Label:Jumpin & Pumpin
Cat-No:12TOT54
Release-Date:18.07.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Jumpin & Pumpin
Cat-No:12TOT54
Release-Date:18.07.2025
Genre:Electronic, Electronica
Configuration:LP
Last year, 2024, the inimitable Future Sound Of London graced us with 'Pulse Five', a CD instalment and follow-up to the classic Pulse EP series that began over 30 years ago as vinyl EPs. Now, as an extension of that original UK 12" series, six tracks have been hand picked to create, "The Pulse E.P.-Volume 5" containing what had been previously unreleased DAT tape material from the early 90s. These unheard vintage recordings date back to the era of FSOL's much sought after classic singles and highly acclaimed Accelerator album.
TRACKLISTING:
A1. The Future Sound Of London - Slumbers
A2. Smart Systems - Adeeaa
A3. The Future Sound Of London - Slow Driver
B1. Indo Tribe - Ne-on
B2. The Future Sound Of London - Lifeless In Limo
B3. YAGE - Over Zealous
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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TRACKLISTING:
A1. The Future Sound Of London - Slumbers
A2. Smart Systems - Adeeaa
A3. The Future Sound Of London - Slow Driver
B1. Indo Tribe - Ne-on
B2. The Future Sound Of London - Lifeless In Limo
B3. YAGE - Over Zealous
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Future Sound Of London
Label:Fsol Digital
Cat-No:LPTOT92
Release-Date:05.06.2026
Genre:Electronic, Electronica
Configuration:LP
Label:Fsol Digital
Cat-No:LPTOT92
Release-Date:05.06.2026
Genre:Electronic, Electronica
Configuration:LP
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:jumpin & Pumpin
Cat-No:TOT56
Release-Date:27.02.2026
Genre:Electronic, Electronica
Configuration:7"
Label:jumpin & Pumpin
Cat-No:TOT56
Release-Date:27.02.2026
Genre:Electronic, Electronica
Configuration:7"
"Sleepwalking" and "Just Below The Skyline" is a double header from The Future Sound Of London taken from the archives. Both tracks are previously unreleased and are the first to be part of a new series of limited edition 7" singles. LIMITED EDITION Tracklist: A. Sleepwalking B. Just Below The Skyline
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Jumpin & Pumpin
Cat-No:12TOT55
Release-Date:18.07.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Jumpin & Pumpin
Cat-No:12TOT55
Release-Date:18.07.2025
Genre:Electronic, Electronica
Configuration:LP
Trip Maps 3 is a compilation of psychedelic / electronic oddities written by The Future Sound of London under various guises.
Side 1
1. FSOL - There is Nothing (3:02)
2. Turbulent Space - Feeling Something or Lapsing (3:42)
3. Lies Not War - Horse and Me (5:36)
4. The Amorphous Androgynous - We Persuade Ourselves we are
Immortal (Nightshift) (2:52)
Side 2
1. Snake Oil - Token (5:19)
2. New York Mules - Loose Tongue (2:43)
3. Yage - Chop Strat 4 (1:58)
4. The Still - Going In (2:53)
5. 333 - Smoke Filled (2:40)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Side 1
1. FSOL - There is Nothing (3:02)
2. Turbulent Space - Feeling Something or Lapsing (3:42)
3. Lies Not War - Horse and Me (5:36)
4. The Amorphous Androgynous - We Persuade Ourselves we are
Immortal (Nightshift) (2:52)
Side 2
1. Snake Oil - Token (5:19)
2. New York Mules - Loose Tongue (2:43)
3. Yage - Chop Strat 4 (1:58)
4. The Still - Going In (2:53)
5. 333 - Smoke Filled (2:40)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Jumpin & Pumpin
Cat-No:12TOT53
Release-Date:14.07.2025
Genre:Electronic, Electronica
Configuration:12"
Label:Jumpin & Pumpin
Cat-No:12TOT53
Release-Date:14.07.2025
Genre:Electronic, Electronica
Configuration:12"
The second of 2 EPs preceding the next FUTURE SOUND OF LONDON album in 2025.
Multiple Angle Distortions EP ( M.A.D ) see FSOL moving into a darker percussive electronic soundscape - tinges of 303 acid mix with menacing orchestral compositions, Grammy nominated Daniel Pemberton makes an appearance on "Improvisations" - recorded live at a London fashion show - also recorded live is the final track Northern Point which uses two of FSOL's own designed synthesizers…
SALES POINTS:
- The second of 2 Eps 2 proceed the next FUTURE SOUND OF LONDON album in 2025
- Limited Edition Lime Green Vinyl, Yes LIME GREEN
TRACKLIST:
SIDE A
1. Askance (3:47)
2. Hauqil (3:50)
3. Improvisations (1:07)
4. C*Lab - Anim (2:35)
5. Elided (2:04)
SIDE B
1. Kuttin (3:25)
2. Set Of Leaf (4:05)
3. Uttion (2:05)
4. Northern Point (5:57)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Multiple Angle Distortions EP ( M.A.D ) see FSOL moving into a darker percussive electronic soundscape - tinges of 303 acid mix with menacing orchestral compositions, Grammy nominated Daniel Pemberton makes an appearance on "Improvisations" - recorded live at a London fashion show - also recorded live is the final track Northern Point which uses two of FSOL's own designed synthesizers…
SALES POINTS:
- The second of 2 Eps 2 proceed the next FUTURE SOUND OF LONDON album in 2025
- Limited Edition Lime Green Vinyl, Yes LIME GREEN
TRACKLIST:
SIDE A
1. Askance (3:47)
2. Hauqil (3:50)
3. Improvisations (1:07)
4. C*Lab - Anim (2:35)
5. Elided (2:04)
SIDE B
1. Kuttin (3:25)
2. Set Of Leaf (4:05)
3. Uttion (2:05)
4. Northern Point (5:57)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Jumpin' & Pumpin'
Cat-No:LPTOT76
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Jumpin' & Pumpin'
Cat-No:LPTOT76
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:LP
In 1986 iconic group The Future Sound of London released the UK Top 40 chart album “Dead Cities”, from which came a track “Yage”. Such has been the interest in this masterpiece of electronica over the years that the guys have been back into the studio to revisit it. “Yage 2019” takes the core of the original and rebuilds it. All together there are eleven tracks reconstructions and interpretations, woven together (as FSOL do) into a 42 minute dreamscape journey across the 2 sides of vinyl. Only 1000 copies of this release will be pressed on vinyl.
