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Joey Beltram mega-ultra-classic, ‘Energy Flash’ re-mastered by Matt Colton. Pressed nice and loud on a one sided 12”. E.S.S.E.N.T.I.A.L.!!! (...still after all these years...)



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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.

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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.

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lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.

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lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.

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Damon Wild releases 4 funky acidic minded ,psychedelic new tracks under his alias Mistaken Identity.


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This time is Ricardo Rodrigues AKA Industrialyzer who lands on the court of Damon Wild with three tracks perfectly aliened with the label's philosophy, Synewave has been at the service of real techno for over 20 years. It all begins with "Analogue Planet" a 130 bpm journey which rouses the dance floor whilst stimulating the mind, giving both of them no mercy. The second track, "Multiple Walls", carries the flavour of an Old School small march with a hammondesque synth which revolves around the groove from beginning to end. The atmosphere becomes dark and acid in the third and final track on this release. "Orbit X" is an emotional roller coaster which develops in different phases, everyone of which takes the listener by surprise. With this release Industrialyzer reminds us that, after all, New York, Detroit, Chicago, Berlin, Amsterdam or Lisbon don't really matter, quality techno is a global affair and Synewave consistently confirms this with releases above all schemes, movements and trends. Monumental.


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Damon Wild (Synewave, Kanzleramnt, Music Man) brings us to his continued series of Subtractive Synthesis. Subtractive Synthesis IX. The ep includes remixes by Function and Postsciptum

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Damon Wild (Synewave, Kanzleramnt, Music Man) and Jurek Przezdzieck collabrate forces to create their new concept, Produkt. This will begin a special series and begins with two powerful tracks "Clutch" and "Snatch". Remixes by The Advent (Cisco Ferreira) and Gotshell ( Blueprint and Nachtstrom Schallplatten)


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David Meiser's work chosen by Dave Clarke for his top ten of 2013 and supported too by Oscar Mulero, Surgeon, Exium, Christian Wunsch, Black Asteroid, Claude Young, Ritzi Lee,... In 2014 releases a back to back work with Black Asteroid which gets remixed by Dave Clarke, becoming the first Spanish artist to get a remix from the Baron of Techno. About this EP: - "Pressure" enhances the purity of the percussion sounds, making a complex and dense track based only on the accumulation of simple rhythmic patterns. - "Zero Decibels" is the game of getting close to the maximum sonority signal 'zero decibels' by breaking the drive of the hypnotic arpeggio sounds with a distorted, and stunning bassline that reminds the meaning of the dancefloor Techno. - On the B side amazing remixes of "Zero Decibels" from Damon Wild and Peter Echoplex complete the EP. Damon sharps the hypnotic synths even more with a smart development, making a perfect version to be mixed. On his turn, Echoplex adds an incredible enveloping atmosphere that introduces the original version into a world of pure darkness and energy.


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"When you finally achieve a long sought after goal, don’t think of it as you making it, but rather that it was not challenging enough to begin with". Epi Centrum is Jurek Przezdziecki, who you may be familiar with thanks to his numerous releases on labels like Cocoon, Affin and Synewave. Known for always pushing sonic boundaries, as well as seeking new sources of inspiration, he is undoubtedly one of those artists who does anything but tow the line. Raw, organic electronics, mixed with precision in execution are at the very heart of Jurek’s output and his work has thus far received praise from the likes of Depeche Mode, Laurent Garnier, Sven Väth and Damon Wild. You might be asking yourself what exactly made them like his music so much. Well, stop thinking about it and give it a listen for yourself as Jurek presents ‘Raw’ under his Epi Centrum alias on Damon Wild’s Synewave label. The aptly titled ‘Raw’ is exactly that. Its complex layering of a burly bassline, meeting a distant vocal sample amidst the electronic bleeps and beats that collide over one another creates a unique and uncompromising sound. The release also boasts first-rate remixes by two of techno’s current heroes. Function (Dave Sumner) of Downwards / Sandwell District fame turns in a dark and dappled version that’s stamped with claps and a driving beat, while LA’s Audio Injection from Droid Behaviour turns up the bass and picks up the pace for his west coast butt-shaking rendition.



