Label:Backatcha Records
Cat-No:BK095
Release-Date:02.05.2025
Genre:Dub/Reggae
Configuration:12"
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Configuration:12"
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1
Jo - Flying
2
Jo - Flying (Instrumental)
Originally released in 1985 on Jo & Neville Carnegie's Brixton-based Dove Records, the wonderful 'Flying' returns on 12" and has been cut from the original master tape so could not sound better. Jo wrote the track while imagining the world from above and in an attempt to escape the tensions of war and political unrest. Amid Britain's lovers rock explosion, the song offered a breath of fresh air and truth be told, with so much raw still raging across the world, it still does. "Back in the day, sound systems would string up giant speakers, and that's when the dances were the best," Jo once recalled. This tune revives the spirit of an era when music provided solace and freedom and will help you soar high above the negativity of the times.
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More records from Backatcha Records
12"
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Label:Backatcha Records
Cat-No:BK072
Release-Date:25.07.2025
Genre:Soul/Funk
Configuration:12"
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Cat-No:BK072
Release-Date:25.07.2025
Genre:Soul/Funk
Configuration:12"
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1
Master Force - Don't Fight The Feeling
2
Master Force - Hey Girl
The original 12" versions officially reissued for the first time, licensed directly from Greg Henderson, remastered and cut at 45 rpm. A standout choice on any playlist, Master Force’s 1979 release ‘Hey Girl’ c/w ‘Don’t Fight The Feeling’ has become a staple classic across generations tuned into the soul-funk-disco sounds of late 70’s New York and all its makings. Originally released on both 12” and 7”, both singles had different mixes and are equally sought-after.
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Label:Backatcha Records
Cat-No:BK053
Release-Date:25.07.2025
Configuration:12"
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Cat-No:BK053
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1
Rome Jefferies - Vocal
2
Rome Jefferies - Instrumental
Reissued officially on 12" for the first time, another New York boogie sure shot licensed directly from Greg Henderson, remastered and cut at 45 RPM. Sung by Rome Jefferies and backed by vocal trio Lorali (led by Isabelle Coles of Kleeer), ‘Good Love’ was produced and arranged by maestro Greg Henderson and independently released on his Rain Records imprint in 1983. Wind the clocks forward to the present, and the track is revered as an underground classic from Mr “H”, who'd spent the 70s performing with Soul, Funk, and R&B bands on the New York live circuit, and leading groups like Master Force. To paraphrase Greg Wilson that "Boogie was, in essence, the direct continuation of Disco in its purest form", Henderson’s handful of releases on Rain combined the old with the new in that same way, connecting the dots between the Disco Funk era with the undiluted and independent underground NY dance scene of the early 80s.
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12"
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Label:Backatcha Records
Cat-No:BK048
Release-Date:25.07.2025
Configuration:12"
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Henderson & Whitefield - Vocal
2
Henderson & Whitefield - Instrumental
Classic early 80s New York boogie from Greg Henderson & Leugene Whitfield officially reissued on 12" for the first time, remastered and cut at 45 RPM.
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Label:Backatcha Records
Cat-No:BK042
Release-Date:25.07.2025
Configuration:12"
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1
Dolette McDonald - Vocal
2
Dolette McDonald - Instrumental
Repress!
Recorded in New York in 1982 as a cover version of Atmosfear’s ‘Xtra Special’ from the same year, the single has become a flagship release amongst collectors and music lovers from a long line of versions under the production of Began Cekic and his various Brooklyn-based labels. Epitomising the time-honoured sounds of early 80s New York underground, Dolette Mcdonald's classic cover version has become a sought-after keeper amongst DJs and collectors worldwide.
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Recorded in New York in 1982 as a cover version of Atmosfear’s ‘Xtra Special’ from the same year, the single has become a flagship release amongst collectors and music lovers from a long line of versions under the production of Began Cekic and his various Brooklyn-based labels. Epitomising the time-honoured sounds of early 80s New York underground, Dolette Mcdonald's classic cover version has become a sought-after keeper amongst DJs and collectors worldwide.
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7"
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Label:Backatcha Records
Cat-No:BK100
Release-Date:09.05.2025
Genre:Dub/Reggae
Configuration:7"
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Cat-No:BK100
Release-Date:09.05.2025
Genre:Dub/Reggae
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This reissue brings a sought-after slice of reggae history back to the forefront. Originally released in 1973, this 7" single features two gems miscredited to Ken Parker but rightfully belonging to Alton Ellis and Slim Smith. Side A presents Smith's soulful rendition of Curtis Mayfield's 'We Must Be In Love', a reggae-infused take on the classic tune. On the flip, Ellis delivers a heartfelt performance of 'I Wish I Could Make You Mine', showcasing his smooth vocals and impeccable phrasing. This reissue corrects a historical inaccuracy and makes these two rare tracks accessible once more.
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7"
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Label:Backatcha Records
Cat-No:BK098
Release-Date:02.05.2025
Genre:Dub/Reggae
Configuration:7"
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Genre:Dub/Reggae
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1
Alton Ellis & Slim Smith - Sho-Be-Do-Be-Do (I Love You)
2
Alton Ellis & Slim Smith - Be True
This reissue brings a fascinating piece of reggae history back to the light, showcasing a unique collaboration between Alton Ellis and Slim Smith. Recorded in 1971 at Chalk Farm Studios, this 7-inch single captures a moment of creative exploration and cross-cultural fusion. Side A features 'Sho-Be-Do-Be-Do (I Love You)', a mid-tempo soul duet where their voices intertwine in a display of effortless harmony and heartfelt emotion. Their performance blends soulful melodies with a distinctly Jamaican rhythmic sensibility. On the flip, Ellis takes the lead with 'Be True', a reggae-funk infused cut that highlights his versatility. The track is a testament to Ellis' ability to seamlessly blend genres. Originally intended for release on A&M Records, these tracks were part of a larger project spearheaded by producer Stanley Pemberton. This reissue sheds light on this intriguing chapter in reggae history and allows listeners to appreciate the artistry of Ellis and Smith in a new light. Their collaboration is a testament to their vocal prowess and their ability to create music that transcends cultural boundaries.
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7"
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Label:Backatcha Records
Cat-No:BK099
Release-Date:02.05.2025
Genre:Dub/Reggae
Configuration:7"
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Cat-No:BK099
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Genre:Dub/Reggae
Configuration:7"
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1
Slim Smith & Alton Ellis - Slim Smith - "We Must Be In Love
2
Slim Smith & Alton Ellis - Alton Ellis - "I Wish I Could Make You Mine"
This reissue brings a sought-after slice of reggae history back to the forefront. Originally released in 1973, this 7" single features two gems miscredited to Ken Parker but rightfully belonging to Alton Ellis and Slim Smith. Side A presents Smith's soulful rendition of Curtis Mayfield's 'We Must Be In Love', a reggae-infused take on the classic tune. On the flip, Ellis delivers a heartfelt performance of 'I Wish I Could Make You Mine', showcasing his smooth vocals and impeccable phrasing. This reissue corrects a historical inaccuracy and makes these two rare tracks accessible once more.
