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Tom Rowlands - We Are Nothing
2
Tom Rowlands - All Night
Visionary producer and one half of pioneering electronic duo The Chemical Brothers, Tom Rowlands returns to Phantasy with ‘We Are Nothing / All Night’, the first solo dancefloor material since his last appearance on Erol Alkan’s storied London label in 2013 with ‘Through Me / Nothing But Pleasure’. Once again, Rowlands delivers a double A-side single in order to commit two progressive new productions to wax. Heavily road-tested across the world in Chemical Brothers DJ sets, the sprawling arrangement of ‘We Are Nothing’ trips through a decades-long obsession and subversion of house music and psychedelia alike. Imaginatively sampling Canadian outsider artist Bill Bissett, Rowlands uses the poet’s existential phrasing as the foundation for a rising slalom of acid catharsis, peppered with snatches of soul, analogue freakouts, and all-encompassing groove. ‘All Night’, meanwhile, finds a different, perhaps unexpected rhythm. Here, Rowlands’ unmatched studio instincts deviate in a different direction entirely, employing a searing tempo to embrace the analogue experimentation at the heart of his work, as well as an appreciation for electronic music’s willingness to barrel ever-forward; the result is a worthy head spinner from both label and artist alike.
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More records from Tom Rowlands
1
Tom Rowlands - Through Me
2
Tom Rowlands - Nothing But Pleasure
Limited edition transparent vinyl pressing of Tom Rowlands' first release on Phantasy. ‘Through Me’ is an all-cylinders, propulsive elasticated house track while ‘Nothing But Pleasure’ is eight-plus minutes of unstoppable Metallic KO disco. Both tracks reiterate the point that Tom is unarguably one of the greatest producers of club music around.
Clear vinyl comes in a stickered heavyweight reverse board sleeve..
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Clear vinyl comes in a stickered heavyweight reverse board sleeve..
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1
Tom Rowlands - We Are Nothing
2
Tom Rowlands - All Night
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Phantasy is proud to release a one-off double A side 12” from The Chemical Brothers’ Tom Rowlands. ‘Through Me’ is an all-cylinders, propulsive elasticated house track while ‘Nothing But Pleasure’ is eight-plus minutes of unstoppable Metallic KO disco. Both tracks reiterate the point that Tom is unarguably one of the greatest producers of club music around. The 12” vinyl will be in the shops within the next couple of weeks; the download will follow a few weeks afterwards. Tom Rowlands: “These are tracks that were made to DJ with. I gave them to Erol to road test; he loved them so it seemed a perfect fit for Phantasy – I love what he does with the label. The Chemical Brothers haven’t any plans to release new music this year – we’re soon to start work on a new record – so this 12” seemed an exciting way to get music into clubs now.” Erol Alkan: “Every time I played the tracks out people were desperate to find out what they were. Both have been highlights in my Dj sets for the last few months.”
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More records from phantasy sound
1
Factory Floor - Buzz Saw
2
Factory Floor - Buzz Saw Dub
3
Factory Floor - Guitar_1342
Factory Floor return to Phantasy with ‘Buzz Saw’, a driving new single that once more re-establishes the trio of Nik Colk Void, Gabe Gurnsey and Joe Ward as amongst the most vital forces in live electronic music. Following on from 2025’s sold-out vinyl singles ‘Between You’ and ‘Tell Me’, the spacious groove of ‘Buzz Saw’ bridges the sharp, bracing synthesis of the band’s origins in London’s post-industrial warehouse scene. Once again mixed by legendary engineer David Wrench (Daniel Avery, Floating Points), it captures the band’s most dancefloor-forward instincts, recently rejuvenated via appearances at Berghain, festivals such as No Bounds and Simple Things, plus a headlining UK tour. As before, Gurnsey’s peerless drum work - tracked in the studio by Stephen Morris of New Order - proves forceful and delicate in tandem with Ward’s percussion, encountering suspenseful breakdowns in the space between Voids enveloping basslines. In dreamlike accompaniment, Colk Void’s own voice drifts serenely upwards, itself slowly consumed and obscured into the band’s full-bodied electronic rush, which is also available here as a more minimal, no-less powerful dub version. In sonic contrast, ‘Guitar_1342’ finds the band experimenting in their starkest terms, stripped back of their luminescent flow and boldly reduced to an abrasive, dissonant guitar feedback. Factory Floor’s ‘Buzz Saw’ will be released via Phantasy on 29th May 2025, available as a limited-edition vinyl pressing in a risoprint sleeve, as well as digitally.
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1
Roman Flügel - Tippex In My Eye ft. Pytko (Vocal)
2
Roman Flügel - Tippex In My Eye ft. Pytko ( Instrumental )
3
Roman Flügel - Tippex In My Eye ft. Pytko (Dance Mix)
Tippex in My Eye’, Roman Flügel’s third single with Erol Alkan’s Phantasy Sound, nonetheless charts exciting new territory for the prolific German producer, finding him in collaboration with London-based vocalist and songwriter, PYTKO. Already established as a member of Phantasy’s creative family following her cultishly received 2022 debut LP ‘The Way We Blush’, PYTKO searching, surrealist lyrics and performance provide perfect synthesis for Flügel’s first ever vocal collaboration. Somewhere between digital dub and avant garde shades of electro-pop, ‘Tippex in My Eye’ slowly works a strange and spacious magic, meditating on bassweight while moving ever-forward with sparse piano and distinctly Flugelesque synthesis. Throughout, PYTKO’s enigmatic vocals intertwine with this ambitious arrangement, acting as an incantation for a brief but refreshingly strange journey. Each of these elements are repurposed with hypnotic, psychedelic impact on an alternate ‘Dance Mix’. Immediately tapping into Flügel’s well-established nous for turning minimalism into euphoria, PYTKO herself becomes a guiding force for the dancefloor, as the track builds thrillingly toward a cosmic breakdown and dramatic release. Roman Flügel’s ‘Tippex in My Eye (ft. PYTKO)’ will be released on Phantasy on May 15th 2026, available on limited-edition vinyl and streaming.
