Tracklist 12":

A. LIGHTIN
B. TRAKER


Short Info:


Most recently Jacek Sienkiewicz had been mainly preoccupied with with experimental music - his explorations of outer limits of sound resulted in 3 albums released already in 2019, with two more to follow by the end of the year. So, It was good and perhaps refreshing to hear his surprising return to the dancefloor with "Lightin", an unexpected Summer afterparty anthem released digitally in June. By popular demand, it's now released on vinyl in its full, 11+ minutes glory. Lightweight, gentle and tuneful, propelled by a syncopated rhythm, it rolls like a steam engine taking you to your favourite holiday destination. Side B brings us another new track - "Tracker" is definitely built for clubs and designed for peak time moments, be it in a cramped, dark basement or a big room at a festival. This EP is Jacek's first new club-oriented record on his Recognition label since 2016's "Hideland" - and a teaser for an all-new album, due next year.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

- Limited vinyl only release
- Including postcard with download code for another new album from Jacek Sienkiewicz.
!
IMOW, or “In My Own Wave” - Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz’s most personal work to date and very possibly his best!

Tracklist:
A1 short film
A2 prayers
A3 superior
A4 no8
B1 IMOW
B2 museum
B3 flock
B4 me

Info:
IMOW, or “In My Own Wave” is a moody record. Although overtly experimental in form, it’s quite different
to Sienkiewicz’s abstract, improvisational albums recorded with Max Loderbauer or AtomTM.
Clocking in only 35 minutes and comprising of eight tracks, “IMOW” is several years of work distilled
into a dense, concise whole.
Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz’s most personal work
to date and very possibly his best: his constant struggle to find a perfect balance of flesh and machine,
or to translate human emotions to sound by means of a modern studio is manifested here in its purest,
most consistent and, surprisingly, very accessible form. From subtle drones, through chants and
rhythms echoing in mountainous chambers, to innumerable insect-like sounds and tiny details, it’s an
encephalogram recorded to tape (or disk). With all its complexity, it’s not overwhelming: the meticulously
constructed compositions leave both space for the sounds to breathe, and for the listener to
fully experience it, without being bored, tired, wishing for less or being hungry for more. And there’s
beauty in this record, and hope - in the world of overpowering darkness and constant noise “IMOW”
feels like a peaceful trip into the untouched nature with all its wonders - offering in equal parts rest,
strength and inspiration.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
A SU17
B1 Mustang
B2 Mustang (Tobias. Remix)
Info:
Time for a little Recognition… Pets welcome a true Polish techno founding father to the fold: Jacek Sienkiewicz.
DJ since the early 90s, producer since the late 90s and one of the earliest artists to stamp their country down on the techno map; Jacek was one of the first Polish producers to be signed by the likes of Trapez, Cocoon and Klang and laid down the foundations for the likes of Pets founders Catz N Dogz several years later when they emerged as 3 Channels. OG status confirmed, he’s remained just as consistent as he is influential. This single is proof: ‘SU17’ is a bubbling sine cauldron that starts with a simmer but builds to a boil with its ever-morphing, lava-like flow. Expert drum momentum and sudden layers of instrumental help to create a fluid three-track-in-one experience that spellbinds you crowd for the entire eight minutes without realising.
‘Mustang’ is a cascading synth odyssey that gently rises and falls like an Escher looped staircase. Gradually building in momentum with more of Jacek’s signature hypnosis flare, it’s not until the drums double up with an almost live-style visceral feel that you realise just how high Jacek’s taken you. It
comes complete with a star-lit switch from Berlin’s serial innovator Tobias, where the synths are deftly refocused and a whole layer of orchestral delight are layered within. The perfect way to follow up last summer’s reissue of his 2002 track ‘Case Filter’ on ‘Friends Of Pets Part 3’, Jacek and Pets feedback loop of roots, inspiration and future is beginning to warm up…

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Tracklist / EP:
A1. 140bpm
A2. part of 9
B1. galop
B2. dewild99
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the records 9702 (CD version) and 9799 (four exclusive tracks on a vinyl EP). Four tracks from single come from the time of Jacek Sienkiewicz's first record (Recognition CD). These earliest recordings openly refer to a formula and rhythmical density of Detroit Techno, although end result of this confrontation turns out to be surprisingly "separate" and individualistic. In turn, 9702 album contains a set of varied tracks recorded withing five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations an his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
1.untitled pc 2.step! 3.2000X 4.rekognize u 5.overlooked 6.george 7.neja 8.ky lie 9. dziunia 10.mm 95 (sad) 11. down at heel 12. ost at ni
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the “9702”. Album contains a set of varied tracks recorded within five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990’s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations and his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
1/a1. hide away 2/a2. first run 3/b1. desert plan 4/b2. kingdom of lo 5/c1. hideland 6/c2. gone 7/d1. radionist 8/d2. last run

Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.
www.recognition.pl


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Tracklist:
1/a1. hide away
2/a2. first run
3/b1. desert plan
4/b2. kingdom of lo
5/c1. hideland
6/c2. gone
7/d1. radionist
8/d2. last run
9. Summer 2016 (CD only)
Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

tracklist:
A1: INST1 A2: INST2 B1: INST3 B2: INST4
Info:
Instynkt - highly anticipated record released by highly unanticipated duo of two labels Bocian (whose repertoire stretches from freeform noise to
improvised jazz) and Recognition (known for state-of-the-art modern techno sound). Four new tracks by Jacek Sienkiewicz appear both as essence and
antithesis of artist's earlier work, instead confronting listener with hardly categorisable and puzzling form. You can still manage to hear echoes of
electronic music masters (from Autechre to Xenakis) in this material, but Instynkt functions as an autonomous entity, or a sound event provoking
questions rather than attempting to answer them. This proposal, very distinct and floating beyond today's tendencies, will undoubtedly worry pessimists
shedding their tears over end-of-all-aesthetics and music losing its magical aura. It is also quite likely to awaken a need for further exploration in all
listeners open enough - and daring enough.
all tracks by jacek sienkiewicz / recorded at recognition hq / warsaw / 2014

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The new Jacek Scienkiewicz CD Album.

