One of those rare, lesser-known Latin funk gems is undoubtedly "Miami" by Dominican-Venezuelan musician "Porfi Jiménez", originally released in 1971. Sought after by DJs and collectors for years, original copies are now almost impossible to find in decent condition. The track has been high on "Matasuna Records"' wish list for a long time - and after several years of work, it's finally getting an official reissue. The release also includes a great edit by Philadelphia-based DJ and producer "Retro Roland Riso", who has already left his mark on previous Matasuna releases. This heavy Latin funk joint from Venezuela is ready to bring the heat just in time for summer! ?? The original version of "Miami" impresses with its driving percussion, powerful horns and raw, unpolished sound, delivering pure energy. The fusion of funk grooves and Latin American rhythms creates an infectious vibe that is perfect for the dance floor. Retro Roland Riso's edit carefully enhances the track by adding extra beats and percussive elements, giving it more punch and making it even more club-friendly, while staying true to the original feel. It's a fresh favourite for any bag!



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Berlin based label "Matasuna Records" kicks off the new year 2025 with a soulful 7inch featuring songs by Barcelona's "The Blaxound" and singer "John Vermont". Their common love for vintage soul from the 60s and 70s brought them together for this project to compose and record classic soul sung in Spanish. This 45 shows that the concept worked out wonderfully: Spanish Soul at its best, sounding authentic and contemporary at the same time! Matasuna Records, known for its reissues of musical treasures from the past, also has an eye for exciting new discoveries in contemporary music. With "The Blaxound & John Vermont" the label has once again found an interesting project for soulful & contemporary music that fits perfectly into the label's sound spectrum and will appeal to lovers of authentic soul music. The two songs "No Es Por Ti" and "Qué Más Te Da?" from their recently released album will be released for the first time as a 7-inch vinyl single on Matasuna Records. The instrumentation and the lovely harmonies are the ideal basis for John Vermont, who with his versatile voice, sometimes powerful, sometimes smooth - but always soulful - can fully develop his vocal spectrum and fill the songs with his presence. Instrumental and vocal arrangements are beautifully balanced and harmonious. Beatific!

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Exactly three years ago, "Matasuna Records" released a hot Latin 45 feat. two songs by the Venezuelan band "Phirpo y sus Caribes", led by musician, arranger and conductor "Porfi Jiménez". Now, fortunately, two more tracks from the band's only album, "Parrilla Caliente", are being reissued on vinyl by Matasuna - and for the first time, on a 7-inch! The original pressing of the 1972 album on "Philips" is a rare and valuable collector's item. Officially licensed by the family of the late musician. Don't miss this gem! "Y Esa Pava Que?" on the A-side of the single is an explosive Latin funk joint written by Porfi Jiménez. An irresistible groover, opulently and densely orchestrated with virtuoso musicians showing off their musicality. Heavy drums, powerful horns, funky & slightly psychedelic keys & guitars are the basic ingredients, enriched with solo parts and vocal interludes. A real treat! The B-side features "Pa' Los Rumbero", a cover version of the song by New York Latin maestro "Tito Puente". In 1972, Puente recorded a great new version of his original 1955 composition. Phirpo y sus Caribes used this new version as the basis for their cover, compressing the Puente song to about two and a half minutes. The result is an energetic and upbeat song that proves that Porfi Jiménez and his bandmates were among the continent's finest musicians. Vamos que la rumba ya va empezar!

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"Matasuna Records", on a mission to unearth musical treasures of the past for the last 7 years, presents an exciting discovery of the present with the band "Bidaide" from Barcelona. This 7-inch vinyl single not only marks Bidaide's vinyl debut, but also unveils their captivating versatility and musicality with two previously unreleased tracks, "Batua" and "Love Me & Give Up".

Soul, funk, psychedelic rock, reggae-dub and library music merge seamlessly in Bidaide's recordings, forming a unique sound. Two great tracks that are now available on vinyl!

"Batua" on the A-side is the energetic prelude to this 45. A dynamic, unfiltered rhythm section provides the foundation, while two guitars engage in an agile conversation underscored by sharp keys and fantastic brass overdubs. Recorded in the band's studio on multiple tracks using analog methods and equipment, the song boasts an opulent, organic sound. Batua is a funky, psychedelic journey interspersed with soulful & harmonious interludes and stirring percussive breaks.

Flipping to the B-side, "Love Me & Give Up" offers a more soulful, relaxed contrast, showcasing the band's versatility. A laid-back beat sets the stage, with keys and guitars weaving a soulful sound tapestry.The chorus, delivered with restrained conviction and backed by a warm organ, evoke a Motown-esque charm.

