1
Sa Pa - Mokira Ultra Dub
2
Sa Pa - Waiting For You
3
Sa Pa - Modular System
4
Sa Pa - World Saving Banger
Sa Pa launches Dub Techno For Life: a dedicated outlet for the artist’s more dancefloor-focused material - work that has largely sat outside the conceptual frame of his previous releases.
The label’s first release, Girls on Tour EP, opens with “Mokira Ultra Dub”, a 10-minute club rework of Mokira classic “Manipulation Musik”. Originally produced alongside an ambient version commissioned for Kontra Musik’s 2016 Kontra X compilation, the dancefloor mix was ultimately shelved until now. With Andreas ‘Mokira’ Tilliander’s blessing, it finally surfaces as a standalone Sa Pa production. A track too banging to go unreleased.
“Waiting For You” traces back to Sa Pa’s orbit around the giegling ecosystem via FORUM. Once lined up for an official release on the parent label before plans stalled, the track slipped into the archives. Buoyant and disarmingly pop by Sa Pa standards, it finds its place here as the A2 - tuned to the collective memory of mid-2010s German house music.
Harnessing the spirit of Chain Reaction from the abandoned patches and borrowed machines of a rainy night’s recording in Taipei, the B-side’s “Modular System” captures a late-night, one-take modular jam. A broken yet hopeful “World Saving Banger” closes the EP with some raw and IDM-leaning force, showcasing Sa Pa’s new label - and the Girls On Tour EP - as a space for neo dub techno ideals to take shape.
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The label’s first release, Girls on Tour EP, opens with “Mokira Ultra Dub”, a 10-minute club rework of Mokira classic “Manipulation Musik”. Originally produced alongside an ambient version commissioned for Kontra Musik’s 2016 Kontra X compilation, the dancefloor mix was ultimately shelved until now. With Andreas ‘Mokira’ Tilliander’s blessing, it finally surfaces as a standalone Sa Pa production. A track too banging to go unreleased.
“Waiting For You” traces back to Sa Pa’s orbit around the giegling ecosystem via FORUM. Once lined up for an official release on the parent label before plans stalled, the track slipped into the archives. Buoyant and disarmingly pop by Sa Pa standards, it finds its place here as the A2 - tuned to the collective memory of mid-2010s German house music.
Harnessing the spirit of Chain Reaction from the abandoned patches and borrowed machines of a rainy night’s recording in Taipei, the B-side’s “Modular System” captures a late-night, one-take modular jam. A broken yet hopeful “World Saving Banger” closes the EP with some raw and IDM-leaning force, showcasing Sa Pa’s new label - and the Girls On Tour EP - as a space for neo dub techno ideals to take shape.
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More records from Sa Pa
1
Sa Pa - Ambeesh
2
Sa Pa - EOALH (Pressure Rhythm)
3
Sa Pa - Ride High
4
Sa Pa - Slow Falling Motion (Recess)
5
Sa Pa - Nonspiration
6
Sa Pa - With Or Without Wires
7
Sa Pa - Irradiate
8
Sa Pa - Blue
9
Sa Pa - Lexanconical
Repress coming October 10th.
Quickly following March’s The Fool - our label debut - Sa Pa reveals his new album Ambeesh on Short Span.
Coming five years after In A Landscape, and nearly a decade since his debut Fuubutsushi, Ambeesh pulls together a previously hidden body of work.
Written between 2014-2019 and long held in reserve awaiting the right moment for release, the album has often been grouped conceptually as a follow up to his FORUM debut. There’s a strong through line connecting the unique language and liveliness of ambient, layered field recordings, and dub techno found in those earlier records, as well as the seamless skydive through pressure formations found in the Enter Sa Pa production mix, which hinted at several of these tracks.
These pieces have taken time to surface and fully catch the light, but there’s still little else that compares. It’s a cache of some of his deepest and most texturally thrilling music, some of which have been rattling around in our ears and minds and conversation for years and have now found the right home and time. Forward thinking and singular in its combination of atmosphere; Ambeesh can press on the body at the right volume, and moves in thrust and riposte with the listener’s circadian rhythms. Sa Pa continues to dissolve the border between club-informed experimentation and intimate headphone listening.
Ambeesh also marks the artist’s return to Australia and the beginning of a new phase.
Mastered by Miles. Digital release of Lexanconical mastered by CGB @ Dubplates & Mastering.