Tracklist CD: 1. Stand Up 2. 130mm 3. 230km 4. Drifting 5. Vagrant Blues 6. No Matter What 7. Mistrz 8. Free Float 9. Sunsetstorm 10. Suppress Your Pressure

Short Info:

Jacek Sienkiewicz is back. “Drifting” is the artist's 5th full-length release and the second one on his Warsaw-based label Recognition since 1999. His records were played and strongly supported by
renowned artists such as Sven Väth and Richie Hawtin; legendary producers like Ricardo Villalobos, Uwe Schmidt and recently, Max Loderbauer collaborated with Jacek. “Drifting” takes its listener on a complex but still accessible journey to a state-of-the-art Techno territory where Carl Craig melodies coexist with stark minimalism of Robert Hood, but they serve only as entry points for further exploration. There is no doubt - Sienkiewicz knows all of his roots yet he
creates signature sound that results from his highly original approach to modern electronic music production. His new album can be seen as a personal diary that Sienkiewicz uses to invite all listeners, no matter what their listening preferences might be, for a deep and unique ride. Constant drift and dislocation creates imaginary landscapes of future unknown. It is a surprise gift in the times of market flood with predictable releases and tasteless hype.
Above all, this album comes both from the soul and the brain and it shouldn't be missed. Every listen is a different adventure. Enjoy.



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DE - 22113 Hamburg
Germany
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The new Jacek Scienkiewicz EP INCLUDES THE FULL ALBUM CD IN NICE CARTON SLEEVE

Tracklist EP: A1. Drifting B1. Vagrant Blues B2. Free Float

Tracklist CD: 1. Stand Up 2. 130mm 3. 230km 4. Drifting 5. Vagrant Blues 6. No Matter What 7. Mistrz 8. Free Float 9. Sunsetstorm 10. Suppress Your Pressure

Short Info:

Jacek Sienkiewicz is back. “Drifting” is the artist's 5th full-length release and the second one on his Warsaw-based label Recognition since 1999. His records were played and strongly supported by
renowned artists such as Sven Väth and Richie Hawtin; legendary producers like Ricardo Villalobos, Uwe Schmidt and recently, Max Loderbauer collaborated with Jacek. “Drifting” takes its listener on a complex but still accessible journey to a state-of-the-art Techno territory where Carl Craig melodies coexist with stark minimalism of Robert Hood, but they serve only as entry points for further exploration. There is no doubt - Sienkiewicz knows all of his roots yet he
creates signature sound that results from his highly original approach to modern electronic music production. His new album can be seen as a personal diary that Sienkiewicz uses to invite all listeners, no matter what their listening preferences might be, for a deep and unique ride. Constant drift and dislocation creates imaginary landscapes of future unknown. It is a surprise gift in the times of market flood with predictable releases and tasteless hype.
Above all, this album comes both from the soul and the brain and it shouldn't be missed. Every listen is a different adventure. Enjoy.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2x12" Color turquoise + black Vinyl - The “Tumult Hands” duet is made by Jacek Sienkiewicz and Jerzy Przezdziecki

Tracklist :
A1 enter TH
A2 Remont
B1 pow
B2 A gain
C1 cover story
D1 KONKRET
D2 goodbye!

The “Tumult Hands” duet is made by Jacek Sienkiewicz and Jerzy Przezdziecki - the producers
whose composition has - to a large extent- defined the Polish techno music. Sienkiewicz - as
early as Recognition - started his adventure with music in the late 1990s. Subsequent records,
already under his own name, were released, among others, at Cocoon Records, Trapez, Klang
Elektronik and WMFRec. Przezdziecki started publishing a little later. Over the last two
decades, he has been presenting various types of electronic music, among others, as Praecox,
Epi Centrum and Jurek Przezdziecki.
“Tumult Hands” has two EPs on its account – “Tumult Hands EP” (2014) and “Tropic
Factory” (2016). Both were published by Recognition. So a full record was a matter of time.
The album titled: “TH” (Recognition, 2022) has been prepared for many years. The repertoire
was created mainly out of improvisation. As artists themselves say, “it is the result of
discovering and accepting a chance event.” For both producers, close contact with
instruments was important during their composition; the type of interaction between the maker
and an electronic device. Individual works have been maturing for a long time. Paradoxically -
the lapse of time did not cause them to be ageing but vice versa - allowed them to mature and
gain natural weight.
“TH” brings very diverse music. In part, it is the repayment of the debt that Sienkiewicz and
Przezdziecki incurred towards the most creative techno period, that is, the 90s of the 20th
century. The lovers of experimental dance music from before the quarter of the century will
easily capture in the duet’s themes the art of Cristian Vogel, producers known from the tin
series of Chain Reaction record company or early recordings of Richie Hawtin (Plastikman,
F.U.S.E.). This is a very similar, non-standard approach to sound structure and an original
approach to rhythmic structures. Minimalist melodies, accompanying e.g. the opening of the
“enter TH” or “pow” set, contribute to the composition an element of some sublimity and
metaphysical anxiety. Obviously, it is still the dance music but the duet - to some extent by
abandoning the club functionality (understood in the techno convention) - has given its music
a definitely sophisticated, artistic elegance.
Publishing cooperation between such important makers, as well as high quality of recordings,
leads us to see “TH” as something more than just another techno record. It is an event and an
electronic adventure that all lovers looking for dance music will appreciate.

