A one-off 12” from New York’s early 80s boogie underground, Hustlin’ Time was the only single released under the name American Steel. Originally pressed in 1983 on the small but cult Silver Screen Records label, it’s become a rare find for collectors and a secret weapon for DJs in the know. Built around a strutting bassline, tight drums, and soulful vocals, Hustlin’ Time captures the essence of the boogie sound at its peak, equal parts funk, disco and electro. The 12" delivers four distinct takes: the full vocal, a shorter edit, a stripped-back instrumental, and a Dub mix courtesy of Aldo Marin under his S.U.R.E. Shot alias. Marin would go on to become a fixture in NYC remix culture, and his early touch here brings a raw dancefloor edge.


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180 gram pressing.

Producer, DJ, multi-instrumentalist and live performer Alek Lee returns with his second LP, an immersive instrumental journey shaped by his raw, smoky, guerrilla-style production. Cold Feet invites you deep into the Alek Lee universe, rich with swirling synths, layered percussion, Balearic guitar lines and dub-infused horns.

From the psychedelic, Sade like grooves of the title track and “Too Soon,” both steeped in cinematic mystique, to the sun drenched energy of “Pino Pino” and “The Right Thing,” which shimmer with Balearic disco flair, the album glides effortlessly across moods and tempos. A highlight arrives with the summer dub anthem “Was Was Was,” featuring long time collaborator and former Shame On Us bandmate Yovav Arzi on electric guitar.

The journey winds down with “Illusions,” a sultry, downtempo banger laced with an oriental twist, before dissolving into the final track “Cold Feet Desert”, a return to stillness, barefoot on white desert sand beneath a star strewn sky.

With a career spanning over two decades, Alek Lee has carved out a unique space in the global music scene. Known for his long, genre defying DJ sets and dynamic live performances, he moves fluidly between dub, house, and his own idiosyncratic productions. As a solo artist and through projects like Shame On Us and Project Runaway, Alek has played some of Europe’s most respected venues and festivals, including Sisyphos, Kater Blau, Glastonbury, Garbicz and Fusion. His releases have earned radio play from BBC6’s Iggy Pop and NTS’s David Holmes and featured on Peggy Gou’s Boiler Room and France’s legendary Radio Nova.

Now based in Athens, Alek continues to evolve his distinctive sound with Cold Feet, his most expansive statement yet.

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Daniel Monaco Band is an international group led by Italian bassist Daniele Labbate. Blending jazz, funk, house and disco with live energy, their debut EP ‘Get Naked and Fly’ captures years of collaboration and experimentation. The result is a warm, analog-driven sound crafted by seasoned session musicians who’ve toured the world and are now channeling their creativity into original music as a group.

Lead track ‘Love Ago’ delivers modern disco with the authenticity of the golden era, ‘Mimouna’ has a psychedelic edge, with the WHODAMMANY remix taking the original into a more electronic direction. ‘The Devil Left Dancing’ takes a subtly off centre path, nodding to Brazilian influences, while the title track ‘Get Naked and Fly’ is raw and instinctive blending live instrumentation with electronic sensibilities.

The project is a testament to what happens when musicians trust each other enough to explore freely without chasing perfection. A live band speaking house, funk and jazz with one voice — analogue, soulful, and free.

Personnel : Percussion by Yannick Van Ter Beek, Drums by Robin van Rijn, Sax by Alessandro Russo, Guitar by Simone Cesarini and Bass by Daniele Labbate.

Designed by Bradley Pinkerton.

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Following on from the 2023 reissue of Shiva featuring Leon Ware and Jo Ann Harris, Isle of Jura revisits 1983’s 20 Minute Workout LP once more with the Aerobic EP. This time, four more tracks are unearthed from the original album sessions, all produced by Andy Muson, a seasoned session bassist whose credits include work with Yoko Ono, James Taylor, and Ringo Starr. Originally brought in to play bass, Muson stepped into the producer role at the suggestion of composer Ira Newborn (best known for scoring Ferris Bueller’s Day Off and The Blues Brothers), who helmed the rest of the Shiva recordings.

IOJ label boss Jura Soundsystem is back on the controls, having previously reworked Never Gonna Give You Up into a limited one-sided 'Special Version' as part of the original reissue campaign. This new 12” sees him return to the Shiva project once more, delivering four extended versions that tease out the key elements and pull back on the occasional over the top disco indulgence from the originals. The result is an EP of refined early 80s Disco that acts as a fitting addendum to the original 12”s.

artwork designed by Bradley Pinkerton.

