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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

SAULT's masterful combination of soul, funk and gospel has made them a major underground phenomenon and that's a position that this, their 11th album, only helped to reinforce when it emerged in December 2024. Helmed by producer Inflo and featuring Cleo Sol's velvety vocals, the album unfolds as a seamless 32-minute suite of nine tracks, brimming with lush instrumentals and poignant themes of love, connection and resilience. While it leans less on the political sharpness of 2020's Untitled (Black Is), the album's spiritual undertones and hopeful messages shine with equal brilliance. From the Marvin Gaye-esque syncopations of opener 'I Look For You' to the jazz-infused 'Set Your Spirit Free', each song flows effortlessly into the next. Tracks like 'Soul Clean' and 'Someone To Love You' evoke 70s funk with wah-wah guitars and vibrant percussion, while the sensual, gospelly closer 'Pray For Me' wraps the album in shimmering strings and heartfelt intimacy. Despite its repetitive moments, the dynamic arrangements and Cleo Sol's stirring delivery keep the momentum alive. For those seeking solace or upliftment, Acts of Faith offers a cohesive and soul-nourishing experienceiits blend of genres and meditative beauty, a comforting reminder of music's power to heal.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Along with the likes of Today & Tomorrow and Untitled (God), Sault are giving their five-deep album drops from late 2022 a more ceremonious release now. The music is too deep and rich to vanish into the melee of digital data streams, and each album's distinct qualities benefits from its own space to inhabit. On a mission from God and steeped in a raw, 70s kind of sound which shirks studio slickness in favour of absolute reality, on Earth this British outfit take themselves into realms of spiritual jazz atop their keen instinct for funk. The drums tumble, the chants murmur, and there's just no arguing with the power of the ensemble and their in-the-room vibe.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The mysterious Sault troupe is back with a call to action and revolutionary soul soundtrack that really bangs the box. "Ain't nothing gunna keep us silent" the lead singer yelps on 'Stop Der', which is an immediate banger after the soothing ambience and closely mic-ed whispers of the opener, which muse on what it means to be black. The rest of the record is a hard hitting mix of crisp drums and empowering vocals, with elements of classic soul as well as contemporary jazz colouring the grooves. This is powerful music with an even more powerful message.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Dean Josiah Cover AKA Info's Sault collective has been one of the success stories of the last few years - a hard-to-pigeonhole outfit that manages to knock out inspired albums at a rate of knots. Their latest full-length, '11', is another brilliant and must-check excursion. Largely lo-fi, languid and laidback, it delivers a particularly loose and lo-fi take on soul - blessed with their usual nods to Afrobeat and soundsystem culture - whose instrumentation is deliberately sparse and laidback (think bass guitar, drums and guitar). The results are rarely less than impeccable, with the collective's vocals (both female and male singers feature) rising above vintage-sounding grooves and arrangements that variously doff a cap to Sly Stone, Cymande and - on the drowsy, warming and synth-sporting 'Higher' - the more tactile end of British 80s soul.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Since emerging in 2019, Inflo's socially conscious, politically charged Sault collective has delivered a string of inspired, impossible-to-pigeonhole albums that thoughtfully reflect on what it is to be black and British in the 21st century. Nine, the crew's latest set (and first of 2021) is every bit as incendiary, versatile and impactful as its predecessors, with the 10 collected tracks touching on everything from drowsy R&B, spoken word, classic soul and post-punk rock, to UK bass mutations, gospel, jazz-funk, Charles Stepney style excursions and hazy downtempo beats. Mixing live instrumentation and electronics with a wealth of spoken, sung and rapped vocals, Nine is a genuinely stunning, thought-provoking album full of razor-sharp lyrics and brilliantly executed musical movements.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Today & Tomorrow is yet another superb album from the Sault collective headed up by Dean Josiah Cover AKA Info. Not much else is known about them but there sure is a hell of a lot of music to get stuck into. This album was dropped as one of five last year - alongside 11, AIIR, Earth and Untitled (God)) - all for free and all on the same day. That is a mad thing to do and you might think they can't all be good albums, but they are. This is another lo-fi soul masterpiece from one of the best bands of our time.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

