Damon Wild and David Sumner (aka Function’s) relationship dates back to 1991 at Lord Michael’s Future Shock, Limelight, New York City – when Damon was running EXperimental Records via Northcott Productions. At the time, he first saw something in Dave and added him to Brand X, a record pool run by Moneypenny. But their bond is based around a period 5 years later when Dave had an apartment above Rogue Music at 251 West 30th Street in Midtown, Manhattan. It was during this time Damon developed him as a Synewave artist and released his first EP as Function in the Fall of 1996 – catalog number; SW-24. Falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. So it’s not a coincidence that now Damon has turned to Dave to release his first album in 13 years, during the time he is reissuing that first “Synewave EP” on “Recompiled I/II & II/II” (A-TON LP02/03). This is where those paths cross again… 21 years later, this Fall, Dave will release “Cosmic Path” on Infrastructure. The cosmic connection.

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Damon Wild (Synewave, Kanzleramnt, Music Man) brings us to his continued series of Subtractive Synthesis. Subtractive Synthesis IX. The ep includes remixes by Function and Postsciptum

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The 100th release from Synewave Records continues after the great success from part 1, The final round gets special treatments by Terence Fixmer (Electric Deluxe, International Deejay Gigolo, Jupiter ),Dave Ellesmere (Kanzlermant, 100% Pure, Intacto), & Italy’s Ascion (Drumcode, 8 Sided Dice) . To properly complete this release, the original classic has been specially remastered and added. Already having support and play from Adam Beyer, The Advent, Joseph Capriotti, Richie Hawtin, Gayle San, Chris Liebing, Adam X, Dj Submerge, and many others..


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This is a special 100th release from Synewave Records. Damon WIld’s classic from 1993 with new & special remixes from Marcel Dettmann, 88UW, & Echoplex. This release will be released in different packs and will include other remixes by Orlando Voorn, Pacou, Dave Ellesmere, Mark Morris, Ascion,
Staffan Linzatti, Terrence Fixmer and others to date. Already having full support from key dj’s such as Adam Beyer, Joseph Caprioti, Gary Beck, Richie Hawtin, Slam, Perc, Chris Liebing, and others.


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Tracklisting
A1 Outlander - I Am I Was
A2 Outlander - Where Is The Exit
B1 Outlander - Isolated
B2 Outlander - Tuesday Vibes

Sales Note
One of techno's all-time greats, Outlander, is back after a lengthy hiatus. With over a dozen records released under the prestigious R&S label, he now finds a new home at Sonic Groove Records with 'I Am, I Was'-a timeless four-song EP of thought-provoking modern techno that is sure to resonate with a wide range of music enthusiasts across the various subsects of the techno scene.

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Tracklisting
A1 Mike Parker - Atom Soldiers
B1 Mike Parker - Signal 303
B2 Mike Parker - Resonator One (Adam X Pumped Up remix)

Sales Note
Mike Parker, one of the most respected and innovative artists in techno, presents his debut release Cyclic Intonations on Sonic Groove with a monster three cut collection of TB-303 infused songs.

Included in this acidic burner of a release is :

- Atom Soldiers, an unearthed, thought-provoking acid gem recorded in the late 1990s

- Signal 303 features Mike dusting off his TB-303 to create an incredible new gem.
- Resonator (Adam X Pumped Up Edit), Originally released on Defective Records in 1997 and fetching a fortune on Discogs. Adam adds a heavier bass kick drum to one of the best acid tracks ever, ensuring it fits seamlessly into any modern day techno set.

If you love acid techno, this release is a must-have!

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Tracklisting
A1 Bryan Zentz - Street Creeper
A2 Bryan Zentz - Stygian Calculus
B1 Bryan Zentz - Mopsjack
B2 Bryan Zentz - Data Dancer
B3 Bryan Zentz - Rogue Sine

Sales Note
Bryan Zentz, also known as Barada, is a techno luminary back on the scene with a new five-track release. Blending classic Chicago sounds with a futuristic twist, his music transports listeners to the golden era of acid techno and house. Zentz's career began in the early '90s, releasing music on visionary labels like Experimental, Bush, Definitive, and other genre-defining imprints of the era. His ongoing innovative approach ensures that his music looks towards the future while giving a nod to the past. Prepare to be captivated by the raw energy of Barada Trax Six
Order S

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Tracklisting
A1 Rhys Fulber - Fall Awake
A2 Rhys Fulber - Damage C'est Damage
A3 Rhys Fulber - Technology
A4 Rhys Fulber - European Skies
B1 Rhys Fulber - Circle Of Absolutes
B2 Rhys Fulber - The Heir
B3 Rhys Fulber - Despite The Noise
B4 Rhys Fulber - Driven

Sales Note
Acclaimed electronic music artist Rhys Fulber returns to Sonic Groove with his latest album, "Balance Of Fear". Once again, Rhys delivers a masterfully crafted selection of eight songs that seamlessly blend techno, industrial, electro, and EBM elements, layered with thought-provoking atmospheric melodies. The album serves as a soundtrack for navigating through dark times, decaying cultures, the misuse of technology, the erosion of social structures, manipulated spirituality, and the consequences of disaster capitalism. To stay afloat in these turbulent floodwaters, one requires a "Balance of Fear".