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Tracklist:
A1 To Fleh
A2 Euzo Found Gitar
A3 Flares Et Wasser Hole
B1 Elektros Spong
B2 Ocarina Wars

Short Info:
The new album by Robert Piotrowicz does not fit any category. What this multicoloured electronic instrumentation aims to channel is the acoustic experience and energy of the performing musician. As a
result of a wide range of creative means used, the narrative language of the compositions bursts with
tension and mystery.
The album includes slow hypnotic passages of stone electronics (“To Fleh”), vigorous tempos and circular repetitions (“Euzo Found Gitar”), sprawling artificial soundscapes, back-to-origins ethnicity (ethnical subsoil and elements) liberated from any geographical identity (“Ocarina Wars”), as well as
dreamlike minimalism with unpretentious cinematographic traits (“Flares Et Wasser Hole”). Some of
these unusual melodic patterns may resemble the corporality of the animal throat rather than any human-created instrument (“Electros Spong”).
Although Euzebio was recorded with synths, the final shape of individual tracks and the album’s overall acoustic image go far beyond any electronic genre. The instruments have not become a goal in
itself. They were merely a building block, a tool that helped achieve the album’s extended structure - a
diverse whole with rich spatial features.
All sounds performed and recorded by Robert Piotrowicz on Buchla and Serge synthesizers at EMS Elektronmusikstudion in
Stockholm 2013/2014. composed, mixed and premastered by Robert Piotrowicz artwork and photos: Robert Piotrowicz design
and layout: Lasse Marhaug special thanks: Ocarina Jones and Tomasz Gil mastered and cut by Rashad Becker at D&M Berlin
Produced by Musica Genera


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DE - 22113 Hamburg
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Tracklist 12":

A. LIGHTIN
B. TRAKER


Short Info:


Most recently Jacek Sienkiewicz had been mainly preoccupied with with experimental music - his explorations of outer limits of sound resulted in 3 albums released already in 2019, with two more to follow by the end of the year. So, It was good and perhaps refreshing to hear his surprising return to the dancefloor with "Lightin", an unexpected Summer afterparty anthem released digitally in June. By popular demand, it's now released on vinyl in its full, 11+ minutes glory. Lightweight, gentle and tuneful, propelled by a syncopated rhythm, it rolls like a steam engine taking you to your favourite holiday destination. Side B brings us another new track - "Tracker" is definitely built for clubs and designed for peak time moments, be it in a cramped, dark basement or a big room at a festival. This EP is Jacek's first new club-oriented record on his Recognition label since 2016's "Hideland" - and a teaser for an all-new album, due next year.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

- Limited vinyl only release
- Including postcard with download code for another new album from Jacek Sienkiewicz.
!
IMOW, or “In My Own Wave” - Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz’s most personal work to date and very possibly his best!

Tracklist:
A1 short film
A2 prayers
A3 superior
A4 no8
B1 IMOW
B2 museum
B3 flock
B4 me

Info:
IMOW, or “In My Own Wave” is a moody record. Although overtly experimental in form, it’s quite different
to Sienkiewicz’s abstract, improvisational albums recorded with Max Loderbauer or AtomTM.
Clocking in only 35 minutes and comprising of eight tracks, “IMOW” is several years of work distilled
into a dense, concise whole.
Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz’s most personal work
to date and very possibly his best: his constant struggle to find a perfect balance of flesh and machine,
or to translate human emotions to sound by means of a modern studio is manifested here in its purest,
most consistent and, surprisingly, very accessible form. From subtle drones, through chants and
rhythms echoing in mountainous chambers, to innumerable insect-like sounds and tiny details, it’s an
encephalogram recorded to tape (or disk). With all its complexity, it’s not overwhelming: the meticulously
constructed compositions leave both space for the sounds to breathe, and for the listener to
fully experience it, without being bored, tired, wishing for less or being hungry for more. And there’s
beauty in this record, and hope - in the world of overpowering darkness and constant noise “IMOW”
feels like a peaceful trip into the untouched nature with all its wonders - offering in equal parts rest,
strength and inspiration.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist 12":

A1 - Maths Lesson
A2 - Mrs. G
B1 - Devil's Mountain
B2 - Forest Legend

Short Info:


"It's Maths classes. A red-haired boy sits in the back, rhythmically tapping his fingers on a table like a madman. Although other students' eyesight is focused on the formula being written on the black-board, the boy could not care less. Out of a corner of his eye he notices as the sequence of numbers slowly begins to melt off the blackboard, glittering with colours, and finally spills all over the floor like a fractal leakage from some other dimension. Students from the first rows, scared, put their legs up - and then you start to hear the rhythm. The sounds, once set free, feedback from the walls and find their way to all chinks and cracks, circle all around to finally reach the teacher's ear. The lady cannot stop the upcoming fury, grabs Krzysztof Ostrowski (number 28) by his ear and circumventing the leakage she leads him out of the classroom. It's not the first nor the second time such thing happens. Years later, the boy finally sits by the machine; subtle light comes through the window slightly ajar, the curtain dances with the wind. Krzysztof, bent, is programming the rhythm."
It's warm and bright Autumn of 2018 and Krzysztof emerges again, this time on vinyl released by Jacek Sienkiewicz's label Recognition. The experimental style of "Primary Fluctuation" might come as a surprise to many of Jacek's followers, but there are surely some common features for the two art-ists - from attention to detail to a kind of serious melancholy present in their music. Ostrowski's rec-ord is a journey through futuristic polyrhythm, with enough space for menacing basses or unorthodox samples, reminding the aesthetics of fusion of broken techno and bass music championed recently by the labels like Timedance or Livity Sound. Four tracks (five in digital version) make up a cohesive, intriguing and surprising record, announcing series of special releases prepared by Recognition for the forthcoming months.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist / EP:
A1. 140bpm
A2. part of 9
B1. galop
B2. dewild99
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the records 9702 (CD version) and 9799 (four exclusive tracks on a vinyl EP). Four tracks from single come from the time of Jacek Sienkiewicz's first record (Recognition CD). These earliest recordings openly refer to a formula and rhythmical density of Detroit Techno, although end result of this confrontation turns out to be surprisingly "separate" and individualistic. In turn, 9702 album contains a set of varied tracks recorded withing five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations an his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
1.untitled pc 2.step! 3.2000X 4.rekognize u 5.overlooked 6.george 7.neja 8.ky lie 9. dziunia 10.mm 95 (sad) 11. down at heel 12. ost at ni
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the “9702”. Album contains a set of varied tracks recorded within five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990’s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations and his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD Version (Still available is also the west ridge/east ridge maxi 12" version from earlier on as R-EP035)

