Welcome to yet another release orchestrated by DJ/Producer Roi Azulay. This latest release further demonstrates the undeniable talents of this up and coming producer featuring 2 dope alternate compositions taken from his critically acclaimed full-length release titled Reflections. A full-length album, which features a remix produced by the one and only Kuniyuki Takahashi. Keeping in rhythm and tradition this latest 12-inch release features not only two new remixes by Roi but also a supercharged remix produced by one of deep techno ambassadors Vince Watson.

And so, what you get here are 3 hot music compositions on 12ihch colored vinyl housed on a full colored / hand painted Jacket.
If you have an affinity for deep house and an even deeper one for musical electronics, then this colored vinyl 12 inch should be right up your alley. Let's go…


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LIIMTED GREEN VINYL
Welcome to the producer and DJ, Roi Azulay's latest release Reflections, his first full-length album of 15 original songs. Reflections come along after a string of successful EPs for house music's premier Sacred Rhythm Music label. Listening, grooving, and dancing to Reflections is like hopping a wafting magic carpet that soars to heady heights while touching down on the firmament of grounded and punchy beats. Born and raised on a farm in Israel just outside Jerusalem, Roi came to music as an adult, and to house while managing a record shop in town. He began to DJ around Jerusalem's club scene, but, wanting more adventure, moved to New York, in 2006, where he found more action and inspiration spinning in the City's underground clubs beneath the watchful and encouraging eye of house master producer, Joaquin Joe Claussell. Living and working in the City has enabled Roi to absorb fully and incorporate into his compositions how sound defines a culture of such diversity. Roi talks of Reflections as a first mountain peak climbed after a journey of self-discovery nurtured by the peace and wonder he finds in the natural world. He has unearthed, he says, "my very own personal soundscape." The music bears witness to these explorations,
vaunting varied influences beyond the deep house, to embrace, among other genres, jazz and world rhythms, including the music of his Middle Eastern heritage. Honoring the "naïve playfulness" of his inner child, Roi integrates the natural world of his childhood into his music. "Jerusalem Blues" seems to take us way back, into echoes of the past, with underground sounds as if in a cavern while he seasons the earthiness with sub-Saharan references. Roi's musical approach unifies organic compositions on "Fire" and "Shadow Dance" above emotional and tonal celebrations like "Light Heart" and "Which Way Home" following a remix from the prolific producer and sounds-designer Kuniyuki Takahashi
with his unique take on "All Is Well". Roi desires to take Reflections to an audience in a vast outdoor arena where he summons up the genuine romance between nature and electronics. At the same time, we would find Roi Azulay searching for "A sentimental scent, familiar sounds, intimate rhythm."


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Special White Color Vinyl 7inch W Full Color Jacket


IBOGA Africa Edits and Overdubs by Joaquin Joe Claussell Feat Long Versions and Unreleased Afro Centric Compositions Special White Color Vinyl 7inch W Full Color Jacket

IBOGA by Joaquin Joe Claussell

Straight from the acclaimed IBOGA EP series, Joaquin Joe Claussell returns with a powerful limited-edition 7-inch pressed on colored vinyl. This special release features the long-awaited extended version of “Dark Eyes,” alongside two brand-new Afro-centric edits.

Included are “Egbe Awan Okurin,” a deep rhythmic journey inspired by African cosmic soundscapes, and “Mochate,” a reimagined 1970s Afro-disco edits enriched with fresh overdubs and signature Claussell energy.

Crafted for DJs, collectors, and selectors alike, this essential 7-inch delivers raw groove, spiritual rhythm, and dancefloor-ready Afro-inspired sounds.

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When approached several years back by the highly revered Toy Tonics crew/ record label to participate in a remix for artists Karl Hector & Nicolas Tounga for their song titled Ngunga Yet Fofa; just on the strength of a sincere enthusiasm showed by the request alone, it wasn't long after that Joaquin Joe Claussell accepted the challenge to remix an already original dope composition. Originally released, and still available on their Mushroom House Concept 12" EP 4 Cat number TOYT 068; on it Joaquin produced a unique remixed and married Acoustic art with electronic ecstasy. Fast Forward to today Sacred Rhythm with the blessings of Toy Tonics brings forth a dope 12" the compliments that precious version, but with dope different, more experimental takes all in the rhythm of Afro Electronics.
Housed in Limited Red vinyl more dopeness is about to take its place in the airwaves. Let's take flight...


