Originally released in 2004, Moneyshot EP marked the debut of Drugsex Recordings — a short-lived but cult New York-based vinyl label born out of the creative partnership between UK producers Rob Pearson and Simon Copleston. Having already worked together on several projects, the duo had begun carving out a distinctive sound that bridged classic tech house grit with a sleazy, after-hours sensibility. Moneyshot EP would be the first full expression of that vision — a raw, late-night three-tracker oozing groove and attitude.

On the A-side, the title track ‘Money Shot’ wastes no time setting the tone. Built around Pearson and Copleston’s signature percussive swing, it’s driven by an infectious rolling bassline and punctuated with muted horn stabs and tight, clipped rhythms — perfect for peak-time dance floors with just a touch of filthiness.

Flip it over, and ‘Surface Static (Fuzz Mix)’ dives deeper into the haze. A chugging, low-slung groover with a hypnotic pull, this one’s aimed squarely at the heads — late-night dancers who like their tech house laced with texture, grit, and a little mind-bending edge.

Rounding off the EP is a remix under Simon’s Iteration X alias: a dubbed-out, sax-infused reimagining of ‘Surface Static’ that leans into the deeper end of the spectrum while keeping the groove tight. Soulful, spacious, and subtly psychedelic, it completes a package that’s as varied as it is cohesive.

A rare find on the second-hand market, Moneyshot EP has become a prized artifact among collectors of early 2000s tech house — a slice of underground history finally getting the wider recognition it deserves and continuing to share the musical legacy that our much loved friend and collaborator Simon left behind.

Vinyl Mastering by Marco Pellegrino at Analog Cut (Berlin).

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Riding the Thin Line" is an EP by DJ Bone, an influential figure in the Detroit techno scene. Released in 1999, the EP showcases DJ Bone's signature style characterized by deep, driving beats and intricate rhythms. The tracks blend elements of classic Detroit techno with contemporary sounds, reflecting his ability to bridge different eras of electronic music. The EP is noted for its experimental approach while maintaining a dancefloor-friendly vibe. Each track offers a unique listening experience, highlighting DJ Bone's skills as a producer and DJ. His work often emphasizes a sense of journey, making "Riding the Thin Line" a compelling addition to any techno enthusiast's collection. Overall, the EP reinforces DJ Bone's reputation as a pioneer and an innovator within the techno genre.

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We’re proud to present the next release on Evasive Records: a heavyweight repress two-tracker uniting label head honcho Rob Pearson with long-time collaborator Robin Ball (Groove Pleasure / Memory Box).

Originally released in 2006 on Robin Ball’s Groove Pleasure imprint (Cat. No. GPL11), ‘Don’t Put Up Wit Dat’ marked the first collaboration between these two respected DJs, producers, and label bosses. With the resurgence of early-2000s tech house and renewed interest in the signature South London sound, original copies of this underground gem have been fetching well over £100 on Discogs. A relentless, driving cut of pure tech house craftsmanship, this one has been in high demand from crate diggers and connoisseurs alike — and now it’s finally back on wax.

‘The Right Vibes’, the duo’s second collaboration, followed in 2008. Produced at Evasive Records' South London HQ, Online Studios, it originally appeared on the EVA021 Various Artists EP. Another standout slice of tech house, this track has remained a staple on Discogs want-lists for years — and for good reason. With a rock-solid groove, peak-time floor power, and a breakdown that still delivers nearly two decades later, it's a natural choice for reissue.

Both tracks have been lovingly mastered by Marco Pellegrino at Analog Cut (Berlin) from the original Online Studios DAT tapes — sounding every bit as fat, if not fatter, than the original vinyl releases.

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In 2025 Acid Jazz announced the Spring Revisited project, in collaboration with Ace Records, exploring the musical legacy of the iconic New York label Spring Records, with a series of new mixes and limited edition vinyl releases.

After the rapid sell-out of the first release – 12” mixes of Millie Jackson’s iconic ‘We Got To Hit It Off’ from Dimitri From Paris and Opolopo respectively – they are introducing a special 7” to the series. This release is fronted by Dimitri’s ‘Liberated Woman Edit’ of the track – a vinyl exclusive, dance-floor and flight-ready for DJ sets this summer. It is backed by a special edit of Dave Lee’s inspired disco mix of The Joneses ‘Love Contest’.

It is presented in a beautiful, aged reproduction of the classic Spring house-bag, looking as if it were hand-delivered to you from 1979. Limited to 500 copies.

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Repress!

Nicola Cruz on Cabaret Recordings!

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Germany
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