Tracklist:
1. est , 2. tib, 3. hak, 4. sir, 5. tuk, 6. gnd, 7. noe, 8. wet, 9. hut
+ CD bonus tracks 10. west ridge , 11. east ridge taken from R-EP035

Kosmos of sound phenomena is devoid of a distinct beginning and end, fluid and polymorphous. Stream of sound is continuous, no matter whether and which volatile events are registered, and which ones are omitted. It
is a complex state which transgresses borders defined by source, signal and mechanism of perception. Pastoral/tropical soundscapes and post-brutalist compositions by Max Loderbauer and Jacek Sienkiewicz from their "End" CD seem to evoke those situations where can actually hear objects, shapes and time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes and phenomena. Apocalyptic and contemplative spaces generated by this pair of seasoned sound creators explode genre bastions of ambient and IDM, leading into the spectral areas once explored by such pioneers and Popol Vuh or Ilhan Mimaroglu. Above all, etheric and extra-sensitive "End" marks the meeting of two incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an insistent pulse of detail on an ever-morphing background. Without vivid commentary and recognizable soundbites of the present, "End" is simultaneously an interesting projection of hopes and anxieties of the New Age. Core of tracks included on the record has been produced on the occasion of Max and Jacek appearing as a live duo during 2015's Berlin Atonal festival, which resulted in well received “Alpine-Tatra-Himalaian" EP "Ridges". Remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.


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Tracklist:
1/a1. hide away 2/a2. first run 3/b1. desert plan 4/b2. kingdom of lo 5/c1. hideland 6/c2. gone 7/d1. radionist 8/d2. last run

Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.
www.recognition.pl


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Tracklist:
1/a1. hide away
2/a2. first run
3/b1. desert plan
4/b2. kingdom of lo
5/c1. hideland
6/c2. gone
7/d1. radionist
8/d2. last run
9. Summer 2016 (CD only)
Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.

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artwork by bartosz zaskórski bartoszzaskorski.blogspot.com
Tracklist:
1.La Mer
2.Mer Caspienne
3.Mer Noire
4.Mer De Beaufort
5.Mer De Sibérie Orientale
6.Transatlantique
7.Mer De Corail
8.Mer D’Arabie
9.Mer Baltique
Info:
Micha³ Wolski is a Polish musician, music journalist, radio DJ and tireless promoter of dub techno aesthetics. Eight extended compositions on his new record “La Mer” (Sea) recall those special moments when sound becomes a movement of a kinetic sculpture, an abstract painting, or a cinematic report from the Arctic solitude. Personal and introvert, yet simultaneously carrying certain universal message (cosmic loneliness? molecular life?), sound space created by Wolski manages to seduce listener and inhale her/him for whole 75 minutes. Associations with sculptural work with matter are not purely arbitrary. On his fourth full-length, artist consciously shapes complex and saturated form, further developing - on evidence on his earlier releases - penchant for exploring darker alleys of synthesis and sound design. In his varied and consistent narration, one can find a whole range of references to noblest protoplasts such as Pan Sonic, Rhythm & Sound, or even Vatican Shadow’s desert manipulation. However, the key to album’s consistency does not rely on the power of quote, it rather manifests itself in sheer scale and depth of imagined atmospheres and non-existent geographies. But Wolski’s constructs are much more than a set of sea sound fantasies. “La Mer” is a highly individualist vision of new worlds of listening AND hearing, truly deep acoustic ecology in time of overall hiss.

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Tracklist :
A: Handmade B: Tropic Factory
Info:
Two tracks from a brand new (second in a row) EP by Warsaw-based duo Tumult Hands fully illustrate paradoxical approach of Jacek Sienkiewicz and Jurek PrzeŸdziecki to the creation of a common integrated form. Spontaneous compositional decisions and minute sound interventions are contrasted here with a persistent precision of rhythms generated by both musicians in a reality of an “inter-studio” space, in moments of an encounter - sometimes, fully controlled collision - of two worlds. Full of inner rigour and logic (record is a prime example of modern functionalist music), although teeming with fantasy and flourish, Tumult Hands’ current explorations also announce duo’s full-length LP, soon to be released through Recognition Records.

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Tracklist EP:
A1. Drifting Roman Flugel Remix
B1. Drifting Roman Ricardo Villalobos Remix
Info:
Jacek Sienkiewicz “Drifting”
remixed by two premium electronic music producers. Roman Flugel & Ricardo Villalobos.
No words necessary. Enjoy.

