1
QX-1 - I Won't Hurt You (I Swear)
2
Fred Brown - Roman Days
3
Mr. Fingers - I'm Strong (Instrumental)
4
Laurent X - Machines (Apocalypse Mix)
clear vinyl
part 2 of 4
The Chicago Connection
incl classic tracks by QX-1, Fred Brown, Mr. Fingers & Laurent X
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. QX-1 - I Won't Hurt You (I Swear)
A2. Fred Brown - Roman Days
B1. Mr. Fingers - I'm Strong (Instrumental)
B2. Laurent X - Machines (Apocalypse Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
part 2 of 4
The Chicago Connection
incl classic tracks by QX-1, Fred Brown, Mr. Fingers & Laurent X
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. QX-1 - I Won't Hurt You (I Swear)
A2. Fred Brown - Roman Days
B1. Mr. Fingers - I'm Strong (Instrumental)
B2. Laurent X - Machines (Apocalypse Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Music Man
1
Blake Baxter - Sexuality
2
Suburban Knight - The Worlds
3
E-Dancer - Feel The Mood (N.Y. Groove Mix)
4
Yvette - Pump Me (Mayday Mix)
red transparent vinyl
part 1 of 4
The Detroit connection
incl classic tracks by Blake Baxter, Suburban Knight, E-Dancer & Yvette
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage in and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. Blake Baxter - Sexuality
A2. Suburban Knight - The Worlds
B1. E-Dancer - Feel The Mood (N.Y. Groove Mix)
B2. Yvette - Pump Me (Mayday Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
part 1 of 4
The Detroit connection
incl classic tracks by Blake Baxter, Suburban Knight, E-Dancer & Yvette
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage in and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. Blake Baxter - Sexuality
A2. Suburban Knight - The Worlds
B1. E-Dancer - Feel The Mood (N.Y. Groove Mix)
B2. Yvette - Pump Me (Mayday Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Revelation - First Power (Original Mix)
2
Egotrip - Dreamworld (World Of Dreams Mix)
3
33 1/3 Queen - Searchin'
4
Bobby Konders - Let There Be House
blue transparent vinyl
part 3 of 4
The New York Connection
incl. classic tracks by Revelation, Egotrip, 33 1/3 Queen & Bobby Konders
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. Revelation - First Power (Original Mix)
A2. Egotrip - Dreamworld (World Of Dreams Mix)
B1. 33 1/3 Queen - Searchin'
B2. Bobby Konders - Let There Be House
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
part 3 of 4
The New York Connection
incl. classic tracks by Revelation, Egotrip, 33 1/3 Queen & Bobby Konders
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. Revelation - First Power (Original Mix)
A2. Egotrip - Dreamworld (World Of Dreams Mix)
B1. 33 1/3 Queen - Searchin'
B2. Bobby Konders - Let There Be House
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Steve Poindexter - Computer Madness
2
Age Of Chance - Time's Up (Timeless)
3
LFO - LFO (Leeds Warehouse Mix)
4
Alice D In Wonderland - Time Problem (Techno Speed Work)
white vinyl
part 4 of 4
incl classic tracks by Steve Poindexter, Age Of Chance, LFO & Alice D In Wonderland
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. Steve Poindexter - Computer Madness
A2. Age Of Chance - Time's Up (Timeless)
B1. LFO - LFO (Leeds Warehouse Mix)
B2. Alice D In Wonderland - Time Problem (Techno Speed Work)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
part 4 of 4
incl classic tracks by Steve Poindexter, Age Of Chance, LFO & Alice D In Wonderland
Selection of tracks from the 40 track compilation Boccaccio Life 1987-1993. Boccaccio has secured its place amonglegendary venues like Paradise Garage and The Haçienda. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
A1. Steve Poindexter - Computer Madness
A2. Age Of Chance - Time's Up (Timeless)
B1. LFO - LFO (Leeds Warehouse Mix)
B2. Alice D In Wonderland - Time Problem (Techno Speed Work)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Blake Baxter - Sexuality
2
Suburban Knight - The Worlds
3
E-Dancer - Feel The Mood (N.Y. Groove Mix)
4
Yvette - Pump Me (Mayday Mix)
5
QX-1 - I Won't Hurt You (I Swear)
6
Fred Brown - Roman Days
7
Mr. Fingers - I'm Strong (Instrumental)
8
Laurent X - Machines (Apocalypse Mix)
9