Tracklist:
A1. Yage 2019
A2. Floating Into Focus And Then Moving Away
A3. Purged
A4. We Flew Together
A5. Yage (Rhodesia)/Insulin
B1. Voodoo Doll
B2. Earth Spirit
B3. Ayahuasca
B4. Slowly Stumbled
B5. The People Of Yage (Humanoid Rebuild)
B6. Yage Sunset Strip
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Yage 2019
A2. Floating Into Focus And Then Moving Away
A3. Purged
A4. We Flew Together
A5. Yage (Rhodesia)/Insulin
B1. Voodoo Doll
B2. Earth Spirit
B3. Ayahuasca
B4. Slowly Stumbled
B5. The People Of Yage (Humanoid Rebuild)
B6. Yage Sunset Strip
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Jumpin' & Pumpin'
Cat-No:LPTOT62
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Jumpin' & Pumpin'
Cat-No:LPTOT62
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:LP
Reissue of the 2008 album by The Future Sound Of London, first released on vinyl in 2014. "Environments 2" features material from the legendary "Environments" sessions of the early 1990s. Max Richter, Daniel Pemberton, and Will White (Propellerheads) also participated in the recordings. Electronic listening of the highest order!
Tracklist:
A1. Viewed From Above
A2. Glacier (Part 1)
A3. Serengeti
A4. Colour-Blind
A5. A Corner
A6. Newfoundland
A7. North Arctic
B1. Factories And Assembly
B2. Ice Formed
B3. Small Town
B4. Nearly Home
B5. Boca Manu
B6. Journey To The Centre
B7. Glacier (Part 2)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Viewed From Above
A2. Glacier (Part 1)
A3. Serengeti
A4. Colour-Blind
A5. A Corner
A6. Newfoundland
A7. North Arctic
B1. Factories And Assembly
B2. Ice Formed
B3. Small Town
B4. Nearly Home
B5. Boca Manu
B6. Journey To The Centre
B7. Glacier (Part 2)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:FSOL Digital
Cat-No:LPTOT89
Release-Date:17.11.2023
Genre:Electronic, Electronica
Configuration:LP
Label:FSOL Digital
Cat-No:LPTOT89
Release-Date:17.11.2023
Genre:Electronic, Electronica
Configuration:LP
FSOL present the final instalment in the Environments Trilogy. "7.003" goes deeper and darker than the previous two albums, the flavour here harping back with memories of the groups 90s sounding pre "Dead Cities" album. On this release we have swamp laden electronics dripping from cavernous breakbeats weaving in and out of otherworldly chords and strings firmly back in the driving seat. FSOL deliver not only the final piece of the jigsaw but a clever jaw-droppingly sensorium.
TRACK LIST:
A1. Future Testaments (4:13)
A2. Resting Point (2:16)
A3. A Desolate Stretch Of Night Road (5:50)
A4. Where All Is Ending (4:37)
A5. Overwrite (4:11)
A6. I'm Eating Here (4:01)
B1. Echos Of Inherent Sense (1:21)
B2. A Space In The Subsequent Familiar (4:23)
B3. Drift Incline (4:52)
B4. Trichome (4:19)
B5. Absence Of Solution (4:23)
B6. Kwaahu (5:02)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACK LIST:
A1. Future Testaments (4:13)
A2. Resting Point (2:16)
A3. A Desolate Stretch Of Night Road (5:50)
A4. Where All Is Ending (4:37)
A5. Overwrite (4:11)
A6. I'm Eating Here (4:01)
B1. Echos Of Inherent Sense (1:21)
B2. A Space In The Subsequent Familiar (4:23)
B3. Drift Incline (4:52)
B4. Trichome (4:19)
B5. Absence Of Solution (4:23)
B6. Kwaahu (5:02)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.
Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:jumpin & pumpin
Cat-No:cdtot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:CD
Label:jumpin & pumpin
Cat-No:cdtot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:CD
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:jumpin & pumpin
Cat-No:lptot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:LP
Label:jumpin & pumpin
Cat-No:lptot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:LP
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:jumpin & pumpin
Cat-No:lprsdtot73
Release-Date:14.03.2018
Genre:Electronic, Electronica
Configuration:LP
Label:jumpin & pumpin
Cat-No:lprsdtot73
Release-Date:14.03.2018
Genre:Electronic, Electronica
Configuration:LP
Originally reached no.13 in the UK charts in 1996 - taken from the top 30 album DEAD CITIES loosely based on "Rachael's song" from BLADERUNNER by Vangelis, now 22 years later the group have recreated the track in 8 new compositions, seamlessly flowing together the journey travels from ambient rock to a land of electronica. Releases for Record Store Day 2018 is this stunningly presented heavy weight 12" Album, all numbered of 2,000 units.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Jumpin & Pumpin
Label:jumpin & Pumpin
Cat-No:TOT56
Release-Date:27.02.2026
Genre:Electronic, Electronica
Configuration:7"
Label:jumpin & Pumpin
Cat-No:TOT56
Release-Date:27.02.2026
Genre:Electronic, Electronica
Configuration:7"
"Sleepwalking" and "Just Below The Skyline" is a double header from The Future Sound Of London taken from the archives. Both tracks are previously unreleased and are the first to be part of a new series of limited edition 7" singles. LIMITED EDITION Tracklist: A. Sleepwalking B. Just Below The Skyline
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Jumpin & Pumpin
Cat-No:12TOT55
Release-Date:18.07.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Jumpin & Pumpin
Cat-No:12TOT55
Release-Date:18.07.2025
Genre:Electronic, Electronica
Configuration:LP
Trip Maps 3 is a compilation of psychedelic / electronic oddities written by The Future Sound of London under various guises.