Art from The Designers Republic.
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Quickly following March’s The Fool - our label debut - Sa Pa reveals his new album Ambeesh on Short Span.
Coming five years after In A Landscape, and nearly a decade since his debut Fuubutsushi, Ambeesh pulls together a previously hidden body of work.
Written between 2014-2019 and long held in reserve awaiting the right moment for release, the album has often been grouped conceptually as a follow up to his FORUM debut. There’s a strong through line connecting the unique language and liveliness of ambient, layered field recordings, and dub techno found in those earlier records, as well as the seamless skydive through pressure formations found in the Enter Sa Pa production mix, which hinted at several of these tracks.
These pieces have taken time to surface and fully catch the light, but there’s still little else that compares. It’s a cache of some of his deepest and most texturally thrilling music, some of which have been rattling around in our ears and minds and conversation for years and have now found the right home and time. Forward thinking and singular in its combination of atmosphere; Ambeesh can press on the body at the right volume, and moves in thrust and riposte with the listener’s circadian rhythms. Sa Pa continues to dissolve the border between club-informed experimentation and intimate headphone listening.
Ambeesh also marks the artist’s return to Australia and the beginning of a new phase.
Mastered by Miles. Digital release of Lexanconical mastered by CGB @ Dubplates & Mastering.
Art from The Designers Republic.
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1
Sa Pa - Captigon
2
Sa Pa - So Simple
3
Sa Pa - Boredom Memory (Extended Mix)
4
Sa Pa - Gausian Ecstacy
Repress landing beginning of April.
Sa Pa's trademark fantastical and thickly textured sound twisted in four new directions, closely treasured and finally released: some of his most delicate and hypnotic work, and fathoms deep. Switch on your sub or find one to borrow!
The first release on Short Span, a new label from Matthew Kent, co-runner of the label Mana before this, and who ran mix music platform Blowing Up The Workshop before that.
A series of longer, dubbed out, ambient and flowing tracks. techno, minimal, bass and groove. Chosen and cut to drop the needle on and just let play for a while. For warming up, coming down, never leaving the house.
Mastered by Miles.
Photography by Will Bankhead, layout by Bene Pooley.
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Sa Pa's trademark fantastical and thickly textured sound twisted in four new directions, closely treasured and finally released: some of his most delicate and hypnotic work, and fathoms deep. Switch on your sub or find one to borrow!
The first release on Short Span, a new label from Matthew Kent, co-runner of the label Mana before this, and who ran mix music platform Blowing Up The Workshop before that.
A series of longer, dubbed out, ambient and flowing tracks. techno, minimal, bass and groove. Chosen and cut to drop the needle on and just let play for a while. For warming up, coming down, never leaving the house.
Mastered by Miles.
Photography by Will Bankhead, layout by Bene Pooley.
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1
Sa Pa - Nonsense
2
Sa Pa - Lovember
3
Sa Pa - Nord Dub (Locked Groove) [feat. Scott Monteith]
4
Sa Pa - Face West
5
Sa Pa - Calm & Stormy
6
Sa Pa - Buyan
Sa Pa's 3rd ep following releases on Marcel Dettman's MDR and last year's release on Australian label, Rosa. This builds on highly acclaimed album releases for the likes of Mana and Forum as well as a collaborative piece with Felix K, Marcell Dettman and Simon Hoffman for A-Ton under the moniker Rauch. This record builds on Sa Pa's reputation for lush dub techno soundscapes and can be played either as a whole as one complete piece or broken down into it's constituent parts. It also includes a locked groove edit created with Scott Monteith (Deadbeat) who also helped with post-production. The record was cut and mastered at Dubplate & Mastering by Helmut Erler. Part profits from the record will go to homeless charity Caring in Bristol.
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The Coastal Commission - On The Rocks
2
The Coastal Commission / Jesse Outlaw - I'm Underground
The Coastal Commission “On the Rocks”
Atmospheric synths with a deep rolling Dubby Bassline beckon you to the dancefloor.
The staccato 606 drum machine snare hits snap over the track before a monster kick
drum comes thumping out of the speakers.
“On the Rocks” has served as a killer intro track by many International Dj’s including
Grant Dell who recently opened with it in Los Angeles for “Sunday Sessions”.
A big tune in South America and in particular in São Paulo, Brazil it serves as a great
mood builder for Dj’s looking to captivate their audience right off the bat.