Founded in 2019, Bidaide began as a duo with "Asier del Álamo" and "Juan Cruz Chiappara". With the arrival of "Sergio Caño" (keyboards), "Manuel Diaz" (drums), and "Nacho Llauradó" (Telecaster), the duo blossomed into a vibrant band. Through experimentation and maturation, they forged their own distinct sound, reflected in their 2021-2022 recordings titled "BATUA" (Basque for "unity"). These recordings embody the spiritual essence of a group that has found and solidified its own powerful sound, showcasing its talent for arrangements and harmonies.

Some members of Bidaide, who already knew Matasuna and their releases through their involvement in the "Gatzara Soundsystem", sent Matasuna their demo of the recordings in mid-2003. Their fresh, impressive sound immediatelyfound open ears. This connection paved the way for Bidaide's exciting vinyl debut, marking a new chapter in their musical journey.

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Matasuna Records is thrilled tofinally release them as an officially licensed reissue with new mastering as a 7-inch vinyl single. This release is an absolute must-have for all funk enthusiasts, DJs and collectors."Getting Uptown (To Get Down)" by "United 8" is a funk classic released on Atlantic Records in 1972. The musicians of United 8 created an infectious sound with a combination of horns, guitars, drums and bass. The drums drive the beat and give the track its distinctive rhythm, while the bass provides a powerful, pulsating foundation. The horns add a jazzy note, while the guitar adds a funky touch. The result is an energetic, danceable sound that still sounds fresh and exciting today. The song is timeless and has lost none of its appeal.It's no wonder that it has been featured on many funk compilations since the 2000s. "Sexy Coffee Pot" by "Tony Alvon & The Belairs" is an explosive and energetic funk jointfrom 1969that immediately captivates the listener. The rhythm section lays down a steady, infectious groove, while the guitar and horns provide a funky, dynamic sound that complements each other perfectly. It's no surprise that "Sexy CoffeePot" has been sampled and covered by so many hip-hop artists over the years, such as "Eric B. & Rakim", "Cypress Hill" or "DJ Shadow", to name a few. B-boys and B-girls also appreciate the upbeat vibe of this song, which has become a staple on battles.

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"Matasuna Records" returns to Mexico for a third time to dig for rare treasures. They got their hands on a special gem - two obscure Latin/Jazzfunk tunes by a band called "Colorado" from "Mexico City". The songs were released in 1976 on the Mexican label Peerless and the super rare original 7inch is virtually unavailable. Fortunately, the release is finally available for the first time as an official reissue in a remastered edition. An unjustly under-the-radar Latin jazzfunk highlight!

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"Matasuna Records" journey goes to "South Africa" for the first time to reissue two superb Afro-/Jazzfunk songs by the band "Freeway". Released in 1975 on the South African label "Flame", the album "Abahambi – Balomhlaba" was rediscovered and re-released by the good folks of "Black Pearl Records" from Berlin in 2013. The LP immediately landed on Matasuna Records' album best list and was at the top of the reissue wish list. Now that goal has come true to officially release two songs on 45, making them available as 7inch vinyl singles for the first time. Transferred from the original master tapes and remastered to sound as good as never before. An essential release! The title track of the album "Abahambi" composed by "Sipho Gumede" and also the album opener is also the A-side of the Matasuna release. The song immediately builds up an incredible groove with the first bar and offers an atmospherically dense, 5-minute funk firework. The musicians master their instruments to perfection: be it in the collective playing as well as in the polished solo passages, where they can fully demonstrate their skills. One of the tunes that could run endlessly without ever getting boring. On the flip side, the song "Umlazi" composed by "Enoch Mthalane" is another testament to the sophistication of their arrangements & musicality. Although this song is much slower in tempo, it is in no way inferior to the A-side in intensity. Especially the piano generates a hypnotic groove, which is skillfully continued by the guitar. Another musical treat!


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"Matasuna Records" has dug into the archives of "Atlantic Records" and unearthed two funky treats from the band "Black Heat". The funk & soul band was active in the 1970s and remained under the radar despite their talent. Both songs from their 1972 debut album are available for the first time as an official reissue on 7inch - the song "Wanaoh" even premieres on a vinyl single. "Wanaoh" on the A-side is a monster funk joint written by the band's guitarist "Bradley Ownes". The song features a top notch mix with all kinds of delicious ingredients: a killer bassline, funky guitar riffs, crunchy drums, deep organ, tasty horns and a super funky flute. Absolutely astonishing that this song didn't go down in the annals of funk. "Chip's Funk" on the B-side penned by bassist "Naamon Jones" also continues in the same vein and is an absolutely great tune which succinctly showcases "Raymond Green's" harmonica. The band's name couldn't apply better to this song either: Black Heat is exactly what the musicians deliver here.

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Sassy J’s acclaimed A Sanctuary tape mix arrives as a double vinyl release, featuring 18 of the 22 original tracks. All exclusive and previously unreleased music by 17 contemporary artists including Molinaro, Carlos Niño & Friends, K15, Kaidi Tatham, Legowelt, Afrikan Sciences, AsheTreJenkins, 2000Black and many more. A journey through sounds, spheres, moods and dynamics dedicated to the unity and empowerment of the independent artists.

