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LIIMTED GREEN VINYL
Welcome to the producer and DJ, Roi Azulay's latest release Reflections, his first full-length album of 15 original songs. Reflections come along after a string of successful EPs for house music's premier Sacred Rhythm Music label. Listening, grooving, and dancing to Reflections is like hopping a wafting magic carpet that soars to heady heights while touching down on the firmament of grounded and punchy beats. Born and raised on a farm in Israel just outside Jerusalem, Roi came to music as an adult, and to house while managing a record shop in town. He began to DJ around Jerusalem's club scene, but, wanting more adventure, moved to New York, in 2006, where he found more action and inspiration spinning in the City's underground clubs beneath the watchful and encouraging eye of house master producer, Joaquin Joe Claussell. Living and working in the City has enabled Roi to absorb fully and incorporate into his compositions how sound defines a culture of such diversity. Roi talks of Reflections as a first mountain peak climbed after a journey of self-discovery nurtured by the peace and wonder he finds in the natural world. He has unearthed, he says, "my very own personal soundscape." The music bears witness to these explorations,
vaunting varied influences beyond the deep house, to embrace, among other genres, jazz and world rhythms, including the music of his Middle Eastern heritage. Honoring the "naïve playfulness" of his inner child, Roi integrates the natural world of his childhood into his music. "Jerusalem Blues" seems to take us way back, into echoes of the past, with underground sounds as if in a cavern while he seasons the earthiness with sub-Saharan references. Roi's musical approach unifies organic compositions on "Fire" and "Shadow Dance" above emotional and tonal celebrations like "Light Heart" and "Which Way Home" following a remix from the prolific producer and sounds-designer Kuniyuki Takahashi
with his unique take on "All Is Well". Roi desires to take Reflections to an audience in a vast outdoor arena where he summons up the genuine romance between nature and electronics. At the same time, we would find Roi Azulay searching for "A sentimental scent, familiar sounds, intimate rhythm."


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Side A
1. Mental Remedy - Noi (The Scratch Piano Demo)
2. The Bayara Citizens - Kulimba (Alternate Take)
Side B
1.Residue - Eno (The Under The Influence Dub Version)

Taken from the CD album concept, titled Joaquin Joe Claussell Manifestations, Catalog. SRM.Ma1. Is the 3rd installment of the Immensely popular 12" EP Series A concept that was originally produced with the intent on granting the listener with some rare peaks into the early stages of Joaquin Joe Claussell's production process. In keeping to he tradition, the music on this this latest edition has been extended by Joaquin Joe Claussell.
We once again heard our customer's wishes and here they come. We'll let the music do the talking.

Painting by Joaquin Joe Claussell
Simple Graphic Layout by Akemi Shimada?
Engineered by Fran Cathcart ?
Mastered by Dietrich Schoenemann

Catalog. SRM-278

Produced by Joaquin Joe Claussell ?
For Sacred Rhythm Music & Cosmic Arts ©2021.
Bolla Music ASCAP

This vinyl sampler represents a music that focuses on the raw stages behind some of Joaquin's previously released and admired works.
Thank You for Listening


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As a prominent R&B/Soul singer, songwriter, and producer
In the realms of House Music, Angela has established a well-respected career collaborating and penning songs for some of the most notable DJs and producers in the industry: Roger Sanchez, Reel People, Dave Lee & the Sunburst Band, Josh Milan, DJ Spinna, Micky More & Andy Tee to name a few. In 2020, Johnson placed fourth on Traxsource’s “Top Vocalists of 2020,” an honor that Angela does not take lightly. Her successful collaboration with OPOLOPO on the remake of The Brand New Heavies classic, “Stay This Way” has opened more doors for Ms. Johnson. With this boost, she’s ready to take things to the next level whether it’s another vocal feature or a self-produced release.

The title song Inclusion, which was also written, produced, and performed by Angela Johnson; caught the attention of prolific producer, Grammy wining-one and only Brian Bacchus. Brian brought the song to Joaquin Joe Claussell and the rest is history…
There are many great things that we would love to share about what became of this the powerful collaboration, but we will let the music speak on it for itself.