The Coastal Commission literally tuned the Arp Odyssey Bassline to shake down the
walls, ceiling and floor while making this track. Always a massive fan of Night writers
(RIP) “Push the Feeling on” Sam read an interview where they revealed that they wrote
the B-line using a Sequencial Circuits “Arp Odyssey” and that sent him on a mission to
track one down. He eventually found one covered in dust in the back of a thrift shop in
Santa Barbara for $50! (They now go for bout 3K). Excitedly Sam rushed it home to the
studio to clean it up & after some playing around the Bassline was found and the other
elements were built around that.
The track finally breaks down to a beautiful jazz trumpet with muffled voices
conversating in the background saying “Yeah that was Funky!” releasing the tension
before building the strings back up with the vocal “Come on” commanding you to keep
dancing.
“On the Rocks” is hailed as a Modern Deep House Classic by fans and definitely one
that will stay in your record box.
Jesse Outlaw feat. Jason Harris “I’m Underground”
Jesse pens another hypnotic slab of awesome West Coast dance floor tech funk
alongside Jason’s Harris on vocals.
Jason weaves his story of Underground living in the Los Angeles scene over a pounding
kick drum and scattered percussion. The haunting keys keep the listener locked in as
the dub Bassline throbs beneath the track. As the tune proceeds it hypnotizes you &
carry’s you off into a dank basement groove. Only ever on Dub plate & used on the
second PCH “Summer Sessions” mix CD this track finally gets a full release and is
remastered by Martin Iveson.
Classic PCH Business.
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Atmospheric synths with a deep rolling Dubby Bassline beckon you to the dancefloor.
The staccato 606 drum machine snare hits snap over the track before a monster kick
drum comes thumping out of the speakers.
“On the Rocks” has served as a killer intro track by many International Dj’s including
Grant Dell who recently opened with it in Los Angeles for “Sunday Sessions”.
A big tune in South America and in particular in São Paulo, Brazil it serves as a great
mood builder for Dj’s looking to captivate their audience right off the bat.
The Coastal Commission literally tuned the Arp Odyssey Bassline to shake down the
walls, ceiling and floor while making this track. Always a massive fan of Night writers
(RIP) “Push the Feeling on” Sam read an interview where they revealed that they wrote
the B-line using a Sequencial Circuits “Arp Odyssey” and that sent him on a mission to
track one down. He eventually found one covered in dust in the back of a thrift shop in
Santa Barbara for $50! (They now go for bout 3K). Excitedly Sam rushed it home to the
studio to clean it up & after some playing around the Bassline was found and the other
elements were built around that.
The track finally breaks down to a beautiful jazz trumpet with muffled voices
conversating in the background saying “Yeah that was Funky!” releasing the tension
before building the strings back up with the vocal “Come on” commanding you to keep
dancing.
“On the Rocks” is hailed as a Modern Deep House Classic by fans and definitely one
that will stay in your record box.
Jesse Outlaw feat. Jason Harris “I’m Underground”
Jesse pens another hypnotic slab of awesome West Coast dance floor tech funk
alongside Jason’s Harris on vocals.
Jason weaves his story of Underground living in the Los Angeles scene over a pounding
kick drum and scattered percussion. The haunting keys keep the listener locked in as
the dub Bassline throbs beneath the track. As the tune proceeds it hypnotizes you &
carry’s you off into a dank basement groove. Only ever on Dub plate & used on the
second PCH “Summer Sessions” mix CD this track finally gets a full release and is
remastered by Martin Iveson.
Classic PCH Business.
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1
Blueless - Maybe Nothing
2
Blueless - Weep 'n Crash
3
Blueless - Are You Pleased?
Dream Dancing are back with the second release in their series of rediscovering the underground gem, Blueless.
Here with the 'Tar Liom' EP, once again showcasing her timeless and true deep house sound.
'Maybe Nothing' & Are You Pleased?' came out on her own Capture Records back in 2005. Both with a fresh remaster ready for those late night or early morning sessions.
On A2 you will find 'Weep 'n Crash', which was written in around 2008 but never saw the light of day until now, clearly inspired by the emotive depths of Larry Heard.
A melting pot of danceable melancholy, uplifting and hypnotic rhythms !
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Here with the 'Tar Liom' EP, once again showcasing her timeless and true deep house sound.
