1
gyrofield - Vegetation Grows Thick
2
gyrofield - Bolete
3
gyrofield - Rorschach (Ft. Flo State)
4
gyrofield - Brinjal
gyrofield is 22-year-old, Utrecht-via-Hong-Kong producer Kiana Li, who has put out several albums and over a dozen EPs since 2018, from self-released productions to projects on Metalheadz, XL Recordings and FABRICLIVE among many others.
Their next EP is Suspension of Belief, and it arrives on Objekt's label, Kapsela. (Following last year's Ganzfeld and Chicken Garaage, it's Kapsela's first record by an artist other than Objekt himself.) In keeping with her recent releases, it shows Li continuing a creative renaissance, moving beyond the outer fringes of drum & bass to present what they call "a set of deeper, shapeshifting tracks, cross-pollinating ideas from house, free jazz and techno."
Suspension of Belief was written between June and October of 2024, inspired by a summer spent in nature and encapsulating Li's lived experiences and personal reflections in this time. "Thoughts about the boundaries between civilisation and nature began to take on a charged meaning," she says. "How can we, as people, live on the backs of others’ suffering, and see emotionally vacant newscasting on the desecration of the world around us? We ought to be angry, but we also ought to find healing and love somewhere. A representation of this thinking exists in the record."
The result is an elegant paradox. From the warm upright bass on "Vegetation Grows Thick" to the rattling, "Spastik”-esque snare rolls of “Bolete”, the record is at once steely and organic, with dreamlike states giving way to depth and intensity. It’s functional enough for rituals of escapism but determined to confront the world as it really is. As Li puts it:
"Suspension of Belief is a play on the suspension of disbelief, the common convention for us to immerse ourselves in fictional worlds. In turn, the record’s title suggests the idea of immersing in the real world, an antifiction, facing reality.”
Mastered by Beau at Ten Eight Seven
Artwork and design by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Their next EP is Suspension of Belief, and it arrives on Objekt's label, Kapsela. (Following last year's Ganzfeld and Chicken Garaage, it's Kapsela's first record by an artist other than Objekt himself.) In keeping with her recent releases, it shows Li continuing a creative renaissance, moving beyond the outer fringes of drum & bass to present what they call "a set of deeper, shapeshifting tracks, cross-pollinating ideas from house, free jazz and techno."
Suspension of Belief was written between June and October of 2024, inspired by a summer spent in nature and encapsulating Li's lived experiences and personal reflections in this time. "Thoughts about the boundaries between civilisation and nature began to take on a charged meaning," she says. "How can we, as people, live on the backs of others’ suffering, and see emotionally vacant newscasting on the desecration of the world around us? We ought to be angry, but we also ought to find healing and love somewhere. A representation of this thinking exists in the record."
The result is an elegant paradox. From the warm upright bass on "Vegetation Grows Thick" to the rattling, "Spastik”-esque snare rolls of “Bolete”, the record is at once steely and organic, with dreamlike states giving way to depth and intensity. It’s functional enough for rituals of escapism but determined to confront the world as it really is. As Li puts it:
"Suspension of Belief is a play on the suspension of disbelief, the common convention for us to immerse ourselves in fictional worlds. In turn, the record’s title suggests the idea of immersing in the real world, an antifiction, facing reality.”
Mastered by Beau at Ten Eight Seven
Artwork and design by Brodie Kaman
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from gyrofield
1
gyrofield - Akin
2
gyrofield - Mother
FABRICLIVE’s new incarnation as an artist-focussed label continues, with a stunning two-track 12” by the Hong Kong-born, Netherlands-based rising star Kiana Li, aka gyrofield. Rooted in drum & bass but distinctly the sound of now, this single sparkles with freshness, and stands-out with an exquisite verve for detail and craft. Balmy and comforting, atmospheric and melodic, the cloudsurfing breakbeats and celestial propulsion of ‘Akin’ is pure friendly pressure, whilst on ‘Mother’ big vocals, low-end precision and techno swathes soar even higher. “'Akin' and 'Mother' remind me of my earliest days writing dance music. These are two free-spirited, transportive pieces that feel like spreading my wings and letting the air take me. Brought skyward in the hand of fate, nurturing yet weathered by my very own ideals. We all wish for better days. And toil to heal.” gyrofield. gyrofield has released music on prominent labels including Critical, Overview and Noisia's Vision. Last year she released the album A Faint Glow of Bravery on Metalheadz, and the EP These Heavens for XL’s prestigious house bag series, which has previously showcased music by Blawan, Joy Orbison and Overmono.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gyrofield - Vega
2
Gyrofield - Occams Razor
3
Gyrofield - Lagrange
4
Gyrofield - Cold Cases
gyrofield debuts on XL Recordings as part of the iconic house bag series with ‘These Heavens’. The EP is an exploration into the universe and the beauty of nature via a series of shapeshifting sonics that are just as well-suited for personal introspection as they are for sweaty underground dancefloors. On the release, gyrofield says “I see a lot of value in creating danceable music that also touches base on atmospheric and spaced-out sounds. I’m a big fan of a lot of Drum and Bass that has come out but the influences for this record stem just as much from electro and techno like I Hate Models, Djrum to synth ambient, post-rock, and experimental pop a la Bjork.”
