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Roi Azulay - Satori
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Roi Azulay - Hope
3
Roi Azulay - Ode To My Frida" (Vince Watson Piano Reshape)
Welcome to yet another release orchestrated by DJ/Producer Roi Azulay. This latest release further demonstrates the undeniable talents of this up and coming producer featuring 2 dope alternate compositions taken from his critically acclaimed full-length release titled Reflections. A full-length album, which features a remix produced by the one and only Kuniyuki Takahashi. Keeping in rhythm and tradition this latest 12-inch release features not only two new remixes by Roi but also a supercharged remix produced by one of deep techno ambassadors Vince Watson.
And so, what you get here are 3 hot music compositions on 12ihch colored vinyl housed on a full colored / hand painted Jacket.
If you have an affinity for deep house and an even deeper one for musical electronics, then this colored vinyl 12 inch should be right up your alley. Let's go…
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And so, what you get here are 3 hot music compositions on 12ihch colored vinyl housed on a full colored / hand painted Jacket.
If you have an affinity for deep house and an even deeper one for musical electronics, then this colored vinyl 12 inch should be right up your alley. Let's go…
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More records from Roi Azulay
LIIMTED GREEN VINYL
Welcome to the producer and DJ, Roi Azulay's latest release Reflections, his first full-length album of 15 original songs. Reflections come along after a string of successful EPs for house music's premier Sacred Rhythm Music label. Listening, grooving, and dancing to Reflections is like hopping a wafting magic carpet that soars to heady heights while touching down on the firmament of grounded and punchy beats. Born and raised on a farm in Israel just outside Jerusalem, Roi came to music as an adult, and to house while managing a record shop in town. He began to DJ around Jerusalem's club scene, but, wanting more adventure, moved to New York, in 2006, where he found more action and inspiration spinning in the City's underground clubs beneath the watchful and encouraging eye of house master producer, Joaquin Joe Claussell. Living and working in the City has enabled Roi to absorb fully and incorporate into his compositions how sound defines a culture of such diversity. Roi talks of Reflections as a first mountain peak climbed after a journey of self-discovery nurtured by the peace and wonder he finds in the natural world. He has unearthed, he says, "my very own personal soundscape." The music bears witness to these explorations,
vaunting varied influences beyond the deep house, to embrace, among other genres, jazz and world rhythms, including the music of his Middle Eastern heritage. Honoring the "naïve playfulness" of his inner child, Roi integrates the natural world of his childhood into his music. "Jerusalem Blues" seems to take us way back, into echoes of the past, with underground sounds as if in a cavern while he seasons the earthiness with sub-Saharan references. Roi's musical approach unifies organic compositions on "Fire" and "Shadow Dance" above emotional and tonal celebrations like "Light Heart" and "Which Way Home" following a remix from the prolific producer and sounds-designer Kuniyuki Takahashi
with his unique take on "All Is Well". Roi desires to take Reflections to an audience in a vast outdoor arena where he summons up the genuine romance between nature and electronics. At the same time, we would find Roi Azulay searching for "A sentimental scent, familiar sounds, intimate rhythm."