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The replicator got ‘restored’ after a complete loss of data 88UW does not remain ‘in the dumbs’. The logical setback of ‘irreverent’ matter opened new perspectives to synthesize the ‘trek trak’ in which the first officers voice is used as base agreed by the captain

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Andrea Belluzzi Italian producer living in Berlin for many years in the techno scene, creator of Limited label, presents a "heavy" release on a legendary label like Synewave. BOMB release tendency to acid sound composed by 3 originals : frank , powerful , done for shake the dancefloor but at the same time to let you fly (certainly Synewave style) and a remix by Damon Wild. Release that absolutely can not miss in a bag of DJs who want to leave his/her mark in a club night , not for nothing the release is already supported (and played) by : Luke Slater, Pfirter, Oscar Mulero,Ben Sims, James Ruskin, Tommy Four Seven, Dave Clarke, Truncate, DVS 1, The Plant Worker , Truncate , Max_M , Svreca , Raiz , Colin Bain , Joseph McGeechan , Takaaki Itoh , Chriss Colburn

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Tough techno two track EP from hot collaboration. Attemporal meets Ness. ATT series producers throw it down.Bass. “Attemporal is maybe the most “in shape” Spanish formation of the actual techno scene. Since their label ATT Series, and the releases in renowned labels like Synewave, they warns us a very promising future.




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Techno legends bang it out for Synewave. Storming 3 tracker. No explaining needed! Limited hand stamped white label


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The View EP is a collaboration project between Berlin dj / producers Sebastian Krenzlin and Sebastian Stöhr / 88UW. Sebastian Krenzlin is one of the new talents playing at Tresor Club, Berlin. Krenzlin is proofed by Tresor and a talent behind the desks - strobe and fog will do the rest. Sebastian Krenzlin and he is simply one of techno music's most staunch supporters and preservers of the genre. 88uw was born in 1978 in Hamburg, Germany and by the 80s he was already fascinated by electronic music. In 1991 he visited a record store specializing in Techno for the first time and bought his own records. Three years later at the age of 16 he starting to DJ in clubs and hasn't stopped to this day. Studio work came later for 88uw and it was not until 2005 that he started teaching himself music production. His first release was in 2010 on Parallel 125 and in a very short space of time he has made a significant impact on the techno scene in Germany and abroad. He releases regularly on renowned
labels including the legendary Synewave, Gynoid Audio, Slap Jaxx and IF? Records.


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Synewave adds the youngblood of Delko. Hailing from Portugal this EP is 4 solid tracks of thumping techno with moods and proper bass movements.
Limited vinyl release.


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The 100th release from Synewave Records continues after the great success from part 1, The final round gets special treatments by Terence Fixmer (Electric Deluxe, International Deejay Gigolo, Jupiter ),Dave Ellesmere (Kanzlermant, 100% Pure, Intacto), & Italy’s Ascion (Drumcode, 8 Sided Dice) . To properly complete this release, the original classic has been specially remastered and added. Already having support and play from Adam Beyer, The Advent, Joseph Capriotti, Richie Hawtin, Gayle San, Chris Liebing, Adam X, Dj Submerge, and many others..


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This is a special 100th release from Synewave Records. Damon WIld’s classic from 1993 with new & special remixes from Marcel Dettmann, 88UW, & Echoplex. This release will be released in different packs and will include other remixes by Orlando Voorn, Pacou, Dave Ellesmere, Mark Morris, Ascion,
Staffan Linzatti, Terrence Fixmer and others to date. Already having full support from key dj’s such as Adam Beyer, Joseph Caprioti, Gary Beck, Richie Hawtin, Slam, Perc, Chris Liebing, and others.


