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The mysterious Sault troupe is back with a call to action and revolutionary soul soundtrack that really bangs the box. "Ain't nothing gunna keep us silent" the lead singer yelps on 'Stop Der', which is an immediate banger after the soothing ambience and closely mic-ed whispers of the opener, which muse on what it means to be black. The rest of the record is a hard hitting mix of crisp drums and empowering vocals, with elements of classic soul as well as contemporary jazz colouring the grooves. This is powerful music with an even more powerful message.
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More records from Sault
Label:Forever Living Originals
Cat-No:FLO00020LP
Release-Date:18.07.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0712221017964
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Sault - 1.T.H
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Sault - 2.R.L
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Sault - 3.K.T.Y.W.S.
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Sault - 4.P
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Sault - 5.I.L.T.S.
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Sault - 6. L.U.
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Sault - 7. S.I.T.L.
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Sault - 8.H.T.T.R.
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Sault - 9.W.A.L.
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Sault - 10. S.O.T.H.
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Label:Forever Living Originals
Cat-No:FLO00019LP
Release-Date:09.05.2025
Genre:Soul/Funk
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Sault - Act 1: I Look For You
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Sault - Act 2: Set Your Spirit Free
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Sault - Act 3: God Will Help You Heal
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Sault - Act 4: Heal
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Sault - Act 5: Soul Clean
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Sault - Act 6: The Lesson Is Over
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Sault - Act 7: Someone To Love You
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Sault - Act 8: Signs
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Sault - Act 9: Pray For Me
SAULT's masterful combination of soul, funk and gospel has made them a major underground phenomenon and that's a position that this, their 11th album, only helped to reinforce when it emerged in December 2024. Helmed by producer Inflo and featuring Cleo Sol's velvety vocals, the album unfolds as a seamless 32-minute suite of nine tracks, brimming with lush instrumentals and poignant themes of love, connection and resilience. While it leans less on the political sharpness of 2020's Untitled (Black Is), the album's spiritual undertones and hopeful messages shine with equal brilliance. From the Marvin Gaye-esque syncopations of opener 'I Look For You' to the jazz-infused 'Set Your Spirit Free', each song flows effortlessly into the next. Tracks like 'Soul Clean' and 'Someone To Love You' evoke 70s funk with wah-wah guitars and vibrant percussion, while the sensual, gospelly closer 'Pray For Me' wraps the album in shimmering strings and heartfelt intimacy. Despite its repetitive moments, the dynamic arrangements and Cleo Sol's stirring delivery keep the momentum alive. For those seeking solace or upliftment, Acts of Faith offers a cohesive and soul-nourishing experienceiits blend of genres and meditative beauty, a comforting reminder of music's power to heal.
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Label:Forever Living Originals
Cat-No:FLO00012LP
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Along with the likes of Today & Tomorrow and Untitled (God), Sault are giving their five-deep album drops from late 2022 a more ceremonious release now. The music is too deep and rich to vanish into the melee of digital data streams, and each album's distinct qualities benefits from its own space to inhabit. On a mission from God and steeped in a raw, 70s kind of sound which shirks studio slickness in favour of absolute reality, on Earth this British outfit take themselves into realms of spiritual jazz atop their keen instinct for funk. The drums tumble, the chants murmur, and there's just no arguing with the power of the ensemble and their in-the-room vibe.
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Label:Forever Living Originals
Cat-No:FLO0002LP
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Label:Forever Living Originals
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Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).
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Label:Forever Living Originals
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You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.
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Label:Forever Living Originals
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Dean Josiah Cover AKA Info's Sault collective has been one of the success stories of the last few years - a hard-to-pigeonhole outfit that manages to knock out inspired albums at a rate of knots. Their latest full-length, '11', is another brilliant and must-check excursion. Largely lo-fi, languid and laidback, it delivers a particularly loose and lo-fi take on soul - blessed with their usual nods to Afrobeat and soundsystem culture - whose instrumentation is deliberately sparse and laidback (think bass guitar, drums and guitar). The results are rarely less than impeccable, with the collective's vocals (both female and male singers feature) rising above vintage-sounding grooves and arrangements that variously doff a cap to Sly Stone, Cymande and - on the drowsy, warming and synth-sporting 'Higher' - the more tactile end of British 80s soul.