gyrofield is fast becoming electronic music’s most exciting new Drum & Bass talent. Their arrival on the scene was an anomaly. Aged 9, they discovered electronic music via the internet, stumbling across the sounds of Skrillex (Scary Monsters and Nice Sprites) and Noisia (Split The Atom) on YouTube. The otherworldly sounds intrigued gyrofield and so began their self-made journey in music. It was only after visiting Bristol at 17 that gyrofield stepped foot into a club for the first time at Unchained Recordings’ takeover of The Love Inn. This experience was transformative and ignited a new ambition in her. In four short years since then, gyrofield has gone from DIY DJ/producer to a NTS resident with releases ranging from Drum & Bass to Jungle to Ambient Techno to Dubstep via Metalheadz, Critical, Deadbeats, and Noisia’s VISION, to name a few. They have amassed a growing committed fanbase that includes Tim Reaper, DJ Flight, Doc Scott, IMANU and Joy Orbison.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
gyrofield is fast becoming electronic music’s most exciting new Drum & Bass talent. Their arrival on the scene was an anomaly. Aged 9, they discovered electronic music via the internet, stumbling across the sounds of Skrillex (Scary Monsters and Nice Sprites) and Noisia (Split The Atom) on YouTube. The otherworldly sounds intrigued gyrofield and so began their self-made journey in music. It was only after visiting Bristol at 17 that gyrofield stepped foot into a club for the first time at Unchained Recordings’ takeover of The Love Inn. This experience was transformative and ignited a new ambition in her. In four short years since then, gyrofield has gone from DIY DJ/producer to a NTS resident with releases ranging from Drum & Bass to Jungle to Ambient Techno to Dubstep via Metalheadz, Critical, Deadbeats, and Noisia’s VISION, to name a few. They have amassed a growing committed fanbase that includes Tim Reaper, DJ Flight, Doc Scott, IMANU and Joy Orbison.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Kapsela
1
PVAS - Gathering Drift (Lattice Edit)
2
PVAS - Terminal
3
PVAS - Wetland
4
PVAS - Ripped
5
PVAS - Boba
6
PVAS - Slipstream
“sitting in the terminal at Barcelona airport, health safety warnings echo through empty architecture. feeling slow, and fast, out of sync with rituals and routines. structure and rhythm disintegrate into micro gestures appearing in random order, a daily psychedelia... amid all of the chaos and distraction in the last few years, it’s only through letting go that I've found solid ground to stand on.”
These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekt's label, Kapsela. Slipstream is an aural document of PVAS's interior life, conceived not as a grab-bag of DJ-friendly tracks (although it’s clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. “Wetland”, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of “Gathering Drift” recalls GAS or Monolake's “Hong Kong.” Sampled breakbeats dip and swerve asymmetrically through “Boba” and “Terminal”. Across the record, textures and voices are reshaped by PVAS's homemade algo-software, UMT, which, in PVAS’ own words, “reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field.” But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder:
“when i stop framing myself as a boundaried stone
immovable, and powerful, and heavy
when i stop figuring my deepest space as my own
something which i am solely responsible
i surrender, i surrender”
PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.
Written and produced by PVAS
Mixed by TJ Hertz
Mastered by Anne Taegert at D&M
Artwork and design by Brodie Kaman
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekt's label, Kapsela. Slipstream is an aural document of PVAS's interior life, conceived not as a grab-bag of DJ-friendly tracks (although it’s clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. “Wetland”, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of “Gathering Drift” recalls GAS or Monolake's “Hong Kong.” Sampled breakbeats dip and swerve asymmetrically through “Boba” and “Terminal”. Across the record, textures and voices are reshaped by PVAS's homemade algo-software, UMT, which, in PVAS’ own words, “reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field.” But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder:
“when i stop framing myself as a boundaried stone
immovable, and powerful, and heavy
when i stop figuring my deepest space as my own
something which i am solely responsible
i surrender, i surrender”
PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.
Written and produced by PVAS
Mixed by TJ Hertz
Mastered by Anne Taegert at D&M
Artwork and design by Brodie Kaman
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Objekt - Chicken Garaage
2
Objekt - Worm Dance
The second release on Objekt’s newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, it’s the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side “Worm Dance” leans into Hertz’s headsier inclinations – constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.
The vinyl comes with a free lossless download.
Mastered by Kassian Troyer at Dubplates & Mastering
Artwork by Brodie Kaman
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The vinyl comes with a free lossless download.
Mastered by Kassian Troyer at Dubplates & Mastering
Artwork by Brodie Kaman
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Customers who bought this also bought this
The name dreamcastmoe is somewhat synonymous with the Peckham based ‘Rhythm Section INTL’ Label. With a sound equally indebted to hip hop, house, hazy electronics and DC’s very own ‘go-go’ sound - dreamcastmoe, born Davon Bryant-James burst onto the scene with a refreshing mix of styles matched with an irresistible personality.