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** 180g pressing

Isle of Jura teams up with French digger Switch Groove on the next compilation titled ‘Archipelago – Cosmic Fusion Gems from France (1978-1988)’.

Switch Groove explains the concept “When I seriously began to search for and collect records, I was mostly interested in sounds from african-american, afro-latin and UK contemporary scenes. Sounds from distant territories, faraway from my native Massif Central, a highland region in the middle of France. The grass is always greener, I guess however, as I was digging in fleamarkets in the early sunday morning light, as well as spending regular sessions in second hands record shops, I began to discover hidden treasures, underground gems and side-projects of an unknown French musical repertoire.

French music is often reduced to its most famous musical forms, characters and signatures : French songwriting and voices, 60s yéyé, prog rock concept albums and soundtrack explorations, 80’s indie rock scene or more recently electronic French touch. All these sounds have a common feature : a geographical link, forged on mainland French territory, following the contour of the so-called Hexagone, the border that shapes the grounds for an homogeneous cultural expression. But beyond this showcase lie more complex, hybrid and global French productions. From French Caribbean Antilles to Parisian suburbs - especially during the ‘Sono Mondiale’ era -, in French areas outside urban cultural centers, musicians have created fusion and cosmic musical expressions. As the mid-seventies meant a greater freedom to make and record music, a wider use of electronic instruments like synthesizers and drum machines helped to deliver some magical projects you could only find lost in the middle of cheap records during a sunny record digging session. I selected these tracks, in an attempt to shape an ARCHIPELAGO that highlights significative contributions of African diasporas and ultramarine territories into French musical borders. It is the map of a land I have gradually drawn, thanks to deep listening of amazing cosmic and fusion tunes. I hope you enjoy the journey.”

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180G vinyl pressing

After releasing their well-received 7” and 12” singles ‘Night Time’ and ‘Feel It / So Hot’, Isle of Jura is pleased to present Exotic Illusions, the debut album from D.D. Mirage, the Sydney-based duo of Josh Dives and Disky Dee.

Having first played music together during the mid-2010s in the indie-psyche and punky-shoegaze bands King Colour and SCK CHX, the two Australian musicians/DJs came up in the warehouse party scene that fermented in the wake of the Sydney lockout laws. While organising mixed media events under the Yeah Nah Yeah brand, they discovered the joys of disco, dance-punk and the Balearic beat through Pender St Steppers’ DJ mixes and reissue releases and found themselves changing direction in response.

Written and recorded with a range of vintage keyboards and preamps, instruments and digital studio software, Exotic Illusions is a cosmopolitan love letter to the immaculate blend of Italo disco, Neopolitan funk, Nigerian boogie, cosmic house, synth-pop, UK street soul and lovers rock sounds that have inspired D.D. Mirage since they began this iteration of their ever-evolving musical relationship.

“The name Exotic Illusions refers to our fascination with all of this music made in other parts of the world,” they explain. “During lockdown and thereafter, we indulged in these exotic sounds as an antidote to our lack of travel. This fascination continued as the world opened up again, and we started working on tunes together. It’s also a way of acknowledging that we feel like tourists partaking in these styles and established sounds. They aren’t ours and weren’t born out of the place we’re from, but we hope we’ve been able to add something unique to them.”

In recognition of this, rather than just reinterpreting genre motifs through an antipodean lens, D.D. Mirage opened up lines of communication with some of their favourite musicians from the Neapolitan scene, bassist Daniel Monaco (Rush Hour, Periodica Records) and drummer Andrea De Fazio (Parbleu/ Nu Genea), who recorded the rhythm section for ‘So Hot’. They also wrote to the Manchester-based singer/producer Private Joy, who graced ‘Night Time’ with a smoother-than-silk street soul vocal that helped the single secure crucial plays on NTS and BBC Radio 6.

Opening with the tropical melodies, post-disco machine beats and jilted art-punk singalong chants of the title track, Exotic Illusions unfolds as a series of sturdy, internationally-minded dancefloor excursions. ‘Piranesi’ is boogie with a South American shuffle. ‘So Hot’ is Neapolitan funk with a Leichhardt strut, and ‘Antenna’ (featuring Jofi) is D.D. Mirage’s love letter to ‘80s drum machine bossa nova from Brussels.