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7"
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Label:Backatcha Records
Cat-No:BK089
Release-Date:13.09.2024
Genre:Soul/Funk
Configuration:7"
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Label:Backatcha Records
Cat-No:BK089
Release-Date:13.09.2024
Genre:Soul/Funk
Configuration:7"
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1
Jennifer Viban - "Miracles"
2
Jennifer Viban - "How Can I Get To Know You"
7" single from the Soul Of Haringey EP featuring Jennifer Viban's stand-out track 'Miracles' coupled with the previously unreleased 'How Can I Get To Know You' recorded during the Soul Of Haringey sessions.
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Label:Backatcha Records
Cat-No:BK092
Release-Date:13.09.2024
Genre:Dub/Reggae
Configuration:12"
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Label:Backatcha Records
Cat-No:BK092
Release-Date:13.09.2024
Genre:Dub/Reggae
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1
Various Artists - Christine Lewin - "In The Mood"
2
Various Artists - Marvin James - "I'll Be Around"
3
Various Artists - Tricia Dean - "Don't Let It Go To Your Head"
4
Various Artists - Christine Lewin - "In The Mood" (instrumental)
5
Various Artists - Marvin James - "I'll Be Around" (instrumental)
6
Various Artists - Tricia Dean - "Don't Let It Go To Your Head" (instrumental)
Recorded in the mid-80s, a decade after the first advent of UK lovers rock and tailor-made for bass-heavy sound system playback, Christine Lewin’s cover of Tyrone Davis’s ‘In The Mood’ transformed his sensual after-hours classic into a female-led hit that became a staple on Lovers playlists both then and now. Similarly, Tricia Dean’s cover of Jean Carn’s soul favourite ‘Don’t Let It Go To Your Head’ follows the same formula from producers Kpiaye and Smokey, synth-led rhythms reflecting the times rooted firmly in a local London scene. Marvin James's under the radar vocal cover of The Spinners' 'I'll Be Around' gets a reissue on vinyl for the first time backed up by the sought-after Kpiaye instrumental mix aka 'Dub mix by Surgeon McEdit'.
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Label:Backatcha Records
Cat-No:BK074
Release-Date:13.09.2024
Configuration:12"
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Cat-No:BK074
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1
U-Bert - "Got To Make Sure" (Pablo mix)
2
U-Bert - "Got To Make Sure" (remix)
3
U-Bert - "Got To Make Sure" (Minister mix)
“In my opinion, the greatest UK street soul tune ever made! It’s all about the message of unity” - Delasy StudioEight.
Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.
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Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.
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12"
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Label:Backatcha Records
Cat-No:BK080
Release-Date:13.09.2024
Configuration:12"
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Cat-No:BK080
Release-Date:13.09.2024
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1
Isabel Roberts Feat. Robert Chandler - "Love Situation" (feat Robert Chandler)
2
Isabel Roberts Feat. Robert Chandler - "Love Situation" (instrumental)
3
Isabel Roberts Feat. Robert Chandler - "I Just Fall In Love"
4
Isabel Roberts Feat. Robert Chandler - "I Just Fall In Love" (instrumental)
Isabel Roberts mid-80s stand-out singles from the Hot Vinyl stabel reissued for the first time back-to-back on one 12". UK electric-boogie-synth-funk essentials on limited 12" as part of Backatcha's 'Hot Vinyl' reissue series.
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Label:Backatcha Records
Cat-No:BK091
Release-Date:13.09.2024
Genre:Soul/Funk
Configuration:7"
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Label:Backatcha Records
Cat-No:BK091
Release-Date:13.09.2024
Genre:Soul/Funk
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1
Robert Chandler - "Experience My Love"
2
Robert Chandler - "Experience My Love" (instrumental)
Originally released on an elusive white label by DJ Smokey Joe, only a boxful of copies ever changed hands across the counter of his East London Record shop back in 1986 - 'Experience My Love' was hard to find on release let alone decades later. Produced by musician and song-writer Steve Slavin, the single was bound for a Hot Vinyl release the same year but it never materialised. Available now on limited 7".
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Label:Backatcha Records
Cat-No:BK086
Release-Date:13.09.2024
Genre:Soul/Funk
Configuration:12"
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1
Various Artists - Pip Archer - Time To Boogie
2
Various Artists - Andrea Lyn - Hold On To Your Heart
3
Various Artists - Jennifer Viban - Miracles
4
Various Artists - The Curruthers Brothers - What Do Ya?
5
Various Artists - Boss - Ease The Tension
Soul Of Haringey 12" EP; comes with printed inner sleeve w/picture sleeve. In 1985, A-Level Economic students at Highgate Wood School in North London ran an advert in Melody Maker looking for material for a school project to release a compilation EP of local artists from Haringey. The result was a 5-track EP 12" released the following year on the 'A.L.E.' imprint that was distributed and sold in local shops before disappearing into obscurity. Featuring a mix of old school electro, pop, funk and soul infused tracks that echo the musical styles of mid-80s London, it's now a highly coveted rarity amongst DJ's and collectors. Whether it's a balearic set, an old school electro hip-hop playlist, a dive into mid-80's British independent soulful pop or the latest nu-disco set, the Sound Of Haringey is on track.
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Label:Backatcha Records
Cat-No:BK046
Release-Date:09.09.2024
Genre:Dub/Reggae
Configuration:12"
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Cat-No:BK046
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Genre:Dub/Reggae
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Label:Backatcha Records
Cat-No:BK088
Release-Date:09.09.2024
Configuration:12"
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1
Intrigue - "One Touch"
2
Intrigue - "Touch Down"
Backatcha continues to delve into the back catalogue of British 80s soul outfit Intrigue, a combo born in the Britfunk and boogie era whose independently released records have long been sought-after by disco diggers and record collectors alike. Having already reissued the band's best-known tune, 1982's 'I Like It', they've now turned their attention to a more overlooked gem: 1986 single 'One Touch'. Glossy, colourful and effortlessly soulful, it's a fine chunk of polished, club-ready 80s street soul with nods to electrofunk. Flipside 'Touch Down', a more extended affair, is an alternative, largely instrumental dub mix that adds layers of effects to key elements while stretching out the synth-heavy groove.
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Label:Backatcha Records
Cat-No:BK068
Release-Date:09.09.2024
Configuration:12"
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1
En To End - "Money Talks"
2
En To End - "I Still Love You" (feat Intrigue)
3
En To End - "Money Talks" (instrumental)
4
En To End - "I Still Love You" (feat Intrigue - instrumental)
En-To-End's 'Money Talks' is an old school street soul classic from the late 80s. It's been reissued before by Backatcha Records but is an ever-green anthem so is also welcome back. This version comes with a yellow label on limited 12". And so to the tunes - 'Money Talks' is a low-slung groove with spoke-sung vocals and lush chord work. Also included is the brilliant drum work of 'I Still Love You' with its r&b vocals and irresistible groove. Instrumentals of each feature on the flip but the vocal versions really are the ones.
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Label:Sound Essence
Cat-No:SE003LP
Release-Date:05.12.2025
Genre:Soul/Funk
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1
Modern Soul Septett - Sie konnte nicht verstehen
2
Modern Soul Septett - Greenhorn
3
Modern Soul Septett - Isolata Natale
4
Modern Soul Septett - Studio 1
5
Modern Soul Septett - Dein Lächeln
6
Modern Soul Septett - D 51
7
Modern Soul Septett - Keine Zeit
8
Modern Soul Septett - Kleine Sorgen
9
Modern Soul Septett - So muss es sein
10
Modern Soul Septett - Eine unter Millionen
11
Modern Soul Septett - Unser Haus
12
Modern Soul Septett - Für Christel
No Return!
