"Matasuna Records" takes another musical journey to "Miami", Florida, to spotlight the local band "Adam's Apple". Back in 1975, the independent label "Sound Triangle Records" issued a 7inch single featuring two of their songs: the ballad "Miami Para Mi" and the upbeat Latin/Salsa Funk cut "La Inflación De Ofelia". Now, this tune returns on 7inch vinyl for the first time, paired with an instrumental version that strips it down to its pure, funky essence. Written by Miami-based musician and songwriter "Eddie Elmer" - who also penned the Latin funk gem "Harina de Maiz" for "Los Sobrinos del Juez," reissued by Matasuna in 2019. This new release uncovers another hidden treasure from Miami's vibrant music scene. Don't miss out!

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Berlin based label "Matasuna Records" kicks off the new year 2025 with a soulful 7inch featuring songs by Barcelona's "The Blaxound" and singer "John Vermont". Their common love for vintage soul from the 60s and 70s brought them together for this project to compose and record classic soul sung in Spanish. This 45 shows that the concept worked out wonderfully: Spanish Soul at its best, sounding authentic and contemporary at the same time! Matasuna Records, known for its reissues of musical treasures from the past, also has an eye for exciting new discoveries in contemporary music. With "The Blaxound & John Vermont" the label has once again found an interesting project for soulful & contemporary music that fits perfectly into the label's sound spectrum and will appeal to lovers of authentic soul music. The two songs "No Es Por Ti" and "Qué Más Te Da?" from their recently released album will be released for the first time as a 7-inch vinyl single on Matasuna Records. The instrumentation and the lovely harmonies are the ideal basis for John Vermont, who with his versatile voice, sometimes powerful, sometimes smooth - but always soulful - can fully develop his vocal spectrum and fill the songs with his presence. Instrumental and vocal arrangements are beautifully balanced and harmonious. Beatific!

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Exactly three years ago, "Matasuna Records" released a hot Latin 45 feat. two songs by the Venezuelan band "Phirpo y sus Caribes", led by musician, arranger and conductor "Porfi Jiménez". Now, fortunately, two more tracks from the band's only album, "Parrilla Caliente", are being reissued on vinyl by Matasuna - and for the first time, on a 7-inch! The original pressing of the 1972 album on "Philips" is a rare and valuable collector's item. Officially licensed by the family of the late musician. Don't miss this gem! "Y Esa Pava Que?" on the A-side of the single is an explosive Latin funk joint written by Porfi Jiménez. An irresistible groover, opulently and densely orchestrated with virtuoso musicians showing off their musicality. Heavy drums, powerful horns, funky & slightly psychedelic keys & guitars are the basic ingredients, enriched with solo parts and vocal interludes. A real treat! The B-side features "Pa' Los Rumbero", a cover version of the song by New York Latin maestro "Tito Puente". In 1972, Puente recorded a great new version of his original 1955 composition. Phirpo y sus Caribes used this new version as the basis for their cover, compressing the Puente song to about two and a half minutes. The result is an energetic and upbeat song that proves that Porfi Jiménez and his bandmates were among the continent's finest musicians. Vamos que la rumba ya va empezar!

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"Matasuna Records", on a mission to unearth musical treasures of the past for the last 7 years, presents an exciting discovery of the present with the band "Bidaide" from Barcelona. This 7-inch vinyl single not only marks Bidaide's vinyl debut, but also unveils their captivating versatility and musicality with two previously unreleased tracks, "Batua" and "Love Me & Give Up".

Soul, funk, psychedelic rock, reggae-dub and library music merge seamlessly in Bidaide's recordings, forming a unique sound. Two great tracks that are now available on vinyl!

"Batua" on the A-side is the energetic prelude to this 45. A dynamic, unfiltered rhythm section provides the foundation, while two guitars engage in an agile conversation underscored by sharp keys and fantastic brass overdubs. Recorded in the band's studio on multiple tracks using analog methods and equipment, the song boasts an opulent, organic sound. Batua is a funky, psychedelic journey interspersed with soulful & harmonious interludes and stirring percussive breaks.

Flipping to the B-side, "Love Me & Give Up" offers a more soulful, relaxed contrast, showcasing the band's versatility. A laid-back beat sets the stage, with keys and guitars weaving a soulful sound tapestry.The chorus, delivered with restrained conviction and backed by a warm organ, evoke a Motown-esque charm.

