Damon Wild releases 4 funky acidic minded ,psychedelic new tracks under his alias Mistaken Identity.
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This time is Ricardo Rodrigues AKA Industrialyzer who lands on the court of Damon Wild with three tracks perfectly aliened with the label's philosophy, Synewave has been at the service of real techno for over 20 years. It all begins with "Analogue Planet" a 130 bpm journey which rouses the dance floor whilst stimulating the mind, giving both of them no mercy. The second track, "Multiple Walls", carries the flavour of an Old School small march with a hammondesque synth which revolves around the groove from beginning to end. The atmosphere becomes dark and acid in the third and final track on this release. "Orbit X" is an emotional roller coaster which develops in different phases, everyone of which takes the listener by surprise. With this release Industrialyzer reminds us that, after all, New York, Detroit, Chicago, Berlin, Amsterdam or Lisbon don't really matter, quality techno is a global affair and Synewave consistently confirms this with releases above all schemes, movements and trends. Monumental.
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Damon Wild (Synewave, Kanzleramnt, Music Man) brings us to his continued series of Subtractive Synthesis. Subtractive Synthesis IX. The ep includes remixes by Function and Postsciptum More

Damon Wild (Synewave, Kanzleramnt, Music Man) and Jurek Przezdzieck collabrate forces to create their new concept, Produkt. This will begin a special series and begins with two powerful tracks "Clutch" and "Snatch". Remixes by The Advent (Cisco Ferreira) and Gotshell ( Blueprint and Nachtstrom Schallplatten)
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David Meiser's work chosen by Dave Clarke for his top ten of 2013 and supported too by Oscar Mulero, Surgeon, Exium, Christian Wunsch, Black Asteroid, Claude Young, Ritzi Lee,... In 2014 releases a back to back work with Black Asteroid which gets remixed by Dave Clarke, becoming the first Spanish artist to get a remix from the Baron of Techno. About this EP: - "Pressure" enhances the purity of the percussion sounds, making a complex and dense track based only on the accumulation of simple rhythmic patterns. - "Zero Decibels" is the game of getting close to the maximum sonority signal 'zero decibels' by breaking the drive of the hypnotic arpeggio sounds with a distorted, and stunning bassline that reminds the meaning of the dancefloor Techno. - On the B side amazing remixes of "Zero Decibels" from Damon Wild and Peter Echoplex complete the EP. Damon sharps the hypnotic synths even more with a smart development, making a perfect version to be mixed. On his turn, Echoplex adds an incredible enveloping atmosphere that introduces the original version into a world of pure darkness and energy.
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"When you finally achieve a long sought after goal, don’t think of it as you making it, but rather that it was not challenging enough to begin with". Epi Centrum is Jurek Przezdziecki, who you may be familiar with thanks to his numerous releases on labels like Cocoon, Affin and Synewave. Known for always pushing sonic boundaries, as well as seeking new sources of inspiration, he is undoubtedly one of those artists who does anything but tow the line. Raw, organic electronics, mixed with precision in execution are at the very heart of Jurek’s output and his work has thus far received praise from the likes of Depeche Mode, Laurent Garnier, Sven Väth and Damon Wild. You might be asking yourself what exactly made them like his music so much. Well, stop thinking about it and give it a listen for yourself as Jurek presents ‘Raw’ under his Epi Centrum alias on Damon Wild’s Synewave label. The aptly titled ‘Raw’ is exactly that. Its complex layering of a burly bassline, meeting a distant vocal sample amidst the electronic bleeps and beats that collide over one another creates a unique and uncompromising sound. The release also boasts first-rate remixes by two of techno’s current heroes. Function (Dave Sumner) of Downwards / Sandwell District fame turns in a dark and dappled version that’s stamped with claps and a driving beat, while LA’s Audio Injection from Droid Behaviour turns up the bass and picks up the pace for his west coast butt-shaking rendition.

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The replicator got ‘restored’ after a complete loss of data 88UW does not remain ‘in the dumbs’. The logical setback of ‘irreverent’ matter opened new perspectives to synthesize the ‘trek trak’ in which the first officers voice is used as base agreed by the captain More

Andrea Belluzzi Italian producer living in Berlin for many years in the techno scene, creator of Limited label, presents a "heavy" release on a legendary label like Synewave. BOMB release tendency to acid sound composed by 3 originals : frank , powerful , done for shake the dancefloor but at the same time to let you fly (certainly Synewave style) and a remix by Damon Wild. Release that absolutely can not miss in a bag of DJs who want to leave his/her mark in a club night , not for nothing the release is already supported (and played) by : Luke Slater, Pfirter, Oscar Mulero,Ben Sims, James Ruskin, Tommy Four Seven, Dave Clarke, Truncate, DVS 1, The Plant Worker , Truncate , Max_M , Svreca , Raiz , Colin Bain , Joseph McGeechan , Takaaki Itoh , Chriss Colburn More

Tough techno two track EP from hot collaboration. Attemporal meets Ness. ATT series producers throw it down.Bass. “Attemporal is maybe the most “in shape” Spanish formation of the actual techno scene. Since their label ATT Series, and the releases in renowned labels like Synewave, they warns us a very promising future.


