one that is all theirs, but all ours, too. A sound which is still as
relevant today as ever it was; feeding the older generation’s electronic-itch while also enabling the new
ones to go totally nuts. More

Tracklist: (A1) Eduardo de la Calle feat. Romina Cohn – I’m Losing My Mind (DE-Q20-20-00001)
(A2) Fabe – Call Of Origin (DE-Q20-20-00002)
(B1) Adana Twins – Origo (DE-Q20-20-00003)
(B2) Juan Sanchez – Narcissus (DE-Q20-20-00004)
(C1) Michael Klein – Continuation (DE-Q20-20-00005)
(C2) Rico Puestel – Perpetua mobilia (DE-Q20-20-00006)
(D1) Radu Dracul – Spectrae (DE-Q20-20-00007)
(D2) Joe Metzenmacher, Borka & The Gang – Magic Talk (DE-Q20-20-00008)

Release Info:
January is the month for dreaming, or so the saying goes and there’s more than enough on 2020’s Dots and Pearls 6 to satisfy the wildest flights of fantasy, as Cocoon Recordings invites well known international artists to once again rub shoulders with some of the freshest new talents around.

First up, Eduardo de la Calle & Romina Cohn’s “I’m Losing My Mind“ does a decent job helping us lose ours. Taking the classic DBX template as a start point, Cohn‘s random, spaced out musings elevate things to another level as they filter through all manner of machinery, bathing the hypnotic percussion in a lysergic glow. Fabe’s “Call of Origin“ pulls no punches either, the energetic, bass driven intro bouncing its way centre stage before expanding into lush open spaces with occasional melodic scatters and washes of warm pads that radiate good vibes.

Over the last couple of years, Adana Twins have rightly consolidated there position at the top table, so it’s a pleasure to have them on board with “Origo“. Like snake charmers relentlessly teasing and twisting the infectious hook line in all manner of directions, they demonstrate complete control of their art, pushing all the right buttons to bring things nicely to the boil. As with all Cocoon compilations the deeper you dive, the stranger the vibe and Juan Sanchez delivers a dose of trance-inducing, minimal techno. Abiding by the same dogma as the track before, “Narcissus“ offsets a constantly morphing hypnotic hook line with raw, stripped 909 beats in a classic mid 90‘s style.

Michael Klein’s “Continuation“ maintains the intensity as Cocoon’s Techno Tardis transports the listener even further back to a sweaty early nineties warehouse. It could be London, it could be Berlin... wherever it is, it sure sounds like home. Rico Puestel then snuffs out the candle, plunging us back into darkness. With “Perpetua Mobilia“ he unleashes a deep, prowling beast of a track that reminds us that just when you think you‘ve got a handle on Cocoon, it sheds its skin again, revealing yet another mask behind the mask.

As we motor on towards morning, Radu Dracul adds some bite to proceedings with “Spectrae“, a slow burning psychedelic trip with gently percolating acid lines that smooth out the rough textures of the preceding tracks before giving way to a cavernous breakbeat inflected breakdown. And then finally, Joe Metzenmacher and Borka & The Gang close out the collection, paying homage to the melodic side of Detroit with the quirky, idiosyncratic yet ultimately beautiful “Magic Talk“. It surrounds the dance floor in a warm embrace as keys, strings and bass combine effortlessly to produce a priceless moment of collective euphoria that sees us safely home.


More

DELUXE 2CD with HQ Lenticular Print Digpack
of the 20 th Anniversary Cocoon Ibiza Season!

By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd.