A1 LEMONPEPPASTEPPA
A2 EXPECTATIONS
A3 IM GOING VEGAN FEAT. AUTO LOLA
A4 THAT DRESS (INTERLUDE)
A5 FLOWERS FEAT. NAPPY NAPA
A6 ONLY REASON IM NOT IN TROUBLE (INTERLUDE)
A7 INOMI FEAT. ANIA HOO
A8 DON'T PLAY (INTERLUDE)
A9 MOLLY'S REQUEST
A10 SAME FERN FEAT. JELANI KWESI
B1 HOW MANY (INTERLUDE)
B2 JJK FEAT. RUQQIYAH
B3 HEYY HEYY FEAT. NAPPYNAPPA
B4 SHIETT (SKIT)
B5 SHATTA FEAT. NAPPYNAPPA
B6 GOOD PROBLEM TO HAVE
B7 COUPLE PLAYS
B8 GETTIN RICH (INTERLUDE)
B9 THANK YA FEAT. RUQQIYAH
B10 3 PLACES IN THIS WORLD (INTERLUDE)
Listen: https://listen.k7.com/9b9029d1-76ac-49b6-9736-15246bda954d
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 LEMONPEPPASTEPPA
A2 EXPECTATIONS
A3 IM GOING VEGAN FEAT. AUTO LOLA
A4 THAT DRESS (INTERLUDE)
A5 FLOWERS FEAT. NAPPY NAPA
A6 ONLY REASON IM NOT IN TROUBLE (INTERLUDE)
A7 INOMI FEAT. ANIA HOO
A8 DON'T PLAY (INTERLUDE)
A9 MOLLY'S REQUEST
A10 SAME FERN FEAT. JELANI KWESI
B1 HOW MANY (INTERLUDE)
B2 JJK FEAT. RUQQIYAH
B3 HEYY HEYY FEAT. NAPPYNAPPA
B4 SHIETT (SKIT)
B5 SHATTA FEAT. NAPPYNAPPA
B6 GOOD PROBLEM TO HAVE
B7 COUPLE PLAYS
B8 GETTIN RICH (INTERLUDE)
B9 THANK YA FEAT. RUQQIYAH
B10 3 PLACES IN THIS WORLD (INTERLUDE)
Listen: https://listen.k7.com/9b9029d1-76ac-49b6-9736-15246bda954d
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Peverelist, - Roll With The Punches
2
Peverelist, - Die Brucke
REPRESS
Perpetually in demand bonafide Dubstep classic and Bristol anthem repressed. Essential addition to anyones collection
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Perpetually in demand bonafide Dubstep classic and Bristol anthem repressed. Essential addition to anyones collection
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Paris’ Latency presents ‘Estradas’, an electrifying dance music album by multi-instrumentalist Valentina Magaletti and Afro-Portuguese beat-maker Nídia.
Listen: https://nidiavalentina.bandcamp.com/album/estradas
Tracklisting:
1. Andiamo
2. Rapido
3. Sicilia
4. Mata
5. Nasty
6. Estradas
7. No Promises
8. Ta A Bater Ya
9. Tutta la notte
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://nidiavalentina.bandcamp.com/album/estradas
Tracklisting:
1. Andiamo
2. Rapido
3. Sicilia
4. Mata
5. Nasty
6. Estradas
7. No Promises
8. Ta A Bater Ya
9. Tutta la notte
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ostinato - Antiaircraft *Damp Silence After Summer Rain RMX by baze.djunkiii & DJ Da Cut
2
DJ Da Cut - Fake Democracy * Rattlesnake MX
Format: 12“, black vinyl.
Tracklist
A1: Ostinato – Antiaircraft *Damp Silence After Summer Rain RMX by baze.djunkiii & DJ Da Cut
B1: DJ Da Cut – Fake Democracy * Rattlesnake MX
Berlin basement find! Limited quantities only. No returns, no consignment.
Stop. Rewind. To Hamburg, Germany in the mid-00s. Originally launched by Donna Maya, now head of Sound Sister Records and then operating under the now defunct guise DJ Da Cut and later run by her alongside baze.djunkiii of Intrauterin Recordings the Rudel Records label was an, albeit relatively short-lived, fully independent creative label operation based on a long lasting friendship and a shared love for all things Bass Music, Drum'n'Bass and a bit of HipHop. Self-distributed via their own website only, at gigs and a few local record shops the label ceased operations after a while, with its leading duo following different musical paths and projects over the course of the next 17 years to come - without ever losing touch or their initial connection.
Fast forward to now. 2025. With both protagonists still in the game and a few boxes of the labels second release, an experimental Drum'n'Bass / DarkJungle leaning split 12“ remix single, found x rediscovered in a dormant Berlin basement under circumstances, we're happy to make this lost record available on the circuit again for a new generation of DJs and music lovers – internationally and for the first time ever officially distributed since it was released back in January 2008.
Original Releae info:
Ostinato – Antiaircraft *Damp Silence After Summer Rain RMX by baze.djunkiii & DJ Da Cut
One for the advanced Drum’n’Bass-jocks and lovers of leftfield sounds is this remix for the American PostRock-band outfit OSTINATO provided by the labels head honchos
baze.djunkiii & DJ Da Cut, which perfectly transfers the hypnotic approach of the original tune released in 2006 on their album „Chasing The Form“ into a dancefloor fitting shape. Starting out with a halftime drum loop provided by the bands drummer Matthew Clark accompanied by dreamy, soundscape’esque chords the tune soon drops into stepping, clearlyJungle-influenced beats of the classic kind. All hands are way up when the main part unfolds a deep psychedelic, hypnotic guitar workout on top of filtered sounds that seems to run for ages until things get a bit techy. A big surprise waits in the end, which is not to be revealed here yet.
