Label:Mule Musiq
Cat-No:mule256
Release-Date:29.05.2020
Configuration:2LP
Barcode:
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Last in:15.01.2021
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Last in:15.01.2021
Label:Mule Musiq
Cat-No:mule256
Release-Date:29.05.2020
Configuration:2LP
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1
Luciano - Luci Neu House Side A
2
Luciano - Luci Neu House Side B
3
Luciano - Luci Neu House Side C
4
Luciano - Luci Neu House Side D
Lucianos very own music, so far issued on three albums and countless eps, was always ambiguous. there is his club leaning creativity that can dance slightly into pop spheres while never for-getting the power of precise sliced rhythms and subtle bass sensations. and then there is a calmer luciano, that displays his love for “music to listen at home, done for a spiritual travel, an inner universe and a moment paralyzed in ether”, as he describes it. on his first ever mule musiq album release “luci neu house”, luciano now delivers meditative journey music full of repetitive patterns that slowly playing tricks on the listeners subcon-sciousness. “i love music that has a dimension more than music designed for the radio or tv format. mu-sic, that is designed to bring you a higher level of energy and creativity. so, there is no pretentious things in it ... more just sounds and dimension that will lead your head into the fall of jupiter” he reveals about the one-hour long composition “luci neu house”, whose esoteric deepness reminds on the intensely meditative class of his older pro-ductions like “behind my soul” from 2010. an epic tune cut on vinyl into four 15-minute long pieces, who shift slowly, almost unper-ceived, whilst absorbing the mind of close observers into a micro-sliced world of moving gen-tleness. maelstrom magnetism against the gravity of time, that also can be found on the additional mule musiq 257 12inch, which functions as a soothing footnote to luciano’s album. the almost 13 minutes long trip “flags of himalaya” opens with restful percussions that unhur-riedly start to dance with soft string, piano and horn melodies. on the opposite, the nine-minute long “the evasion of the spiritual soldier” grooves laidback with jazzy rhythms and italo leaning melodies. a perfect tune for slow dance sensations and endless sunset seaside drives. at a total length of almost 90 minutes, all new mule musiq music composed by luciano distributes a mesmer-izing healing spirit, that grounds organically, even if it is totally rooted in the digital, soft-ware driven world of composing music. “check your buddha” tunes, that somehow sound novel during each new listening circle.
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Label:Mule Musiq
Cat-No:mule257
Release-Date:26.06.2020
Configuration:12"
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Last in:09.08.2021
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Last in:09.08.2021
Label:Mule Musiq
Cat-No:mule257
Release-Date:26.06.2020
Configuration:12"
Barcode:
1
Luciano - The Evasion Of The Spiritual Soldier
2
Luciano - Flags Of Himalaya
the title track of nine-minute long “the evasion of the spiritual soldier” grooves laidback with jazzy rhythms and italo leaning melodies. on the opposite,13 minutes long trip “flags of himalaya” opens with restful percussions that unhurriedly start to dance with soft string, piano and horn melodies.
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Vinyl Album Excl
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Last in:03.08.2018
Label:cadenza
Cat-No:cadenza118
Release-Date:10.08.2018
Genre:House
Configuration:Vinyl Album Excl
Barcode:4260544825491
1
Luciano - The Amazing Lilou
2
Luciano - Hiding Hearts (featuring Rebelski)
3
Luciano - Nabusima (featuring Rebelski)
4
Luciano - Magik Mechanics
5
Luciano - Tirana del Oriente
2x12" Gatefold, part 1 of a 4 Editions , 4 Parts "15 Years Cadenza" Album Circuit Project where Luciano Releases each Part in the Seasons of the coming Year. Starting with" Summer" being Vol.1 !
Tracklisting:
A. The Amazing Lilou
B. Hiding Hearts (featuring Rebelski)
C1. Nabusima (featuring Rebelski)
C2. Magik Mechanics
D. Tirana del Oriente
Info:
Luciano has arranged a special series of four releases as part of the celebrations for the fifteen years
anniversary of his own Cadenza Records, launching the first one to begin the festivities. Each episode
is coming out in a different season of the year; the first one, with the catalogue number 118, is the
chapter dedicated to the summertime and contains 5 enchanting tracks with an exquisite sound. This
series is just one of the astonishing surprises that Luciano has set aside for the birthday of his
beloved label.
The show begins with “The Amazing Lilou”, a crispy ariose tune with elaborated percussions and
calypso-flavored synthesizers. “Hiding Hearts” is a latin prelude with pleasant guitars and restful
melodies, flowing with joy and peace. “Nabusima” is another Caraibic spell, with noteworthy carefully
mixed drums and elevating harmonies. “Magik Mechanics” explores complex broken beats and
electronic textures, drawing a colored narration in between a fairy tale and a sci-fi movie. Finally,
“Tirana del Oriente”, as disclosed by the title, is a trip into the Oriental ardent magic. A collection of
five long summery compositions to accompany our hot pleasing days from the dawn till the dusk,
holding our hands during a never ending daydream. More
Tracklisting:
A. The Amazing Lilou
B. Hiding Hearts (featuring Rebelski)
C1. Nabusima (featuring Rebelski)
C2. Magik Mechanics
D. Tirana del Oriente
Info:
Luciano has arranged a special series of four releases as part of the celebrations for the fifteen years
anniversary of his own Cadenza Records, launching the first one to begin the festivities. Each episode
is coming out in a different season of the year; the first one, with the catalogue number 118, is the
chapter dedicated to the summertime and contains 5 enchanting tracks with an exquisite sound. This
series is just one of the astonishing surprises that Luciano has set aside for the birthday of his
beloved label.
The show begins with “The Amazing Lilou”, a crispy ariose tune with elaborated percussions and
calypso-flavored synthesizers. “Hiding Hearts” is a latin prelude with pleasant guitars and restful
melodies, flowing with joy and peace. “Nabusima” is another Caraibic spell, with noteworthy carefully
mixed drums and elevating harmonies. “Magik Mechanics” explores complex broken beats and
electronic textures, drawing a colored narration in between a fairy tale and a sci-fi movie. Finally,
“Tirana del Oriente”, as disclosed by the title, is a trip into the Oriental ardent magic. A collection of
five long summery compositions to accompany our hot pleasing days from the dawn till the dusk,
holding our hands during a never ending daydream. More
12" Excl
in stock
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Last in:27.09.2016
Label:cadenza
Cat-No:cadenza111
Release-Date:14.10.2016
Genre:House
Configuration:12" Excl
Barcode:4260038314890
Tracklist 12":
A. Audion's Backward Melody Remix
B. Moffa X Troxler LSOS LOVE/GOD Mix
Short info:
Originally released in 2014, Luciano's 'The Great Amael' is an enchanting and endearing trip; a lo-fi bubbling groove and dusted Hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. Two years on, and Cadenza Music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in Luciano's catalogue.
Having recently released his first album in over 10 years, Matthew Dear AKA Audion boldly steps up to the mantle and stamps his intelligent techno sound all over 'Amael' in the first of our remixes. Cutting a sprightly pace from the off, Audion melts stuttering sine waves and bulging tones over concrete beats, tweaking in the original organ riff and fathoms deep pads whilst adding additional vocal refrains as he playfully teases the arrangement before dropping a superb riff in his 'Backward Melody' Remix, which takes a most psychedelic and unexpected twist!
Two other musical heavyweights collaborate on the second of the remixes; Phil Moffa and Seth Troxler are no studio strangers, having released a joint project on the British Hypercolour label last year, and remixed for Tiga a few months back. Their LSOS LOVE/GOD Remix builds from ambient beginnings, save for a rhythm carved out of spongy electronics, a sturdy beat kicking in and setting the controls destination unknown, as the duo steer through breathy vocal cuts and propelling bass, stripping the remix back before leaping back into hyperspace with some adventurous and dubbed out vibes, before coming back down for landing with those unmistakable pads from Luciano's original.