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tracklist:
A1: INST1 A2: INST2 B1: INST3 B2: INST4
Info:
Instynkt - highly anticipated record released by highly unanticipated duo of two labels Bocian (whose repertoire stretches from freeform noise to
improvised jazz) and Recognition (known for state-of-the-art modern techno sound). Four new tracks by Jacek Sienkiewicz appear both as essence and
antithesis of artist's earlier work, instead confronting listener with hardly categorisable and puzzling form. You can still manage to hear echoes of
electronic music masters (from Autechre to Xenakis) in this material, but Instynkt functions as an autonomous entity, or a sound event provoking
questions rather than attempting to answer them. This proposal, very distinct and floating beyond today's tendencies, will undoubtedly worry pessimists
shedding their tears over end-of-all-aesthetics and music losing its magical aura. It is also quite likely to awaken a need for further exploration in all
listeners open enough - and daring enough.
all tracks by jacek sienkiewicz / recorded at recognition hq / warsaw / 2014

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The new Jacek Scienkiewicz EP INCLUDES THE FULL ALBUM CD IN NICE CARTON SLEEVE

Tracklist EP: A1. Drifting B1. Vagrant Blues B2. Free Float

Tracklist CD: 1. Stand Up 2. 130mm 3. 230km 4. Drifting 5. Vagrant Blues 6. No Matter What 7. Mistrz 8. Free Float 9. Sunsetstorm 10. Suppress Your Pressure

Short Info:

Jacek Sienkiewicz is back. “Drifting” is the artist's 5th full-length release and the second one on his Warsaw-based label Recognition since 1999. His records were played and strongly supported by
renowned artists such as Sven Väth and Richie Hawtin; legendary producers like Ricardo Villalobos, Uwe Schmidt and recently, Max Loderbauer collaborated with Jacek. “Drifting” takes its listener on a complex but still accessible journey to a state-of-the-art Techno territory where Carl Craig melodies coexist with stark minimalism of Robert Hood, but they serve only as entry points for further exploration. There is no doubt - Sienkiewicz knows all of his roots yet he
creates signature sound that results from his highly original approach to modern electronic music production. His new album can be seen as a personal diary that Sienkiewicz uses to invite all listeners, no matter what their listening preferences might be, for a deep and unique ride. Constant drift and dislocation creates imaginary landscapes of future unknown. It is a surprise gift in the times of market flood with predictable releases and tasteless hype.
Above all, this album comes both from the soul and the brain and it shouldn't be missed. Every listen is a different adventure. Enjoy.



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The new Jacek Scienkiewicz CD Album.

Tracklist CD: 1. Stand Up 2. 130mm 3. 230km 4. Drifting 5. Vagrant Blues 6. No Matter What 7. Mistrz 8. Free Float 9. Sunsetstorm 10. Suppress Your Pressure

Short Info:

Jacek Sienkiewicz is back. “Drifting” is the artist's 5th full-length release and the second one on his Warsaw-based label Recognition since 1999. His records were played and strongly supported by
renowned artists such as Sven Väth and Richie Hawtin; legendary producers like Ricardo Villalobos, Uwe Schmidt and recently, Max Loderbauer collaborated with Jacek. “Drifting” takes its listener on a complex but still accessible journey to a state-of-the-art Techno territory where Carl Craig melodies coexist with stark minimalism of Robert Hood, but they serve only as entry points for further exploration. There is no doubt - Sienkiewicz knows all of his roots yet he
creates signature sound that results from his highly original approach to modern electronic music production. His new album can be seen as a personal diary that Sienkiewicz uses to invite all listeners, no matter what their listening preferences might be, for a deep and unique ride. Constant drift and dislocation creates imaginary landscapes of future unknown. It is a surprise gift in the times of market flood with predictable releases and tasteless hype.
Above all, this album comes both from the soul and the brain and it shouldn't be missed. Every listen is a different adventure. Enjoy.



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Tracklist :
A: West Ridge B: East Ridge
Info:
Valleys, ravines, crags, inaccessible mountain peaks, abyss. Since times immemorial, stark mountain landscape has always been humankind's inspiration and a constant reference point for many generations of exploratory artists. "Ridges" is a result of a creative encounter between veteran of improvised avant-electronics Max Loderbauer (among others, co-creator of Sun Electric, member of Moritz von Oswald Trio, and frequent collaborator of Ricardo Villalobos) and spiritus movens of Warsaw-based label Recognition Jacek Sienkiewicz. Meeting takes place not only on the level of investigating pure sound and building complex structures, but also on the level of fascination with mountainside aura and mystique that is common to both artists: Alps (Loderbauer) and Tatra (Sienkiewicz), as well as with the vocal cultures of communities inhabiting theese areas. Deeply introspective and individualistic confrontation
between two peer sensibilities and imaginative worlds gave birth to two separate compositions in the vein of contemplative electronic music at it purest.
Both timeless and futuristic, soundscapes imagined by Loderbauer and Sienkiewicz could serve as a perfect antidote to turbo-speed contemporaneity with its tweets, social networks, neuroses and unavoidable anxieties. This music is created without paying attention to current trends and tendencies, although it simultaneously takes its due place among the works of noble pioneers, from Popol Vuh's Transilvanian hymns in Herzog's "Nosferatu" and Lionel Marchetti's concrete report from the glacier, to Simon Fisher Turner's Himalayan soundtracks. More than 20 minutes of material contained in "Ridges" is a document of research passions of both musicians, while for the listeners it could serve as an invitation for imaginative sound journeys, but also for a bit of research that could - and should! - be undertaken on one's own.

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UPC 827170552760 Rel date 23.6.2014 LICENSED TO SVEN VÄTH'S SOUND OF THE 15th SEASON!
A: TUMULT HANDS B: GLOVE BOX
Info:
Recognition Recordings proudly presents the new project on the label - Tumult Hands! This fairly ambiguous name hides the identities of two experienced producers, totally devoted to their machines - Jacek Sienkiewicz and Jurek Prze?dziecki. Despite being radically different personalities, and despite huge differences in their way of working, Jacek and Jurek joined forces to create one of a kind sonic laboratory. Recognition 034 brings two tracks, created in equal parts by meticulous work and spontaneous studio improvisation. "TUMULT HANDS" is a 10-minute odyssey into the realm of low frequencies - merciless groove carries subsequent waves of bass, swelling, disappearing and reverberating with cosmic echoes, while other sounds culminate in industrial noises - just to release shiny, futuristic melodies. "GLOVE BOX" on the other hand, is an effective club tool for uncompromising DJs - bringing an answer to many questions about the future of minimal techno.
TUMULT HANDS EP is the duo's debut release, but Jacek and Jurek already have more tunes ready to release later this year. We can also expect more live shows from the pair.


