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Damon Wild - Avoidant
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Damon Wild - Invincible
3
Damon Wild - Organica
4
Damon Wild - Coronas
5
Damon Wild - Coronas (Donnel Knox Mix)
The Synewave label has legendary status amongst those who know and now boss man Damon Wild is back on it with a quartet of deep techno treasures. 'Avoidant' is a roaming, cavernous sound with gentle synth notes rising and falling over hefty kicks. 'Invincible' is more sci-fi in style with icy modulations and roaming pads over slinky, kinetic drum patterns and 'Organica' is a jumbled mix of feather hi-hats and more bleeping pulses with kicks pulled far apart. After the Detroit stylings of 'Coronas,' Sonic Mind records boss Donnel Knox aka D-Knox remixes it into something more direct and rhythmically rugged.
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More records from Damon Wild
1
Damon Wild - Intimicy
2
Damon Wild - Rogue Wanderer
3
Damon Wild - Human Lineage
4
Damon Wild - Switch Box
5
Damon Wild - When Love Dies
6
Damon Wild - Mass of a Million Suns
Tracklisting
A1 Damon Wild - Intimicy
A2 Damon Wild - Rogue Wanderer
A3 Damon Wild - Human Lineage
B1 Damon Wild - Switch Box
B2 Damon Wild - When Love Dies
B3 Damon Wild - Mass of a Million Suns
Sales Note
Techno architect Damon Wild returns to Sonic Groove with a masterclass in deep-space hypnotism. The Synewave founder bridges classic 90s grit with sharp, modern production across six tracks of driving, futuristic acid and mental, dubbed-out atmospheres. From broken beats to haunting vocal snippets, this is deep, spontaneous music from a true pioneer of the hypnotic sound.
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A1 Damon Wild - Intimicy
A2 Damon Wild - Rogue Wanderer
A3 Damon Wild - Human Lineage
B1 Damon Wild - Switch Box
B2 Damon Wild - When Love Dies
B3 Damon Wild - Mass of a Million Suns
Sales Note
Techno architect Damon Wild returns to Sonic Groove with a masterclass in deep-space hypnotism. The Synewave founder bridges classic 90s grit with sharp, modern production across six tracks of driving, futuristic acid and mental, dubbed-out atmospheres. From broken beats to haunting vocal snippets, this is deep, spontaneous music from a true pioneer of the hypnotic sound.
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1
Damon Wild - Somewhere But Here
2
Damon Wild - Capture The Moment
3
Damon Wild - Sync Quantum
4
Damon Wild - DMT
5
Damon Wild - The Space Between
6
Damon Wild - Moving Parton
7
Damon Wild - Subforms
8
Damon Wild - Sea Dweller
9
Damon Wild - Moribund
10
Damon Wild - Within
11
Damon Wild - Bittersweet
Tracklisting
A1 Damon Wild - Somewhere But Here
A2 Damon Wild - Capture The Moment
A3 Damon Wild - Sync Quantum
B1 Damon Wild - DMT
B2 Damon Wild - The Space Between
C1 Damon Wild - Moving Parton
C2 Damon Wild - Subforms
C3 Damon Wild - Sea Dweller
D1 Damon Wild - Moribund
D2 Damon Wild - Within
D3 Damon Wild - Bittersweet
Sales Note
Let's rewind back to 1990 and the early beginnings of the techno scene, forthcoming techno legend Damon Wild's descends upon Brooklyn, New York. Upon arrival Damon forges an alliance with Frankie Bones and Adam. He joins the team at Groove and ran the mail order department for their recently opened ''Groove Records Shop''.
Quickly moving into music production, Damon presents a slew of releases under different aliases; building his name quickly on the still developing global techno circuit. Simultaneously, he activates the cult classic label ''Experimental Records'' which goes on to release many rising techno stars over the following years.
In 1994 Damon launches Synewave Records, this time with a focus on a freshly innovative, stripped down jacking-hypnotic techno. The label goes on to play a big and memorable part in techno history, influencing the many generations to come.
Fast forward to the present, Damon goes full circle to his beginnings with Sonic Groove (formerly the Groove Records Shop) and records a thought provocative, cutting edge album for his old friend and label owner Adam X.
With an eye always focused on sound innovation, Damon's latest album ''Pleasure Builder'' is a masterpiece of sound design, expanding his take on a genre he helped create 30+ years ago, ''Hypnotic, Groove Techno''. This album is a must have for techno fans of all generations.
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A1 Damon Wild - Somewhere But Here
A2 Damon Wild - Capture The Moment
A3 Damon Wild - Sync Quantum
B1 Damon Wild - DMT
B2 Damon Wild - The Space Between
C1 Damon Wild - Moving Parton
C2 Damon Wild - Subforms
C3 Damon Wild - Sea Dweller
D1 Damon Wild - Moribund
D2 Damon Wild - Within
D3 Damon Wild - Bittersweet
Sales Note
Let's rewind back to 1990 and the early beginnings of the techno scene, forthcoming techno legend Damon Wild's descends upon Brooklyn, New York. Upon arrival Damon forges an alliance with Frankie Bones and Adam. He joins the team at Groove and ran the mail order department for their recently opened ''Groove Records Shop''.