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Welcome to the producer and DJ, Roi Azulay's latest release Reflections, his first full-length album of 15 original songs. Reflections come along after a string of successful EPs for house music's premier Sacred Rhythm Music label. Listening, grooving, and dancing to Reflections is like hopping a wafting magic carpet that soars to heady heights while touching down on the firmament of grounded and punchy beats. Born and raised on a farm in Israel just outside Jerusalem, Roi came to music as an adult, and to house while managing a record shop in town. He began to DJ around Jerusalem's club scene, but, wanting more adventure, moved to New York, in 2006, where he found more action and inspiration spinning in the City's underground clubs beneath the watchful and encouraging eye of house master producer, Joaquin Joe Claussell. Living and working in the City has enabled Roi to absorb fully and incorporate into his compositions how sound defines a culture of such diversity. Roi talks of Reflections as a first mountain peak climbed after a journey of self-discovery nurtured by the peace and wonder he finds in the natural world. He has unearthed, he says, "my very own personal soundscape." The music bears witness to these explorations,
vaunting varied influences beyond the deep house, to embrace, among other genres, jazz and world rhythms, including the music of his Middle Eastern heritage. Honoring the "naïve playfulness" of his inner child, Roi integrates the natural world of his childhood into his music. "Jerusalem Blues" seems to take us way back, into echoes of the past, with underground sounds as if in a cavern while he seasons the earthiness with sub-Saharan references. Roi's musical approach unifies organic compositions on "Fire" and "Shadow Dance" above emotional and tonal celebrations like "Light Heart" and "Which Way Home" following a remix from the prolific producer and sounds-designer Kuniyuki Takahashi
with his unique take on "All Is Well". Roi desires to take Reflections to an audience in a vast outdoor arena where he summons up the genuine romance between nature and electronics. At the same time, we would find Roi Azulay searching for "A sentimental scent, familiar sounds, intimate rhythm."
More
More records from Sacred Rhythm
1
Joaquin Joe Claussell pres. - Progressive Roots (remix)
2
Joaquin Joe Claussell pres. - Progressive Roots (Ahmee’s club Culture Foundation remix)
3
Joaquin Joe Claussell pres. - Progressive Roots (Deep mix)
4
Joaquin Joe Claussell pres. - Progressive Roots (Congo)
The Club Culture Foundation in Collaboration with Sacred Rhythm Music presents the much-anticipated Joaquin Joe Claussell Progressive Roots a Song for Healing Remix 12inch taken from the successful-highly sought-after Joaquin Joe Claussell Progressive Roots a Song for Healing LP Cat#: SRMLP-1011 with dope art work by Akemi Shimada. This new 12inch features Remixes by Joaquin Claussell and includes a collaborative remix with Ahmee Lim (The Executive Producer of the Progressive Roots Project released on Sacred Rhythm Music. 50 copies of this limited record produced was firstly to commemorate the Progressive Roots a Time for Healing Event hosted at Cosmic Arts Brooklyn New York and has been in heavy demand ever since. Now for limited time finally it will become available.?
Joaquin Joe Claussell Progressive Roots Evolution A song for Healing. Special Twelve Inch Remix Limited Color
Vinyl with Full Color Jacket Sleeve
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Joaquin Joe Claussell Progressive Roots Evolution A song for Healing. Special Twelve Inch Remix Limited Color
Vinyl with Full Color Jacket Sleeve
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1
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Vokal mix)
2
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Cosmic mix)
3
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Electronic version
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Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Rhythms)
Sove Yo (Save Them)
A collaboration between two immensely talented Blood Brothers. Musicians who are considered to be second none as it relates to the world of music orchestration and talent. Afro House Originator Jephte Guillaume joined by his multi-talented brother Duke Guillaume have come together in the midst of a never-ending conflict and chaos to produce a composition that speaks
to the heart of what is desperately needed now and forever. The composition is such that we can legitimately go on with regards to its infectious rhythms and melody. However, we prefer to leave that to you the listener and much rather put attention to the message and the meaning of the music. With all that said, we hope that you immerse yourselves in its vibration and thus echo its
frequencies from your speakers loud and clear so that it resonates to the hearts and souls of all who are in need extra healing and direction.
More
A collaboration between two immensely talented Blood Brothers. Musicians who are considered to be second none as it relates to the world of music orchestration and talent. Afro House Originator Jephte Guillaume joined by his multi-talented brother Duke Guillaume have come together in the midst of a never-ending conflict and chaos to produce a composition that speaks
to the heart of what is desperately needed now and forever. The composition is such that we can legitimately go on with regards to its infectious rhythms and melody. However, we prefer to leave that to you the listener and much rather put attention to the message and the meaning of the music. With all that said, we hope that you immerse yourselves in its vibration and thus echo its
frequencies from your speakers loud and clear so that it resonates to the hearts and souls of all who are in need extra healing and direction.