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1
Felix Da Housecat - Test Press (Aphrohead Remix / Erol Alkan Re-Edit)
Test Press’ originally landed with Erol Alkan long before his monumental B2B2B2B with Busy P, Fred Again and Thomas Bangalter of Daft Punk in Paris in October 2025. A few nips and tucks by Alkan later resulted in his own simple yet highly effective battle weapon, and ‘Test Press’ was ready for the Parisian dancers at the now legendary Pompidou Centre’s closing party, as well as thousands locked into the live stream of this unexpected link-up Not content with the edit to merely be confined to a series of YouTube rips and Alkan's own USB key, Felix Da Housecat’s ‘Test Press (Aphrohead Remix / Erol Alkan Re-Edit)’ has been pressed onto a limited edition single-sided while label. This is not a promotional copy
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1
CC:DISCO! - Chez Moi (Waiting For You) (Sally C Remix)
2
CC:DISCO! - Chez Moi (Waiting For You) (Spray presents Club Spriitzz Mix)
3
CC:DISCO! - Chez Moi (Waiting For You) (Spray's Witching Hour Mix)
Sally C steps up to inject CC:DISCO!’s sensual anthem ‘Chez Moi (feat. Confidence Man)’ with an inimitable streak of pumping house flavour. Originally released on Phantasy as CC’s debut single in the summer of 2024, the scene-setting Irish DJ and producer’s remix ticks like a Balearic bomb, riding waves of rushing chords and shuffling drums, built for the biggest sound systems. After years of demand, Spray takes two wildly alternate approaches to ‘Chez Moi’, pressed to wax for the first time. His euphoric ‘Club Spriitzz’ mix fizzes toward the undistilled euphoria already beloved to festival crowds worldwide. In contrast, a swampier ‘Witching Hour’ cut recalls the experimental acid of early Hardfloor or Plastikman, for a heavyweight treat.
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1
Xclusiv - Fools Are Friendly (Extended Mix)
2
Xclusiv - Fools Are Friendly (Instrumental Mix)
Phantasy transports back to 1982 for a faithful reissue of the highly sought after ‘Fools Are Friendly’ from Xclusiv, carefully re-mastered from the original tapes. The alias of sisters Karen and Maxine Berlinski, Xclusiv emerged inconspicuously from the London borough of Croydon with a sophisticated vision of cosmic disco pop, linking the suburbs with Soho’s neon-tinted nightlife. Decades later, and in close collaboration with the sisters, this highly sought-after record arrives lovingly reissued by Phantasy in its original, sensuous form. Originally self-released on Le Maitre Music, a record label spun-off from their family-run fireworks and pyrotechnics company, ‘Fools Are Friendly’ has the irresistible sense of a radio hit that never was. A brilliant DIY reflection of the disco and soul that dominated the charts of the time, its glossy, primitive electronics echo the synth experiments of Giorgio Moroder or Didier Marouani, pioneers that were transforming pop music. The extended mix provides an overture to the sisters’ twinned vocals, unfolding with delectable disco drama. In contrast, the Instrumental Mix lets the record’s blend of elements truly breathe, a synthesised version of Xclusiv’s irresistible vocal hook holding court between timeless arpeggios and subtle modulation.
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1
Luca Lozano, Mr.Ho - A1. Reach Out And Touch
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Luca Lozano, Mr.Ho - A2. Psycho Rasp
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Luca Lozano, Mr.Ho - B1. Grease Beat
4
Luca Lozano, Mr.Ho - B2. Tin Can Hustler
Shining lights in London’s queer electronic underground, prolific duo FAFF make their de Drawing equally on peak-time club catharsis and the emotive experimentation of golden-era IDM and electro, these recordings meld the pair’s diverse DJ sets and ambient live work, which has captivated festivals including Draimollen, Field Maneuvers, and Body Movements. The title track, ‘A Few Good Days, ’ melds hypnotic percussion, snatches of vocal euphoria, and a stuttering break for instant post-rave afterglow. Its wandering but compelling arrangement subtly invokes and updates the pioneering aesthetic of One Dove, Sabres of Paradise, or even William Orbit. The tempo tilts skywards for ‘Tracy’s Night Out’, a peak-time display of FAFF’s studio prowess that fuses choral techno drama with a shamelessly bouncing bassline designed to tear up any respectable sound system. Emerging from the sweat and strobes for a wide-eyed stroll home, ‘Tracy’s Daydream’ wishes away the EP with delicate, textural delight, floating gently on pure analogue reverie.
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1
Gramrcy & John Loveless - Lucid
2
Gramrcy & John Loveless - Lucid (Instrumental)
3
Gramrcy & John Loveless - Feel So
Gramrcy and John Loveless return to Phantasy with a double-A single, ‘Lucid / Feel So’. Three years on from their festival-rupturing hit ‘Highdive’, which found regular rotation in the sets of 2ManyDJs, Peggy Gou and Daniel Avery alongside soundtracking shows for Moschino and Hugo Boss, two new tracks expand the sound of the Berlin pair’s studio partnership. ‘Lucid’ features a unique vocal turn from Tony Morris, a former teacher, taxi driver and contemporary cult figure in Glasgow’s underground scene. Having begun DIY production only in his late sixties, he has since released on the city’s peerless Optimo Music and has been profiled by the BBC and NPR, alternately described by The Scottish Herald as “Scotland’s most unlikely pop sensation” and by himself as “a deviant cabaret artist”. Morris’s hypnotic repetitions prove to be an earworming anchor for Gramrcy and Loveless’s pressure-cooker arrangement, a bubbling concoction that represents their most formative influences, combining the sheer bassweight of FWD-era UK dance with the ISDN-line scramble of the most out-there electroclash. Rich in rhythm and textural weirdness, ‘Lucid’ captures the sound of a deeply satisfying intersection of rave outsiders. Eschewing the dreamy psychedelia of its counterpart, ‘Feel So’ instead tips the scales back toward the outright ecstatic. The influence of esoteric disco and post-punk percussion rides on a throbbing bassline that builds toward supreme dancefloor release, paying tribute to a legacy of hi-NRG, spanning Chicago to Rimini.
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1
Tom Rowlands - Through Me
2
Tom Rowlands - Nothing But Pleasure
Limited edition transparent vinyl pressing of Tom Rowlands' first release on Phantasy. ‘Through Me’ is an all-cylinders, propulsive elasticated house track while ‘Nothing But Pleasure’ is eight-plus minutes of unstoppable Metallic KO disco. Both tracks reiterate the point that Tom is unarguably one of the greatest producers of club music around.
Clear vinyl comes in a stickered heavyweight reverse board sleeve..
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Clear vinyl comes in a stickered heavyweight reverse board sleeve..
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1
FAFF - A Few Good Days
2
FAFF - Tracy's Night Out
3
FAFF - Tracy's Daydream
Shining lights in London’s queer electronic underground, prolific duo FAFF make their de Drawing equally on peak-time club catharsis and the emotive experimentation of golden-era IDM and electro, these recordings meld the pair’s diverse DJ sets and ambient live work, which has captivated festivals including Draimollen, Field Maneuvers, and Body Movements. The title track, ‘A Few Good Days, ’ melds hypnotic percussion, snatches of vocal euphoria, and a stuttering break for instant post-rave afterglow. Its wandering but compelling arrangement subtly invokes and updates the pioneering aesthetic of One Dove, Sabres of Paradise, or even William Orbit. The tempo tilts skywards for ‘Tracy’s Night Out’, a peak-time display of FAFF’s studio prowess that fuses choral techno drama with a shamelessly bouncing bassline designed to tear up any respectable sound system. Emerging from the sweat and strobes for a wide-eyed stroll home, ‘Tracy’s Daydream’ wishes away the EP with delicate, textural delight, floating gently on pure analogue reverie.
