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The mysterious London-based music collective Sault are in the process of reissuing their first five albums on vinyl, in full, after they were released as a free digital download in late 2022. AIIR is among the lesser-cited of the quintuplet bunch, being a five track EP and sequel to their sixth album AIR. Providing a rapturous counterpoint to that album while building on its choral themes, this LP could consist of anything from outtakes from the making of AIR to true reprises; it's hard to tell. What we do know is that the music here would have been as equally suited to the high-flung parabolae of grandiose mid-century American filmmaking as it now is for the modern music lover. Pieces like 'Still Waters' and 'God's Will' - with their divine harp flourishes, choirs of angels, and complex string and timpani movements - are evocative enough to recall sublime pastoral classics like Watership Down or A Matter Of Life And Death - not just UK music royalty.
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The mysterious Sault troupe is back with a call to action and revolutionary soul soundtrack that really bangs the box. "Ain't nothing gunna keep us silent" the lead singer yelps on 'Stop Der', which is an immediate banger after the soothing ambience and closely mic-ed whispers of the opener, which muse on what it means to be black. The rest of the record is a hard hitting mix of crisp drums and empowering vocals, with elements of classic soul as well as contemporary jazz colouring the grooves. This is powerful music with an even more powerful message.
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Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).
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You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.
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Dean Josiah Cover AKA Info's Sault collective has been one of the success stories of the last few years - a hard-to-pigeonhole outfit that manages to knock out inspired albums at a rate of knots. Their latest full-length, '11', is another brilliant and must-check excursion. Largely lo-fi, languid and laidback, it delivers a particularly loose and lo-fi take on soul - blessed with their usual nods to Afrobeat and soundsystem culture - whose instrumentation is deliberately sparse and laidback (think bass guitar, drums and guitar). The results are rarely less than impeccable, with the collective's vocals (both female and male singers feature) rising above vintage-sounding grooves and arrangements that variously doff a cap to Sly Stone, Cymande and - on the drowsy, warming and synth-sporting 'Higher' - the more tactile end of British 80s soul.
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Label:Forever Living Originals
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Since emerging in 2019, Inflo's socially conscious, politically charged Sault collective has delivered a string of inspired, impossible-to-pigeonhole albums that thoughtfully reflect on what it is to be black and British in the 21st century. Nine, the crew's latest set (and first of 2021) is every bit as incendiary, versatile and impactful as its predecessors, with the 10 collected tracks touching on everything from drowsy R&B, spoken word, classic soul and post-punk rock, to UK bass mutations, gospel, jazz-funk, Charles Stepney style excursions and hazy downtempo beats. Mixing live instrumentation and electronics with a wealth of spoken, sung and rapped vocals, Nine is a genuinely stunning, thought-provoking album full of razor-sharp lyrics and brilliantly executed musical movements.
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Today & Tomorrow is yet another superb album from the Sault collective headed up by Dean Josiah Cover AKA Info. Not much else is known about them but there sure is a hell of a lot of music to get stuck into. This album was dropped as one of five last year - alongside 11, AIIR, Earth and Untitled (God)) - all for free and all on the same day. That is a mad thing to do and you might think they can't all be good albums, but they are. This is another lo-fi soul masterpiece from one of the best bands of our time.
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The Sault re-issuses keep on coming and among them comes 'Untitled (God)', intended as the dourest part of this quintuplet offering to God. This 11-track arm draws on gospel and film music more than anything else. In our view, this is the most suspenseful LP of the lot, with synthetic string sections standing in for parts that, were it not the 21st Century, we'd expect to be performed by full orchestras. No affect is lost, though: spiritual spoken-word prayers like 'Guide My Steps' recall the post-ironic vision of Dean Blunt, while everything from acapella meanderings to funk detours to improvisatory 6/4 choruses continue to pepper this long-form wonder of an album.
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The mysterious Sault troupe is back with a call to action and revolutionary soul soundtrack that really bangs the box. "Ain't nothing gunna keep us silent" the lead singer yelps on 'Stop Der', which is an immediate banger after the soothing ambience and closely mic-ed whispers of the opener, which muse on what it means to be black. The rest of the record is a hard hitting mix of crisp drums and empowering vocals, with elements of classic soul as well as contemporary jazz colouring the grooves. This is powerful music with an even more powerful message.