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Tracklisting
A1 Statiqbloom - Face Annihilation
A2 Statiqbloom - Fire Of Heart
A3 Statiqbloom - Obsidian Obscura
A4 Statiqbloom - Cessation Of Light
B1 Statiqbloom - Hidden From Form
B2 Statiqbloom - Cold Steel Howl
B3 Statiqbloom - Treacherous Eyes
B4 Statiqbloom - The Earth Drank Blood

Sales Note
Statiqbloom's new album "Kain" is embodying the true essence of industrial music, going beyond just a particular sound and encapsulating an outlook on the world. The fusion of forward-thinking, dystopian sounds, pulsating basslines, and mid-tempo rhythmic beats, all of which contribute to a masterfully crafted industrial techno experience.

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Daniel Myer is a legend in the vast world of electronic music. Known under many aliases, his work spans the spectrum of many different underground music styles. His most known projects are the IDM flavoured 'Architect', the industrial-techno 'Rendered' and popular EBM acts 'Haujobb' and 'Liebknecht' the latest which recently engaged the world on tour with legendary acts Nitzer Ebb & Front 242. Daniel now joins the prolific artist roster of Sonic Groove with a stunning techno-electro full length debut. Carefully constructed over the last three years, ''Hingabe'' is a diverse musical masterpiece from start to finish. File under : A plus plus underground techno-electro.

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Long time Sonic Groove artists Orphx return for their first release on the label in five years with "The Way Through All Things". Continuing their mission to push the envelope of skillfully crafted hard edged electronic music, this latest extended 4 song player is their roughest and toughest on the label to date: crushing industrial rhythms, hypnotic sound design, and voices on the edge of panic.

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LA veteran techno producer, AXKAN, lands his new full-length album on SONIC GROOVE. Inspired by a wave of torturous dreams during the pandemic, AXKAN dedicated his isolation time to curate the sound of this 12-track LP, NIGHTMARES. Dropping his signature soundtrack of angst fueled broken beat industrialized techno, AXKAN further displays his sophisticated sound architecture by delving into darker melancholic, experimental and rhythmic noise territories. Add three collaboration pieces featuring long-time friends ORPHX, UVB and AYARCANA and we have a well rounded album of monstrous proportions.

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Original Sonic Groove family member, Reade Truth returns to the label after a 20+ year hiatus. His latest effort, ?2nd Qtr ? consists of four hard-hitting acid techno workouts. Once again Reade bristles with his uniquely psychedelic style that has many of the techno vinyl purists paying high prices for his past releases on Discogs. Get ready for an intense acid fueled journey thru your mind and into the stars beyond.?

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American label mainstay Realmz returns to Sonic Groove with another spectacular four track EP of hard edged Industrial Techno. Entitled "Left To My Devices", Realmz once again shows off his originality in combining elements of Industrial music with Techno. You will even find a nice deep dark acid track to close things out. This ep is firmly solid on all four tracks. A must hear for any industrial techno lover!


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Diagenetic Origin is the latest artist signing to the Sonic Groove label roster, Hailing from Sweden, Diagenetic Origin is fresh new techno blood from
a country that has produced many a top techno artist over the years. Debuting with his first release ever, Diagenetic Origin is sure to take hold quickly of the techno scene with this viciously strong four track E.P. of darkly delightful pumping techno grooves. Their is no filler only killer tracks on this debut release from Sweden's next top techno talent!


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Orphx , one of the main leaders of the industrialized techno movement returns to Sonic Groove with their latest new 12" Hunger Knows No Law". Delivering the goods once again to SG. Orphx combines a mixture of tightly woven, deeply & bleepy hypnotic sound designs layered over fierce industrialized drum rhythms. Electronic hypnosis for the dance floor. As was the case with their previous SG releases this one is sure to be played many a top techno dj. "Hunger Knows No Law" is being timed for release with Orphx's European live show tour early this Spring. Along the tour will they will make their debut at the legendary techno Mecca in Berlin , Berghain.

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Sonic Groove welcomes close friend Henning Baer to the SG artist roster. Henning is one half of the team behind one of Beriin's most successful techno events "Grounded Theory". He along with MIlton Bradley also own the recording label K209 which has released his own solo work. Henning makes his debut on Sonic Groove with "Drop Out" EP. A stunning 4 song release that spans a wide spectrum of dark, deep, gritty, analogistic industrial techno & rhythmic noise sounds layered over 4/4 and broken beat rhythms.