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LIIMTED GREEN VINYL
Welcome to the producer and DJ, Roi Azulay's latest release Reflections, his first full-length album of 15 original songs. Reflections come along after a string of successful EPs for house music's premier Sacred Rhythm Music label. Listening, grooving, and dancing to Reflections is like hopping a wafting magic carpet that soars to heady heights while touching down on the firmament of grounded and punchy beats. Born and raised on a farm in Israel just outside Jerusalem, Roi came to music as an adult, and to house while managing a record shop in town. He began to DJ around Jerusalem's club scene, but, wanting more adventure, moved to New York, in 2006, where he found more action and inspiration spinning in the City's underground clubs beneath the watchful and encouraging eye of house master producer, Joaquin Joe Claussell. Living and working in the City has enabled Roi to absorb fully and incorporate into his compositions how sound defines a culture of such diversity. Roi talks of Reflections as a first mountain peak climbed after a journey of self-discovery nurtured by the peace and wonder he finds in the natural world. He has unearthed, he says, "my very own personal soundscape." The music bears witness to these explorations,
vaunting varied influences beyond the deep house, to embrace, among other genres, jazz and world rhythms, including the music of his Middle Eastern heritage. Honoring the "naïve playfulness" of his inner child, Roi integrates the natural world of his childhood into his music. "Jerusalem Blues" seems to take us way back, into echoes of the past, with underground sounds as if in a cavern while he seasons the earthiness with sub-Saharan references. Roi's musical approach unifies organic compositions on "Fire" and "Shadow Dance" above emotional and tonal celebrations like "Light Heart" and "Which Way Home" following a remix from the prolific producer and sounds-designer Kuniyuki Takahashi
with his unique take on "All Is Well". Roi desires to take Reflections to an audience in a vast outdoor arena where he summons up the genuine romance between nature and electronics. At the same time, we would find Roi Azulay searching for "A sentimental scent, familiar sounds, intimate rhythm."


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Side A
1. Mental Remedy - Noi (The Scratch Piano Demo)
2. The Bayara Citizens - Kulimba (Alternate Take)
Side B
1.Residue - Eno (The Under The Influence Dub Version)

Taken from the CD album concept, titled Joaquin Joe Claussell Manifestations, Catalog. SRM.Ma1. Is the 3rd installment of the Immensely popular 12" EP Series A concept that was originally produced with the intent on granting the listener with some rare peaks into the early stages of Joaquin Joe Claussell's production process. In keeping to he tradition, the music on this this latest edition has been extended by Joaquin Joe Claussell.
We once again heard our customer's wishes and here they come. We'll let the music do the talking.

Painting by Joaquin Joe Claussell
Simple Graphic Layout by Akemi Shimada?
Engineered by Fran Cathcart ?
Mastered by Dietrich Schoenemann

Catalog. SRM-278

Produced by Joaquin Joe Claussell ?
For Sacred Rhythm Music & Cosmic Arts ©2021.
Bolla Music ASCAP

This vinyl sampler represents a music that focuses on the raw stages behind some of Joaquin's previously released and admired works.
Thank You for Listening


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As a prominent R&B/Soul singer, songwriter, and producer
In the realms of House Music, Angela has established a well-respected career collaborating and penning songs for some of the most notable DJs and producers in the industry: Roger Sanchez, Reel People, Dave Lee & the Sunburst Band, Josh Milan, DJ Spinna, Micky More & Andy Tee to name a few. In 2020, Johnson placed fourth on Traxsource’s “Top Vocalists of 2020,” an honor that Angela does not take lightly. Her successful collaboration with OPOLOPO on the remake of The Brand New Heavies classic, “Stay This Way” has opened more doors for Ms. Johnson. With this boost, she’s ready to take things to the next level whether it’s another vocal feature or a self-produced release.