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Techno legends bang it out for Synewave. Storming 3 tracker. No explaining needed! Limited hand stamped white label
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The View EP is a collaboration project between Berlin dj / producers Sebastian Krenzlin and Sebastian Stöhr / 88UW. Sebastian Krenzlin is one of the new talents playing at Tresor Club, Berlin. Krenzlin is proofed by Tresor and a talent behind the desks - strobe and fog will do the rest. Sebastian Krenzlin and he is simply one of techno music's most staunch supporters and preservers of the genre. 88uw was born in 1978 in Hamburg, Germany and by the 80s he was already fascinated by electronic music. In 1991 he visited a record store specializing in Techno for the first time and bought his own records. Three years later at the age of 16 he starting to DJ in clubs and hasn't stopped to this day. Studio work came later for 88uw and it was not until 2005 that he started teaching himself music production. His first release was in 2010 on Parallel 125 and in a very short space of time he has made a significant impact on the techno scene in Germany and abroad. He releases regularly on renowned
labels including the legendary Synewave, Gynoid Audio, Slap Jaxx and IF? Records.
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Synewave adds the youngblood of Delko. Hailing from Portugal this EP is 4 solid tracks of thumping techno with moods and proper bass movements.
Limited vinyl release.
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The 100th release from Synewave Records continues after the great success from part 1, The final round gets special treatments by Terence Fixmer (Electric Deluxe, International Deejay Gigolo, Jupiter ),Dave Ellesmere (Kanzlermant, 100% Pure, Intacto), & Italy’s Ascion (Drumcode, 8 Sided Dice) . To properly complete this release, the original classic has been specially remastered and added. Already having support and play from Adam Beyer, The Advent, Joseph Capriotti, Richie Hawtin, Gayle San, Chris Liebing, Adam X, Dj Submerge, and many others..
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This is a special 100th release from Synewave Records. Damon WIld’s classic from 1993 with new & special remixes from Marcel Dettmann, 88UW, & Echoplex. This release will be released in different packs and will include other remixes by Orlando Voorn, Pacou, Dave Ellesmere, Mark Morris, Ascion,
Staffan Linzatti, Terrence Fixmer and others to date. Already having full support from key dj’s such as Adam Beyer, Joseph Caprioti, Gary Beck, Richie Hawtin, Slam, Perc, Chris Liebing, and others.
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ABSTRACTION is characterized by a violent analogic Kick that anyone computer may generate. Some sounds of the historic Yamaha CS 80 create a dark and industrial atmosphere. The grooves are very open. Great result for dancefloor! REACTOR is a missile, is a great techno track. A powerful analogic Kick and a new bass which has no term to be defined. Pause is a machine for people heaving fun. REBOOT is madness. Steve plays with the envelopes of an old M20 and breathes on the disc. Wild grooves characterized by vintage snare and crash. Abstractions is definitely the starting point of the new techno, defined for the first time from Steve like Nutech. The Absrtaction EP is a result of a research that is based on the elaboration and development of two concepts: The techno is music based on experimentation, and it is constantly evolving. The computer is a platform that facilitates the creation of music, but it mustn’t become a constraint, analog synths, groovebox, external processors, are complementary to the production of music. Each groove is created by Steve externally with the Korg Electribe sx and processed with analog valves. The groove packages downloaded from the internet, are currently killing the true underground music. For this reason Steve don’t use preset sounds in the tracks. The Artist is creator, not a copier. This Ep is a real rebellion against the current techno sound, in which the style is determined by the beatport top 100. The goal is to make people dance with a new techno sound NUTECH, result of creating art. For this reason the EP is called abstractions.
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Uk duo throbs full on! Following their steps on Perc Trax, Sleaze, Proper, Seta-these three cuts pure techno peak madness!
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A Detroit inspired bleeping techno EP. Original cut brings back the Accelerate synth bloop with modern pulse drums. Damon Wild kicks in the tight acid and Xpansul makes this a big room summer hit. Steve Parker, not being an adept of calculated biographies or narrated thoughts, continues believing that the best way of presenting him self like dj and producer will always be with his quality and huge musical background. Counting on a long career as dj his style in a dj set goes from Tech-House and into the minimal techno, with the only guarantees that above any label or musical style the sonorous quality will always be the first and only priority.
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