Matching his signature melodic futurism with enduring club music structures, Pev brings the Pulse series to a natural conclusion with the Pulse Phase EP. On this third release he underlines the broader approach to tempos and styles he's taken across this latest period of his output, soon to be coalesced into a new live set.

If there's been a nostalgic streak detectable amongst the crisp modernism of the Pulse series, it comes through clearer than ever in the looped-up house jack and starry-eyed techno synth hooks of 'Pulse IX'. 'Pulse TEN' pares back for a lean soundsystem workout driven by a strafing arp and fractured drums while 'Pulse XI' revisits 90s bleep techno with a deep, dubby intention. 'Pulse XII' completes the picture capturing the skeletal pressure of 2-step at its most slender and deadly.

There's never a sense of over-familiarity - the exacting angles of the drums and alien hue of the synths maintain Pev's distinctive sound first and foremost. But this series has also been an opportunity to hear some of his musical DNA more explicitly than before, cast in universal rave motifs propelled by the unrelenting pursuit of new forms for the dance.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.


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Pev swiftly follows up the Pulse EP with another four tracks of sprightly club gear that continue to shape out his current areas of exploration in the studio. As ever, there are no fixed concepts or approaches - just an instinct for energising, inventive tracks taking in a range of tempos and rhythms.

The first half of Pulse Modulation EP is marked out by linear rhythms which showcase the most techno aspects of Pev's sound. 'Pulse V' is charged with the kind of alien synth lines which could only come from his studio, but also draw a line to the hi-tech soul of foundational Detroit techno. 'Pulse VI' has a starker, bleep-led sound pitched towards tougher dancefloors.

'Pulse VII' strips things back in comparison, leaning in on a blanket of bass and keeping the drums sparse and to the point - a study in soundsystem pressure. Widening the spectrum of the record, 'Pulse VIII' sees Pev make a rare push up into 160+ territory - something normally reserved for his DJ sets. Swerving obvious break edits, his take on jungle is lean and crisp, delivering a fresh slant on the sound while maintaining the sharp focus of his current output.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.


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Five years since his last solo outing, Pev makes a very welcome return on his own label for Livity Sound's 60th release.
Having focused on expanding the innovative scope of Livity through a prolific release schedule, frequent label nights and the 10th anniversary Molten Mirrors compilation, on the 'Pulse E.P.', Pev delivers on his reputation for inventive, sharply-focused club music with four lean, focused club tracks across the tempo range.

From the crooked formation and pointillist bleeps of 'Pulse I' through the light-footed percussion and airy melodies of 'Pulse II' to 'Pulse III's strafing techno synths and 'Pulse IV's surefooted, bass-loaded house jack, it's an EP of variation and consistency in equal measure. From the infectious, alien melodic lines to the elegant angles of the drums, not to mention the weighty subs, it's all strikingly fresh and unmistakably Pev.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.


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* Track list : Burning Sea / Under Clearing Skies / Still Early / Sheer Chance Matters / Wireframes / Further Inland / Brinks and Limits / Plateau

* Starting in 2011, Livity Sound quickly grew to become one of the leading labels in the UK dance music underground. Combining the legacy of Bristol's sound system culture and the futuristic visions of techno, the label forged a unique voice in the contemporary musical landscape. Initially based around a core group of producers, Livity Sound has since grown and diversified, expanding its outlook and roster while retaining its ideals of innovative, forward thinking dance music.

* As the label head, Peverelist is core to this vision. Livity Sound builds on his pioneering work with Punch Drunk Records and releases for esteemed labels such as Skull Disco, Hessle Audio and Tectonic. 'Tessellations' is his first long player for Livity Sound; a succinct nine tracks demonstrating the breadth of his work and scope of his influences through a snapshot of productions from the last two years.


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* Track list : Burning Sea / Under Clearing Skies / Still Early / Sheer Chance Matters / Wireframes / Further Inland / Brinks and Limits / Plateau

* Starting in 2011, Livity Sound quickly grew to become one of the leading labels in the UK dance music underground. Combining the legacy of Bristol's sound system culture and the futuristic visions of techno, the label forged a unique voice in the contemporary musical landscape. Initially based around a core group of producers, Livity Sound has since grown and diversified, expanding its outlook and roster while retaining its ideals of innovative, forward thinking dance music.