Tracklist CD1:

(01) New Jackson - The night mail
(02) Joseph Ashworth - Trooper
(03) Joe Metzenmacher - Whats the secret word for tonight (Arian 911 Remix)
(04) Dorisburg - Internet tension
(05) Amberoom - Jazire (Isolée Remix)
(06) Charlotte Bendiks - Pasco
(07) Stimming - The gift that never stops to give
(08) Ricardo Tobar - Nadivi
(09) Herzel - Glowworms
(10) Erol Alkan - Spectrum (Mano Le Tough Remix)
(11) Rüfüs du Sol - Underwater (Adam Port Remix)
(12) Zoo Brazil - Maxwell

Tracklist CD2:

(01) Innellea - Anailuj
(02) Rebuke - Jump Ship
(03) Patrice Bäumel - Roar (Adana Twins Remix)
(04) Joshua James - Coarse (Justin Cudmore Remix)
(05) Josh Wink - Aries in Mars
(06) Robert Hood - Reflector
(07) Pig & Dan - Reset your Bassline (Dub)
(08) Florian Hollerith - KURZVOR12
(09) ROD - Cambodia
(10) PSYK - A Moment before
(11) Daniel Avery - Diminuendo (Luke Slater Remix)
(12) Inigo Kennedy - 2C3D2
(13) Legowelt - Disco Rout (Younger Rebinds Remix 2)


By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd. As a resident of 'Dorian Gray' - the legendary club at Frankfurt Airport that was modelled on New York's 'Studio 54 - he shaped the image of the DJ like no one else in Germany at the time. Even more influential were his broadcasts on hr3 Clubnight. Without the radio shows that Väth produced there between 1990 and 2004, the seed of techno in Germany would never have been sown to such an extent. With his first club "Omen", Sven wrote techno history over 10 years. Soon after, the "Babba", as Väth has been lovingly and respectfully called in the scene for a long time, set new standards in international club culture with Frankfurt's 'CocoonClub', inspired by his 'Cocoon Ibiza' events. Pioneer, visionary, ambassador, identification figure, DJ, label operator, club owner, impresario... over a career spanning four decades, Väth has developed many facets and yet has always remained true to himself. The fact that all over the world Berlin music temples of this kind, from 'Tresor' to 'Watergate', are celebrated as the epitome of party culture, is in no small part due to Väth's influence. Like no other, Väth has given the landscape of electronic music a face - always evolving, yet unmistakable.

With "Sound of the 20th Season" he presents the culmination of his second decade on the "White Island". New Jackson's "Night Mail" immediately sucks you into the action - resistance is useless, precisely because you can hardly understand what the distorted voice is singing about, making the title song of David Kit's debut EP the perfect opener. Although there are eight years in between, Joseph Ashworth's "Trooper", released in spring 2019, fits seamlessly into the mix as an instrumental continuation of the tense, opening atmosphere. With the grandiose Arian 911 remix of Joe Metzenmacher's "What's the secret word for tonight", Väth picks up the vocal thread again, only to dive into more minimal realms via Dorisburg's "Internet Tension". It's impressive, how he manages to tick all the boxes - should there be a hit now? Do I still have to feature this or that? - effortlessly incorporating what's needed into the vibe. This time round, he drives the sinister mood deeper into the night with Isolée's remix of Amberoom's "Jazire". Then, like the gears of a mechanical clock, the percussive elements of Charlotte Bendik's "Pasco" exemplify the tremendously coherent arrangement. With Stimming's "The gift that never stops giving" Väth reverts to a production released by Cocoon for the first time - the airy sounding, short string snippets, paired with the delicate acoustic sounds, have just appeared on the "Cocoon S" compilation and allow for a moment's breath. Ricardo Tobar's "Nadivi" then brings back the looming tension with echoes of the Throbbing Gristle classic "Hot On The Heels Of Love". In "Glowworms" by Aleksandar Grozdanovski alias Herzel, Väth picks up on the sound aesthetics, which are marked by distorted effects and characterize the beginning of the mix. At the same time, the groove takes on an increasingly insistent attitude. With Mano Le Tough's remix of Erol Alkan's "Spectrum", a Moroder bass sequence and metallic bell tones come into play - a disco theme that Adam Port expands on in his adaptation of "Underwater" by Australian dancefloor band Rüfüs du Sol, with Port adding an electro twist to Tyrone Lindqvist's Sting-like voice. As a finale Väth drops Zoo Brazils "Maxwell", whose vocal loop he used to provide one of the lasting moments of the season in the garden of 'DC 10'.