A fitting remix package that brings together four of the electronic music scene's most dynamic talents, Luciano's music is given that extra special touch by respected and like minded individuals that will continue it's work on the more discerning dancefloors this Autumn.
More
A. Audion's Backward Melody Remix
B. Moffa X Troxler LSOS LOVE/GOD Mix
Short info:
Originally released in 2014, Luciano's 'The Great Amael' is an enchanting and endearing trip; a lo-fi bubbling groove and dusted Hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. Two years on, and Cadenza Music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in Luciano's catalogue.
Having recently released his first album in over 10 years, Matthew Dear AKA Audion boldly steps up to the mantle and stamps his intelligent techno sound all over 'Amael' in the first of our remixes. Cutting a sprightly pace from the off, Audion melts stuttering sine waves and bulging tones over concrete beats, tweaking in the original organ riff and fathoms deep pads whilst adding additional vocal refrains as he playfully teases the arrangement before dropping a superb riff in his 'Backward Melody' Remix, which takes a most psychedelic and unexpected twist!
Two other musical heavyweights collaborate on the second of the remixes; Phil Moffa and Seth Troxler are no studio strangers, having released a joint project on the British Hypercolour label last year, and remixed for Tiga a few months back. Their LSOS LOVE/GOD Remix builds from ambient beginnings, save for a rhythm carved out of spongy electronics, a sturdy beat kicking in and setting the controls destination unknown, as the duo steer through breathy vocal cuts and propelling bass, stripping the remix back before leaping back into hyperspace with some adventurous and dubbed out vibes, before coming back down for landing with those unmistakable pads from Luciano's original.
A fitting remix package that brings together four of the electronic music scene's most dynamic talents, Luciano's music is given that extra special touch by respected and like minded individuals that will continue it's work on the more discerning dancefloors this Autumn.
More
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Last in:20.06.2013
Label:cadenza
Cat-No:cadenza84
Release-Date:08.01.2013
Genre:Techno
Configuration:12" Excl
Barcode:827170485662
UPC: 827170485662 Release : 25.02.2013
Tracklist 12": A1. Cachai B1. Dance Unity
Luciano breezes into Cadenza Music's 10th anniversary year with a new single, 'Cachai'/'Dance Unity', released on February 25th. Whereas previous single 'Rise Of Angel' came from the heart, this brace of new music comes strictly from the mind; heady, experimental dancefloor tracks with an air of futurism to them that sets the scene for Luciano's next album, due this year, quite nicely. 'Cachai' fuses a bouncing, morning groove with stabbing operatic vocals and searing strings, light organ keys keeping the backbone of this decidedly trippy and minimal production, Luciano taking things back to the basics…'Dance Unity' keeps things in the similar vein, raw and minimal electronic drums, furry snares and an attention to the finer details, with hallucinatory blips, bleeps and haunting keys weaving their magic over the tracks 15 minute tenure. Luciano provides the call to the dancefloor, with 'Dance Unity's' lyric, and a fitting message in light of Cadenza's 10 year achievements.
More
Tracklist 12": A1. Cachai B1. Dance Unity
Luciano breezes into Cadenza Music's 10th anniversary year with a new single, 'Cachai'/'Dance Unity', released on February 25th. Whereas previous single 'Rise Of Angel' came from the heart, this brace of new music comes strictly from the mind; heady, experimental dancefloor tracks with an air of futurism to them that sets the scene for Luciano's next album, due this year, quite nicely. 'Cachai' fuses a bouncing, morning groove with stabbing operatic vocals and searing strings, light organ keys keeping the backbone of this decidedly trippy and minimal production, Luciano taking things back to the basics…'Dance Unity' keeps things in the similar vein, raw and minimal electronic drums, furry snares and an attention to the finer details, with hallucinatory blips, bleeps and haunting keys weaving their magic over the tracks 15 minute tenure. Luciano provides the call to the dancefloor, with 'Dance Unity's' lyric, and a fitting message in light of Cadenza's 10 year achievements.
More
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Last in:07.11.2012
Label:cadenza
Cat-No:cadenza82
Release-Date:16.10.2012
Genre:Techno
Configuration:12" Excl
Barcode:827170474666
1
Luciano, - Rise of Angel
2
Luciano, - Rise of Angel
3
Luciano, - Rise of Angel
4
Luciano, - Rise of Angel
UPC 827170474666 Rel date 19.11.2012
'Rise Of Angel' is the brand new single from Luciano, and the first single to be taken from his forthcoming album, due in 2013. However, for the many thousands of dedicated music fans who have made the pilgrimage to Luciano's hugely successful parties this Summer in Ibiza (the weekly Ushuaia sessions and Vagabundos at Pacha), or the many Cadenza parties around Europe and North America, 'Rise Of Angel' has already become the signature tune and musical hi-light in Luciano's sets, making its release a highly anticipated moment for the Cadenza faithful. Clocking in at over 15 minutes, 'Rise Of Angel' is an epic slice of modern electronic dance music, the simply Balearic, synth and piano driven hook gently builds and teases with cinematic intent, the light percussion and organic beats working the old Luciano magic, it's no wonder that 'Rise Of Angel' has become one of the most talked about tracks of the Ibiza season this year. The vinyl 12" is coupled with Mirko Loko's pulsating robotic workout, adding a more beats driven take on Luciano's original, and delving into the bass for a heavyweight techno flecked remix. 'Rise Of Angel' will be Luciano's first release on his own Cadenza label since 2010's Lucien-N-Luciano's 'Cuidad De Luz' EP, and marks the start of another big chapter in his career, having spent the last couple of years building a passionate audience through hundreds of DJ performances around the world, the Vagabundos events and collaborating musically with artists such as Pharrrell (Neptunes) and Lenny Kravitz. His forthcoming album will be his second full length collection (following 2009's .Tribute To The Sun'), and his label, Cadenza Records, will celebrate its 10th anniversary, so the future certainly looks bright for the Chilean producer and DJ. More
'Rise Of Angel' is the brand new single from Luciano, and the first single to be taken from his forthcoming album, due in 2013. However, for the many thousands of dedicated music fans who have made the pilgrimage to Luciano's hugely successful parties this Summer in Ibiza (the weekly Ushuaia sessions and Vagabundos at Pacha), or the many Cadenza parties around Europe and North America, 'Rise Of Angel' has already become the signature tune and musical hi-light in Luciano's sets, making its release a highly anticipated moment for the Cadenza faithful. Clocking in at over 15 minutes, 'Rise Of Angel' is an epic slice of modern electronic dance music, the simply Balearic, synth and piano driven hook gently builds and teases with cinematic intent, the light percussion and organic beats working the old Luciano magic, it's no wonder that 'Rise Of Angel' has become one of the most talked about tracks of the Ibiza season this year. The vinyl 12" is coupled with Mirko Loko's pulsating robotic workout, adding a more beats driven take on Luciano's original, and delving into the bass for a heavyweight techno flecked remix. 'Rise Of Angel' will be Luciano's first release on his own Cadenza label since 2010's Lucien-N-Luciano's 'Cuidad De Luz' EP, and marks the start of another big chapter in his career, having spent the last couple of years building a passionate audience through hundreds of DJ performances around the world, the Vagabundos events and collaborating musically with artists such as Pharrrell (Neptunes) and Lenny Kravitz. His forthcoming album will be his second full length collection (following 2009's .Tribute To The Sun'), and his label, Cadenza Records, will celebrate its 10th anniversary, so the future certainly looks bright for the Chilean producer and DJ. More