Revelation - First Power (Original Mix)
10
Egotrip - Dreamworld (World Of Dreams Mix)
11
33 1/3 Queen - Searchin'
12
Bobby Konders - Let There Be House
13
Steve Poindexter - Computer Madness
14
Age Of Chance - Time's Up (Timeless)
15
LFO - LFO (Leeds Warehouse Mix)
16
Alice D In Wonderland - Time Problem (Techno Speed Work)
17
Joeski - My English Lover (Acid Mix)
18
Pleasure Zone - Fantasy
19
Mellow Man Ace - Rhyme Fighter (House Dub)
20
The Gherkin Jerks - Strange Creatures
21
The D.O.C. - Portrait Of A Masterpiece (CJ's Ed-Did-It-Mix)
22
Robert Armani - Circus Bells (Full Length Original Mix)
23
Todd Terry presents CLS - Can You Feel It (In House Dub)
24
Virgo - Free Yourself
25
Tronikhouse - The Savage & Beyond (Savage Reese Mix)
26
The Orb - A Huge Evergrowing Pulsating Brain That Rules From The Centre Of The U
27
Mental Mayhem - Where Are They Hiding
28
Edwards & Armani - Acid Drill
29
NJOI - Jupiter Re-Dawn
30
Basex - U-R-SELF-GO (All Night Mix)
31
A Homeboy, A Hippie & A Funki Dredd - Total Confusion (Heavenly Mix)
32
2 Men From Jersey - Track Werk (After Dark Mix)
33
Human Resource - Dominator (Frank De Wulf Remix)
34
Frankie Knuckles - Your Love
35
Simon Sed - Criminal
36
Tyree - Hardcore Hip House (Joe Smooths Too Deep Mix)
37
Frankie Bones - Call It Techno (House Mix)
38
Frank De Wulf - The Tape (Remix)
39
A Guy Called Gerald - Automanikk (Derrick May The Force Be With You Mix)
40
Sheer Taft - Cascades (Hypnotone Mix)
(10x12" box set, limited to 1000 copies, with premium finishing, uniquely numbered, incl. 10 records in individually printed sleeves, a booklet detailing the club's history & exclusive stickers) Boccaccio has secured its place among legendary venueslike Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Tracklist
Vinyl 1
A1. Blake Baxter - Sexuality
A2. Suburban Knight - The Worlds
B1. E-Dancer - Feel The Mood (N.Y. Groove Mix)
B2. Yvette - Pump Me (Mayday Mix)
Vinyl 2
A1. QX-1 - I Won't Hurt You (I Swear)
A2. Fred Brown - Roman Days
B1. Mr. Fingers - I'm Strong (Instrumental)
B2. Laurent X - Machines (Apocalypse Mix)
Vinyl 3
A1. Revelation - First Power (Original Mix)
A2. Egotrip - Dreamworld (World Of Dreams Mix)
B1. 33 1/3 Queen - Searchin'
B2. Bobby Konders - Let There Be House
Vinyl 4
A1. Steve Poindexter - Computer Madness
A2. Age Of Chance - Time's Up (Timeless)
B1. LFO - LFO (Leeds Warehouse Mix)
B2. Alice D In Wonderland - Time Problem (Techno Speed Work)
Vinyl 5
A1. Joeski - My English Lover (Acid Mix)
A2. Pleasure Zone - Fantasy
B1. Mellow Man Ace - Rhyme Fighter (House Dub)
B2. The Gherkin Jerks - Strange Creatures
Vinyl 6
A1. The D.O.C. - Portrait Of A Masterpiece (CJ's Ed-Did-It-Mix)
A2. Robert Armani - Circus Bells (Full Length Original Mix)
B1. Todd Terry presents CLS - Can You Feel It (In House Dub)
B2. Virgo - Free Yourself
Vinyl 7
A1. Tronikhouse - The Savage & Beyond (Savage Reese Mix)
A2. The Orb - A Huge Evergrowing Pulsating Brain That Rules From The Centre Of The Ultraworld (Orbital Dance Mix)
B1. Mental Mayhem - Where Are They Hiding
B2. Edwards & Armani - Acid Drill
Vinyl 8
A1. NJOI - Jupiter Re-Dawn
A2. Basex - U-R-SELF-GO (All Night Mix)
B1. A Homeboy, A Hippie & A Funki Dredd - Total Confusion (Heavenly Mix)
B2. 2 Men From Jersey - Track Werk (After Dark Mix)
Vinyl 9
A1. Human Resource - Dominator (Frank De Wulf Remix)
A2. Frankie Knuckles - Your Love
B1. Simon Sed - Criminal
B2. Tyree - Hardcore Hip House (Joe Smooths Too Deep Mix)
Vinyl 10
A1. Frankie Bones - Call It Techno (House Mix)
A2. Frank De Wulf - The Tape (Remix)
B1. A Guy Called Gerald - Automanikk (Derrick May The Force Be With You Mix)
B2. Sheer Taft - Cascades (Hypnotone Mix)
Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.
Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.
Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.
This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.
With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A Guy Called Gerald, the unmistakable influence of black American pioneers is clear-the originators of the firstanalog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.
Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.
