New Burial 12" on XL.

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Written, Produced, and Mixed by Jai Paul. RECORDED AT HOME IN RAYNERS LANE, LONDON, ENGLAND. Str8 Outta Mumbai contains a sample of Bala Main Bairagan - Vani Jairam.

Banner: Suchitra International Productions "Meera".
Music: Ravi Shankar.
Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD. Crush
Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark.
Published by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.

Baby Beat contains a sample of "All My Life" performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.
Chix contains a sample from "Adagio For Strings, Op11." as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.

The initial pressing was limited to 3,000 copies available exclusively via artist and label webstore, selling out in minutes
Strictly Limited Vinyl Edition
Black vinyl with amended Art/Metallic Sticker
This second edition features a new XL house bag sleeve design and will be available via retailers globally.


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Florentino announces Kilometro Quinze, a brand-new EP out 20 October. The five-song project will be Florentino’s debut EP on XL Recordings as part of the iconic house bag series. It includes the celebrated single “Constrictor (feat. BAMBII and KD One)” and a newly released single “Pressure” featuring the Mercury Prize-shortlisted multi-hyphenate, Shygirl.

Created over a three-year period between Manchester, London, Bogotá, New York, and LA, Kilometro Quinze features bold solo productions from Florentino (aka Yeshe Bahamon Beesley) alongside additional collaborations with Venezuelan-native Baby Cocada and fellow Sangre Nueva bandmate, DJ Python.

A direct reference to his grandfather’s farm near Villavicencio - a city in central Colombia where the Andes meet the plains of Los Llanos - Kilometro Quinze is a total realisation of the riveting, cross-culture club sound that Florentino has carefully constructed over the last few years. By drawing on the vast musical influences of his British-Colombian heritage, Florentino presents a unique sonic world where the darker acid tones central to Manchester’s underground club scene meet the irresistible swing of Latin American dance sounds. Kilometro Quinze is Florentino at the height of his powers as he releases some of his most captivating, innovative music to date.

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Pitch language - Modular synth wizard Blawan brings his brand of distorted, syncopated electronic productions. Toast introduces the EP with a playful head bopper with ethereal sounds and menacing overtones. One of the biggest acts in dance music playing international festivals such as Pitchfork 2022, ADE, Nuit Sonores. Plays from Mary Anne Hobbs on BBC 6 music and coverage from Resident Advisor, Pitchfork, Dekmantel, CRACK, The Face “losing himself in modular synthesis without ever sacrificing soul for science”

1. Toast
2. Panic
3. Monstera Black - You Can Build Me
4. Body Ramen
5. Monstera Black - Dismantled Into Juice

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Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.

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Limited White Vinyl!

Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.

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CD!

Tracklist:
1. In These Times
2. The Fours
3. High Fives
4. Dream Another
5. Lullaby
6. This Place That Place
7. The Calling
8. Seventh String

Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.

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The Smile will release their highly anticipated debut album A Light For Attracting Attention on 13 May, 2022 on XL Recordings.

The 13- track album was produced and mixed by Nigel Godrich and mastered by Bob Ludwig. Tracks feature strings by the London Contemporary Orchestra and a full brass section of contempoarary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde.

The band, comprising Radiohead’s Thom Yorke and Jonny Greenwood and Sons of Kemet’s Tom Skinner, have previously released the singles You Will Never Work in Television Again, The Smoke, and Skrting On The Surface to critical acclaim.

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Repress!

‘still slipping vol.1’ is the debut full-length project from Joy Orbison. Fans of Joy O’s DJ sets and radio shows will already be aware of his diverse tastes and inspirations, represented here through a roll call of delicately curated, mainly UK, collaborators that include Herron, James Massiah, Bathe, Léa Sen, Goya Gumbani and TYSON. Just as important are the voices of Joy Orbison's family - mum, dad, sister Sarah, uncle Frankie, uncle Keith (recently departed), auntie Helen and cousins Lola, Mia and Leighann, who was the first person to introduce him to drum and bass and garage as a kid and stars on the mixtape’s cover art. They appear throughout the record via a series of voice notes, his only contact with his family during this year of worldwide lockdown and an intimate, vicarious glimpse into the personal world of an artist who has generally side-stepped the public gaze.

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John FM's American Spirit EP. Active in Detroit's underground music scene for the best part of a decade, John FM is respected by dance music heads for his collaborations with house music pioneer Omar S and NYC producer AceMo. American Spirit puts John's "staggering talent" (Resident Advisor) at the forefront: dance music that feels genre-less and accessible with elements of lo-fi House, RnB and Blues, inspired by the broad sounds of Detroit and the mid-west.