Side 1
1. FSOL - There is Nothing (3:02)
2. Turbulent Space - Feeling Something or Lapsing (3:42)
3. Lies Not War - Horse and Me (5:36)
4. The Amorphous Androgynous - We Persuade Ourselves we are
Immortal (Nightshift) (2:52)
Side 2
1. Snake Oil - Token (5:19)
2. New York Mules - Loose Tongue (2:43)
3. Yage - Chop Strat 4 (1:58)
4. The Still - Going In (2:53)
5. 333 - Smoke Filled (2:40)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Side 1
1. FSOL - There is Nothing (3:02)
2. Turbulent Space - Feeling Something or Lapsing (3:42)
3. Lies Not War - Horse and Me (5:36)
4. The Amorphous Androgynous - We Persuade Ourselves we are
Immortal (Nightshift) (2:52)
Side 2
1. Snake Oil - Token (5:19)
2. New York Mules - Loose Tongue (2:43)
3. Yage - Chop Strat 4 (1:58)
4. The Still - Going In (2:53)
5. 333 - Smoke Filled (2:40)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Jumpin & Pumpin
Cat-No:12TOT53
Release-Date:14.07.2025
Genre:Electronic, Electronica
Configuration:12"
Label:Jumpin & Pumpin
Cat-No:12TOT53
Release-Date:14.07.2025
Genre:Electronic, Electronica
Configuration:12"
The second of 2 EPs preceding the next FUTURE SOUND OF LONDON album in 2025.
Multiple Angle Distortions EP ( M.A.D ) see FSOL moving into a darker percussive electronic soundscape - tinges of 303 acid mix with menacing orchestral compositions, Grammy nominated Daniel Pemberton makes an appearance on "Improvisations" - recorded live at a London fashion show - also recorded live is the final track Northern Point which uses two of FSOL's own designed synthesizers…
SALES POINTS:
- The second of 2 Eps 2 proceed the next FUTURE SOUND OF LONDON album in 2025
- Limited Edition Lime Green Vinyl, Yes LIME GREEN
TRACKLIST:
SIDE A
1. Askance (3:47)
2. Hauqil (3:50)
3. Improvisations (1:07)
4. C*Lab - Anim (2:35)
5. Elided (2:04)
SIDE B
1. Kuttin (3:25)
2. Set Of Leaf (4:05)
3. Uttion (2:05)
4. Northern Point (5:57)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Multiple Angle Distortions EP ( M.A.D ) see FSOL moving into a darker percussive electronic soundscape - tinges of 303 acid mix with menacing orchestral compositions, Grammy nominated Daniel Pemberton makes an appearance on "Improvisations" - recorded live at a London fashion show - also recorded live is the final track Northern Point which uses two of FSOL's own designed synthesizers…
SALES POINTS:
- The second of 2 Eps 2 proceed the next FUTURE SOUND OF LONDON album in 2025
- Limited Edition Lime Green Vinyl, Yes LIME GREEN
TRACKLIST:
SIDE A
1. Askance (3:47)
2. Hauqil (3:50)
3. Improvisations (1:07)
4. C*Lab - Anim (2:35)
5. Elided (2:04)
SIDE B
1. Kuttin (3:25)
2. Set Of Leaf (4:05)
3. Uttion (2:05)
4. Northern Point (5:57)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Papua New Guinea", A classic that keeps on giving through twists, turns and reinventions, this time via the YAGE arm of FSOL.
Tracklist:
A1. The Big Blue
A2. Requiem
B1. The Lovers
B2. The Great Marmalade Mama In The Sky
B3. Wooden Ships
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. The Big Blue
A2. Requiem
B1. The Lovers
B2. The Great Marmalade Mama In The Sky
B3. Wooden Ships
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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First released over 30 years ago, this EP, as with Volumes 1 & 2, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. "Calcium" transcendental and otherworldly, "Owl" described as 'one of the greatest breakbeat hardcore tracks ever created'. This edition of The Pulse EP is the first reissue in this original vinyl form since 1991, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time.
SALES POINTS
- First reissue in original format since 1991
TRACKLIST
SIDE A
1. SMART SYSTEMS - Tingler (Four By Four Mix) (4:32)
2. INDO TRIBE - Owl (I Can See You Mix) (4:52)
SIDE B
1. INDO TRIBE - Bite The Bullet Baby (Jacques Reynoix Mix) (4:28)
2. YAGE - Calcium (Elementary Mix) (5:08)
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SALES POINTS
- First reissue in original format since 1991
TRACKLIST
SIDE A
1. SMART SYSTEMS - Tingler (Four By Four Mix) (4:32)
2. INDO TRIBE - Owl (I Can See You Mix) (4:52)
SIDE B
1. INDO TRIBE - Bite The Bullet Baby (Jacques Reynoix Mix) (4:28)
2. YAGE - Calcium (Elementary Mix) (5:08)
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First released over 30 years ago, this EP, as with Volume 1, is where The Future Sound Of London started before "Papua New Guinea" later in 1991. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. "Stolen Beats" is a hypnotic roller with all the jazz, bleeps and bass you could want, still a regular Radio 1 'Essential Mix' track, and "I've Become What You Were" pure hard hitting UK techno from the heyday of this music in the early 90s and the blueprint for the deep jungle sound to emerge later.