The title song Inclusion, which was also written, produced, and performed by Angela Johnson; caught the attention of prolific producer, Grammy wining-one and only Brian Bacchus. Brian brought the song to Joaquin Joe Claussell and the rest is history…
There are many great things that we would love to share about what became of this the powerful collaboration, but we will let the music speak on it for itself.

Music Always!
Purpose Music Group
Soul feast Productions
Sacred Rhythm Music & Cosmic Arts

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From the CD album concept titled Joaquin Joe Claussell ?Manifestations, Catalog. SRM.Ma.1, which was originally produced with the intent on granting the listener with some rare peaks into the early stages of Joaquin Joe Claussell's production process, comes two separates 12” Vinyl EP’s with extended DJ mixes.
We heard our customers wishes and here they come. We’ll let the music do the talking.

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special Limited 180 for distribution copies, Random Colored Vinyl, Hand Silk Screened Record Sleeve Record



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Tracklisting:
Side A1: Layer Part 2 ( Original Version ) 8:07
Side B1: Layer Part 2 (Club Version ) 8:07
Side B2: New Dimension ( Original CD Version ) 7:10
This is the long-awaited second installment of the layer series by
Eqwel and Jeff Thompson is to soon come. The fifirst release amd all
releases that are part of this series is always minimally processed,
using less compression with higher sample rates. The primary side
has been cut with Eqwel's original version, which carries on his style
of artistic creativity. The track is layed with hard rhythm'd kicks with
illustrious soundscapes incorporating sticky basslines.
On the flflipside, track one is Eqwel's answer to a club banging
version of the original creation. This track starts strong and ends
strong and the events that happen in between is beautiful and uplifting!
This is defifinitely a banger for the clubs, that can be
incorporated at the peakest of your sets.
The fifinal track has been taken from Eqwel's " Audio Telemetry EP ".
As always, these tracks are recommended to test and push your
sound system!

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Randomly selected from the HD vaults spiritually protected at Sacred Rhythm
Music; We invite you to take part into listening, dancing, spinning and
ultimately healing by the way of a few musical works in progress-demos and
ceremonial oeuvres, as well as a couple of earlier released compositions
imagined and produced by Joaquin Joe Claussell. Also Included are some
never before released rhythm tracks and sound effffects, both of which helped
to lay the foundation for musical structures that were released in the past and
can now be used as overlay tracks and DJ creativity.
As with mostly all original works created by Joaquin Joe Claussell; The
vibrational medicine that emanates from the music (if taken seriously) can
assist in healing the confused mind back to its original state of intellectual
and wholesome consciousness. We believe that once the mind is strong and
clear again, all that are both profound and worth keeping will then surround
us…
We live in a chaotic world where everything’s turned upside down. And so, if
you fifind yourself stuck, confused-depressed and you haven’t a clue to whom
or where to turn to for help: Just remember that, Music and Love-that’s
unconditional-are always there for you when you need them to be. All you
need to do is to believe.
Praise music and let the healing begin…
Tracklisting:
Side A1: Elegua feat. Jose Cochise Claussell of Rebel
Tumbao (3:42)
Side A2: Makussa PT Three - Afrikan Basement
Extended Demo Mix (9:13)
Side B1: Diyi Mayo (live Jam Extended Mix)(8:55)
Side B2: Afrofunkjazz - Extended Demo mix (8:30)

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We are unfortunately living through a period that could possibly be the most desperate, as well as
confusing time in human history.
You would think that with the great leaps that have been taken with advances in technology-that
we would at the very least become closer as a people.
However, sadly this has shown not to be the case. What has become obvious, however, is that
so-called progress has taken a back seat to trickery, chaos, wickedness, selfifishness and
ultimately separatism.
We have become desensitized to the point that we now see the hope we thought would be
waiting for us at the end of the brightly lit tunnel is quickly being gobbled up by deceit, hate and
darkness.
Fortunately, however, there are devotees who like myself have always placed their beliefs in the
transcendent powers of music. With nothing out here seeming to be what it’s supposed to be, it
is clear that music has not only remained consistent with its alignment with love and unity, but it
is also viewed to be the most precious gift bestowed on to humankind.
An orchestration from the creator of the infifinite galaxy and all life-forms of which reside
throughout, a sincere belief in his or hers rhythm and sound can assist in realigning the planet to
its proper position of balance thus light and darkness, love and devotion, compassion and love
for one another could prevail.
No less is the power of gospel music.
Difffferent from those who came before, this edition goes beyond and ventures into a
broader range of gods music- this because, all music is gods music…
We hope that you will enjoy – Give yourself to the Master…

