The artwork for this record is incorrect and currently states that Journey of the Dragons is included on the release.

The correct tracklisting is:

A1 Hi-Tech Jazz (The Science)
A2 Hi-Tech Jazz (The Elements)
B1 Astral Apache
B2 Star Sailing

This genre-causing classic contains one of UR’s most influential tracks ever recorded, Hi Tech Jazz, for which a whole new situation of electronic music was created. The conditions that spawned jazz and the
conditions that fueled Detroit techno are what really came together on this EP. To be excluded, ignored or worse not allowed usually end in a “FUCK YOU’ The inspiration for this record came from those who had the talent,had the drive, had the chops but were ignored back in the late 60’s, 70’s & 80’s because they didnt fit into what major record companies of their day were looking for! So finally they just “Did it
themselves! We are talking Wendell Harrison & The Tribe, Marcus Belgraves and Mad Mikes jazz mentor Robert “Bobby” Barnes and an even later inspiration Larry “Mr. Fingers” Heard. No better way to upset
and dethrone major record companies than to…….. start a movement that said “fuck you” to the commericial “Smooth Jazz” that was sucking innovation, experimentalism and the soul right out of Jazz and making it a household easy to digest pre-packaged PRODUCT!! This is the track that has influenced other hi-tech jazz groups and artists such as Timeline, Boulevard des Airs, Innerzone Orchestra, Jazzanova, Spiral Deluxe, Los Hermanos, Ian O’ Brian and many others. Listen to the beginning of a movement UR-025.

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UK pals Andy Riley and Laurence Ritchie have been Drop Music mainstays since before the turn of the millennium. They put out a veritable ton of house music and this EP first dropped back in 2004, but has long been ripe for a reissue. 'Already' sits somewhere between tech, new jack swing and deep house and is assembled from chopped-up samples, jazzy stabs and a rigid mix of drums that all get held together with a warm, swinging groove. 'Amber Gambler' on the flip is another collage made from distinctive patches - gun shots, MJ vocals, crashing hits, wiggy synths, minimal percussion and bursts of synth strings. The result is a busy, characterful groove that never stops grabbing your attention.

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Tipped by many as a true DJ’s DJ, London’s Isaac Carter has a sound that sits between heritage and reinterpretation. Drawing from the iconic hubs of Chicago and Detroit, his productions reframe classic influences with a contemporary UK perspective, prioritising groove, swing, and a stripped, functional edge.

At the heart of his work, Carter has developed his Ochi imprint, where his deeper material has circulated within a select circle of DJs, with love from names such as Ben UFO, Raresh, and Joy Orbison. A controlled outlet for ideas shaped specifically for club use, that approach also carries over into his sets, playing at the likes of DC10, Glastonbury, and Love International.

Fresh from his appearance for the London favourites at FUSE’s annual Open Air showcase, Enzo Siragusa now welcomes him to the label for the first time as he brings a collection of cuts that journey into varying corners of the house sphere.

The ‘Disconnected’ EP brings five tracks built around direct function and contrast. ‘Disconnected’ opens with rolling low-end pressure and slinking drums, loaded with swing, setting a clear rhythmic foundation for the project. ‘Bad Girl’ shifts into a more playful space, led by vocal fragments, hazy chords and dubby tones. On the B-side, ‘What We Do’ leans into crisp repetition sitting beneath shifting, trippy movement, followed by ‘Loopy’, which strips things back into a reduced late-night percussive trip.

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With skynet T.6, the time has come for ROBOTRON to expand the network of SKYNET CYBERSONIX. From the signal zones emerges DOPPLEREFFEKT – with a conceptual transmission between time-fields, entropic resonance, and asymptotic states – entitled EONFIELD. Issued as a limited edition of 200 × 12" copies, available on black or silver vinyl – including a numbered insert sheet, a sticker, and one of 50 randomly packed posters.