While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection, offering a timeless snapshot of a unique era.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
Vinyl 1
A1. Blake Baxter - Sexuality
A2. Suburban Knight - The Worlds
B1. E-Dancer - Feel The Mood (N.Y. Groove Mix)
B2. Yvette - Pump Me (Mayday Mix)
Vinyl 2
A1. QX-1 - I Won't Hurt You (I Swear)
A2. Fred Brown - Roman Days
B1. Mr. Fingers - I'm Strong (Instrumental)
B2. Laurent X - Machines (Apocalypse Mix)
Vinyl 3
A1. Revelation - First Power (Original Mix)
A2. Egotrip - Dreamworld (World Of Dreams Mix)
B1. 33 1/3 Queen - Searchin'
B2. Bobby Konders - Let There Be House
Vinyl 4
A1. Steve Poindexter - Computer Madness
A2. Age Of Chance - Time's Up (Timeless)
B1. LFO - LFO (Leeds Warehouse Mix)
B2. Alice D In Wonderland - Time Problem (Techno Speed Work)
Vinyl 5
A1. Joeski - My English Lover (Acid Mix)
A2. Pleasure Zone - Fantasy
B1. Mellow Man Ace - Rhyme Fighter (House Dub)
B2. The Gherkin Jerks - Strange Creatures
Vinyl 6
A1. The D.O.C. - Portrait Of A Masterpiece (CJ's Ed-Did-It-Mix)
A2. Robert Armani - Circus Bells (Full Length Original Mix)
B1. Todd Terry presents CLS - Can You Feel It (In House Dub)
B2. Virgo - Free Yourself
Vinyl 7
A1. Tronikhouse - The Savage & Beyond (Savage Reese Mix)
A2. The Orb - A Huge Evergrowing Pulsating Brain That Rules From The Centre Of The Ultraworld (Orbital Dance Mix)
B1. Mental Mayhem - Where Are They Hiding
B2. Edwards & Armani - Acid Drill
Vinyl 8
A1. NJOI - Jupiter Re-Dawn
A2. Basex - U-R-SELF-GO (All Night Mix)
B1. A Homeboy, A Hippie & A Funki Dredd - Total Confusion (Heavenly Mix)
B2. 2 Men From Jersey - Track Werk (After Dark Mix)
Vinyl 9
A1. Human Resource - Dominator (Frank De Wulf Remix)
A2. Frankie Knuckles - Your Love
B1. Simon Sed - Criminal
B2. Tyree - Hardcore Hip House (Joe Smooths Too Deep Mix)
Vinyl 10
A1. Frankie Bones - Call It Techno (House Mix)
A2. Frank De Wulf - The Tape (Remix)
B1. A Guy Called Gerald - Automanikk (Derrick May The Force Be With You Mix)
B2. Sheer Taft - Cascades (Hypnotone Mix)
Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.
Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.
Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.
This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.
With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A Guy Called Gerald, the unmistakable influence of black American pioneers is clear-the originators of the firstanalog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.
Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.
While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection, offering a timeless snapshot of a unique era.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Frank De Wulf - Compression
2
Frank De Wulf - Reforced
3
Frank De Wulf - Just Another Beat
4
Frank De Wulf - There Ain't Nobody
5
Frank De Wulf - Electrain
6
Frank De Wulf - Compression (Remix)
7
Frank De Wulf - Magic Orchestra
8
Frank De Wulf - Freestyle 909
9
Frank De Wulf - Magic Orchestra (CJ Bolland Remix)
10
Frank De Wulf - Latino
11
Frank De Wulf - The Heat of The Moment
12
Frank De Wulf - Butterfly
13
Frank De Wulf - The Tape (Remix)
14
Frank De Wulf - The Darkness Revisited
15
Frank De Wulf - Foreign Trips
16
Frank De Wulf - Orbital Ways
17
Frank De Wulf - The Original
18
Frank De Wulf - The Tape
19
Frank De Wulf - Moribund
20
Frank De Wulf - Imagination
21
Frank De Wulf - Raise
22
Frank De Wulf - Traffic
23
Frank De Wulf - Moral Soundabuse
24
Frank De Wulf - I Love You
Box set with Silver Foil finishing, limited to 500 numbered copies, includes 4 x 180 grams heavy weight vinyl records + 8-page booklet with liner notes. Music Man presents the ultimate compilation of the seminal B-Sides project by Frank De Wulf, originally released on the label in 1990.
Mock up + snippets
Pictogram Map MM182
TRACKLISTING
A1. Frank De Wulf - Compression
A2. Frank De Wulf - Reforced
A3. Frank De Wulf - Just Another Beat
B1. Frank De Wulf - There Ain't Nobody
B2. Frank De Wulf - Electrain
B3. Frank De Wulf - Compression (Remix)
C1. Frank De Wulf - Magic Orchestra
C2. Frank De Wulf - Freestyle 909
C3. Frank De Wulf - Magic Orchestra (CJ Bolland Remix)
D1. Frank De Wulf - Latino
D2. Frank De Wulf - The Heat of The Moment
D3. Frank De Wulf - Butterfly
E1. Frank De Wulf - The Tape (Remix)
E2. Frank De Wulf - The Darkness Revisited
E3. Frank De Wulf - Foreign Trips
F1. Frank De Wulf - Orbital Ways
F2. Frank De Wulf - The Original
F3. Frank De Wulf - The Tape
G1. Frank De Wulf - Moribund
G2. Frank De Wulf - Imagination
G3. Frank De Wulf - Raise
H1. Frank De Wulf - Traffic
H2. Frank De Wulf - Moral Soundabuse
H3. Frank De Wulf - I Love You
INFO
Music Man presents the ultimate compilation of the seminal B-Sides project by Frank De Wulf, originally released on the label in 1990.
Frank De Wulf is one of the most influential and ground-breaking producers to emerge from the Belgian new beat and techno scene.
This box set includes all music originally released on The B-Sides volume I, II, III, IV, 'The B Sides Remixed' & 'Beyond The B-Sides', pressed onto 4 x 180 grams heavy weight vinyl records including a 8-page booklet with liner notes.
Limited to 500 numbered copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Mock up + snippets
Pictogram Map MM182
TRACKLISTING
A1. Frank De Wulf - Compression
A2. Frank De Wulf - Reforced
A3. Frank De Wulf - Just Another Beat
B1. Frank De Wulf - There Ain't Nobody
B2. Frank De Wulf - Electrain
B3. Frank De Wulf - Compression (Remix)
C1. Frank De Wulf - Magic Orchestra
C2. Frank De Wulf - Freestyle 909
C3. Frank De Wulf - Magic Orchestra (CJ Bolland Remix)
D1. Frank De Wulf - Latino
D2. Frank De Wulf - The Heat of The Moment
D3. Frank De Wulf - Butterfly
E1. Frank De Wulf - The Tape (Remix)
E2. Frank De Wulf - The Darkness Revisited
E3. Frank De Wulf - Foreign Trips
F1. Frank De Wulf - Orbital Ways
F2. Frank De Wulf - The Original
F3. Frank De Wulf - The Tape
G1. Frank De Wulf - Moribund
G2. Frank De Wulf - Imagination
G3. Frank De Wulf - Raise
H1. Frank De Wulf - Traffic
H2. Frank De Wulf - Moral Soundabuse
H3. Frank De Wulf - I Love You
INFO
Music Man presents the ultimate compilation of the seminal B-Sides project by Frank De Wulf, originally released on the label in 1990.