This edition of The Pulse EP is the first reissue in its original vinyl form since 1991, those initial pressings now expensive on Discogs.
SALES POINTS:
First reissue in original format since 1991
TRACKLIST:
A1 - Stolen Documents (Jazz Dub) - THE FUTURE SOUND OF LONDON
A2 - Zip Code (Stress Ball Mix) - SMART SYSTEMS
B1 - Innate(W-O-W Mix) - THE FUTURE SOUND OF LONDON
B2 - I've Become What You Were (Insider Mix) - INDO TRIBE
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DE - 22113 Hamburg
Germany
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This edition of The Pulse EP is the first reissue in its original vinyl form since 1991, those initial pressings now expensive on Discogs.
SALES POINTS:
First reissue in original format since 1991
TRACKLIST:
A1 - Stolen Documents (Jazz Dub) - THE FUTURE SOUND OF LONDON
A2 - Zip Code (Stress Ball Mix) - SMART SYSTEMS
B1 - Innate(W-O-W Mix) - THE FUTURE SOUND OF LONDON
B2 - I've Become What You Were (Insider Mix) - INDO TRIBE
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1
humanoid - No Title
2
humanoid - No Title
3
humanoid - No Title
30 years ago this month (Nov 1988) HUMANOID - STAKKER HUMANOID was the UKs No.1 song in the Dance charts - it would stay no.1 for 5 weeks also charting in the UK top 20 at No.17.
Now regarded as an ACID HOUSE classic anthem and hailed as the first real UK acid house track to break the UK top 20.
Humanoid music from 1988 was also used in Stakker Eurotechno - now housed in the museum of modern art (New York) and sighted as a major influence on early Aphex Twin music / Reflex
To celebrate Humanoid (Brian Dougans FSOL) has reworked the original into a 2018 Breaks Monster with two equally killer tracks on the b side Skatter and Blunt
Original Futuristic UK Acid House music circa 1988 :)
With not a single cry of "ACIEEEEED!" one record, Humanoid's Stakker Humanoid, has
Blown apart the UK House Music scene. It's the most uncompromisingly Acid track to be
Produced so far in this country.
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Now regarded as an ACID HOUSE classic anthem and hailed as the first real UK acid house track to break the UK top 20.
Humanoid music from 1988 was also used in Stakker Eurotechno - now housed in the museum of modern art (New York) and sighted as a major influence on early Aphex Twin music / Reflex
To celebrate Humanoid (Brian Dougans FSOL) has reworked the original into a 2018 Breaks Monster with two equally killer tracks on the b side Skatter and Blunt
Original Futuristic UK Acid House music circa 1988 :)
With not a single cry of "ACIEEEEED!" one record, Humanoid's Stakker Humanoid, has
Blown apart the UK House Music scene. It's the most uncompromisingly Acid track to be
Produced so far in this country.
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DE - 22113 Hamburg
Germany
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Label:jumpin & pumpin
Cat-No:lptot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:LP
Label:jumpin & pumpin
Cat-No:lptot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:LP
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
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DE - 22113 Hamburg
Germany
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1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
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DE - 22113 Hamburg
Germany
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Label:jumpin & pumpin
Cat-No:cdtot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:CD
Label:jumpin & pumpin
Cat-No:cdtot75
Release-Date:04.09.2018
Genre:Electronic, Electronica
Configuration:CD
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:jumpin & pumpin
Cat-No:lprsdtot73
Release-Date:14.03.2018
Genre:Electronic, Electronica
Configuration:LP
Label:jumpin & pumpin
Cat-No:lprsdtot73
Release-Date:14.03.2018
Genre:Electronic, Electronica
Configuration:LP
Originally reached no.13 in the UK charts in 1996 - taken from the top 30 album DEAD CITIES loosely based on "Rachael's song" from BLADERUNNER by Vangelis, now 22 years later the group have recreated the track in 8 new compositions, seamlessly flowing together the journey travels from ambient rock to a land of electronica. Releases for Record Store Day 2018 is this stunningly presented heavy weight 12" Album, all numbered of 2,000 units.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Abul Mogard’s first solo album on vinyl in four years, initiating his personal imprint Soft Echoes
Edition of 500 copies, BioVinyl incl. download code
'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years. RIYL Alessandro Cortini, William Basinski, The Caretaker.
While sifting through archived material left idle from earlier projects, a chance encounter with a late uncle’s trove of beloved 78rpm classical and opera records prompted the reworking and completion of what would eventually become the album. Spinning dusty records at 33 and 45rpm, Abul Mogard recombined their enduring spectres with unfinished sketches from his archive. The resulting soundscape blurs distinctions between his memories and those of another, exquisitely short-circuiting the senses with its waking, dream-like lucidity.
This was a process I hadn’t explored in my earlier works. I began sampling brief moments from these records, altering them with studio effects and playing them at slower speeds. In many cases, I wasn’t entirely sure how the original music sounded. These fragments, once further processed, became a source of inspiration for my new compositions. Over time, I realised that the old pieces from the archive and the new material derived from the samples naturally complemented each other.”
The resulting pieces hover over a threshold, a liminal space that harmonises the old and older material. Voluminous waves of quiet and loud undulate between consonance and dissonance, conjuring imagery of a decaying grandeur that humanity’s decadence has surrendered to the elements. Abul Mogard’s seemingly abandoned yet vast landscapes are nevertheless intimate with timbral frissons of red-lined distortion. Elusive, yet as tangible as sea spray or smog, they affect the olfactory senses with a rarified, synesthetic quality that modestly engages one’s emotional register – a hypnotic, distinguishing feature long hailed as one of the hallmarks of his work. A fidelity to memory and dream recall is sensitively probed in the journey from the stately symphonic stasis of 'Following a dream' to the almost industrial, untethered brutality evoked by a looming silhouette that’s never fully visible in 'Constantly slipping away', culminating in the foreboding coda of 'Like a bird'. Those pieces appear to shield the album’s sentimental core, where the tempestuous play of light and shadow of 'In a studded procession' escalates to breathtaking, panoramic climax, while 'Through whispers' evokes an out-of-body-like experience encountered with visceral poignancy.