Eonfield is a conceptual framework in which reality is treated as a field defined not primarily across space, but across cosmological time scales approaching infinity. In this view, all physical states, structures, and observers are understood as functions evolving within an extended temporal domain, where the dominant variable is time in its asymptotic limit. As duration increases, local distinctions – such as form, energy distribution, and informational structure – undergo progressive smoothing under entropic dynamics. The Eonfield therefore describes a regime in which the evolution of the universe is no longer meaningfully characterized by discrete events or objects, but by the global behavior of fields approaching equilibrium conditions. Concepts like causality, locality, and state differentiation remain formally valid but lose practical significance as their effects are diluted across effectively unbounded temporal intervals.

Philosophically, the Eonfield reframes ontology around persistence rather than presence. Identity, within this framework, is not a fixed property but a transient configuration that becomes increasingly unstable as time extends toward infinity. Information is not annihilated but redistributed toward maximal entropy, rendering it inaccessible rather than nonexistent. The Eonfield thus represents a limiting description of reality in which all structured differences converge toward uniformity, and where the question of “what exists” is replaced by “what remains distinguishable over infinite duration.” It implies that being itself is subordinate to temporal extension, and that the ultimate condition of reality is not a state in the conventional sense, but a boundary behavior of all possible states under infinite time evolution.

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DJ, musician & vinyl pusher Luther Vine joins the Bank of Switches family. Serving up a thick slice of rolling, trippy, techy goodness driven by a heavy bottom end & crisp tops.
MobiusTrip showcases Luther’s studio dexterity & deep-rooted dancefloor knowledge gained in booths around the world & behind the counter at London’s Phonica Records.

Flip the record for a distinctly sunny reworking by Subsiquent label boss & Houghton staple, Voigtmann.

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The wizard Sweely opens his own label with a five-track EP of woozy, sensual house that blends G-funk-tinted synths, rolling rhythms and a strong emotional pull. From the nostalgic opener “Erasmus DJ” to the sexy live favourite “Sex Pills”, via the hypnotic tool “This Is Perfect”, each track is built for deep, late-night moments. Final cut “Samples n Scratch” goes one step further, offering not just a DJ tool but also drum kits, scratches and stems for producers who want to chop and remix the record.

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Still Music & Jerome Derradji Present - Chip E – The Architect Of House: Chicago 1984–88 (Volume 1)


Still Music, under the guidance of Jerome Derradji, proudly announces a landmark archival release celebrating one of house music’s true originators: Chip E.
Titled The Architect Of House – Chicago 1984–88, this definitive series spans three double LP volumes, documenting the raw foundations and forward-thinking vision that helped shape an entire genre.


Across these three carefully curated releases—complete with inserts—the story of Chip E, born Irwin Eberhart II, unfolds not just as a collection of records, but as a vital chapter in the birth of house music in Chicago.


Volume 1: Classics revisits the essential recordings that defined an era, including foundational works born from the energy of Chicago’s South Side and its early club circuit. These are the tracks that captured the moment when disco’s ashes gave rise to something entirely new—driven by drum machines, tape edits, and an uncompromising focus on the dancefloor. Chip E helped transform house music forever.


Chip E’s journey begins in 1979 when, at just 13 years old, a life-changing night on a Chicago dancefloor—soundtracked by the Chosen Few and the records played at underground loft parties—ignited a lifelong dedication to music. From his early days digging at Importes Etc., to crafting reel-to-reel edits for DJs like Frankie Knuckles and Ron Hardy, to releasing the seminal Jack Trax EP in 1985, Chip E played a pivotal role in codifying the language, sound, and culture of house music.

Tracks like “Time to Jack” and “It’s House” didn’t just move crowds—they helped define the very terminology and identity of the genre. Combining marketing instinct, technical ingenuity, and deep immersion in Chicago’s club ecosystem, Chip E helped transform a local movement into a global phenomenon.

With The Architect Of House – Chicago 1984–88, Still Music and Jerome Derradji honor this legacy with the depth, care, and historical perspective it deserves. More than a retrospective, this series is a restoration of context—placing Chip E firmly where he belongs: at the blueprint stage of house music’s creation.
All three volumes are presented as deluxe double LP editions, with Volumes 1 and 2 including inserts, aimed at collectors, DJs, and anyone seeking to understand the roots of modern dance music.

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