On ‘Feel It’, the duo hit a sparking groove that reaches into an eternal sunset of the mind before throwing out a bubbly disco-not disco spoken word bounce on ‘Cat’s Cradle’, featuring psychedelic-pop singer Jermango Dreaming. From there, D.D. Mirage bring it home with a cheeky Aussie drawl on ‘Living Upside Down’ and the nocturnal excellence of ‘Night Time’, making a case for themselves as a significant new force from Australian music to the world.
full sleeve artwork from Bradley Pinkerton.

A1. Exotic Illusions (Feat Hotel)
A2. Piranesi
A3. So Hot
A4. Antenna (Feat Jofi)

B1. Feel It
B2. Cat's Cradle (Feat Jermango Dreaming)
B3. Livin' Upside Down
B4. Night Time (Feat Private Joy)

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Welcome to 'Instrumental Dubs #3', the ongoing series that delves into the world of the Dub Version and beyond. Side one explores the axis of UK Street Soul and Reggae with the opening two tracks produced by Howard Hill and originally released on his Passion Enterprises label in the late eighties. Both 'Versions' have a machine lead rhythm section paired with a reggae skank and snippets of soulful vox. The Proto House of Protek's 'I Love to Dance With You' featured on a Jura Soundsystem DJ Mix for Planet Trip, a one off single from the now sadly deceased Errol Parkes that's been re-edited with love by The Nightlark from Edinburgh.

The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.

Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.

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Presenting the second single from D.D. Mirage, a double header aimed squarely at the dancefloor featuring guest musicians Daniel Monaco and Nu Genea's Andrea De Fazio. A side 'Feel it' is a glittering cosmic disco jam with a hint of hedonism and an air of psychedelia. Capturing the euphoric exuberance of the dance floor, it draws influence from boogie legends such as 400 Blows, Patrick Cooley, Quando Quango and the Idjut Boys. The 12" Instrumental Mix takes inspiration from the Paradise Garage and Larry Levan, stripping back the musical elements to their core resulting in a Dubby and powerful DJ orientated mix.

B side 'So Hot' is a wonky mid-tempo heater, fusing trippy, sun-stroke delieria with infectious disco grooves. D.D. Mirage collaborated with some of Italy's finest groove merchants on this track, with Daniel Monaco (Rush Hour/Periodica Records) featuring on bass and Andrea De Fazio (Nu Genea/Parbleu) on drums. The track was influenced heavily by 80s Italo and Nigerian Disco. Label head Jura Soundsystem provides a Dubby extended take on the B2.

Instruments: JX-3P, Farfisa, Roland D-50, Jupiter, JV-1080, Korg Poly61, Juno-60, Guitar, Bass, Drums and various percussion.

A 140 gram pressing in 3mm spine kraftboard sleeve with labels and sticker designed by Bradley Pinkerton.

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A smooth Reggae version of the Randy Newman classic, most famously covered by Nina Simone, that was originally released in 1985. Licensed from producer and bona fide reggae legend Errol Dunkley, this version features killer horns and soulful vocals from Judy & Lynda. Backed with 'Heavenly Day'.

A 140 gram pressing in 3mm spine black disco sleeve with sticker and labels designed by Bradley Pinkerton.

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This rare Brit Funk 12” was originally released in 1984 and is now officially reissued for the first time. Licensed from producer Lindel Lewis, the 12” was heavily influenced by US Boogie and Disco and there’s a Dub influence at play as Lindel was also producing a lot of reggae around this time, most famously ‘Night Over Egypt’ by Mystic Harmony.

The 12” includes a previously unreleased Dub Version of ‘I Need You’ and was produced on two Analogue classics, Lindel says “I used a Linn Drum for the drums and played all synth parts using a Roland 106. I’m a classically trained musician and also a sound engineer, I worked at Mark Angelo Recording Studios for 18 years and have produced a great many artists. Steve Jones real name is Steve Myers, but I didn’t like the surname so changed it to Jones which felt more soulful. The name The Fat Boys came about because of the big bellies of myself the flute player Mike Appoh, my trainee engineer at the time. Ray Carlass played the sax solo, they have both now sadly passed”.

This long overdue reissue revives a standout moment in Brit Funk history, making it an essential addition for fans of classic Boogie and Disco. A 140 gram pressing in 3mm spine disco sleeve with labels and sticker designed by Bradley Pinkerton.

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2x 12" 140g pressing of this big tune from Cameroonian outfit, ESA, originally released on an LP in 1986. Pressed in full 45RPM glory with extra versions from the original tapes. TIP!