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1
Tom Rowlands - We Are Nothing
2
Tom Rowlands - All Night
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Boys' Shorts - Summer's Here and Summer's Missing ft. Budino & Elisa Paradiso
2
Boys' Shorts - Stereo on Acid
3
Boys' Shorts - Athena
Phantasy are delighted to introduce Greek duo Boys' Shorts for their debut EP on the label, ‘Athena’. The project of music obsessives Vangelis and Tareq, the Boys’ Shorts sound has helped redefine timeless strains of disco, house and Italo for Europe’s queer club underground, with similar charisma spilling into their collaborative productions on labels including Live at Robert Johnson, Permanent Vacation and Polari. Boys' Shorts appearance on Phantasy is coupled with their most ambitious and fulfilling songwriting to date. Featuring a rare vocal performance from beloved selector and cosmic disco expert Budino, appearing alongside Elisa Paradiso, the instantaneous lead cut ‘Summer’s Here and Summer’s Missing’ recounts a sun-drenched romance cut short. The duo’s soft, bittersweet synthesis mingles with Budino’s Italian-language lyrics, gently pulsing to find closure, or at least further pleasure, while up late in a Balearic discoteque. Under those same hot lights, Boys' Shorts go deeper still with the leading oscillations of ‘Stereo on Acid’, in which classic, wobbly-hearted 808 sounds flirt playfully with a bassline that bumps like downtown traffic on a sweltering Athens afternoon. Reflecting the hidden pleasures and true underground culture of the city after nightfall, title track ‘Athena’ is a sensual and sophisticated groove with an epic yet understated touch, that one can imagine soundtracking a future soiree or centuries of ancient history alike.
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1
Factory Floor - Tell Me (XL)
2
Factory Floor - Tell Me (Edit)
Following a sold-out UK tour, Factory Floor return to Phantasy with a new single, ‘Tell Me’. As propulsive and direct as anything the cult UK electronic group has ever released, ‘Tell Me’ continues to perfect the dynamic in the band’s current lineup of Gabe Gurnsey, Nik Colk Void, and Joe Ward, with additional drum tracking by Stephen Morris of New Order. Situated between the sonic promise of enduring indie culture, yet naturally imbued with the band’s relentless forward-thinking ethos. Throughout, Colk Void’s inquisitive vocal guides the listener through an elastic square-wave bass groove that forms the rhythmic backbone to Tell Me, before Gurnsey and Ward's frenetic drumming breakdown rains with pure abandon, exemplifying the band’s personal alchemy between genre, scenes, human, and machine. ‘Tell Me’ arrives digitally and on limited 12” vinyl, housed in a riso-print sleeve, backed with an extended mix for dance floor play. There will also be a limited Rough Trade exclusive vinyl edition featuring an alternate sleeve.
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1
Ewan McVicar - Careless Drifter
2
Ewan McVicar - Basic Foundation
Phantasy proudly presents a new AA single from Ewan McVicar, ‘Careless Drifter / Basic Foundation’. Undoubtedly one of the most prominent and successful figures in UK dance music in recent years, McVicar’s contribution to Erol Alkan’s long-standing London label is a love letter from his earliest days raving in rural Scotland. Debuted by McVicar at I Love Acid at Corsica Studios, and road tested at his own Handpicked parties, each track is a paean to communal party spirit that has informed his musical philosophy. Patient but instantly trippy, ‘Careless Drifter’ coaxes dancers into a bottom-heavy bath of bassline and oscillations, revealing an alluring saxophone break that bridges the rawest end of the rave with unexpected opulence. On the flip side, ‘Basic Foundation’ further strips back this instinct for club composition, dropping the tempo while dazzling with razor-sharp synths. The result is primo acid-house chug, alternating between light and shade, as McVicar’s knack for a melody emerges from his modular experiments.
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1
Daniel Avery - Drone Logic (Harvey McKay Re-Edit)
Harvey McKay delivers a powerful edit of Daniel Avery’s classic Drone Logic, raising the tempo and expanding on the original’s psychedelia with his own distinct aesthetic of soulful, slamming techno. A secret weapon in the DJ sets of both artists in recent months, as well as for Erol Alkan, this much-requested track is now pressed by Phantasy in a run of 500. Noise flies high!
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The Hacker & Endrik Schroeder Project - Puissance 4
2
The Hacker & Endrik Schroeder Project - The Voyagers
As one of the most prolific and influential producers of the last thirty years, The Hacker’s imprint on electronic music already spans genres, eras and scene revolutions. And still, there’s more. In spirited collaboration with friend and fellow French journeyman Endrik Schroeder, the first release from The Hacker & Endrik Schroeder Project eschews EBM excess or gritty electro. Instead, two introductory tracks slip into the continuum of evergreen underground techno, influenced in equal part by the digital soul of Detroit, and the futurist experimentations of Sheffield. Quickly escalating from a classic beat to a hoover-rave ascent determined to fill the vacuum of any warehouse, ‘Puissance’ is an unapologetic anthem that doubles as an elegant and impactful introduction to the Hacker & Schroeder partnership. Hypnotising dancers with ever-more forceful acid oscillations, the pair masterfully stave off the pressure with a wide-eyed organ riff, played live and direct from rave heaven. ‘The Voyagers’ contrasts with a cosmic groove, certain to satisfy heads-down bleep purists, while dedicating time and space for the charisma and quirks of this machine-led dance to shine through, including emotional pads and whispering voices, par excellence.