More
1
Dele Sosimi - Turbulent Times (Joaquin Joe Claussell Afro Jazz version)
2
Dele Sosimi - Turbulent Times (Joaquin Joe Claussell Cosmic Arts dub)
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Dele Sosimi - Turbulent Times (Joaquin Joe Claussell Afro dance demo)
Dele Sosimi, the Nigerian-British Afrobeat Ambassador, Musician and Educator, has been at the heart of the global Afrobeat scene since relocating to the UK in December 1995. Having started his musical career with Fela's Egypt 80 band in his teens, he then teamed up with childhood friend Fela's son Femi Kuti (back in the late eighties) to kick-start the Positive Force - touring, recording and performing worldwide. Over forty years later, he remains a tireless ambassador for the unique musical movement all over the world. His blend of complex funk grooves, traditional Nigerian music, African percussion and an underlying sense of jazz combines with his virtuoso keyboard skills and rhythmic singing to make him one of the most respected Afrobeat authorities of his era.
Dele is a master of various live configurations, each offering a truly authentic and powerful Afrobeat sound and keeps him active. These days, his mesmeric performances are mainly with the full eight to fifteen-piece Dele Sosimi Afrobeat Orchestra (DSAO), a distilled six or seven-piece Dele Sosimi Afrobeat Experience (DSAE) and the Dele Sosimi Afrobeat Sextet, Quintet & Quartet which features the heartbeat of DSAO in a semi acoustic format with Dele on piano alongside Suman Joshi on Double Bass, Afla Sackey on Congas/percussion and Kunle Olofinjana on Drums.
"The love and passion I have for composing, writing, performing and teaching Afrobeat Music is my main motivation," says Dele, adding; "my aim is to build upon the rich heritage of music worldwide by creating opportunities for young people to learn. I want them to experience Afrobeat forms of music and music-making activities that will expand knowledge and broaden the horizons of the musicians, young or old.
Turbulent Times, the Joaquin Joe Claussell Remixes, were actually created over 10 years ago. But this is not all that surprising if you are one those who have inside knowledge of his production habits; Truth is, Joaquin's productions are created 5 years ahead of their actual release. What's most interesting now, however, is the timing of this release. Having recently gone through a few years of extremes, not least of a global pandemic, instigating more confusion and chaos, these series of remixes are right on time, and the original album version is way ahead of its time. And now these eagerly awaited Remixes are here… More
Dele is a master of various live configurations, each offering a truly authentic and powerful Afrobeat sound and keeps him active. These days, his mesmeric performances are mainly with the full eight to fifteen-piece Dele Sosimi Afrobeat Orchestra (DSAO), a distilled six or seven-piece Dele Sosimi Afrobeat Experience (DSAE) and the Dele Sosimi Afrobeat Sextet, Quintet & Quartet which features the heartbeat of DSAO in a semi acoustic format with Dele on piano alongside Suman Joshi on Double Bass, Afla Sackey on Congas/percussion and Kunle Olofinjana on Drums.
"The love and passion I have for composing, writing, performing and teaching Afrobeat Music is my main motivation," says Dele, adding; "my aim is to build upon the rich heritage of music worldwide by creating opportunities for young people to learn. I want them to experience Afrobeat forms of music and music-making activities that will expand knowledge and broaden the horizons of the musicians, young or old.