For the first time ‘A Muto’ by Esa is given an official reissue. Not only does this mark a first as a stand along single, but the reissue contains previously unheard Instrumental, Dub and Keys Versions alongside an Acapella. Licensed from writer and producer Martin Socko Moukoko, for 40 years Martin kept the original 2” master tape in mint condition so for the reissue the tape was baked and stems transferred by Archive Audio in Paris and the tracks given new mixdowns by Martin himself alongside Jerome Caron. The resulting mixes stay true the original whilst making the most of today’s digital studio technology, cut at 45rpm and truly representing the gold standard of quality when it comes to a reissue.

‘A Muto’ was originally released in 1986 on the ‘Atesa’ album and became an instant hit in Cameroon and Africa. The lyrics tell the story of a woman who abandons her husband, complaining of being alone as the keeper of the house. ‘A Muto’ is a blend of Makossa, a style originating in the French Cameroons characterised by prominent brass arrangements, and Ambasse Bey, traditional fast paced dance music from Cameroon. Martin assembled a team of session musicians in Paris in 1985 and programmed the drums and synths himself on the Linn Drum and Yamaha DX 7.

The Esa project ground to a halt in 1989 following a legal dispute which saw Martin win a court case in France regaining the rights to his music. In the intervening years Martin has continued to work in music studying jazz for 4 years at the American school of modern music in Paris and providing background music for the corporate world.

Artwork by Bradley Pinkerton.

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(2024 repress) Isle Of Jura go back to 1976 to resurrect ‘Anambra’, the jewel in the crown of Dub, Soul & Funk outfit Ozo. ‘Anambra’ is something of a classic, a unique song that’s slow, ritualistic and spiritual, mixing African & Nyabinghi drumming with a Buddhist Sanskrit mantra ‘Om Mani Padme Hum’. An alternate version ‘Anambra River’ appears for the first time on the same 12”.

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A 140 gram pressing in 3mm spine red disco sleeve with sticker.

Vermelho Wonder is a Brazilian duo formed by music producer and DJ Márcio Vermelho and performer/singer Ivana Wonder. Since their formation in 2016, they have been acclaimed for their avant-garde and experimental style. ‘Se Você’ is an electronic torch song that was originally released digitally in 2021 by Gop Tun (also one of Brazil’s main festivals for Electronic music). For the first time the single is brought to Vinyl alongside a new Jura Soundsystem interpretation. Bonus track ‘Catman’ (Dub) rounds off the 12” with a touch of underground house.

Vermelho Wonder is a unique phenomenon, creating a one-of-a-kind atmosphere with their mix of performance, vocals, and DJ sets. Ivana's mysterious and captivating presence, combined with Vermelho's elegant production, has seen their live show delivering captivating performances at iconic venues such as SESC, CCSP, Oca do Ibirapuera, Teatro Oficina, and Hélio Oiticica's installation in Brasília.

Design by Bradley Pinkerton.

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**2024 Repress on 140g Vinyl with updated Sleeve**

The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

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Originally released in 1986 ‘Power’ was the work of Philly producer Derrick Graves and vocalist Terrance T. The machine lead production on ‘Power’ was part of an emerging wave of post disco producers embracing a dub aesthetic that proved to be the precursor to the emergence of house music. The vocal harmonies from Terrance were influenced by Cameo and Prince and combined with the powerful production results in a dancefloor bomb in the Larry Levan style, stripped back and dubby with a strong song at its core. This level of musicality and production was no fluke, Derrick was a seasoned session musician who worked extensively with the likes of Sister Sledge, Dexter Wansel & Donny Hathaway. Derrick had a clear understanding of emerging studio trends “Music production was evolving into a new phase where home studios were developing and it was becoming more possible for real recordings to be made! From there, I eventually enhanced my production skills by learning how to compose using sequencers, computer software (DAWs), and midi instrument implementation in the 80's and 90's. I went from a 4-track to eventually a 24-Track 2" tape machine setup!”.

The fully remastered 12” includes the essential Instrumental mix.

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180g Pressing

The debut solo album from Ronnie Lion, one half of Ambient Warrior, is a homage to Spanish Town the capital of St Catherine in Jamaica. As the title suggests the Spanish guitar features heavily from both Ronnie and lead guitarist Sean Wilkinson. The album has a reggae palette at its core with the rhythm section of Ronnie on Bass and Horseman on drums providing a rock solid foundation for the intricate and memorable hooks provided by Sean’s Spanish Guitar. The album’s fusion of Reggae with Bossa Nova & Flamenco Guitar creates another special album that will appeal to fans of Ambient Warrior and beyond.

