The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
More records from future sound of london
FSOL present the final instalment in the Environments Trilogy. "7.003" goes deeper and darker than the previous two albums, the flavour here harping back with memories of the groups 90s sounding pre "Dead Cities" album. On this release we have swamp laden electronics dripping from cavernous breakbeats weaving in and out of otherworldly chords and strings firmly back in the driving seat. FSOL deliver not only the final piece of the jigsaw but a clever jaw-droppingly sensorium.
TRACK LIST:
A1. Future Testaments (4:13)
A2. Resting Point (2:16)
A3. A Desolate Stretch Of Night Road (5:50)
A4. Where All Is Ending (4:37)
A5. Overwrite (4:11)
A6. I'm Eating Here (4:01)
B1. Echos Of Inherent Sense (1:21)
B2. A Space In The Subsequent Familiar (4:23)
B3. Drift Incline (4:52)
B4. Trichome (4:19)
B5. Absence Of Solution (4:23)
B6. Kwaahu (5:02) More
TRACK LIST:
A1. Future Testaments (4:13)
A2. Resting Point (2:16)
A3. A Desolate Stretch Of Night Road (5:50)
A4. Where All Is Ending (4:37)
A5. Overwrite (4:11)
A6. I'm Eating Here (4:01)
B1. Echos Of Inherent Sense (1:21)
B2. A Space In The Subsequent Familiar (4:23)
B3. Drift Incline (4:52)
B4. Trichome (4:19)
B5. Absence Of Solution (4:23)
B6. Kwaahu (5:02) More
There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.
Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix More
Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix More
Long out of print, this is a reissue in its original format of the iconic debut LP by The Future Sound Of London, “Accelerator”. It contains the innovative, award winning single “Papua New Guinea” that signaled the birth of IDM. It comes on the 30th Anniversary of the original release on 17th February 1992.
Both the original single and album were a fixture on the end of year charts of many publications including Melody Maker, NME and Mixmag, whilst also achieving Best Techno Single at the Mixmag Awards in 1992.
TRACKLISTING:
A1. Expander
A2. Stolen Documents
A3. While Others Cry
A4. Calcium
A5. It's Not My Problem
B1. Papua New Guinea
B2. Moscow
B3. 1 In 8
B4. Pulse State
B5. Central Industrial More
Both the original single and album were a fixture on the end of year charts of many publications including Melody Maker, NME and Mixmag, whilst also achieving Best Techno Single at the Mixmag Awards in 1992.
TRACKLISTING:
A1. Expander
A2. Stolen Documents
A3. While Others Cry
A4. Calcium
A5. It's Not My Problem
B1. Papua New Guinea
B2. Moscow
B3. 1 In 8
B4. Pulse State
B5. Central Industrial More
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
Originally reached no.13 in the UK charts in 1996 - taken from the top 30 album DEAD CITIES loosely based on "Rachael's song" from BLADERUNNER by Vangelis, now 22 years later the group have recreated the track in 8 new compositions, seamlessly flowing together the journey travels from ambient rock to a land of electronica. Releases for Record Store Day 2018 is this stunningly presented heavy weight 12" Album, all numbered of 2,000 units.
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More
Remastered Vinyl re-issue of the 1994 double album by experimental electronica group The Future Sound of London. With time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.
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More records from jumpin & pumpin
First released over 30 years ago, this EP, as with Volumes 1 & 2, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. "Calcium" transcendental and otherworldly, "Owl" described as 'one of the greatest breakbeat hardcore tracks ever created'. This edition of The Pulse EP is the first reissue in this original vinyl form since 1991, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time.
SALES POINTS
- First reissue in original format since 1991
TRACKLIST
SIDE A
1. SMART SYSTEMS - Tingler (Four By Four Mix) (4:32)
2. INDO TRIBE - Owl (I Can See You Mix) (4:52)
SIDE B
1. INDO TRIBE - Bite The Bullet Baby (Jacques Reynoix Mix) (4:28)
2. YAGE - Calcium (Elementary Mix) (5:08)
More
SALES POINTS
- First reissue in original format since 1991
TRACKLIST
SIDE A
1. SMART SYSTEMS - Tingler (Four By Four Mix) (4:32)
2. INDO TRIBE - Owl (I Can See You Mix) (4:52)
SIDE B
1. INDO TRIBE - Bite The Bullet Baby (Jacques Reynoix Mix) (4:28)
2. YAGE - Calcium (Elementary Mix) (5:08)
More
First released over 30 years ago, this EP, as with Volume 1, is where The Future Sound Of London started before "Papua New Guinea" later in 1991. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. "Stolen Beats" is a hypnotic roller with all the jazz, bleeps and bass you could want, still a regular Radio 1 'Essential Mix' track, and "I've Become What You Were" pure hard hitting UK techno from the heyday of this music in the early 90s and the blueprint for the deep jungle sound to emerge later.