* As the label head, Peverelist is core to this vision. Livity Sound builds on his pioneering work with Punch Drunk Records and releases for esteemed labels such as Skull Disco, Hessle Audio and Tectonic. 'Tessellations' is his first long player for Livity Sound; a succinct nine tracks demonstrating the breadth of his work and scope of his influences through a snapshot of productions from the last two years.


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Livity Sound close out a busy 2015 with something of a rarity: a new solo 12" from label head Pev, his first new solo material since 2013's Aztec Chant 12".




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Hessle Audio's 18th release sees Bristol based Peverelist make his debut on the label!


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Kahn blazed his way in to the consciousness of the UK underground back in February this year with his debut release for Punch Drunk. His new 12” marks a return to the label, fully asserting his position at the forefront of Bristol’s new generation of producers. Lead track Illy lures you with it’s colourful immediacy, before torpedoing you headfirst in to a torrent of tumultuous bass and psychedelic riffing. Flipside, Tehran takes you a straight back to the old school of heavyweight subsonic steppers. Immersive. Stripped. Deadly. Powerful ammunition direct to the front of your record crate.


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Bristol music Godfather Rob Smith (Smith & Mighty) was a major force in the first wave Bristol Dubstep scene, not only as a huge musical influence on the likes of Pinch, Peverelist and Kahn but also as a producer in his own right. This typically dubwise and in demand 12" is one of his best from that era, repressed!

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Punch Drunk proudly closes 2013 with a fearsome new 12” single from Hodge. This release marks his first solo release on the label following up his collaboration with Peverelist entitled ‘Bells’, which appeared earlier this year. Previous releases for Deadplate and Well Rounded Housing Projects have been well received, but we believe that this new record is certainly his best to date. On these two new tracks, Hodge draws on distinctly UK influences combining thumping broken jungle techno and modern era Bristolian dub aesthetics. Kicking off the 12”, “Resolve” is a real belter, rugged, visceral and pumped with attitude and adrenaline. On the other side, Prototype Fear delves deeper into the psyche, with shifting hypnotic machine riffing, frenetic nervous rhythms and unearthly bass pulses. Hodge has recently achieved great success with his House based project Outboxx with collaborators Matt Lambert and vocalist Naomi Jeremy, culminating in an album this year on Bristol’s Idle Hands label and a summer touring festivals and clubs throughout Europe. This record is a landmark 12” in defining Hodge as an artist in his own right, whilst adding another classic to the Punch Drunk legacy of hybrid electronic dance music from Bristol.

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Bass Clef's long player 'Reeling Skullways' was met with a wave of critical acclaim when it arrived on Punch Drunk back in early Summer 2012, demonstrating his vision, passion and skill for electronic music as an artist and producer. The record captured the attention of director Steven McInerney who has previously directed videos for Circle Traps and Vessels as well as edited videos for Bloc Party, Jon Hopkins, Tim Exile, , PVT, Wagon Christ, Vladislav Delay and many more, inspiring a collaboration between the two artists. Now ready to be unveiled in all it's techni-colour glory, Punch Drunk will be releasing a 'Stenaline Metranil Solar Flare' EP to accompany the video featuring three new mixes from Bass Clef, Coseph Jonrad & Peverelist alongside the original mix. Bass Clef's remix comes all guns blazing, drawing on the influence and legacy of his East London surroundings, delivering a grime laden, juggernaut proportioned reworking of the original, racheting up the pressure a Bar every bar. The Peverelist mix draws on his Bristol influences with a system testing, psychedelic steppers version excursion. Finally, Bass Clef's Coseph Jonrad alias brings the EP to a luminescent finale of fractured sound and hypnagogic vocals





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Pev marks his return to Punch Drunk for the first time in 3 years with this collaborative 12" with Hodge

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Zhou is a UK soundsystem act formed of digital stepper Ishan Sound and Amos, one half of Hip Hop duo Jabu. Both are members of Bristol based crew Young Echo, whose members also include El Kid , Kahn & Vessel, as well as a sprawling extended group of Djs and vocalists. Shows are focused around a continuation of soundsystem culture and an aim to uphold certain key values in a time where dance music in general is moving in increasingly rapid cycles. 2013 will see the second physical release via the mighty Punch Drunk and a number of individual and collaborative releases including a Young Echo album with RAMP.