Frank De Wulf is one of the most influential and ground-breaking producers to emerge from the Belgian new beat and techno scene.
This box set includes all music originally released on The B-Sides volume I, II, III, IV, 'The B Sides Remixed' & 'Beyond The B-Sides', pressed onto 4 x 180 grams heavy weight vinyl records including a 8-page booklet with liner notes.
Limited to 500 numbered copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
B-Sides (Frank De Wulf) - Magic Orchestra (PAS Live Jack Edit)
2
B-Sides (Frank De Wulf) - Magic Orchestra (PAS Vortex Remix)
TRACKLISTING:
A. Frank De Wulf - Magic Orchestra (PAS Live Jack Edit)
B. Frank De Wulf - Magic Orchestra (PAS Vortex Remix)
INFO:
Music Man returns after a long silence. In the run-up to the release of the B-Sides boxset in May, Luke Slater aka Planetary Assault Systems delivers 2 remixes of one of Frank De Wulf's most legendary tracks 'Magic Orchestra'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A. Frank De Wulf - Magic Orchestra (PAS Live Jack Edit)
B. Frank De Wulf - Magic Orchestra (PAS Vortex Remix)
INFO:
Music Man returns after a long silence. In the run-up to the release of the B-Sides boxset in May, Luke Slater aka Planetary Assault Systems delivers 2 remixes of one of Frank De Wulf's most legendary tracks 'Magic Orchestra'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Petar Dundov - No Title
2
Petar Dundov - No Title
Petar Dundov returns to Belgium's iconic Music Man Records with his brand new 'Synesthetic Flow', a 8-minute melodic trance-esque journey that boasts a sublime evolving arrangement encompassing, a solid four-to-the-floor rhythm, intriguing percussive elements and a distinctive arpeggiated synth melody that takes centre stage. Patrice Baumel is on remix duties, adding his own unique style to deliver a fascinating club-ready framework that complements the original's lush melodies brilliantly.
TRACKLISTING
A. Petar Dundov - Synesthetic Flow
B. Petar Dundov - Synesthetic Flow (Patrice Baumel Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTING
A. Petar Dundov - Synesthetic Flow
B. Petar Dundov - Synesthetic Flow (Patrice Baumel Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Isolee & Auto Kinetic - No Title
2
Isolee & Auto Kinetic - No Title
TRACKLISTING
A. Isolee - Beau Mot Plage (Mental Overdrive Mix)
B. Auto Kinetic - Symetry (Sensurreal's Resong)
INFO
Music Man celebrates its 30th birthday with a limited series of special coloured vinyls, containing 2 classic tracks that were important in the labels history.
Up next are are Mental Overdrive's remix of the Isolee classic 'Beau Mot Plage' (MMSPEC08, 2000) and Symetry (Sensurreal's Resong) (MMSPEC01, 1995).
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A. Isolee - Beau Mot Plage (Mental Overdrive Mix)
B. Auto Kinetic - Symetry (Sensurreal's Resong)
INFO
Music Man celebrates its 30th birthday with a limited series of special coloured vinyls, containing 2 classic tracks that were important in the labels history.
Up next are are Mental Overdrive's remix of the Isolee classic 'Beau Mot Plage' (MMSPEC08, 2000) and Symetry (Sensurreal's Resong) (MMSPEC01, 1995).
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1
Metro Dade & Stephen Brown - Metro Dade - The Andor Voyage
2
Metro Dade & Stephen Brown - Stephen Brown - Red Room
(special coloured vinyl limited to 500 copies) Music Man celebrates its 30th birthday with a limited series of special coloured vinyls, containing 2 classic tracks that were important in the labels history. Up first are Metro Dade's 'Andor Voyage' (MM017, 1995) and Stephen Brown's 'Red Room' (MM150, 2010).
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1
deetron - No Title
2
deetron - No Title
Fresh from releasing his DJ-Kicks mix in March of this year, Heartwalking is a two track EP playing with fast moving and melodic techno. The title track is a high energy cut which tumbles over precise drums patterns and thumping bass. Heartwalking AMversion adds a euphoric melody, guaranteed to keep people on the dance floor until the early hours. A perfectly composed set which continue his legacy of making thoughtful and skilful dance music.
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1
petar dundov - Petar Dundov - Dalmatina
2
petar dundov - Petar Dundov - Once We Were Here
(180 gr vinyl, pearl-stripe label artwork!) The EP's lead track 'Dalmatina' kicks things off, taking the listener on a 9-minute melodic trance-esque journey that boasts a sublime evolving arrangement encompassing, a solid four-to-the-floor rhythm, intriguing percussive elements and a distinctive arpeggiated synth melody that takes centre stage.