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Last in:02.02.2010
Label:cadenza
Cat-No:cadcd05ntsc
Release-Date:12.10.2009
Genre:Techno
Configuration:CD+DVD Excl
Barcode:827170103825
It's always a special event when Cadenza releases an artist album, given their relative rarity. In fact, not counting copious doublepacks, the Cadenza Contemporary 01 mix CD, and Ricardo Villalobos' counterintuitively titled Achso EP, there has only been one so far: Los Updates' First If You Please. Making things even more special, Mirko Loko's Seventynine is both his debut solo album and his first appearance on Cadenza, all adding up to a triply celebratory moment. Not that Mirko is a newcomer: as part of Lazy Fat People, he lapped up accolades for releases on Border Community, Wagon Repair and Carl Craig's Planet E, among others. And no one can forget last year's Family EP, a collaborative effort by Mirko and Luciano, released on Loco Dice and Martin Buttrich's Desolat. Now, with Seventynine, Mirko takes us even deeper into his musical imagination, introducing listeners to a side of him they may not have heard before. At its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the Cadenza sound. But Mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. Rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole. "Sidonia" opens, immediately announcing that this won't be merely business as usual. With its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic Warp records-always, in truth, a key influence for Cadenza. Bells and voices lend an atmosphere of shimmering energy that's carried over into "Around the Angel," which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting CD
1. Sidonia
2. Around The Angel
3. Love Harmonic
4. On Fire
5. Astral Vaccum
6. Bluebook
7. Shadow
8. Takhtok
9. Le Monologue d'Orfeu
10. Altrove
11. You Know Where
More
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting CD
1. Sidonia
2. Around The Angel
3. Love Harmonic
4. On Fire
5. Astral Vaccum
6. Bluebook
7. Shadow
8. Takhtok
9. Le Monologue d'Orfeu
10. Altrove
11. You Know Where
More
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Last in:01.07.2010
Label:cadenza
Cat-No:cadcd05
Release-Date:12.10.2009
Genre:Techno
Configuration:CD+DVD Excl
Barcode:827170103825
1
Luciano, - Los Ninos de Fuera
2
Luciano, - Celestial (feat. Liberty by Keren Ann)
3
Luciano, - Sun, Day and Night (feat. Martina Topley-Bird)
4
Luciano, - Conspirer
5
Luciano, - Hang For Bruno
6
Luciano, - Fran Left Home
7
Luciano, - Africa Sweat (feat. Ali Boulo Santo)
8
Luciano, - Pierre For Anni
9
Luciano, - Metodisma
10
Luciano, - Oenologue
It's always a special event when Cadenza releases an artist album, given their relative rarity. In fact, not counting copious doublepacks, the Cadenza Contemporary 01 mix CD, and Ricardo Villalobos' counterintuitively titled Achso EP, there has only been one so far: Los Updates' First If You Please. Making things even more special, Mirko Loko's Seventynine is both his debut solo album and his first appearance on Cadenza, all adding up to a triply celebratory moment. Not that Mirko is a newcomer: as part of Lazy Fat People, he lapped up accolades for releases on Border Community, Wagon Repair and Carl Craig's Planet E, among others. And no one can forget last year's Family EP, a collaborative effort by Mirko and Luciano, released on Loco Dice and Martin Buttrich's Desolat. Now, with Seventynine, Mirko takes us even deeper into his musical imagination, introducing listeners to a side of him they may not have heard before. At its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the Cadenza sound. But Mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. Rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole. "Sidonia" opens, immediately announcing that this won't be merely business as usual. With its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic Warp records-always, in truth, a key influence for Cadenza. Bells and voices lend an atmosphere of shimmering energy that's carried over into "Around the Angel," which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting CD
1. Sidonia
2. Around The Angel
3. Love Harmonic
4. On Fire
5. Astral Vaccum
6. Bluebook
7. Shadow
8. Takhtok
9. Le Monologue d'Orfeu
10. Altrove
11. You Know Where
More
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting CD
1. Sidonia
2. Around The Angel
3. Love Harmonic
4. On Fire
5. Astral Vaccum
6. Bluebook
7. Shadow
8. Takhtok
9. Le Monologue d'Orfeu
10. Altrove
11. You Know Where
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Last in:02.05.2011
Label:cadenza
Cat-No:cadenza42
Release-Date:28.08.2009
Genre:House
Configuration:Vinyl Album Excl
Barcode:827170306769
SPECIAL 3x12" EDITION INCLUDING FULL LENGTH VERSIONS
In this version you'll have the chance to get the the full length version of Celestial, Conspirer, Los Ninos de Fuera, Africa Sweats feat. Ali Boulo Santo and Metodisma which aren't available on the CD versions of the album. It's been nine years since Lucien Nicolet's first record, and in that time he has earned his place among electronic dance music's most celebrated names. He's racked up singles for the likes of Mental Groove, Perlon, Desolat and of course Cadenza. He's remixed everyone from M83 to Salif Keita, and his mix CDs for Fabric and Soma's Sci.Fi.Hi.Fi. series have showcased minimal house and techno at their most sensual, supple and jubilant. And Luciano's DJ sets have become the stuff of legend the world over. Throughout his career, the Swiss-Chilean musician has experimented liberally with longer formats, including a live album for Thomas Brinkmann's max.Ernst label and 2004's groundbreaking No Model No Tool, a recombinant set of groove components. But in all this time he has released only one proper studio album, 2004's Blind Behaviour, which veered away from the dancefloor in search of more esoteric pleasures. At long last, with Tribute to the Sun, Luciano delivers one of the definitive highlights of his career. Not merely a "dance" or "electronic" record, Tribute incorporates musical styles from around the globe with Luciano's inimitable rhythmic sensibility. It draws upon Luciano's extensive experience as a mover of bodies and a reader of the crowd's mind. Many of its grooves form an integral part of Luciano's DJ sets, having been road-tested and continually refined. But it's very much an album to be listened to front to back. (Most of the album's cuts will also be made available as extended edits, for vinyl and download alike.) Tribute to the Sun is above all a highly personal portrait of the artist. Informed by the ups and downs of the artist's life, and the balancing act between life on the road and the refuge of family life in rural Switzerland, its moods run from the heavenly grace of "Celestial" to the outright madness of "Metodisma." This is the fullest portrait yet of Luciano as not just an artist but a human being. Four years in the making, the album finds Luciano collaborating with a cast of musicians as talented as they are diverse. Ali Boulo Santo, heir to a long line of griots and nephew of the legendary "King of the Kora" Soundioulou Cissoko, was said to be "born with a Kora in his hands"; he pioneered an electronic fusion of Mandingue Afrobeat in his recordings for Frédéric Galliano's Frikyiwa label, and here his contributions continue to expand the possibilities for "world" music in new contexts.