DJ Da Cut – Fake Democracy * Rattlesnake MX
DJ Da Cuts’ solo tune „Fake Democracy *Rattlesnake MX“ starts out with shuffled halftime beats plus a seductive offbeat-line until gnarling basslines and a massive amount of layered ultra-percussive elements and filtered sounds release the storm on the floor, suddenly interrupted by a short breakdown that introduces the sweet skilled melody of live bass player Kazoo to the audience right before things get even darker and the final brock-out begins.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1: Ostinato – Antiaircraft *Damp Silence After Summer Rain RMX by baze.djunkiii & DJ Da Cut
B1: DJ Da Cut – Fake Democracy * Rattlesnake MX
Berlin basement find! Limited quantities only. No returns, no consignment.
Stop. Rewind. To Hamburg, Germany in the mid-00s. Originally launched by Donna Maya, now head of Sound Sister Records and then operating under the now defunct guise DJ Da Cut and later run by her alongside baze.djunkiii of Intrauterin Recordings the Rudel Records label was an, albeit relatively short-lived, fully independent creative label operation based on a long lasting friendship and a shared love for all things Bass Music, Drum'n'Bass and a bit of HipHop. Self-distributed via their own website only, at gigs and a few local record shops the label ceased operations after a while, with its leading duo following different musical paths and projects over the course of the next 17 years to come - without ever losing touch or their initial connection.
Fast forward to now. 2025. With both protagonists still in the game and a few boxes of the labels second release, an experimental Drum'n'Bass / DarkJungle leaning split 12“ remix single, found x rediscovered in a dormant Berlin basement under circumstances, we're happy to make this lost record available on the circuit again for a new generation of DJs and music lovers – internationally and for the first time ever officially distributed since it was released back in January 2008.
Original Releae info:
Ostinato – Antiaircraft *Damp Silence After Summer Rain RMX by baze.djunkiii & DJ Da Cut
One for the advanced Drum’n’Bass-jocks and lovers of leftfield sounds is this remix for the American PostRock-band outfit OSTINATO provided by the labels head honchos
baze.djunkiii & DJ Da Cut, which perfectly transfers the hypnotic approach of the original tune released in 2006 on their album „Chasing The Form“ into a dancefloor fitting shape. Starting out with a halftime drum loop provided by the bands drummer Matthew Clark accompanied by dreamy, soundscape’esque chords the tune soon drops into stepping, clearlyJungle-influenced beats of the classic kind. All hands are way up when the main part unfolds a deep psychedelic, hypnotic guitar workout on top of filtered sounds that seems to run for ages until things get a bit techy. A big surprise waits in the end, which is not to be revealed here yet.
DJ Da Cut – Fake Democracy * Rattlesnake MX
DJ Da Cuts’ solo tune „Fake Democracy *Rattlesnake MX“ starts out with shuffled halftime beats plus a seductive offbeat-line until gnarling basslines and a massive amount of layered ultra-percussive elements and filtered sounds release the storm on the floor, suddenly interrupted by a short breakdown that introduces the sweet skilled melody of live bass player Kazoo to the audience right before things get even darker and the final brock-out begins.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Liaisons Dangereuses - Mystère Dans Le Brouillard
2
Liaisons Dangereuses - Los Niños Del Parque
3
Liaisons Dangereuses - Etre Assis Ou Danser
4
Liaisons Dangereuses - Aperitif De La Mort
5
Liaisons Dangereuses - Kess Kill Fé Show
6
Liaisons Dangereuses - Peut Être ... Pas
7
Liaisons Dangereuses - Avant-Après Mars
8
Liaisons Dangereuses - El Macho Y La Nena
9
Liaisons Dangereuses - Dupont
10
Liaisons Dangereuses - Liaisons Dangereuses
Repress!
A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lu Colombo - Er Mar (Submarine Mix)
2
Lu Colombo - FeelFly – Onda Erotica Remix
A Side: Er Mar (Submarine Mix)
"Maracaibo, dance to the barracuda, yes but dance naked, zà zà! "
So sang Maria Luisa Colombo, known to all of us as Lu Colombo. It was 1982, the meteoric song became and still is today a worldwide Hit that everyone has sung at least once in their life and almost never sober.
Let's make a leap in time, we are in 1993 the track is taken up and remixed in several versions between Latin and Euro House, we have taken up the track Er Mar (Submarine Mix), dreamy, lustful, psychedelic, evocative, Summer in its purest form.
To dance on the beach, preferably in company of Miguel and naked
B Side: FeelFly – Onda Erotica Remix
A Cosmic sabba in the forest.
You’ll get lost with this hypnotic sound and a minute later you’re ready for a proper trip into your hidden Erotic Dreams.
With this almost ten minutes long and original version, Feel Fly delivers to all of us a signature track of the highest order.
Feel Fly is an Italian electronic musician and DJ. Defined by Gerd Janson as a linchpin of the underground scene, he recently released some Balearic trance tracks on International Feel and Internasjonal by Prins Thomas, as well as transversal EPs on New Interplanetary Melodies and Hell Yeah.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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"Maracaibo, dance to the barracuda, yes but dance naked, zà zà! "
So sang Maria Luisa Colombo, known to all of us as Lu Colombo. It was 1982, the meteoric song became and still is today a worldwide Hit that everyone has sung at least once in their life and almost never sober.