Looking back, Mogard notes an unexpected influence: “I realise being inspired by Phill Niblock, whose work I had barely known at the time but explored after his passing in 2024. His album 'Boston Tenor Index' changed the way I approached dissonance. It encouraged me to push my sound further, to the edge of a space where I began to feel uncomfortable.”
The album artwork, created by longtime collaborator Marja de Sanctis, features a photograph taken at the Temple of Jupiter Anxur, an archaeological site overlooking the Mediterranean Sea. Captured with an iPhone, the image traces the residual presence of construction techniques and architectural forms of the Romans, where material history is transcribed through contemporary tools. The convergence of ancient and modern technology aims to reverberate the site’s lasting spiritual presence – an echo persisting in what is now perceived as a quiet, emptied space. The spiral gestures towards infinity and light. Past and present dissolve into one another, reflecting 'Quiet Pieces' meditation on sound, memory, and time.
RIYL Alessandro Cortini, William Basinski, The Caretaker
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Edition of 500 copies, BioVinyl incl. download code
'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years. RIYL Alessandro Cortini, William Basinski, The Caretaker.
While sifting through archived material left idle from earlier projects, a chance encounter with a late uncle’s trove of beloved 78rpm classical and opera records prompted the reworking and completion of what would eventually become the album. Spinning dusty records at 33 and 45rpm, Abul Mogard recombined their enduring spectres with unfinished sketches from his archive. The resulting soundscape blurs distinctions between his memories and those of another, exquisitely short-circuiting the senses with its waking, dream-like lucidity.
This was a process I hadn’t explored in my earlier works. I began sampling brief moments from these records, altering them with studio effects and playing them at slower speeds. In many cases, I wasn’t entirely sure how the original music sounded. These fragments, once further processed, became a source of inspiration for my new compositions. Over time, I realised that the old pieces from the archive and the new material derived from the samples naturally complemented each other.”
The resulting pieces hover over a threshold, a liminal space that harmonises the old and older material. Voluminous waves of quiet and loud undulate between consonance and dissonance, conjuring imagery of a decaying grandeur that humanity’s decadence has surrendered to the elements. Abul Mogard’s seemingly abandoned yet vast landscapes are nevertheless intimate with timbral frissons of red-lined distortion. Elusive, yet as tangible as sea spray or smog, they affect the olfactory senses with a rarified, synesthetic quality that modestly engages one’s emotional register – a hypnotic, distinguishing feature long hailed as one of the hallmarks of his work. A fidelity to memory and dream recall is sensitively probed in the journey from the stately symphonic stasis of 'Following a dream' to the almost industrial, untethered brutality evoked by a looming silhouette that’s never fully visible in 'Constantly slipping away', culminating in the foreboding coda of 'Like a bird'. Those pieces appear to shield the album’s sentimental core, where the tempestuous play of light and shadow of 'In a studded procession' escalates to breathtaking, panoramic climax, while 'Through whispers' evokes an out-of-body-like experience encountered with visceral poignancy.
Looking back, Mogard notes an unexpected influence: “I realise being inspired by Phill Niblock, whose work I had barely known at the time but explored after his passing in 2024. His album 'Boston Tenor Index' changed the way I approached dissonance. It encouraged me to push my sound further, to the edge of a space where I began to feel uncomfortable.”
The album artwork, created by longtime collaborator Marja de Sanctis, features a photograph taken at the Temple of Jupiter Anxur, an archaeological site overlooking the Mediterranean Sea. Captured with an iPhone, the image traces the residual presence of construction techniques and architectural forms of the Romans, where material history is transcribed through contemporary tools. The convergence of ancient and modern technology aims to reverberate the site’s lasting spiritual presence – an echo persisting in what is now perceived as a quiet, emptied space. The spiral gestures towards infinity and light. Past and present dissolve into one another, reflecting 'Quiet Pieces' meditation on sound, memory, and time.
RIYL Alessandro Cortini, William Basinski, The Caretaker
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DE - 22113 Hamburg
Germany
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RAWAX proudly presents the second part of Ricardo Villalobos' Salvador "Trilogy"!
The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX - including new tracklistings!
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DE - 22113 Hamburg
Germany
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The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX - including new tracklistings!
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DE - 22113 Hamburg
Germany
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1
Cody Currie & Kapote - Answer (Cody Version)
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Cody Currie & Kapote - Hard Work (Extended Version)
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Tracklist 12":
A1) Answer (Cody Version)
A2) Hard Work (Extended Version)
B1) D.G.A.F. (Extended Version)
B2) Dance Dance Dance (Extended Version)
Cody Currie & Kapote together in the studio! Delivering a 4 track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way.
Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have what we call THE VIBE. Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music". Makes us laugh, but also fits well. And yes: Both are a bit crazy... like every extremely talented musician.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Answer (Cody Version)
A2) Hard Work (Extended Version)
B1) D.G.A.F. (Extended Version)
B2) Dance Dance Dance (Extended Version)
Cody Currie & Kapote together in the studio! Delivering a 4 track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way.
Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have what we call THE VIBE. Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music". Makes us laugh, but also fits well. And yes: Both are a bit crazy... like every extremely talented musician.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Vil & Cravo - So Right
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Vil & Cravo - 420% foda
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Cravo - Futuredetroit
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Vil - Hard to Find
Tracklisting
A1 Vil & Cravo - So Right
A2 Vil & Cravo - 420% foda
B1 Cravo - Futuredetroit
B2 Vil - Hard to Find
Sales Note
The debut release on Caricia Records sees longtime collaborators VIL and CRAVO refine the language they've developed through years of joint work, both individually and as members of the Hayes collective. Between them, their output on labels like Monnom Black, Klockworks, Self Reflektion and the aforementioned Hayes Collective has consistently balanced precision with character, and this first chapter under their new imprint is no exception.