SAULT's masterful combination of soul, funk and gospel has made them a major underground phenomenon and that's a position that this, their 11th album, only helped to reinforce when it emerged in December 2024. Helmed by producer Inflo and featuring Cleo Sol's velvety vocals, the album unfolds as a seamless 32-minute suite of nine tracks, brimming with lush instrumentals and poignant themes of love, connection and resilience. While it leans less on the political sharpness of 2020's Untitled (Black Is), the album's spiritual undertones and hopeful messages shine with equal brilliance. From the Marvin Gaye-esque syncopations of opener 'I Look For You' to the jazz-infused 'Set Your Spirit Free', each song flows effortlessly into the next. Tracks like 'Soul Clean' and 'Someone To Love You' evoke 70s funk with wah-wah guitars and vibrant percussion, while the sensual, gospelly closer 'Pray For Me' wraps the album in shimmering strings and heartfelt intimacy. Despite its repetitive moments, the dynamic arrangements and Cleo Sol's stirring delivery keep the momentum alive. For those seeking solace or upliftment, Acts of Faith offers a cohesive and soul-nourishing experienceiits blend of genres and meditative beauty, a comforting reminder of music's power to heal.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Along with the likes of Today & Tomorrow and Untitled (God), Sault are giving their five-deep album drops from late 2022 a more ceremonious release now. The music is too deep and rich to vanish into the melee of digital data streams, and each album's distinct qualities benefits from its own space to inhabit. On a mission from God and steeped in a raw, 70s kind of sound which shirks studio slickness in favour of absolute reality, on Earth this British outfit take themselves into realms of spiritual jazz atop their keen instinct for funk. The drums tumble, the chants murmur, and there's just no arguing with the power of the ensemble and their in-the-room vibe.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The mysterious Sault troupe is back with a call to action and revolutionary soul soundtrack that really bangs the box. "Ain't nothing gunna keep us silent" the lead singer yelps on 'Stop Der', which is an immediate banger after the soothing ambience and closely mic-ed whispers of the opener, which muse on what it means to be black. The rest of the record is a hard hitting mix of crisp drums and empowering vocals, with elements of classic soul as well as contemporary jazz colouring the grooves. This is powerful music with an even more powerful message.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Dean Josiah Cover AKA Info's Sault collective has been one of the success stories of the last few years - a hard-to-pigeonhole outfit that manages to knock out inspired albums at a rate of knots. Their latest full-length, '11', is another brilliant and must-check excursion. Largely lo-fi, languid and laidback, it delivers a particularly loose and lo-fi take on soul - blessed with their usual nods to Afrobeat and soundsystem culture - whose instrumentation is deliberately sparse and laidback (think bass guitar, drums and guitar). The results are rarely less than impeccable, with the collective's vocals (both female and male singers feature) rising above vintage-sounding grooves and arrangements that variously doff a cap to Sly Stone, Cymande and - on the drowsy, warming and synth-sporting 'Higher' - the more tactile end of British 80s soul.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

When she started her career just over a decade ago, Cleopatra Nikolic AKA Cleo Sol was considered a singer-for-hire within the international deep house community. Now, with the assistance of beat-maker Inflo, she's decided to strike out on her own via a quietly impressive solo debut that re-casts her as a genuinely fresh and exciting soul talent. Beginning with the layered acapella vocals and deep, jazzy grooves of stunning opener "One Love", the album sees her brilliantly deliver heartfelt and thoughtful lyrics over hazy backing tracks that brilliantly join the dots between jazz, neo-soul and R&B. While she's undoubtedly the star of the show, Inflo's stripped-back, partially acoustic and largely soft-focus production is also worthy of high praise.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Cleo Sol - Mother is the second studio album by British singer-songwriter Cleo Sol, released on August 20, 2021. The album is deeply personal, with themes centered around motherhood, family, healing, and self-discovery. As part of the Sault collective, Cleo Sol had already established herself as a key figure in the neo-soul and R&B world, but Mother showcases her vulnerability and emotional depth in a more intimate, reflective setting.

The album blends elements of soul, jazz, R&B, and folk, creating a serene, acoustic soundscape that complements its introspective lyrics. Mother features lush, soulful arrangements, with gentle strings, piano, and acoustic guitar forming the backbone of many tracks. The overall sound is calming and meditative, allowing Sol's vocals to take center stage.