Founded in 2019, Bidaide began as a duo with "Asier del Álamo" and "Juan Cruz Chiappara". With the arrival of "Sergio Caño" (keyboards), "Manuel Diaz" (drums), and "Nacho Llauradó" (Telecaster), the duo blossomed into a vibrant band. Through experimentation and maturation, they forged their own distinct sound, reflected in their 2021-2022 recordings titled "BATUA" (Basque for "unity"). These recordings embody the spiritual essence of a group that has found and solidified its own powerful sound, showcasing its talent for arrangements and harmonies.

Some members of Bidaide, who already knew Matasuna and their releases through their involvement in the "Gatzara Soundsystem", sent Matasuna their demo of the recordings in mid-2003. Their fresh, impressive sound immediatelyfound open ears. This connection paved the way for Bidaide's exciting vinyl debut, marking a new chapter in their musical journey.

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Matasuna Records is thrilled tofinally release them as an officially licensed reissue with new mastering as a 7-inch vinyl single. This release is an absolute must-have for all funk enthusiasts, DJs and collectors."Getting Uptown (To Get Down)" by "United 8" is a funk classic released on Atlantic Records in 1972. The musicians of United 8 created an infectious sound with a combination of horns, guitars, drums and bass. The drums drive the beat and give the track its distinctive rhythm, while the bass provides a powerful, pulsating foundation. The horns add a jazzy note, while the guitar adds a funky touch. The result is an energetic, danceable sound that still sounds fresh and exciting today. The song is timeless and has lost none of its appeal.It's no wonder that it has been featured on many funk compilations since the 2000s. "Sexy Coffee Pot" by "Tony Alvon & The Belairs" is an explosive and energetic funk jointfrom 1969that immediately captivates the listener. The rhythm section lays down a steady, infectious groove, while the guitar and horns provide a funky, dynamic sound that complements each other perfectly. It's no surprise that "Sexy CoffeePot" has been sampled and covered by so many hip-hop artists over the years, such as "Eric B. & Rakim", "Cypress Hill" or "DJ Shadow", to name a few. B-boys and B-girls also appreciate the upbeat vibe of this song, which has become a staple on battles.

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"Matasuna Records" returns to Mexico for a third time to dig for rare treasures. They got their hands on a special gem - two obscure Latin/Jazzfunk tunes by a band called "Colorado" from "Mexico City". The songs were released in 1976 on the Mexican label Peerless and the super rare original 7inch is virtually unavailable. Fortunately, the release is finally available for the first time as an official reissue in a remastered edition. An unjustly under-the-radar Latin jazzfunk highlight!

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"Matasuna Records" journey goes to "South Africa" for the first time to reissue two superb Afro-/Jazzfunk songs by the band "Freeway". Released in 1975 on the South African label "Flame", the album "Abahambi – Balomhlaba" was rediscovered and re-released by the good folks of "Black Pearl Records" from Berlin in 2013. The LP immediately landed on Matasuna Records' album best list and was at the top of the reissue wish list. Now that goal has come true to officially release two songs on 45, making them available as 7inch vinyl singles for the first time. Transferred from the original master tapes and remastered to sound as good as never before. An essential release! The title track of the album "Abahambi" composed by "Sipho Gumede" and also the album opener is also the A-side of the Matasuna release. The song immediately builds up an incredible groove with the first bar and offers an atmospherically dense, 5-minute funk firework. The musicians master their instruments to perfection: be it in the collective playing as well as in the polished solo passages, where they can fully demonstrate their skills. One of the tunes that could run endlessly without ever getting boring. On the flip side, the song "Umlazi" composed by "Enoch Mthalane" is another testament to the sophistication of their arrangements & musicality. Although this song is much slower in tempo, it is in no way inferior to the A-side in intensity. Especially the piano generates a hypnotic groove, which is skillfully continued by the guitar. Another musical treat!


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"Matasuna Records" has dug into the archives of "Atlantic Records" and unearthed two funky treats from the band "Black Heat". The funk & soul band was active in the 1970s and remained under the radar despite their talent. Both songs from their 1972 debut album are available for the first time as an official reissue on 7inch - the song "Wanaoh" even premieres on a vinyl single. "Wanaoh" on the A-side is a monster funk joint written by the band's guitarist "Bradley Ownes". The song features a top notch mix with all kinds of delicious ingredients: a killer bassline, funky guitar riffs, crunchy drums, deep organ, tasty horns and a super funky flute. Absolutely astonishing that this song didn't go down in the annals of funk. "Chip's Funk" on the B-side penned by bassist "Naamon Jones" also continues in the same vein and is an absolutely great tune which succinctly showcases "Raymond Green's" harmonica. The band's name couldn't apply better to this song either: Black Heat is exactly what the musicians deliver here.