Let's make a leap in time, we are in 1993 the track is taken up and remixed in several versions between Latin and Euro House, we have taken up the track Er Mar (Submarine Mix), dreamy, lustful, psychedelic, evocative, Summer in its purest form.
To dance on the beach, preferably in company of Miguel and naked
B Side: FeelFly – Onda Erotica Remix
A Cosmic sabba in the forest.
You’ll get lost with this hypnotic sound and a minute later you’re ready for a proper trip into your hidden Erotic Dreams.
With this almost ten minutes long and original version, Feel Fly delivers to all of us a signature track of the highest order.
Feel Fly is an Italian electronic musician and DJ. Defined by Gerd Janson as a linchpin of the underground scene, he recently released some Balearic trance tracks on International Feel and Internasjonal by Prins Thomas, as well as transversal EPs on New Interplanetary Melodies and Hell Yeah.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Khadim is a stunning reconfiguration of the Ndagga Rhythm Force sound. The instrumentation is radically pared down. The guitar is gone; the concatenation of sabars; the drum-kit. Each of the four tracks hones in on just one or two drummers; otherwise the sole recorded element is the singing; everything else is programmed. Synths are dialogically locked into the drumming. Tellingly, Ernestus has reached for his beloved Prophet-5, a signature go-to since Basic Channel days, thirty years ago. Texturally, the sound is more dubwise; prickling with effects. There is a new spaciousness, announced at the start by the ambient sounds of Dakar street-life. At the microphone, Mbene Diatta Seck revels in this new openness: mbalax diva, she feelingly turns each of the four songs into a discrete dramatic episode, using different sets of rhetorical techniques. The music throughout is taut, grooving, complex, like before; but more volatile, intuitive and reaching, with turbulent emotional and spiritual expressivity.
Not that Khadim represents any kind of break. Its transformativeness is rooted in the hundreds upon hundreds of hours the Rhythm Force has played together. Nearly a decade has passed since Yermande, the unit's previous album. Every year throughout that period — barring lockdowns — the group has toured extensively, in Europe, the US, and Japan. With improvisation at the core of its music-making, each performance has been evolutionary, as it turns out heading towards Khadim. “I didn’t want to simply continue with the same formula," says Ernestus. “I preferred to wait for a new approach. Playing live so many times, I wanted to capture some of the energy and freedom of those performances.” Though several members of the touring ensemble sit out this recording — sabar drummers, kit-drummer, synth-player — their presence abides in the structure and swing of the music here.
Lamp Fall is a homage to Cheikh Ibra Fall, founder of the Baye Fall spiritual community. The mosque in the city of Touba is known as Lamp Fall, because the main tower resembles a lantern. Soy duggu Touba, moom guey séen / When you enter Touba, he is the one who greets you. After a swift, incantatory start Mbene sings with reflective seriousness. Her voice swirls with reverb, over a tight, funky, propulsive interplay between synth and drums, threaded with one-two jabs of bass. Cheikh Ibra Fall mi may way, mo diayndiou ré, la mu jëndé ko taalibe... Cheikh Ibra Fall amo morome, aboridial / Cheikh Ibra Fall shows the way forward, he gives us strength, he gathers his disciples... Overflowing with grace, Cheikh Ibra Fall has no equal.
Interwoven with Wolof proverbs, Dieuw Bakhul is a recriminatory song about treachery, lies, and back-biting. Over moody, roiling synths and ominous, lean bass, Mbene throws out fluttering scraps of vocal, as if re-running old conversations in her head. The music shadows her despair to the verge of breakdown, at one moment seemingly so lost in thought and memories, that it threatens to disintegrate. Bayilene di wor seen xarit ak seen an da ndo... Dieuw bakhul, dieuw ñaw na / Stop judging your friends and companions... A lie is no good, a lie is ugly.
Khadim is a show-stopper; currently the centrepiece of Ndagga Rhythm Force live performances. The song is dedicated to Cheikh Ahmadou Bamba, aka Khadim, founder of the Mouride Sufi order. Serigne Bamba mi may wayeu / Serigne Bamba is the one who makes me sing. The verses name-check revered members of his family and brotherhood, like Sokhna Diarra, Mame Thierno, and Serigne Bara. Though Islam has been practised in Senegal for a millennium, it wasn’t until the start of the twentieth century that it began to thoroughly permeate ordinary Senegalese society, hand-in-hand with anti-colonialism. The verses here recall Bamba’s banishment by the French to Gabon, and later to Mauritania, in those foundational times. During exile, his captors once introduced a lion to his cell: gaïnde gua waf, dieba lu ci Cheikhoul Khadim / the lion doesn’t budge, it gives itself over to Cheikh Khadim. Deep, surging bass, steady kick-drum, and simple, reverbed chords on the off-beat lend the feel and impetus of steppers reggae. A reed plays snatches of a traditional Baye Fall melody; the dazzling polyrhythmic drumming is by Serigne Mamoune Seck. Mbene compellingly blends percussive vocalese, narrative suspense, exultant praise, introspection, and grievance.