Turbulent Times, the Joaquin Joe Claussell Remixes, were actually created over 10 years ago. But this is not all that surprising if you are one those who have inside knowledge of his production habits; Truth is, Joaquin's productions are created 5 years ahead of their actual release. What's most interesting now, however, is the timing of this release. Having recently gone through a few years of extremes, not least of a global pandemic, instigating more confusion and chaos, these series of remixes are right on time, and the original album version is way ahead of its time. And now these eagerly awaited Remixes are here… More
1
Joaquin Joe Claussell - Healer
2
Joaquin Joe Claussell - Progressive Roots
3
Joaquin Joe Claussell - Progressive Roots (Cosmic Arts mix)
4
Joaquin Joe Claussell - Heloise
5
Joaquin Joe Claussell - Progressive Roots (club Culture remix)
6
Joaquin Joe Claussell - Progressive Roots (instrumental mix)
7
Joaquin Joe Claussell - Healer
8
Joaquin Joe Claussell - Progressive Roots (Deep mix)
9
Joaquin Joe Claussell - Progressive Roots (Sound & Textures)
There is meaning behind all of my artistic excursions. A personal outcry instigated by a constant need to express my daily life intakes. However, there are times where my rhythm and tone are called upon to align with a profound purpose. This project Progressive Roots Evolution, A song for Healing, was initiated by observing comrades in our immediate music circle, developing and thus dedicating their platform in support of the dancer community and producers.
What you will soon hold in your hands is a music story which demonstrates what manifests when energies dedicated to the art and support of the dancer and sound elevation align.
Enjoy the Journey
More
What you will soon hold in your hands is a music story which demonstrates what manifests when energies dedicated to the art and support of the dancer and sound elevation align.
Enjoy the Journey
More
Tracklisting:
Side A1: It All Began in the East (Sacred Rhythm Version)
Side A2: It All Began in the East (Cosmic Arts Koto Version)
Side B1: A Dance for Gratitude (Joaquin's Congo Arts Drum
Version)
Side B2: It All Began in the East (The Cosmic Arts Meditational
Mix)
Originally released on CD with what began as a story told by a foreigner of
how the discovery of music while living in New York has provided her with a
sense of purpose and freedom that was before then unknown to her; The
composition featuring the very talented “Yumi Korusawa” on Japanese
Koto, and tilted “It All Began in The East” - originally released as cosmic
journey into the mind and soul; received the remix treatment by Joaquin Joe
Claussell.
The results are an up tempo afro jazz composition that aside from it resting
on the support of afro percussive rhythms; musically speaking, the
composition is elevated by a dope musical orchestration that is expected of
Joe Claussell deliver. Also included on the 12” ep is another hot
composition remixed by Joaquin’ Remix of the titled “A Dance for
Gratitude.” A dope remix that resembles Joaquin’s Cult Classic afro jam “Je
Ka Jo.” All in all, this is defifinitely a 12” EP that will be played for a very long
time to come. More
Side A1: It All Began in the East (Sacred Rhythm Version)
Side A2: It All Began in the East (Cosmic Arts Koto Version)
Side B1: A Dance for Gratitude (Joaquin's Congo Arts Drum
Version)
Side B2: It All Began in the East (The Cosmic Arts Meditational
Mix)
Originally released on CD with what began as a story told by a foreigner of
how the discovery of music while living in New York has provided her with a
sense of purpose and freedom that was before then unknown to her; The
composition featuring the very talented “Yumi Korusawa” on Japanese
Koto, and tilted “It All Began in The East” - originally released as cosmic
journey into the mind and soul; received the remix treatment by Joaquin Joe
Claussell.