'Maybe Nothing' & Are You Pleased?' came out on her own Capture Records back in 2005. Both with a fresh remaster ready for those late night or early morning sessions.
On A2 you will find 'Weep 'n Crash', which was written in around 2008 but never saw the light of day until now, clearly inspired by the emotive depths of Larry Heard.
A melting pot of danceable melancholy, uplifting and hypnotic rhythms !
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1
Blueless - Invidia
2
Blueless - The PLeasure Is All Mine
3
Blueless - Deep Breath
4
Blueless - Much More
The third and final(?) 12" in the series comes in the form of this four track 'Within Without' EP.
'Invidia' & 'Deep Breath' originally released on Capture Records in 2005, these are the most wanted tracks from her small yet mighty discography. Playful, driving, emotive, pure Blueless!
Both remastered for an extra bit of punch. On the inner tracks we have 'The Pleasure Is All Mine' & 'Much More', which came to life a lot more recently with some help in the studio from Oliver.r.
Two sun shining jams, moving and grooving, house music for all.
Thank you Blueless, for the music new and old, and giving us the opportunity to shine a much deserved light on them!
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'Invidia' & 'Deep Breath' originally released on Capture Records in 2005, these are the most wanted tracks from her small yet mighty discography. Playful, driving, emotive, pure Blueless!
Both remastered for an extra bit of punch. On the inner tracks we have 'The Pleasure Is All Mine' & 'Much More', which came to life a lot more recently with some help in the studio from Oliver.r.
Two sun shining jams, moving and grooving, house music for all.
Thank you Blueless, for the music new and old, and giving us the opportunity to shine a much deserved light on them!
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1
Lovegod - Rendezvous (Original Mix)
2
Lovegod - Rendezvous (Priori Rework)
3
Lovegod - Rendezvous (Janeret Dub)
Originally released in 2006, Rendezvous is a rare, dub techno track released by Nao AKA DJ Compufunk from Compufunk Records in Osaka. Working under the name Lovegod for the first and only time, he created a timeless epic for a live set at the legendary, short-lived underground club "United Underground ??? (Tsurunoma)".
Now revived 20 years later by Richard Akingbehin’s Kynant Records, Priori contributes a dreamy rework and Janeret slows it down into a crisp dub version to complete the EP.
Written & produced by Naoyuki Yamakawa
Additional production by Francis Latreille and Mickael Jeanneret
Mastering by Anne Taegert @ Dubplates & Mastering
Artwork by Grant Gibson
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Now revived 20 years later by Richard Akingbehin’s Kynant Records, Priori contributes a dreamy rework and Janeret slows it down into a crisp dub version to complete the EP.
Written & produced by Naoyuki Yamakawa
Additional production by Francis Latreille and Mickael Jeanneret
Mastering by Anne Taegert @ Dubplates & Mastering
Artwork by Grant Gibson
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1
Satoshi Tomiie - Thursday, 2AM (Ron Trent Remix Main)
2
Satoshi Tomiie - Thursday, 2AM (Ron Trent 7AM Dub)
3
Satoshi Tomiie - Thursday, 2AM (Ron Trent Remix Dub)
Timeless remixes by Ron Trent, reissued in a special limited edition.
Featuring three versions of Ron’s signature deep vibe — including “7AM Dub,” appearing on vinyl for the first time.
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Featuring three versions of Ron’s signature deep vibe — including “7AM Dub,” appearing on vinyl for the first time.
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1
Deadbeats - Funky For You
2
Deadbeats - Cutee
3
Deadbeats - Got It Going On
4
Deadbeats - Made In The Shade
5
Deadbeats - Lounging
6
Deadbeats - Pick Me Up
7
Deadbeats - Help Is On The Way
8
Deadbeats - Presumin Ed
9
Deadbeats - Dreamworld
10
Deadbeats - Enter The Redman
11
Deadbeats - Slo This Shit Down
Released in Nottingham at the turn of the millennium, when the city was at the heart of an exciting underground scene, Lounging sits between trip-hop's slowed breaks and deep house's low-end drive. Drum programming is loose but controlled, with swung rhythms underpinning warm basslines and restrained chord patterns. Tracks alternate between vocal cuts featuring Gea Russell and Isi Samuel, and instrumental pieces built on short sampled phrases and repeating hooks. It's a perfect record for either pre-club or post-rave, especially on warmer days, and this anniversary edition has been remastered by Shawn Joseph. A welcome return for a low key classic.