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Label:Forever Living Originals
Cat-No:FLO0008LP
Release-Date:20.09.2024
Genre:Soul/Funk
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Since emerging in 2019, Inflo's socially conscious, politically charged Sault collective has delivered a string of inspired, impossible-to-pigeonhole albums that thoughtfully reflect on what it is to be black and British in the 21st century. Nine, the crew's latest set (and first of 2021) is every bit as incendiary, versatile and impactful as its predecessors, with the 10 collected tracks touching on everything from drowsy R&B, spoken word, classic soul and post-punk rock, to UK bass mutations, gospel, jazz-funk, Charles Stepney style excursions and hazy downtempo beats. Mixing live instrumentation and electronics with a wealth of spoken, sung and rapped vocals, Nine is a genuinely stunning, thought-provoking album full of razor-sharp lyrics and brilliantly executed musical movements.
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Label:Forever Living Originals
Cat-No:FLO00013LP
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Today & Tomorrow is yet another superb album from the Sault collective headed up by Dean Josiah Cover AKA Info. Not much else is known about them but there sure is a hell of a lot of music to get stuck into. This album was dropped as one of five last year - alongside 11, AIIR, Earth and Untitled (God)) - all for free and all on the same day. That is a mad thing to do and you might think they can't all be good albums, but they are. This is another lo-fi soul masterpiece from one of the best bands of our time.
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Label:Forever Living Originals
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The mysterious London-based music collective Sault are in the process of reissuing their first five albums on vinyl, in full, after they were released as a free digital download in late 2022. AIIR is among the lesser-cited of the quintuplet bunch, being a five track EP and sequel to their sixth album AIR. Providing a rapturous counterpoint to that album while building on its choral themes, this LP could consist of anything from outtakes from the making of AIR to true reprises; it's hard to tell. What we do know is that the music here would have been as equally suited to the high-flung parabolae of grandiose mid-century American filmmaking as it now is for the modern music lover. Pieces like 'Still Waters' and 'God's Will' - with their divine harp flourishes, choirs of angels, and complex string and timpani movements - are evocative enough to recall sublime pastoral classics like Watership Down or A Matter Of Life And Death - not just UK music royalty.
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The Sault re-issuses keep on coming and among them comes 'Untitled (God)', intended as the dourest part of this quintuplet offering to God. This 11-track arm draws on gospel and film music more than anything else. In our view, this is the most suspenseful LP of the lot, with synthetic string sections standing in for parts that, were it not the 21st Century, we'd expect to be performed by full orchestras. No affect is lost, though: spiritual spoken-word prayers like 'Guide My Steps' recall the post-ironic vision of Dean Blunt, while everything from acapella meanderings to funk detours to improvisatory 6/4 choruses continue to pepper this long-form wonder of an album.
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More records from Forever Living Originals
Label:Forever Living Originals
Cat-No:FLO00020LP
Release-Date:18.07.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0712221017964
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1
Sault - 1.T.H
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Sault - 2.R.L
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Sault - 3.K.T.Y.W.S.
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Sault - 4.P
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Sault - 5.I.L.T.S.
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Sault - 6. L.U.
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Sault - 7. S.I.T.L.
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Sault - 8.H.T.T.R.
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Sault - 9.W.A.L.
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Sault - 10. S.O.T.H.
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Label:Forever Living Originals
Cat-No:FLO00019LP
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1
Sault - Act 1: I Look For You
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2
Sault - Act 2: Set Your Spirit Free
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3
Sault - Act 3: God Will Help You Heal
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4
Sault - Act 4: Heal
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Sault - Act 5: Soul Clean
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Sault - Act 6: The Lesson Is Over
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Sault - Act 7: Someone To Love You
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Sault - Act 8: Signs
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9
Sault - Act 9: Pray For Me
SAULT's masterful combination of soul, funk and gospel has made them a major underground phenomenon and that's a position that this, their 11th album, only helped to reinforce when it emerged in December 2024. Helmed by producer Inflo and featuring Cleo Sol's velvety vocals, the album unfolds as a seamless 32-minute suite of nine tracks, brimming with lush instrumentals and poignant themes of love, connection and resilience. While it leans less on the political sharpness of 2020's Untitled (Black Is), the album's spiritual undertones and hopeful messages shine with equal brilliance. From the Marvin Gaye-esque syncopations of opener 'I Look For You' to the jazz-infused 'Set Your Spirit Free', each song flows effortlessly into the next. Tracks like 'Soul Clean' and 'Someone To Love You' evoke 70s funk with wah-wah guitars and vibrant percussion, while the sensual, gospelly closer 'Pray For Me' wraps the album in shimmering strings and heartfelt intimacy. Despite its repetitive moments, the dynamic arrangements and Cleo Sol's stirring delivery keep the momentum alive. For those seeking solace or upliftment, Acts of Faith offers a cohesive and soul-nourishing experienceiits blend of genres and meditative beauty, a comforting reminder of music's power to heal.