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Intrusive Incidentalz Volume 2 is the concluding part of Ekoplekz?s collection of dark, oppressive atmospheres and violently unstable interludes, inspired by childhood memories of terrifying electronic soundtrack music from the 1970s. Developed through studio improvisation and channelling a sense of dread informed by the social, economic and political climate of life in 2012, Ekoplekz has delivered some of his finest, most vivid work to date. A bleak retro-futurist fantasy, or oblique soundtrack for a broken Britain? The truth probably lies somewhere between the two.

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Following a busy year of stylistically varied releases under various guises on his own Magic + Dreams label, Ralph Cumbers delivers his first long-player for Punch Drunk. With a title lifted from the lysergic prose of a Brian Aldiss novel and grooves informed by the loopier, more Martian aspects of Chi-town jack and Detroit techno-soul, "Reeling Skullways" marks a subtle, but highly alluring development in the evolution of Cumbers' primary recording project.
Long-term Bass Clef fans may be surprised by the lack of samples on this album, and in many ways it follows a similar creative process to his recent work as Some Truths, with most rhythms and textures sculpted from the raw, elemental waveforms of modular analogue synthesis. But with tighter editing, contagious melodies and perfectly positioned drum patterns, the end results reveal Bass Clef simultaneously at his most stripped-back, focused, playful, complicated, emotional and irresistibly groovy. Unfettered by fashionable production tricks, imbued with a timeless machine-soul heart, "Reeling Skullways" is one of those albums you'll be reaching for again and again.

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After a prolific 2011, Punch Drunk jump straight back in to action in the New Year with the searing percussion of new signing Tessela. Direct from his debut for Dublin?s ever impressive All City label last year, Tessela joins the ranks of Punch Drunk to kick start the year in fine style. With a signature razor sharp rhythmical workout and erupting molten subs, lead track ?D Jane? unleashes Richter scale tremors unto the dance. Without a pause for breath, the greased rolling funk of ?Channel? keeps the pressure at boiling point with it?s DND / Menta style bass line swagger and punctuated chops. Two devastating dance floor tracks that make for an impressive Punch Drunk debut. Expect to hear a lot more from Tessela in 2012.

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Staying true to it’s half decade strong objective of documenting next generation, cutting edge sound system music from the City of Bristol, Punch Drunk is proud to introduce newcomers Zhou for it’s final chapter of 2011. As part of the Young Echo collective, alongside peers such as Kahn, Vessel and El Kid, they have forged a unique identity within the city limits as producers, collaborators and live performers. Defining their sonic vision of submerged aesthetics and low end pressure, tracks ‘I Remain’ and ‘Noboru’ comprise the duo’s debut 12”, delivering a tense and intoxicating odyssey into their chamber of dub.


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Following critically acclaimed releases with Mordant Music and Further Records earlier this year, Ekoplekz delivers his first album for Punch Drunk. Dispensing entirely with notions of accessibility and dancefloor friendliness, 'Intrusive Incidentalz vol.1' is a 12 track collection of dark, oppressive atmospheres and violently unstable interludes, developed through studio improvisation and inspired by childhood memories of terrifying electronic soundtrack music from the 1970s, yet combined with a post-dubstep sensibility and a sense of dread informed by the social, economic and political climate of life in 2011. A bleak retro-futurist fantasy, or oblique soundtrack for a broken Britain? The truth probably lies somewhere between the two.


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Fresh from the release of his stunning third album, ‘Inner Space Break Free’ on the Magic + Dreams label, the unique and acclaimed live performer, Bass Clef delivers an anthemic summer 12” for the Punch Drunk label. An integral piece of Bristol’s musical jigsaw, Bass Clef’s live shows and dj sets have wowed the city for years. His Punch Drunk 12” debut is long over due. Rollercoasters of the Heart’s euphoria fuelled piano refrain combines with dub echoed beats and rolling, ground shaking bass before delving deep into acid bliss, juxtaposing the darker, melancholic yet tough and club ready So Cruel on the other side. If you get a chance to catch Bass Clef live, you won’t regret it!


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