East London’s Darren Roach steps to the plate for the sixth Bank of Switches release.
Following on from recent releases on Limousine Dream, Palace Trax, Bass Culture & more, the Studiotek Records boss delivers a driving low slung groover. Perfectly placed percussion sits on top of a rolling bass line, combining analogue warmth with techy futurism. A great tune for early on in the night as well as early the next morning, The Pyrotechnists is a perfect example of Darren’s knack for creating timeless tracks that do the business on the dancefloor.

Flip the record for a remix from Luke Humbles. With a string of releases under his belt from labels like Midnight Social & Symbiotical, this is the FUMP resident’s first production pressed to wax. In his trademark style, Luke pushes the energy of the original but retains the rolling groove. Sprinkled with psychedelic swooshes & trippy bleeps this remix is made for the heads down crew.

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After bringing some serious remix heat on Bank of Switches’ second release, Alex Arnout is back with a heavy hitter of an original. “Now Right” is a chunky pumper of a track that works in all the right places. Snappy snares and techy hats roll throughout, while psychedelic gurgles, swooshes, bleeps and bloops help facilitate an out of body dancefloor experience. It’s a track that sits sweetly at the intersection of peak time and after hours. A deep and versatile tune for any discerning DJ.

Flip the record for a remix from the one and only Yama Music. Rearranging the original in their trademark style, Yama Music takes the listener on a deep, minimal trip not for the faint hearted. Immersive and hypnotic, this track is one for those looking for magic small-hour moments.

Bank of Switches’ fifth release continues the label’s mission to supply genuine music for genuine dancefloors. This record features two artists that are highly regarded in their respective scenes and who both understand the importance of vinyl culture. Admired by Bank of Switches not only for their production acumen but their DJ dexterity too. This twelve inch showcases Alex Arnout at the peak of his powers while Yama Music show why their string of releases are in such high demand.

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The Bank of Switches label continues its mission to supply genuine dancefloor material for DJs looking to facilitate those magic small-hours moments.
Label head, Big Nick D returns with Twenty Four Hours; a harder edged tune than his previous output, but no less atmospheric. A rolling four to the floor rhythm reveals Nick’s affection for peak Peace Division, while the bubbling, gurgling micro detail exposes his fondness for Luciano & his Cadenza sound. But don’t be deceived, this record is completely Nick. His dedication to those special dancefloor moments shines through from start to finish.
Flip the record for a remix from Wiggle founder & fabric resident, Terry Francis. Staying close to the Bank of Switches ethos, Terry flexes his remix muscles with this stripped back roller that wouldn’t sound out of place on his seminal fabric CD. Syncopated beats skitter on top of a solid bassline making this the perfect track to lock any decerning dancefloor into the groove.
Bank of Switches’ fourth release is an ode to those who understand the vibe & what it means to be in this for life; the dancers & DJs for whom twenty four hours in a day is just not enough!

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The third Bank of Switches release sees the effervescent Jake Beautyman flex some serious production muscle. Self Oscillating is a low-slung late-night affair with solid drums and some sumptuous acid. A nod to the deep while keeping the energy rolling. This is perfect fodder for DJs looking for something special.
Jake has been making a name for himself over the last few years in the DJ booth with regular appearances at fabric alongside Silverlining, Archie Hamilton, Craig Richards & Terry Francis. He holds residences at both Superfreq and FUMP and can also be found at the controls for Wiggle at venues like The Cause and MOT.
Jakes previous production output has seen him top the Beatport chart and receive play on BBC Radio One where he puts a modern twist on classic London style tech house with releases on Bombis, Household, Superfreq and more.
Flip the record for a harder edged, but no less deep remix by the one & only Steve O’Sullivan. This scene veteran has released tracks to much acclaim on labels such as Sushitech, Aku, Nina Kravitz’s ???? and of course his own Mosaic & Blurtrain imprints.

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The first release on Bank of Switches is an ode to the heads down, not hands up. Inspired by the post 3am vibe in a club when everyone settles in for the long haul, the drinkers have run out of steam, the casual clubbers have gone home & the dancefloor chats have finished. Only nods & smiles are needed to communicate. It’s a flickering, shuffling, ultra funky piece of music for the body and the hidden parts of the mind, that’s constantly in movement even as it seems to suspend time. It’s seemingly simple but packed with untold micro detail that only reveals itself through immersion – and it comes with a sharper-edged remix from Ollie Drummond, whose extra gurgles and swoops bring out echoes of the heyday of turn of the millennium London tech house.

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New Cabaret by Muster Men.

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We are very happy to present you another release by Anthony Scott MacKinnon aka Parcy X under his Mion Alias.
Tanaka war originally released on legendary Music Man Records from Belgium in 1996!
The 2025 version contains a new mastering!

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UK tech stalwart Aubrey has dropped many classics, but this one from all the way back in 1997 takes some beating. It came on the Offshoot label and has been in demand and much coveted ever since, and now reappears on his own Solid Groove imprint. 'Marathon' opens up with a liquid synth and dubby bass combo that comes to life with a warm, fizzy lead that suspends you just above the floor. 'Evacuation' has a more rigid lead and mechanical drums that work you into a lather and '6 Pole' sits somewhere between the two as a stylish, soul-infused tool that sounds as good today as ever. This is a top reissue that will excite all the real heads.



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Chunkers 010 – Running Hot – Hot Tracks Vol 1. EP

For the tenth release on Chunkers, Running Hot brings the heat. Hot Tracks Vol. 1 channels a range of peak-time energies from day to night across four insatiable house tracks: all killer, no filler. Those already familiar will know that Running Hot has practically developed his own subgenre at this stage: a classic, finely honed sound that draws from every corner of the house music archive while remaining contemporary, fresh, and 100% playable. This release is no different.

‘Feel The Rhythm’ is a peak-time tribal affair, irresistibly percussive with a sickening New York feel. This is the kind of track that turns a dancefloor feral when dropped at the right moment, its vocal pizazz and hammering toms providing just the right amount of tension and release to flip a room upside down.

Veering into warehouse territory, ‘Trip’ is a stripped-back stomper that nods to the anthemic sound of London club Trade in the ’90s. Expertly tuned stabs, vocals, and shifting percussion keep the energy locked in from start to finish without ever becoming too much.
On the B-side, ‘Bumpin’ brings the sunshine and once again demonstrates that if something isn’t broken, there’s no need to fix it. Running Hot’s winning formula is employed to its fullest here: a well-rounded house groove layered with vibrant chords, lush strings, and smouldering vocal hooks that evoke golden beaches and open fields, perfect for daytime dancefloor moments.

Rounding off the EP in classy fashion, ‘Amor’ fuses UK hard house tropes with lush synths, a boisterous bassline, earworm vocals, and unrelenting grooves, creating a track that feels equally at home at a daytime do or deep into late-night territory.

Hot Tracks Vol. 1, Running Hot and Chunkers: a pairing that does not miss.

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Frits Wentinks take on house music. Four wobbly, warm dance floor burners. Impossible to mistake for anyone than Frits...

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For our 30th anniversary, we reissue three absolute minimal techno statements by Robert Hood. These tracks define the birth of minimal techno — reduced to rhythm, pressure and repetition. No ornament. No compromise. Just structure, tension and movement. Originally released on Logistic Records, they remain as powerful and modern today as they were in the early 90s. Functional. Spiritual. Underground.

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