With the oriental flair of Innellea's "Anailuj", Väth starts the second mix before the tribal drumming in Rebuke's "Jump Ship" signals cast off! The disco bassline from the Adana Twins remix of Patrice Bäumel's "Roar" provides the necessary momentum as the set continues to pick up speed. With Justin Cudmore's adaptation of Joshua James "Coarse" Väth then adds a deep, trippy twist, before he finally sets course for acid in the form of Josh Wink's "Aries in Mars". Another old hero then comes on board as Väth revives the best days of minimal techno with Robert Hood's "Reflector". Whiplashing metallic beats propel the speedy voyage onwards and the dub version of Pig & Dan's "Reset your Bassline" fills the sails. With Florian Hollerith's "KURZVOR12" the current "Cocoon S" compilation comes into its own again, while the nervous staccato sounds of ROD's "Cambodia" are very suggestive. With Psyk's "A Moment Before", Väth throws classic Tresor material into the mix and lets Luke Slater's remix of David Avery's "Diminuendo" reinforce the industrial techno atmosphere even further. With Inigo Kennedy's more restrained Detroit track "2C3D2", Väth initially lowers the core temperature a bit, but only to prepare the ground for Legowelt's "Disco Rout" - the timeless electro anthem of 2002 - in the amazing "Younger Rebinds 2" remix released on Cocoon back in spring, and another alias of Benny Rodrigues aka ROD.
Even at the beginning of the millennium it was Väth who championed this timeless tune, which not only marked the breakthrough for Danny Wolfers but was also voted track of the year 2002 by the readers of GROOVE making it a fully deserved high point and end point, to this outstanding mix.




More

CD
This year's highly anticipated 'Live at Cocoon Ibiza' mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.

The release drops in unison with a 12" that includes two live versions of tracks from it as well two new exclusive studio tracks.

Tracklist:
(01) Planetary Assault Systems – Angel of the east
(02) Planetary Assault Systems – Peru Drift
(03) Planetary Assault Systems – Engage now
(04) Planetary Assault Systems – Whistle Viper
(05) Planetary Assault Systems – Message from the drone sector
(06) Planetary Assault Systems – Unreleased
(07) Planetary Assault Systems – Desert Races
(08) Planetary Assault Systems – Arc
(09) Planetary Assault Systems – Eyes Themselves
(10) Planetary Assault Systems – Rip the cut
(11) Planetary Assault Systems – Raww
(12) Planetary Assault Systems – Give it up
(13) Planetary Assault Systems – Voodoo

This year’s highly anticipated ‘Live at Cocoon Ibiza’ mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for us to relive the magic.
Over the course of eighty spellbinding minutes, Slater captivates with evocative sci-fi imagery and high class melodic minimalism, smoothly shifting from moments of high pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalogue to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
Debuting on Cocoon with a rare appearance outside of Slater’s usual labels Ostgut Ton and his own Mote Evolver, a 12” release drops in unison with the mix including four Planetary Assault Systems productions: on one side both 'RAWW’ and 'RUN' are exclusive studio versions, whilst on the flip are live versions of 'Desert Races' and 'Give It Up' featuring live sax by Tim Ower, offering some of techno's finest moments, while the mix itself is an essential testament to the forward looking nature of not only Cocoon Ibiza, but also Luke Slater himself.




More

Includes a set of 6x12" - Yellow Vinyl - CD - LTD to 500 (450 sales + artist)

- 6 Vinyl Box-Set limited to 500 copies (450 for sales) + includes the Compilation on CD -

Tracklisting:

CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk

- Limited Vinyl Box-Set including the "Compilation S" CD (500 copies only)


Cocoon Recordings presents: Cocoon Compilation S

It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.

Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.

Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.

Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.

As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.

Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.

More

CD - Cocoon Recordings presents: Cocoon Compilation S

Tracklisting:

CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk


Cocoon Recordings presents: Cocoon Compilation S

It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.

Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.

Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.

Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.

As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.

Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.

More

cocoon slipmates - Cocoon Slipmat "Flash" -Inverted Color Set (2 in a set) More

cocoon slipmates- Cocoon Slipmat "Dots" - Inverted Color Set - (2 in a set) More

To celebrate the turn of the year, Cocoon Recordings presents us with the fifth edition of the Dots And Pearls anthology, which has been offering us an exclusive glimpse into Cocoon's treasure trove of demos at irregular i
ntervals since 2011. Once again, the eight tracks on show represent a comprehensive snapshot of the current state of club music as 2018 fades into 2019, combining established stars of the scene with eye catching newcomers to create a harmonious overall package.

Tracklist: (A1) youANDme - Claret Loss
(A2) Florian Hollerith - Ohrenzirkus
(B1) Quenum - Blue Mountain
(B2) Petar Dundov - Pyroelectric
(C1) Marc Romboy - Sequential Error
(C2) Blackrachas - Paracasta
(D1) Emanuele Inglese - Rain
(D2) Bastian Bux -Inner You

First up is Berlin production team youANDme, who have been an integral part of the capital's club life for over ten years as well as running the "Rotary Cocktail" label. Their epic floor filler "Claret Loss" kicks off the compilation with a refreshingly reduced yet deep Techhouse showpiece as the "ear circus" begins. In fact that's the name of the next track by promising debutant Florian Hollerith. "Ohrenzirkus" amazes with a bone-dry bass drum accompanied by an insect squadron and atonal orchestra horns. Little wonder that this bold homage with its sonic claim to immortality also takes pride of place on Sven Väth's "Sound of the 19th Season".
Geneva based, Cadenza producer Quenum then reels in the acoustic madness with the elegant, metallic percussion of "Blue Mountain", while Croatian mastermind Petar Dundov takes the listener into a highly emotional state of weightlessness with the typically anthemic "Pyroelectric". Next, Systematic label boss Marc Romboy scores with "Sequential Error", a perpetually growing ball of energy that lights the way to the dance floor. In the midst of the mayhem, Italian newcomer Blackrachas offers up a slice of Mediterranean serenity with his snare opus "Paracasta", while veteran DJ and producer Emanuele Inglese from Rome demonstrates his special expertise for dancefloor hedonism with a flurry of modulated sequential breaks on the track "Rain". Finally, Bastian Bux of Barcelona-based label Suara, who recently also featured on John Digweed's Bedrock imprint, offers a fitting finale to the compilation with the melodic techno hymn "Inner You".

Dots And Pearls V is set to be an indispensable part of this winter's clubland wonderland, which track you choose to dance in the new year is, of course, up to you!

More

Deluxe 2 CD Digipack! Silver Hotfoil Outer and Embossed Print!

Tracklist CD 1 :
1. Nightmare on Wax - Deep Shadows (Dj E.A.S.E Club Mix )
2. Love Over Entropy – 9576
3. Adam Port - Do You Still Think of Me?
4. Emanuel Satie - Don't Forget To Go Home
5. Florian Hollerith - Ohrenzirkus
6. Talaboman - Brutal Chugga Chugga (L.B. Dub Corp Remix)
7. Levon Vincent - Arpeggiator
8. Vermont – Skorbut (I:Cube Mix)
9. Edward - Set U Free (Private Mix)
10. L.B. Dub Corp - See The Light
11. DJ Shufflemaster & Chester Beatty - Our House Music (DJ Shufflemaster Remix)
12. Patrice Bäumel - Serpent
13. Red Axes – Sami

Tracklist CD 2 :
1. Nicolas Masseyeff - Muse
2. Tom Pooks & Joy Kitikonti - Climb
3. Butch - Countach
4. Fabrice Lig - Dark Commodore
5. Robag Wruhme - Veddel Braav
6. Stimming - Frankfurt Main
7. Ejeca - Attack
8. Radio Slave – Reverse (DJ KOZE Edit)
9. Ilario Alicante – Cocoon
10. Anna - Hidden Beauties
11. Michael Mayer - Lout
12. Younger Rebinds - Tim 's Symphony
13. Krystal Klear - Neutron Dance