The Modern Soul Septet (later Modern Soul Band) was one of the hottest and most popular dance music groups in East Germany from the late 1960s to the mid-1980s.
In its early years, this band played a very unusual, raw, authentic, and freaky brand of funky Soul-Beat and Jazz-Rock for East Germany, which thrilled many music lovers and dance enthusiasts. The Modern Septett became one of the most booked dance bands in the country and recorded numerous outstanding tracks for the radio. Ahead of their time and too raw and hard for the state label, only two tracks were published in this first creative period. By the mid-70s, the Modern Soul Band had arrived in the midst of Fusion-Jazz and, thanks to their steadily growing popularity, finally received their first LP production in 1976. This album "Soul Komplex" fills a long-overdue gap in the band's discography and is an absolute must for any collector of East German Soul and Jazz.
Previously unreleased East German high class late 1960s and early 1970s funky Soul-Beat and raw Jazz-Rock titels.
A1 Sie konnte nicht verstehen
A2 Greenhorn
A3 Isolata Natale
A4 Studio 1
A5 Dein Lächeln
A6 D 51
B1 Keine Zeit
B2 Kleine Sorgen
B3 So muss es sein
B4 Eine unter Millionen
B5 Unser Haus
B6 Für Christel
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Modern Soul Septet (later Modern Soul Band) was one of the hottest and most popular dance music groups in East Germany from the late 1960s to the mid-1980s.
In its early years, this band played a very unusual, raw, authentic, and freaky brand of funky Soul-Beat and Jazz-Rock for East Germany, which thrilled many music lovers and dance enthusiasts. The Modern Septett became one of the most booked dance bands in the country and recorded numerous outstanding tracks for the radio. Ahead of their time and too raw and hard for the state label, only two tracks were published in this first creative period. By the mid-70s, the Modern Soul Band had arrived in the midst of Fusion-Jazz and, thanks to their steadily growing popularity, finally received their first LP production in 1976. This album "Soul Komplex" fills a long-overdue gap in the band's discography and is an absolute must for any collector of East German Soul and Jazz.
Previously unreleased East German high class late 1960s and early 1970s funky Soul-Beat and raw Jazz-Rock titels.
A1 Sie konnte nicht verstehen
A2 Greenhorn
A3 Isolata Natale
A4 Studio 1
A5 Dein Lächeln
A6 D 51
B1 Keine Zeit
B2 Kleine Sorgen
B3 So muss es sein
B4 Eine unter Millionen
B5 Unser Haus
B6 Für Christel
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:BEWITH178LP
Release-Date:23.01.2026
Genre:Funk
Configuration:LP Excl
Barcode:4251804186285
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Last in:12.11.2025
Label:Be With Records
Cat-No:BEWITH178LP
Release-Date:23.01.2026
Genre:Funk
Configuration:LP Excl
Barcode:4251804186285
1
Dennis Bovell - Rebel Funk
2
Dennis Bovell - Raw Soul
3
Dennis Bovell - Callaloo
4
Dennis Bovell - Too Funky To Be True
5
Dennis Bovell - Wind Up, Dub Down
6
Dennis Bovell - Rebel Funk (Dub Lion Version)
7
Dennis Bovell - Raw Soul (Dub Version)
8
Dennis Bovell - Callaloo (Dub Version)
9
Dennis Bovell - Too Funky To Be True (Dub Flute Version)
10
Dennis Bovell - Wind Up, Dub Down (Dub Down Version)
Territories:
Worldwide no restrictions
Format Notes:
2025 first time vinyl issue of this incredible funk-forward library dub record from the Dubmaster himself. 140g vinyl. Limited to just 1000 worldwide.
Track List:
A1 Rebel Funk
A2 Raw Soul
A3 Callaloo
A4 Too Funky To Be True
A5 Wind Up, Dub Down
B1 Rebel Funk (Dub Lion Version)
B2 Raw Soul (Dub Version)
B3 Callaloo (Dub Version)
B4 Too Funky To Be True (Dub Flute Version)
B5 Wind Up, Dub Down (Dub Down Version)
Release Notes:
A heavyweight library record delivered straight from the Gods; truly, we are all blessed: Dubmaster Dennis Bovell presents cLOUD mUsIc. A miraculous set of loose limbed, slinky funk-forward dub on the A-Side with totally blunted, spaced out trippiness on the grooving versions gracing the flipside.
A pioneer of dub and progenitor of lovers rock, genius producer-arranger Dennis 'Blackbeard' Bovell's prolific and eclectic career encompasses a huge range of music: from dub poetry to lovers rock, afro-beat to post-punk, disco to pop and beyond.
His production work encompasses such diverse figures as Ryuichi Sakamoto, The Slits, Fela Kuti, Linton Kwesi Johnson, The Pop Group, Janet Kay, Saada Bonaire, Orange Juice, Golden Teacher, I Roy, Maximum Joy, Steel Pulse and more.
cLOUD mUsIc features 8 new, deep, never-heard heaters, initially created for upstart UK library label FOLD. Dennis had written some music under the influence of Cloud-watching and presented it to FOLD with a view to them presenting it as Library Music to be utilised by anyone interested in having music for incidentals, films, TV and advertising etc.
cLOUD mUsIc represents Dennis expressing himself freely and inviting others to join and express themselves. As Dennis explains: "Library music is what makes the difference between creating for specific reasons and creating for your own individual enjoyment. cLOUD mUsIc was created whenever I felt the urge to create music that I wanted to, with no pressure. It was recorded at various times and in various studios around the world with various musicians’ assistance. Much sonic indulgence with many different recording devices."
Who doesn't like the sound of that?
Thrilling disco-flecked opener "Rebel Funk" comes bustling out the gate with deeply soulful, driving funk rhythms, a ponderous thumping bass combining brilliantly with a full band and chanting choral vocals. Spirited, joyful and dynamic, it's a true treat from the reggae maestro. The lush, deeply danceable "Raw Soul" combines funk and soul via bass, drums, electric guitar, sax and trumpet. It's smooth, silky and confident.
The chilled, serene "Callaloo" presents a sunny, calypso-style reggae with dub rhythms, with steel drums and keyboards providing the sweet melody of deep bass and percussive rhythms. "Too Funky To Be True" is just that: slow bass and brass-led funk with melodies from strings and organ. It's sleazy, warm and refined. To close out the side, "Wind Up, Dub Down" is bright and breezy dub reggae with a bouncy rhythm and reflective, contented feel. The B-Side features jaw-dropping dubbed-out, strung-out, spaced-out versions of each of the first 5 tracks. Don't ever say we short change you.
The vinyl features artwork utilising a unique photo by Dennis himself. We picked it from a selection of photos taken by Dennis during his study of cloud formations and how they morph. We think it's pretty striking. As for the title, Dennis explained: "the ‘Clouds’ are where things are being Digitally stored and, that the word Loud was part of their spelling, I thought to invite the listener to play it loudly."
Meticulously mastered and cut by both Simon Francis and Cicely Balston respectively, cLOUD mUsIc has been pressed to the highest possibly quality at Record Industry in Holland. Without question, it deserves to be blasting from a soundsystem to truly appreciate the reverb, echo and rhythm section on each of the ten tracks.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Worldwide no restrictions
Format Notes:
2025 first time vinyl issue of this incredible funk-forward library dub record from the Dubmaster himself. 140g vinyl. Limited to just 1000 worldwide.
