2x12" Gatefold, part 1 of a 4 Editions , 4 Parts "15 Years Cadenza" Album Circuit Project where Luciano Releases each Part in the Seasons of the coming Year. Starting with" Summer" being Vol.1 !

Tracklisting:

A. The Amazing Lilou
B. Hiding Hearts (featuring Rebelski)
C1. Nabusima (featuring Rebelski)
C2. Magik Mechanics
D. Tirana del Oriente

Info:

Luciano has arranged a special series of four releases as part of the celebrations for the fifteen years
anniversary of his own Cadenza Records, launching the first one to begin the festivities. Each episode
is coming out in a different season of the year; the first one, with the catalogue number 118, is the
chapter dedicated to the summertime and contains 5 enchanting tracks with an exquisite sound. This
series is just one of the astonishing surprises that Luciano has set aside for the birthday of his
beloved label.
The show begins with “The Amazing Lilou”, a crispy ariose tune with elaborated percussions and
calypso-flavored synthesizers. “Hiding Hearts” is a latin prelude with pleasant guitars and restful
melodies, flowing with joy and peace. “Nabusima” is another Caraibic spell, with noteworthy carefully
mixed drums and elevating harmonies. “Magik Mechanics” explores complex broken beats and
electronic textures, drawing a colored narration in between a fairy tale and a sci-fi movie. Finally,
“Tirana del Oriente”, as disclosed by the title, is a trip into the Oriental ardent magic. A collection of
five long summery compositions to accompany our hot pleasing days from the dawn till the dusk,
holding our hands during a never ending daydream.

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Tracklist 12":
A. Audion's Backward Melody Remix
B. Moffa X Troxler LSOS LOVE/GOD Mix

Short info:
Originally released in 2014, Luciano's 'The Great Amael' is an enchanting and endearing trip; a lo-fi bubbling groove and dusted Hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. Two years on, and Cadenza Music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in Luciano's catalogue.

Having recently released his first album in over 10 years, Matthew Dear AKA Audion boldly steps up to the mantle and stamps his intelligent techno sound all over 'Amael' in the first of our remixes. Cutting a sprightly pace from the off, Audion melts stuttering sine waves and bulging tones over concrete beats, tweaking in the original organ riff and fathoms deep pads whilst adding additional vocal refrains as he playfully teases the arrangement before dropping a superb riff in his 'Backward Melody' Remix, which takes a most psychedelic and unexpected twist!

Two other musical heavyweights collaborate on the second of the remixes; Phil Moffa and Seth Troxler are no studio strangers, having released a joint project on the British Hypercolour label last year, and remixed for Tiga a few months back. Their LSOS LOVE/GOD Remix builds from ambient beginnings, save for a rhythm carved out of spongy electronics, a sturdy beat kicking in and setting the controls destination unknown, as the duo steer through breathy vocal cuts and propelling bass, stripping the remix back before leaping back into hyperspace with some adventurous and dubbed out vibes, before coming back down for landing with those unmistakable pads from Luciano's original.

A fitting remix package that brings together four of the electronic music scene's most dynamic talents, Luciano's music is given that extra special touch by respected and like minded individuals that will continue it's work on the more discerning dancefloors this Autumn.


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UPC: 827170485662 Release : 25.02.2013
Tracklist 12": A1. Cachai B1. Dance Unity
Luciano breezes into Cadenza Music's 10th anniversary year with a new single, 'Cachai'/'Dance Unity', released on February 25th. Whereas previous single 'Rise Of Angel' came from the heart, this brace of new music comes strictly from the mind; heady, experimental dancefloor tracks with an air of futurism to them that sets the scene for Luciano's next album, due this year, quite nicely. 'Cachai' fuses a bouncing, morning groove with stabbing operatic vocals and searing strings, light organ keys keeping the backbone of this decidedly trippy and minimal production, Luciano taking things back to the basics…'Dance Unity' keeps things in the similar vein, raw and minimal electronic drums, furry snares and an attention to the finer details, with hallucinatory blips, bleeps and haunting keys weaving their magic over the tracks 15 minute tenure. Luciano provides the call to the dancefloor, with 'Dance Unity's' lyric, and a fitting message in light of Cadenza's 10 year achievements.