Music Always!
Purpose Music Group
Soul feast Productions
Sacred Rhythm Music & Cosmic Arts

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From the CD album concept titled Joaquin Joe Claussell ?Manifestations, Catalog. SRM.Ma.1, which was originally produced with the intent on granting the listener with some rare peaks into the early stages of Joaquin Joe Claussell's production process, comes two separates 12” Vinyl EP’s with extended DJ mixes.
We heard our customers wishes and here they come. We’ll let the music do the talking.

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special Limited 180 for distribution copies, Random Colored Vinyl, Hand Silk Screened Record Sleeve Record



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Tracklisting:
Side A1: Layer Part 2 ( Original Version ) 8:07
Side B1: Layer Part 2 (Club Version ) 8:07
Side B2: New Dimension ( Original CD Version ) 7:10
This is the long-awaited second installment of the layer series by
Eqwel and Jeff Thompson is to soon come. The fifirst release amd all
releases that are part of this series is always minimally processed,
using less compression with higher sample rates. The primary side
has been cut with Eqwel's original version, which carries on his style
of artistic creativity. The track is layed with hard rhythm'd kicks with
illustrious soundscapes incorporating sticky basslines.
On the flflipside, track one is Eqwel's answer to a club banging
version of the original creation. This track starts strong and ends
strong and the events that happen in between is beautiful and uplifting!
This is defifinitely a banger for the clubs, that can be
incorporated at the peakest of your sets.
The fifinal track has been taken from Eqwel's " Audio Telemetry EP ".
As always, these tracks are recommended to test and push your
sound system!

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Randomly selected from the HD vaults spiritually protected at Sacred Rhythm
Music; We invite you to take part into listening, dancing, spinning and
ultimately healing by the way of a few musical works in progress-demos and
ceremonial oeuvres, as well as a couple of earlier released compositions
imagined and produced by Joaquin Joe Claussell. Also Included are some
never before released rhythm tracks and sound effffects, both of which helped
to lay the foundation for musical structures that were released in the past and
can now be used as overlay tracks and DJ creativity.
As with mostly all original works created by Joaquin Joe Claussell; The
vibrational medicine that emanates from the music (if taken seriously) can
assist in healing the confused mind back to its original state of intellectual
and wholesome consciousness. We believe that once the mind is strong and
clear again, all that are both profound and worth keeping will then surround
us…
We live in a chaotic world where everything’s turned upside down. And so, if
you fifind yourself stuck, confused-depressed and you haven’t a clue to whom
or where to turn to for help: Just remember that, Music and Love-that’s
unconditional-are always there for you when you need them to be. All you
need to do is to believe.
Praise music and let the healing begin…
Tracklisting:
Side A1: Elegua feat. Jose Cochise Claussell of Rebel
Tumbao (3:42)
Side A2: Makussa PT Three - Afrikan Basement
Extended Demo Mix (9:13)
Side B1: Diyi Mayo (live Jam Extended Mix)(8:55)
Side B2: Afrofunkjazz - Extended Demo mix (8:30)

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We are unfortunately living through a period that could possibly be the most desperate, as well as
confusing time in human history.
You would think that with the great leaps that have been taken with advances in technology-that
we would at the very least become closer as a people.
However, sadly this has shown not to be the case. What has become obvious, however, is that
so-called progress has taken a back seat to trickery, chaos, wickedness, selfifishness and
ultimately separatism.
We have become desensitized to the point that we now see the hope we thought would be
waiting for us at the end of the brightly lit tunnel is quickly being gobbled up by deceit, hate and
darkness.
Fortunately, however, there are devotees who like myself have always placed their beliefs in the
transcendent powers of music. With nothing out here seeming to be what it’s supposed to be, it
is clear that music has not only remained consistent with its alignment with love and unity, but it
is also viewed to be the most precious gift bestowed on to humankind.
An orchestration from the creator of the infifinite galaxy and all life-forms of which reside
throughout, a sincere belief in his or hers rhythm and sound can assist in realigning the planet to
its proper position of balance thus light and darkness, love and devotion, compassion and love
for one another could prevail.
No less is the power of gospel music.
Difffferent from those who came before, this edition goes beyond and ventures into a
broader range of gods music- this because, all music is gods music…
We hope that you will enjoy – Give yourself to the Master…