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Today Rozzma announces the ‘Khatar Sayeb’ EP, the artist’s first release for XL Recordings. He kicks off the EP release with ‘Hout’, a track that displays Rozzma’s knack for combining tribal sounds and contemporary urban/street music with a sharp, idiosyncratic flair.

Rozzma is an Egyptian sound artist inspired by the era where sound preceded music – he finds inspiration in the similarities between the wilderness of prehistoric times and modern-day chaos. Having already performed his particular strain of music across the world and at festivals like Sonar and Unsound, Rozzma releases ‘Hout’ into the digital world with an animated video created by the artist’s close friend Mahmoud Shiha.

“Hout is a celebration of beating the odds,” says Rozzma. “It’s about a specific state of mind where one finds comfort in the most extreme and unfortunate circumstances to beat the odds that one could instead fear.”

The EP’s title ‘Khatar Sayeb’ means 'loose danger’. “The release challenges the idea that danger and fear are uncontrollable circumstances,” explains Rozzma. “We cannot fully diminish fear or danger. We can only condition ourselves to believe that safety exists during the absence of fear. It is however more dangerous to deny the uncertainty of danger itself. Danger is a very broad state with infinite circumstances. But it is also infinitely uncertain and mainly linked to luck. We do not control our luck; good or bad. And it is solely luck that dictates danger and safety. It is for that reason that one’s best chances may be to condition themselves to find comfort in danger. Loose danger to be specific.”

Rozzma’s world is one of status quos being challenged, whether that be the real world, the historical world or specifically in the world of music. Rozzma won’t let you settle with what you believe. Everything deserves to be challenged.

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Breakbeat science of highest quality..

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Omar McCutcheon, operating under his Batu alias, has been on the frontline of Bristol’s innovative electronic music scene since 2013. In 2015 he founded his record label Timedance, a platform for showcasing his tastes utilising a close knit group of young producers and DJs.

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Dark0 steps up on XL...! Big UK sound on this one

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Radiohead worked on A Moon Shaped Pool intermittently after finishing the 2012 tour for their previous album, The King of Limbs (2011). Their ninth studio album was recorded in southern France with long-time producer Nigel Godrich. It includes several songs written and performed some years earlier; "True Love Waits" dates to at least 1995, "Burn the Witch" to 2000, and "Present Tense" to 2008. The album features strings and choral vocals arranged by multi-instrumentalist Jonny Greenwood and performed by the London Contemporary Orchestra.



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Radiohead worked on A Moon Shaped Pool intermittently after finishing the 2012 tour for their previous album, The King of Limbs (2011). Their ninth studio album was recorded in southern France with long-time producer Nigel Godrich. It includes several songs written and performed some years earlier; "True Love Waits" dates to at least 1995, "Burn the Witch" to 2000, and "Present Tense" to 2008. The album features strings and choral vocals arranged by multi-instrumentalist Jonny Greenwood and performed by the London Contemporary Orchestra.



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reissue!

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Repress!

Vinyl LP presented in a deluxe edition with printed innersleeve and a special transparent obi strip; the cover is also printed internally. Hand numbered.

Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electronic bridges in semi-darkness to allow us to cross too.

No words would be needed to explain this work... It is the meeting of two people, an exchange of different points of view. A way to meet and then break up. Rod has reworked a piece of Gigi making it his own... and so did Gigi with a piece of Rod. A magnificent intersection of sounds and thoughts... remaining suspended to watch the passing of time, to listen to the noises and silences of life that passes inexorably around us.

Track 1: RED HAIR GIRL AT THE BUS STOP 19'31"
Track 2: SUMMER MORNING AT LIGHTHOUSE BEACH 15'43"

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Two Berlin techno icons merge their art for a first collaborative EP on Amsterdam's Delsin Records. The two prolific producers have been playing a series of back to back DJ sets in the past months before they joined forces in the studio. The result is a flawless combination of their own unique styles, atmospheric break-beats from Answer Code Request matching the impeccable grooves and deep subs of Amotik.