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Label:phantasy sound
Cat-No:PH140
Release-Date:28.02.2025
Genre:Alternative/Electronic
Configuration:12"
Label:phantasy sound
Cat-No:PH140
Release-Date:28.02.2025
Genre:Alternative/Electronic
Configuration:12"
1
Factory Floor - Between You
2
Factory Floor - Between You (Extended Mix)
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Roman Flügel - No Solutions
2
Roman Flügel - Sapphire
3
Roman Flügel - Dragged
Roman Flügel returns to Phantasy with his second release of 2024 on Erol Alkan’s beloved London label, ‘No Solutions EP’. Following on from ‘Hotel Kathargo / Energies’, which garnered a summer of support from a typically diverse array of DJs including Gerd Janson, Jamie Jones and Saoirse, ‘No Solutions’ expands Flügel’s contributions to Phantasy into a triple track delight, another generous expression of his lifelong immersion in electronic music culture. Transporting the zeitgeist of future-facing, eighties pop production onto modern dance floors, the title track ‘No Solutions’ is a fizzy, escalating ode to some of Flügel’s very earliest musical influences. Playfully channeling the wide-eyed electronics pioneered by The Human League or Soft Cell, it accelerates into a contemporary funhouse of wild oscillations and dreamy melodies. ‘Sapphire’ shifts this sound palette forward, a steady acid-not-acid bubbler that maintains maximum intrigue and pressure, occasionally breaking through its hazy clouds with pillowy breakdowns and a sense of space-age whimsy. Flügel takes the same palette in a different, more exacting direction on ‘Dragged’, spinning a creeping, Krautrock-esque groove that pays homage to the steady, lifting pulse of German kosmische traditions. Lift off!
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Wallace - Cravings ft. Love Letters
2
Wallace - Concourse
3
Wallace - Cravings (Dub)
UK-based DJ and producer Wallace debuts on Phantasy Sound with an irresistible double A-side single, ‘Cravings (ft. Love Letters) / Concourse.’ Bubbling with sensuality and euphoria, both tracks reinforce Wallace’s burgeoning reputation as one of electronic music’s most impressive new voices, a crowning moment on Erol Alkan’s long-running label following a stellar run of singles for imprints including Cooking With Palms Trax, Rhythm Section, and Moxie's much-loved On Loop. Led by a longing, inquisitive performance from vocalist and underground house music luminary, Love Letters, ‘Cravings’ builds from a simple throbbing bass line to an eruption of lyrical and musical joy. Exploring onset desire – risk, uncertainty, and ultimately, reward – Wallace’s deep and celebratory arrangement interweaves with Love Letters’ queer perspective to deliver universal satisfaction. While ‘Cravings’ looks inward to find release, ‘Concourse’ goes for the jugular with a darker, more epic sensibility than Wallace has previously indulged. His flawless production touch seamlessly gifts magic to a widescreen techno epic that might not sound out of place on the terrace at Circoloco or else a field near early-nineties Frankfurt, repeatedly working his acid-oriented machines into a lather and conjuring cosmic drama from eerie, choral voices beneath a powerful groove.
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Germany
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Label:Avenue 66
Cat-No:AVE66-20.1
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:12" Excl
Label:Avenue 66
Cat-No:AVE66-20.1
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:12" Excl
1
Jonquera - Cause & Utility
2
Jonquera - Tales Of Decay
3
Tolouse Low Trax - Amp
4
Tolouse Low Trax - Solid Rock
Tracklist
A1. Jonquera – Cause & Utility
A2. Jonquera – Tales Of Decay
B1. Tolouse Low Trax – Amp
B2. Tolouse Low Trax – Solid Rock
Info:
Avenue 66 opens Series 33 with a Düsseldorf–Lyon connection.
Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. That night, his hypnotic slow-motion set was cut short, yet it left a lasting imprint. The Düsseldorf artist’s mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for
Jonquera, even inspiring playful “Düsselcore” edits in his Tera Octe days.
After several LPs, Jonquera returns to the EP format with Cause & Utility / Tales of Decay. Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. Cause & Utility revolves around the
abstract idea of two dogs as concepts, enriched by the earthy drone of a hurdy-gurdy. Tales of Decay paints a surreal image of a house losing its rooms like a body shedding parts.
The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. Amp is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice
samples. The piece extends his exploration of how art can mirror the flow of inner-city traffic; drifting without a clear climax. Solid Rock echoes this idea, first conceived as a variation on Amp where particles repeat themselves. The result is distinct yet conceptually linked, evoking the
density of a crowded neighboring city: beginning in apparent disarray before locking into an abstract, hypnotic funk.
Series 33 begins with the convergence of Jonquera’s looping experiments and Tolouse Low Trax’s mechanical psychedelia, a dialogue between Lyon and Düsseldorf.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Jonquera – Cause & Utility
A2. Jonquera – Tales Of Decay
B1. Tolouse Low Trax – Amp
B2. Tolouse Low Trax – Solid Rock
Info:
Avenue 66 opens Series 33 with a Düsseldorf–Lyon connection.
Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. That night, his hypnotic slow-motion set was cut short, yet it left a lasting imprint. The Düsseldorf artist’s mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for
Jonquera, even inspiring playful “Düsselcore” edits in his Tera Octe days.
After several LPs, Jonquera returns to the EP format with Cause & Utility / Tales of Decay. Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. Cause & Utility revolves around the
abstract idea of two dogs as concepts, enriched by the earthy drone of a hurdy-gurdy. Tales of Decay paints a surreal image of a house losing its rooms like a body shedding parts.
The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. Amp is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice
samples. The piece extends his exploration of how art can mirror the flow of inner-city traffic; drifting without a clear climax. Solid Rock echoes this idea, first conceived as a variation on Amp where particles repeat themselves. The result is distinct yet conceptually linked, evoking the
density of a crowded neighboring city: beginning in apparent disarray before locking into an abstract, hypnotic funk.
Series 33 begins with the convergence of Jonquera’s looping experiments and Tolouse Low Trax’s mechanical psychedelia, a dialogue between Lyon and Düsseldorf.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jo Bubbles - Can You Dream
2
Jo Bubbles - Compass Point
3
Jo Bubbles - Floating In The Dancehall
4
Jo Bubbles - Tu Cariño
GENRE/S: Techouse
TRACKLIST:
[Vinyl]
A1. Can You Dream
A2. Compass Point
B1. Floating In The Dancehall
B2. Tu Cariño
SHORT INFO:
Swedish underground maestro Jo Bubbles (a.k.a. Jonas Dahlström) boasts an impressive streak of hot dance 12’’ releases in recent years, for illustrous labels like Parkway Records, The Transient Nature of The Disco Business and Västkransen. Ever intent on lifting homegrown talent and presenting it to its
worldwide audience, Studio Barnhus proudly unveils Mr. Bubble’s first outing on the label: a compilation of four distinct, yet equally striking dance tracks, each showcasing meticulously curated sound palettes paired with undeniably rock solid grooves.