The results are an up tempo afro jazz composition that aside from it resting
on the support of afro percussive rhythms; musically speaking, the
composition is elevated by a dope musical orchestration that is expected of
Joe Claussell deliver. Also included on the 12” ep is another hot
composition remixed by Joaquin’ Remix of the titled “A Dance for
Gratitude.” A dope remix that resembles Joaquin’s Cult Classic afro jam “Je
Ka Jo.” All in all, this is defifinitely a 12” EP that will be played for a very long
time to come. More
1
Bolla - No Title
2
Bolla - No Title
Tracklisting:
Side A: Makussa - Main Seven Inch Edit
Side B: Makussa - Joaquin's Sacred Rhythm Dub
Taken from hugely popular Ancestral Food & Healing
Medicine CD and Vinyl EP Project produced and
performed by Joaquin Joe Claussell; comes two special
versions that were produced primarily for this 7Inch Vinyl
release, as well as for those hardcore collectors of
Sacred Rhythm 7” s. What we offffer on the forthcoming 7”
are 2 dope remixes, which include on the B side a
specially performed dubbed-out drum version, while the
A side offffers a special stripped-down version of the
original. All in all, this will be a dope seven that will not
only be gracing turntables and load speakers, but will
defifinitely be a dope addition to your SRM 7” collection. More
Side A: Makussa - Main Seven Inch Edit
Side B: Makussa - Joaquin's Sacred Rhythm Dub
Taken from hugely popular Ancestral Food & Healing
Medicine CD and Vinyl EP Project produced and
performed by Joaquin Joe Claussell; comes two special
versions that were produced primarily for this 7Inch Vinyl
release, as well as for those hardcore collectors of
Sacred Rhythm 7” s. What we offffer on the forthcoming 7”
are 2 dope remixes, which include on the B side a
specially performed dubbed-out drum version, while the
A side offffers a special stripped-down version of the
original. All in all, this will be a dope seven that will not
only be gracing turntables and load speakers, but will
defifinitely be a dope addition to your SRM 7” collection. More
1
mental remedy ( joaquin joe claussell ) - It All Began in the East, Then Two Worlds Became One - Sacred Dance Versio
2
mental remedy ( joaquin joe claussell ) - A Dance for Gratitude
A story that is told through music, of a Japanese artist who travels to a foreign land and ? ?nds her true calling through the guidance of melody, rhythm, dance, mentorships and friendships. Music by: Mental Remedy. Produced by Joaquin Joe Claussell For Sacred Rhythm Music & Cosmic Arts
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We are extremely excited to announce the soon coming double album release of the Bayara Citizens “Elektrik Afrika LP. It’s a specially designed Gate Fold Jacket, which includes 2 X 12” Vinyl’s. Included with this package are extended DJ Versions that have been played and tested by the likes of Joaquin Joe Claussell, Timmy Registford, Louie Vega and Ron Trent to name a few. Also Included are two of Joe Claussell’s eagerly anticipated secret weapons. The Long versions of “Mofo Congoietric” and “Hillbilly Afrika” The Package also contains the highly sought-after Dub Mix of “Bambara.” Until now this version was released back in the day only as a limited 12”. We heard all the request for a repress and so here it will come. And Now for the Fun Part...We placed inside each LP package A Special Individualized Download Code, which will lead to one of 10 individually mixed versions of a track from the Album, which will be mixed specific only to the code found. Also amongst the 300 records produced there will exist only 25 Unique codes. The prize for whom ever finds one of the 25 codes will be A specially made personalized mix that will be pressed on a 10 “Acetate and sent directly to the consumer. HAPPY HUNTING...
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Clausells excellent, in demand percussive house pieces that were only available as a 5x12" box now as single 12" rele
More
Clausells excellent, in demand percussive house pieces that were only available as a 5x12" box now as single 12" rele
More
New Joe Claussell 7" on Sacred Rhythm Music...
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"Strut Records were there first, well before DFA recorded The Rapture's Sub Pop debut. 'Disco Not Disco' preceded the punk funk revolution by two years." Resident Advisor Strut present a new repress of the influential first volume of 'Disco Not Disco' compiled by Joey Negro and Sean P as part of the label's 20th Anniversary. 'Disco Not Disco' was a perfectly timed compilation back in 2000. Released when interest in the myths, history and playlists of original New York clubs like Paradise Garage and The Loft was at its peak, the album drew on the outer limits of leftfield disco championed by Levan and Mancuso, bringing together unlikely dancefloor anthems by rock acts like Yoko Ono and Ian Dury, obscurities from cottage labels like BC and Splash and selected oddities from the unique mind of avant-garde hero, Arthur Russell. It was essentially a celebration of the sonic melting pot in New York during the early '80s, an era when punk had burnt itself out and disco had become commercial and saccharine; in its place, the post-punk movement threw up brilliant oddities which tore up the accepted rulebook. Since its release, the compilation title has become a by-word for a whole genre of music and remains a landmark collection of its time. With original copies now changing hands for €100+, this new pressing is a welcome return for an essential celebration of disco's difficult cousins. The album features full original artwork and Kris Needs' sleeve notes and is remastered and cut by The Carvery.