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1
petar dundov - A Petar Dundov - The Lattice (Frank Wiedemann Remix)
2
petar dundov - B Petar Dundov - The Lattice
Frank Wiedemann from Âme and Howling fame is on remix duties for the first single from Petar's fourth Music Man album 'At The Turn Of Equilibrium'. Summer 2016, this is your soundtrack.
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140-gram 4xLP, heavyweight package including CD. One time pressing of 500 copies worldwide. The follow-up to highly acclaimed Sailing Off The Grid album
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1
petar dundov - A Petar Dundov - Synchrotonic
2
petar dundov - B Petar Dundov - Holiday In Singularity
It's been almost two years since Music Man released Petar Dundov's third album "Sailing Off The Grid" on CD and limited 4LP. He's been so busy touring and remixing that after last year's single "Origins/Rise", these are only the first two new Dundov tracks since the album. Petar's melodic signature sound in full effect. A must for the fans.
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1
terence fixmer - A1. Aktion Mekanik Theme
It's safe to say that Terence Fixmer's track "Aktion Mekanik Theme", originally released on Music Man in 2003, was as much a landmark release for techno as the whole Aktion Mekanik compilation was for EBM as a genre. "As an artist who's been pushing EBM sounds into the modernity of Techno it was a logical step to do the compilation back then," Terence says. "I wanted to show my influences as a Techno artist, as Detroit sounds weren't my roots at all, but classics by Front 242, Fad Gadget, Nitzer Ebb, Crash Course In Science or Snowy Red. I met Music Man's Stefaan Vandenberghe through Emmanuel Top in '93, and of course I was a fan of his label. Music Man was obviously the perfect place for this EBM project: they are from Belgium, they knew the bands, many of them were proud of this sound. So I discussed my idea of putting out a compilation with some classic and landmark tracks from the EBM direction with Stefaan, and it got made." While Ostgut Ton now releases three new versions of "Aktion Mekanik Theme" by Kobosil, Norman Nodge & Marcel Dettmann, Music Man now reissues the original version on red 12" vinyl.
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(FRED P RMXS) For the new single 'Rescue', Deetron calls on the beautiful vocal talents of George Maple, which results in the ultimate feel good track. Fred P brings his own different flavors to the table - twice!
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these are the first two brand new Dundov tracks since the "Sailing Off The Grid" album. Petar's signature sound in full effect. A must for the fans
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Abul Mogard’s first solo album on vinyl in four years, initiating his personal imprint Soft Echoes
Edition of 500 copies, BioVinyl incl. download code
'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years. RIYL Alessandro Cortini, William Basinski, The Caretaker.
While sifting through archived material left idle from earlier projects, a chance encounter with a late uncle’s trove of beloved 78rpm classical and opera records prompted the reworking and completion of what would eventually become the album. Spinning dusty records at 33 and 45rpm, Abul Mogard recombined their enduring spectres with unfinished sketches from his archive. The resulting soundscape blurs distinctions between his memories and those of another, exquisitely short-circuiting the senses with its waking, dream-like lucidity.
This was a process I hadn’t explored in my earlier works. I began sampling brief moments from these records, altering them with studio effects and playing them at slower speeds. In many cases, I wasn’t entirely sure how the original music sounded. These fragments, once further processed, became a source of inspiration for my new compositions. Over time, I realised that the old pieces from the archive and the new material derived from the samples naturally complemented each other.”
The resulting pieces hover over a threshold, a liminal space that harmonises the old and older material. Voluminous waves of quiet and loud undulate between consonance and dissonance, conjuring imagery of a decaying grandeur that humanity’s decadence has surrendered to the elements. Abul Mogard’s seemingly abandoned yet vast landscapes are nevertheless intimate with timbral frissons of red-lined distortion. Elusive, yet as tangible as sea spray or smog, they affect the olfactory senses with a rarified, synesthetic quality that modestly engages one’s emotional register – a hypnotic, distinguishing feature long hailed as one of the hallmarks of his work. A fidelity to memory and dream recall is sensitively probed in the journey from the stately symphonic stasis of 'Following a dream' to the almost industrial, untethered brutality evoked by a looming silhouette that’s never fully visible in 'Constantly slipping away', culminating in the foreboding coda of 'Like a bird'. Those pieces appear to shield the album’s sentimental core, where the tempestuous play of light and shadow of 'In a studded procession' escalates to breathtaking, panoramic climax, while 'Through whispers' evokes an out-of-body-like experience encountered with visceral poignancy.
Looking back, Mogard notes an unexpected influence: “I realise being inspired by Phill Niblock, whose work I had barely known at the time but explored after his passing in 2024. His album 'Boston Tenor Index' changed the way I approached dissonance. It encouraged me to push my sound further, to the edge of a space where I began to feel uncomfortable.”
The album artwork, created by longtime collaborator Marja de Sanctis, features a photograph taken at the Temple of Jupiter Anxur, an archaeological site overlooking the Mediterranean Sea. Captured with an iPhone, the image traces the residual presence of construction techniques and architectural forms of the Romans, where material history is transcribed through contemporary tools. The convergence of ancient and modern technology aims to reverberate the site’s lasting spiritual presence – an echo persisting in what is now perceived as a quiet, emptied space. The spiral gestures towards infinity and light. Past and present dissolve into one another, reflecting 'Quiet Pieces' meditation on sound, memory, and time.
RIYL Alessandro Cortini, William Basinski, The Caretaker
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Edition of 500 copies, BioVinyl incl. download code
'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years. RIYL Alessandro Cortini, William Basinski, The Caretaker.