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Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).
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You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.
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Dean Josiah Cover AKA Info's Sault collective has been one of the success stories of the last few years - a hard-to-pigeonhole outfit that manages to knock out inspired albums at a rate of knots. Their latest full-length, '11', is another brilliant and must-check excursion. Largely lo-fi, languid and laidback, it delivers a particularly loose and lo-fi take on soul - blessed with their usual nods to Afrobeat and soundsystem culture - whose instrumentation is deliberately sparse and laidback (think bass guitar, drums and guitar). The results are rarely less than impeccable, with the collective's vocals (both female and male singers feature) rising above vintage-sounding grooves and arrangements that variously doff a cap to Sly Stone, Cymande and - on the drowsy, warming and synth-sporting 'Higher' - the more tactile end of British 80s soul.
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Label:Forever Living Originals
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When she started her career just over a decade ago, Cleopatra Nikolic AKA Cleo Sol was considered a singer-for-hire within the international deep house community. Now, with the assistance of beat-maker Inflo, she's decided to strike out on her own via a quietly impressive solo debut that re-casts her as a genuinely fresh and exciting soul talent. Beginning with the layered acapella vocals and deep, jazzy grooves of stunning opener "One Love", the album sees her brilliantly deliver heartfelt and thoughtful lyrics over hazy backing tracks that brilliantly join the dots between jazz, neo-soul and R&B. While she's undoubtedly the star of the show, Inflo's stripped-back, partially acoustic and largely soft-focus production is also worthy of high praise.
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We'll jump at the chance to talk about anyone affiliated with the mysterious SAULT collective. One of their most prominent voices, Cleo Sol, has here teamed up with her longtime producer friend Inflo for her second album, 'Mother'. This 12-track LP spans neo-soul, jazz and folk, and chronicles Sol's turbulent transition into motherhood. Across solitary ballads like 'Sunshine' and radiant folk dirges like 'Know That You Are Loved' and 'Promises', this album sounds purer in contrast to her debut 'Rose In The Dark'
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Alongside the widespread success of Sault, we've been able to bear witness to the continued rise of core member Cleo Sol as a standout voice in the vanguard of UK soul. Following her two previous albums Mother and Rose In The Dark, Sol stretches out once again with an arresting collection of neo soul, folk and more. Everything is cast in warm, rich tones, from the acoustic lilt of 'Airplane' to the dusky bump of 'Go Baby', but it's the strength of Sol's vocal presence which binds everything together so perfectly. Truly capturing the best of modern soul with wholly justified comparisons to Jill Scott, Erykah Badu and D'Angelo alike, this stunning album has future classic written all over it.
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Cleo Sol's arrival in the past few years has been one of the best things to happen to UK soul music in a long time, and she's gifted us two of her outstanding albums in the past 12 months. While ears are reeling from the wonder of Heaven, we're now treated to Gold and it's hard to fathom how so many incredible songs can spill out from one person. There's a dusky, understated quality to this album which makes it so easy to sink into and even in the most stripped down arrangements you can sense the guiding hand of dub giving the music a womb-like intimacy. The playing has a raw, in-the-room immediacy and it flows so naturally it wouldn't be a surprise to learn it was recorded in one take.
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Since emerging in 2019, Inflo's socially conscious, politically charged Sault collective has delivered a string of inspired, impossible-to-pigeonhole albums that thoughtfully reflect on what it is to be black and British in the 21st century. Nine, the crew's latest set (and first of 2021) is every bit as incendiary, versatile and impactful as its predecessors, with the 10 collected tracks touching on everything from drowsy R&B, spoken word, classic soul and post-punk rock, to UK bass mutations, gospel, jazz-funk, Charles Stepney style excursions and hazy downtempo beats. Mixing live instrumentation and electronics with a wealth of spoken, sung and rapped vocals, Nine is a genuinely stunning, thought-provoking album full of razor-sharp lyrics and brilliantly executed musical movements.