To this day, Sven Väth represents the electronic music scene like no other DJ. In the nineties he was
mentor and shaman, operating from Frankfurt/ Germany introducing us to the world of electronic
music. After this crazy, extroverted years Väth created the Cocoon family as a global platform for his
and his colleagues´ activities. Väth has always been for the scene "Baba", which means dad in
Hessian dialect. Today he is the “Baba” for a new generation of DJs: Music is not about strategizing
New Release Information
your niche potential. It does not matter if a tune is approved by the opinion makers. It's about what you
feel personally and what you can create with the music in your work as a DJ. To this day, Väth
manages to play tracks that you wouldn’t expect and puts them in a context you would not expect
either. Like no one else he succeeds in arranging the entire electronic music cosmos, from restrained
deephouse to euphoric techno into one, amazing narrative.
Besides Frankfurt, Ibiza is Väth's musical home. After 18 years at Club Amnesia, he and his Cocoon
crew moved to Pacha to start a new chapter on the seminal island. You don´t get a clue from "The
Sound of the 19th Season" if he had some trouble finding his way in the new location. Väth takes it
away with lighthearted downbeats by Nightmares On Wax, which emphasize their humorous mood
with a filtered brass track and cartoon-like vocals. Subtly he blends to the sovereign, dazzling Club
Soul of Love Over Entropy. With Adam Port he turns to more electronic and repetitive sounds, still
coming off quite relaxed with the frugal, jazzy piano notes, an artificial gurgling and gentle strings
melding the poetry of jazz and synthetic music. Emanuel Satie acts as a perfect counterpart to Adam
Port's stage-rich arrangement with a punctuated, looped organ sound relentlessly digging into our
synapses. Florian Hollerith breaks this minimalism with a playful, nimble, organic bass. Hollerith bursts
all boundaries having trumpets and voices wander through the acoustic space. Blending in the blaring
snare drum of Luke Slater´s remix of Talaboman into this spirited groove, Väth strikes a little more
serious chord. Slaters subtle bassline communicates with nuanced organ tones, reminiscent of the
milestones of house music introducing a modern twist with shimmering sounds. The leaping arpeggios
spread no nervousness, but a deep relaxation only this summer of the century was able to deliver.
This tranquility is swept away by the agile, unpredictable, three-dimensional funk of French-House-
Maverick I:Clube. With a monotonous pulsating bassline from Edward, Väth soothes the crowd again,
with a sensual, seductive vocal drawing us deeper into the magical sphere of electronic sounds.
Putting on another track by Luke Slater, he blends the house sound with an unexpected piano
improvisation. Its vivid dynamic is taken to an extreme by a timeless tune by Shufflemaster & Chester
Beatty a string loop sounding like the blink of the soundtrack of an old black & white film. With the
enraptured, trippy sounds of Patrice Bäumel Väth hints the mood of the second part of his mix before
he finishes Part 1 with Red Axes' ravishing African-style tribal drums.
In his second set Väth starts off on a different note. With the huge, dark, demanding bass of Nicolas
Masseyeff, meandering like an unpredictable lizard around the dancefloor, we are in the middle of the
night, Tom Pooks & Joy Kitikonti absorb this intensity and liveliness with spacey, expansive fusion
sounds. Little later, with Butch, they sound even more confident and edgy. Connecting sawing synths
with majestic strings Butch creates a techno epic. Fabrice Lig counters with a tongue-in-cheek acid
track bursting with a humorous laugh into this rather dramatic mood. Väth gets breathless with Robag
Wruhmes's down-cooked signature groove, the humorous note continuing in Wruhme´s voice
modulations. With a swinging, acoustic groove by Stimming Väth opens up the set. With Ejeca he
resumes the heavy Chicago house sound of part one, shifting to a more demanding tone. Koze
punctuates the groove with unexpected, surreal and funny radio moderation. Ilario Alicante takes on
this ball with a series of vocal samples that spread a ghostly and eerie atmosphere. With Alicante's
rumbling groove and aggressive, agile synths Väth sets the first climax. With Anna, Väth reduces the
tension, with a cool, distanced voice keeping repeating the word "Time". The second highlight of this
set is Michael Mayer's “Lout”. Its focused, straightforward techno groove is literally swallowed in an
instant by an unlikely, swirl-like break. With Benny Rodrigues, Väth manages to even top this
straightforwardness with an exuberant, thoroughly positive Italo-Disco feeling that culminates in
Krystal Klear's "Neutron Dance", one of the biggest tunes of the year. Väth says goodbye with the
Irishman´s charmingly naive melodies. The season of 2018 is over, but the man gives us no time for
wistful feelings. After the furious closing of Ibiza in October, he retreats to his Ayurveda ritual. Then he
sets off for the "Sound of the Season"-tour which will take him to South America among other
destinations. After New Year's Eve, he vacations in Asia like every year taking in inspirations. He will
let the season of 2018 pass in his inner mind's eye devising a plan how to celebrate the 20th
anniversary of Cocoon on Ibiza. We are definitely looking forward to the crazy that Sven will cook up! More