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A deluxe 16 track DLP edition of AMERIGO GAZAWAY's cult classic reimagining of his fav D'ANGELO cuts includes all the original tracks alongside their corresponding instrumentals, plus a few unreleased gems. A perfect mixture of hip-hop, gospel, house, neo-soul and R&B. Awesome full pic sleeve.


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New from Strut, a fresh reissue of the classic debut album "Try And Love" (1973) from one of Nigeria"s most celebrated Afro-rock bands, Ofege. The album caught the imagination of a young Nigerian crowd fascinated by the new teen band and Ofege joined a fresh wave of homegrown artists coming through in the wake of Fela"s towering influence and other Afro-rock bands like Monomono, Ofo The Black Company and Blo.

Tracklist
1.1Nobody Fails
1.2Whizzy Ilabo
1.3Gbe Mi Lo
1.4Try And Love
1.5It's Not Easy
1.6Ofege
1.7You Say No
1.8Lead Me On

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Soundway presents a long-awaited remaster and re-cut of the 1976 album ‘Ifetayo’ by Black Truth Rhythm Band, an important and overlooked chapter in Trinidad’s rich musical history that blends West African influences with jazz, funk and the social commentary of the calypso tradition.

Led by the charismatic Oluko Imo (who went on to record with Fela Kuti and perform with members of Fela’s Egypt 80 band ), the group drew on the strong connections to Yoruba culture and Orisa traditions in Trinidad, looking to Africa for inspiration and reflecting the burgeoning Black Power movement of the time.

Recorded at KH studios in Port of Spain, Ifetayo (Yoruba for ‘Love excels all’) was the group’s sole album release. Imo contributed lead vocals and played bass, kalimba, conga, flute and percussion, channelling music from both sides of the Atlantic into a distinctive and unique slice of Afro Trinidadian expression.

Includes bonus track “Imo” not included on the original LP

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Seminal album from cult Ghanaian musician Alhaji K. Frimpong, recorded in 1976 and considered to be one of the best highlife albums ever recorded.

The Blue Album brings new arrangements to traditional Ghanaian melodies and features the masterpiece Kyenkyen Bi Adi M’awu (come back my love) - universally known in Ghana, covered and sampled by artists such as Chronnix, Gnarls Barkley and many more.

Backed by Vis a Vis - one of the most influential bands to come out of the Ghana Highlife / Afro Rock movement.

Although popular in Ghana at the time of the release, the albums were never distributed internationally and originalcopies of the album are extremely rare. The albums got a limited reissue in 2011 and have been unavailable since - even reissue copies sell for high prices on the second hand market

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Soundway Records delivers an exciting new compilation, diving ever deeper into South-East Asia. Ayo Ke Disco celebrates the musical identities emerging during the 1970s and 80s from the newly independent countries nestled around the South China Sea.

This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.

For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.

The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors.

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Repress!
Isle Of Jura's first LP reissue, the highly sought after 'Voyage'. A Journey Into Discoid Funk by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. 180g vinyl. Bootlegged badly in the past, re-issued with love now, the sound quality s top notch! TIP.

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Seminal album from cult Ghanaian musician Alhaji K. Frimpong, recorded in 1977 and considered to be one of the best highlife albums ever recorded.

The Black Album expands the electronic elements and features the equally visionary Hwehwe Mu Na Yi Wo Mpena, although the real gem is hiding on the B side: the extended groove of “Adam Nana”. Sinuously evolving guitar lines, clavinet vamps, harmonised vocal snatches and otherworldly percussion expand and contract over a full quarter of an hour - a Ghanaian repost to the Afro Jazz experiments going on at the same time on the other side of the Atlantic.

Although popular in Ghana at the time of the release, the albums were never distributed internationally and original copies of the album are extremely rare. The albums got a limited reissue in 2011 and have been unavailable since - even reissue copies sell for high prices on the second hand market.

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Pam Bowie is still a somewhat rough diamond of the late 60s Chicago soul landscape. Her sole single release came through Aquarius in 1969, and now apparently comes reissued through the reinvigorated label a whopping 50 odd years later. A gutted swill of soul-astalgia, 'Everlasting Love' hears the relatively culturally undocumented Bowie sideline personal greatness and climactic soul joie de vivre, instead offering us listeners a lyrical "shoulder to cry on". The track's singular legacy would be otherwise dwarfed by her labelmate Candace Love weren't it for this reissue.

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