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UPC: 827170145627 Release : 17th November 2014
Tracklist: CD 1
1. Stimming - Southern Sun feat. Piper Davis 2. Alex & Digby - Kudlak 3. Leon Vynehall - Butterflies 4. D'Lonely Al - We Can Have It All 5. Simian Mobile Disco & Roman Flügel - Hachinoko 6. Joseph S Joyce - Vedanta (Sebastian Mullaert Remix) 7. Karim Sahraoui - Nightflow 8. Elbee Bad - It's The People (VOXeMOTIONaLmixx) 9. Marc Philipp - Rezo 10. Hotel Lauer - QD 11. David August - Epikur
CD 2
1. Moderat - Bad Kingdom (DJ Koze Remix) 2. Reboot - Samson 3. Benjamin Damage - Up 4. Dast - Deep Down 5. Sable Sheep - Cargo Room 6. Gary Beck feat. Debra Debs - Get Together 7. Pig & Dan - Sandstorm 8. Tumult Hands - Tumult Hands 9. Daniel Stefanik - Signs 10. Planetary Assault System - Future Modular 11. MMM - Jack 7 12. Slam - Rotary 13. Sawlin & Subjected - Texture 1.1 14. Kölsch feat. Waa Industry - Papageno

Fifteen years on Ibiza, fifty years alive: in 2015 Sven Väth celebrates two major birthdays. With more than 10.000 of his fans he will celebrate his own birthday on October the 25th in Mannheim´s Maimarkthalle. Luciano, DJ Koze and Richie Hawtin will be among the well-wishers behind the turntables. The birthday bash will as well be the kick off for Väth´s world tour, which will take him through three continents. Sven Väth´s fans: Some of them are dancing for more than thirty years to his music. Within Frankfurt´s club scene, they followed him from Dorian Gray, the Omen, U60311, to the CocoonClub to Ibiza. Until now, they rely on Väth's tireless curiosity to reinvent electronic dance music again and again. With his longtime companions Väth not only went through the night, but through life.
Then there are the kids from Ibiza who might have experienced Väth for the first time in one of the wonderful nights of the passed summer at Amnesia or at one of the afterhours. Väth enchants them with an abundance of electronic sounds, styles and moods, they are introduced to the cosmos of sophisticated electronic music. They could be his children. With this experience Väth is lead to a new, more relaxed perspective, a sense of what is really important. In an extensive interview for Resident Advisor Väth told the international audience about his multifaceted history as musician and entrepreneur. In a notable podcast for the same page he offers us an insight in his musical interests beyond electronic dance music for the first time in years.
With "Sound of the 15th Season", Väth has left behind the two-part night & day concept of some of the earlier seasons. For the first time, he mixes a continuous, nearly three-hour set. Väth starts off a with delicate house tune from Stimming and the charming, flirtatiously naive voice of Piper Davis. The lovely piano tones captivate the attention while psychedelic moments arouse curiosity. Väth finishes the short opening sequence with another exceptional track: within Alex & Digbys "Kudlak" children pray to a number of saints, and their sincerity and seriousness appeals to us deep in our inside. Väth gives us a moment to feel where we stand in this point in time. Then the party begins. The next chapter is devoted to a classic, wonderfully level-headed New York house sound creating a peaceful haven in Ibiza´s restlessness. Leon Vynehall draws us with gentle chords to the dance floor, D'Lonely Al adds a euphoric note. Roman Flügel & Simian Mobile Disco set the sounds like dots of color on a canvas. They suspend this impressionistic, playful approach with a strong, emotional bass line. Sebastian Mullaert melds these scattered energies in a wonderful, cardinal number with Karim Sahraoui adding multifaceted emotions. With his nervous funk Elbee Bad adds physicality and sex appeal. With the fascinating "Rezo" by Marc Philipp, the set reaches a first climax. Being full of hope and promise the hookline is directed into the future, yet it does not loose contact to the here and now. The Lauer brothers combine the playful approach of the first tracks with a powerful, driving groove. With David August's epic "Epicurus" the acoustic space gains depth and richness. Until now the set was a family affair, now you immerse yourself in the crowd and get carried away.
With DJ Koze's Remix of Moderats "Bad Kingdom", Väth revives the combination of pop and psychedelica and moves into the third chapter. Koze dissolves the anthemic pop song in poetic, trippy sounds. Fun and easy turn into rapid and uninhibited. Reboot´s bassline spin the dancers around. With his bright, crystal-clear sounds Benjamin Damage nets this turmoil. Dast manages to square the circle: he sounds physical and empathetic like a Strictly-Rhythm-track, yet his explosive energy rather reminds of thriving techno. With Sable Sheep the beats get complicated and dense. Väth synthesizes the heterogeneous energies on the dance floor. Wonderfully straight, the bassline of Gary Beck moves into the track, you feel its razor-sharp, driving force in your fingertips and your tows. Väth reaches the finale: "Sand Storm" by Pig & Dan has the dimensions of a natural event. Gusts of sand grains form a massive sound wave that is sublime and a little scary at the same time. Now everything is possible: Jurek Przezdziecki & Jacek Sienkiewicz turn to a jazzy tonality. Daniel Stefanik counters with a pitch-black sentiment, its elegance being broken by a bizarre creaking and whistling. With this unconditionally demanding machine music we have reached the climax. Transforming this extreme tension in a thrilling acid track, Techno innovator Luke Slater creates clarity and defines a target. MMM pull around the helm, with a fanfare they spread a funny, winking euphoria. Slam grant us a breather with a timeless party track. Sawlin & Subjected break into the scene with futuristic, intricate industrial sounds. At the finale it is Kölsch´s turn: the Dane reconciles madness and beauty with an oblique, funny squeak with an amazing vocal a la James Blake.
Väth is able to excel his intuition for electronic sounds just another time. He puts on a record and knows immediately what is going on in the track's heart. In 2014 Väth gets rid of some ballast that has been piling up in club music´s language. As in Far Eastern physical and spiritual practices, Yoga and Zen, it is often just a matter of holding the energy. Listening to himself, Väth is confronted with a stream of energy inspiring him and drawing us in. He always had the enthusiasm of a child. Now he is a wise man as well.