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Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom. Once again, behind the eight tracks in the album—and behind the wheel of the fiery red Alfasud on the cover—is composer and keyboardist Peppe Maiellano. He has meticulously tailored each piece to his virtuoso partners in crime: a 'family' of exuberant musicians spread between Salerno and Naples, all bound by deep-rooted ties to the region and a shared belief in the grit of independent artistry. The Costa Sud (South Coast) imagined by Banda Maje is a shimmering ribbon of sun-baked asphalt stretched between the sea and the ancient pine forests of the Gulf of Salerno. It is a land of enchanting but wounded places, where the grace of Ancient Greek civilization sits in a restless silence alongside the scars of rampant building and neglect. “But if truth is beauty and beauty is truth,” Maiellano explains, inverting Keats’s famous line, “with the right eyes, you can find beauty and poetry even under a layer of moral and material filth." Conceived and recorded entirely in the South, the album nevertheless looks beyond the horizon. While Neapolitan funk and golden-age Italian soundtracks remain the double helix of the band's DNA, this album welcomes new influences from across the ocean, weaving Italy, Brazil, Africa, and contemporary sounds into its unique vision of the 'global South.'

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Repress!

The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.

But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.

Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound.

Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenki Ni Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious.

Released on 1st September, Tokyo Riddim 1976-1985 is a part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Budapest-based concept label, Blue Sun is launching their new line of vinyl focused releases, aimed primarily on DJs and collectors: the Blue Series. A counterpart to the Orange Series launched last year that showcases a more upbeat side of the label, the new collection presents a darker, more experimental, and introspective musical vision.

The first release in the Blue Series is a six-track EP by Budapest based multimedia artist, Virág Réti. Choosing her legal name as her artist persona (“Flower of the Meadow" in Hungarian) also with the track titles capturing the folk names of local fauna, Peremido evokes the artist's innate connection to nature as a place of refuge from the noise of Eastern European urban life.

The EP’s motifs point back to early memories of sitting by a river, simply observing time flowing by. The arc of the songs follow the passage of a day, beginning with the hesitant sounds of early morning, gradually moving on toward more defined, rhythm-driven forms. As the airy textures slowly give way to structure and percussion comes to the forefront, the sense of direction becomes clearer, letting moments of gentle disorder and unexpected sounds to surface.

Virág previously appeared on the label’s Blue Sun VA II compilation with her track Bíbic. Since launching her ambient music project in the fall of 2024, she has become one of the promising newcomers in the Hungarian experimental electronic music scene. Her debut EP, Minden Ami Megmaradt (All That Remains), was released last November as the final offering of temporary nites label (2023–2025). She is also the founder and organizer of the Budapest-based experimental electronic event series Still Places.

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Two years ago, Atypical Dopeness founder Sal Carmona decided to launch an offshoot imprint, Banger Records, via a superb compilation of previously unheard gems entitled Make My Body Shake, Make The Speakers Shake. This belated follow-up EP returns to that compilation, delivering extended versions of three of the most sought-after tracks - all by bona fide deep house legends. Ron Trent steps up first to stretch his typically spacey, percussion-rich and bassline-driven gem 'Space Strut' to almost 11 minutes, offering us the chance to genuinely get lost in his infectious grooves and intergalactic effects. New York's own Timmy Regisford lightly extends the jazz-funk-tinged deep Afro-house bounce of 'Funa', while Chicagoan Vick Lavender delivers a longer take on his warm, string-drenched electronic/organic delight 'Daylight'.

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