Quickly moving into music production, Damon presents a slew of releases under different aliases; building his name quickly on the still developing global techno circuit. Simultaneously, he activates the cult classic label ''Experimental Records'' which goes on to release many rising techno stars over the following years.
In 1994 Damon launches Synewave Records, this time with a focus on a freshly innovative, stripped down jacking-hypnotic techno. The label goes on to play a big and memorable part in techno history, influencing the many generations to come.
Fast forward to the present, Damon goes full circle to his beginnings with Sonic Groove (formerly the Groove Records Shop) and records a thought provocative, cutting edge album for his old friend and label owner Adam X.
With an eye always focused on sound innovation, Damon's latest album ''Pleasure Builder'' is a masterpiece of sound design, expanding his take on a genre he helped create 30+ years ago, ''Hypnotic, Groove Techno''. This album is a must have for techno fans of all generations.
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1
damon wild - Aquarius
2
damon wild - Distant Carrier
3
damon wild - Mars Lander
4
damon wild - Red 2
5
damon wild - Sparse
6
damon wild - Start Point
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damon wild - Space Race
8
damon wild - Light
9
damon wild - Responder
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damon wild - Unstable Space
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damon wild - Fridays Orbit
Damon Wild and David Sumner (aka Function’s) relationship dates back to 1991 at Lord Michael’s Future Shock, Limelight, New York City – when Damon was running EXperimental Records via Northcott Productions. At the time, he first saw something in Dave and added him to Brand X, a record pool run by Moneypenny. But their bond is based around a period 5 years later when Dave had an apartment above Rogue Music at 251 West 30th Street in Midtown, Manhattan. It was during this time Damon developed him as a Synewave artist and released his first EP as Function in the Fall of 1996 – catalog number; SW-24. Falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. So it’s not a coincidence that now Damon has turned to Dave to release his first album in 13 years, during the time he is reissuing that first “Synewave EP” on “Recompiled I/II & II/II” (A-TON LP02/03). This is where those paths cross again… 21 years later, this Fall, Dave will release “Cosmic Path” on Infrastructure. The cosmic connection.
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1
damon wild - No Title
2
damon wild - No Title
3
damon wild - No Title
4
damon wild - No Title
Damon Wild (Synewave, Kanzleramnt, Music Man) brings us to his continued series of Subtractive Synthesis. Subtractive Synthesis IX. The ep includes remixes by Function and Postsciptum
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The 100th release from Synewave Records continues after the great success from part 1, The final round gets special treatments by Terence Fixmer (Electric Deluxe, International Deejay Gigolo, Jupiter ),Dave Ellesmere (Kanzlermant, 100% Pure, Intacto), & Italy’s Ascion (Drumcode, 8 Sided Dice) . To properly complete this release, the original classic has been specially remastered and added. Already having support and play from Adam Beyer, The Advent, Joseph Capriotti, Richie Hawtin, Gayle San, Chris Liebing, Adam X, Dj Submerge, and many others..
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This is a special 100th release from Synewave Records. Damon WIld’s classic from 1993 with new & special remixes from Marcel Dettmann, 88UW, & Echoplex. This release will be released in different packs and will include other remixes by Orlando Voorn, Pacou, Dave Ellesmere, Mark Morris, Ascion,
Staffan Linzatti, Terrence Fixmer and others to date. Already having full support from key dj’s such as Adam Beyer, Joseph Caprioti, Gary Beck, Richie Hawtin, Slam, Perc, Chris Liebing, and others.
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Staffan Linzatti, Terrence Fixmer and others to date. Already having full support from key dj’s such as Adam Beyer, Joseph Caprioti, Gary Beck, Richie Hawtin, Slam, Perc, Chris Liebing, and others.
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More records from Synewave
1
Clint Foster - Indium
2
Clint Foster - Patterns
3
Clint Foster - Throughway
4
Clint Foster - Afterdark
The word classic is a much overused one, but in the case of this much in demand 1999 four tracker, it's no exaggeration. There has been much conjecture over the years over the identity of the producer - or producers - behind the mysterious Clint Foster name, but our lips are sealed, we ain't no grasses. All we will say if you like your techno seriously laced with acid, tough and sinewy but equally funky then then you'll love this. Opener 'Indium' is pinned down by machinefunk handclaps, a gloopy bassline and a synth line that coasts pretty majetsically. 'Patterns' is faster, harder and dubbier, not a million miles in its rhythmic shuffle from Carl Craig's 'My Machines', while 'Throughway' is the truly hypnotic one, big on the atmospheric scale. 'Afterdark' closes things, airy synths swelling and hovering over an addictively chunky beat. No names, no packdrill, just four essentially fantastic bits of classsy techno that haven't dated in all the years since. Essential.
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1
Joey Beltram - SW37A
2
Joey Beltram - SW37B
It was only in 2018 that New York techno mainstay Joey Beltram revealed that he was the man behind 'SW37', a record which had been an underground classic since it first started doing the rounds in 1998. It remains an evergreen favourite almost 30 years on, which is why Damon Wild's Synewave is reissuing it here. The A-side is gloppy, dubby techno with impish percussion darting about the mix and drunken hits bring an off-kilter edge. On the flip, 'SW37B' is stripped back to pure deep techno serenity with deft ambient pads and a sense of unrelenting meditation that locks you in the here and now.