More
In this version you'll have the chance to get the the full length version of Celestial, Conspirer, Los Ninos de Fuera, Africa Sweats feat. Ali Boulo Santo and Metodisma which aren't available on the CD versions of the album. It's been nine years since Lucien Nicolet's first record, and in that time he has earned his place among electronic dance music's most celebrated names. He's racked up singles for the likes of Mental Groove, Perlon, Desolat and of course Cadenza. He's remixed everyone from M83 to Salif Keita, and his mix CDs for Fabric and Soma's Sci.Fi.Hi.Fi. series have showcased minimal house and techno at their most sensual, supple and jubilant. And Luciano's DJ sets have become the stuff of legend the world over. Throughout his career, the Swiss-Chilean musician has experimented liberally with longer formats, including a live album for Thomas Brinkmann's max.Ernst label and 2004's groundbreaking No Model No Tool, a recombinant set of groove components. But in all this time he has released only one proper studio album, 2004's Blind Behaviour, which veered away from the dancefloor in search of more esoteric pleasures. At long last, with Tribute to the Sun, Luciano delivers one of the definitive highlights of his career. Not merely a "dance" or "electronic" record, Tribute incorporates musical styles from around the globe with Luciano's inimitable rhythmic sensibility. It draws upon Luciano's extensive experience as a mover of bodies and a reader of the crowd's mind. Many of its grooves form an integral part of Luciano's DJ sets, having been road-tested and continually refined. But it's very much an album to be listened to front to back. (Most of the album's cuts will also be made available as extended edits, for vinyl and download alike.) Tribute to the Sun is above all a highly personal portrait of the artist. Informed by the ups and downs of the artist's life, and the balancing act between life on the road and the refuge of family life in rural Switzerland, its moods run from the heavenly grace of "Celestial" to the outright madness of "Metodisma." This is the fullest portrait yet of Luciano as not just an artist but a human being. Four years in the making, the album finds Luciano collaborating with a cast of musicians as talented as they are diverse. Ali Boulo Santo, heir to a long line of griots and nephew of the legendary "King of the Kora" Soundioulou Cissoko, was said to be "born with a Kora in his hands"; he pioneered an electronic fusion of Mandingue Afrobeat in his recordings for Frédéric Galliano's Frikyiwa label, and here his contributions continue to expand the possibilities for "world" music in new contexts.
More
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Last in:10.02.2010
Label:cadenza
Cat-No:cadenza21
Release-Date:08.10.2007
Genre:House
Configuration:2LP Excl
Barcode:827170180864
Luciano is back! After ceding Cadenza's concentric grooves to a range of newcomers and repeat offenders - Pikaya, Andomat 3000 & Jan, Loco Dice, Digitaline, Argenis Brito, Alejandro Vivanco, Petre Inspirescu - the label's founder returns with his first new original material for Cadenza in over a year. It's not like he's been sitting quietly - in the almost year and a half since Luciano and Thomas Melchior's brilliant "Solomon's Prayer/Father" (Cadenza 11), Lucien Nicolet has collected a multitude of musical studies – so called études - from the French word étude meaning "study".An étude is a short musical composition designed to provide practice in a particular technical skill in the performance of a solo instrument. Musical studies have been composed since the 18th century and they became an important musical genre since then. The etudes that are most widely admired are those which transcend their practical function and come to be appreciated simply as music. And this is exactly what Luciano is aiming for.The four tracks on „Études Électroniques“ (Cadenza 21) find Luciano invigorated and inspired, putting his talents into the service of dancefloors at their most delirious.With its delicate skip and its slow sunrise flare, "Montana" opens the record on a blissful note, calm and suffused with light. A hollow bass tone puffs away like a glassblower as brittle rhythmic patterns spin round and round. Swelling and drifting, weightless and iridescent, it feels like chasing dawn in a hot-air balloon."Fochedrem" eases off the throttle and cracks an ear-to-ear grin; a stubby one-note bass line beats out a kind of cartoon funk as the answering riff splinters and shapeshifts between cowbell, organ and piano. It's as slippery as the deck of a storm-tossed boat."Masalla" features liquid congas and feathered metallic details that stand on end like magnetic shavings. Laid-back and polyrhythmic, it's a future Latin maysterpiece. The tune's centerpiece is a slowly unspooling melody—a cadenza in the truest sense of the word, in fact— that recalls the syncopated refrains of Luciano's classic Live @ Weetamix.The unhinged "Nunca Tiene Bastante" closes out the EP on a particularly twisted note, as lightheaded as a hit off a nitrous
balloon: it's a paean to insatiables everywhere, overlaid with deranged laughter and driven by a beat that never stops churning. More
balloon: it's a paean to insatiables everywhere, overlaid with deranged laughter and driven by a beat that never stops churning. More
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Last in:17.10.2013
Label:Perlon
Cat-No:perlon62
Release-Date:28.06.2007
Genre:Techno
Configuration:12" Excl
Barcode:
Luciano back to front...and back on perlon. it's a while ago since he released a 12" together with Mathew Jonson in 2003. The swiss-chilenian sunnyboy and boss of "cadenza-records" delivers this 30 minute two-tracker and goes a little deeper again. The A-side "Fourges Et Sabres" already gained attention in 2006, traveling on cd-r around the world, as part of dj-sets of the ususal suspects. On the flipside Luciano takes us "Back To Front".....vocals included!
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Cat-No:csc001
Release-Date:29.01.2007
Genre:House
Configuration:2LP Excl
Barcode:827170146563
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Last in:06.02.2007
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Last in:06.02.2007
Cat-No:csc001
Release-Date:29.01.2007
Genre:House
Configuration:2LP Excl
Barcode:827170146563
1
Luciano, - Keridos
2
Luciano, - Saulitude
3
Luciano, - Tonerres
4
Luciano, - Afghan Birds
5
Luciano, - Alternated Tones
6
Luciano, - Somewhere Near His Heart
7
Luciano, - Le Chant
8
Luciano, - Inner Sirens
Cadenza Split Composition Series: An Introduction Minimal just got messier.Minimal techno has always been about stripping things down to their essence. Now, with Cadenza's Split Composition series, the opposite approach comes into play: building a new sound, and a new tradition, from the beats up.Each edition will consist of four sides of vinyl broken out into several skeletal rhythm tracks and a handful of
supplementary parts: ambient fantasias, shimmering drones, treated vocals, electro-acoustic collages. The series is a riff on the old idea of "DJ tools" offering stripped-down tracks meant to be mixed in
performance. But the Split Composition series vastly expands upon that idea, both in terms of format and the music itself. Drawing not only from techno but also from jazz, musique concrete, and 20th entury composition, the individual elements of every Split Composition release are also meant to stand on their own. In addition to being tools, they work as tangible traces of the artist's creative process—minimalist sketches of a lone idea or a single mood. While their primary purpose is to bring a sense of creativity and a spirit of play back to the DJ booth—supplying DJs with the raw materials to create dynamic mixes that don't play by the rules of the season's anthems—the Split Composition series is also a challenge to producers to step outside their comfort zones, playing with timbre, texture and melody in new ways. And for listeners who aren't DJs—or perhaps are DJs only in the sense that they craft endless playlists in their media player of choice—the Split Composition series offers a new way for listeners to approach electronic music. Split Composition invites listeners to play, shuffle, and rearrange; it invites them to remix the music not only on their turntables, but in their minds. If the DJ mix is famously described as a journey, the Split Composition series is the map of the back roads and hidden vistas, a map that yields a new route every time you unfold it. Cadenza Split Composition 001: No Model No Tool The first record in the series comes, appropriately enough, from Luciano (aka Lucien Nicolet and Lucien N Luciano), an artist who needs no introduction, and the originator of the Split Composition concept—an idea that stems from his uncompromising, experimental approach to DJing as well as from his many collaborative projects, including Sense Club and Narodniki. The A-side and B-side both find Luciano in prime form as he crafts two subtle, snaking percussive workouts. He's up to all his old tricks: topsy-turvy syncopations,relentless polyrhythms, sci-fi effects and unearthly treatments galore. Running 10 and 12 minutes, respectively, both tracks are a DJ's dream, offering endless possibilities for layering, interleaving, building up and breaking down. The B-side in particular channels all the darkness of Luciano's recent productions for Cadenza, sucking out the shadows so that only the structure—hard, angular, like an architecture of anxiety—remains. The C-side offers five short interludes, running between two and five minutes apiece. They range from a lilting vocal track, strangely reminiscent of Eraserhead's "Elevator Song," to innerspace explorations via FM synthesis to an unsettling duet for organ and air-raid siren. It's Cadenza's deepest foray into the dark side— so far. The D-side, meanwhile, is something else altogether. The color of an oilslick, the 15-minute track is a slow explosion of tone that evokes horns, strings, and bells, constantly morphing around an unstable synthetic center. As slow and weightless as a sleeper's breath, it makes the perfect close to a record designed to mix