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Brand new version on white vinyl ! No CD available this time ! Italia Synthetica 1981-1985 represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping Europe and the white cliffs of Albion. This scene flourished in Italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the US). Robotic rhythms and intuitions that, besides sharing common ground with the electronic movements that had come before, also knew how to fill up the dancefloor. Featuring four previously unreleased tracks by Der Blaue Reiter, along with tracks by Modo, Actor's Studio, and La Maison, as well as the still fresh sounding contributions by true pioneers of the genre Neon and Naif Orchestra. Also features Ein-st-ein, Scortilla, Eurotunes, Oh Oh Art, and 2+2=5 featuring Paolo Mauri.

Tracklist:

Neon - Lobotomy
Der Blaue Reiter - Lights Off
Ein-st-ein - Varsavia
Modo - Niagara Falls
Actor's Studio - Dancing Alone
La Maison - Bells In The Night
Scortilla - YHW
Eurotunes - Swimming Pool Motion
Oh Oh Art - It’s Just A Movie Soundtrack
Naif Orchestra - Check-Out Five
2+2=5 Featuring Paolo Mauri -Haiku

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Fresh off the press, YokoO's latest release "You" sets the perfect mood for winter nights and summer days. With three solid deep groovers, "whether it's the afternoon, evening, early night, or early morning the day after, there should be something for everyone to dig into on this record," says YokoO, speaking about the diverse appeal of the EP. Adding to the allure of the package is the liquid smooth remix by the talented Düsseldorf duo Superlounge. Their unique touch infuses the release with an extra layer of sophistication, making it an essential addition to any Satya music lover's collection.

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Butter Side Up’s 12th release, Weekend at Raymond’s Place’ comes from San Diego’s hotly tipped John Manhard. A densely textured and unpredictable six-track EP whose languid groove and swing will sound equally sweet warming up a dancefloor or late into the following day.

Based in LA and resident of cult party V:isions, John’s been on a roll of late, with releases on the likes of Mui Mui, Perfect Timings & InTheBagg (alongside Dylan Payne) cementing him as a singular producer with an impressively broad reference board.

The EP’s first track, ‘Shake Your Body’ immediately gets under the skin, a bouncy groove and synth-line pulling you under its command. Over the next 30-odd minutes the spell doesn’t lift - deep house tropes twist and turn playfully over shuffling breaks and swinging basslines, reminiscent of West-Coast house’s finer moments. Manhard’s studio-craft and ear for the unpredictable give a fresh perspective to a much revered and distinctively Pacific-coast sound.

This is music for the fuzzy margins either side of peak time. It’s fitting that Hamish first met and heard John’s music at a hazy afters in LA back in 2022, drawn to a selection of tracks which were largely his own. Two years later these ideas have refined to form another stellar release on BSU, complete with original artwork from Max Binski and scheduled for release in early October.

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Paperkraft presents his latest EP Elfin Delight. Based in Osaka, Japan, Paperkraft’s influence reverberates far, with a strong presence in Europe and major parties and festivals around the world. Known for blending progressive and trance elements with funky vocal samples, Paperkraft delivers his fresh, hypnotic sound in Elfin Delight that’s both innovative and dancefloor-ready. Following his recent release on Truly Madly’s Mindhelmet label, this EP cements Paperkraft’s position as a rising force.

The record opens full of energy with 33 Ways To Do It, followed by the equally addictive Score The Highest. Side B continues with titile named Elfin Delight, and closes dynamically with Comosquare.

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Neon Affair marks Ayu’s first solo EP on Harmony. The EP explores different genres and moods amidst electronic dance music. From the very beginning, Neon Affair is infused with hazy, sparkling sounds that add an exciting, yet supersonic touch to the fast-paced nature of the record.

Side A dives in with “Neon Affair” ‘s dance-floor-driven beats, oscillating between building drumline swells and weighty basslines, alongside “Sentient” whose bouncy and trancy-inspired rollers will guide you through the introspective and beyond.

The B-side, for beat seekers, embarks on a spacey journey of edgy progression, contrasting “Point Nemo” 's ecstatic vocals with the stardust melodies of “Space to Come.”

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House music specialist Michael Gray has given a modern update to Nicole’s classic track “Rock The House,” originally produced by Steve Silk Hurley and his Trix Mix in 1988/89. Michael’s version is an energetic disco house masterpiece, showcasing his expertise in creating dance floor hits. With uplifting strings, a funky bassline, and an infectious house groove, this track exudes quality and is sure to get the party started.

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Next up on _NRV we have Alexis Cabrera, an artist who defies genre boundaries, and showcases his musical diversity. Each track on the EP is a testament to his innovative spirit and unique style. He takes us on a sonic journey that is both familiar and groundbreaking, transcending typical genre constraints.

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