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Pam Bowie is still a somewhat rough diamond of the late 60s Chicago soul landscape. Her sole single release came through Aquarius in 1969, and now apparently comes reissued through the reinvigorated label a whopping 50 odd years later. A gutted swill of soul-astalgia, 'Everlasting Love' hears the relatively culturally undocumented Bowie sideline personal greatness and climactic soul joie de vivre, instead offering us listeners a lyrical "shoulder to cry on". The track's singular legacy would be otherwise dwarfed by her labelmate Candace Love weren't it for this reissue.

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One of those rare, lesser-known Latin funk gems is undoubtedly "Miami" by Dominican-Venezuelan musician "Porfi Jiménez", originally released in 1971. Sought after by DJs and collectors for years, original copies are now almost impossible to find in decent condition. The track has been high on "Matasuna Records"' wish list for a long time - and after several years of work, it's finally getting an official reissue. The release also includes a great edit by Philadelphia-based DJ and producer "Retro Roland Riso", who has already left his mark on previous Matasuna releases. This heavy Latin funk joint from Venezuela is ready to bring the heat just in time for summer! ?? The original version of "Miami" impresses with its driving percussion, powerful horns and raw, unpolished sound, delivering pure energy. The fusion of funk grooves and Latin American rhythms creates an infectious vibe that is perfect for the dance floor. Retro Roland Riso's edit carefully enhances the track by adding extra beats and percussive elements, giving it more punch and making it even more club-friendly, while staying true to the original feel. It's a fresh favourite for any bag!



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Soundway presents a long-awaited remaster and re-cut of the 1976 album ‘Ifetayo’ by Black Truth Rhythm Band, an important and overlooked chapter in Trinidad’s rich musical history that blends West African influences with jazz, funk and the social commentary of the calypso tradition.

Led by the charismatic Oluko Imo (who went on to record with Fela Kuti and perform with members of Fela’s Egypt 80 band ), the group drew on the strong connections to Yoruba culture and Orisa traditions in Trinidad, looking to Africa for inspiration and reflecting the burgeoning Black Power movement of the time.

Recorded at KH studios in Port of Spain, Ifetayo (Yoruba for ‘Love excels all’) was the group’s sole album release. Imo contributed lead vocals and played bass, kalimba, conga, flute and percussion, channelling music from both sides of the Atlantic into a distinctive and unique slice of Afro Trinidadian expression.

Includes bonus track “Imo” not included on the original LP

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Seminal album from cult Ghanaian musician Alhaji K. Frimpong, recorded in 1976 and considered to be one of the best highlife albums ever recorded.

The Blue Album brings new arrangements to traditional Ghanaian melodies and features the masterpiece Kyenkyen Bi Adi M’awu (come back my love) - universally known in Ghana, covered and sampled by artists such as Chronnix, Gnarls Barkley and many more.

Backed by Vis a Vis - one of the most influential bands to come out of the Ghana Highlife / Afro Rock movement.

Although popular in Ghana at the time of the release, the albums were never distributed internationally and originalcopies of the album are extremely rare. The albums got a limited reissue in 2011 and have been unavailable since - even reissue copies sell for high prices on the second hand market

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Soundway Records delivers an exciting new compilation, diving ever deeper into South-East Asia. Ayo Ke Disco celebrates the musical identities emerging during the 1970s and 80s from the newly independent countries nestled around the South China Sea.

This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.

For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.

The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors.

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2*LP gatefold sleeve

This first volume of a two-volume series presents a selection of the best of early Syliphone recordings.

Cuba, Jazz, Highlife

(High quality records in gatefold sleeve with extended liner and song notes) This first volume of a two-volume series presents a selection of the best of early Syliphone recordings. The songs demonstrate not only the essence of Guinea’s authenticité policy and of its subsequent Cultural Revolution, but of a confluence of musical styles from Cuba, jazz, highlife and the diverse influences of Guinea’s cultural groups.

On October 2 1958, after over 60 years of colonial rule, Guineans voted overwhelmingly for their independence, and Guinea was declared a Republic with Sékou Touré as President. Guinea was the first of West Africa’s Francophone colonies to gain independence. To free Guinea from its colonial legacy, president Touré sought to restore dignity to his nation and give cause for Guineans to take pride in their culture, history and newfound freedom. To achieve this, he instructed his government to implement new cultural policies that were intended to revitalise and celebrate indigenous culture. The focus of these new policies was on music.