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Today & Tomorrow is yet another superb album from the Sault collective headed up by Dean Josiah Cover AKA Info. Not much else is known about them but there sure is a hell of a lot of music to get stuck into. This album was dropped as one of five last year - alongside 11, AIIR, Earth and Untitled (God)) - all for free and all on the same day. That is a mad thing to do and you might think they can't all be good albums, but they are. This is another lo-fi soul masterpiece from one of the best bands of our time.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Forever Living Originals
Cat-No:FLO00015LP
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:2LP
Barcode:
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Label:Forever Living Originals
Cat-No:FLO00015LP
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:2LP
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The Sault re-issuses keep on coming and among them comes 'Untitled (God)', intended as the dourest part of this quintuplet offering to God. This 11-track arm draws on gospel and film music more than anything else. In our view, this is the most suspenseful LP of the lot, with synthetic string sections standing in for parts that, were it not the 21st Century, we'd expect to be performed by full orchestras. No affect is lost, though: spiritual spoken-word prayers like 'Guide My Steps' recall the post-ironic vision of Dean Blunt, while everything from acapella meanderings to funk detours to improvisatory 6/4 choruses continue to pepper this long-form wonder of an album.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Forever Living Originals
Cat-No:FLO0009LP
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:10"
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Label:Forever Living Originals
Cat-No:FLO0009LP
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:10"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Leiter
Cat-No:LTR46
Release-Date:06.12.2024
Configuration:2LP
Barcode:4066004674575
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Cat-No:LTR46
Release-Date:06.12.2024
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Barcode:4066004674575
1
Nils Frahm - Prolog (Paris)
2
Nils Frahm - Right Right Right (Paris)
3
Nils Frahm - Briefly (Paris)
4
Nils Frahm - You Name It (Paris)
5
Nils Frahm - Some (Paris)
6
Nils Frahm - Re (Paris)
7
Nils Frahm - Spells (Paris)
8
Nils Frahm - Opera (Paris)
9
Nils Frahm - Our Own Roof (Paris)
10
Nils Frahm - Hammers (Paris)
Recorded at the Philharmonie de Paris and one and a half years after releasing his magnum opus "Music For Animals"—described by PopMatters as “a musical waterfall of monumental proportions”—Nils Frahm shares a new live album, due for release by his LEITER label on December 6. In what’s becoming a tradition, it follows 2013’s "Spaces", a Pitchfork Album of the Year taped at shows over the preceding 18 months, and 2020’s "Tripping With Nils Frahm", also released as a film. "Paris", nonetheless, is Frahm’s first live album from a single night, March 21, 2024, and contains ten tracks over a running time of 84 minutes.
Frahm’s performances have always been known for expanding upon his studio recordings, and "Paris" is no exception. Drawing on his substantial catalogue, the German composer and producer reworks tracks from various albums, and also adds the brand new, luxurious and strangely gripping ‘Opera’ to the track list.
If he leaves the stage to the same uproarious jubilation with which he was initially greeted, "Paris" makes it clear why he’s been so in demand. He’s been booked, frequently for multiple nights, at halls around the world, including Sydney’s Opera House, London’s Barbican and LA’s Orpheum Theatre. Indeed, the LA Times wrote, “Watching him at work, and hearing the audience react, is a little like watching an athlete at the top of his game.” Expect nothing less from Nils Frahm on "Paris", a vital document of this ingenious, gifted musician’s endless pursuit of fresh perspectives.
All tracks written, produced and mixed by Nils Frahm.
Mastered by Zino Mikorey, recorded by Terence Goodchild.
Vinyl cut by Andreas Kauffelt at Schnittstelle.
All tracks published by Manners McDade Music Publishing Ltd.
Cover artwork and design by Studio Torsten Posselt.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Frahm’s performances have always been known for expanding upon his studio recordings, and "Paris" is no exception. Drawing on his substantial catalogue, the German composer and producer reworks tracks from various albums, and also adds the brand new, luxurious and strangely gripping ‘Opera’ to the track list.
If he leaves the stage to the same uproarious jubilation with which he was initially greeted, "Paris" makes it clear why he’s been so in demand. He’s been booked, frequently for multiple nights, at halls around the world, including Sydney’s Opera House, London’s Barbican and LA’s Orpheum Theatre. Indeed, the LA Times wrote, “Watching him at work, and hearing the audience react, is a little like watching an athlete at the top of his game.” Expect nothing less from Nils Frahm on "Paris", a vital document of this ingenious, gifted musician’s endless pursuit of fresh perspectives.