Opening with So Right, the record sets a distinct tone, with rolling percussion and a hypnotic vocal line threading through the mix with restraint and control. 420% FODA leans into classic swing and texture, tightly looped and built for movement without ever overreaching. On the B-side, CRAVO offers Future Detroit, a stripped-back piece with room to breathe, subtle in its shifts but firm in its intent. VIL rounds off the EP with Hard to Find, a playful closer that keeps things buoyant and dynamic, pushing forward without losing its shape.
Caricia 001 is about clarity of purpose. No filler, no theatrics, just four tracks that speak for themselves.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Vil & Cravo - So Right
A2 Vil & Cravo - 420% foda
B1 Cravo - Futuredetroit
B2 Vil - Hard to Find
Sales Note
The debut release on Caricia Records sees longtime collaborators VIL and CRAVO refine the language they've developed through years of joint work, both individually and as members of the Hayes collective. Between them, their output on labels like Monnom Black, Klockworks, Self Reflektion and the aforementioned Hayes Collective has consistently balanced precision with character, and this first chapter under their new imprint is no exception.
Opening with So Right, the record sets a distinct tone, with rolling percussion and a hypnotic vocal line threading through the mix with restraint and control. 420% FODA leans into classic swing and texture, tightly looped and built for movement without ever overreaching. On the B-side, CRAVO offers Future Detroit, a stripped-back piece with room to breathe, subtle in its shifts but firm in its intent. VIL rounds off the EP with Hard to Find, a playful closer that keeps things buoyant and dynamic, pushing forward without losing its shape.
Caricia 001 is about clarity of purpose. No filler, no theatrics, just four tracks that speak for themselves.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
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Susumu Yokota - A2. Kinoko (2024 Remaster)
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Susumu Yokota - A3. Meijijingu (2024 Remaster)
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Susumu Yokota - B1. Saboten (2024 Remaster)
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Susumu Yokota - B2. Oh My God (2024 Remaster)
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Susumu Yokota - B3. Tambarin (2024 Remaster)
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Susumu Yokota - C1. Oponchi (2024 Remaster)
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Susumu Yokota - C2. Ao-oni (2024 Remaster)
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Susumu Yokota - C3.3. Akafuji (2024 Remaster)
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Susumu Yokota - D1. Alphaville (2024 Remaster)
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Susumu Yokota - D2. Tanuki (2024 Remaster)
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Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
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Susumu Yokota - E3. B (2024 Remaster)**
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Susumu Yokota - F1. F (2024 Remaster)**
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Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
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"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
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This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
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1
Psyk - Resonant Modulation
2
Psyk - Scope Drift
3
Psyk - Resonant Modulation (Erik Luebs Remix)
4
Psyk - Summer Drone
Psyk new release on non series. Three intense, blinding, deep, original cuts including a remix of the talented Erik Luebs.
Tracklist
A1. Psyk - Resonant Modulation
A2. Psyk - Scope Drift
B1. Psyk - Resonant Modulation (Erik Luebs Remix)
B2. Psyk - Summer Drone
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Tracklist
A1. Psyk - Resonant Modulation
A2. Psyk - Scope Drift
B1. Psyk - Resonant Modulation (Erik Luebs Remix)
B2. Psyk - Summer Drone
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1
Puccio Roelens E La Sua Grande Orchestra - Caravan
2
Gegè Munari Percussion Modern - Police Man
3
Don Marino Barreto Junior - Napolitano d'o Brazil
4
Tony Esposito - Pagaia
5
Naco - Volando Con Milton
6
Rosario Jermano - Grand Oceano
7
Tullio De Piscopo - Temptation
8
Tony Cercola - Lumumba
9
Gabriele Poso - Ritmo Italiano
10
Agostino Marangolo - Certi giorni mi sento bene, certi giorni mi sento male
11
Tony Cercola - Lumumba (Clap! Clap! Version)
Mr Bongo proudly presents Ritmo Italiano ‘Unspoken Sounds of Italian Tamburo’ a captivating compilation of percussive-driven, Italian gems curated by Sardinian multi-instrumentalist, percussionist and producer, Gabriele Poso. A journey into the heart of Italian musical history, it celebrates Italy’s rich rhythmic traditions, showcasing a selection of genre-traversing, Italian treasures from the ‘60s to the early ‘90s. Honouring the timeless rhythms of Italian percussion masters, alongside a brand-new exclusive composition by Gabriele, ‘Ritmo Italiano’ shines a light on the universal, primal language of the drum.
A connection sparked from an early age; percussion has always deeply resonated with Gabriele. It led to years of studying percussion traditions across Cuba, Puerto Rico, and Brazil, crafting his own songwriting skills in the process. An acclaimed producer and compiler, his releases on Yoruba Records, BBE and Soundway Records have garnered global support. Yet a growing need to rediscover the essence of his country’s cultural heritage laid the foundations for this new compilation.
In Gabriele’s own words, “Italy has always been a crossroads of civilizations, with influences from the Mediterranean, North Africa, the Middle East, and Europe converging over centuries. Ports like Naples, Genoa, and Venice played a crucial role as gateways for musical exchange, a melting pot of sounds and cultures brought by sailors, merchants and travellers. These influences blended with Italy’s own folk and religious traditions, creating Italy’s unique and emotionally resonant rhythms.”