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Along with the likes of Today & Tomorrow and Untitled (God), Sault are giving their five-deep album drops from late 2022 a more ceremonious release now. The music is too deep and rich to vanish into the melee of digital data streams, and each album's distinct qualities benefits from its own space to inhabit. On a mission from God and steeped in a raw, 70s kind of sound which shirks studio slickness in favour of absolute reality, on Earth this British outfit take themselves into realms of spiritual jazz atop their keen instinct for funk. The drums tumble, the chants murmur, and there's just no arguing with the power of the ensemble and their in-the-room vibe.
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Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).
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Label:Forever Living Originals
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You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.
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Dean Josiah Cover AKA Info's Sault collective has been one of the success stories of the last few years - a hard-to-pigeonhole outfit that manages to knock out inspired albums at a rate of knots. Their latest full-length, '11', is another brilliant and must-check excursion. Largely lo-fi, languid and laidback, it delivers a particularly loose and lo-fi take on soul - blessed with their usual nods to Afrobeat and soundsystem culture - whose instrumentation is deliberately sparse and laidback (think bass guitar, drums and guitar). The results are rarely less than impeccable, with the collective's vocals (both female and male singers feature) rising above vintage-sounding grooves and arrangements that variously doff a cap to Sly Stone, Cymande and - on the drowsy, warming and synth-sporting 'Higher' - the more tactile end of British 80s soul.
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Label:Forever Living Originals
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When she started her career just over a decade ago, Cleopatra Nikolic AKA Cleo Sol was considered a singer-for-hire within the international deep house community. Now, with the assistance of beat-maker Inflo, she's decided to strike out on her own via a quietly impressive solo debut that re-casts her as a genuinely fresh and exciting soul talent. Beginning with the layered acapella vocals and deep, jazzy grooves of stunning opener "One Love", the album sees her brilliantly deliver heartfelt and thoughtful lyrics over hazy backing tracks that brilliantly join the dots between jazz, neo-soul and R&B. While she's undoubtedly the star of the show, Inflo's stripped-back, partially acoustic and largely soft-focus production is also worthy of high praise.
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We'll jump at the chance to talk about anyone affiliated with the mysterious SAULT collective. One of their most prominent voices, Cleo Sol, has here teamed up with her longtime producer friend Inflo for her second album, 'Mother'. This 12-track LP spans neo-soul, jazz and folk, and chronicles Sol's turbulent transition into motherhood. Across solitary ballads like 'Sunshine' and radiant folk dirges like 'Know That You Are Loved' and 'Promises', this album sounds purer in contrast to her debut 'Rose In The Dark'
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Label:Forever Living Originals
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Alongside the widespread success of Sault, we've been able to bear witness to the continued rise of core member Cleo Sol as a standout voice in the vanguard of UK soul. Following her two previous albums Mother and Rose In The Dark, Sol stretches out once again with an arresting collection of neo soul, folk and more. Everything is cast in warm, rich tones, from the acoustic lilt of 'Airplane' to the dusky bump of 'Go Baby', but it's the strength of Sol's vocal presence which binds everything together so perfectly. Truly capturing the best of modern soul with wholly justified comparisons to Jill Scott, Erykah Badu and D'Angelo alike, this stunning album has future classic written all over it.
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Cleo Sol's arrival in the past few years has been one of the best things to happen to UK soul music in a long time, and she's gifted us two of her outstanding albums in the past 12 months. While ears are reeling from the wonder of Heaven, we're now treated to Gold and it's hard to fathom how so many incredible songs can spill out from one person. There's a dusky, understated quality to this album which makes it so easy to sink into and even in the most stripped down arrangements you can sense the guiding hand of dub giving the music a womb-like intimacy. The playing has a raw, in-the-room immediacy and it flows so naturally it wouldn't be a surprise to learn it was recorded in one take.