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UPC 827170474666 Rel date 19.11.2012
'Rise Of Angel' is the brand new single from Luciano, and the first single to be taken from his forthcoming album, due in 2013. However, for the many thousands of dedicated music fans who have made the pilgrimage to Luciano's hugely successful parties this Summer in Ibiza (the weekly Ushuaia sessions and Vagabundos at Pacha), or the many Cadenza parties around Europe and North America, 'Rise Of Angel' has already become the signature tune and musical hi-light in Luciano's sets, making its release a highly anticipated moment for the Cadenza faithful. Clocking in at over 15 minutes, 'Rise Of Angel' is an epic slice of modern electronic dance music, the simply Balearic, synth and piano driven hook gently builds and teases with cinematic intent, the light percussion and organic beats working the old Luciano magic, it's no wonder that 'Rise Of Angel' has become one of the most talked about tracks of the Ibiza season this year. The vinyl 12" is coupled with Mirko Loko's pulsating robotic workout, adding a more beats driven take on Luciano's original, and delving into the bass for a heavyweight techno flecked remix. 'Rise Of Angel' will be Luciano's first release on his own Cadenza label since 2010's Lucien-N-Luciano's 'Cuidad De Luz' EP, and marks the start of another big chapter in his career, having spent the last couple of years building a passionate audience through hundreds of DJ performances around the world, the Vagabundos events and collaborating musically with artists such as Pharrrell (Neptunes) and Lenny Kravitz. His forthcoming album will be his second full length collection (following 2009's .Tribute To The Sun'), and his label, Cadenza Records, will celebrate its 10th anniversary, so the future certainly looks bright for the Chilean producer and DJ.

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It's always a special event when Cadenza releases an artist album, given their relative rarity. In fact, not counting copious doublepacks, the Cadenza Contemporary 01 mix CD, and Ricardo Villalobos' counterintuitively titled Achso EP, there has only been one so far: Los Updates' First If You Please. Making things even more special, Mirko Loko's Seventynine is both his debut solo album and his first appearance on Cadenza, all adding up to a triply celebratory moment. Not that Mirko is a newcomer: as part of Lazy Fat People, he lapped up accolades for releases on Border Community, Wagon Repair and Carl Craig's Planet E, among others. And no one can forget last year's Family EP, a collaborative effort by Mirko and Luciano, released on Loco Dice and Martin Buttrich's Desolat. Now, with Seventynine, Mirko takes us even deeper into his musical imagination, introducing listeners to a side of him they may not have heard before. At its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the Cadenza sound. But Mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. Rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole. "Sidonia" opens, immediately announcing that this won't be merely business as usual. With its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic Warp records-always, in truth, a key influence for Cadenza. Bells and voices lend an atmosphere of shimmering energy that's carried over into "Around the Angel," which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting CD
1. Sidonia
2. Around The Angel
3. Love Harmonic
4. On Fire
5. Astral Vaccum
6. Bluebook
7. Shadow
8. Takhtok
9. Le Monologue d'Orfeu
10. Altrove
11. You Know Where