Nimzat is a devotional tribute to Cheikh Sadbou, a contemporary of Bamba, buried in a mausoleum in Nizmat, in southern Mauritania. Way nala, kagne nala... souma danana fata dale / I call upon you and wonder about you... If I am overwhelmed, come to my aid. The town holds special significance for Khadr Sufism. An annual pilgrimage there is conducted to this day. The rhythm is buoyantly funky; the mood is sombre, reined-in, foreboding. Punctuated by peals of thunder, Mbene sings with restrained, intense reverence; huskily confidential, steadfast. Nanu dem ba Nimzat, dé ba sali khina / Let us go to Nimzat, to seal our devotion.
Mbene Diatta Seck: vocals.
Bada Seck: bougarabou, thiol, mbeung mbeung bal, tungune.
Serigne Mamoune Seck: bougarabou, khine, mbeung mbeung, tungune.
Text by Mark Ainley (Honest Jons).
Mastered by Rashad Becker.
Everything else by Mark Ernestus.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Not that Khadim represents any kind of break. Its transformativeness is rooted in the hundreds upon hundreds of hours the Rhythm Force has played together. Nearly a decade has passed since Yermande, the unit's previous album. Every year throughout that period — barring lockdowns — the group has toured extensively, in Europe, the US, and Japan. With improvisation at the core of its music-making, each performance has been evolutionary, as it turns out heading towards Khadim. “I didn’t want to simply continue with the same formula," says Ernestus. “I preferred to wait for a new approach. Playing live so many times, I wanted to capture some of the energy and freedom of those performances.” Though several members of the touring ensemble sit out this recording — sabar drummers, kit-drummer, synth-player — their presence abides in the structure and swing of the music here.
Lamp Fall is a homage to Cheikh Ibra Fall, founder of the Baye Fall spiritual community. The mosque in the city of Touba is known as Lamp Fall, because the main tower resembles a lantern. Soy duggu Touba, moom guey séen / When you enter Touba, he is the one who greets you. After a swift, incantatory start Mbene sings with reflective seriousness. Her voice swirls with reverb, over a tight, funky, propulsive interplay between synth and drums, threaded with one-two jabs of bass. Cheikh Ibra Fall mi may way, mo diayndiou ré, la mu jëndé ko taalibe... Cheikh Ibra Fall amo morome, aboridial / Cheikh Ibra Fall shows the way forward, he gives us strength, he gathers his disciples... Overflowing with grace, Cheikh Ibra Fall has no equal.
Interwoven with Wolof proverbs, Dieuw Bakhul is a recriminatory song about treachery, lies, and back-biting. Over moody, roiling synths and ominous, lean bass, Mbene throws out fluttering scraps of vocal, as if re-running old conversations in her head. The music shadows her despair to the verge of breakdown, at one moment seemingly so lost in thought and memories, that it threatens to disintegrate. Bayilene di wor seen xarit ak seen an da ndo... Dieuw bakhul, dieuw ñaw na / Stop judging your friends and companions... A lie is no good, a lie is ugly.
Khadim is a show-stopper; currently the centrepiece of Ndagga Rhythm Force live performances. The song is dedicated to Cheikh Ahmadou Bamba, aka Khadim, founder of the Mouride Sufi order. Serigne Bamba mi may wayeu / Serigne Bamba is the one who makes me sing. The verses name-check revered members of his family and brotherhood, like Sokhna Diarra, Mame Thierno, and Serigne Bara. Though Islam has been practised in Senegal for a millennium, it wasn’t until the start of the twentieth century that it began to thoroughly permeate ordinary Senegalese society, hand-in-hand with anti-colonialism. The verses here recall Bamba’s banishment by the French to Gabon, and later to Mauritania, in those foundational times. During exile, his captors once introduced a lion to his cell: gaïnde gua waf, dieba lu ci Cheikhoul Khadim / the lion doesn’t budge, it gives itself over to Cheikh Khadim. Deep, surging bass, steady kick-drum, and simple, reverbed chords on the off-beat lend the feel and impetus of steppers reggae. A reed plays snatches of a traditional Baye Fall melody; the dazzling polyrhythmic drumming is by Serigne Mamoune Seck. Mbene compellingly blends percussive vocalese, narrative suspense, exultant praise, introspection, and grievance.
Nimzat is a devotional tribute to Cheikh Sadbou, a contemporary of Bamba, buried in a mausoleum in Nizmat, in southern Mauritania. Way nala, kagne nala... souma danana fata dale / I call upon you and wonder about you... If I am overwhelmed, come to my aid. The town holds special significance for Khadr Sufism. An annual pilgrimage there is conducted to this day. The rhythm is buoyantly funky; the mood is sombre, reined-in, foreboding. Punctuated by peals of thunder, Mbene sings with restrained, intense reverence; huskily confidential, steadfast. Nanu dem ba Nimzat, dé ba sali khina / Let us go to Nimzat, to seal our devotion.
Mbene Diatta Seck: vocals.
Bada Seck: bougarabou, thiol, mbeung mbeung bal, tungune.
Serigne Mamoune Seck: bougarabou, khine, mbeung mbeung, tungune.
Text by Mark Ainley (Honest Jons).
Mastered by Rashad Becker.