From the electroid stomp of Compass Point to the Balearic-leaning grandeur of closing track Tu Cariño, these are cuts that would have gone down a storm during the early morning hours at Hägring, the infamous, now-defunct disco rave Jonas helped steer for over a decade. We’re thrilled to release these babies into the wild, for all to enjoy. Tu Cariño is out on vinyl and digital formats on October 10.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
[Vinyl]
A1. Can You Dream
A2. Compass Point
B1. Floating In The Dancehall
B2. Tu Cariño
SHORT INFO:
Swedish underground maestro Jo Bubbles (a.k.a. Jonas Dahlström) boasts an impressive streak of hot dance 12’’ releases in recent years, for illustrous labels like Parkway Records, The Transient Nature of The Disco Business and Västkransen. Ever intent on lifting homegrown talent and presenting it to its
worldwide audience, Studio Barnhus proudly unveils Mr. Bubble’s first outing on the label: a compilation of four distinct, yet equally striking dance tracks, each showcasing meticulously curated sound palettes paired with undeniably rock solid grooves.
From the electroid stomp of Compass Point to the Balearic-leaning grandeur of closing track Tu Cariño, these are cuts that would have gone down a storm during the early morning hours at Hägring, the infamous, now-defunct disco rave Jonas helped steer for over a decade. We’re thrilled to release these babies into the wild, for all to enjoy. Tu Cariño is out on vinyl and digital formats on October 10.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:rbinc011
Release-Date:03.10.2025
Configuration:LP Excl
Cat-No:rbinc011
Release-Date:03.10.2025
Configuration:LP Excl
1
Feater - Peace & Happy
2
Feater - UheR
3
Feater - Pro Bono
4
Feater - Trio
5
Feater - Caramelli
6
Feater - Running Out
7
Feater - Obsolescence
8
Feater - Voco
Format: LP
Tracklist
A1. Peace & Happy
A2. UheR
A3. Pro Bono
B1. Trio
B2. Caramelli
B3. Running Out
B4. Obsolescence
B5. Voco
Info:
Welcome to Pfefferkorn: a countryside studio hidden inside a former 1950s café. The stylish interior stayed, the cake display is gone, but the mountain panorama is still very much in place. Out of this unlikely combination came Obsolescence, Feater's new album and a record that wasn't supposed to happen, but insisted on doing so anyway.
Originally, Pfefferkorn hosted a merry-go-round of guests and genres: jazz, kraut, pop, experiments, even the occasional field recording. Among the many, Mara Oldofredi aka Mietze Conte became the most frequent and inspiring visitor. Their sessions set sparks, and one of them, "Trio," landed directly on the album.
The method? Call it instant archaeology: live jams on two-track tape, then pushed through edits, resampling, Fairlight IIX sorcery, and endless tape-laptop relays. Quick, raw, and without too much overthinking, more sketch than sculpture, more instinct than intent.
The result is Obsolescence, a record born out of detours, made for personal delight, and proof that side products can be main courses if you let them.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. Peace & Happy
A2. UheR
A3. Pro Bono
B1. Trio
B2. Caramelli
B3. Running Out
B4. Obsolescence
B5. Voco
Info:
Welcome to Pfefferkorn: a countryside studio hidden inside a former 1950s café. The stylish interior stayed, the cake display is gone, but the mountain panorama is still very much in place. Out of this unlikely combination came Obsolescence, Feater's new album and a record that wasn't supposed to happen, but insisted on doing so anyway.
Originally, Pfefferkorn hosted a merry-go-round of guests and genres: jazz, kraut, pop, experiments, even the occasional field recording. Among the many, Mara Oldofredi aka Mietze Conte became the most frequent and inspiring visitor. Their sessions set sparks, and one of them, "Trio," landed directly on the album.
The method? Call it instant archaeology: live jams on two-track tape, then pushed through edits, resampling, Fairlight IIX sorcery, and endless tape-laptop relays. Quick, raw, and without too much overthinking, more sketch than sculpture, more instinct than intent.
The result is Obsolescence, a record born out of detours, made for personal delight, and proof that side products can be main courses if you let them.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Damiano Von Erckert - The Second Chance
2
Damiano Von Erckert - Good To You
3
Damiano Von Erckert - Good To You (Roman Flügel Remix)
4
Damiano Von Erckert - The Second Chance (Pascal Moscheni Remix)
GENRE/S: Electronic, House, Techno, Electro
TRACKLISTS:
Damiano Von Erckert - The Second Chance
Damiano Von Erckert - Good To You
Damiano Von Erckert - Good To You (Roman Flügel Remix)
Damiano von Erckert - The Second Chance (Pascal Moscheni Remix)
SHORT INFO:
At the crossroads of tradition and experimentation, Damiano von Erckert's sonic identity is forged in the fertile space between house and techno - a spectrum he navigates with instinct and intention. On Magnolia, his debut for Polifonic Records, von Erckert distills his musical ethos into a concise, emotionally rich release that bridges soulful euphoria and rhythmic introspection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
Damiano Von Erckert - The Second Chance
Damiano Von Erckert - Good To You
Damiano Von Erckert - Good To You (Roman Flügel Remix)
Damiano von Erckert - The Second Chance (Pascal Moscheni Remix)
SHORT INFO:
At the crossroads of tradition and experimentation, Damiano von Erckert's sonic identity is forged in the fertile space between house and techno - a spectrum he navigates with instinct and intention. On Magnolia, his debut for Polifonic Records, von Erckert distills his musical ethos into a concise, emotionally rich release that bridges soulful euphoria and rhythmic introspection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lexx - Into The Stream
2
Lexx - Ode To Mode
3
Lexx - Abun-dance
2025 Repress
Tracklist:
A1. Into The Stream
B1. Ode To Mode
B2. Abun-dance
Inexplicably, yet true, Lexx has never appeared in any way, shape, or form on International Feel recordings – until now. And it’s been worth the wait. Into the Stream is one of the finest endeavors of the Zurich record hound, DJ, musical mastermind, and Balearic baron to date. Bespoke for International Feel, it feels like a comforting blanket for hard times. Inspired by early 90s electronica and serene landscapes, the title track embodies those magical moments just before sunset on warm summer days — a light breeze carrying the sweet scent of earth as you cycle past a peaceful herd of white, black, and brown sheep moving in unison.
Revisiting stages of faith and devotion of one of the favorite bands of nearly every 1980s teenager, and using their formal vocabulary after a deep dive into their rich discography, Lexx delivers a respectful nod and a heartfelt bow, one that is not only a question of lust, but simply irresistible.
Last, but not least, Abun-dance is a celebration of life and love. It manages to tap into the stream and discover the true abundance of the (Balearic) bliss that surrounds us. A match made in heaven.