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1
mistaken identity aka damon wild - No Title
2
mistaken identity aka damon wild - No Title
3
mistaken identity aka damon wild - No Title
4
mistaken identity aka damon wild - No Title
Damon Wild releases 4 funky acidic minded ,psychedelic new tracks under his alias Mistaken Identity.
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1
industrialyzer - No Title
2
industrialyzer - No Title
3
industrialyzer - No Title
This time is Ricardo Rodrigues AKA Industrialyzer who lands on the court of Damon Wild with three tracks perfectly aliened with the label's philosophy, Synewave has been at the service of real techno for over 20 years. It all begins with "Analogue Planet" a 130 bpm journey which rouses the dance floor whilst stimulating the mind, giving both of them no mercy. The second track, "Multiple Walls", carries the flavour of an Old School small march with a hammondesque synth which revolves around the groove from beginning to end. The atmosphere becomes dark and acid in the third and final track on this release. "Orbit X" is an emotional roller coaster which develops in different phases, everyone of which takes the listener by surprise. With this release Industrialyzer reminds us that, after all, New York, Detroit, Chicago, Berlin, Amsterdam or Lisbon don't really matter, quality techno is a global affair and Synewave consistently confirms this with releases above all schemes, movements and trends. Monumental.
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1
damon wild - No Title
2
damon wild - No Title
3
damon wild - No Title
4
damon wild - No Title
Damon Wild (Synewave, Kanzleramnt, Music Man) brings us to his continued series of Subtractive Synthesis. Subtractive Synthesis IX. The ep includes remixes by Function and Postsciptum
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1
damon wild/ jurek przezdziecki - Clutch
2
damon wild/ jurek przezdziecki - Snatch
3
damon wild/ jurek przezdziecki - Clutch (Advent Diverse Mix)
4
damon wild/ jurek przezdziecki - Clutch (Gotshell Mix)
Damon Wild (Synewave, Kanzleramnt, Music Man) and Jurek Przezdzieck collabrate forces to create their new concept, Produkt. This will begin a special series and begins with two powerful tracks "Clutch" and "Snatch". Remixes by The Advent (Cisco Ferreira) and Gotshell ( Blueprint and Nachtstrom Schallplatten)
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1
david meiser - 01
2
david meiser - 02
3
david meiser - 03
4
david meiser - 04
David Meiser's work chosen by Dave Clarke for his top ten of 2013 and supported too by Oscar Mulero, Surgeon, Exium, Christian Wunsch, Black Asteroid, Claude Young, Ritzi Lee,... In 2014 releases a back to back work with Black Asteroid which gets remixed by Dave Clarke, becoming the first Spanish artist to get a remix from the Baron of Techno. About this EP: - "Pressure" enhances the purity of the percussion sounds, making a complex and dense track based only on the accumulation of simple rhythmic patterns. - "Zero Decibels" is the game of getting close to the maximum sonority signal 'zero decibels' by breaking the drive of the hypnotic arpeggio sounds with a distorted, and stunning bassline that reminds the meaning of the dancefloor Techno. - On the B side amazing remixes of "Zero Decibels" from Damon Wild and Peter Echoplex complete the EP. Damon sharps the hypnotic synths even more with a smart development, making a perfect version to be mixed. On his turn, Echoplex adds an incredible enveloping atmosphere that introduces the original version into a world of pure darkness and energy.
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1
epi centrum - 01
2
epi centrum - 02
3
epi centrum - 03
"When you finally achieve a long sought after goal, don’t think of it as you making it, but rather that it was not challenging enough to begin with". Epi Centrum is Jurek Przezdziecki, who you may be familiar with thanks to his numerous releases on labels like Cocoon, Affin and Synewave. Known for always pushing sonic boundaries, as well as seeking new sources of inspiration, he is undoubtedly one of those artists who does anything but tow the line. Raw, organic electronics, mixed with precision in execution are at the very heart of Jurek’s output and his work has thus far received praise from the likes of Depeche Mode, Laurent Garnier, Sven Väth and Damon Wild. You might be asking yourself what exactly made them like his music so much. Well, stop thinking about it and give it a listen for yourself as Jurek presents ‘Raw’ under his Epi Centrum alias on Damon Wild’s Synewave label. The aptly titled ‘Raw’ is exactly that. Its complex layering of a burly bassline, meeting a distant vocal sample amidst the electronic bleeps and beats that collide over one another creates a unique and uncompromising sound. The release also boasts first-rate remixes by two of techno’s current heroes. Function (Dave Sumner) of Downwards / Sandwell District fame turns in a dark and dappled version that’s stamped with claps and a driving beat, while LA’s Audio Injection from Droid Behaviour turns up the bass and picks up the pace for his west coast butt-shaking rendition.