All tracks written, produced and mixed by Nils Frahm.
Mastered by Zino Mikorey, recorded by Terence Goodchild.
Vinyl cut by Andreas Kauffelt at Schnittstelle.
All tracks published by Manners McDade Music Publishing Ltd.
Cover artwork and design by Studio Torsten Posselt.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Not On Label
Cat-No:yasiingaye
Release-Date:04.06.2021
Genre:Dope Beat/Hip Hop
Configuration:2LP
Barcode:
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Last in:13.05.2024
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Label:Not On Label
Cat-No:yasiingaye
Release-Date:04.06.2021
Genre:Dope Beat/Hip Hop
Configuration:2LP
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1
Amerigo Gazaway - No Title
2
Amerigo Gazaway - No Title
3
Amerigo Gazaway - No Title
4
Amerigo Gazaway - No Title
5
Amerigo Gazaway - No Title
6
Amerigo Gazaway - No Title
7
Amerigo Gazaway - No Title
8
Amerigo Gazaway - No Title
9
Amerigo Gazaway - No Title
10
Amerigo Gazaway - No Title
11
Amerigo Gazaway - No Title
From AMERIGO GAZAWAY who did FELA SOUL and BIZARRE TRIBE, now YASIIN GAYE. 13 tracks that perfectly blend MOS DEF and MARVIN GAYE. Features TEDDY PENDERGRASS, KANYE WEST, TAMII TERRELL, TALIB KWELI and BLACK ASTRONAUTS. Full picture sleeve, double vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Not On Label
Cat-No:yasiingaye2
Release-Date:29.10.2021
Genre:Dope Beat/Hip Hop
Configuration:2LP
Barcode:
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Last in:22.07.2024
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Label:Not On Label
Cat-No:yasiingaye2
Release-Date:29.10.2021
Genre:Dope Beat/Hip Hop
Configuration:2LP
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1
Amerigo Gazaway - Intro Theme (The Return)
2
Amerigo Gazaway - Travellin' Man" (part II - Distant Lovers mix)
3
Amerigo Gazaway - Undeniable" (feat The Temptations)
4
Amerigo Gazaway - Ghetto Rock" (feat Chuck Berry)
5
Amerigo Gazaway - Sex, Love & Money"
6
Amerigo Gazaway - Modern Marvel" (part 1)
7
Amerigo Gazaway - This Means You" (feat Talib Kweli)
8
Amerigo Gazaway - Anna's Love Song
9
Amerigo Gazaway - Living For The Funk" (feat Toshi)
10
Amerigo Gazaway - Modern Marvel" (part 1)
11
Amerigo Gazaway - High Drama" (feat Mike Zoot)
12
Amerigo Gazaway - B Stands For Beef
13
Amerigo Gazaway - There Is A Way
14
Amerigo Gazaway - Climb" (interlude)
15
Amerigo Gazaway - Modern Marvel" (part II)
16
Amerigo Gazaway - No Title
17
Amerigo Gazaway - End Credits" (feat Andy Flory)
18
Amerigo Gazaway - Ms Fat Booty" (feat Ghostface Killah - part 2)
Volume 2 from mash up master AMERIGO highlights the often over- looked accomplishments of MARVIN GAYE's role as the producer. Not only do we get MARVIN and MOS DEF, but also CHUCK BERRY, TALIB KWELI, and THE TEMPTATIONS. 18 tracks. Full picture sleeve, double vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Last in:21.10.2024
Label:No Label
Cat-No:NOTORIOUSJBS
Release-Date:21.04.2023
Genre:Soul/Funk
Configuration:LP
Barcode:
1
Biggie vs James Brown - Intro
2
Biggie vs James Brown - B.I.G. Poppa's Got A Brand New Bag
3
Biggie vs James Brown - Sex Machine Gun Funk
4
Biggie vs James Brown - Ten Crack Commandments feat. Fela Kuti
5
Biggie vs James Brown - Don't Do Drugs PSA (Interlude)
6
Biggie vs James Brown - The B.I.G. Payback
7
Biggie vs James Brown - Kick In The Door
8
Biggie vs James Brown - Say It Loud (I'm Black & Proud)
9
Biggie vs James Brown - Everyday Struggle
10
Biggie vs James Brown - Stay In School PSA (Outro)
11
Biggie vs James Brown - Think B.I.G. (Bonus Track)