2024 Repress

Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49

Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More

2023 repress

Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein

Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

More

GENRE/S: Deep House, Lo-Fi House, Electronica

TRACKLISTS:
A1. Too Much
B1. Too Much (Francis Harris Reform)
B2. Too Much (DJ Aakmael Remix)

SHORT INFO:
Will Long is an American artist. He curates and manages the label Two Acorns, as well as producing music since 2005, in various forms under his own name for Terre Thaemiltz's Comatonse Recordings, and as Celer for his own label and many others.
Here he joins the perfectly aligned Scissor and Thread label of Francis Harris and Anthony Collins for the Too Much EP.
"Too Much" is a deep cut from the same grooves as the Long Trax series," says Will Long, "a further entry for the downtrodden, the overwhelmed, and those that think change has come. A midnight meditation of intentional simplicity, strained, and on that night train."
The title track is lush, loose deep jam that combines wistful, warm pads with an insistent groove and choice samples.
Francis Harris steps up to provide one of his signature reforms, adding a little more percussion and drive to the track, while DJ Aakmael (Greg Stewart) offers up another version that takes the track somehow even deeper, adding some additional instrumentation and raw sounds.









More

2022 repress

UPC: 827170470064 Release : 19.11.2012
A. Dntel - My Orphaned Son (Die Vögel Remix) AA. Herbert - It's Only (DJ Koze Remix)
Pampa is proud to present stunning remixes from Die Vögel for Dntel & DJ Koze for Matthew Herbert. Still impressed by the outstanding Dntel album "Aimlessness" Die Vögel deliver a remix that broadens their multifaceted sound aesthetics once again with catchy Steve-Reich'esque melodies that cover the voice of Jimmy Tamborello just like they always been there. A very powerful fundament is carrying the house, so big and full of suprises. Also, this house has many windows to all cardinal points.It was 2001 when Matthew Herbert enchanted us all with his blueprint album "Bodily Functions". 11 years later the distinctive DJ Koze takes on two of his all-time favs to remix, "You saw it all" (which will be part of the re-release on Accidental) and "It's only" which will be released by Pampa Records digitally AND on vinyl. The result is a breathtaking piece of modern music,
The beautiful voice of Dani Siciliano has experienced a total new dress, she´s now the irrestible captain of a fat but flexible submarine, diggin' in deep waters for new ways to enlighten the dancefloor...
An instant classic already....
More

Tracklist
A1 Eingang
A2 Veddel Braav
A3 Perluv

B1 Wuzzelbud FF
B2 Tisma

C1 Provol Eto
C2 Maiowu

D1 Wabb Bodun
D2 Ausgang

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.
A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.
Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.
No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.
The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey


More