While sifting through archived material left idle from earlier projects, a chance encounter with a late uncle’s trove of beloved 78rpm classical and opera records prompted the reworking and completion of what would eventually become the album. Spinning dusty records at 33 and 45rpm, Abul Mogard recombined their enduring spectres with unfinished sketches from his archive. The resulting soundscape blurs distinctions between his memories and those of another, exquisitely short-circuiting the senses with its waking, dream-like lucidity.
This was a process I hadn’t explored in my earlier works. I began sampling brief moments from these records, altering them with studio effects and playing them at slower speeds. In many cases, I wasn’t entirely sure how the original music sounded. These fragments, once further processed, became a source of inspiration for my new compositions. Over time, I realised that the old pieces from the archive and the new material derived from the samples naturally complemented each other.”
The resulting pieces hover over a threshold, a liminal space that harmonises the old and older material. Voluminous waves of quiet and loud undulate between consonance and dissonance, conjuring imagery of a decaying grandeur that humanity’s decadence has surrendered to the elements. Abul Mogard’s seemingly abandoned yet vast landscapes are nevertheless intimate with timbral frissons of red-lined distortion. Elusive, yet as tangible as sea spray or smog, they affect the olfactory senses with a rarified, synesthetic quality that modestly engages one’s emotional register – a hypnotic, distinguishing feature long hailed as one of the hallmarks of his work. A fidelity to memory and dream recall is sensitively probed in the journey from the stately symphonic stasis of 'Following a dream' to the almost industrial, untethered brutality evoked by a looming silhouette that’s never fully visible in 'Constantly slipping away', culminating in the foreboding coda of 'Like a bird'. Those pieces appear to shield the album’s sentimental core, where the tempestuous play of light and shadow of 'In a studded procession' escalates to breathtaking, panoramic climax, while 'Through whispers' evokes an out-of-body-like experience encountered with visceral poignancy.
Looking back, Mogard notes an unexpected influence: “I realise being inspired by Phill Niblock, whose work I had barely known at the time but explored after his passing in 2024. His album 'Boston Tenor Index' changed the way I approached dissonance. It encouraged me to push my sound further, to the edge of a space where I began to feel uncomfortable.”
The album artwork, created by longtime collaborator Marja de Sanctis, features a photograph taken at the Temple of Jupiter Anxur, an archaeological site overlooking the Mediterranean Sea. Captured with an iPhone, the image traces the residual presence of construction techniques and architectural forms of the Romans, where material history is transcribed through contemporary tools. The convergence of ancient and modern technology aims to reverberate the site’s lasting spiritual presence – an echo persisting in what is now perceived as a quiet, emptied space. The spiral gestures towards infinity and light. Past and present dissolve into one another, reflecting 'Quiet Pieces' meditation on sound, memory, and time.
RIYL Alessandro Cortini, William Basinski, The Caretaker
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1
Vil & Cravo - So Right
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Cravo - Futuredetroit
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Tracklisting
A1 Vil & Cravo - So Right
A2 Vil & Cravo - 420% foda
B1 Cravo - Futuredetroit
B2 Vil - Hard to Find
Sales Note
The debut release on Caricia Records sees longtime collaborators VIL and CRAVO refine the language they've developed through years of joint work, both individually and as members of the Hayes collective. Between them, their output on labels like Monnom Black, Klockworks, Self Reflektion and the aforementioned Hayes Collective has consistently balanced precision with character, and this first chapter under their new imprint is no exception.
Opening with So Right, the record sets a distinct tone, with rolling percussion and a hypnotic vocal line threading through the mix with restraint and control. 420% FODA leans into classic swing and texture, tightly looped and built for movement without ever overreaching. On the B-side, CRAVO offers Future Detroit, a stripped-back piece with room to breathe, subtle in its shifts but firm in its intent. VIL rounds off the EP with Hard to Find, a playful closer that keeps things buoyant and dynamic, pushing forward without losing its shape.
Caricia 001 is about clarity of purpose. No filler, no theatrics, just four tracks that speak for themselves.
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A1 Vil & Cravo - So Right
A2 Vil & Cravo - 420% foda
B1 Cravo - Futuredetroit
B2 Vil - Hard to Find
Sales Note
The debut release on Caricia Records sees longtime collaborators VIL and CRAVO refine the language they've developed through years of joint work, both individually and as members of the Hayes collective. Between them, their output on labels like Monnom Black, Klockworks, Self Reflektion and the aforementioned Hayes Collective has consistently balanced precision with character, and this first chapter under their new imprint is no exception.
Opening with So Right, the record sets a distinct tone, with rolling percussion and a hypnotic vocal line threading through the mix with restraint and control. 420% FODA leans into classic swing and texture, tightly looped and built for movement without ever overreaching. On the B-side, CRAVO offers Future Detroit, a stripped-back piece with room to breathe, subtle in its shifts but firm in its intent. VIL rounds off the EP with Hard to Find, a playful closer that keeps things buoyant and dynamic, pushing forward without losing its shape.
Caricia 001 is about clarity of purpose. No filler, no theatrics, just four tracks that speak for themselves.
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RAWAX proudly presents the second part of Ricardo Villalobos' Salvador "Trilogy"!
The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX - including new tracklistings!
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The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX - including new tracklistings!