Track List:
A1 Rebel Funk
A2 Raw Soul
A3 Callaloo
A4 Too Funky To Be True
A5 Wind Up, Dub Down
B1 Rebel Funk (Dub Lion Version)
B2 Raw Soul (Dub Version)
B3 Callaloo (Dub Version)
B4 Too Funky To Be True (Dub Flute Version)
B5 Wind Up, Dub Down (Dub Down Version)
Release Notes:
A heavyweight library record delivered straight from the Gods; truly, we are all blessed: Dubmaster Dennis Bovell presents cLOUD mUsIc. A miraculous set of loose limbed, slinky funk-forward dub on the A-Side with totally blunted, spaced out trippiness on the grooving versions gracing the flipside.
A pioneer of dub and progenitor of lovers rock, genius producer-arranger Dennis 'Blackbeard' Bovell's prolific and eclectic career encompasses a huge range of music: from dub poetry to lovers rock, afro-beat to post-punk, disco to pop and beyond.
His production work encompasses such diverse figures as Ryuichi Sakamoto, The Slits, Fela Kuti, Linton Kwesi Johnson, The Pop Group, Janet Kay, Saada Bonaire, Orange Juice, Golden Teacher, I Roy, Maximum Joy, Steel Pulse and more.
cLOUD mUsIc features 8 new, deep, never-heard heaters, initially created for upstart UK library label FOLD. Dennis had written some music under the influence of Cloud-watching and presented it to FOLD with a view to them presenting it as Library Music to be utilised by anyone interested in having music for incidentals, films, TV and advertising etc.
cLOUD mUsIc represents Dennis expressing himself freely and inviting others to join and express themselves. As Dennis explains: "Library music is what makes the difference between creating for specific reasons and creating for your own individual enjoyment. cLOUD mUsIc was created whenever I felt the urge to create music that I wanted to, with no pressure. It was recorded at various times and in various studios around the world with various musicians’ assistance. Much sonic indulgence with many different recording devices."
Who doesn't like the sound of that?
Thrilling disco-flecked opener "Rebel Funk" comes bustling out the gate with deeply soulful, driving funk rhythms, a ponderous thumping bass combining brilliantly with a full band and chanting choral vocals. Spirited, joyful and dynamic, it's a true treat from the reggae maestro. The lush, deeply danceable "Raw Soul" combines funk and soul via bass, drums, electric guitar, sax and trumpet. It's smooth, silky and confident.
The chilled, serene "Callaloo" presents a sunny, calypso-style reggae with dub rhythms, with steel drums and keyboards providing the sweet melody of deep bass and percussive rhythms. "Too Funky To Be True" is just that: slow bass and brass-led funk with melodies from strings and organ. It's sleazy, warm and refined. To close out the side, "Wind Up, Dub Down" is bright and breezy dub reggae with a bouncy rhythm and reflective, contented feel. The B-Side features jaw-dropping dubbed-out, strung-out, spaced-out versions of each of the first 5 tracks. Don't ever say we short change you.
The vinyl features artwork utilising a unique photo by Dennis himself. We picked it from a selection of photos taken by Dennis during his study of cloud formations and how they morph. We think it's pretty striking. As for the title, Dennis explained: "the ‘Clouds’ are where things are being Digitally stored and, that the word Loud was part of their spelling, I thought to invite the listener to play it loudly."
Meticulously mastered and cut by both Simon Francis and Cicely Balston respectively, cLOUD mUsIc has been pressed to the highest possibly quality at Record Industry in Holland. Without question, it deserves to be blasting from a soundsystem to truly appreciate the reverb, echo and rhythm section on each of the ten tracks.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:White Label
Cat-No:X001
Release-Date:13.01.2022
Configuration:12"
Barcode:
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1
Opolopo - X Machine (Extended Mix)
2
Opolopo - X Machine (Instrumental Mix)
Right on, right on! The Godfather of Soul gets a fresh feeling of funk courtesy of the main man Opolopo with these two exquisite edits. On one side the extended, on the flip the instrumental, Opolopo’s ready to get up and do his thang, giving a modern twist to this funked up dancefloor bomb.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Nipponophone
Cat-No:COJA-9556
Release-Date:14.11.2025
Configuration:LP Excl
Barcode:
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1
Blues Creation - Atomic Bombs Away
2
Blues Creation - Mississippi Mountain Blues
3
Blues Creation - Just I Was Born
4
Blues Creation - Sorrow
5
Blues Creation - One Summer Day
6
Blues Creation - Brane Baster
7
Blues Creation - Sooner Or Later
8
Blues Creation - Demon & Eleven Children
*Pressed on clear deep blue vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Shinichi Ogawa in Japanese and English translation
*Originally released in 1971
Blazing with raw energy and searing guitar riffs, the second album from Blues Creation—the legendary rock band led by guitarist Kazuo Takeda—is a cornerstone of Japan’s hard rock legacy. Drawing heavy inspiration from the likes of Black Sabbath and Led Zeppelin, this record delivers a powerful, riff-driven sound that helped shape the dawn of Japanese hard rock. What sets it apart is its hypnotic blend of British-style heavy rock with vocals sung in English tinged with a distinctly Japanese flavor—creating a one-of-a-kind psychedelic atmosphere that continues to mesmerize rock enthusiasts across the globe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Shinichi Ogawa in Japanese and English translation
*Originally released in 1971
Blazing with raw energy and searing guitar riffs, the second album from Blues Creation—the legendary rock band led by guitarist Kazuo Takeda—is a cornerstone of Japan’s hard rock legacy. Drawing heavy inspiration from the likes of Black Sabbath and Led Zeppelin, this record delivers a powerful, riff-driven sound that helped shape the dawn of Japanese hard rock. What sets it apart is its hypnotic blend of British-style heavy rock with vocals sung in English tinged with a distinctly Japanese flavor—creating a one-of-a-kind psychedelic atmosphere that continues to mesmerize rock enthusiasts across the globe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Cat-No:pr65017p
Release-Date:17.01.2019
Configuration:12"
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1
Edwin Birdsong - No Title
2
Edwin Birdsong - No Title
An instantly recognisable intro that Daft Punk turned into one of their most well-known anthems, ‘Harder Better Faster Stronger’ - Edwin Birdsong’s ‘Cola Bottle Baby’ is straight up insatiable, late ‘70s funk fire.
To think this was made nearly 40 years ago – it sounds as delicious as the day it was released and one of those classics that was way ahead of the game. It’d be hard to find anyone that doesn’t feel some level of nostalgia in those opening 15 seconds, but not many would be able to name the original behind the sample.
A futuristic leaning jazz funk sound, in part created by the quacked-out bass synth and ringing ride cymbal but grounded in the grooving funk bass, twanging guitar and electrifying keys. An amalgamation of sounds from pop, disco and funk to jazz and electro, there’s no denying Birdsong’s talents - a flair that would lead him to collaborate with the mighty Roy Ayers.
On the B side, ‘Freaky Deaky Sities’ ramps up the tempo but carries on that mix of the futuristic and the funk – an ode to all the disco dancers out there. Talkbox business married with Birdsong and his backing’s call and response, bongos and cowbells side by side with rock styled guitars, it’s a pure power play for the dancefloor.