In 1961, President Touré launched authenticité, the name of his new cultural policy for Guinea. One of its first acts was to assemble the best Guinean musicians into a new state-sponsored orchestras that were tasked with presenting traditional Guinean music in a new and modern style. All musicians in Guinea’s orchestras were officially designated as members of the public service. During the years of Sékou Touré’s presidency (1958 – 1984), the government’s cultural policy of authenticité was applied strictly to the creative arts. Guinea’s sole political party, the Parti Démocratique de Guinée exercised complete authority over artistic production. The scale of the Guinean government’s commitment and efforts to invigorate its indigenous musical cultures was unmatched in Africa, and it presented a clear contrast to the minimal endeavours undertaken by Guinea’s former colonial rulers.

From 1967 to 1983, Guinea’s government presented selections of songs from the Voix de la Révolution catalogue on its own recording label, Syliphone. These recordings were described as ‘the fruit of the revolution’. Syliphone was revolutionary in many aspects: it was the first recording label to feature traditional African musical instruments such as the kora and balafon within an orchestre setting; it was the first to present the traditional songs of the griots within an orchestre setting; and it was the first government-sponsored recording label of post-colonial Africa. Syliphone represented authenticité in action, and over 750 songs were released by the recording label on 12-inch and 7-inch vinyl discs. All are highly sought after by collectors worldwide.

This first volume of a two-volume series presents a selection of the best of early Syliphone recordings. The songs demonstrate not only the essence of Guinea’s authenticité policy and of its subsequent Cultural Revolution, but of a confluence of musical styles from Cuba, jazz, highlife and the diverse influences of Guinea’s cultural groups.



Tracklist
A1. Orchestre Du Jardin De Guinée : Sakhodou
A2. Orchestre De La Paillote : La Guinée Moussolou
A3. Bembeya Jazz National : Guantanamera-Seyni
A4. Bembeya Jazz National : Sabor De Guajira

B1. Balla Et Ses Balladins : Sakhodougou
B2. Balla Et Ses Balladins : Samba
B3. Orchestre De La Paillote : Kankan-Yarabi
B4. Myriam’s Quintette : Solo Quintette

C1. Pivi & Les Balladins : Ka Noutea
C2. Horoya Band National : N’Banlassouro
C3. Orchestre de la Garde Républicaine : Sabouya
C4. Keletigui Et Ses Tambourinis : Samakoro

D1. Keletigui Et Ses Tambourinis : Miri Magnin
D2. 22 Novembre Band : Kouma
D3. Les Frères Diabaté : N’Fa


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Germany
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Seminal album from cult Ghanaian musician Alhaji K. Frimpong, recorded in 1977 and considered to be one of the best highlife albums ever recorded.

The Black Album expands the electronic elements and features the equally visionary Hwehwe Mu Na Yi Wo Mpena, although the real gem is hiding on the B side: the extended groove of “Adam Nana”. Sinuously evolving guitar lines, clavinet vamps, harmonised vocal snatches and otherworldly percussion expand and contract over a full quarter of an hour - a Ghanaian repost to the Afro Jazz experiments going on at the same time on the other side of the Atlantic.

Although popular in Ghana at the time of the release, the albums were never distributed internationally and original copies of the album are extremely rare. The albums got a limited reissue in 2011 and have been unavailable since - even reissue copies sell for high prices on the second hand market.

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DE - 22113 Hamburg
Germany
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Strut presents an exclusive reissue of Oneness Of Juju’s classic 1976 album Space Jungle Luv, an essential addition to the Black Fire Records reissue series.

Tracklist
1.1River Luvrite
1.2Follow Me
1.3Soul Love Now
1.4Space Jungle Funk
1.5The Connection
1.6Love's Messenger

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For the 29th instalment in their ongoing series of seven-inch singles, Demon Singles Club has decided to offer up a 45rpm pressing of Komiko's 'Feel Alright'. First released on legendary disco-boogie imprint SAM Records back in 1982, the track has long been a favourite with boogie DJs and with good reason. Built around a memorable bassline, squelchy electrofunk synths and unfussy machine drums, 'Feel Alright' boasts a fine female lead vocal whose lyrics extolls the virtues of dancing all night with happy strangers. As it did back in 1982, the vocal mix comes backed with an instrumental take in which producer Darryl Payne's killer bassline and synths rightfully take centre stage. If it's not in your collection already, you need to grab one of these copies pronto

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More