Lyrically, the album reflects on Cleo Sol's experience with motherhood and the emotional changes it brings. She addresses themes of unconditional love, personal growth, and the challenges of raising a child while also navigating her own self-healing. Songs like "Don’t Let It Go to Your Head" and "We Need You" express a sense of nurturing and tenderness, while "Promises" speaks to the weight of responsibility and the desire to protect loved ones.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Alongside the widespread success of Sault, we've been able to bear witness to the continued rise of core member Cleo Sol as a standout voice in the vanguard of UK soul. Following her two previous albums Mother and Rose In The Dark, Sol stretches out once again with an arresting collection of neo soul, folk and more. Everything is cast in warm, rich tones, from the acoustic lilt of 'Airplane' to the dusky bump of 'Go Baby', but it's the strength of Sol's vocal presence which binds everything together so perfectly. Truly capturing the best of modern soul with wholly justified comparisons to Jill Scott, Erykah Badu and D'Angelo alike, this stunning album has future classic written all over it.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Cleo Sol's arrival in the past few years has been one of the best things to happen to UK soul music in a long time, and she's gifted us two of her outstanding albums in the past 12 months. While ears are reeling from the wonder of Heaven, we're now treated to Gold and it's hard to fathom how so many incredible songs can spill out from one person. There's a dusky, understated quality to this album which makes it so easy to sink into and even in the most stripped down arrangements you can sense the guiding hand of dub giving the music a womb-like intimacy. The playing has a raw, in-the-room immediacy and it flows so naturally it wouldn't be a surprise to learn it was recorded in one take.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Since emerging in 2019, Inflo's socially conscious, politically charged Sault collective has delivered a string of inspired, impossible-to-pigeonhole albums that thoughtfully reflect on what it is to be black and British in the 21st century. Nine, the crew's latest set (and first of 2021) is every bit as incendiary, versatile and impactful as its predecessors, with the 10 collected tracks touching on everything from drowsy R&B, spoken word, classic soul and post-punk rock, to UK bass mutations, gospel, jazz-funk, Charles Stepney style excursions and hazy downtempo beats. Mixing live instrumentation and electronics with a wealth of spoken, sung and rapped vocals, Nine is a genuinely stunning, thought-provoking album full of razor-sharp lyrics and brilliantly executed musical movements.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Today & Tomorrow is yet another superb album from the Sault collective headed up by Dean Josiah Cover AKA Info. Not much else is known about them but there sure is a hell of a lot of music to get stuck into. This album was dropped as one of five last year - alongside 11, AIIR, Earth and Untitled (God)) - all for free and all on the same day. That is a mad thing to do and you might think they can't all be good albums, but they are. This is another lo-fi soul masterpiece from one of the best bands of our time.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The mysterious London-based music collective Sault are in the process of reissuing their first five albums on vinyl, in full, after they were released as a free digital download in late 2022. AIIR is among the lesser-cited of the quintuplet bunch, being a five track EP and sequel to their sixth album AIR. Providing a rapturous counterpoint to that album while building on its choral themes, this LP could consist of anything from outtakes from the making of AIR to true reprises; it's hard to tell. What we do know is that the music here would have been as equally suited to the high-flung parabolae of grandiose mid-century American filmmaking as it now is for the modern music lover. Pieces like 'Still Waters' and 'God's Will' - with their divine harp flourishes, choirs of angels, and complex string and timpani movements - are evocative enough to recall sublime pastoral classics like Watership Down or A Matter Of Life And Death - not just UK music royalty.

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DE - 22113 Hamburg
Germany
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Introducing: Temporary Blessings, the new project by stalwart Naarm / Melbourne trumpet player and composer Liam McGorry. Assembled to realise McGorry's compositions drawing on 1960s Italian & French soundtrack music, Temporary Blessings brings together trusted instrumentalists and fellow travelers from Melbourne's rich enclave of cinematic soul. With Liam at the helm, the group is composed of members of Surprise Chef, Karate Boogaloo, Saskwatch and Let Your Hair Down. The resulting recordings realise McGorry's sonic visions of film noir, giallo, library music and cinematic soul, captured live in one room with what the maestro describes as "a shared spirit". The recordings, produced by paragon Henry Jenkins, bring together emotive string arrangements, tough horns and a steadfast rhythm section with an acute attention to detail McGorry has developed over years in the saddle.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Balmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.

Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.

Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.

But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.


Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.

A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.

When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.

Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.

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Germany
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Lapalux (Stuart Howard) is a UK-based experimental electronic music producer known for his emotionally charged sound design, intricate textures, and immersive sonic storytelling. With releases on Brainfeeder and widespread critical acclaim, Lapalux has built a loyal global following and earned consistent airplay on BBC Radio 1, BBC 6 Music, and NTS. His work has been championed by DJs including Mary Anne Hobbs, Benji B, and Tom Ravenscroft, and praised by outlets such as The Guardian, Resident Advisor, XLR8R, and Clash. Lapalux's music occupies a unique space between IDM, ambient, and leftfield electronica — rich in atmosphere, detail, and feeling.On the Grid is Lapalux's latest EP — a deeply intricate, hardware-driven exploration of rhythm and emotion that fuses fragmented IDM with warm analogue tones and deep dynamics. The EP showcases Lapalux's continued evolution as a producer, balancing intricate sound design with powerful melodic undercurrents. It follows years of refinement in the studio, drawing on his signature use of modular synthesis, Digital and analogue hardware and organic imperfections. With a limited vinyl pressing and strong fan demand, On the Grid stands as a key release in Lapalux's catalogue and a compelling addition to any store's forward-thinking electronic selection.