Everything else by Mark Ernestus.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ignez - White Rose
2
Ignez - Satindancer
3
Ignez - Immersion
4
Ignez - Skies We Share
2026 repress
Tracklisting
A1 Ignez - White Rose
A2 Ignez - Satindancer
B1 Ignez - Immersion
B2 Ignez - Skies We Share
Sales Note
I am back on Somov with 4 recordings showcasing my sound. A dimension where thought does not exist, and I reflect back on all the beautiful moments these tracks hold on the dance floor. Love.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
A1 Ignez - White Rose
A2 Ignez - Satindancer
B1 Ignez - Immersion
B2 Ignez - Skies We Share
Sales Note
I am back on Somov with 4 recordings showcasing my sound. A dimension where thought does not exist, and I reflect back on all the beautiful moments these tracks hold on the dance floor. Love.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Germany/Switzerland Only!
‘Colours Revisited’, a revision of Adam F’s MOBO Award-winning 1997 debut album is a story of musical rebirth and passion. Adam F, realising that ‘Colours’ had found a new audience—partly thanks to artists like PinkPantheress—decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks.
“Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents,” says the seminal producer on his ground-breaking album. “Musicians of a calibre such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan (Jazz a guitarist who had a hit with Miles Davis’ “So What”), Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)…”
Adam continues “We were honoured to be nominated for MOBO “Best album of the year” alongside renowned acts of that time, including Hinda Hicks, Des’ree, Lighthouse Family, and Massive Attack. In fact, I was so convinced that we wouldn't win that I didn't prepare a speech, and that definitely showed in my genuine surprise. Colours also went on to be a top 20 UK National Chart hit which lead to Metropolis winning Tune of the Year at the Underground Awards. Music In My Mind from the same album was inspired from Herbie Hancock ‘Rocket’ and ‘I Thought It Was You’.
“Fast forward to 2020, I never thought of ever revisiting ‘Colours’. But it seems that time has come round full circle, the interest is there.” The revisited album deftly weaves together the energy of new live instrumentation with the 80’s British electronica and jazz fusion inspired sounds of the original.
The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original ‘Colours’, the influences latent within it and how and why it has gone on to influence so many others since it’s inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.
Tracklist
CD1:
1: 73 MK8 Revisited
2: Metropolis Revisited
3: Music In My Mind Revisited
4: Jaxx Revisited
5: The Tree Knows Everything Revisited (featuring Kirsty Hawkshaw)
6: Circles Revisited (Extended)
7: Mother Earth Revisited
8: Dirty Harry Revisited
9: F-Jam Revisited (featuring MC Conrad)
10: Aromatherapy Revisited
CD2: Colours live
1: Colours intro live
2: 73 live
3. Metropolis live
4: Music In My Mind live
5: Jaxx live
6: Brand New Funk live (featuring DJ Destruction)
7: I Want You live
8: Aromatherapy Revisited live [Remix]
9: Circles Revisited live
10: Dirty Harry live
Key Selling points:
* Winner of the MOBO Award for “Best Album Of The Year”
* First vinyl release of ‘The Trees Know Everything”
* Full UK club, radio and PR campaign around release
Socials:
Adam F: FB: 81k+ / Spotify 141k listeners 32k followers / IG 22.8k+ Followers | YT: 3k / Twitter 300+ | TikTok: 1.2k
* Press / Promotion:
Promotion from 181 Recordings and Adam F via DJ + producer communities, label mailing
list, patrons and online social pages. Meta business manager ads promoting streaming and indie-record shop vinyl links.
PR partner Listen Up mail-outs, seeking reviews, specialising in electronic press.
Confirmed coverage:
DJ Mag ‘Making of’, DJ Mag ‘Game Changers feature’, Reddit AMA, DJ Mag Italia interview, DMY interview, UKF interview, BBC Sports interview, Liverpool FC Guest Column, Scuba ‘Not a Diving Podcast’ podcast guest, Juno Daily, Forbes Spain
Bleep mix and interview:
https://bleep.com/bleep-mix-289-adam-f
* Radio / Internet
Radio and club promo UK via Listen Up. Club and electronic shows targeted. Short-form videos featuring the tracks and
vinyl will be posted by Adam F. Adam is
Radio plays for the project:
BBC Radio 6, BBC Radio 1Xtra, KEXP; Future Radio, Kool FM. Kiss FM, Funky Essex, WDRT, Phatsoundz, Point Blank FM, ZM, UK Bass Radio, Kursh FM, Flex FM and more
Download card Tracklist:
Brand New Funk Revisited (Adam F Reboot)
Brand New Funk Revisited (Bladerunner Reboot)
Music in My Mind Revisited (DJ Marky & Makoto Reboot)
Music in My Mind Revisited (Nookie Reboot)
Colours Revisited digital album
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
‘Colours Revisited’, a revision of Adam F’s MOBO Award-winning 1997 debut album is a story of musical rebirth and passion. Adam F, realising that ‘Colours’ had found a new audience—partly thanks to artists like PinkPantheress—decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks.
“Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents,” says the seminal producer on his ground-breaking album. “Musicians of a calibre such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan (Jazz a guitarist who had a hit with Miles Davis’ “So What”), Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)…”
Adam continues “We were honoured to be nominated for MOBO “Best album of the year” alongside renowned acts of that time, including Hinda Hicks, Des’ree, Lighthouse Family, and Massive Attack. In fact, I was so convinced that we wouldn't win that I didn't prepare a speech, and that definitely showed in my genuine surprise. Colours also went on to be a top 20 UK National Chart hit which lead to Metropolis winning Tune of the Year at the Underground Awards. Music In My Mind from the same album was inspired from Herbie Hancock ‘Rocket’ and ‘I Thought It Was You’.