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Nick The Record returns to Natural House for his third outing, delivering three essential edits straight from his record bag to yours. For those who’ve caught Nick in action over the past couple of years, these floor-tested versions have been mainstays in his sets - now finally available for the wider vinyl community.

The A-side brings the proto-house/NRG bomb “Move On Down To The Other Side” - an instant energy lift for any dancefloor. On the flip, “Break Fast Club” channels the Balearic spirit, all sun-soaked grooves and late-night momentum, while “Steamy” pushes up the BPM for a deeper, boogie-tinged workout.

Limited vinyl only.

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DJ Support: DJ Harvey, Kelvin Andrews/ Balearic MIke (Down to the Sea and Back), Howler (Pikes/Totem Projects) Joe Morris (Shades of Sound/Pikes)

New vinyl only 4 track EP of reinterpretations on the fledgling Oswego Music label, from the mysterious Lovehandles.‘Unrequited Dub’ sees a quintessential eighties tune and Larry Levan favourite reframed as an epic 11 minute balearic slow jam- with scarce copies available digitally getting plays in recent months from Kelvin Andrews/ Balearic Mike (Down to the Sea and Back), Howler (Pikes/Faith/Totem Projects) Joe Morris (Shades of Sound/Pikes) and even Mr Harvey Bassett seeking out a copy. One for sunsets and heartbreak. Next up-‘Stars before the Sun’ is a recut of a thrift store Hare Krishna disco funk cut. WIth solina strings, drum breaks and a positive message to live for now. ‘Crystal Lites’ first on the flip; heads to the disco. Versioned here with whacked out pinging delays and reverbs. It’s been reworked before, but never like this. ‘It’s a Long Shot’ second on side two, is a 12” mix that never was- an eighties Balearic drum machine pop favourite,extended for djs. Its ethereal vocals, minor keys and spaced out fx perfect for late nights and early mornings. ‘The Drum-Set (skit)’ rounds things off here- a short and sweet reminder of the international, multiracial origins of rhythm. Perfect for mixtape intros and interludes.

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Repress!

Out of print since early 2023 E. LIVE's first solo full length gets another repress due late Sept. The modern boogie sound with 6 cuts that dive deep deep into a funky transgenre orbital amalgamation of space funk, boogie, jazz funk, chill wave & deep house. Pic sleeve.

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Repress!

Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.

In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.

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Chicago's premier boogie purveyors STAR CREATURE dig deep with 4 extremely rare cuts, 3 of them being white whale level impossible to find & the 4th commanding big bucks online! Includes songs by TIGER JACK, SOUL INVADERS, MOTHERFOX, and PYRAMID PLUS. Heavyweight vinyl and heavyweight reverse board jacket. Due out Nov. 10.

The A Side starts with an extremely rare, like 0 “Haves” on discogs.com rare from Tiger Jack. “Let’s Bounce” was originally issued on Ajana as one of their only 2 releases, the first being earlier from Central Power System on Numero Group’s The Chicago Party compilation. Tiger Jack remained elusive, both Jack and a copy of his record until we stumbled upon a contact and were able to get in touch and stitch together the fully extended mix of this Punk Funk Boogie Bopper. Speaking of Numero Group, The 2nd track of Side 1 comes from an assist from the reissue Gods themselves as they blessed us with this never-sold-on-discogs soulful side of Boogie Slap issued on one-and-done label Magikal. When asked about the track, songwriter CA Williams said they recorded it for a restaurant jingle. Probably the best one we’ve ever heard.

Side 2 starts off with an absolute Modern Soul Monster with Motherfox’s Hot Shot. John Harris came by Star Creature’s South Side of Chicago HQ to chop it up and share some stories on Motherfox and his other passion project most deep funkers would known as Carver High. This record has reached insane demand the past few years as it’s a certified floor filler for all scenes - peak big budget sound packed into a small DIY package, total package. Track 2 delivers the full version of the ever mysterious Pyramid Plus providing the Titular Tune “Comin’ At Ya’” as vocoded talkboxed low slung, spaced out Boogie Banger.

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LB0097LP-NDC (Non Die Cut) Floating Points, Pharoah Sanders & The London Symphony Orchestra "Promises" will be the new standard product moving forward

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Supa Jams proudly presents The CJP Band. Two peaktime Disco Soul Funk burners, Drums blazing, Bass lines for the loose spined. Hotter than the summer dance floors they'll be played on. 300 limited pressing - Don't sleep!

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Miraculously rare and seriously obscure killer dubs...; one of the very few hard core seventies dub albums mixed by Errol Brown. A selection of solid dubs originally recorded by BB Seaton at Duke Reid's legendary Treasure Isle studio and mixed in-house by the Duke's nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time

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