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French DJ/producer Simo Cell is gearing up to drop a new 4-track EP on his label TEMET. He reimagines the Blog House/French Touch 2.0 movement, presenting a futuristic evolution of its iconic sound with a distinct Simooo twist and the raw energy of contemporary club music. It's a big day! Meet FL Louis, a (real) puppet designed by Simo Cell and the robotic voice behind the music. Stay tuned, clips coming soon!

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New Environments & Rhythm Studies finds Andrew Pekler returning to the humid zones he explored on previous albums such as Sounds From Phantom Islands and Tristes Tropiques. Split between longer immersive compositions and shorter glimpse-like sketches, these 12 tracks feature new juxtapositions of Pekler's familiar palette of synthetic field recordings, warm, undulating electronic textures, shifting percussion patterns and serene melodies.

As with much of his recent work, Pekler's compositions here are structured around the beguiling effect of synthetic and non-synthetic sounds mirroring, mimicking and modulating one another. The teeming atmospheres within tracks such as Globestructures, Cymbals In The Mist or Globestructures: Option II are, despite their seemingly anthropogenic nature, entirely synthetic. Elsewhere, the lopsided grooves of Cumbia Para Los Grillos or Fabulation For K are derived from recordings of crickets and other insects which Pekler loops and uses to trigger electronic percussion – producing a pleasantly skewed rhythmic base for the fragments of melody which are layered on top. The six Rhythm Studies also follow the same principle – a playful interweaving of the organic and synthetic.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

Written and produced by Andrew Pekler, mastered by Giuseppe Ielasi, artwork by Morgan Cuinet, graphic design by Dmytro Nikolaienko.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Second offering from Leo Gibbon’s MUDLINE imprint sees the producer reunite with grime’s perennial wild card, Trim, for a two-sided pressure test that flexes both restraint and raw power in equal measure.

On Side A – Orbit Step, Gibbon leans into the emotive end of the 140 spectrum — all reflective pads, sci-fi shimmer, and subbed-out swing — with Trim delivering a rare, inward-facing performance. It’s grime as meditation, anchored by subtle tek textures and lyrical ambiguity. The accompanying acapella, exclusive to the vinyl, is a potent bonus.

Side B – Danny and Darren flips the script entirely. It’s a no-frills, floor-ready juggernaut — grime at its most ballistic. Trim in full yardman mode here, riding the riddim with relentless intent. It’s sweaty, chaotic, made for late sets and soundsystem abuse.

Instrumentals included on both sides, giving extra room for exploration and dubplate mischief.

A bold second chapter from MUDLINE, Orbit Step builds on the promise of Happy Lovers and underlines Gibbon’s growing prowess in crafting versatile 140 tools with personality — while Trim, as ever, shapeshifts with ease.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklisting
A1 OBEDEYA - BEMINE
A2 DJ FRANKIE - MACUMBA
B1 OBZERV - ANNIHILATOR
B2 DJ SACRED - SWIRL ON 20s

Sales Note
The long awaited first release of ULTRALOW has finally arrived, on wax! A four track VA, each one a different style (for the real ones that can handle). Featuring artists from London, Argentina and Ukraine, always in support of the underground, ULTRALOW
MOTHERFUCKERS will take up space in your collection

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2024 Repress!

Rhythm Section International proudly presents it’s 8th offering from local boys Chaos in the CBD. Born in New Zealand, but based in Peckham for the last few years (literally just around the corner from Henry Wu and Bradley Zero), these brothers have made a real mark on the scene here in London town and with their latest set of productions are set to take this message further afield.

Having already released internationally on labels such as ClekClekBoom (Paris), Hot Haus (London) and Amadeus (Montreal), the duo’s approach to production has matured immeasurably in the last year, as is evident in the restrained potency and poetic subtlety on the 4 tracks across this accomplished EP, Midnight in Peckham.

Taking it’s title from the locale the boys have come to know as home, the record channels a delicate late night energy - equally indebted to the hypnotic incantations of Ron Trent as it is to the hazy suburban atmospheres of Burial. These 4 classic cuts pay homage to deep house in it’s truest sense - at once sublime, melancholy and meditative . Chaos in the CBD have clearly taken their cue from the mid-west masters of the genre but have not been afraid to let their own influences and environ creep in, and in doing so have created something that is unmistakablely London and infact, timeless.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Cousin and Priori return for their second outing via naff & Moonshoe, solidifying their cross-continent connection and drifting out further into rhythm and shadow. ‘Fly in Amber’ unfolds across five tracks, each a different tide or tempo. Enchanted voices and melodies coil through dusted passages that feel both grounded and weightless.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More