Repressed and back in. This masterpiece by AMERIGO GAZAWAY mashes NOTORIOUS B.I.G. and the Godfather of Soul JAMES BROWN. 10 crucial cuts with clever titles like "B.I.G. POPPA'S GOT A BRAND NEW BAG", "THE B.I.G. PAYBACK", "TEN CRACK COMMANDMENTS" and more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
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Label:Preisner Productions
Cat-No:PPLP004
Release-Date:24.11.2023
Genre:Electronic
Configuration:LP Excl
Barcode:5903111904074
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Label:Preisner Productions
Cat-No:PPLP004
Release-Date:24.11.2023
Genre:Electronic
Configuration:LP Excl
Barcode:5903111904074
1
Zbigniew Preisner & Lisa Gerrard - A1. Hear me out
2
Zbigniew Preisner & Lisa Gerrard - A2. I'm praying for silence
3
Zbigniew Preisner & Lisa Gerrard - A3. If dreams were life
4
Zbigniew Preisner & Lisa Gerrard - A4. Believe in yourself
5
Zbigniew Preisner & Lisa Gerrard - B1. It's not all lost
6
Zbigniew Preisner & Lisa Gerrard - B2. If you could get back to the roots
7
Zbigniew Preisner & Lisa Gerrard - B3. It's not too late
8
Zbigniew Preisner & Lisa Gerrard - B4. Searching for a lost world
9
Zbigniew Preisner & Lisa Gerrard - B5. Into the light
1 Format: LP
2. GENRE/S: modern classical
3. TRACKLIST:
SIDE A
1. Hear me out 3:43
2. I'm praying for silence 5:32
3. If dreams were life 5:04
4. Believe in yourself 4:39
SIDE B
1. It's not all lost 3:17
2. If you could get back to the roots 4:28
3. It's not too late 4:35
4. Searching for a lost world 4:38
5. Into the light 4:20
4. SHORT INFO:
I can say that the album It's not too late has been created by chance.
Few years ago together with Lisa Gerrard we visited synagogue in a small town hundred kilometres from Cracow, Bobowa. When we entered the synagogue Lisa started to sing. It appeared that the place had spine-tingling acoustics. I said then to Lisa: " let's try to record something here".
The rule was simple: I prepared themes and we recorded live performance. Lisa heard what I was playing for the first time during the recording and she improvised. We recorded nine compositions in 45 minutes. It supposed to be a holiday joy.
Six years later I returned to the material we recorded and decided to finish it. What is left from the original recording is the voice of Lisa. I composed and recorded everything else in my studio. Dominik Wania played piano, Magdalena Pluta - cello and Jerzy G?owczewski- saxophone.
That's the way the album It's not too late came in to being.
We live in the most dangerous time since the Second World War.
Lisa Gerrard and I want to tell you about the world we share. Our weapon is music. It doesn't kill, it resurrects, and it brings hope to life.
It's not too late.
Zbigniew Preisner
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: modern classical
3. TRACKLIST:
SIDE A
1. Hear me out 3:43
2. I'm praying for silence 5:32
3. If dreams were life 5:04
4. Believe in yourself 4:39
SIDE B
1. It's not all lost 3:17
2. If you could get back to the roots 4:28
3. It's not too late 4:35
4. Searching for a lost world 4:38
5. Into the light 4:20
4. SHORT INFO:
I can say that the album It's not too late has been created by chance.
Few years ago together with Lisa Gerrard we visited synagogue in a small town hundred kilometres from Cracow, Bobowa. When we entered the synagogue Lisa started to sing. It appeared that the place had spine-tingling acoustics. I said then to Lisa: " let's try to record something here".
The rule was simple: I prepared themes and we recorded live performance. Lisa heard what I was playing for the first time during the recording and she improvised. We recorded nine compositions in 45 minutes. It supposed to be a holiday joy.