Lexx, we salute you. credits
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Into The Stream
B1. Ode To Mode
B2. Abun-dance
Inexplicably, yet true, Lexx has never appeared in any way, shape, or form on International Feel recordings – until now. And it’s been worth the wait. Into the Stream is one of the finest endeavors of the Zurich record hound, DJ, musical mastermind, and Balearic baron to date. Bespoke for International Feel, it feels like a comforting blanket for hard times. Inspired by early 90s electronica and serene landscapes, the title track embodies those magical moments just before sunset on warm summer days — a light breeze carrying the sweet scent of earth as you cycle past a peaceful herd of white, black, and brown sheep moving in unison.
Revisiting stages of faith and devotion of one of the favorite bands of nearly every 1980s teenager, and using their formal vocabulary after a deep dive into their rich discography, Lexx delivers a respectful nod and a heartfelt bow, one that is not only a question of lust, but simply irresistible.
Last, but not least, Abun-dance is a celebration of life and love. It manages to tap into the stream and discover the true abundance of the (Balearic) bliss that surrounds us. A match made in heaven.
Lexx, we salute you. credits
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Masalo - Arcade Heartbeat
Masalo – Arcade Heartbeat
Safe Trip – ST026
Single sided 12"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Safe Trip – ST026
Single sided 12"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ken Ishii - A1. Into The Inside (2024 Remaster)
2
Ken Ishii - A2. Fading Sky (2024 Remaster)
3
Ken Ishii - A3. Non Essential (2024 Remaster)
4
Ken Ishii - B1. Finite Time (2024 Remaster)
5
Ken Ishii - B2. Interjection (2024 Remaster)
6
Ken Ishii - B3. Scene One (2024 Remaster)
LP 180g Heavyweight vinyl, Remastered, with original track-list available on vinyl for the first time
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Idjut Boys & Minjung Kate Kim - Word Salad Version
2
Idjut Boys & Minjung Kate Kim - Conical Squares Version
Tracklist
A1. WTF – Word Salad Version
B1. WTF – Conical Squares Version
Info:
Further Adventures of the WTF Band ... because three letters are cheaper than
therapy. The Idjuts and Minjung Kate Kim continue their campaign to replace BPM
with LOL.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. WTF – Word Salad Version
B1. WTF – Conical Squares Version
Info:
Further Adventures of the WTF Band ... because three letters are cheaper than
therapy. The Idjuts and Minjung Kate Kim continue their campaign to replace BPM
with LOL.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:LMS1725563
Release-Date:12.09.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:London Records
Cat-No:LMS1725563
Release-Date:12.09.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Rights: World excluding FR & UK
Packaging: 2 x Black Vinyl, 5mm spine sleeve, 2 x printed inner sleeve, marketing sticker
GENRE : Electronics
SHORT PRODUCT INFORMATIONS :
DOUBLE BLACK LP - New reference : Double Black 140 grs Vinyl , 5 mm spine sleeve, 2 x printed inner, marketing sticker. This reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release.
TRACKLIST
DOUBLE VINYL
Side One
1. Time Becomes
2. Planet of the Shapes
Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)
Side Three
1. Remind
2. Walk Now…
Side Four
1. Monday
2. Halcyon + On + On
3. Input Out
SHORT INFOS / KEY POINTS
- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.
- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.
- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 2 x Black Vinyl, 5mm spine sleeve, 2 x printed inner sleeve, marketing sticker
GENRE : Electronics
SHORT PRODUCT INFORMATIONS :
DOUBLE BLACK LP - New reference : Double Black 140 grs Vinyl , 5 mm spine sleeve, 2 x printed inner, marketing sticker. This reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release.
TRACKLIST
DOUBLE VINYL
Side One
1. Time Becomes
2. Planet of the Shapes
Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)
Side Three
1. Remind
2. Walk Now…
Side Four
1. Monday
2. Halcyon + On + On
3. Input Out
SHORT INFOS / KEY POINTS
- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.
- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.
- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tommy Guerrero - Intro Lectric Chile Goat (0:56)
2
Tommy Guerrero - Abierto (3:59)
3
Tommy Guerrero - Organism (4:07)
4
Tommy Guerrero - Thank You MK (3:50)
5
Tommy Guerrero - Tatanka (4:09)
6
Tommy Guerrero - Interlude Train Of Thought (1:20)
7
Tommy Guerrero - It Gets Heavy (3:23)
8
Tommy Guerrero - Thin Brown Layer (4:39)
9
Tommy Guerrero - Interlude So Many Years Ago (0:45)
10
Tommy Guerrero - Terra Unfirma (4:05)
11
Tommy Guerrero - Gettin It Together (3:22)
12
Tommy Guerrero - Another Brother Gone (2:28)
13
Tommy Guerrero - Broken Blood (3:47)
14
Tommy Guerrero - Interlude And The Day Goes By (1:28)
15
Tommy Guerrero - Lost Unfound (3:32)
16
Tommy Guerrero - The Color Of Life (3:57)
17
Tommy Guerrero - Falling Awake (3:56)
2026 repress
Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)
B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)
C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)
D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)
B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)
C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)
D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Midori Takada - Cutting Branches For A Temporary Shelter (In The Morning) - 21:25
2
Midori Takada - Cutting Branches For A Temporary Shelter (In The Night) - 22:42
Genre: Ambient, Environmental, Mbira, Marimba, Ambient, Minimal, African
LP: 350gsm Sleeve, Obi, Liner Notes
Tracklisting LP
A1. Cutting Branches For A Temporary Shelter (In The Morning) - 21:25
B1. Cutting Branches For A Temporary Shelter (In The Night) - 22:42
Info
WRWTFWW Records and MEG Museum (Geneva) are honored to present the first new solo album by renowned Japanese percussionist Midori Takada (Through The Looking Glass) in 23 years, Cutting Branches For A Temporary Shelter, available on vinyl LP, housed in a 350gsm sleeve, with OBI, and liner notes, as well as on digipack CD.
Recorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada’s very own rendition of "Nhemamusasa", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira.
The choice of this title by Midori Takada evokes the links between traditional African and contemporary music which are the foundation of this work, and it also translates the resolutely multicultural vision of the artist.
Midori Takada explains: "African music is remarkable for its polyrhythms. Not only are there simultaneously several rhythmic motifs, sometimes as many as ten, but furthermore it may be that the part played by each musician has its own starting point and its own pace, all combining to form a cycle. All the cycles progress at the same time according to a single metrical structure which functions as a reference point, but which is not played by any one person from beginning to end. The structure emerges out of the multi-level parts, all different. With the Shona, the musical system is based on the polymelody: one performs simultaneously several melodic lines which are superimposed, each having its own rhythmic organization. It is truly captivating. In Western classical music, one four-beat rhythm induces some precise temporal framework and regular reference points, which come on the strong beats 1 and 3. But in the logic of the Shona musical system, and in other African music, the melody can begin in the very middle of the cycle and be continued up to some other place in an autonomous manner, as if it had its own personality. It’s very rich."