Across the 12 absorbing tracks, there’s jazz influences, Italian library music aesthetics and experimental beats mixing with Afro-Cuban and Mediterranean rhythms. It’s a broad selection anchored by the drums. The synth-heavy, ‘80s jazz funk flavours of Gegè Munari's ‘Police Man’, sit side-by-side with the samba-infused ‘Napulitano D' 'O Brasil’ by Don Marino Barreto Jr. Tribal, earthly energy radiates from Naco’s ‘Volando Con Milton’, with Tullio De Piscopo serving up cosmic disco brilliance, and blistering jazz funk mastery coming courtesy of Agostino Marangolo. Taking the name of the compilation, a new original track by Gabriele, ‘Ritmo Italiano’, blends traditional rhythms with contemporary energy, Afro-Latin influences with Italian jazz essence. Recorded live in one take, it captures a raw, unfiltered vibe.
“Each track tells a story, connecting the past with the present, and highlighting the deep-rooted traditions that shape Italy’s rhythms. The collection also offers a glimpse into the diversity of Italian music with a variety of styles from the organic, earthy beats to the more experimental and modern takes on traditional rhythms. It’s a reflection of how these rhythms have not only shaped Italian culture but also influenced global music.”
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Germany
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A connection sparked from an early age; percussion has always deeply resonated with Gabriele. It led to years of studying percussion traditions across Cuba, Puerto Rico, and Brazil, crafting his own songwriting skills in the process. An acclaimed producer and compiler, his releases on Yoruba Records, BBE and Soundway Records have garnered global support. Yet a growing need to rediscover the essence of his country’s cultural heritage laid the foundations for this new compilation.
In Gabriele’s own words, “Italy has always been a crossroads of civilizations, with influences from the Mediterranean, North Africa, the Middle East, and Europe converging over centuries. Ports like Naples, Genoa, and Venice played a crucial role as gateways for musical exchange, a melting pot of sounds and cultures brought by sailors, merchants and travellers. These influences blended with Italy’s own folk and religious traditions, creating Italy’s unique and emotionally resonant rhythms.”
Across the 12 absorbing tracks, there’s jazz influences, Italian library music aesthetics and experimental beats mixing with Afro-Cuban and Mediterranean rhythms. It’s a broad selection anchored by the drums. The synth-heavy, ‘80s jazz funk flavours of Gegè Munari's ‘Police Man’, sit side-by-side with the samba-infused ‘Napulitano D' 'O Brasil’ by Don Marino Barreto Jr. Tribal, earthly energy radiates from Naco’s ‘Volando Con Milton’, with Tullio De Piscopo serving up cosmic disco brilliance, and blistering jazz funk mastery coming courtesy of Agostino Marangolo. Taking the name of the compilation, a new original track by Gabriele, ‘Ritmo Italiano’, blends traditional rhythms with contemporary energy, Afro-Latin influences with Italian jazz essence. Recorded live in one take, it captures a raw, unfiltered vibe.
“Each track tells a story, connecting the past with the present, and highlighting the deep-rooted traditions that shape Italy’s rhythms. The collection also offers a glimpse into the diversity of Italian music with a variety of styles from the organic, earthy beats to the more experimental and modern takes on traditional rhythms. It’s a reflection of how these rhythms have not only shaped Italian culture but also influenced global music.”
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DE - 22113 Hamburg
Germany
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Multidisciplinary artist Lyra Pramuk – producer, composer, vocalist, performance artist and astrologer – shares her sophomore album Hymnal: an earthy, raw and psychedelic burst of euphony for our collective healing. Classically trained and deeply inspired by Berlin’s club culture, Lyra has garnered critical acclaim for her vocal virtuosity and original, genre-fluid sound rooted in experimental vocals, instrumental composition and left-field electronics.
Hymnal is a collaborative release on 7K! and Lyra Pramuk’s own newly launched imprint pop.soil.
https://soundcloud.com/lyra_songs/sets/hymnal/s-W2HrJfvwFyL?si=ee9a71665c5946c99bde9878c09e3e59&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
CD/LP Tracklist:
01/A1 Rewild
02/A2 Unchosen
03/A3 Render
04/A4 Incense
05/B1 Oracle
06/B2 Babel
07/B3 Meridian
08/B4 Gravity
09/C1 Swallow
10/C2 Umbra
11/C3 Crimson
12/D1 Reality
13/D2 Solace
14/D3 Ending
Key Notes:
Recent collaborations with: Sam Smith & Moses Sumney, Caterina Barbieri, Holly Herndon
Press support from: Pitchfork, The Quietus, The NY Times, RA
FFO: Bjork, Anohni, Caterina Barbieri, Meredith Monk, Laurel Halo, Laurie Anderson
EU and UK tour
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Hymnal is a collaborative release on 7K! and Lyra Pramuk’s own newly launched imprint pop.soil.
https://soundcloud.com/lyra_songs/sets/hymnal/s-W2HrJfvwFyL?si=ee9a71665c5946c99bde9878c09e3e59&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
CD/LP Tracklist:
01/A1 Rewild
02/A2 Unchosen
03/A3 Render
04/A4 Incense
05/B1 Oracle
06/B2 Babel
07/B3 Meridian
08/B4 Gravity
09/C1 Swallow
10/C2 Umbra
11/C3 Crimson
12/D1 Reality
13/D2 Solace
14/D3 Ending
Key Notes:
Recent collaborations with: Sam Smith & Moses Sumney, Caterina Barbieri, Holly Herndon
Press support from: Pitchfork, The Quietus, The NY Times, RA
FFO: Bjork, Anohni, Caterina Barbieri, Meredith Monk, Laurel Halo, Laurie Anderson
EU and UK tour
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1
GL - What Happened To Us
2
GL - It Could Be You
Following fan requests, PPU presses 2 more funk anthems from GL's 2014 Love Hexagon EP.. songs we haven't stopped playing since their initial release, bringing them back now for the 10 year anniversary.