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On textstar+ Jan Jelinek brings together the material from the CMYK series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period.
A Polaroid. Still life with tangled leads and consumer electronics, late twentieth century. Black and various shades of dirty white are the dominant non-colours. The image’s spatial depth remains diffuse, the links between its elements speculative. A note stuck to the wall (a legend, perhaps, or an all-explaining blueprint in text form?) is impossible to decipher. You can’t see what connects the picture’s signs. You have to hear it.

farben says: Every sound is a text. A bearer of meaning in search of a reader. Hoping the ideas inscribed in its autonomous existence will be understood as intended. While its beauty lies precisely in misunderstanding, in reading the coded message a new way every time. A thousand colours of sound, a thousand different ways to hear, to see, to understand.

On textstar+ Jan Jelinek brings together the material from the CMYK series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period. Another new element is the Polaroid, showing the origins of a world: Jelinek’s home studio in Berlin at the time.

farben says: Move your body! The project has its roots in Jelinek’s love of house as a reductionist vision of soul. Of four to the floor as a proposition that can be accessed anywhere. Of electronic dance music as a realm of possibility that can be continually expanded. farben was written as contemporary house music. As a text about excitement and euphoria. The arrangements were made directly while recording to DAT, on a twelve-channel mixing desk. Several track titles suggest a link to live concerts, coupled with the context of machine music and bedroom recording. Others affirm pop music’s most extravagant stock phrases about various states of love.

Jelinek produced the tracks with the aim of making music for dancefloors. An idea that failed very productively. In the locations to which it was originally addressed, the project barely figured. But people did listen, and they listened all the more closely to this music that opened up new acoustic and associative scope for house. farben is the opposite of genre: a music spawning new terms (clicks & cuts, micro-house) that never manage to fully capture it.

farben says: Signifiers. The four CMYK EPs are designed as a network of references that cannot be missed but that can also never be precisely deciphered. The vectors of sound, word and image point to Isaac Hayes and Ornette Coleman, to Detroit and the first generation of the Red Army Faction, to Karl Marx and Friedrich Engels. So multifarious that they are distorted to the point of recognition. Overall we hear sonic docufictions whose appealing vagueness derives precisely from this oscillation between clarity and ambiguity, which is also the source of their poetry: the lyricism of the pure circulation of signs.

The artwork is based on photographs of former Red Army Faction members, broken down into the four colours of the CMYK model. The motifs dissolve into individual dots of a single colour, so close to the faces that their expressions are only hinted at. Taken together, the individual colours compose a new whole out of fragmentary material, defying definition and thus maintaining their vibrancy. The same occurs on the level of sound. The sampler Jelinek used for these tracks had to be fed with floppy disks, imposing a memory limit of 1.44 megabytes per audio quotation from soul or jazz records. As a necessary consequence of this, the individual references, like the dots of colour, are dissolved into details and abstractions. They appear as splinters that recombine in new ways to create new meanings. The joy of collapsing metaphors.

farben says: New departures. Even two decades after its original release, textstar+ does not come across as an epitaph to the modern era. Instead, it appears as a euphoric affirmation of the utopias of the twentieth century, translated into new sound texts via the aesthetic strategies of abstraction, collage, networking and speculation. 1.44 megabytes of history, one thousand signifiers, one album. From “Live ...” to “... Love”.

Arno Raffeiner, 2021

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Introducing our first VA sampler, a vibrant collection featuring 8 tracks from a diverse mix of established and emerging artists, each showcasing their unique sound.

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Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.

David Stubbs´review of the original album in Melody Maker ,July 12th 1997.

Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.

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Repress!

"I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It’s the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic “old speaker” effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - ‘Red Lantern at the Kallkatsou’”.

Hanyo van Oosterom

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DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI

Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.

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Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously. Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE. Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted. In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others. As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.

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Repress!

2x 12” 180g black vinyl
gatefold cover
mastered by Noel Summerville
original artwork by Theo Ellsworth.

A year on since the collaborative Mystic AM project in 2022, Rod Modell returns solo to Astral Industries with AI-35. The album - entitled 'Ghost Lights' - comes as a gatefold 2x vinyl LP, showcasing the latest epoch of Modell's signature soundscapes. Spread across four parts, 'Ghost Lights' draws out a wide, cinematic sound - with long arching contours, rippling textures and cavernous sound design.

Woven with layer upon layer of hidden fragments and supernal transmissions, each chapter takes the listener successively deeper into the twilight zone. Harking to dramatic off-world topographies and interstellar spaces, the work glistens with opulent sound treatment and monumental grandeur. Dense pulsations move with oceanic force, marked by washes of celestial light and subterranean drones. Exercising another side to Rod Modell's typically atmospheric productions, this album comes with an ambitious framework and a more assertive sound. Featuring some of Modell's most epic storytelling to date, 'Ghost Lights' delivers a powerful immersive experience.


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Biosphere is the main recording name of Geir Jenssen (born 30 May 1962), a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album. Cirque - originally released in 2000 - was Biosphere's first album for the UK label Touch. This new re-issue comes with a 6-track bonus album and new artwork.

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