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The replicator got ‘restored’ after a complete loss of data 88UW does not remain ‘in the dumbs’. The logical setback of ‘irreverent’ matter opened new perspectives to synthesize the ‘trek trak’ in which the first officers voice is used as base agreed by the captain
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Andrea Belluzzi Italian producer living in Berlin for many years in the techno scene, creator of Limited label, presents a "heavy" release on a legendary label like Synewave. BOMB release tendency to acid sound composed by 3 originals : frank , powerful , done for shake the dancefloor but at the same time to let you fly (certainly Synewave style) and a remix by Damon Wild. Release that absolutely can not miss in a bag of DJs who want to leave his/her mark in a club night , not for nothing the release is already supported (and played) by : Luke Slater, Pfirter, Oscar Mulero,Ben Sims, James Ruskin, Tommy Four Seven, Dave Clarke, Truncate, DVS 1, The Plant Worker , Truncate , Max_M , Svreca , Raiz , Colin Bain , Joseph McGeechan , Takaaki Itoh , Chriss Colburn
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Tough techno two track EP from hot collaboration. Attemporal meets Ness. ATT series producers throw it down.Bass. “Attemporal is maybe the most “in shape” Spanish formation of the actual techno scene. Since their label ATT Series, and the releases in renowned labels like Synewave, they warns us a very promising future.
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Techno legends bang it out for Synewave. Storming 3 tracker. No explaining needed! Limited hand stamped white label
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The View EP is a collaboration project between Berlin dj / producers Sebastian Krenzlin and Sebastian Stöhr / 88UW. Sebastian Krenzlin is one of the new talents playing at Tresor Club, Berlin. Krenzlin is proofed by Tresor and a talent behind the desks - strobe and fog will do the rest. Sebastian Krenzlin and he is simply one of techno music's most staunch supporters and preservers of the genre. 88uw was born in 1978 in Hamburg, Germany and by the 80s he was already fascinated by electronic music. In 1991 he visited a record store specializing in Techno for the first time and bought his own records. Three years later at the age of 16 he starting to DJ in clubs and hasn't stopped to this day. Studio work came later for 88uw and it was not until 2005 that he started teaching himself music production. His first release was in 2010 on Parallel 125 and in a very short space of time he has made a significant impact on the techno scene in Germany and abroad. He releases regularly on renowned
labels including the legendary Synewave, Gynoid Audio, Slap Jaxx and IF? Records.
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labels including the legendary Synewave, Gynoid Audio, Slap Jaxx and IF? Records.
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Synewave adds the youngblood of Delko. Hailing from Portugal this EP is 4 solid tracks of thumping techno with moods and proper bass movements.
Limited vinyl release.
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Limited vinyl release.
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The 100th release from Synewave Records continues after the great success from part 1, The final round gets special treatments by Terence Fixmer (Electric Deluxe, International Deejay Gigolo, Jupiter ),Dave Ellesmere (Kanzlermant, 100% Pure, Intacto), & Italy’s Ascion (Drumcode, 8 Sided Dice) . To properly complete this release, the original classic has been specially remastered and added. Already having support and play from Adam Beyer, The Advent, Joseph Capriotti, Richie Hawtin, Gayle San, Chris Liebing, Adam X, Dj Submerge, and many others..
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This is a special 100th release from Synewave Records. Damon WIld’s classic from 1993 with new & special remixes from Marcel Dettmann, 88UW, & Echoplex. This release will be released in different packs and will include other remixes by Orlando Voorn, Pacou, Dave Ellesmere, Mark Morris, Ascion,
Staffan Linzatti, Terrence Fixmer and others to date. Already having full support from key dj’s such as Adam Beyer, Joseph Caprioti, Gary Beck, Richie Hawtin, Slam, Perc, Chris Liebing, and others.
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Staffan Linzatti, Terrence Fixmer and others to date. Already having full support from key dj’s such as Adam Beyer, Joseph Caprioti, Gary Beck, Richie Hawtin, Slam, Perc, Chris Liebing, and others.
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ABSTRACTION is characterized by a violent analogic Kick that anyone computer may generate. Some sounds of the historic Yamaha CS 80 create a dark and industrial atmosphere. The grooves are very open. Great result for dancefloor! REACTOR is a missile, is a great techno track. A powerful analogic Kick and a new bass which has no term to be defined. Pause is a machine for people heaving fun. REBOOT is madness. Steve plays with the envelopes of an old M20 and breathes on the disc. Wild grooves characterized by vintage snare and crash. Abstractions is definitely the starting point of the new techno, defined for the first time from Steve like Nutech. The Absrtaction EP is a result of a research that is based on the elaboration and development of two concepts: The techno is music based on experimentation, and it is constantly evolving. The computer is a platform that facilitates the creation of music, but it mustn’t become a constraint, analog synths, groovebox, external processors, are complementary to the production of music. Each groove is created by Steve externally with the Korg Electribe sx and processed with analog valves. The groove packages downloaded from the internet, are currently killing the true underground music. For this reason Steve don’t use preset sounds in the tracks. The Artist is creator, not a copier. This Ep is a real rebellion against the current techno sound, in which the style is determined by the beatport top 100. The goal is to make people dance with a new techno sound NUTECH, result of creating art. For this reason the EP is called abstractions.
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Hans Bouffmyhre is back on Synewave after his debut LAMBADA EP was released back in March. This remix EP features a re-work of 'Morning Tinnitus' along with 2 great remixes of 'Lambada' by label boss Damon Wild & fellow Glaswegians , BCR Boys. Hans has been on form recently with releases on Perc Trax, Harthouse, 8 Sided Dice & his own imprint, Sleaze Records. This release is another testament to the production talent coming out of Glasgow at the moment, with Hans & BCR Boys combining on one of the worlds most repected techno labels.