Six years later I returned to the material we recorded and decided to finish it. What is left from the original recording is the voice of Lisa. I composed and recorded everything else in my studio. Dominik Wania played piano, Magdalena Pluta - cello and Jerzy G?owczewski- saxophone.
That's the way the album It's not too late came in to being.
We live in the most dangerous time since the Second World War.
Lisa Gerrard and I want to tell you about the world we share. Our weapon is music. It doesn't kill, it resurrects, and it brings hope to life.
It's not too late.
Zbigniew Preisner
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:WRWTFWW
Cat-No:wrwtfww041
Release-Date:14.06.2024
Configuration:12" Excl
Barcode:4251648411826
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Last in:04.06.2024
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Label:WRWTFWW
Cat-No:wrwtfww041
Release-Date:14.06.2024
Configuration:12" Excl
Barcode:4251648411826
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Large Music
Cat-No:LAR100
Release-Date:06.09.2024
Genre:House
Configuration:12"
Barcode:197188518097
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Last in:13.12.2024
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Last in:13.12.2024
Label:Large Music
Cat-No:LAR100
Release-Date:06.09.2024
Genre:House
Configuration:12"
Barcode:197188518097
1
kerri chandler - Return 2 Acid
2
kerri chandler - Return 2 Acid (Acapella)
3
kerri chandler - Planet Sonic
Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:10.12.2024
Label:bbe
Cat-No:BBE763
Release-Date:31.05.2024
Genre:Deephouse
Configuration:2LP
Barcode:
1
musclecars - The Afro-American Conundrum (Where Does That Leave Us?)
2
musclecars - Dream Boy
3
musclecars - Tonight (feat Kamaal)
4
musclecars - Every Party Must Come To An End (feat Kamaal)
5
musclecars - Running Out Of Time
6
musclecars - Carlos Sanchez Interlude
7
musclecars - Hello? (feat Aden)
8
musclecars - Ha Ya! (Eternal Life
9
musclecars - Circles I (Prelude)
10
musclecars - Circles II (feat Toribio)
11
musclecars - There's Space For Us All
12
musclecars - Water (feat New Past)
Sugar Honey Iced Tea! is the highly anticipated debut album from musclecars, set for a May 2024 release on BBE Music. Having already established their presence in the club scene, from the joyous atmosphere of their Coloring Lessons parties to their residency at Nowadays in NYC, and with genre-bending performances worldwide, musclecars are eager to unveil this new world they've intentionally crafted.
This forthcoming album comprises 13 tracks that sonically come together to offer a profound lens into the Afro-American experience. Themes range from joy, to loss, intimacy, helplessness, perseverance, and all the facets that lie in between. From the very first tune, musclecars set the tone with an exploration of afro-dystopia, carrying listeners through the entire album whilst creating imaginary futures born out of self-preservation and self-discovery.
Through their practice of sonic storytelling, native New Yorkers Brandon Weems and Craig Handfield use this album to speak to the nuances of their daily lives and their environment. Join them on this musical journey as they delve into a collection that captures the essence of the black experience with authenticity, emotion, and rhythm. This album stands as one of their favorite bodies of work in recent memory, and they're so excited to share it with you.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This forthcoming album comprises 13 tracks that sonically come together to offer a profound lens into the Afro-American experience. Themes range from joy, to loss, intimacy, helplessness, perseverance, and all the facets that lie in between. From the very first tune, musclecars set the tone with an exploration of afro-dystopia, carrying listeners through the entire album whilst creating imaginary futures born out of self-preservation and self-discovery.
Through their practice of sonic storytelling, native New Yorkers Brandon Weems and Craig Handfield use this album to speak to the nuances of their daily lives and their environment. Join them on this musical journey as they delve into a collection that captures the essence of the black experience with authenticity, emotion, and rhythm. This album stands as one of their favorite bodies of work in recent memory, and they're so excited to share it with you.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP Excl
in stock
Label:Okay Nature Records
Cat-No:OKNR02
Release-Date:08.11.2024
Configuration:LP Excl
Barcode:4251804184274
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Last in:04.11.2024
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Last in:04.11.2024
Label:Okay Nature Records
Cat-No:OKNR02
Release-Date:08.11.2024
Configuration:LP Excl
Barcode:4251804184274
Genre: Electronica Romantica / Nu Disco
System Olympia drops her album debut and, in turn, initiates her Okay Nature label. 'Delta Of Venus' takes elements of minimal synth/wave, pop, contemporary R&B, and fashions them into this steely, icy cool and highly original new form whilst keeping loyal to the DIY tradition. Stunning release that you really don't want to miss.