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It's always a special event when Cadenza releases an artist album, given their relative rarity. In fact, not counting copious doublepacks, the Cadenza Contemporary 01 mix CD, and Ricardo Villalobos' counterintuitively titled Achso EP, there has only been one so far: Los Updates' First If You Please. Making things even more special, Mirko Loko's Seventynine is both his debut solo album and his first appearance on Cadenza, all adding up to a triply celebratory moment. Not that Mirko is a newcomer: as part of Lazy Fat People, he lapped up accolades for releases on Border Community, Wagon Repair and Carl Craig's Planet E, among others. And no one can forget last year's Family EP, a collaborative effort by Mirko and Luciano, released on Loco Dice and Martin Buttrich's Desolat. Now, with Seventynine, Mirko takes us even deeper into his musical imagination, introducing listeners to a side of him they may not have heard before. At its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the Cadenza sound. But Mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. Rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole. "Sidonia" opens, immediately announcing that this won't be merely business as usual. With its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic Warp records-always, in truth, a key influence for Cadenza. Bells and voices lend an atmosphere of shimmering energy that's carried over into "Around the Angel," which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting CD
1. Sidonia
2. Around The Angel
3. Love Harmonic
4. On Fire
5. Astral Vaccum
6. Bluebook
7. Shadow
8. Takhtok
9. Le Monologue d'Orfeu
10. Altrove
11. You Know Where


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SPECIAL 3x12" EDITION INCLUDING FULL LENGTH VERSIONS
In this version you'll have the chance to get the the full length version of Celestial, Conspirer, Los Ninos de Fuera, Africa Sweats feat. Ali Boulo Santo and Metodisma which aren't available on the CD versions of the album. It's been nine years since Lucien Nicolet's first record, and in that time he has earned his place among electronic dance music's most celebrated names. He's racked up singles for the likes of Mental Groove, Perlon, Desolat and of course Cadenza. He's remixed everyone from M83 to Salif Keita, and his mix CDs for Fabric and Soma's Sci.Fi.Hi.Fi. series have showcased minimal house and techno at their most sensual, supple and jubilant. And Luciano's DJ sets have become the stuff of legend the world over. Throughout his career, the Swiss-Chilean musician has experimented liberally with longer formats, including a live album for Thomas Brinkmann's max.Ernst label and 2004's groundbreaking No Model No Tool, a recombinant set of groove components. But in all this time he has released only one proper studio album, 2004's Blind Behaviour, which veered away from the dancefloor in search of more esoteric pleasures. At long last, with Tribute to the Sun, Luciano delivers one of the definitive highlights of his career. Not merely a "dance" or "electronic" record, Tribute incorporates musical styles from around the globe with Luciano's inimitable rhythmic sensibility. It draws upon Luciano's extensive experience as a mover of bodies and a reader of the crowd's mind. Many of its grooves form an integral part of Luciano's DJ sets, having been road-tested and continually refined. But it's very much an album to be listened to front to back. (Most of the album's cuts will also be made available as extended edits, for vinyl and download alike.) Tribute to the Sun is above all a highly personal portrait of the artist. Informed by the ups and downs of the artist's life, and the balancing act between life on the road and the refuge of family life in rural Switzerland, its moods run from the heavenly grace of "Celestial" to the outright madness of "Metodisma." This is the fullest portrait yet of Luciano as not just an artist but a human being. Four years in the making, the album finds Luciano collaborating with a cast of musicians as talented as they are diverse. Ali Boulo Santo, heir to a long line of griots and nephew of the legendary "King of the Kora" Soundioulou Cissoko, was said to be "born with a Kora in his hands"; he pioneered an electronic fusion of Mandingue Afrobeat in his recordings for Frédéric Galliano's Frikyiwa label, and here his contributions continue to expand the possibilities for "world" music in new contexts.