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Joaquin Joe Claussell - Storm
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Joaquin Joe Claussell - Storm (Kuniyuki New Wave Project Remix)
released in celebration of y-3’s 10th anniversary in 2013, this compilation included joe claussell’s masterpiece of psychedelic deep house, which is finally being issued on 12-inch vinyl.
joe claussell’s “storm,” still played today by djs such as dixon, remains one of his most distinctive works. among his productions, it can be regarded as his finest achievement—his most trippy and psychedelic track, with exceptional impact on the dance floor.
the newwave project remix by his longtime ally kuniyuki preserves the atmosphere of the original while adding organic sounds such as marimba, drawing the track into deeper territory and resulting in a spiritual deep house reinterpretation.
the artwork was created by yoshirotten, one of japan’s leading artists.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
joe claussell’s “storm,” still played today by djs such as dixon, remains one of his most distinctive works. among his productions, it can be regarded as his finest achievement—his most trippy and psychedelic track, with exceptional impact on the dance floor.
the newwave project remix by his longtime ally kuniyuki preserves the atmosphere of the original while adding organic sounds such as marimba, drawing the track into deeper territory and resulting in a spiritual deep house reinterpretation.
the artwork was created by yoshirotten, one of japan’s leading artists.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Kerri Chandler - Kerri Kaoz Beats
2
Dee Dee Brave - My My Lover (Tony Humphries Dub)
Tracklist
A.Kerri Chandler - Kerri Kaoz Beats *
B. Dee Dee Brave - My My Lover (Tony Humphries Dub)*
(*Previously unreleased)
Info:
Two lost cuts from the orbit of Tony Humphries surface at last, pulled straight from acetates in his private archive and pressed here for the first time. Unearthed like messages from the booth itself, they capture that raw, transitional moment when club music was still inventing its own language night after night.
On the A-side, Kerri Chandler with “Kerri Kaoz Beats”, a stripped, swinging tool full of basement pressure and early-morning intent. No excess, no compromise, just Kerri doing what Kerri does best. Flip it over for Dee Dee Brave – “My My Lover (Tony Humphries Dub)”, a previously unheard Humphries reconstruction that stretches the vocal into something deeper, moodier and unmistakably floor-ready. Spacious, patient, and quietly euphoric.
Two pieces of house history that never made it past the acetate stage until now. Not revisions, not edits, but originals finally stepping into the light. Essential documents from the roots that still point forward.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
A.Kerri Chandler - Kerri Kaoz Beats *
B. Dee Dee Brave - My My Lover (Tony Humphries Dub)*
(*Previously unreleased)
Info:
Two lost cuts from the orbit of Tony Humphries surface at last, pulled straight from acetates in his private archive and pressed here for the first time. Unearthed like messages from the booth itself, they capture that raw, transitional moment when club music was still inventing its own language night after night.
On the A-side, Kerri Chandler with “Kerri Kaoz Beats”, a stripped, swinging tool full of basement pressure and early-morning intent. No excess, no compromise, just Kerri doing what Kerri does best. Flip it over for Dee Dee Brave – “My My Lover (Tony Humphries Dub)”, a previously unheard Humphries reconstruction that stretches the vocal into something deeper, moodier and unmistakably floor-ready. Spacious, patient, and quietly euphoric.
Two pieces of house history that never made it past the acetate stage until now. Not revisions, not edits, but originals finally stepping into the light. Essential documents from the roots that still point forward.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dee Dee Brave - My My Lover (Tony Humphries Dub)
2
Jomanda - Don’t You Want My Love (Street Style)
3
R-Tyme - Illusions (Mayday Mix)
4
Blakk Society feat. David Hollister - Just Another Lonely Day (Club Mix)
5
Anthony Thomas - You Don’t Love Me
6
Victor Romeo - Love Will Find a Way (Zanzibar Edit)
7
Romanthony - In The Mix (Tony’s Classic Mastermix)
8
Slam - Eternal
9
Mondee Oliver - Make Me Want You (Club Mix, Extended)
10
Bobby Harding - Feelin' Happy (The KiKi Club Mix)
11
Deskee - Let There Be House (Mix ABCD I)
12
Bizzy B - B With U
13
When Worlds Collide - Deep (2263 Mix)
14
Jay Williams - Sweat (Dance Track)
Tracklist
A1. Dee Dee Brave – My My Lover (Tony Humphries Dub)*
A2. Jomanda – Don’t You Want My Love (Street Style)
B1. R-Tyme – Illusions (Mayday Mix)
B2. Blakk Society feat. David Hollister – Just Another Lonely Day (Club Mix)
C1. Anthony Thomas – You Don’t Love Me
C2. Victor Romeo – Love Will Find a Way (Zanzibar Edit)*
C3. Romanthony – In The Mix (Tony’s Classic Mastermix)
D1. Slam – Eternal
D2. Mondee Oliver – Make Me Want You (Club Mix, Extended)
E1. Bobby Harding – Feelin' Happy (The KiKi Club Mix)
E2. Deskee – Let There Be House (Mix ABCD I)
E3. Bizzy B – B With U
F1. When Worlds Collide – Deep (2263 Mix)
F2. Jay Williams – Sweat (Dance Track)
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have pickedNew Release Information original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
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Germany
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A1. Dee Dee Brave – My My Lover (Tony Humphries Dub)*
A2. Jomanda – Don’t You Want My Love (Street Style)
B1. R-Tyme – Illusions (Mayday Mix)
B2. Blakk Society feat. David Hollister – Just Another Lonely Day (Club Mix)
C1. Anthony Thomas – You Don’t Love Me
C2. Victor Romeo – Love Will Find a Way (Zanzibar Edit)*
C3. Romanthony – In The Mix (Tony’s Classic Mastermix)
D1. Slam – Eternal
D2. Mondee Oliver – Make Me Want You (Club Mix, Extended)
E1. Bobby Harding – Feelin' Happy (The KiKi Club Mix)
E2. Deskee – Let There Be House (Mix ABCD I)
E3. Bizzy B – B With U
F1. When Worlds Collide – Deep (2263 Mix)
F2. Jay Williams – Sweat (Dance Track)
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have pickedNew Release Information original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
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Germany
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1
Zeta Reticula - The Human Scientific Vessel
2
Zeta Reticula - Black Liquid Spawned Wildlife
3
Zeta Reticula - Yellow Dwarfs
Uroš Umek returns to eudemonia for the label's 21st outing, delivering another set of high-quality electronics as Zeta Reticula.