seamlessly into the ether. More
supplementary parts: ambient fantasias, shimmering drones, treated vocals, electro-acoustic collages. The series is a riff on the old idea of "DJ tools" offering stripped-down tracks meant to be mixed in
performance. But the Split Composition series vastly expands upon that idea, both in terms of format and the music itself. Drawing not only from techno but also from jazz, musique concrete, and 20th entury composition, the individual elements of every Split Composition release are also meant to stand on their own. In addition to being tools, they work as tangible traces of the artist's creative process—minimalist sketches of a lone idea or a single mood. While their primary purpose is to bring a sense of creativity and a spirit of play back to the DJ booth—supplying DJs with the raw materials to create dynamic mixes that don't play by the rules of the season's anthems—the Split Composition series is also a challenge to producers to step outside their comfort zones, playing with timbre, texture and melody in new ways. And for listeners who aren't DJs—or perhaps are DJs only in the sense that they craft endless playlists in their media player of choice—the Split Composition series offers a new way for listeners to approach electronic music. Split Composition invites listeners to play, shuffle, and rearrange; it invites them to remix the music not only on their turntables, but in their minds. If the DJ mix is famously described as a journey, the Split Composition series is the map of the back roads and hidden vistas, a map that yields a new route every time you unfold it. Cadenza Split Composition 001: No Model No Tool The first record in the series comes, appropriately enough, from Luciano (aka Lucien Nicolet and Lucien N Luciano), an artist who needs no introduction, and the originator of the Split Composition concept—an idea that stems from his uncompromising, experimental approach to DJing as well as from his many collaborative projects, including Sense Club and Narodniki. The A-side and B-side both find Luciano in prime form as he crafts two subtle, snaking percussive workouts. He's up to all his old tricks: topsy-turvy syncopations,relentless polyrhythms, sci-fi effects and unearthly treatments galore. Running 10 and 12 minutes, respectively, both tracks are a DJ's dream, offering endless possibilities for layering, interleaving, building up and breaking down. The B-side in particular channels all the darkness of Luciano's recent productions for Cadenza, sucking out the shadows so that only the structure—hard, angular, like an architecture of anxiety—remains. The C-side offers five short interludes, running between two and five minutes apiece. They range from a lilting vocal track, strangely reminiscent of Eraserhead's "Elevator Song," to innerspace explorations via FM synthesis to an unsettling duet for organ and air-raid siren. It's Cadenza's deepest foray into the dark side— so far. The D-side, meanwhile, is something else altogether. The color of an oilslick, the 15-minute track is a slow explosion of tone that evokes horns, strings, and bells, constantly morphing around an unstable synthetic center. As slow and weightless as a sleeper's breath, it makes the perfect close to a record designed to mix
seamlessly into the ether. More
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we loved his previous release on nous'klaer audio and turbo.
we’re strongly feeling he is one of the best upcoming producer.
there are four first class atmospheric psychedelic deep house.
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we loved his previous release on nous'klaer audio and turbo.
we’re strongly feeling he is one of the best upcoming producer.
there are four first class atmospheric psychedelic deep house.
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Lawrence - Sunrise
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The highly anticipated album from LAWRENCE is finally here and 15 years after the CD release for the first time available on vinyl!!!
Hamburg based DIAL and SMALLVILLE owner Peter Kersten aka LAWRENCE is one of the most valued and highly regarded artist's in the modern dance music community with a long history of releases on Nova Mute, Kompakt, Ladomat, Spectral, Ghostly, Mule and of course his own imprint DIAL. UNTIL THEN, GOODBYE kicks off with a special 'intro' version of a fan favourite FRIDAY'S CHILD followed by the introspective ambient piece SUNRISE. GREY LIGHT remarks the electronic style of DRUTTI COLUMN while JILL is purely sweet slow house music. The album shifts towards more acoustic driven material with songs such as FATHER UMBRILLO and TODERHAUSEN BLUES…don't fret purists as LAWRENCE hits back with his classic signature sounds with the likes of IN YOUR EYES, SLEEP and SUFFER. LAWRENCE leaves us with a whisper in the most beautiful of ways. The atmospheric ambient tune DON'T FOLLOW ME, the ebb and flow of the piano driven A NEW DAY and the title track leave the listener in a state of bliss. Dare we say, this is one of LAWRENCE's most daring and diverse albums to date…not necessarily a 'concept' album per say but definitely showcases his gift for provoking a remarkably diverse range of musical influences and styles. More
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it’s an oriental beautiful new age music.
kuniyuki made a magical remix.
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we loved his release “nothing nil” on eating music.
our friend yusu introduced him to us and he sent us very beautiful musics.
it’s an oriental beautiful new age music.
kuniyuki made a magical remix.
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since then we have been paying attention to his music.
our release is revival of classic detroit techno and house.
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b1 “passengers to mars” is his trademark cosmic deep house.
b2 “moon temple” is jazzy new age down tempo.if you like some slow stuff of kuniyuki, you will love it.
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B-Side:
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He is a resident dj of cocktail d’amore and has released some unique records from sound metaphors label “bless you”, cocktail d’amore.
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10
Saphileaum - Tropical Dream
and the novelty goes on: mule musiq welcomes another fresh producer to its vast catalogue of music from all around. this time andro gogibedashvili aka saphileaum. he is coming from tbilisi, georgia and already released an impressive body of work, considering he just publishes music since 2016. countless eps and albums, digital, on tape, documenting his feverish creative urge on labels like not not fun records, good morning tapes, diffuse reality, or vodkast. they cover a comprehensive stylistic range from ambient and downtempo to tribal, house, and techno nuances. a deeper shade of soul, precisely fashioned, growing from different playgrounds of inspiration. he was born into a musical family. as a kid he studied georgian folk. in his school rock band, he sang, and the guitar was his love. then electronic music called the tune, and techno hit his heart. in the midst of it all the 26-year-old never lost contact with his spiritual home. “i find deep inspiration in georgian myths and legends, occultism and esoteric teachings, lost civilizations, earth, unity, truth, information, and the secrets of the universe. these things, to name a few, inspire me daily and help me create the music I make.” saphileaum reveals. “exploring together”, his debut album for mule, navigates all these elements through a merry-go-round of gentle driven rhythm zones. fourth-world spheres, balearic tropes, field recording zones, tropical downbeat, tribal percussions, trancing sounds, balafon hums, mallet airs, hooky house – it’s all there, circling the eavesdropper into a dreamland of melodic undercurrents. “my loops come from tribal and cosmic inspirations. tribal, as below, and cosmic as above. the combination of these two, is very interesting to me”, he clarifies, while joking “but, to put it super simply, loops are super handy for djing”. which brings us to the final promotion of “exploring together” - it’s playability. its vast. multifunctional. spiritual. made for gatherings, were all dance time away. lost in music actions, only touched by the hand of rhythm and sound. his ten tracks are created for such flashes, wide spreading a musical narration of illuminating durability. “cosmic, relaxing, fun, tribal, and mystic.”, as saphileaum declares.
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1
Kasper Bjørke / El Agua Es Profunda - Pau
2
Kasper Bjørke / El Agua Es Profunda - Paul (Bella Boo Remix)
3
Kasper Bjørke / El Agua Es Profunda - Andrea
4
Kasper Bjørke / El Agua Es Profunda - Andrea (Longhair Offshore Dub)
We are very happy to welcome danish romantic house music producer “Kasper Bjorke”.
He has been releasing quality music from hfn music, compost,mirau and name a few.