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Since emerging in 2019, Inflo's socially conscious, politically charged Sault collective has delivered a string of inspired, impossible-to-pigeonhole albums that thoughtfully reflect on what it is to be black and British in the 21st century. Nine, the crew's latest set (and first of 2021) is every bit as incendiary, versatile and impactful as its predecessors, with the 10 collected tracks touching on everything from drowsy R&B, spoken word, classic soul and post-punk rock, to UK bass mutations, gospel, jazz-funk, Charles Stepney style excursions and hazy downtempo beats. Mixing live instrumentation and electronics with a wealth of spoken, sung and rapped vocals, Nine is a genuinely stunning, thought-provoking album full of razor-sharp lyrics and brilliantly executed musical movements.
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Today & Tomorrow is yet another superb album from the Sault collective headed up by Dean Josiah Cover AKA Info. Not much else is known about them but there sure is a hell of a lot of music to get stuck into. This album was dropped as one of five last year - alongside 11, AIIR, Earth and Untitled (God)) - all for free and all on the same day. That is a mad thing to do and you might think they can't all be good albums, but they are. This is another lo-fi soul masterpiece from one of the best bands of our time.
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Label:Forever Living Originals
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The mysterious London-based music collective Sault are in the process of reissuing their first five albums on vinyl, in full, after they were released as a free digital download in late 2022. AIIR is among the lesser-cited of the quintuplet bunch, being a five track EP and sequel to their sixth album AIR. Providing a rapturous counterpoint to that album while building on its choral themes, this LP could consist of anything from outtakes from the making of AIR to true reprises; it's hard to tell. What we do know is that the music here would have been as equally suited to the high-flung parabolae of grandiose mid-century American filmmaking as it now is for the modern music lover. Pieces like 'Still Waters' and 'God's Will' - with their divine harp flourishes, choirs of angels, and complex string and timpani movements - are evocative enough to recall sublime pastoral classics like Watership Down or A Matter Of Life And Death - not just UK music royalty.
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The Sault re-issuses keep on coming and among them comes 'Untitled (God)', intended as the dourest part of this quintuplet offering to God. This 11-track arm draws on gospel and film music more than anything else. In our view, this is the most suspenseful LP of the lot, with synthetic string sections standing in for parts that, were it not the 21st Century, we'd expect to be performed by full orchestras. No affect is lost, though: spiritual spoken-word prayers like 'Guide My Steps' recall the post-ironic vision of Dean Blunt, while everything from acapella meanderings to funk detours to improvisatory 6/4 choruses continue to pepper this long-form wonder of an album.
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Label:Forever Living Originals
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Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences. The album's opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70's prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers.
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GENRE/S: Electronica/Indie Dance
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The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns this fall with his most thought-provoking and introspective project to date. Titled The Beauty Of It All, the multi-faceted German artist's third studio album is slated for worldwide release on September 26, 2025.
Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All will dive deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. The announcement arrives on the heels of two standout singles already this year - "Mesmerized" (January) and "Powerful Play" (March) - both of which will feature on the new album. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
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The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns this fall with his most thought-provoking and introspective project to date. Titled The Beauty Of It All, the multi-faceted German artist's third studio album is slated for worldwide release on September 26, 2025.
Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All will dive deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. The announcement arrives on the heels of two standout singles already this year - "Mesmerized" (January) and "Powerful Play" (March) - both of which will feature on the new album. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
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Chicago's TUGBOAT EDITS drops this killer 2 track 7" from SOUL SUPREME (AKA LOVE'S HIGH) featuring two used to be hip hop now boogie disco jams. Def! You may have seen him flip these cuts on ISTAGRAM now TUGBOAT has flipped 'em on wax. Don't sleep on these jazzy, instrumental hip hop boogie gems!
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Label:Faitiche
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Jan Jelinek - Moiré (Piano & Organ)
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Repress!
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
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In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
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Label:bbe
Cat-No:BBE663ALP
Release-Date:03.02.2023
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BBE Music continues its highly acclaimed J Jazz Masterclass Series with Kemo Sabe, the debut album from pianist Masao Nakajima. Recorded in 1979 on Yupiteru Records, it’s an elusive beast in the field of J Jazz and balances delicate and refined playing with power and vigour.