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Luciano is back! After ceding Cadenza's concentric grooves to a range of newcomers and repeat offenders - Pikaya, Andomat 3000 & Jan, Loco Dice, Digitaline, Argenis Brito, Alejandro Vivanco, Petre Inspirescu - the label's founder returns with his first new original material for Cadenza in over a year. It's not like he's been sitting quietly - in the almost year and a half since Luciano and Thomas Melchior's brilliant "Solomon's Prayer/Father" (Cadenza 11), Lucien Nicolet has collected a multitude of musical studies – so called études - from the French word étude meaning "study".An étude is a short musical composition designed to provide practice in a particular technical skill in the performance of a solo instrument. Musical studies have been composed since the 18th century and they became an important musical genre since then. The etudes that are most widely admired are those which transcend their practical function and come to be appreciated simply as music. And this is exactly what Luciano is aiming for.The four tracks on „Études Électroniques“ (Cadenza 21) find Luciano invigorated and inspired, putting his talents into the service of dancefloors at their most delirious.With its delicate skip and its slow sunrise flare, "Montana" opens the record on a blissful note, calm and suffused with light. A hollow bass tone puffs away like a glassblower as brittle rhythmic patterns spin round and round. Swelling and drifting, weightless and iridescent, it feels like chasing dawn in a hot-air balloon."Fochedrem" eases off the throttle and cracks an ear-to-ear grin; a stubby one-note bass line beats out a kind of cartoon funk as the answering riff splinters and shapeshifts between cowbell, organ and piano. It's as slippery as the deck of a storm-tossed boat."Masalla" features liquid congas and feathered metallic details that stand on end like magnetic shavings. Laid-back and polyrhythmic, it's a future Latin maysterpiece. The tune's centerpiece is a slowly unspooling melody—a cadenza in the truest sense of the word, in fact— that recalls the syncopated refrains of Luciano's classic Live @ Weetamix.The unhinged "Nunca Tiene Bastante" closes out the EP on a particularly twisted note, as lightheaded as a hit off a nitrous
balloon: it's a paean to insatiables everywhere, overlaid with deranged laughter and driven by a beat that never stops churning.

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Cadenza Split Composition Series: An Introduction Minimal just got messier.Minimal techno has always been about stripping things down to their essence. Now, with Cadenza's Split Composition series, the opposite approach comes into play: building a new sound, and a new tradition, from the beats up.Each edition will consist of four sides of vinyl broken out into several skeletal rhythm tracks and a handful of
supplementary parts: ambient fantasias, shimmering drones, treated vocals, electro-acoustic collages. The series is a riff on the old idea of "DJ tools" offering stripped-down tracks meant to be mixed in
performance. But the Split Composition series vastly expands upon that idea, both in terms of format and the music itself. Drawing not only from techno but also from jazz, musique concrete, and 20th entury composition, the individual elements of every Split Composition release are also meant to stand on their own. In addition to being tools, they work as tangible traces of the artist's creative process—minimalist sketches of a lone idea or a single mood. While their primary purpose is to bring a sense of creativity and a spirit of play back to the DJ booth—supplying DJs with the raw materials to create dynamic mixes that don't play by the rules of the season's anthems—the Split Composition series is also a challenge to producers to step outside their comfort zones, playing with timbre, texture and melody in new ways. And for listeners who aren't DJs—or perhaps are DJs only in the sense that they craft endless playlists in their media player of choice—the Split Composition series offers a new way for listeners to approach electronic music. Split Composition invites listeners to play, shuffle, and rearrange; it invites them to remix the music not only on their turntables, but in their minds. If the DJ mix is famously described as a journey, the Split Composition series is the map of the back roads and hidden vistas, a map that yields a new route every time you unfold it. Cadenza Split Composition 001: No Model No Tool The first record in the series comes, appropriately enough, from Luciano (aka Lucien Nicolet and Lucien N Luciano), an artist who needs no introduction, and the originator of the Split Composition concept—an idea that stems from his uncompromising, experimental approach to DJing as well as from his many collaborative projects, including Sense Club and Narodniki. The A-side and B-side both find Luciano in prime form as he crafts two subtle, snaking percussive workouts. He's up to all his old tricks: topsy-turvy syncopations,relentless polyrhythms, sci-fi effects and unearthly treatments galore. Running 10 and 12 minutes, respectively, both tracks are a DJ's dream, offering endless possibilities for layering, interleaving, building up and breaking down. The B-side in particular channels all the darkness of Luciano's recent productions for Cadenza, sucking out the shadows so that only the structure—hard, angular, like an architecture of anxiety—remains. The C-side offers five short interludes, running between two and five minutes apiece. They range from a lilting vocal track, strangely reminiscent of Eraserhead's "Elevator Song," to innerspace explorations via FM synthesis to an unsettling duet for organ and air-raid siren. It's Cadenza's deepest foray into the dark side— so far. The D-side, meanwhile, is something else altogether. The color of an oilslick, the 15-minute track is a slow explosion of tone that evokes horns, strings, and bells, constantly morphing around an unstable synthetic center. As slow and weightless as a sleeper's breath, it makes the perfect close to a record designed to mix
seamlessly into the ether.