Tracklist
1.1Yoko Ono - Walking On Thin Ice (1981 Re-Edit)
1.2Liquid Liquid - Cavern
1.3Loose Joints - Tell You (Today) (Vocal)
1.4Ian Dury & The Seven Seas Players - Spasticus Autisticu
2.1Material - Over And Over
2.2Was (Not Was) - Wheel Me Out
2.3Dinosaur - Kiss Me Again (Original Edit)
2.4Don Cherry - I Walk
3.1Common Sense - Voices Inside My Head
3.2Nicky Siano - Move
3.3Indian Ocean - School Bell / Tree House More
Tracklist
1.1Yoko Ono - Walking On Thin Ice (1981 Re-Edit)
1.2Liquid Liquid - Cavern
1.3Loose Joints - Tell You (Today) (Vocal)
1.4Ian Dury & The Seven Seas Players - Spasticus Autisticu
2.1Material - Over And Over
2.2Was (Not Was) - Wheel Me Out
2.3Dinosaur - Kiss Me Again (Original Edit)
2.4Don Cherry - I Walk
3.1Common Sense - Voices Inside My Head
3.2Nicky Siano - Move
3.3Indian Ocean - School Bell / Tree House More
1
Clio - Eyes (Extended Mix)
2
Clio - Eyes (Dub Mix)
The decade of the 80s is revived through recordings like "Eyes" that allow you to travel through the music and trigger those old emotions of innocence, joy and adventure. It's possible you don't understand a word of what they're singing in the chorus, but the song is very catchy! Maybe not even Maria Chiara Perugini knows what she sings about, but she makes you hang on to every word of her like a nursery rhyme of synths, beach and bubblegum. "Eyes" is so amazing, so mesmerizing and more and more people are discovering this italo-disco masterpiece that usually satisfies and makes fun of you at the same time. If you try playing it at 75% speed gives a hypnotic vapor wave vibe! And even more, the song would have fit well in the dance club scenes from Scarface. Beyond the words - difficult to find a text that makes sense, sometimes out of context, unundestandable even for a French listener - the piece is so surprisingly likeable for the unique tone of Clio's voice, a strange cross between teenager and adult, and the part where she spoke another language, with some really cool synthesizers, are people's favorite parts. 0:31 "Je suis bien heureuse" , 0:47 "La nuit a ses merveilles", 0:57 "Il y a de quoi y perdre la tete, pour toi, sha, pour toi", 1:36 "Je n'ai plus de bulles", 1:52 "Je vous prie applaudissement". "Eyes" by Clio contains all the emotions that a dance-pop song should contain plus the essential element of mystery, a kind of magic that takes place between the chorus and the bass line, a shot in the dark drizzly night of the Italo-Disco. made by Roberto Ferrante, a guarantee for the perfect productions of the 80s, when he was only 20 years old.
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1
Daniele Baldelli & DJ Rocca - Rolling Wave
2
Daniele Baldelli & DJ Rocca - Focused Image
3
Daniele Baldelli & DJ Rocca - Marching On
4
Daniele Baldelli & DJ Rocca - Funk Infusion
The superduo formed by two authentic stars of the Italian dance scene is back with the ‘Rolling Wave’ EP on Mondo Groove. Daniele Baldelli needs no introduction; he has made a fiery mark on DJ history worldwide with his legendary sets. He built his eclectic and visionary style at the Baia Degli Angeli in the 1970s and Cosmic in the early 1980s, to the triumph of recent years, in demand at every latitude on the planet. DJ Rocca is one of Italy’s most inspired producers, his art forged in a mix of technique and passion, versatile enough to work alongside artists as diverse as Baldelli, Dimitri From Paris or one of the giants of Italian jazz, pianist Franco D’Andrea.