We knew his music since “After Forever” and really liked it. Some remixes from our friends are also very good.
Kasper sent us some music and we liked 80’s inspired romantic synth pop house music.
One of our most fav new artists “Bella Boo” and Kasper's fav new artist “Longhair” joined the release as remixer.
Hope you enjoy it. More
He has been releasing quality music from hfn music, compost,mirau and name a few.
We knew his music since “After Forever” and really liked it. Some remixes from our friends are also very good.
Kasper sent us some music and we liked 80’s inspired romantic synth pop house music.
One of our most fav new artists “Bella Boo” and Kasper's fav new artist “Longhair” joined the release as remixer.
Hope you enjoy it. More
Label:Mule Musiq
Cat-No:MuleMusiq288
Release-Date:24.11.2023
Configuration:2LP
Barcode:4250101460951
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1
Wallace - Waterfall
2
Wallace - Tokyo Street
3
Wallace - Midnight On The Mountain
4
Wallace - Labyrinth
5
Wallace - By The River
6
Wallace - Good Morning
7
Wallace - Bubbles
8
Wallace - DHQ
9
Wallace - By The Lake
mule musiq welcomes british producer jimmy wallace, presenting his debut album “red, yellow, black” - a nine track strong record that partly leaves the dancefloor behind.
since childhood, music has been a strong influence on the 33-year-old artist. his mother, a music teacher, exposed him to classical sounds from an early age.
but it was hearing the electronic tones of the french touch movement, which really ignited his mu-sical journey. a year later he started to dj, acting out his love for four-to-the-floor grooves in local clubs. today you'll find him on the bill with artists like ruf dug, mr scruff, or bradley zero, heating up the dance floors.
as a producer he has already released a handful of stunning eps, including one for sweden’s finest house label studio barnhus, and one for london’s revered rhythm section international imprint.
both feature house tunes with an edge, house tunes with a love for the roots of the genre along-side more reflective, ambient moments. he also runs the label tartan records, where he publishes dancefloor focused white labels.
his music has been championed by titans of the scene such as palms trax, ryan elliott, dj tennis, gilles peterson, dixon, and hunee. axel boman even coined his debut ep as “one of the very best demo emails ever received at label studio barhnus hq”.
an advance praise, that wallace now acknowledges with an album full of deeply crafted music. some tracks lean towards the dancefloor, like the swung sounds of “bubbles”, the hypnotic mael-strom of “good morning”, or the epic, jazzy moments of “labyrinth”.
the theme of nature is evident throughout, with field recordings and environmental sounds he rec-orded on the road, being fused with his own musical ideas.
tracks like “waterfall” and “tokyo street”, draw influence on time spent in asia, whereas "dhq", "by the river", and "by the lake" are inspired by his childhood and hometown in the shropshire country-side. “i’ve been writing ambient and more nature focused material for a few years now without really having a plan for it.
finally, this year after writing the tune “labyrinth” i felt i had a body of work which was both diverse and cohesive enough to bring together on a record. so, the album represents moments of time i have spent in various outdoor spaces around the world, using sound to try and turn these experi-ences into musical format.” wallace discloses.
the result is a mesmerizing long player featuring an evocative, emotional story arc that avoids ste-reotypes and straight party orientated narration. “having written plenty of club music for the past few years, i wanted to show a different side to my sound.
something more intimate, private, experimental which can be listened to away from the party.” he reveals on the meditative, blissful “red, yellow, black” - an album, which has the power to transport listeners to places and spaces new – for inspiration, relaxation, and dancefloor moments off the beaten path More
since childhood, music has been a strong influence on the 33-year-old artist. his mother, a music teacher, exposed him to classical sounds from an early age.
but it was hearing the electronic tones of the french touch movement, which really ignited his mu-sical journey. a year later he started to dj, acting out his love for four-to-the-floor grooves in local clubs. today you'll find him on the bill with artists like ruf dug, mr scruff, or bradley zero, heating up the dance floors.
as a producer he has already released a handful of stunning eps, including one for sweden’s finest house label studio barnhus, and one for london’s revered rhythm section international imprint.
both feature house tunes with an edge, house tunes with a love for the roots of the genre along-side more reflective, ambient moments. he also runs the label tartan records, where he publishes dancefloor focused white labels.
his music has been championed by titans of the scene such as palms trax, ryan elliott, dj tennis, gilles peterson, dixon, and hunee. axel boman even coined his debut ep as “one of the very best demo emails ever received at label studio barhnus hq”.
an advance praise, that wallace now acknowledges with an album full of deeply crafted music. some tracks lean towards the dancefloor, like the swung sounds of “bubbles”, the hypnotic mael-strom of “good morning”, or the epic, jazzy moments of “labyrinth”.
the theme of nature is evident throughout, with field recordings and environmental sounds he rec-orded on the road, being fused with his own musical ideas.
tracks like “waterfall” and “tokyo street”, draw influence on time spent in asia, whereas "dhq", "by the river", and "by the lake" are inspired by his childhood and hometown in the shropshire country-side. “i’ve been writing ambient and more nature focused material for a few years now without really having a plan for it.
finally, this year after writing the tune “labyrinth” i felt i had a body of work which was both diverse and cohesive enough to bring together on a record. so, the album represents moments of time i have spent in various outdoor spaces around the world, using sound to try and turn these experi-ences into musical format.” wallace discloses.
the result is a mesmerizing long player featuring an evocative, emotional story arc that avoids ste-reotypes and straight party orientated narration. “having written plenty of club music for the past few years, i wanted to show a different side to my sound.
something more intimate, private, experimental which can be listened to away from the party.” he reveals on the meditative, blissful “red, yellow, black” - an album, which has the power to transport listeners to places and spaces new – for inspiration, relaxation, and dancefloor moments off the beaten path More
Label:Mule Musiq
Cat-No:MuleMusiq287
Release-Date:15.09.2023
Genre:House
Configuration:12"
Barcode:4250101456916
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Genre:House
Configuration:12"
Barcode:4250101456916
1
Soos - Chula (Dance Mix)
2
Soos - Mundo Cute
3
Soos - Disc Jam (Dream Mix)
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Soos - Cool Sbu
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Soos - Plants.biz
6
Soos - ? (Reprise)
We are proud to announce the debut release of Mexico city base dj&artist “Soos”. He is a resident dj of Mexico city’s best party “Sunday Sunday”. This release is his first physical release A side is unique mixture of 90’s ground beat, break beats and obscure sound. B side is 90’s underground vibe deep house. Hope you dig this new artist!
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Label:Mule Musiq
Cat-No:MuleMusiq285
Release-Date:26.05.2023
Configuration:2LP
Barcode:4250101453267
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1
Move D - In/Out
2
Move D - Mad Mood
3
Move D - Damaskus - Dakar
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Move D - P.M.
5
Move D - Indian Mantra
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Move D - Sergio Leone's Wet Dream
mule musiq dives into the archives of humanoid ambient music history, bringing the vinyl premiere of a masterwork by german dj, producer, and musician david moufang, globally known as move d. released in 1995 on pete namlook’s fabled fax +49-69/450464 label, the album marks his only output as solitaire, featuring heroic, supple ambient music, that some folks call one of the best works by move d.
just three years before he dropped it, moufang launched with jonas grossmann the celebrated label source records, active from 1992 to 2005. it was the platform for his first move d album “kun-ststoff”, likewise released in 1995, highlighting diverse genres like techno, house, idm, ambient, electro, and downtempo.