An underrated talent given a new lease of the life - officially, remastered and reissued for the first time on 12-inch vinyl for a fuller, louder pressing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
To think this was made nearly 40 years ago – it sounds as delicious as the day it was released and one of those classics that was way ahead of the game. It’d be hard to find anyone that doesn’t feel some level of nostalgia in those opening 15 seconds, but not many would be able to name the original behind the sample.
A futuristic leaning jazz funk sound, in part created by the quacked-out bass synth and ringing ride cymbal but grounded in the grooving funk bass, twanging guitar and electrifying keys. An amalgamation of sounds from pop, disco and funk to jazz and electro, there’s no denying Birdsong’s talents - a flair that would lead him to collaborate with the mighty Roy Ayers.
On the B side, ‘Freaky Deaky Sities’ ramps up the tempo but carries on that mix of the futuristic and the funk – an ode to all the disco dancers out there. Talkbox business married with Birdsong and his backing’s call and response, bongos and cowbells side by side with rock styled guitars, it’s a pure power play for the dancefloor.
An underrated talent given a new lease of the life - officially, remastered and reissued for the first time on 12-inch vinyl for a fuller, louder pressing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
in stock
Label:Be With Records
Cat-No:BEWITH132LP
Release-Date:03.10.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804186155
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Last in:30.07.2025
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Last in:30.07.2025
Label:Be With Records
Cat-No:BEWITH132LP
Release-Date:03.10.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804186155
1
The Keith Tippett Group - This Is What Happens
2
The Keith Tippett Group - Thoughts To Geoff
3
The Keith Tippett Group - Green And Orange Night Park
4
The Keith Tippett Group - Gridal Suite
5
The Keith Tippett Group - Five After Dawn
6
The Keith Tippett Group - Dedicated To You, But You Weren't Listening
7
The Keith Tippett Group - Black Horse
Territories: Worldwide no restrictions
Format Notes: First time ever official vinyl reissue, gatefold 140g vinyl, remastered from the original Vertigo master tapes.
Track List:
A1 This Is What Happens (5:45)
A2 Thoughts To Geoff (10:19)
A3 Green And Orange Night Park (8:12)
---
B4 Gridal Suite (6:13)
B5 Five After Dawn (5:24)
B6 Dedicated To You, But You Weren't Listening (0:36)
B7 Black Horse (5:53)
Release Notes:
The Keith Tippett Group's Dedicated to You, But You Weren't Listening is a landmark in cutting edge fusion/avant-jazz. A vital and profoundly adventurous Jazz-Rock record that still swings very hard, it was first released on Vertigo in 1971.
Original copies are now very tricky to score and, as most of you really should know, it’s aged ridiculously well.
A legendary work, this Be With re-issue has been newly remastered from the original Vertigo master tapes, demonstrating just why this deserves to be back in press. The stunning gatefold jacket fully restores Roger and Martyn Dean's original, arresting album artwork to complete this must-have reissue.
Alive and bursting with a joyful energy that has to be heard to be believed, Dedicated to You, But You Weren't Listening flirts with perfection. It's truly magical and forever essential.
A brilliant jazz pianist, composer, arranger and bandleader "who could make the outlands of modern music feel like the most hospitable of places" (The Guardian), Keith Tippett's second album is oft-regarded as his Canterbury album.
Indeed, not only does he draw heavily on Soft Machine members past, present and future but the album title itself archly references a Soft Machine composition. Ray Babbington handles bass alongside Neville Whitehead and the drums are shared between Brian Spring (Nucleus), Robert Wyatt(!) and Phil Howard (who would go on to replace Wyatt in Soft Machine). Gary Boyle (Isotope) is on guitar whilst the great percussionist Tony Uter is enlisted for his conga and cow bell expertise. Elton Dean on Alto Saxello, cornetist Marc Charig and Nick Evans on trombone round out this quite stunning ensemble.
Dedicated to You, But You Weren't Listening presents a collective of superhuman musicians really, *really* enjoying themselves in the studio. The sheer exuberance of the performance is totally infectious. It's wild, energetic, atmospheric and, bluntly, bordering on chaotic at points. In a word, it's beautiful.
Robert Wyatt's drumming opens the record with a bang on the majestic Be With favourite "This Is What Happens". Some have described his work here as "easily the most inspired of his career on record." It's an ultra-funky conga-driven groove that truly sparks via the duelling interplay between the three horn players. In the background, Keith's insistent piano, in conversation with those unignorable drums, is the anchor that keeps this piece rollicking away. Breathtaking.
The epic, energetic "Thoughts to Geoff" is a 10-minute jammer that tends towards the dissonant and improvisational but becomes more fluid, laconic and melodic as it unravels. The interplay between soloists and ensembles is particularly dazzling here - blazing solos by Evans, Charig and Tippett himself in a flourish of angular arpeggios interspersed with chordal elocution. Phew.
Up next, the no less-urgent Mingus-referencing "Green and Orange Night Park" is a soaring example of ambitious jazz mixed with rock aggression, with Dean strutting his stuff by launching into a scorching solo. An absolutely jaw-dropping piece. Arguably the highlight of this album of huge highlights!
Though much of the album tends to fall on the raucous side ("Gridal Suite" approaches free-jazz at its most chaotic and, dare we say it, "difficult"), there are a few more sedate, at times spacey numbers, such as the deeply impressionistic "Five After Dawn". The rhythmically complex "Black Horse" is the most accessible track here, a sort of swinging Big Band number with tight grooves, soaring horn & reed melodies, a sizzling Boyle guitar solo and tasty electric piano riffs from Tippett. An hypnotic climax to a staggering record.
This Be With edition of Dedicated to You, But You Weren't Listening has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at Abbey Road Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored in all its brainchild glory so you know you're dealing with the definitive reissue, here. Now, are you listening?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: First time ever official vinyl reissue, gatefold 140g vinyl, remastered from the original Vertigo master tapes.
Track List:
A1 This Is What Happens (5:45)
A2 Thoughts To Geoff (10:19)
A3 Green And Orange Night Park (8:12)
---
B4 Gridal Suite (6:13)
B5 Five After Dawn (5:24)
B6 Dedicated To You, But You Weren't Listening (0:36)
B7 Black Horse (5:53)
Release Notes:
The Keith Tippett Group's Dedicated to You, But You Weren't Listening is a landmark in cutting edge fusion/avant-jazz. A vital and profoundly adventurous Jazz-Rock record that still swings very hard, it was first released on Vertigo in 1971.
Original copies are now very tricky to score and, as most of you really should know, it’s aged ridiculously well.
A legendary work, this Be With re-issue has been newly remastered from the original Vertigo master tapes, demonstrating just why this deserves to be back in press. The stunning gatefold jacket fully restores Roger and Martyn Dean's original, arresting album artwork to complete this must-have reissue.
Alive and bursting with a joyful energy that has to be heard to be believed, Dedicated to You, But You Weren't Listening flirts with perfection. It's truly magical and forever essential.
A brilliant jazz pianist, composer, arranger and bandleader "who could make the outlands of modern music feel like the most hospitable of places" (The Guardian), Keith Tippett's second album is oft-regarded as his Canterbury album.