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Tracklist / EP:
A1. 140bpm
A2. part of 9
B1. galop
B2. dewild99
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the records 9702 (CD version) and 9799 (four exclusive tracks on a vinyl EP). Four tracks from single come from the time of Jacek Sienkiewicz's first record (Recognition CD). These earliest recordings openly refer to a formula and rhythmical density of Detroit Techno, although end result of this confrontation turns out to be surprisingly "separate" and individualistic. In turn, 9702 album contains a set of varied tracks recorded withing five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations an his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.


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Tracklist:
A1) Roman Flügel Remix A2) Original B) Frank Wiedemann Orchestra Remix
Infotext:
We here at Watergate Records are ecstatic to bring you the first single release 'Do Me feat. Khan', from Tiefschwarz in anticipation of their stunning new album, 'Left'. Along with a couple of carefully curated remixes by from two of the most prolific and unique remixers working today, Roman Flügel and Frank Wiedemann, the complete package is a trifecta. The original 'Do Me feat. Khan' is fully rooted in Tiefschwarz's cryptic dance floor approach, intricately balancing the serious and the absurd through the call and response of an almost comedically vocoded voice and a smooth, slick talking murmur. Khan's voice joined with a continually climbing bassline, lush percussive melodies and infectious drums result in a cut that is perfect for, and will shine, any time. Going a different direction by barely using the vocal, but staying very true to the original is Roman Flügel. Taking the original bassline and shortening the loop to 3/4 time, Flügel has devised a hypnotic tail chase that continues from beginning to end only to be accompanied by the whip of a big hi hat and wild 909 claps.
Finally, it's the Frank Wiedemann Orchestra Remix, and it's pretty safe to say that this will be one of the anthems of the year. Aptly titled, the remix is a magnum opus conducted by a master. An enormous ensemble of rich strings and delicate melodies that build and swell from start to finish.


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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx



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WHITE VINYL + DOWNLOAD

A1) The Spirit
A2) From My Mind
A3) Pulse
B1) From My Mind (Extrawelt Remix)
B2) From My Mind (Biesmans Remix)

Release Info:
Belgian techno don Marco Bailey lands on Watergate with a debut that’s guaranteed to intrigue as
he leans into electro territory, grabbing rerubs from Extrawelt & Biesmans while he’s at it.
DJ, producer and label chief, his is a storied career that spans three decades, and it’s long been evident
that Marco’s enthusiasm and passion remains resolute. He closed 2021 with the release of his sixth studio
album Surreal Stage, an ambitious, introspective body of work that dropped via his booming imprint
Materia. His own label aside, his discography is stacked with cuts across eminent labels Second State,
ARTS, Bedrock Records, as well as being one of the first artists to debut on Carl Cox’s seminal INTEC.
While it’s techno that he’s become firmly associated with, his adeptness in the studio isn’t limited to the
nuances of one genre and this is a rare opportunity to showcase a different side to his musicality.
‘The Spirit’ floods in first, almost immediately engaging listeners as it ebbs and flows with complete
abandon. If the promise of electro grabbed your attention, it’s ‘From My Mind’ that delivers and sticks in
your mind - from the heavy synth bassline to the soaring ascendant melody, and distorted, robotic vocals.
‘Pulse’ slaps and packs plenty of punch power as it snakes its way through with dominating, ascendant
chords.
German duo Extrawelt and Belgian export Biesmans step in with rerubs of ‘From My Mind’, and firmly grip
some of the elements which make this electro excursion so memorable.

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Into the mystic. Crank up the amp and drop the needle on the record. Exclusively on vinyl only, it's the cross-genre collaboration everybody's talking about - between the don of drum'n'bass and one of the godfather's of grime. Goldie and Skepta share a birthday, an elemental connection and an impeccable taste in beats. Upstart is the blistering outcome of their studio sessions together - a fierce, futuristic alchemy of tense horrorshow melodics, street-level rhymes and bangin' breaks. Minted somewhere between Blade Runner and A Clockwork Orange, it's for the kind of kids who want to ram-raid tomorrow, become a ghost in the machine, a contagion that cannot be stopped. Upstart is for everyone who hates the fake shit, the crass commercial crapola, the fucked-up state of everything. It's pyrotechnic protest music for the hip at heart. "Grime grew out of speed garage, which in turn came out of drum 'n'bass," says Goldie. "It's come full circle." In truth, it's a union that's surely meant to be. And so fate shuffled the deck bringing Goldie (DOB 19.09.65) and Skepta (DOB 19.09.82) together.
It's a generational thing. But it's also the alchemy of the in-between, the outsider, the otaku. Forget the kill-switch. Get the deck warmed up. Crank up the amp, play loud and repeat after me: "I'm an upstart…"
TRACKLISTING:
A1. Goldie & Skepta - Upstart (Road Trip)
A2. Goldie & Skepta - Upstart (Road Trip) [Instrumental]
B1. Goldie & Fraims Featuring DRS - Poisonous Darts
B2. Goldie & Fraims Featuring DRS - Poisonous Darts [Instrumental]


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DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
1/a1. hide away 2/a2. first run 3/b1. desert plan 4/b2. kingdom of lo 5/c1. hideland 6/c2. gone 7/d1. radionist 8/d2. last run

Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.
www.recognition.pl


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
A1 – There Is No Distance Between Us
B1 – There Is No Distance Between Us (u.r.trax remix)

Release Info:
Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback,
the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside
his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s
problems go away by pressing records, I would. And I can, so I will. This is only the
beginning."