“solitaire” works with pulsating rhythms, too. gentle ones, that cater sensations beyond the propel-ling dance sectors. a spiritual album. recorded at the resource studios/heidelberg in july/august 1994. it reaches out to higher ground, never leaving the sediment.
still state of the art. not a single melody, note, tone has aged. all sparkle, all innocence is still there, somewhere deep in the arpeggiated space, absorbing time. an exploratory early electronic work by an artist, who still had his most prolific years to come.
and yet, “solitaire” sounds like being shaped by a fully mature creative mind, that defined his sonic language already profoundly. six epic tunes between five and 16 minutes, listening to emblematic titles like “damaskus/dakar, “sergio leone’s wet dream”, or “indian mantra”, while opening ambient into investigative textural layer landscapes, that subtly incorporate acid, downbeat, idm, or early techno districts.
for those who have been around in the electronic music sphere for a while, “solitaire” is a classic. for those who are young at heart, it opens new horizons. each new passive or active listing loop fresh ones. hidden in the harmonies. hidden in the melodies. somewhere inside the sound. leading outside into a visual texture, where you can almost see the music! More
just three years before he dropped it, moufang launched with jonas grossmann the celebrated label source records, active from 1992 to 2005. it was the platform for his first move d album “kun-ststoff”, likewise released in 1995, highlighting diverse genres like techno, house, idm, ambient, electro, and downtempo.
“solitaire” works with pulsating rhythms, too. gentle ones, that cater sensations beyond the propel-ling dance sectors. a spiritual album. recorded at the resource studios/heidelberg in july/august 1994. it reaches out to higher ground, never leaving the sediment.
still state of the art. not a single melody, note, tone has aged. all sparkle, all innocence is still there, somewhere deep in the arpeggiated space, absorbing time. an exploratory early electronic work by an artist, who still had his most prolific years to come.
and yet, “solitaire” sounds like being shaped by a fully mature creative mind, that defined his sonic language already profoundly. six epic tunes between five and 16 minutes, listening to emblematic titles like “damaskus/dakar, “sergio leone’s wet dream”, or “indian mantra”, while opening ambient into investigative textural layer landscapes, that subtly incorporate acid, downbeat, idm, or early techno districts.
for those who have been around in the electronic music sphere for a while, “solitaire” is a classic. for those who are young at heart, it opens new horizons. each new passive or active listing loop fresh ones. hidden in the harmonies. hidden in the melodies. somewhere inside the sound. leading outside into a visual texture, where you can almost see the music! More
Label:Mule Musiq
Cat-No:MuleMusiq284
Release-Date:28.04.2023
Configuration:2LP
Barcode:4250101447853
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Barcode:4250101447853
1
King So So - Disco In The Sky
2
King So So - Girls In The Sky
3
King So So - Acid In The Sky
4
King So So - Interlude In The Sky
5
King So So - Tripping In The Sky
6
King So So - One More In The Sky
7
King So So - Dubbing In The Sky
8
King So So - Prophet In The Sky
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King So So - King Soso In The Sky
10
King So So - Choir In The Sky
My name is King So So.
I am, because you are.
I created the Disco in the Sky solely for you, and it is now, finally ready for your glorious arrival. Here, I will welcome you, to dance in the light with me, where you will have fellowship with me, and with one another, and gone will be the days of darkness. Listen, I now stand at your door, Hippie Dance. I am knocking. If you have an ear, hear my voice and let me in. Grant me the pleasure and honour to sit with all of you, and I will allow you to sit with me on my throne in the Sky. Hear what the Spirit of So So says to you: Come dance in the Disco in the Sky, and swim in the Lake of Sweet Dreams with me and there I will manifest myself to you. If you love me, I will give you my Word that I will teach you all things sound and bring you memories of the light for you to return to the Sky. Peace I leave with you. Summon your friends, Hippie Dance. Tell them that I am waiting for all of you. I am ready for you. Tell them to arise! Tell them to go forth to the Disco in the Sky where we will be together until the Kingdom goes.
Yours, like I am, sincerely, King So So“ More
I am, because you are.
I created the Disco in the Sky solely for you, and it is now, finally ready for your glorious arrival. Here, I will welcome you, to dance in the light with me, where you will have fellowship with me, and with one another, and gone will be the days of darkness. Listen, I now stand at your door, Hippie Dance. I am knocking. If you have an ear, hear my voice and let me in. Grant me the pleasure and honour to sit with all of you, and I will allow you to sit with me on my throne in the Sky. Hear what the Spirit of So So says to you: Come dance in the Disco in the Sky, and swim in the Lake of Sweet Dreams with me and there I will manifest myself to you. If you love me, I will give you my Word that I will teach you all things sound and bring you memories of the light for you to return to the Sky. Peace I leave with you. Summon your friends, Hippie Dance. Tell them that I am waiting for all of you. I am ready for you. Tell them to arise! Tell them to go forth to the Disco in the Sky where we will be together until the Kingdom goes.
Yours, like I am, sincerely, King So So“ More
Label:mule musiq
Cat-No:MULEMUSIQ215
Release-Date:21.04.2023
Configuration:2LP
Barcode:880319861932
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1
kuniyuki - Cycle
2
kuniyuki - Steam
3
kuniyuki - Blue Neon
4
kuniyuki - Mind Madness
5
kuniyuki - Newwave Project#7
6
kuniyuki - Newwave Project #11
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kuniyuki - Newwave Project #9
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kuniyuki - Body Signal
REPRESS!
it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep “newwave project ‘2” a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his “favourite music”. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new i More
it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep “newwave project ‘2” a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his “favourite music”. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new i More
Label:Mule Musiq
Cat-No:mulemusiq159
Release-Date:31.03.2023
Configuration:12"
Barcode:
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1
Kuniyuki - Shout (12 Version)
2
Kuniyuki - Between Shadow And Lights (Sprinkles’ Lights Out Dub)
2nd single cut from latest kuniyuki album "feather world". a side, kuni reconstructed jazzy deep house which one of the best sax player played freaky sax to experimental techno house. it's not easy to compare to other artist. but if i say, it's like kink meets joe claussell. b side, one of our most respected artist dj sprinkles remxied dark poetry track which legandary 80's singer anne clark joined to great playful deep house. it's for all house music lover. 3rd single cut will be finally kuni&henrik schwarz collaboration. coming in end of may!!
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Label:Mule Musiq
Cat-No:MuleMusiq281
Release-Date:09.12.2022
Configuration:LP
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1
Autarkic - Cymbals Powder Rush
2
Autarkic - A Petition For Grace
3
Autarkic - New Age Swag
4
Autarkic - Breeder
New artist on Mule Musiq.
Tel Aviv born producer “Nadav Siegel aka Autarkic” has been releasing nice indie dance tracks from Disco Halal, Life And Death, Turbo, Optimo Music and name a few.
This is his first release on Mule, it is a sampler 12inch from the upcoming new album (digital only).
12inch kick off killer psychedelic techno house “Cymbals Powder Rush”, floating deep house which remind us Lawrence stuff “A Petition For Grace”, slow mo electric German progressive new age tune “New Age Swag”, detroit manner machine funk “Breeder”.
We are very happy to welcome the brightest hope from Tel Aviv. More
Tel Aviv born producer “Nadav Siegel aka Autarkic” has been releasing nice indie dance tracks from Disco Halal, Life And Death, Turbo, Optimo Music and name a few.
This is his first release on Mule, it is a sampler 12inch from the upcoming new album (digital only).
12inch kick off killer psychedelic techno house “Cymbals Powder Rush”, floating deep house which remind us Lawrence stuff “A Petition For Grace”, slow mo electric German progressive new age tune “New Age Swag”, detroit manner machine funk “Breeder”.