Indeed, not only does he draw heavily on Soft Machine members past, present and future but the album title itself archly references a Soft Machine composition. Ray Babbington handles bass alongside Neville Whitehead and the drums are shared between Brian Spring (Nucleus), Robert Wyatt(!) and Phil Howard (who would go on to replace Wyatt in Soft Machine). Gary Boyle (Isotope) is on guitar whilst the great percussionist Tony Uter is enlisted for his conga and cow bell expertise. Elton Dean on Alto Saxello, cornetist Marc Charig and Nick Evans on trombone round out this quite stunning ensemble.
Dedicated to You, But You Weren't Listening presents a collective of superhuman musicians really, *really* enjoying themselves in the studio. The sheer exuberance of the performance is totally infectious. It's wild, energetic, atmospheric and, bluntly, bordering on chaotic at points. In a word, it's beautiful.
Robert Wyatt's drumming opens the record with a bang on the majestic Be With favourite "This Is What Happens". Some have described his work here as "easily the most inspired of his career on record." It's an ultra-funky conga-driven groove that truly sparks via the duelling interplay between the three horn players. In the background, Keith's insistent piano, in conversation with those unignorable drums, is the anchor that keeps this piece rollicking away. Breathtaking.
The epic, energetic "Thoughts to Geoff" is a 10-minute jammer that tends towards the dissonant and improvisational but becomes more fluid, laconic and melodic as it unravels. The interplay between soloists and ensembles is particularly dazzling here - blazing solos by Evans, Charig and Tippett himself in a flourish of angular arpeggios interspersed with chordal elocution. Phew.
Up next, the no less-urgent Mingus-referencing "Green and Orange Night Park" is a soaring example of ambitious jazz mixed with rock aggression, with Dean strutting his stuff by launching into a scorching solo. An absolutely jaw-dropping piece. Arguably the highlight of this album of huge highlights!
Though much of the album tends to fall on the raucous side ("Gridal Suite" approaches free-jazz at its most chaotic and, dare we say it, "difficult"), there are a few more sedate, at times spacey numbers, such as the deeply impressionistic "Five After Dawn". The rhythmically complex "Black Horse" is the most accessible track here, a sort of swinging Big Band number with tight grooves, soaring horn & reed melodies, a sizzling Boyle guitar solo and tasty electric piano riffs from Tippett. An hypnotic climax to a staggering record.
This Be With edition of Dedicated to You, But You Weren't Listening has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at Abbey Road Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored in all its brainchild glory so you know you're dealing with the definitive reissue, here. Now, are you listening?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:The Outer Edge
Cat-No:EDGE-033Y
Release-Date:01.08.2025
Configuration:LP Excl
Barcode:4251804186759
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1
FEX - Skyscraper
2
FEX - Subways Of Your Mind
3
FEX - Goldrush
4
FEX - Heart In Danger
5
FEX - Dirty Slapstick
6
FEX - I Got My Eyes On You
7
FEX - Talking Hands
8
FEX - Strange Feeling
9
FEX - Jenny
10
FEX - Subways Of Your Mind (TMMS Darius Version)
lim. Yellow Vinyl Version / Obi Strip !
Skyscraper - Waves From the Past
The incredible story that began with The Most Mysterious Song on the Internet (TMMS) now enters an exciting new chapter: Skyscraper, the debut album by FEX.
Skyscraper features ten original tracks recorded in the early to mid-1980s-carefully re-transferred, remastered, and brought back to life. The album cover, designed by Darius S., brings the story full circle. Darius is the very person who preserved the now-iconic track Subways of Your Mind by recording it from NDR radio in the mid-80s. Without him, FEX may never have been discovered.
FEX's debut opens with its namesake, Skyscraper-a brooding, previously unreleased track the band once described as part of their "psychedelic phase." With haunting synth-helicopter textures and deep guitar riffs, it immediately sets the tone and raises tension.
The release flows naturally into the energetic and fully remastered studio version of Subways of Your Mind. This version of the TMMS - re-discovered on the "yellow label tape" by Reddit user Marijn-was long believed to be from a smaller home studio, but was actually recorded in November 1984 at Hawkeye Studios in Ganderkesee, near Hamburg.
Goldrush, first teased in raw form on FEX's YouTube channel, bends toward mechanical rhythm and shimmering synths, a snapshot of the band's experiments with programmed drum machine sound. Rückwardt's lyrics point to greed and criticizes materialism, and while the music leans toward pop sensibilities, it carries a raw, fractured edge.
Heart in Danger and I've Got My Eyes On You offer contrasting experiences-one rooted in classic post-punk tension, the other floating in melodic synth layers. The latter in particular feels like a fragment from a parallel radio history: a precise and one of a kind synth pop love song with a progressive touch.
From a rehearsal tape comes Dirty Slapstick, its urgency intact. Missing keyboard parts were later reconstructed by Michael Hädrich using his original DX7 synthesizer-recovering lost elements without rewriting the past. The lyrics take a wry look at forced optimism. Also included are the songs Talking Hands, Jenny and Strange Feeling, the latter being a slower blues-tinged cut, revealing yet another facet of the band's reach and Rückwardt's songwriting diversity.
The album closes where the legend began-with the original radio recording of Subways of Your Mind from Darius' cassette. This version of The Most Mysterious Song features alternate vocal effects, contributing to the track's enigmatic aura. Digitally transferred using a high-end Revox machine and carefully remastered, it now has its long-deserved official release.
The cover features a photo of the Eichenberg Bunker in Kiel-one of FEX's original rehearsal spaces and a symbolic monument to their sonic legacy.
" VITAL SALES POINTS:
- Includes "The Most Mysterious Song On The Internet"
- Fully Licenced, recorded in 1984
- Previously unissued recordings
- Gatefold sleeve
Tracklist:
Side A
1. Skyscraper
2. Subways Of Your Mind
3. Goldrush
4. Heart In Danger
5. Dirty Slapstick
Side B
6. I Got My Eyes On You
7. Talking Hands
8. Strange Feeling
9. Jenny
10. Subways Of Your Mind (TMMS Darius Version)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Skyscraper - Waves From the Past
The incredible story that began with The Most Mysterious Song on the Internet (TMMS) now enters an exciting new chapter: Skyscraper, the debut album by FEX.
Skyscraper features ten original tracks recorded in the early to mid-1980s-carefully re-transferred, remastered, and brought back to life. The album cover, designed by Darius S., brings the story full circle. Darius is the very person who preserved the now-iconic track Subways of Your Mind by recording it from NDR radio in the mid-80s. Without him, FEX may never have been discovered.
FEX's debut opens with its namesake, Skyscraper-a brooding, previously unreleased track the band once described as part of their "psychedelic phase." With haunting synth-helicopter textures and deep guitar riffs, it immediately sets the tone and raises tension.
The release flows naturally into the energetic and fully remastered studio version of Subways of Your Mind. This version of the TMMS - re-discovered on the "yellow label tape" by Reddit user Marijn-was long believed to be from a smaller home studio, but was actually recorded in November 1984 at Hawkeye Studios in Ganderkesee, near Hamburg.
Goldrush, first teased in raw form on FEX's YouTube channel, bends toward mechanical rhythm and shimmering synths, a snapshot of the band's experiments with programmed drum machine sound. Rückwardt's lyrics point to greed and criticizes materialism, and while the music leans toward pop sensibilities, it carries a raw, fractured edge.
Heart in Danger and I've Got My Eyes On You offer contrasting experiences-one rooted in classic post-punk tension, the other floating in melodic synth layers. The latter in particular feels like a fragment from a parallel radio history: a precise and one of a kind synth pop love song with a progressive touch.