Daniele Baldelli & DJ Rocca are on fire in the four tracks of this new EP on Mondo Groove, which starts with the bleep sounds of the title track ‘Rolling Wave’, goes into orbit with the deep boogie of ‘Funk Infusion’ and a party number like ‘Marchin On’, and culminates in the refined disco-jazz digressions of ‘Focused Image’. A record that will be a future classic. More
Daniele Baldelli & DJ Rocca are on fire in the four tracks of this new EP on Mondo Groove, which starts with the bleep sounds of the title track ‘Rolling Wave’, goes into orbit with the deep boogie of ‘Funk Infusion’ and a party number like ‘Marchin On’, and culminates in the refined disco-jazz digressions of ‘Focused Image’. A record that will be a future classic. More
1
Skorpio - Take Me
2
Skorpio - Jealousy Lane
3
Skorpio - Black Mercedes
4
Skorpio - Joker
5
Skorpio - Under The Rainbow
6
Skorpio - Long Hard Climb
7
Skorpio - Escapade With Zero
Cult synth-pop album from 1984 repressed for the very first time. One of the most obscure Synth / Italo recordings from Germany with the Danny “Skorpio” Antonelli’s haunting vocals. Includes the obscure deep “Black Mercedes” and the hit “Long Hard Climb”. Limited edition.
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1
Ash Ra Tempel - Amboss_Excerpt1
2
Ash Ra Tempel - Amboss_Excerpt2
3
Ash Ra Tempel - Traummachine_Excerpt01
4
Ash Ra Tempel - Traummachine_Excerpt02
LP, f irst-ever official reissue on vinyl since 1975, , LIMITED 140G Transparent "Transcendent" Vinyl, 350gsm Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket,
A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970),
Sticker, 50th Anniversary RE-Edition, Re-Cut carefully overseen by Manuel Göttsching,
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
More
A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970),
Sticker, 50th Anniversary RE-Edition, Re-Cut carefully overseen by Manuel Göttsching,
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
More
Rights : World excluding FR,UK,Spain, Argentina, Uruguay,Chili,Bolivia
Product Informations: Black Vinyl, gatefold sleeve, 4 page 12'' booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.
SHORT BIOG
For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).
Vinyls Tracklisting:
SIDE A
1.Vecinos En El Mar
2.La Couleur du Temps
3.River Why
4.Viva Tu
5.Heaven's Bad Day (feat. Willie Nelson)
6.Tu Te Vas (feat. Laeti)
7.Coraçao No Mar
SIDE B
1.Cuatro Calles
2.La Colilla
3.São Paulo Motoboy
4.Tom et Lola
5.Lonely Night
6.Tantas Tierras
More
Product Informations: Black Vinyl, gatefold sleeve, 4 page 12'' booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.
SHORT BIOG
For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).
Vinyls Tracklisting:
SIDE A
1.Vecinos En El Mar
2.La Couleur du Temps
3.River Why
4.Viva Tu
5.Heaven's Bad Day (feat. Willie Nelson)
6.Tu Te Vas (feat. Laeti)
7.Coraçao No Mar
SIDE B
1.Cuatro Calles
2.La Colilla
3.São Paulo Motoboy
4.Tom et Lola
5.Lonely Night
6.Tantas Tierras
More
Label:Underground Resistance
Cat-No:UR-011
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
Label:Underground Resistance
Cat-No:UR-011
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
1
Suburban Knight - Infra Red Spectrum
2
Suburban Knight - Magnetic Timetable
3
Suburban Knight - Nocturbulous
Detroit techno classic by James Pennington.