The EP carries a vibrant, optimistic energy throughout. "The Human Scientific Vessel" leads the way as a club-ready electro cut with a driving rhythm and clean, melodic synth lines. The energy stays high as the EP moves into the broken rhythms of "Black Liquid Spawned Wildlife" and "Yellow Dwarfs," where Umek explores more complex, atmospheric territory without losing the dancefloor focus.
The EP balances dancefloor energy with musical songwriting, making for an engaging listen from start to finish.
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DE - 22113 Hamburg
Germany
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The EP carries a vibrant, optimistic energy throughout. "The Human Scientific Vessel" leads the way as a club-ready electro cut with a driving rhythm and clean, melodic synth lines. The energy stays high as the EP moves into the broken rhythms of "Black Liquid Spawned Wildlife" and "Yellow Dwarfs," where Umek explores more complex, atmospheric territory without losing the dancefloor focus.
The EP balances dancefloor energy with musical songwriting, making for an engaging listen from start to finish.
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DE - 22113 Hamburg
Germany
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1
Deon Jamar - A Popular Movement
2
Deon Jamar - This Beat
3
Deon Jamar - NGI
4
Deon Jamar - Dance
Detroit-based Deon Jamar, producer and curator active in the city’s underground scene, dropped 4 edit-cuts for Edits Collection imprint.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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Germany
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1
Jomanda - Make My Body Rock
2
Mae-1 - Sweet Feelin’
3
Billy 'Jack' Williams presents Utterance - Grant Me Utterance
4
Precious - Definition of a Track
5
Man-Machine - Elektro-Genetik
6
Jay Williams - Sweat (Sweat the Club Mix)
7
Kerri Chandler - Kerri KAOZ Beat (Acetate Instrumental)
8
Romanthony - Falling From Grace (Tony Humphries Demo Mix)
9
Ed The Red feat. Passion in Fashion - 1-900 (Instrumental)
10
The Brotherhood - Love Will Make It Right (Club Mix)
11
A Slice of Life - You Make Me Feel So (ASOL Mix)
12
The It - Donnie (Hardy Mix by Ron Hardy)
13
Cisco Ferreia - Cisco’s Groove
Tracklist
Side A
A1. Jomanda – Make My Body Rock
A2. Mae-1 – Sweet Feelin’
B1. Billy “Jack” Williams presents Utterance – Grant Me Utterance *
B2. Precious – Definition of a Track
B3. Man-Machine – Elektro-Genetik
C1. Jay Williams – Sweat (Sweat the Club Mix)
C2. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)
D1. Romanthony – Falling From Grace (Tony Humphries Demo Mix)*
D2. Ed The Red feat. Passion in Fashion – 1-900 (Instrumental)
E1. The Brotherhood – Love Will Make It Right (Club Mix)
E2. A Slice of Life – You Make Me Feel So (ASOL Mix)
F1. The It – Donnie (Hardy Mix by Ron Hardy)
F2. Cisco Ferreia – Cisco’s Groove
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Side A
A1. Jomanda – Make My Body Rock
A2. Mae-1 – Sweet Feelin’
B1. Billy “Jack” Williams presents Utterance – Grant Me Utterance *
B2. Precious – Definition of a Track
B3. Man-Machine – Elektro-Genetik
C1. Jay Williams – Sweat (Sweat the Club Mix)
C2. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)
D1. Romanthony – Falling From Grace (Tony Humphries Demo Mix)*
D2. Ed The Red feat. Passion in Fashion – 1-900 (Instrumental)
E1. The Brotherhood – Love Will Make It Right (Club Mix)
E2. A Slice of Life – You Make Me Feel So (ASOL Mix)
F1. The It – Donnie (Hardy Mix by Ron Hardy)
F2. Cisco Ferreia – Cisco’s Groove
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
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Germany
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1
Sa Pa - Mokira Ultra Dub
2
Sa Pa - Waiting For You
3
Sa Pa - Modular System
4
Sa Pa - World Saving Banger
Sa Pa launches Dub Techno For Life: a dedicated outlet for the artist’s more dancefloor-focused material - work that has largely sat outside the conceptual frame of his previous releases.