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Tracklist:
A1 TRIUMPH
A2 WAITING FOR MY LOVE
B1 CLOSE THE DOOR
B2 FEAR AND MADNESS IN THE DESERT


Brilliant 4 track E.P. by Ivan Iacobucci and Stella Fiore.


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2022 Repress

Upc-Barcode: 827170 5717 6 1 Release date: November, 17th 2014

Info
The first part of Thomas Melchior's "Meditations" Series. To be continued...


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2022 Repress

Upc-Barcode: 827170571860 Release date: November, 27th 2014
Info:
The second part of Thomas Melchior's "Meditations" Series.
also:PERL103-1 Melchior Productions Ltd - Meditations 1-3 / 12"


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2022 Repress

Notes: Part 1 of 2

Tracklist:
A ON A BASS
B DREAMING PERFECT ZEBRAS




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2022 Repress

UPC827170571969 Rel date 16.2.2015
Tracklistting:
A: VISIO B: RUSKI
2 tracks by Berlin based Germann Nguyen also known as Binh.

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Format: 4x12"LP

Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO



Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“.

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Format: 2x12“LP

Tracklist:
A1 POSITIVES
A2 ONE AND OLLAM
B1 NONPLUS
B2 PERFECT STORM
C1 LIGHT TRAIN
C2 LIGHT TOWER
C3 NOVEMBERME
D1 SOMEWHERE
D2 AFTER LAUGHTER


Release Info:

A matter of pace, an analog memory…
Feel safe: like newborn, take your first careful steps on a clean slate while Maayan is your supervisor. Naïve and happy, you leave carbonbon footprints on your way into the positives. Then a faster pace: some tribal folk music from a tiny world, where people dance around an LED fire, commands a gallop to the one and ollam. Latinfection guaranteed.
Your nonplus motion interferes with environmental geometry. A memory from an analog past flashes like a daydream. Upward and rising, your smile workout succeeds while scintillating waves say “hello!”. Having grown up to a motorik being, the determined goal however never appears. The journey into a perfect storm is the reward. Maayan sends you some motivating words.
Then have a break and jump on the light train of thoughts to enjoy blurred reflections: on the water and in your mind. Sing your body beautiful and free. Words come in bubbles, a heart-throb away from a light tower. Feel like stumbling into new adventures on a pathless terrain.
Slowly and cautious, the novemberme, which is the one that approaches dawn, celebrates tristesse with a funny accent. Kick the blues with a beat. Somewhere lost but regenerated, find sisyphos’ generator of vitality. A nascent religious mood at the Autobahn service station fades into the fog.
Finally, the circle of pace is almost closed. After laughter of amazement, Maayan leaves you with a soothing mantra of confidence: an everyday ritual fun you should indulge yourself in. It comes in waves.


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Tracklist:
A DEEP ONE
B I’M STANDING BESIDE YOU

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2x12"
Wareika invite us to their „Harmonie Park“, a place created by the love of improvisation. At the park, poles have shifted already! Florian Schirmacher, Jakob Seidensticker and Henrik Raabe, all full-time musicians, tuned their instruments to introduce us to this parallel universe. It.s about the various possible perceptions of one single moment. Loops and sequences, subjected to virtual tempo changes, without leaving the Bpm scale. In the park, everything is always in the flow. Jazz / Techno / Funk / House, all elements that appear / dissapear throughout the composition. Wareika manage to bring all this together effortlessly, without even thinking in those categories. The deeper you get into the park, the more you get absorbed by the dynamics of interlaced, polyrhythmic modulations. Luckily the groove acts like the park ranger, showing you around while
taking care no one gets lost in hypnotic structures waiting on the way. At the end, this pulsating soundcluster leads into the great river named bassline, leaving us quite harmonized..... !! This release comes in a special format !! We made „Harmonie Park“ available in 4 parts on 2x12“ Vinyl.