This edition of The Pulse EP is the first reissue in its original vinyl form since 1991, those initial pressings now expensive on Discogs.
SALES POINTS:
First reissue in original format since 1991
TRACKLIST:
A1 - Stolen Documents (Jazz Dub) - THE FUTURE SOUND OF LONDON
A2 - Zip Code (Stress Ball Mix) - SMART SYSTEMS
B1 - Innate(W-O-W Mix) - THE FUTURE SOUND OF LONDON
B2 - I've Become What You Were (Insider Mix) - INDO TRIBE More
This edition of The Pulse EP is the first reissue in its original vinyl form since 1991, those initial pressings now expensive on Discogs.
SALES POINTS:
First reissue in original format since 1991
TRACKLIST:
A1 - Stolen Documents (Jazz Dub) - THE FUTURE SOUND OF LONDON
A2 - Zip Code (Stress Ball Mix) - SMART SYSTEMS
B1 - Innate(W-O-W Mix) - THE FUTURE SOUND OF LONDON
B2 - I've Become What You Were (Insider Mix) - INDO TRIBE More
Long out of print, this is a reissue in its original format of the iconic debut LP by The Future Sound Of London, “Accelerator”. It contains the innovative, award winning single “Papua New Guinea” that signaled the birth of IDM. It comes on the 30th Anniversary of the original release on 17th February 1992.
Both the original single and album were a fixture on the end of year charts of many publications including Melody Maker, NME and Mixmag, whilst also achieving Best Techno Single at the Mixmag Awards in 1992.
TRACKLISTING:
A1. Expander
A2. Stolen Documents
A3. While Others Cry
A4. Calcium
A5. It's Not My Problem
B1. Papua New Guinea
B2. Moscow
B3. 1 In 8
B4. Pulse State
B5. Central Industrial More
Both the original single and album were a fixture on the end of year charts of many publications including Melody Maker, NME and Mixmag, whilst also achieving Best Techno Single at the Mixmag Awards in 1992.
TRACKLISTING:
A1. Expander
A2. Stolen Documents
A3. While Others Cry
A4. Calcium
A5. It's Not My Problem
B1. Papua New Guinea
B2. Moscow
B3. 1 In 8
B4. Pulse State
B5. Central Industrial More
1
humanoid - No Title
2
humanoid - No Title
3
humanoid - No Title
30 years ago this month (Nov 1988) HUMANOID - STAKKER HUMANOID was the UKs No.1 song in the Dance charts - it would stay no.1 for 5 weeks also charting in the UK top 20 at No.17.
Now regarded as an ACID HOUSE classic anthem and hailed as the first real UK acid house track to break the UK top 20.
Humanoid music from 1988 was also used in Stakker Eurotechno - now housed in the museum of modern art (New York) and sighted as a major influence on early Aphex Twin music / Reflex
To celebrate Humanoid (Brian Dougans FSOL) has reworked the original into a 2018 Breaks Monster with two equally killer tracks on the b side Skatter and Blunt
Original Futuristic UK Acid House music circa 1988 :)
With not a single cry of "ACIEEEEED!" one record, Humanoid's Stakker Humanoid, has
Blown apart the UK House Music scene. It's the most uncompromisingly Acid track to be
Produced so far in this country.
More
Now regarded as an ACID HOUSE classic anthem and hailed as the first real UK acid house track to break the UK top 20.
Humanoid music from 1988 was also used in Stakker Eurotechno - now housed in the museum of modern art (New York) and sighted as a major influence on early Aphex Twin music / Reflex
To celebrate Humanoid (Brian Dougans FSOL) has reworked the original into a 2018 Breaks Monster with two equally killer tracks on the b side Skatter and Blunt
Original Futuristic UK Acid House music circa 1988 :)
With not a single cry of "ACIEEEEED!" one record, Humanoid's Stakker Humanoid, has
Blown apart the UK House Music scene. It's the most uncompromisingly Acid track to be
Produced so far in this country.
More
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
Originally reached no.13 in the UK charts in 1996 - taken from the top 30 album DEAD CITIES loosely based on "Rachael's song" from BLADERUNNER by Vangelis, now 22 years later the group have recreated the track in 8 new compositions, seamlessly flowing together the journey travels from ambient rock to a land of electronica. Releases for Record Store Day 2018 is this stunningly presented heavy weight 12" Album, all numbered of 2,000 units.
More
More
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Territory: WW-UK/EIRE & USA,Canada
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More