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ABSTRACTION is characterized by a violent analogic Kick that anyone computer may generate. Some sounds of the historic Yamaha CS 80 create a dark and industrial atmosphere. The grooves are very open. Great result for dancefloor! REACTOR is a missile, is a great techno track. A powerful analogic Kick and a new bass which has no term to be defined. Pause is a machine for people heaving fun. REBOOT is madness. Steve plays with the envelopes of an old M20 and breathes on the disc. Wild grooves characterized by vintage snare and crash. Abstractions is definitely the starting point of the new techno, defined for the first time from Steve like Nutech. The Absrtaction EP is a result of a research that is based on the elaboration and development of two concepts: The techno is music based on experimentation, and it is constantly evolving. The computer is a platform that facilitates the creation of music, but it mustn’t become a constraint, analog synths, groovebox, external processors, are complementary to the production of music. Each groove is created by Steve externally with the Korg Electribe sx and processed with analog valves. The groove packages downloaded from the internet, are currently killing the true underground music. For this reason Steve don’t use preset sounds in the tracks. The Artist is creator, not a copier. This Ep is a real rebellion against the current techno sound, in which the style is determined by the beatport top 100. The goal is to make people dance with a new techno sound NUTECH, result of creating art. For this reason the EP is called abstractions.


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Hans Bouffmyhre is back on Synewave after his debut LAMBADA EP was released back in March. This remix EP features a re-work of 'Morning Tinnitus' along with 2 great remixes of 'Lambada' by label boss Damon Wild & fellow Glaswegians , BCR Boys. Hans has been on form recently with releases on Perc Trax, Harthouse, 8 Sided Dice & his own imprint, Sleaze Records. This release is another testament to the production talent coming out of Glasgow at the moment, with Hans & BCR Boys combining on one of the worlds most repected techno labels.



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Uk duo throbs full on! Following their steps on Perc Trax, Sleaze, Proper, Seta-these three cuts pure techno peak madness!


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A Detroit inspired bleeping techno EP. Original cut brings back the Accelerate synth bloop with modern pulse drums. Damon Wild kicks in the tight acid and Xpansul makes this a big room summer hit. Steve Parker, not being an adept of calculated biographies or narrated thoughts, continues believing that the best way of presenting him self like dj and producer will always be with his quality and huge musical background. Counting on a long career as dj his style in a dj set goes from Tech-House and into the minimal techno, with the only guarantees that above any label or musical style the sonorous quality will always be the first and only priority.


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After following Luke Blair's work for approaching two decades from his 2007 debut as Lukid on Actress' Werk Discs, we're humbled to present a new album on Death Is Not The End. Following relatively hot on the heels of 2023's Tilt (his first in 11 years, not counting his work with Jackson Bailey under the Rezzett guise) Underloop brings Blair's innate knack for building loops and sound structures further to the surface, while allowing his ear for emotional expression to be dialled up a notch. Those fortunate enough to be familiar with Lukid's work as a DJ will be aware of how distinct his ability is to seamlessly disappear into loop-based abstraction and back again seemingly without blinking, and often Underloop feels much like a collection of the sludgey interludes and foggy sketches that underpin his sets. Blending apparently ramshackle melodies and textures and pulling them together into an undeniable whole, Blair's tendency for pairing the simple and the indescribable with an understated vigour is fully on show here.