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part 1 of a series of 12"s featuring lucien 'n' luciano in various collaborations with friends. geneva based luciano invited mat jonson (itiswhatitis) from victoria / canada to the alps to build the "alpine rocket", a 10 minute ride featuring vocalist cassy britton. on the other side it's luciano solo with "mr chancleta".

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2021 Repress

Two new tracks on this 12" by Ricardo Villalobos.
... a pretaste of his upcoming full lenght album, scheduled for summer 2012.


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2021 Repress

Malgorzata Dygasiewicz, who was born in Poland, moved to Berlin in 2006. Before that, Margaret lived in London where she consolidated her dj skills in such famous clubs like "Fabric" or "The End". Only 2 years ago Ms. Dygas decided to produce her own tracks (thanks god!), that got released through "Contexterrior" and Tobi Freund's outstanding imprint "Non Standard Productions". Perlon likes to welcome Margaret on board with this 2 track / 12", that could be described as quite deep....... Enjoy!

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Tracklist:
A TAMARINDO
B1 TIME ISSUES
B2 FOR

Release Info:
Far out explorations by Ottber and Felix Hk.


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2021 Repress

Alan Abrahams, that's the man behind Portable, born and raised in South Africa, where he started to produce music in the 90's. 1997 he moved to London. After several releases on Labels like Context or Background, he started his own imprint "Süd Electronic" around 2002. Another Project named "Bodycode" was born and found a home at USA based "Spectral", the sisterlabel of Ghostly.His first "Portable" album was released at the end of 2007 through "Süd Electronic". Now Perlon is more than happy to welcome mister Abrahans on board with this incredible deep 12" entitled "Knowone Can Take Away". Two songs for eternity!


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DE - 22113 Hamburg
Germany
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2021 Repress

Outstanding new tracks by London based icon Baby Ford. As usual, made for eternity!


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2024 repress


The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!

WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie

Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?

"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).

The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.

At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.

Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.


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Territories: World excl. UK + North America

FORMAT: 12" 180g vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45


Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.

But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.

Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.

This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.

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World excluding FR, UK,US,Belgium & Netherlands

Packaging: 1 x 140 grs Black Vinyl, 3mm spine sleeve with UV Gloss finish, Printed Inner Sleeeve,, marketing front sticker

SHORT BIOG

Following 2022' acclaimed 'Topical Dancer' album with Charlotte Adigéry, here comes 'Letter To Yu', the debut solo album by Bolis Pupul : produced by fellow Belgians Soulwax & released on DEEWEE/Because Music. Exploring many themes including loss, grief, ancestry, culture, belonging/not belonging and identity. It's no coincidence that Bolis Pupul's music sounds the way it does. Born in Belgium to a Chinese mother and Belgian father and raised in the super-cool creative city of Ghent, Bolis' music is a joyous cross-cultural assemblage. Mixing widescreen electronica with the warm-hearted and wonky naivete of Belgian New Beat, Bolis' singular sonics are at once playful, emotive, unrelenting and tender. The real key to unlocking Bolis' musical secret, however, is that conversation he has between his Eastern and Western roots. The creation of the album is built around Bolis' trip to Hong Kong earlier this year, made to reconnect with his late mother's roots.

TRACKLISTING VINYL:
A1. Letter To Yu
A2. Completely Half
A3. Goodnight Mr Yi
A4. Doctor Says
A5. Spicy Crab
B1. Ma Tau Wai Road
B2. Causeway Bae
B3. Cantonese
B4. Kowloon
B5. Cosmic Rendez-Vous














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2024 Repress

Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49

Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing.

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