“Fast forward to 2020, I never thought of ever revisiting ‘Colours’. But it seems that time has come round full circle, the interest is there.” The revisited album deftly weaves together the energy of new live instrumentation with the 80’s British electronica and jazz fusion inspired sounds of the original.
The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original ‘Colours’, the influences latent within it and how and why it has gone on to influence so many others since it’s inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.
Tracklist
CD1:
1: 73 MK8 Revisited
2: Metropolis Revisited
3: Music In My Mind Revisited
4: Jaxx Revisited
5: The Tree Knows Everything Revisited (featuring Kirsty Hawkshaw)
6: Circles Revisited (Extended)
7: Mother Earth Revisited
8: Dirty Harry Revisited
9: F-Jam Revisited (featuring MC Conrad)
10: Aromatherapy Revisited
CD2: Colours live
1: Colours intro live
2: 73 live
3. Metropolis live
4: Music In My Mind live
5: Jaxx live
6: Brand New Funk live (featuring DJ Destruction)
7: I Want You live
8: Aromatherapy Revisited live [Remix]
9: Circles Revisited live
10: Dirty Harry live
Key Selling points:
* Winner of the MOBO Award for “Best Album Of The Year”
* First vinyl release of ‘The Trees Know Everything”
* Full UK club, radio and PR campaign around release
Socials:
Adam F: FB: 81k+ / Spotify 141k listeners 32k followers / IG 22.8k+ Followers | YT: 3k / Twitter 300+ | TikTok: 1.2k
* Press / Promotion:
Promotion from 181 Recordings and Adam F via DJ + producer communities, label mailing
list, patrons and online social pages. Meta business manager ads promoting streaming and indie-record shop vinyl links.
PR partner Listen Up mail-outs, seeking reviews, specialising in electronic press.
Confirmed coverage:
DJ Mag ‘Making of’, DJ Mag ‘Game Changers feature’, Reddit AMA, DJ Mag Italia interview, DMY interview, UKF interview, BBC Sports interview, Liverpool FC Guest Column, Scuba ‘Not a Diving Podcast’ podcast guest, Juno Daily, Forbes Spain
Bleep mix and interview:
https://bleep.com/bleep-mix-289-adam-f
* Radio / Internet
Radio and club promo UK via Listen Up. Club and electronic shows targeted. Short-form videos featuring the tracks and
vinyl will be posted by Adam F. Adam is
Radio plays for the project:
BBC Radio 6, BBC Radio 1Xtra, KEXP; Future Radio, Kool FM. Kiss FM, Funky Essex, WDRT, Phatsoundz, Point Blank FM, ZM, UK Bass Radio, Kursh FM, Flex FM and more
Download card Tracklist:
Brand New Funk Revisited (Adam F Reboot)
Brand New Funk Revisited (Bladerunner Reboot)
Music in My Mind Revisited (DJ Marky & Makoto Reboot)
Music in My Mind Revisited (Nookie Reboot)
Colours Revisited digital album
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Fazer - Foam (05:44 min)
2
Fazer - Apex (05:30 min)
3
Fazer - Honda (03:34 min)
4
Fazer - Rectifie (04:59 min)
5
Fazer - Spirit Runs (03:27 min)
6
Fazer - 1999 (04:43 min)
7
Fazer - Chrome (04:06 min)
8
Fazer - 22bhp down (04:47 min)
LP
Special remarks: 180g
Tracklist:
A1) Foam 05:44 min
A2) Apex 05:30 min
A3) Honda 03:34 min
A4) Rectifier 04:59 min
B1) Spirit Runs 03:27 min
B2) 1999 04:43 min
B3) Chrome 04:06 min
B4) 22bhp down 04:47 min
Info:
Munich-based quintet Fazer return to Squama with their fourth studio album, ‘Yamaha’, a record that melds indie jazz and psychedelic rock with humour and depth.
The band recorded the album in their own studio for the first time, taking time time to experiment with sound and overdubs, while retaining the vigour of a live performance.
Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer’s music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks: 180g
Tracklist:
A1) Foam 05:44 min
A2) Apex 05:30 min
A3) Honda 03:34 min
A4) Rectifier 04:59 min
B1) Spirit Runs 03:27 min
B2) 1999 04:43 min
B3) Chrome 04:06 min
B4) 22bhp down 04:47 min
Info:
Munich-based quintet Fazer return to Squama with their fourth studio album, ‘Yamaha’, a record that melds indie jazz and psychedelic rock with humour and depth.
The band recorded the album in their own studio for the first time, taking time time to experiment with sound and overdubs, while retaining the vigour of a live performance.
Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer’s music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Forever Living Originals
Cat-No:FLO0006LP
Release-Date:11.11.2024
Genre:Soul/Funk
Configuration:2LP
Label:Forever Living Originals
Cat-No:FLO0006LP
Release-Date:11.11.2024
Genre:Soul/Funk
Configuration:2LP
Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. Come To Daddy (Pappy Mix) 2. Come To Daddy (Flim) 3. Come To Daddy (Little Lord Faulteroy Mix) 4.Come To Daddy (Bucephalus Bouncing Ball) / classic Aphex Twin 12" back in stock!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More