Tracklisting
A1 Cravo - Funk03
A2 Vil & Cravo - Pampa
B1 Vil - Feedback Jack
B2 Vil & Cravo - Pano Pa Mangas

Sales Note
For the 20th installment of Self Reflektion we welcome back our Portugese friends Vil & Cravo! Four highly essential techno bangers.

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Power duo Vil & Cravo debut on Klockworks with a high-spirited 3 tracker showcasing their warm approach inspired in soul and funk tracks from the 80’s and early 00’s. Fusing funky techno with soulful vocals, this EP reminds us of the carefully chosen euphoric moments Ben Klock drops in his sets with hope to get them back this summer.


TRACKLIST

A1. Fuck This Dub
B1. Dubbd
B2. Links

INFO

Power duo Vil & Cravo debut on Klockworks with a high-spirited 3 tracker showcasing their warm approach inspired in soul and funk tracks from the 80’s and early 00’s.

Both behind Portugal’s freshest collective Hayes, the duo started their project 6 years ago with the idea of bringing colour, light and groove to the scene.

Fusing funky techno with soulful vocals, this EP reminds us of the carefully chosen euphoric moments Ben Klock drops in his sets with hope to get them back this summer.


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Tracklisting
A1 CRAVO - Tan Her
A2 CRAVO - This World
B1 CRAVO - LEFT FIELD
B2 CRAVO - My Fingers

Sales Note
Earlier this year, VIL and Cravo introduced Caricia Records with Caricia 001, a debut that made clear the label would not be bound by techno alone. With the second release arriving soon after, the pair show no sign of slowing down.

Caricia 002 turns to Cravo, presenting a clear statement of his own. Techno, house, dub and jazz meet here, carrying a sense of peace, harmony and hope. Cravo always prefers to let the music speak for itself; here, it certainly does, at its most assured.

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Abul Mogard’s first solo album on vinyl in four years, initiating his personal imprint Soft Echoes
Edition of 500 copies, BioVinyl incl. download code

'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years. RIYL Alessandro Cortini, William Basinski, The Caretaker.

While sifting through archived material left idle from earlier projects, a chance encounter with a late uncle’s trove of beloved 78rpm classical and opera records prompted the reworking and completion of what would eventually become the album. Spinning dusty records at 33 and 45rpm, Abul Mogard recombined their enduring spectres with unfinished sketches from his archive. The resulting soundscape blurs distinctions between his memories and those of another, exquisitely short-circuiting the senses with its waking, dream-like lucidity.

This was a process I hadn’t explored in my earlier works. I began sampling brief moments from these records, altering them with studio effects and playing them at slower speeds. In many cases, I wasn’t entirely sure how the original music sounded. These fragments, once further processed, became a source of inspiration for my new compositions. Over time, I realised that the old pieces from the archive and the new material derived from the samples naturally complemented each other.”

The resulting pieces hover over a threshold, a liminal space that harmonises the old and older material. Voluminous waves of quiet and loud undulate between consonance and dissonance, conjuring imagery of a decaying grandeur that humanity’s decadence has surrendered to the elements. Abul Mogard’s seemingly abandoned yet vast landscapes are nevertheless intimate with timbral frissons of red-lined distortion. Elusive, yet as tangible as sea spray or smog, they affect the olfactory senses with a rarified, synesthetic quality that modestly engages one’s emotional register – a hypnotic, distinguishing feature long hailed as one of the hallmarks of his work. A fidelity to memory and dream recall is sensitively probed in the journey from the stately symphonic stasis of 'Following a dream' to the almost industrial, untethered brutality evoked by a looming silhouette that’s never fully visible in 'Constantly slipping away', culminating in the foreboding coda of 'Like a bird'. Those pieces appear to shield the album’s sentimental core, where the tempestuous play of light and shadow of 'In a studded procession' escalates to breathtaking, panoramic climax, while 'Through whispers' evokes an out-of-body-like experience encountered with visceral poignancy.

Looking back, Mogard notes an unexpected influence: “I realise being inspired by Phill Niblock, whose work I had barely known at the time but explored after his passing in 2024. His album 'Boston Tenor Index' changed the way I approached dissonance. It encouraged me to push my sound further, to the edge of a space where I began to feel uncomfortable.”

The album artwork, created by longtime collaborator Marja de Sanctis, features a photograph taken at the Temple of Jupiter Anxur, an archaeological site overlooking the Mediterranean Sea. Captured with an iPhone, the image traces the residual presence of construction techniques and architectural forms of the Romans, where material history is transcribed through contemporary tools. The convergence of ancient and modern technology aims to reverberate the site’s lasting spiritual presence – an echo persisting in what is now perceived as a quiet, emptied space. The spiral gestures towards infinity and light. Past and present dissolve into one another, reflecting 'Quiet Pieces' meditation on sound, memory, and time.

RIYL Alessandro Cortini, William Basinski, The Caretaker

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RAWAX proudly presents the second part of Ricardo Villalobos' Salvador "Trilogy"!
The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX - including new tracklistings!