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Label:Embassy One
Cat-No:771515
Release-Date:26.09.2025
Genre:Electronic, Electronica
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Barcode:4251777715154
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Label:Embassy One
Cat-No:771515
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251777715154
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)
- Splattered Vinyl Deluxe Edition, Indie Shops only
Special remarks : Gatefold 2LP ( 2x splattered vinyl) + Slipmat + Download code
GENRE/S: Electronica/Indie Dance
TRACKLIST: to follow
SHORT INFO:
The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns this fall with his most thought-provoking and introspective project to date. Titled The Beauty Of It All, the multi-faceted German artist's third studio album is slated for worldwide release on September 26, 2025.
Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All will dive deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. The announcement arrives on the heels of two standout singles already this year - "Mesmerized" (January) and "Powerful Play" (March) - both of which will feature on the new album. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
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- Splattered Vinyl Deluxe Edition, Indie Shops only
Special remarks : Gatefold 2LP ( 2x splattered vinyl) + Slipmat + Download code
GENRE/S: Electronica/Indie Dance
TRACKLIST: to follow
SHORT INFO:
The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns this fall with his most thought-provoking and introspective project to date. Titled The Beauty Of It All, the multi-faceted German artist's third studio album is slated for worldwide release on September 26, 2025.
Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All will dive deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. The announcement arrives on the heels of two standout singles already this year - "Mesmerized" (January) and "Powerful Play" (March) - both of which will feature on the new album. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
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Label:XL/Beggars Group
Cat-No:XLLP1450
Release-Date:25.10.2024
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Label:ANS Recordings
Cat-No:ans7000
Release-Date:02.05.2025
Genre:Electronic, Electronica
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Barcode:4251804185448
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1
Anthony Naples - Scanners
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2
Anthony Naples - Compact
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3
Anthony Naples - Hi Lo
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Anthony Naples - Somebody
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Anthony Naples - Night
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Anthony Naples - Ampere
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Anthony Naples - Bounce
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Anthony Naples - Mushy
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Anthony Naples - Lifetimes
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Anthony Naples - Uforia2
Tracklist:
A1. Scanners
A2. Compact
B1. Hi Lo
B2. Somebody
B3. Night
C1. Ampere
C2. Bounce
D1. Mushy
D2. Lifetimes
D3. Uforia2
After a two-year hiatus following his critically acclaimed fifth album “Orbs”, Anthony Naples returns with his sixth album, “Scanners”, featuring ten new songs.
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A1. Scanners
A2. Compact
B1. Hi Lo
B2. Somebody
B3. Night
C1. Ampere
C2. Bounce
D1. Mushy
D2. Lifetimes
D3. Uforia2
After a two-year hiatus following his critically acclaimed fifth album “Orbs”, Anthony Naples returns with his sixth album, “Scanners”, featuring ten new songs.
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12"
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Cat-No:DKR-316
Release-Date:02.05.2025
Genre:Dub/Reggae
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Milton Henry - Them A Devil
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Milton Henry - Them A Devil (Dub)
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Jerry Johnson - Make It Right
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Jerry Johnson - Make It Nice
Previously unreleased; four track 12" with two different vocal takes, each w/ dub. Comes in Bond Export company sleeve.
Another cold case solved! One of DKR's early victories was finding a tape of the drum & bass cut of the legendary dubplate 'Rocks & Mountains.' Rumor had said the artist was the Mighty Travellers, but this didn't really add up chronologically or audibly. More astute listeners mostly agreed the artist was likely the Majesterians, a little recorded group who had made a couple other records for Taxi circa 1980. When we first issued the song on a 10" back in 2011, even Sly himself couldn't recall for sure who sang the tune. Like with other 'mystery' projects which we eventually came to realize, we never gave up digging on this one. There were two mysteries at work here - one, confirming the identity of the group, and two - finding the other cut of the tune, which features fuller instrumentation and a different vocal take. Both cuts were around on dubplate circa '80/'81, and the latter cut can be heard ever so briefly in the infamous UK "Sound Business" documentary film from '81. In the course of a mere 13 years, both questions came to be solved - we obtained a pretty clean plate cut of the fuller mix, and we confirmed the identity of the group. The Majesterians were a vocal trio consisting of Everton Dacres, Roderick Perkins and Paul Mitchell. While the latter two gentlemen don't seem to have done much otherwise, we are sure the roots heads and hopefully all DKR followers know Everton Dacres, who made some fine roots music in the 1970s prior to fronting the Majesterians. We spoke to Everton and he confirmed 'Rocks & Mountains' was their tune, cut in Channel 1 at a Taxi session featuring a host of other artists. Indeed, these were the heady days of 1980 with Channel 1 booked round the clock for locked-in sessions, with the Taxi Gang and the Roots Radics laying down future classic after future classic. All that said, we're happy to re-present this tune now with not only proper accreditation, but also both known mixes and the drum & bass mix in improved fidelity over its previous issue.