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1
daniele baldelli - Gandharva (DJ Tennis remix)
2
daniele baldelli - Afelio (In Flagranti remix)
3
daniele baldelli - Kosmaro (DJ Ralf remix)
4
daniele baldelli - Vhanessa (Tiger & Woods remix)
5
daniele baldelli - Isotropo Funk (Clap! Clap! Remix)
6
daniele baldelli - Inner Light (Alkalino remix)
7
daniele baldelli - Joka Joka (Club Paradiso remix)
8
daniele baldelli - Diffrazione (Eric Duncan remix)
9
daniele baldelli - Taxon (Marco Diongi remix)
Brand new release on Mondo Groove with a Remix double pack of selected tracks from Daniele Baldelli classic “Cosmic Temple” six chapters that were out on the italian label from 2015 to 2017. You can find everything for everyone in these new versions. DJ Tennis and In Flagranti tributing pure Cosmic sound with their interpretations of „Gandharva“ and „Afelio“, DJ Ralf transforming „Kosmaro“ into a house stomper, Tiger & Woods adding their subtle boogie touch and edit science to „Vhanessa“, Clap!Clap! going deep and percussive on „Isotropo Funk“, Alkalino tripping italo-disco with „Inner Light“, Club Paradiso in an afro-balearic clash on „Joka Joka“, Eric Duncan working a deep-techy groove on „Diffrazione“, and Dionigi, often production partner of Baldelli, finishing in glory with a brilliant funky take on „Taxon“. You can’t sleep on this.
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1
Camomilla - Queen Of The Night
2
Noa-Noa - Harry O'
3
De Dion - Sexy Cola (Extended Version)
4
Sandy Samuel - I Like Sado Music
Official reissue with four hard to find Italo Disco gems (’83 – ’88) taken from the original master tapes!
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1
Ash Ra Tempel - A1. Light: Look At Your Sun 6:20
2
Ash Ra Tempel - A2. Darkness: Flowers Must Die 12:20
3
Ash Ra Tempel - Side B : Schwingungen 19:00
- LP , GATEFOLD, STICKER
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient
TRACKLIST:
Side A : Light And Darkness
A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20
Side B : Schwingungen 19:00
We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
More
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient
TRACKLIST:
Side A : Light And Darkness
A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20
Side B : Schwingungen 19:00
We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
More
1
Clio - Faces (Extended)
2
Clio - Feel The Fear
Repress!
Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made. More
Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made. More
1
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Vokal mix)
2
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Cosmic mix)
3
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Electronic version
4
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Rhythms)
Sove Yo (Save Them)
A collaboration between two immensely talented Blood Brothers. Musicians who are considered to be second none as it relates to the world of music orchestration and talent. Afro House Originator Jephte Guillaume joined by his multi-talented brother Duke Guillaume have come together in the midst of a never-ending conflict and chaos to produce a composition that speaks
to the heart of what is desperately needed now and forever. The composition is such that we can legitimately go on with regards to its infectious rhythms and melody. However, we prefer to leave that to you the listener and much rather put attention to the message and the meaning of the music. With all that said, we hope that you immerse yourselves in its vibration and thus echo its
frequencies from your speakers loud and clear so that it resonates to the hearts and souls of all who are in need extra healing and direction.
More
A collaboration between two immensely talented Blood Brothers. Musicians who are considered to be second none as it relates to the world of music orchestration and talent. Afro House Originator Jephte Guillaume joined by his multi-talented brother Duke Guillaume have come together in the midst of a never-ending conflict and chaos to produce a composition that speaks
to the heart of what is desperately needed now and forever. The composition is such that we can legitimately go on with regards to its infectious rhythms and melody. However, we prefer to leave that to you the listener and much rather put attention to the message and the meaning of the music. With all that said, we hope that you immerse yourselves in its vibration and thus echo its
frequencies from your speakers loud and clear so that it resonates to the hearts and souls of all who are in need extra healing and direction.
More