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4 Monstruous Tracks Straight From the Basement Feat. One of the Original House Music Creator Ron Hardy. All the Real Djs Were Looking for Those for Years. Grab It Before It's Sold Out, We Have Very Few Copies. a Must Have. Essential Item Limited Edition No Re-Press...

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rish techno legend Sunil Sharpe joins the Posh End Music ranks for a split EP with label boss Fear-E.

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Multidisciplinary artist Lyra Pramuk – producer, composer, vocalist, performance artist and astrologer – shares her sophomore album Hymnal: an earthy, raw and psychedelic burst of euphony for our collective healing. Classically trained and deeply inspired by Berlin’s club culture, Lyra has garnered critical acclaim for her vocal virtuosity and original, genre-fluid sound rooted in experimental vocals, instrumental composition and left-field electronics.

Hymnal is a collaborative release on 7K! and Lyra Pramuk’s own newly launched imprint pop.soil.


https://soundcloud.com/lyra_songs/sets/hymnal/s-W2HrJfvwFyL?si=ee9a71665c5946c99bde9878c09e3e59&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

CD/LP Tracklist:
01/A1 Rewild
02/A2 Unchosen
03/A3 Render
04/A4 Incense

05/B1 Oracle
06/B2 Babel
07/B3 Meridian
08/B4 Gravity

09/C1 Swallow
10/C2 Umbra
11/C3 Crimson

12/D1 Reality
13/D2 Solace
14/D3 Ending

Key Notes:
Recent collaborations with: Sam Smith & Moses Sumney, Caterina Barbieri, Holly Herndon
Press support from: Pitchfork, The Quietus, The NY Times, RA
FFO: Bjork, Anohni, Caterina Barbieri, Meredith Monk, Laurel Halo, Laurie Anderson
EU and UK tour

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Following fan requests, PPU presses 2 more funk anthems from GL's 2014 Love Hexagon EP.. songs we haven't stopped playing since their initial release, bringing them back now for the 10 year anniversary.

GL, two mates from Melbourne (AUS), originally released the tracks 'Won't You See' and 'Take Me Back' in 2014 as part of their debut 'Love Hexagon' EP/cassette - a homemade homage to chart-unfriendly funk and 80s romance-dance.

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Francis Bebey was a visionary who explored the intersection of African traditions and global music long before it became a global trend. Born in Cameroon, Bebey's sound was an eclectic blend of his rich cultural heritage and his deep exploration of modern music, spanning genres from traditional folk and jazz to funk and electronic experimentation. As an artist, Bebey was ahead of his time, using his unique voice and instruments to forge new paths for African music to be heard worldwide. His legacy is not just in the music he created but in the way he opened doors for the global recognition of African artists, influencing generations of musicians, producers, and fans alike. This release marks an exciting moment, as we introduce remixes of bebeys iconic productions by contemporary electronic producers, giving new life through creative re imaginings. Le Grand Soleil De Dieu (Psychemagik Remix): The UK-based musical duo are known for their eclectic blend of electronic music, psychedelic rock and mystical global sounds. Formed by Danny McLewin and Tommy McLewin, the duo has carved out a unique niche within the global music scene though their intricate arrangements. Their Remixes and Collaborations have been with artists like Fleetwood Mac, Tame Impala, and Hercules & Love Affair. Their psychedelic dub remix has otherworldly qualities, with dreamy atmospheres and bouncing baselines throughout this brilliant opening track. Guinee (Turbotito Edit): The Berlin-based DJ and producer known for his infectious blend of house, disco, and funk. With a knack for smooth, groovy beats and a deep love for melody, Turbotito's music brings a fresh, energetic vibe to the dance floor. On this track, he effortlessly re-imagines and elevates the world of Guinee to match his signature sound. A combination of a great pulsing base line, ethereal vocals and bird sound effects incorporated into the percussion makes this track an absolute stand out. Agatha (Voilaaa Remix): Bruno "Patchworks" Hovart from Lyon is the brains behind the Voilaaa project. Fusing soulful grooves, funk, and disco with an unmistakable French touch, Voilaaa creates infectious, feel-good rhythms that blend classic and contemporary influences. In this track we find the first big hook of the album vocally, coupled with Bebey's lively humour in spoken French on top of joyous instrumentation. The smooth vocals, catchy melodies, and vibrant arrangements, bring a fresh energy to the original hit track - a brilliant homage. Forest Nativity (Red Axes Edit): Red Axes are a dynamic electronic music duo from Tel Aviv, blending disco, house, and psychedelic influences into infectious, genre-defying tracks. Known for their unique sound, warm analog textures, and hypnotic rhythms, Niv Arzi and Dori Simao craft music that moves both the body and the mind. Forest Nativity arrives as a full circle closer, incorporating some of the most authentic African instruments such as a Balafon, an instrument similar to a xylophone and a Djembe, a hand drum central to many West African traditions. The 7 minute track is guaranteed to take you on a fascinating journey through Bebey's culture and livelihood.

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