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Another cold case solved! One of DKR's early victories was finding a tape of the drum & bass cut of the legendary dubplate 'Rocks & Mountains.' Rumor had said the artist was the Mighty Travellers, but this didn't really add up chronologically or audibly. More astute listeners mostly agreed the artist was likely the Majesterians, a little recorded group who had made a couple other records for Taxi circa 1980. When we first issued the song on a 10" back in 2011, even Sly himself couldn't recall for sure who sang the tune. Like with other 'mystery' projects which we eventually came to realize, we never gave up digging on this one. There were two mysteries at work here - one, confirming the identity of the group, and two - finding the other cut of the tune, which features fuller instrumentation and a different vocal take. Both cuts were around on dubplate circa '80/'81, and the latter cut can be heard ever so briefly in the infamous UK "Sound Business" documentary film from '81. In the course of a mere 13 years, both questions came to be solved - we obtained a pretty clean plate cut of the fuller mix, and we confirmed the identity of the group. The Majesterians were a vocal trio consisting of Everton Dacres, Roderick Perkins and Paul Mitchell. While the latter two gentlemen don't seem to have done much otherwise, we are sure the roots heads and hopefully all DKR followers know Everton Dacres, who made some fine roots music in the 1970s prior to fronting the Majesterians. We spoke to Everton and he confirmed 'Rocks & Mountains' was their tune, cut in Channel 1 at a Taxi session featuring a host of other artists. Indeed, these were the heady days of 1980 with Channel 1 booked round the clock for locked-in sessions, with the Taxi Gang and the Roots Radics laying down future classic after future classic. All that said, we're happy to re-present this tune now with not only proper accreditation, but also both known mixes and the drum & bass mix in improved fidelity over its previous issue.
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Last in:18.06.2025
Label:Warp
Cat-No:WAP094
Release-Date:01.03.2000
Genre:Minimal
Configuration:12"
Barcode:801061909413
1. Come To Daddy (Pappy Mix) 2. Come To Daddy (Flim) 3. Come To Daddy (Little Lord Faulteroy Mix) 4.Come To Daddy (Bucephalus Bouncing Ball) / classic Aphex Twin 12" back in stock!
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Label:Embassy One
Cat-No:5054197001475
Release-Date:20.04.2018
Configuration:2LP Excl
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1
Monolink - Amniotic
2
Monolink - Black Day
3
Monolink - Sirens
4
Monolink - Rearrange My Mind
5
Monolink - Frozen
6
Monolink - Father Ocean
7
Monolink - Swallow
8
Monolink - Take Me Home
9
Monolink - Riverman
10
Monolink - Return To Oz
11
Monolink - Burning Sun
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA), NEW ZEALAND.
2LP, Special remarks : Doppelvinyl im Gatefold + 180g + 2 printed Innersleeves + Downloadcode
Tracklist 2LP:
A1 Amniotic
A2 Black Day
A3 Sirens
B1 Rearrange My Mind
B2 Frozen
B3 Father Ocean
C1 Swallow
C2 Take Me Home
C3 Riverman
D1 Return To Oz
D2 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
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2LP, Special remarks : Doppelvinyl im Gatefold + 180g + 2 printed Innersleeves + Downloadcode
Tracklist 2LP:
A1 Amniotic
A2 Black Day
A3 Sirens
B1 Rearrange My Mind
B2 Frozen
B3 Father Ocean
C1 Swallow
C2 Take Me Home
C3 Riverman
D1 Return To Oz
D2 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
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