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1
Quoting G - I Can Feel It (In My Bones)
2
Quoting G - I Can Feel It (In My Bones) (Instrumental)
3
Quoting G - Please Don't Leave Me
4
Quoting G - I Can Feel It (In My Bones) (Perca-a-pella)
Proper modern deep house from the Clone Royal Oak camp. Quoting G (a fresh project from a long-time label mainstay) delivers timeless emotive "We're all in it together" rollers built for those blue hours when the sun starts to peek through the shutters.
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1
Malwen - Ferro
2
Malwen - Sleepi
3
Malwen - Fru
4
Malwen - Fru (Tywi Remix)
"Malwen and Haws co-founder Tywi join forces for a varied 4 track EP."
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1
Teflon Dons - Sun Fist Rising
2
Teflon Dons - Night Of The Jackal
3
Teflon Dons - Twin Dragons In Search Of Pearls
4
Teflon Dons - You Ain't Really Down......Nervous Broad
5
Teflon Dons - Elixer Vitae
6
Teflon Dons - Eve Of The Freak Styles
The Teflon Dons' Rudiments EP, released in 1996 on Worldship Music and now reissued on FRL Classic edition, is one of those records that perfectly embodies the most authentic spirit of 90s underground deep house. From the very first bars, Rudiments EP stands out for its raw but deeply soulful sound, built on filtered samples, “dirty” drum machines (typically SP-1200) and an aesthetic that mixes Chicago and Detroit.
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1
Tikkle - The Sublime (Jazz Mix)
2
Tikkle - The Sublime (Original Mix)
3
Tikkle - The Sublime (Sublime Mix)
4
Tikkle - Bubbles (Original Mix)
5
Tikkle - Bubbles (Club Mix)
A classic reissued. “The Sublime” was the deeper side of Rick Lenoir and Larry Thompson’s (LNR) psyche. With additional keys from Aaron Smith (UBQ Project), the title fit the groove – simply sublime. “Bubbles” bring us back to the harder, tougher side of the Tikkle team. Bubbles is both inspired and inspiring, paying homage to the deepest of Chicago grooves woven together for the dance floor.
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1
R.O.W.S. - 163-224
2
R.O.W.S. - 4.4
3
R.O.W.S. - 17.16
4
R.O.W.S. - 3.3
5
R.O.W.S. - 5.2
6
R.O.W.S. - 11.1
7
R.O.W.S. - 2.35.1
8
R.O.W.S. - N16HTM4R3
"Receiver Objects Without Sender (R.O.W.S) is a collaborative project between the late, ever-enthralling Eletun Selona and Martinou. R.O.W.S was conceived as an open, exploratory outlet for the two artists over several years. It became a space to lean into heavier, more textured techno and dub influences, while still grounding their shared instinct for house. The LP release 6.05 for St Odes is a collection of some of the many finished and unfinished collaborative projects left in the wake of Eletuns passing in 2024, finished and cared for by Martinou over the course of the past year, as a means of coping with the immense sorrow."
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1
The Nathaniel X Project - Scat Pack
2
The Nathaniel X Project - Kwayzar
3
The Nathaniel X Project - Saturn Ring
4
The Nathaniel X Project - Just What You Want
DAYBREAKERS back diggin’ deeper for DBR007, shining light on one of house music’s most underrated, James N Tinsley aka The Nathaniel X Project. The Resurface EP brings together two lost moments from 1993 alongside two brand new recordings from 2025 — the same spirit, three decades apart, all previously unreleased.
Back in the early 90s, Nathaniel X was crafting stripped back, deep house with a real feeling. Raw drum machines, deep chords. The kind of records DJs held onto.
The 1993 cuts carry that untouched energy, made at the same time as his self titled EP. Direct & deep. Fast forward to 2025 and nothing’s really changed. The new tracks continue where he left off. That signature Nathaniel X sound.
House that was always deep.
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Back in the early 90s, Nathaniel X was crafting stripped back, deep house with a real feeling. Raw drum machines, deep chords. The kind of records DJs held onto.
The 1993 cuts carry that untouched energy, made at the same time as his self titled EP. Direct & deep. Fast forward to 2025 and nothing’s really changed. The new tracks continue where he left off. That signature Nathaniel X sound.
House that was always deep.
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