The album comes with in-depth liner notes that include an interview with Midori Takada, a point of view by Zimbabwean scholar, musician and activist Forward Mazuruse, and background information on the project by Isabel Garcia Gomez and Madeleine Leclair from MEG Museum.
The sleeve features an artwork by celebrated Zimbabwean painter Portia Zvavahera.
Part of the budget for the album was donated to Forward Mazuruse’s Music For Development Foundation whose aim is to identify, nurture, and record young but underprivileged musicians in Zimbabwe.
The album is released in conjunction with Midori Takada and Shomyo of Koya-san's You Who Are Leaving To Nirvana, also available on LP and CD on WRWTFWW Records.
Points of interests
- For fans of percussion, Mbira, environmental, marimba, minimalism, traditional, African music, Japanese music, Through The Looking Glass, and very old music instruments.
- First solo album by Midori Takada in 23 years, available on vinyl and CD, music played with instruments from the collection of the MEG Museum in Geneva, artwork by Portia Zvavahera.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: 350gsm Sleeve, Obi, Liner Notes
Tracklisting LP
A1. Cutting Branches For A Temporary Shelter (In The Morning) - 21:25
B1. Cutting Branches For A Temporary Shelter (In The Night) - 22:42
Info
WRWTFWW Records and MEG Museum (Geneva) are honored to present the first new solo album by renowned Japanese percussionist Midori Takada (Through The Looking Glass) in 23 years, Cutting Branches For A Temporary Shelter, available on vinyl LP, housed in a 350gsm sleeve, with OBI, and liner notes, as well as on digipack CD.
Recorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada’s very own rendition of "Nhemamusasa", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira.
The choice of this title by Midori Takada evokes the links between traditional African and contemporary music which are the foundation of this work, and it also translates the resolutely multicultural vision of the artist.
Midori Takada explains: "African music is remarkable for its polyrhythms. Not only are there simultaneously several rhythmic motifs, sometimes as many as ten, but furthermore it may be that the part played by each musician has its own starting point and its own pace, all combining to form a cycle. All the cycles progress at the same time according to a single metrical structure which functions as a reference point, but which is not played by any one person from beginning to end. The structure emerges out of the multi-level parts, all different. With the Shona, the musical system is based on the polymelody: one performs simultaneously several melodic lines which are superimposed, each having its own rhythmic organization. It is truly captivating. In Western classical music, one four-beat rhythm induces some precise temporal framework and regular reference points, which come on the strong beats 1 and 3. But in the logic of the Shona musical system, and in other African music, the melody can begin in the very middle of the cycle and be continued up to some other place in an autonomous manner, as if it had its own personality. It’s very rich."
The album comes with in-depth liner notes that include an interview with Midori Takada, a point of view by Zimbabwean scholar, musician and activist Forward Mazuruse, and background information on the project by Isabel Garcia Gomez and Madeleine Leclair from MEG Museum.
The sleeve features an artwork by celebrated Zimbabwean painter Portia Zvavahera.
Part of the budget for the album was donated to Forward Mazuruse’s Music For Development Foundation whose aim is to identify, nurture, and record young but underprivileged musicians in Zimbabwe.
The album is released in conjunction with Midori Takada and Shomyo of Koya-san's You Who Are Leaving To Nirvana, also available on LP and CD on WRWTFWW Records.
Points of interests
- For fans of percussion, Mbira, environmental, marimba, minimalism, traditional, African music, Japanese music, Through The Looking Glass, and very old music instruments.
- First solo album by Midori Takada in 23 years, available on vinyl and CD, music played with instruments from the collection of the MEG Museum in Geneva, artwork by Portia Zvavahera.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
System Olympia - A1. System Olympia - The Heat Of The Night (feat. REINEN) [3:44]
2
System Olympia - A2. Flavia Fortunato - Se Tu Vuoi [3:38]
3
System Olympia - A3. See Thru Hands - Hot City [3:57]
4
System Olympia - A4. Daniele Baldelli, Francesca Amati - Inner Light [4:43]
5
System Olympia - A5. Ruins - Sexual Desire [3:14]
6
System Olympia - B1. Midnight Magic - Beam Me Up (Eli's Mix) [5:13]
7
System Olympia - B2. musclecars - Running Out Of Time [5:10]
8
System Olympia - B3. Working Men's Club - Ploys (System Olympia Edit) [4:56]
9
System Olympia - B4. Royalty - Heart Strings [5:05]
10
System Olympia - C1. Dirty Art Club - Daysleeper [3:45]
11
System Olympia - C2. Admiral - Soho Girl [4:14]
12
System Olympia - C3. Tom Sharkett & Raf Rundell - Where's It All Go? [3:41]
13
System Olympia - C4. Gina Calabrese - Nobody Lives Forever [4:40]
14
System Olympia - D1. Romolo Grano, Gianni Oddi & Edda Dell'Orso - Kilimangiaro [3:55]
15
System Olympia - D2. LNDFK - Hana-bi [1:55]
16
System Olympia - D3. Fitness Forever - Vederti Distante [2:47]
17
System Olympia - D4. Piero Umiliani - Chaser [1:28]
18
System Olympia - D5. Stefano Torossi - Feeling Tense [4:10]
Territories: GSA only
‘White linen’ heavyweight vinyl 2LP. Includes 24-page fanzine. Indies exclusive.
Various Artists – curated by System Olympia "Love Language"
OVERVIEW:
System Olympia presents a bold, cinematic compilation that redefines the sound of sensuality. Love Language is an
18-track double-vinyl release pressed on heavyweight white linen colour vinyl.
It’s accompanied by a provocative, limited-edition 24-page fanzine, exclusive to 18+ audiences.
This is not just a compilation, Love Language is a manifesto. A carefully curated sonic journey through eroticism, artistic rebellion,
and liberation, it spans nearly five decades of music and features exclusive edits and rare gems that illuminate System Olympia’s
radical aesthetic vision.
****
Since her emergence on the electronic underground, System Olympia has carved out a distinct, sensual sonic universe, equal parts
vulnerable and defiant. With Love Language, she presents her most audacious project to date: a compilation rooted in what she
calls The Aesthetics of Sexual Desire in Sound.
It’s a daring declaration that desire is more than a feeling - it’s a language. Across 20 tracks, including her own sultry opener “The
Heat Of The Night (feat. REINEN)” and a rare System Olympia edit of Working Men’s Club’s “Ploys”, this compilation speaks in
rhythms and textures that evoke longing, intimacy, and ecstatic release.