A Side:
The Only Way To Do It
Sirius Desire
So True
Look With Your Eyes
Possible Worlds
B Side:
Erotic Line
Tommib
You’re Not Talking
6AM Romance
Not Us (U)
Vital Sales Point:
First album from System Olympia
Sold out on presale twice when previously released
Currently selling for £ 100 average on Discogs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
System Olympia drops her album debut and, in turn, initiates her Okay Nature label. 'Delta Of Venus' takes elements of minimal synth/wave, pop, contemporary R&B, and fashions them into this steely, icy cool and highly original new form whilst keeping loyal to the DIY tradition. Stunning release that you really don't want to miss.
A Side:
The Only Way To Do It
Sirius Desire
So True
Look With Your Eyes
Possible Worlds
B Side:
Erotic Line
Tommib
You’re Not Talking
6AM Romance
Not Us (U)
Vital Sales Point:
First album from System Olympia
Sold out on presale twice when previously released
Currently selling for £ 100 average on Discogs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:NG Records
Cat-No:NG01
Release-Date:23.04.2018
Configuration:LP
Barcode:
in stock
Last in:26.11.2024
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Last in:26.11.2024
Label:NG Records
Cat-No:NG01
Release-Date:23.04.2018
Configuration:LP
Barcode:
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nu guinea - No Title
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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7"
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Label:Soul Supreme Records
Cat-No:SSR45009
Release-Date:15.03.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580822139
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Last in:15.10.2024
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Last in:15.10.2024
Label:Soul Supreme Records
Cat-No:SSR45009
Release-Date:15.03.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580822139
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Soul Supreme - Taking The Stand (Thes One Remix) (Feat. Thes One & Damu The Fudgemunk)
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Soul Supreme - Taking The Stand
Now that's what we call a remix treatment! Soul Supreme enlists a dream line-up for the official remix of "Taking The Stand." The intro line is all there is to say that this 45 is a no-brainer to cop:"Thes Oneis on the beat,Soul Supremecomposed the suite,the Fudgemunkis about to speak."
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:First Word Records
Cat-No:FW304
Release-Date:13.09.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580826830
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Last in:10.12.2024
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Last in:10.12.2024
Label:First Word Records
Cat-No:FW304
Release-Date:13.09.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580826830
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Allysha Joy - nothing to prove
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Allysha Joy - dropping keys
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Allysha Joy - reset : ____
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Allysha Joy - raise up
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Allysha Joy - hold on
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Allysha Joy - silk
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Allysha Joy - david
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Allysha Joy - ____ : float
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Allysha Joy - your touch
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Allysha Joy - learning to love
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Allysha Joy - stay
First Word Records is proud to bring you 'The Making of Silk', the brand new album from Allysha Joy. Allysha Joy is a deeply-expressive singer, songwriter, producer & keys player hailing from Naarm (Melbourne), known for both her solo work and as front woman for 30/70. A uniquely-talented artist, her husky soulful voice, formidable Fender Rhodes prowess and raw poeticism has garnered legions of attentive fans the world over. As an integral performer in the modern day jazz-soul scene, previous support has included selectors Gilles Peterson & Jamz Supernova (BBC 6 Music), Jamie Cullum (BBC Radio 2), China Moses (Jazz FM) & Laurent Garnier (PBB France), along with stations such as NTS, Lot Radio, KEXP & KCRW, and publications including OkayPlayer, Dazed and The Vinyl Factory. Along with a recent foray into the USA market with a string of successful shows, Allysha Joy has performed alongside acts such as Snarky Puppy, PJ Morton, The Teskey Brothers, Kokoroko and Children of Zeus, to name a few.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More