We are very happy to welcome the brightest hope from Tel Aviv. More
Label:Mule Musiq
Cat-No:MuleMusiq282
Release-Date:25.11.2022
Configuration:12"
Barcode:4250101445033
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1
Simone De Kunovich - Addio Mondo Nuovo
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Simone De Kunovich - Path Of Eternity (On The River Of Nameless God)
3
Simone De Kunovich - See You On The Other Side Of The River
4
Simone De Kunovich - Inferno Verde
5
Simone De Kunovich - Primal Dream
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Simone De Kunovich - Alle Orecchie Del Fuoco
2nd release of our brightest hope in Italy “Simone De Kunovich”.
This release is a final chapter of his Mondo Nuovo series.
It’s a unique mixture of World Music, Acid, Wired Electric Music.
We love Simone! More
This release is a final chapter of his Mondo Nuovo series.
It’s a unique mixture of World Music, Acid, Wired Electric Music.
We love Simone! More
Label:Mule Musiq
Cat-No:MuleMusiq283
Release-Date:14.10.2022
Configuration:LP
Barcode:4250101441493
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1
Roman Flügel - Atmosphere
2
Roman Flügel - Home
3
Roman Flügel - Frei
4
Roman Flügel - Super Sonne
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Roman Flügel - Greenhouse
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Roman Flügel - Dolphins
7
Roman Flügel - Duftschulter
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Roman Flügel - Goth
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Roman Flügel - Sick
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Roman Flügel - Die Hoehle
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Roman Flügel - Ambienteuse
Beautifully drunken it hums, the piano in “PianoPiano”, the last tune of “How to Spread Lies”, the first EP by Roman Flügel for the Hamburg based label Dial in the year 2010. Or take “Strich”, a peculiar electrical slow-motion grinder, out on his “Mutter” EP for Klang Electronic in 2006. Since long, the renowned Berlin based DJ and producer is investigating in spheres beyond the dance, the groove, the ecstasy. Zones, where the molecules harmonize, senses relieve, and the soul quietens. All his last albums, “All The Right Noises” (Dial), “Themes I-XIII” (ESP Institue), “Eating Darkness” (Running Back) have moments of tension and relaxation in a deep harmonious connection. Now “Balmy Evening”, a sundown record for sunup’s. Eleven notions in adventurous journey music, embracing the freedom of structure, blurring the musical pulse into harmonic meditation and mysteriously grooving zones, leaving all unnecessary accessories behind. A quality, that many of his collaborative and solo productions from past 30 years comprise. Still, most of them squint on the dance floor, where jack is king. Not so “Balmy Evening”, where real party bangers are absent. There are moving tunes like the slow Kraftwerk-melody-leaning funkateer “Duftschulter”, or the artificially jacking “Greenhouse”, where nervous Synth patterns ball along soft breaks and decreet kicks. Also, “Super Sonne”, an odd, seemingly improvised synth conversation might ask some souls out for a dance. But all others, like “Atmosphere”, “Frei”, Dolphins, “Goth”, or “Ambienteuse”, rather seek for the tranquil in each one’s spirit. Listeners need be ready for surprises. Ready for impulsive ideas, linked to a harmonious flow, always ready to grow. An album full of silence, utterly loud, beautifully diverse humming, displaying a playful, exploratory side of a celebrated club music producer, to whom atoms dance in manifold ways.
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Cat-No:MuleMusiq277
Release-Date:02.09.2022
Configuration:LP
Barcode:4250101440861
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1
Superpitcher - Chapter 1
2
Superpitcher - Chapter 2
In the gutter lie sun dried leaves, scraps of paper, burnt matches and cigarette butts. It is early morning; the sun rises with warm grace. you've come to the right party... you see, the body of a young man sitting by a pool, nobody important, really. Just a movie writer with a couple of "b" pictures to his credit. He always wanted a pool. Well, in the end he got himself a pool, but let's go back some time and find the day when it all started in “Hollywood,” the place where they pay a thousand dollars for a kiss and fifty cents for your soul.
Three years after he celebrated “Sketch of Japan” EP, Superpitcher returns to Mule Musiq, bringing an epic super-pitched 40 minutes trip named “Hollywood”, that perfectly works as the score for the above remixed opening scene of a famous movie on the trances of Hollywood, the cage, that catch our dreams. It’s a slow grower, incorporating some of core elements of the city of celluloid dreams: action, drama, romance - all epic noir and yet so flooded by light. As ever the producer and DJ from Paris garnished his long building up and going down voyage with se-ducing melodies, glamorous pop, and psychic rhythms, creating the hippy dance ambiences he is famed for. Even though the twelve inch comes in accustomed a/b chapters, “Hollywood” should be perceived in one go to feel the depth of Superpitcher’s tropical leaning story arc, that stretches the idea of a track into a dream of satin teardrops on flickering velvet lights. It paints sonic celluloid pictures of ghostly creatures, while a female/male voice is the music’s constant melodic companion, injection Janus-faced longing dream pop spheres on the overall tripping house melancholy. A heroic electronic drama, elegant as Tamara de Lempicka painting. It asks for endless rides on the Hollywood freeways. in the back the sun – a big orange ball – sinking slowly below the horizon.
You've come to the right party... you see, the body of a young man sitting by a pool, in the back a long, graceful bar, bathed in soft light, filled with elegant customers. There's nothing else, just us and the music and those wonderful people out there in the dark, ready for a divine dance in closeup. More
Three years after he celebrated “Sketch of Japan” EP, Superpitcher returns to Mule Musiq, bringing an epic super-pitched 40 minutes trip named “Hollywood”, that perfectly works as the score for the above remixed opening scene of a famous movie on the trances of Hollywood, the cage, that catch our dreams. It’s a slow grower, incorporating some of core elements of the city of celluloid dreams: action, drama, romance - all epic noir and yet so flooded by light. As ever the producer and DJ from Paris garnished his long building up and going down voyage with se-ducing melodies, glamorous pop, and psychic rhythms, creating the hippy dance ambiences he is famed for. Even though the twelve inch comes in accustomed a/b chapters, “Hollywood” should be perceived in one go to feel the depth of Superpitcher’s tropical leaning story arc, that stretches the idea of a track into a dream of satin teardrops on flickering velvet lights. It paints sonic celluloid pictures of ghostly creatures, while a female/male voice is the music’s constant melodic companion, injection Janus-faced longing dream pop spheres on the overall tripping house melancholy. A heroic electronic drama, elegant as Tamara de Lempicka painting. It asks for endless rides on the Hollywood freeways. in the back the sun – a big orange ball – sinking slowly below the horizon.
You've come to the right party... you see, the body of a young man sitting by a pool, in the back a long, graceful bar, bathed in soft light, filled with elegant customers. There's nothing else, just us and the music and those wonderful people out there in the dark, ready for a divine dance in closeup. More
12"
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Label:Mule Musiq
Cat-No:MuleMusiq280
Release-Date:24.06.2022
Genre:House
Configuration:12"
Barcode:
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Last in:30.08.2023
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backorder
Last in:30.08.2023
Label:Mule Musiq
Cat-No:MuleMusiq280
Release-Date:24.06.2022
Genre:House
Configuration:12"
Barcode:
1
Freestyle Man / Henrik Schwarz - Moabit Feat. Jimi Tenor
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Freestyle Man / Henrik Schwarz - Dub 5
Welcome back our longtime friends on Mule Musiq.
Finland born now Berlin based producer Freestyle Man aka Sasse and no explanation needed, German house music producer Henrik Schwarz teamed up for their collaboration 12inch.
A side “Moat” feat veteran producer Jimi Tenor is elegant deep house and b side “dub 5” is German style dubby minimal House.
Hope you enjoy. More
Finland born now Berlin based producer Freestyle Man aka Sasse and no explanation needed, German house music producer Henrik Schwarz teamed up for their collaboration 12inch.
A side “Moat” feat veteran producer Jimi Tenor is elegant deep house and b side “dub 5” is German style dubby minimal House.
Hope you enjoy. More