From a rehearsal tape comes Dirty Slapstick, its urgency intact. Missing keyboard parts were later reconstructed by Michael Hädrich using his original DX7 synthesizer-recovering lost elements without rewriting the past. The lyrics take a wry look at forced optimism. Also included are the songs Talking Hands, Jenny and Strange Feeling, the latter being a slower blues-tinged cut, revealing yet another facet of the band's reach and Rückwardt's songwriting diversity.
The album closes where the legend began-with the original radio recording of Subways of Your Mind from Darius' cassette. This version of The Most Mysterious Song features alternate vocal effects, contributing to the track's enigmatic aura. Digitally transferred using a high-end Revox machine and carefully remastered, it now has its long-deserved official release.
The cover features a photo of the Eichenberg Bunker in Kiel-one of FEX's original rehearsal spaces and a symbolic monument to their sonic legacy.
" VITAL SALES POINTS:
- Includes "The Most Mysterious Song On The Internet"
- Fully Licenced, recorded in 1984
- Previously unissued recordings
- Gatefold sleeve
Tracklist:
Side A
1. Skyscraper
2. Subways Of Your Mind
3. Goldrush
4. Heart In Danger
5. Dirty Slapstick
Side B
6. I Got My Eyes On You
7. Talking Hands
8. Strange Feeling
9. Jenny
10. Subways Of Your Mind (TMMS Darius Version)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Cat-No:pr65010p
Release-Date:14.06.2018
Genre:Classics
Configuration:12"
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Cat-No:pr65010p
Release-Date:14.06.2018
Genre:Classics
Configuration:12"
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1
People's Choice - Here We Go Again
2
People's Choice - Jam, Jam, Jam (All Night Long)
A classic slice of Philadelphia funk from People's Choice, officially remastered and reissued for 2018.
‘Here We Go Again' is a definitive, feel-good disco stomper combining a full frontal bassline, infectious keys and staccato guitar licks that effortlessly build and build throughout the track. Cries of 'Here We Go Again' ring out at it's peak epitomising the feeling that this groove could last forever. Keeping up that perpetual good time groove the B side houses the mighty 'Jam, Jam, Jam (All Night Long)'. A track doused in the funk, from the rugged vocals to the addictive hooks, it'll worm it's way into your head for weeks.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
‘Here We Go Again' is a definitive, feel-good disco stomper combining a full frontal bassline, infectious keys and staccato guitar licks that effortlessly build and build throughout the track. Cries of 'Here We Go Again' ring out at it's peak epitomising the feeling that this groove could last forever. Keeping up that perpetual good time groove the B side houses the mighty 'Jam, Jam, Jam (All Night Long)'. A track doused in the funk, from the rugged vocals to the addictive hooks, it'll worm it's way into your head for weeks.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:10.08.2021
Label:Thank You
Cat-No:THANKYOU009
Release-Date:16.07.2021
Genre:House
Configuration:12"
Barcode:
1
Le Palace De Beaute - The Pleasure Seekers
2
Le Palace De Beaute - Outta Space
3
Le Palace De Beaute - Sin
Larry Tee’s early work originally released in 1988 featuring mutated HiNRG Proto House sounds - No BS only realness.
Serious business faster borderline HiNRG on the A side with Pleasure Seekers, and then starting off the B side with slower fun samples sprinkled over solid 4 on the floor drum machine. Closing credits with a slower drama drenched urban soap opera ballad. One to keep in the bag all summer.
Original artwork by New York’s Tabboo!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Serious business faster borderline HiNRG on the A side with Pleasure Seekers, and then starting off the B side with slower fun samples sprinkled over solid 4 on the floor drum machine. Closing credits with a slower drama drenched urban soap opera ballad. One to keep in the bag all summer.
Original artwork by New York’s Tabboo!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:The Outer Edge
Cat-No:EDGE-039
Release-Date:23.01.2026
Genre:PostRockNouvelleVague
Configuration:7" Excl
Barcode:4251804188869
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Label:The Outer Edge
Cat-No:EDGE-039
Release-Date:23.01.2026
Genre:PostRockNouvelleVague
Configuration:7" Excl
Barcode:4251804188869
1
FEX - Dead End (with Ilona Rückwardt)
2
FEX - Sarah (with Ilona Rückwardt)
GENRE/S: Post-Punk / New Wave / Alternative
Were FEX the Wildest & Weirdest German New Wave Band in 1984?
Few cult mysteries in modern music have captured the internet's imagination quite like "The Most Mysterious Song on the Internet." Eventually identified as "Subways of Your Mind" by the elusive German band FEX, the track became a viral sensation decades after its creation-and even made its way into a recent Hollywood blockbuster (Black Phone 2).
Now, two more lost FEX recordings have emerged from an old demo cassette: "Dead End" and "Sarah." And they're every bit as electrifying as the legend suggests.
On both songs, guitarist and main songwriter Ture Rückwardt joins forces on lead vocals with his former wife and musical partner Ilona Rückwardt, forming a vocal pairing that channels raw energy and eerie chemistry. What they deliver are two of the most urgent, adrenaline-fueled post-punk artifacts you're likely to hear this year-even if they were recorded more than forty years ago.
Opening with a sharp, melodic guitar solo, "Dead End" bursts forward with uptempo drive-catchy, fierce, and full of momentum. Apparently inspired by Orwell's 1984, its lyrics depict urban desolation-loneliness, homelessness, hopelessness-yet still shimmer with defiance in lines like, "Truth is amazing - hoping is like waiting."
The second track, "Sarah," dives even deeper into darkness. Mixing post-punk intensity with psychedelic textures, Rückwardt tells an imaginary story of a couple lost in drugs and spiraling through a bad trip, only to wake and realize that sobriety offers little comfort-the real world itself can be just as brutal and offers no easy escape.
Neither song makes the slightest concession to commercial trends. Instead, they feel utterly uncompromising-wild, strange, and defiantly timeless. In a world obsessed with polish and playlists, "Dead End" and "Sarah" sound like transmissions from a different planet.
Both tracks were originally recorded as demos in 1984 in the band's rehearsal room, with Hase engineering. The newly restored versions preserve the raw spirit of the original tapes while adding subtle layers to enhance their atmosphere without losing the authentic 1980s sound. FEX hint that the untouched demo versions might surface later, possibly on a second volume of their archival EP "More Waves from the Past."
Side A
Dead End (with Ilona Rückwardt)
Side B
Sarah (with Ilona Rückwardt)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Were FEX the Wildest & Weirdest German New Wave Band in 1984?
Few cult mysteries in modern music have captured the internet's imagination quite like "The Most Mysterious Song on the Internet." Eventually identified as "Subways of Your Mind" by the elusive German band FEX, the track became a viral sensation decades after its creation-and even made its way into a recent Hollywood blockbuster (Black Phone 2).
Now, two more lost FEX recordings have emerged from an old demo cassette: "Dead End" and "Sarah." And they're every bit as electrifying as the legend suggests.
On both songs, guitarist and main songwriter Ture Rückwardt joins forces on lead vocals with his former wife and musical partner Ilona Rückwardt, forming a vocal pairing that channels raw energy and eerie chemistry. What they deliver are two of the most urgent, adrenaline-fueled post-punk artifacts you're likely to hear this year-even if they were recorded more than forty years ago.