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Cody Currie & Kapote - Answer (Cody Version)
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Cody Currie & Kapote - Hard Work (Extended Version)
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Cody Currie & Kapote - D.G.A.F. (Extended Version)
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Tracklist 12":
A1) Answer (Cody Version)
A2) Hard Work (Extended Version)
B1) D.G.A.F. (Extended Version)
B2) Dance Dance Dance (Extended Version)
Cody Currie & Kapote together in the studio! Delivering a 4 track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way.
Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have what we call THE VIBE. Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music". Makes us laugh, but also fits well. And yes: Both are a bit crazy... like every extremely talented musician.
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A1) Answer (Cody Version)
A2) Hard Work (Extended Version)
B1) D.G.A.F. (Extended Version)
B2) Dance Dance Dance (Extended Version)
Cody Currie & Kapote together in the studio! Delivering a 4 track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way.
Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have what we call THE VIBE. Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music". Makes us laugh, but also fits well. And yes: Both are a bit crazy... like every extremely talented musician.
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Contact: [email protected]More
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
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Susumu Yokota - A3. Meijijingu (2024 Remaster)
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Susumu Yokota - B1. Saboten (2024 Remaster)
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Susumu Yokota - B2. Oh My God (2024 Remaster)
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Susumu Yokota - B3. Tambarin (2024 Remaster)
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Susumu Yokota - C1. Oponchi (2024 Remaster)
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Susumu Yokota - C2. Ao-oni (2024 Remaster)
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Susumu Yokota - C3.3. Akafuji (2024 Remaster)
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Susumu Yokota - D1. Alphaville (2024 Remaster)
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Susumu Yokota - D2. Tanuki (2024 Remaster)
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Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
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"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
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This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
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1
Puccio Roelens E La Sua Grande Orchestra - Caravan
2
Gegè Munari Percussion Modern - Police Man
3
Don Marino Barreto Junior - Napolitano d'o Brazil
4
Tony Esposito - Pagaia
5
Naco - Volando Con Milton
6
Rosario Jermano - Grand Oceano
7
Tullio De Piscopo - Temptation
8
Tony Cercola - Lumumba
9
Gabriele Poso - Ritmo Italiano
10
Agostino Marangolo - Certi giorni mi sento bene, certi giorni mi sento male
11
Tony Cercola - Lumumba (Clap! Clap! Version)
Mr Bongo proudly presents Ritmo Italiano ‘Unspoken Sounds of Italian Tamburo’ a captivating compilation of percussive-driven, Italian gems curated by Sardinian multi-instrumentalist, percussionist and producer, Gabriele Poso. A journey into the heart of Italian musical history, it celebrates Italy’s rich rhythmic traditions, showcasing a selection of genre-traversing, Italian treasures from the ‘60s to the early ‘90s. Honouring the timeless rhythms of Italian percussion masters, alongside a brand-new exclusive composition by Gabriele, ‘Ritmo Italiano’ shines a light on the universal, primal language of the drum.
A connection sparked from an early age; percussion has always deeply resonated with Gabriele. It led to years of studying percussion traditions across Cuba, Puerto Rico, and Brazil, crafting his own songwriting skills in the process. An acclaimed producer and compiler, his releases on Yoruba Records, BBE and Soundway Records have garnered global support. Yet a growing need to rediscover the essence of his country’s cultural heritage laid the foundations for this new compilation.
In Gabriele’s own words, “Italy has always been a crossroads of civilizations, with influences from the Mediterranean, North Africa, the Middle East, and Europe converging over centuries. Ports like Naples, Genoa, and Venice played a crucial role as gateways for musical exchange, a melting pot of sounds and cultures brought by sailors, merchants and travellers. These influences blended with Italy’s own folk and religious traditions, creating Italy’s unique and emotionally resonant rhythms.”
Across the 12 absorbing tracks, there’s jazz influences, Italian library music aesthetics and experimental beats mixing with Afro-Cuban and Mediterranean rhythms. It’s a broad selection anchored by the drums. The synth-heavy, ‘80s jazz funk flavours of Gegè Munari's ‘Police Man’, sit side-by-side with the samba-infused ‘Napulitano D' 'O Brasil’ by Don Marino Barreto Jr. Tribal, earthly energy radiates from Naco’s ‘Volando Con Milton’, with Tullio De Piscopo serving up cosmic disco brilliance, and blistering jazz funk mastery coming courtesy of Agostino Marangolo. Taking the name of the compilation, a new original track by Gabriele, ‘Ritmo Italiano’, blends traditional rhythms with contemporary energy, Afro-Latin influences with Italian jazz essence. Recorded live in one take, it captures a raw, unfiltered vibe.
“Each track tells a story, connecting the past with the present, and highlighting the deep-rooted traditions that shape Italy’s rhythms. The collection also offers a glimpse into the diversity of Italian music with a variety of styles from the organic, earthy beats to the more experimental and modern takes on traditional rhythms. It’s a reflection of how these rhythms have not only shaped Italian culture but also influenced global music.”
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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A connection sparked from an early age; percussion has always deeply resonated with Gabriele. It led to years of studying percussion traditions across Cuba, Puerto Rico, and Brazil, crafting his own songwriting skills in the process. An acclaimed producer and compiler, his releases on Yoruba Records, BBE and Soundway Records have garnered global support. Yet a growing need to rediscover the essence of his country’s cultural heritage laid the foundations for this new compilation.