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Rights : World excluding FR & UK

2 x CD , Trifold digisleeve made with rainbow mirrorboard

SHORT INFOS
Timeless is regularly cited as one of the greatest dance music albums ever made., a Dark Side of the Moon for the rave generation. As Tony Marcus, writing in Mixmag back in 1995, concluded: "Timeless is a record that couldn't have been made if it wasn't for the party, the MDMA, the noise and the rage. Timeless tells you that you can't ignore or erase this history because to Goldie, and to so many others, it holds their lives, dreams and feelings."
Timeless went on to become a landmark release not just for Drum 'n' Bass but for electronic music as a whole. Within a year of its release (1995), it had racked up more than 100,000 sales. Now sees the release of TIMELESS THE REMIXES, featuring hand-picked remixes by Goldie from the likes of Break, Doc Scott, Teebee, 4 Hero, Trevino and many more.

Tracklisting:

CD1
1. Inner City Life (Break Remix) 2. Kemistry (Grey Code Remix)
3. State Of Mind (Searchlight Remix) 4. Angel (Scar Remix)
5. Inner City Life (Nookie's '2021' Remix) 6. Jah (J Kenzo Tribute Remix)
7. Sensual (Searchlight Remix) 8. Inner City Life (Trevino Remix)
9. Kemistry (OneMind Remix)

CD 2
1. Angel (Peshay Back From Narm Remix) 2. Inner City Life (4 Hero Remix 'Remix 1')
3. Inner City Life (Nookie's 94 Remix) 4. Angel (TeeBee Remix) Remaster
5. Kemistry (Doc Scott Remix) 6. Still Life (Photek Remix)
7. Inner City Life (Baby Boys)8. State Of Mind (Hip Hop instrumental)





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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)

Special remarks : 2LP Gatefold 2LP Vinyl + Downloadcode

Genre: Electronica/Dance


Tracklist LP:
A1. Sky is the Limit feat. the Beloved
A2. Amazing feat. Steve Van Velvet
A3. Wasteland feat. Inga Humpe
B1. C´est la Vie feat. Richard Judge
B2. Du Schneidest mir mein Herz auf feat. Ben Becker
B3. We Could Be You feat. Yasha
C1. Job of Dying Young feat. Marian Gold
C2. White Boy (Percy Tech Remix) feat. After Life 3000
C3. Time Marches On feat. Henning Wehland
D1. Goldelse Is Burning ( Album Dub Mix)
D2. No Melody feat. Dieter Meier
D3. No Crap feat. Beccy Boo


Short Info:


On his new album "Famous Last Songs Vol. 1" Westbam presents himself as a brilliant curator of his own music. With unerring instinct, the legendary techno DJ and producer succeeds together with guests such as Dieter Meier (Yello), Inga Humpe (2raumwohnnung) and Jon Marsh (The Beloved) in paying homage to the spirit of the Eighties and making the ultimate statement about the current time: music for the club in your head.


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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Longevity is something we talk about a lot in dance music nowadays. But timelessness, however frequently mentioned, is in fact a rare and sadly lacking ingredient in much of today‘s music. Well, you can thank Steve Bug and the Poker Flat crew that this isn‘t the case here, as we present the second unavoidable installment in the ‚Raw Essentials‘ feature, reviving some classic moments from the Raw Elements catalogue. Re-borne for another chance to rock it, Russ Gabriel‘s intense tweaked out remix of Steve Bug‘s ‚Honeymoon‘ fi nds the coveted position of A1. British born Gabriel produced some of the fi nest moments of the late nineties, and this technoid groover still stands out above many as a bold and futuristic statement about the pure electronic soul that this music thrives off. Just what is it about a combination of sounds or rhythms that has the ability to hook us in so gracefully and so completely? The answer is of course not in words... Enigmatic producer and remixer extraordinaire, Les Rythmes Digitales aka Jacques Lu Cont, aka the Thin White Duke, aka the UK‘s Stuart Price takes on another Steve Bug cut, fi rst featured on Raw Elements 620 in 1997. Price‘s unique sonic craftsmanship is proudly
on show here and he works the funked up guitar riffs and jagged bass of the original into a nervous electro stepping groove revolving around Bug‘s freaky vocal memento. Not dissimilar to the work of Orbital or other cross-genre electronica artists of the day, this track hasn‘t lost any of its heart or fond disobedience, even by today‘s standards! And so we come to the B side and it only seems fi t that
another seminal Vincenzo track is brought out from the depths for the chance to shine again. ‚At Throb‘, originally the lead cut from his debut solo EP on Raw Elements, is a masterful lesson in percussion and musicality. Not quite so stripped as previous re-incarnations, this track builds from a lone groove into a spectacularly spaced, embracing moment, the kind of music Vincenzo has always had a calling for. Gentle and sympathetic melodies blur together into one extended feeling, as the track‘s percussion takes second place, unusually, allowing the soft strings and warm vibes take over, whisking us off
into coma of beauty. Tracklisting: A1: Steve Bug: Honeymoon (Russ Gabriel Remix) A2: Steve Bug: Drives Me Up The Wall (Les Rythmes Digitales Remix) B: Vincenzo: At Throb

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More