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Matias Aguayo drops debut single on Rekids‘El Internet’ is a prelude to the Coméme founder’ upcoming album on the label. Chile’s Matias Aguayo debuts on Rekids with ‘El Internet’, the ?rst single of his upcoming album on Radio Slave’s acclaimed label. Coméme co-founder Aguayo’s ‘El Internet’ is a dance?oor-tested, pumping and uptempo track with personal, intimate vocals phoning in. “El Internet” tells about walking through the city in hot summer nights looking for the perfect dance?oor and about moments in life where you feel (musical) freedom and change, revolutions in music and dreams in community, about YouTube, MySpace, Fotolog and about people who dance in their houses, yards and on the streets to primitive, raw, and direct music (like the rhythm of the track itself).” - Matias Aguayo . Chilean-born musician and DJ Matias Aguayo has been active for three decades, co-founding the Cómeme label in 2009 and releasing work on the likes of Kompakt, Pschent, Hard Fist, and Permanent Vacation. Beyond music, he has organised underground parties and led social projects, including a theatre production at Le Châtelet in Paris.

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“Big Love label boss Seamus Haji returns to deliver four of his beloved imprint’s standout disco, funk and groove-laden releases on wax for the sixth edition of ‘A Touch Of Love’. Opening the collection is the Big Love founder’s collaboration with Mike Dunn. A certified house master who needs no introduction, Dunn’s status as an innovator is revered globally, and his signature improvisatory flow is front and centre for ‘Serious’ now on wax. 2024 also saw Brooklyn’s Moon Boots debut on Big Love with ‘In My Life’, featuring stacked vocal harmonies over an exquisite bassline. Next up, DJ Fudge returns to deliver the spacey ‘Escapade’, spotlighting blissful instrumentation that creates an otherworldly vibe, before Danou P closes out this eclectic collection with ‘Fly’, featuring his frequent collaborator and mentee, the Chicago master selector Jamie 3:26.”

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Genre-bending Seven Davis Jr. returns with a hybrid sound infused with Electronica, 90's House, Disco, Indie Dance, Soul and Black Techno.

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Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’. Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic. Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise. Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

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There are few names as instantly recognisable, revered and respected in the world of dance music than Jamie Jones. This three-track vinyl release celebrates his 2022 anthem ‘My Paradise’, which quickly became one of the summer’s must-know tracks, as the Hot Creations label boss explored disco influences while his signature high-energy bassline and groove gave the heater boundless dancefloor appeal. What followed were remixes from respected exponents of contemporary electronic music that helped ‘My Paradise’ continue its clubland ascent. Brazilian superstar Vintage Culture gave the record a distinctly tougher feel, as a chugging bassline, rolling synths and melodic piano breakdowns worked together to captivate a dancefloor. Crosstown Rebels, Day Zero and Get Lost founder Damian Lazarus created an otherworldly mix that plays on the joyous disco feel of the original, while distorted synth lines and playful glitches offer a new edge to the club weapon.

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South Londons’ indomitable Medlar delivers an ambitious new album The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels. From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years. Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip. Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.

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“The upcoming release is about the ‘Interconnection’ between different senses, for example sound and touch: when sound becomes vibration our perception enhances,” says Enrico. “The track creates a metaphor of the concept using a voice and a synthesizer that playfully evolve and merge into each other to become one, while still keeping their distinctive identities. ‘Interconnection’ is a track made for the dancefloor, a place where all our senses come together and go beyond the auditory experience, becoming a multisensory experience where we're all... interconnected.” As a producer Enrico Sangiuliano has done it all, from remixes of classics to chart topping techno tracks that range from deep and dark to more melodic and euphoric. His creativity knows no bounds and after 'Can U Feel It' explored the connection between auditory perception and physical sensations with fresh and emotive rave sounds, this new sound impresses once more. The brilliant 'Interconnection' is a pulsating cut that locks dancers into the hypnotic drums as flashes of acid synths spray about up top. Edgy vocal stabs add to the pressure as trance-infused pads change shape through various filters. They range from smooth and smudged to sawtooth and make the trip all the more dynamic. Each element has plenty of room to breath and make its mark and a spine-tingling breakdown offers a moment to set before the groove kicks in and oscillating pads take dancers to the next level. Enrico Sangiuliano's Interconnection EP is another essential work from this revered talent.

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South Londons’ indomitable Medlar delivers an ambitious new album The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels. From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years. Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip. Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.

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