Opening with a sharp, melodic guitar solo, "Dead End" bursts forward with uptempo drive-catchy, fierce, and full of momentum. Apparently inspired by Orwell's 1984, its lyrics depict urban desolation-loneliness, homelessness, hopelessness-yet still shimmer with defiance in lines like, "Truth is amazing - hoping is like waiting."
The second track, "Sarah," dives even deeper into darkness. Mixing post-punk intensity with psychedelic textures, Rückwardt tells an imaginary story of a couple lost in drugs and spiraling through a bad trip, only to wake and realize that sobriety offers little comfort-the real world itself can be just as brutal and offers no easy escape.
Neither song makes the slightest concession to commercial trends. Instead, they feel utterly uncompromising-wild, strange, and defiantly timeless. In a world obsessed with polish and playlists, "Dead End" and "Sarah" sound like transmissions from a different planet.
Both tracks were originally recorded as demos in 1984 in the band's rehearsal room, with Hase engineering. The newly restored versions preserve the raw spirit of the original tapes while adding subtle layers to enhance their atmosphere without losing the authentic 1980s sound. FEX hint that the untouched demo versions might surface later, possibly on a second volume of their archival EP "More Waves from the Past."
Side A
Dead End (with Ilona Rückwardt)
Side B
Sarah (with Ilona Rückwardt)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:!K7 Records
Cat-No:k7073
Release-Date:27.01.2021
Configuration:5LP
Barcode:
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Last in:21.11.2025
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Last in:21.11.2025
Label:!K7 Records
Cat-No:k7073
Release-Date:27.01.2021
Configuration:5LP
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Originally released on Studio !K7 Records in 1998, Peter Kruder and Richard Dorfmeister's groundbreaking release, 'The K&D Sessions' reset the bar for what could be achieved in a compilation. Across an array of original tracks, dubs and infamous K&D Session remixes, the DJ and producer duo took the listener on a smoke-filled blunted journey that flowed flawlessly. Often compared to DJ Shadow's 'Endtroducing' for it's similarly deft craft of rhythm and quoted by Allmusic as "the most blissfully blunted music the world has ever heard", the album has sold over 1,000,000 copies to date and was included in Spin s Top 20 albums of 1999 .
The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
6LP
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Label:Soul Bank Music
Cat-No:SBM025
Release-Date:20.10.2023
Genre:Soul/Funk
Configuration:6LP
Barcode:4062548040159
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Last in:15.01.2024
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Last in:15.01.2024
Label:Soul Bank Music
Cat-No:SBM025
Release-Date:20.10.2023
Genre:Soul/Funk
Configuration:6LP
Barcode:4062548040159
Brian Auger’s Oblivion Express was the phoenix that rose from the ashes of sixties combo The Trinity. Fusing R&B, jazz, soul and funk, keyboard maestro Brian Auger created a new breed of music that took the US and the UK by storm. Auger’s unique experimentation culminated in rhythm-infused jazz funk that united Black and white ’70s audiences. The 6 studio albums that make up Complete Oblivion illustrate the group’s diverse musical influences and progression, from the 1970 self titled debut’s heavy jazz-rock to the jazz fusion, latin and disco tinged Reinforcements from 1975
BRIAN AUGER'S OBLIVION EXPRESS
A1/01 Dragon Song
A2/02 Total Eclipse
A3/03 The Light
B1/04 On The Road
B2/05 The Sword
B3/06 Oblivion Express
STREAM - https://listen.k7.com/0ec2a0b1-89fd-4548-827f-a33f69aa408c
A BETTER LAND
A1/01 Dawn Of Another Day
A2/02 Marai's Wedding
A3/03 Trouble
A4/04 Women Of The Seasons
B1/05 Fill Your Head With Laughter
B2/06 On Thinking It Over
B3/07 Tomorrow City
B4/08 All The Time There Is
B5/09 A Better Land
STREAM - https://listen.k7.com/080f696c-f52e-4394-8e90-98f5a05f6643
SECOND WIND
A1/01 Truth
A2/02 Don't Look Away
A3/03 Somebody Help Us
B1/04 Freedom Jazz Dance
B2/05 Just Me Just You
B3/06 Second Wind
STREAM - https://listen.k7.com/fb0ede25-c0ad-4b38-b2da-e49a3b6316f7
CLOSER TO IT!
A1/01 Whenever You're Ready
A2/02 Happiness Is Just Around The Bend
A3/03 Light On The Path
B1/04 Compared To What
B2/05 Inner City Blues
B3/06 Voices Of Other Times
STREAM - https://listen.k7.com/a5f5abf3-c2b6-4e44-aec4-518e090e5ad5
STRAIGHT AHEAD
A1/01 Beginning Again
A2/02 Bumpin' On Sunset
B1/03 Straight Ahead
B2/04 Change
B3/05 You'll Stay In My Heart
STREAM - https://listen.k7.com/6d8b7b4a-dbe9-4894-b15a-c671798c11d6
REINFORCEMENTS
A1/01 Brain Damage
A2/02 Thoughts From Afar
A3/03 Foolish Girl
B1/04 The Big Yin
B2/05 Plum
B3/06 Something Out Of Nothing
B4/07 Future Pilot
STREAM - https://listen.k7.com/b9c0075c-50c9-474c-bcb8-24dfec59cb16
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
BRIAN AUGER'S OBLIVION EXPRESS
A1/01 Dragon Song
A2/02 Total Eclipse
A3/03 The Light
B1/04 On The Road
B2/05 The Sword
B3/06 Oblivion Express
STREAM - https://listen.k7.com/0ec2a0b1-89fd-4548-827f-a33f69aa408c
A BETTER LAND
A1/01 Dawn Of Another Day
A2/02 Marai's Wedding
A3/03 Trouble
A4/04 Women Of The Seasons
B1/05 Fill Your Head With Laughter
B2/06 On Thinking It Over
B3/07 Tomorrow City
B4/08 All The Time There Is
B5/09 A Better Land
STREAM - https://listen.k7.com/080f696c-f52e-4394-8e90-98f5a05f6643
SECOND WIND
A1/01 Truth
A2/02 Don't Look Away
A3/03 Somebody Help Us
B1/04 Freedom Jazz Dance
B2/05 Just Me Just You
B3/06 Second Wind
STREAM - https://listen.k7.com/fb0ede25-c0ad-4b38-b2da-e49a3b6316f7
CLOSER TO IT!
A1/01 Whenever You're Ready
A2/02 Happiness Is Just Around The Bend
A3/03 Light On The Path
B1/04 Compared To What
B2/05 Inner City Blues
B3/06 Voices Of Other Times
STREAM - https://listen.k7.com/a5f5abf3-c2b6-4e44-aec4-518e090e5ad5
STRAIGHT AHEAD
A1/01 Beginning Again
A2/02 Bumpin' On Sunset
B1/03 Straight Ahead
B2/04 Change
B3/05 You'll Stay In My Heart
STREAM - https://listen.k7.com/6d8b7b4a-dbe9-4894-b15a-c671798c11d6
REINFORCEMENTS
A1/01 Brain Damage
A2/02 Thoughts From Afar
A3/03 Foolish Girl
B1/04 The Big Yin
B2/05 Plum
B3/06 Something Out Of Nothing
B4/07 Future Pilot
STREAM - https://listen.k7.com/b9c0075c-50c9-474c-bcb8-24dfec59cb16
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