GL, two mates from Melbourne (AUS), originally released the tracks 'Won't You See' and 'Take Me Back' in 2014 as part of their debut 'Love Hexagon' EP/cassette - a homemade homage to chart-unfriendly funk and 80s romance-dance.
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GL, two mates from Melbourne (AUS), originally released the tracks 'Won't You See' and 'Take Me Back' in 2014 as part of their debut 'Love Hexagon' EP/cassette - a homemade homage to chart-unfriendly funk and 80s romance-dance.
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1
Francis Bebey - Le Grand Soleil De Dieu (Psychemagik Remix)
2
Francis Bebey - Guinee (Turbotito Edit)
3
Francis Bebey - Agatha (Voilaaa Remix)
4
Francis Bebey - Forest Nativity (Red Axes Edit)
Francis Bebey was a visionary who explored the intersection of African traditions and global music long before it became a global trend. Born in Cameroon, Bebey's sound was an eclectic blend of his rich cultural heritage and his deep exploration of modern music, spanning genres from traditional folk and jazz to funk and electronic experimentation. As an artist, Bebey was ahead of his time, using his unique voice and instruments to forge new paths for African music to be heard worldwide. His legacy is not just in the music he created but in the way he opened doors for the global recognition of African artists, influencing generations of musicians, producers, and fans alike. This release marks an exciting moment, as we introduce remixes of bebeys iconic productions by contemporary electronic producers, giving new life through creative re imaginings. Le Grand Soleil De Dieu (Psychemagik Remix): The UK-based musical duo are known for their eclectic blend of electronic music, psychedelic rock and mystical global sounds. Formed by Danny McLewin and Tommy McLewin, the duo has carved out a unique niche within the global music scene though their intricate arrangements. Their Remixes and Collaborations have been with artists like Fleetwood Mac, Tame Impala, and Hercules & Love Affair. Their psychedelic dub remix has otherworldly qualities, with dreamy atmospheres and bouncing baselines throughout this brilliant opening track. Guinee (Turbotito Edit): The Berlin-based DJ and producer known for his infectious blend of house, disco, and funk. With a knack for smooth, groovy beats and a deep love for melody, Turbotito's music brings a fresh, energetic vibe to the dance floor. On this track, he effortlessly re-imagines and elevates the world of Guinee to match his signature sound. A combination of a great pulsing base line, ethereal vocals and bird sound effects incorporated into the percussion makes this track an absolute stand out. Agatha (Voilaaa Remix): Bruno "Patchworks" Hovart from Lyon is the brains behind the Voilaaa project. Fusing soulful grooves, funk, and disco with an unmistakable French touch, Voilaaa creates infectious, feel-good rhythms that blend classic and contemporary influences. In this track we find the first big hook of the album vocally, coupled with Bebey's lively humour in spoken French on top of joyous instrumentation. The smooth vocals, catchy melodies, and vibrant arrangements, bring a fresh energy to the original hit track - a brilliant homage. Forest Nativity (Red Axes Edit): Red Axes are a dynamic electronic music duo from Tel Aviv, blending disco, house, and psychedelic influences into infectious, genre-defying tracks. Known for their unique sound, warm analog textures, and hypnotic rhythms, Niv Arzi and Dori Simao craft music that moves both the body and the mind. Forest Nativity arrives as a full circle closer, incorporating some of the most authentic African instruments such as a Balafon, an instrument similar to a xylophone and a Djembe, a hand drum central to many West African traditions. The 7 minute track is guaranteed to take you on a fascinating journey through Bebey's culture and livelihood.
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1
V.A. - A1.Get Down
2
V.A. - A2. Love Chant (Part 1)
3
V.A. - B1.So Much Love
4
V.A. - B2.Freak On
4 Monstruous Tracks Straight From the Basement Feat. One of the Original House Music Creator Ron Hardy. All the Real Djs Were Looking for Those for Years. Grab It Before It's Sold Out, We Have Very Few Copies. a Must Have. Essential Item Limited Edition No Re-Press...
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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1
Rene Wise - Anxiety
2
Rene Wise - Insomnia
3
Rene Wise - Sakar
4
Rene Wise - Cutting Thick
Rene Wise returns to Dustin Zahn's Enemy Records with a massive follow up to 2022's label debut, Jungle House. On "Deprivation," the Moving Pressure artist delivers 4 undeniable, heads-down Techno grooves in his signature style.
Minimalism is the theme on the A-side. Anxiety and Insomnia are both stripped down and tripped out. Both hold steady in arrangement, allowing for the smallest details to shine through. Each track is topped off with Rene's otherworldly synth washes and FX splashes atop of steady unwavering grooves.
A slight departure from his usual grooves, the B-side drifts off into uncharted territory while keeping in line with the moodiness of the A side. Sakar focuses on a pulsating tension-building synth line in constantflux. Meanwhile, staccato basslines and percussive splashes merge to form the record's funkiest moment on Cutting Thick.
Tracklist
A1. Rene Wise - Anxiety
A2. Rene Wise - Insomnia
B1. Rene Wise - Sakar
B2. Rene Wise - Cutting Thick
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Minimalism is the theme on the A-side. Anxiety and Insomnia are both stripped down and tripped out. Both hold steady in arrangement, allowing for the smallest details to shine through. Each track is topped off with Rene's otherworldly synth washes and FX splashes atop of steady unwavering grooves.
A slight departure from his usual grooves, the B-side drifts off into uncharted territory while keeping in line with the moodiness of the A side. Sakar focuses on a pulsating tension-building synth line in constantflux. Meanwhile, staccato basslines and percussive splashes merge to form the record's funkiest moment on Cutting Thick.
Tracklist
A1. Rene Wise - Anxiety
A2. Rene Wise - Insomnia
B1. Rene Wise - Sakar
B2. Rene Wise - Cutting Thick
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