The label’s first release, Girls on Tour EP, opens with “Mokira Ultra Dub”, a 10-minute club rework of Mokira classic “Manipulation Musik”. Originally produced alongside an ambient version commissioned for Kontra Musik’s 2016 Kontra X compilation, the dancefloor mix was ultimately shelved until now. With Andreas ‘Mokira’ Tilliander’s blessing, it finally surfaces as a standalone Sa Pa production. A track too banging to go unreleased.
“Waiting For You” traces back to Sa Pa’s orbit around the giegling ecosystem via FORUM. Once lined up for an official release on the parent label before plans stalled, the track slipped into the archives. Buoyant and disarmingly pop by Sa Pa standards, it finds its place here as the A2 - tuned to the collective memory of mid-2010s German house music.
Harnessing the spirit of Chain Reaction from the abandoned patches and borrowed machines of a rainy night’s recording in Taipei, the B-side’s “Modular System” captures a late-night, one-take modular jam. A broken yet hopeful “World Saving Banger” closes the EP with some raw and IDM-leaning force, showcasing Sa Pa’s new label - and the Girls On Tour EP - as a space for neo dub techno ideals to take shape.
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The label’s first release, Girls on Tour EP, opens with “Mokira Ultra Dub”, a 10-minute club rework of Mokira classic “Manipulation Musik”. Originally produced alongside an ambient version commissioned for Kontra Musik’s 2016 Kontra X compilation, the dancefloor mix was ultimately shelved until now. With Andreas ‘Mokira’ Tilliander’s blessing, it finally surfaces as a standalone Sa Pa production. A track too banging to go unreleased.
“Waiting For You” traces back to Sa Pa’s orbit around the giegling ecosystem via FORUM. Once lined up for an official release on the parent label before plans stalled, the track slipped into the archives. Buoyant and disarmingly pop by Sa Pa standards, it finds its place here as the A2 - tuned to the collective memory of mid-2010s German house music.
Harnessing the spirit of Chain Reaction from the abandoned patches and borrowed machines of a rainy night’s recording in Taipei, the B-side’s “Modular System” captures a late-night, one-take modular jam. A broken yet hopeful “World Saving Banger” closes the EP with some raw and IDM-leaning force, showcasing Sa Pa’s new label - and the Girls On Tour EP - as a space for neo dub techno ideals to take shape.
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1
Mike Parker - Ringing Bass (Edited Length)
2
Mike Parker - Subterranean Liquid
3
Mike Parker - Forward (The 5 AM Mix)
4
Mike Parker - Forward (Donato Dozzy Remix)
5
Mike Parker - Pulse Trader
6
Mike Parker - Moisture (Treatment 3)
7
Mike Parker - Lustration Four (DaiKaiju)
8
Mike Parker - Lustration Five
9
Mike Parker - Lustration Six (Megalith)
10
Mike Parker - Lustration Eight (Contours)
11
Mike Parker - Lustration Eleven (Sarychev)
12
Mike Parker - Lustration Twelve (Derecho)
Following the reissue of his debut album Dispatches, Field Records is proud to return to the seminal work of Mike Parker with an overview of his releases on Prologue — a truly original strain of steely, hypnotic techno that has touched upon many different waves within the wider scene. Having pioneered a hard-edged, reductionist style via his Geophone label since the mid-90s, around 2010 Mike Parker found himself at the vanguard of an emergent sound alongside artists like Donato Dozzy and Cio D'or exploring the possibilities of immersive, profoundly transcendental club music. The Prologue label came to define this cult zeitgeist, where reduction and repetition took on a truly psychedelic quality and the subtle details made all the difference. It ran from 2008 to 2015, laying the foundations for the deep techno sound that remains a vital, evolving subculture in the present moment. From Parker's first appearance on Prologue with the Subterranean Liquid EP in 2011 through to the Lustrations LP in 2013, he delivered some of the most incisive music of his accomplished career — teased-out rhythms carrying exquisitely engineered textures veering from the subliminal to the visceral, locked into endless, cyclical oblivion and maintaining a stern, machinist veneer. This collection on Field Records combs through Parker's Prologue output and makes a considered selection, gathering key pieces from the first two EPs alongside six of the album tracks on a triple vinyl pressing, alongside a further eight cuts on the expanded digital edition. Not just a straight-forward reissue, consider Epilogue a thoughtful reframing of a key point in Mike Parker's stellar career. In every exacting pulse, every inch of tacit spatial design, it's the work of an expert sculpting a sound which remains influential in the here and now.
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1
Kr!z - Inferno
2
Kr!z - Gridlock
3
Kr!z - Level Zero
4
Kr!z - The Great Forgetting
Kr!z steps up for his sixth label contribution with four chilling cuts, pushing his sound into bolder territory than ever. 'Inferno' could mean many things, but at first listen it could be interpreted as a homage to the unforgiving nature of the club experience. Stripped down to the bare essentials, these tracks showcase the efficiency of simple ideas spoken with authority.