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Underground mainstay and long-time melodic and progressive champion Guy Gerber is back on his own Rumors label with Every Time We Say Goodbye, a new EP that shows he continues to evolve his style without forgetting his signature. Gerber has been a core part of the underground for years, heading the world's most revered clubs and festivals, bringing all new party concepts to Ibiza and serving up serene and synth heavy soundscape that move people physically and emotionally on labels like Cocoon, Italians Do It Better and of course Rumors. Every Time We Say Goodbye (feat. Blanca) is light and melodic with shimmering pads and ethereal textures. Blanca’s treated vocals float effortlessly above rolling percussion and delicate synth melodies, delivering a warm, emotional energy that feels both modern and timeless. The 18th Floor is a hypnotic journey built on dubby low-end grooves and fluid, meandering leads. Angelic, reverb-soaked vocal fragments drift through the mix, giving the track a dreamlike atmosphere that’s equally suited for peak-time or deeper, introspective moments. On the flip is Under the same Moon, an introspective journey through deep emotion and atmospheric house. Under the same Moon is a sonic meditation, melancholic yet hopeful, with textures that evoke twilight memories and introspective dancefloor, lastly The Bigger Person takes a more laid-back approach, driven by warm guitar lines that showcase Guy’s instrumental finesse.

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Motor city royalty Floorplan, aka Detroit techno pioneer and creator of minimal techno Robert Hood and his DJ/producer daughter Lyric Hood, announce their forthcoming inclusion in the deeply respected ‘fabric presents’ mix series with the release of their new single ‘You’re A Shining Star’, out now. The full mix drops on digital/vinyl/CD via fabric records on 28th November. Robert has been a long-standing fabric favourite since the institution's earliest years, clocking up over 20 sets in Room 2, including a live session on New Year's Eve, 2012. In 2008, he'd turn in Fabric 39 which is among the most revered contributions to the fabric mix canon. Now, with the forthcoming ‘fabric presents Floorplan’ mix, the story comes full circle - marking both the duo’s debut on the iconic mix series and a monumental moment for the family project. About Floorplan: Emerging from a musically rich Detroit upbringing steeped in Motown and vinyl culture, Robert Hood became an early member of the seminal ’90s collective Underground Resistance, helping to spearhead the rise of techno. Going solo, Hood created minimal techno with his Minimal Nation LP. Groundbreaking productions, acclaimed performances, and his own M-plant label followed, until in ’96 he formed Floorplan - an alter ego to expand beyond minimal techno into gospel, soul and house-infused techno. Immersed in music from an early age, Lyric eventually caught the same electronic spark that’s driven her father for decades. In 2014, after the release of Hood’s debut Floorplan album Paradise, the project evolved as the then-16-year-old Lyric joined him to perform as Floorplan, including a supreme closing set at Dekmantel’s Boiler Room stage. Two years later, Lyric officially became a full member of Floorplan, cementing their father–daughter collaboration, and they’d release their co-produced album Victorious on M-Plant that same year.

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lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.

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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.

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lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.

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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.

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The tenth edition of the Early Morning label stands as both a milestone and a statement of intent. In just a single year, its founder has reshaped theunderground dance music landscape with a catalog that redefined thepossibilities of the genre. This latest release features two new pieces thattogether form a tightly woven conceptual work spanning nearly seventeenminutes.

Guy Jhas built his reputation on reinvention. Each release feels less like acontinuation of his past and more like a step into uncharted terrain. On theopening track, Worlds Apart, he fuses an emotive core with intricate sounddesign and spatial experimentation, leading listeners into liminal states whereconsciousness and subconsciousness blur. Despite its cerebral qualities, thepiece never loses its pulse, the steady momentum thatkeeps it firmly anchoredto the dancefloor.

True tothe label's name, this is music designed for dawn, for moments of release aftera long night, for embraces on crowded floors, for the intangible bonds thatform through shared experience. The second track, Surreal, pushes further intoabstraction. While echoes of early trance, a genre that shaped Guy J during hisformative years, are evident, the piece reframes those influences through aprogressive, hypnotic, and technologically refined lens. It is this ability toblend memory with innovation that distinguishes Guy J from his peers, offeringlisteners not just music but a reimagined space in which sound itself becomesan act of discovery.


Tracklist
A. Guy J- Worlds Apart
B. Guy J- Surreal



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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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United Lions Conquer Studmission

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More