In Gabriele’s own words, “Italy has always been a crossroads of civilizations, with influences from the Mediterranean, North Africa, the Middle East, and Europe converging over centuries. Ports like Naples, Genoa, and Venice played a crucial role as gateways for musical exchange, a melting pot of sounds and cultures brought by sailors, merchants and travellers. These influences blended with Italy’s own folk and religious traditions, creating Italy’s unique and emotionally resonant rhythms.”
Across the 12 absorbing tracks, there’s jazz influences, Italian library music aesthetics and experimental beats mixing with Afro-Cuban and Mediterranean rhythms. It’s a broad selection anchored by the drums. The synth-heavy, ‘80s jazz funk flavours of Gegè Munari's ‘Police Man’, sit side-by-side with the samba-infused ‘Napulitano D' 'O Brasil’ by Don Marino Barreto Jr. Tribal, earthly energy radiates from Naco’s ‘Volando Con Milton’, with Tullio De Piscopo serving up cosmic disco brilliance, and blistering jazz funk mastery coming courtesy of Agostino Marangolo. Taking the name of the compilation, a new original track by Gabriele, ‘Ritmo Italiano’, blends traditional rhythms with contemporary energy, Afro-Latin influences with Italian jazz essence. Recorded live in one take, it captures a raw, unfiltered vibe.
“Each track tells a story, connecting the past with the present, and highlighting the deep-rooted traditions that shape Italy’s rhythms. The collection also offers a glimpse into the diversity of Italian music with a variety of styles from the organic, earthy beats to the more experimental and modern takes on traditional rhythms. It’s a reflection of how these rhythms have not only shaped Italian culture but also influenced global music.”
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DE - 22113 Hamburg
Germany
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1
Fields Of Mist - Deep In The Mountain
2
Fields Of Mist - Dreams Of The Lost Moon
3
Fields Of Mist - Darkstar System M312
4
Fields Of Mist - Cooling The Heatsink
5
Fields Of Mist - Moss Nebula Tidal Dance
Mossy Moon Mountain Dreamers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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1
Ed Rain - Met him on a Wednesday (Pilooski Rhythm Mix)
2
Ed Rain - Met him on a Wednesday (Superpitcher Lovers Mix)
6 months after the release of Ed Rain’s (one of Andrei Rusu, half of duo Khidja, solo projects) debut solo album ‘Met him on a Wednesday’, Malka Tuti records is presenting two Huge remixes for the title track’s collaboration with Fantastic Twins.On the A Side we have Pilooski on the banger duties. Heavy sub bass frequencies and edgy rhythms reminiscing of late 90s UK energies (but with a somewhat modern twist) push forward a dance track with a unique structure and unexpected sonic surprises. Big room IDM. Big Big Tip. On the flip side we finally managed to collaborate with one of our favourites Superpitcher. The Kompakt x Pachanga Boys x Hippie Dance xxx alumni is one of our all time favourite people and producers, and we are oh-so-happy that he joined us on this special ride.His interpretation of the track takes it into more “poppy” realms. The entire track is laid over a beautiful sub bass droney kind of bassline and the result is one of those “this has been on repeat the entire day” kind of songs. A melancholic hue paints the song with a ‘Happy-Sad’ kind of energy and gives it more emotional depth yet always keeps it playful.
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DE - 22113 Hamburg
Germany
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1
V.A. - A1.Get Down
2
V.A. - A2. Love Chant (Part 1)
3
V.A. - B1.So Much Love
4
V.A. - B2.Freak On
4 Monstruous Tracks Straight From the Basement Feat. One of the Original House Music Creator Ron Hardy. All the Real Djs Were Looking for Those for Years. Grab It Before It's Sold Out, We Have Very Few Copies. a Must Have. Essential Item Limited Edition No Re-Press...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Rene Wise - Anxiety
2
Rene Wise - Insomnia
3
Rene Wise - Sakar
4
Rene Wise - Cutting Thick
Rene Wise returns to Dustin Zahn's Enemy Records with a massive follow up to 2022's label debut, Jungle House. On "Deprivation," the Moving Pressure artist delivers 4 undeniable, heads-down Techno grooves in his signature style.
Minimalism is the theme on the A-side. Anxiety and Insomnia are both stripped down and tripped out. Both hold steady in arrangement, allowing for the smallest details to shine through. Each track is topped off with Rene's otherworldly synth washes and FX splashes atop of steady unwavering grooves.
A slight departure from his usual grooves, the B-side drifts off into uncharted territory while keeping in line with the moodiness of the A side. Sakar focuses on a pulsating tension-building synth line in constantflux. Meanwhile, staccato basslines and percussive splashes merge to form the record's funkiest moment on Cutting Thick.
Tracklist
A1. Rene Wise - Anxiety
A2. Rene Wise - Insomnia
B1. Rene Wise - Sakar
B2. Rene Wise - Cutting Thick
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Minimalism is the theme on the A-side. Anxiety and Insomnia are both stripped down and tripped out. Both hold steady in arrangement, allowing for the smallest details to shine through. Each track is topped off with Rene's otherworldly synth washes and FX splashes atop of steady unwavering grooves.
A slight departure from his usual grooves, the B-side drifts off into uncharted territory while keeping in line with the moodiness of the A side. Sakar focuses on a pulsating tension-building synth line in constantflux. Meanwhile, staccato basslines and percussive splashes merge to form the record's funkiest moment on Cutting Thick.
Tracklist
A1. Rene Wise - Anxiety
A2. Rene Wise - Insomnia
B1. Rene Wise - Sakar
B2. Rene Wise - Cutting Thick
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1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
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Germany
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The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More