Tracklist
A1. Kr!z - Inferno
A2. Kr!z - Gridlock
B1. Kr!z - Level Zero
B2. Kr!z - The Great Forgetting
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Tracklist
A1. Kr!z - Inferno
A2. Kr!z - Gridlock
B1. Kr!z - Level Zero
B2. Kr!z - The Great Forgetting
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1
Michele Manzo - Echoes In The Dust
2
Michele Manzo - Subterra Motion
3
Michele Manzo - Talk To Me
4
Michele Manzo - Onda Zero
4-track EP from Milan-based producer Michele Manzo. Deep, driving cuts for the floor. Manzo’s commitment to analogue gear ensures a raw, tactile warmth, offering listeners a sonic journey that feels personal yet universal. Capturing the richness and depth of classic house while maintaining a minimalist, modern edge.
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1
Deetron Presents Soulmate - Winter
2
Deetron Presents Soulmate - Sequence
3
Deetron Presents Soulmate - Madness
4
Deetron Presents Soulmate - Nitrobeats
Winter Defeating Nitro Madness
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Field Records
Cat-No:FIELD34
Release-Date:12.04.2024
Genre:Electronic, Electronica
Configuration:3LP
Label:Field Records
Cat-No:FIELD34
Release-Date:12.04.2024
Genre:Electronic, Electronica
Configuration:3LP
1
Mike Parker - Triceratops
2
Mike Parker - Amalgamated (Synchronous Mix)
3
Mike Parker - Copper Variations: cv1 (Alternate Take)
4
Mike Parker - Reduction
5
Mike Parker - Copper Variations: cv3
6
Mike Parker - Drain Hum
7
Mike Parker - Amalgamated (Extension Mix)
8
Mike Parker - Blue Equals Black
9
Mike Parker - Voiceprint: Voice One
10
Mike Parker - Voiceprint: Voice Two
11
Mike Parker - Voiceprint: Voice Three
12
Mike Parker - Dissolution 99
Twenty-three years on from its original release, the debut album of American artist Mike Parker stands proud as a blueprint for deep, hypnotic techno in the new millennium. Originally published as a CD-only edition on Parker’s own Geophone label, Field Records are now giving Dispatches the full vinyl release it so richly deserves - spread across six sides and reproducing Parker’s distinctive artwork at scale.
Charting the course of Parker’s career reads like the evolution of deep techno itself - moving from early collaborations with Donato Dozzy to appearances on seminal labels such as Prologue, Semantica and Spazio Disponibile. The essence of his approach was forged early on, honing techno’s propulsion into a raw essence without losing any of the weight. It’s an exercise in minimalism, but the sound is still monolithic and engulfing, crystal clear in its intention and devoted to the power of subtle pressure. When the decay on a reverb opens up a fraction, Parker’s music leaves enough space for you to notice. Incremental shifts become monumental in his hands and his commitment to subliminal layering reveals hidden depths the further you submit to his hypnotic sound.
This definitive edition of Dispatches looks at the vinyl singles which accompanied the album’s original release and creates a more complete picture of the area that Parker was exploring at the time. It’s the first time that the alternate take of icy depth charge ‘Copper Variations: CV1’ appears on wax, as goes for the pneumatic tension of ‘Reduction’ and evocative miniature sound sculpture ‘Blue Equals Black’. Expanding the album beyond its original CD form, epic rarity ‘Dissolution 99’ presides over the final side, while the standout Voiceprint release is now represented in full with the inclusion of heavyweight stepped techno workout ‘Voiceprint: Voice Two’.
Able to sustain his own creative vision without cowing to the trends or expectations of any scene or clique, Parker’s music has progressed on its own terms. What this reissue demonstrates is how fully formed his vision was - even at a relatively early stage. In an era where the deep techno scene is thriving, Dispatches feels all the more relevant, undiluted by time and still unmatched in its immersive perfection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Charting the course of Parker’s career reads like the evolution of deep techno itself - moving from early collaborations with Donato Dozzy to appearances on seminal labels such as Prologue, Semantica and Spazio Disponibile. The essence of his approach was forged early on, honing techno’s propulsion into a raw essence without losing any of the weight. It’s an exercise in minimalism, but the sound is still monolithic and engulfing, crystal clear in its intention and devoted to the power of subtle pressure. When the decay on a reverb opens up a fraction, Parker’s music leaves enough space for you to notice. Incremental shifts become monumental in his hands and his commitment to subliminal layering reveals hidden depths the further you submit to his hypnotic sound.
This definitive edition of Dispatches looks at the vinyl singles which accompanied the album’s original release and creates a more complete picture of the area that Parker was exploring at the time. It’s the first time that the alternate take of icy depth charge ‘Copper Variations: CV1’ appears on wax, as goes for the pneumatic tension of ‘Reduction’ and evocative miniature sound sculpture ‘Blue Equals Black’. Expanding the album beyond its original CD form, epic rarity ‘Dissolution 99’ presides over the final side, while the standout Voiceprint release is now represented in full with the inclusion of heavyweight stepped techno workout ‘Voiceprint: Voice Two’.
Able to sustain his own creative vision without cowing to the trends or expectations of any scene or clique, Parker’s music has progressed on its own terms. What this reissue demonstrates is how fully formed his vision was - even at a relatively early stage. In an era where the deep techno scene is thriving, Dispatches feels all the more relevant, undiluted by time and still unmatched in its immersive perfection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More