This is not a traditional compilation. System Olympia’s sequencing is cinematic and deliberate. Every track a scene in a film that exists
only in the listener’s imagination. From the retro-futurist seduction of Flavia Fortunato’s Italo gem “Se Tu Vuoi” to the deep, extended
tension of Musclecars’ “Running Out of Time,” each piece plays its part in an arc of anticipation, climax, and reflection.Uniting artists as diverse as Daniele Baldelli, Piero Umiliani, and DJ Rocca, Love Language refuses boundaries of genre, era, or
expectation. It dances between vintage Italo-disco, dreamy electronica, sweaty club tracks, and avant-garde jazz, forming a rich
tapestry of sound and sensation.
System Olympia explains, “This is music for lovers, outsiders, and dreamers. It's a rebellion made of velvet and
basslines.
The accompanying 24-page fanzine insert, restricted to adults, further deepens the narrative, with erotic visual fragments and
poetic texts that amplify the compilation’s raw, sensual energy. A tangible extension of the music’s spirit, the zine invites listeners to
step into Olympia’s world and engage their senses fully.
As much a provocation as it is a celebration, Love Language is a deeply personal curation and a radical act of creative freedom. It
champions eroticism as art, desire as dialogue, and music as a liberatory force.
VINYL
A1. System Olympia - The Heat Of The Night (feat. REINEN) [3:44]
A2. Flavia Fortunato - Se Tu Vuoi [3:38]
A3. See Thru Hands - Hot City [3:57]
A4. Daniele Baldelli, Francesca Amati - Inner Light [4:43]
A5. Ruins - Sexual Desire [3:14]
B1. Midnight Magic - Beam Me Up (Eli's Mix) [5:13]
B2. musclecars - Running Out Of Time [5:10]
B3. Working Men's Club - Ploys (System Olympia Edit) [4:56]
B4. Royalty - Heart Strings [5:05]
C1. Dirty Art Club - Daysleeper [3:45]
C2. Admiral - Soho Girl [4:14]
C3. Tom Sharkett & Raf Rundell - Where's It All Go? [3:41]
C4. Gina Calabrese - Nobody Lives Forever [4:40]
D1. Romolo Grano, Gianni Oddi & Edda Dell'Orso - Kilimangiaro [3:55]
D2. LNDFK - Hana-bi [1:55]
D3. Fitness Forever - Vederti Distante [2:47]
D4. Piero Umiliani - Chaser [1:28]
D5. Stefano Torossi - Feeling Tense [4:10]
Exclusive tracks:
System Olympia - The Heat Of The Night (feat. REINEN)
Midnight Magic - Beam Me Up (Eli's Mix)
Working Men's Club - Ploys (System Olympia Edit)
DJ Rocca - Basik Drinc 24
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
‘White linen’ heavyweight vinyl 2LP. Includes 24-page fanzine. Indies exclusive.
Various Artists – curated by System Olympia "Love Language"
OVERVIEW:
System Olympia presents a bold, cinematic compilation that redefines the sound of sensuality. Love Language is an
18-track double-vinyl release pressed on heavyweight white linen colour vinyl.
It’s accompanied by a provocative, limited-edition 24-page fanzine, exclusive to 18+ audiences.
This is not just a compilation, Love Language is a manifesto. A carefully curated sonic journey through eroticism, artistic rebellion,
and liberation, it spans nearly five decades of music and features exclusive edits and rare gems that illuminate System Olympia’s
radical aesthetic vision.
****
Since her emergence on the electronic underground, System Olympia has carved out a distinct, sensual sonic universe, equal parts
vulnerable and defiant. With Love Language, she presents her most audacious project to date: a compilation rooted in what she
calls The Aesthetics of Sexual Desire in Sound.
It’s a daring declaration that desire is more than a feeling - it’s a language. Across 20 tracks, including her own sultry opener “The
Heat Of The Night (feat. REINEN)” and a rare System Olympia edit of Working Men’s Club’s “Ploys”, this compilation speaks in
rhythms and textures that evoke longing, intimacy, and ecstatic release.
This is not a traditional compilation. System Olympia’s sequencing is cinematic and deliberate. Every track a scene in a film that exists
only in the listener’s imagination. From the retro-futurist seduction of Flavia Fortunato’s Italo gem “Se Tu Vuoi” to the deep, extended
tension of Musclecars’ “Running Out of Time,” each piece plays its part in an arc of anticipation, climax, and reflection.Uniting artists as diverse as Daniele Baldelli, Piero Umiliani, and DJ Rocca, Love Language refuses boundaries of genre, era, or
expectation. It dances between vintage Italo-disco, dreamy electronica, sweaty club tracks, and avant-garde jazz, forming a rich
tapestry of sound and sensation.
System Olympia explains, “This is music for lovers, outsiders, and dreamers. It's a rebellion made of velvet and
basslines.
The accompanying 24-page fanzine insert, restricted to adults, further deepens the narrative, with erotic visual fragments and
poetic texts that amplify the compilation’s raw, sensual energy. A tangible extension of the music’s spirit, the zine invites listeners to
step into Olympia’s world and engage their senses fully.
As much a provocation as it is a celebration, Love Language is a deeply personal curation and a radical act of creative freedom. It
champions eroticism as art, desire as dialogue, and music as a liberatory force.
VINYL
A1. System Olympia - The Heat Of The Night (feat. REINEN) [3:44]
A2. Flavia Fortunato - Se Tu Vuoi [3:38]
A3. See Thru Hands - Hot City [3:57]
A4. Daniele Baldelli, Francesca Amati - Inner Light [4:43]
A5. Ruins - Sexual Desire [3:14]
B1. Midnight Magic - Beam Me Up (Eli's Mix) [5:13]
B2. musclecars - Running Out Of Time [5:10]
B3. Working Men's Club - Ploys (System Olympia Edit) [4:56]
B4. Royalty - Heart Strings [5:05]
C1. Dirty Art Club - Daysleeper [3:45]
C2. Admiral - Soho Girl [4:14]
C3. Tom Sharkett & Raf Rundell - Where's It All Go? [3:41]
C4. Gina Calabrese - Nobody Lives Forever [4:40]
D1. Romolo Grano, Gianni Oddi & Edda Dell'Orso - Kilimangiaro [3:55]
D2. LNDFK - Hana-bi [1:55]
D3. Fitness Forever - Vederti Distante [2:47]
D4. Piero Umiliani - Chaser [1:28]
D5. Stefano Torossi - Feeling Tense [4:10]
Exclusive tracks:
System Olympia - The Heat Of The Night (feat. REINEN)
Midnight Magic - Beam Me Up (Eli's Mix)
Working Men's Club - Ploys (System Olympia Edit)
DJ Rocca - Basik Drinc 24
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More