1
Various Artists - Pip Archer - Time To Boogie
2
Various Artists - Andrea Lyn - Hold On To Your Heart
3
Various Artists - Jennifer Viban - Miracles
4
Various Artists - The Curruthers Brothers - What Do Ya?
5
Various Artists - Boss - Ease The Tension
Soul Of Haringey 12" EP; comes with printed inner sleeve w/picture sleeve. In 1985, A-Level Economic students at Highgate Wood School in North London ran an advert in Melody Maker looking for material for a school project to release a compilation EP of local artists from Haringey. The result was a 5-track EP 12" released the following year on the 'A.L.E.' imprint that was distributed and sold in local shops before disappearing into obscurity. Featuring a mix of old school electro, pop, funk and soul infused tracks that echo the musical styles of mid-80s London, it's now a highly coveted rarity amongst DJ's and collectors. Whether it's a balearic set, an old school electro hip-hop playlist, a dive into mid-80's British independent soulful pop or the latest nu-disco set, the Sound Of Haringey is on track.
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More records from Backatcha Records
1
Master Force - Don't Fight The Feeling
2
Master Force - Hey Girl
The original 12" versions officially reissued for the first time, licensed directly from Greg Henderson, remastered and cut at 45 rpm. A standout choice on any playlist, Master Force’s 1979 release ‘Hey Girl’ c/w ‘Don’t Fight The Feeling’ has become a staple classic across generations tuned into the soul-funk-disco sounds of late 70’s New York and all its makings. Originally released on both 12” and 7”, both singles had different mixes and are equally sought-after.
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1
Rome Jefferies - Vocal
2
Rome Jefferies - Instrumental
Reissued officially on 12" for the first time, another New York boogie sure shot licensed directly from Greg Henderson, remastered and cut at 45 RPM. Sung by Rome Jefferies and backed by vocal trio Lorali (led by Isabelle Coles of Kleeer), ‘Good Love’ was produced and arranged by maestro Greg Henderson and independently released on his Rain Records imprint in 1983. Wind the clocks forward to the present, and the track is revered as an underground classic from Mr “H”, who'd spent the 70s performing with Soul, Funk, and R&B bands on the New York live circuit, and leading groups like Master Force. To paraphrase Greg Wilson that "Boogie was, in essence, the direct continuation of Disco in its purest form", Henderson’s handful of releases on Rain combined the old with the new in that same way, connecting the dots between the Disco Funk era with the undiluted and independent underground NY dance scene of the early 80s.
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1
Henderson & Whitefield - Vocal
2
Henderson & Whitefield - Instrumental
Classic early 80s New York boogie from Greg Henderson & Leugene Whitfield officially reissued on 12" for the first time, remastered and cut at 45 RPM.
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1
Dolette McDonald - Vocal
2
Dolette McDonald - Instrumental
Repress!
Recorded in New York in 1982 as a cover version of Atmosfear’s ‘Xtra Special’ from the same year, the single has become a flagship release amongst collectors and music lovers from a long line of versions under the production of Began Cekic and his various Brooklyn-based labels. Epitomising the time-honoured sounds of early 80s New York underground, Dolette Mcdonald's classic cover version has become a sought-after keeper amongst DJs and collectors worldwide.
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Recorded in New York in 1982 as a cover version of Atmosfear’s ‘Xtra Special’ from the same year, the single has become a flagship release amongst collectors and music lovers from a long line of versions under the production of Began Cekic and his various Brooklyn-based labels. Epitomising the time-honoured sounds of early 80s New York underground, Dolette Mcdonald's classic cover version has become a sought-after keeper amongst DJs and collectors worldwide.
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This reissue brings a sought-after slice of reggae history back to the forefront. Originally released in 1973, this 7" single features two gems miscredited to Ken Parker but rightfully belonging to Alton Ellis and Slim Smith. Side A presents Smith's soulful rendition of Curtis Mayfield's 'We Must Be In Love', a reggae-infused take on the classic tune. On the flip, Ellis delivers a heartfelt performance of 'I Wish I Could Make You Mine', showcasing his smooth vocals and impeccable phrasing. This reissue corrects a historical inaccuracy and makes these two rare tracks accessible once more.
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1
Jo - Flying
2
Jo - Flying (Instrumental)
Originally released in 1985 on Jo & Neville Carnegie's Brixton-based Dove Records, the wonderful 'Flying' returns on 12" and has been cut from the original master tape so could not sound better. Jo wrote the track while imagining the world from above and in an attempt to escape the tensions of war and political unrest. Amid Britain's lovers rock explosion, the song offered a breath of fresh air and truth be told, with so much raw still raging across the world, it still does. "Back in the day, sound systems would string up giant speakers, and that's when the dances were the best," Jo once recalled. This tune revives the spirit of an era when music provided solace and freedom and will help you soar high above the negativity of the times.
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1
Alton Ellis & Slim Smith - Sho-Be-Do-Be-Do (I Love You)
2
Alton Ellis & Slim Smith - Be True
This reissue brings a fascinating piece of reggae history back to the light, showcasing a unique collaboration between Alton Ellis and Slim Smith. Recorded in 1971 at Chalk Farm Studios, this 7-inch single captures a moment of creative exploration and cross-cultural fusion. Side A features 'Sho-Be-Do-Be-Do (I Love You)', a mid-tempo soul duet where their voices intertwine in a display of effortless harmony and heartfelt emotion. Their performance blends soulful melodies with a distinctly Jamaican rhythmic sensibility. On the flip, Ellis takes the lead with 'Be True', a reggae-funk infused cut that highlights his versatility. The track is a testament to Ellis' ability to seamlessly blend genres. Originally intended for release on A&M Records, these tracks were part of a larger project spearheaded by producer Stanley Pemberton. This reissue sheds light on this intriguing chapter in reggae history and allows listeners to appreciate the artistry of Ellis and Smith in a new light. Their collaboration is a testament to their vocal prowess and their ability to create music that transcends cultural boundaries.
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1
Slim Smith & Alton Ellis - Slim Smith - "We Must Be In Love
2
Slim Smith & Alton Ellis - Alton Ellis - "I Wish I Could Make You Mine"
This reissue brings a sought-after slice of reggae history back to the forefront. Originally released in 1973, this 7" single features two gems miscredited to Ken Parker but rightfully belonging to Alton Ellis and Slim Smith. Side A presents Smith's soulful rendition of Curtis Mayfield's 'We Must Be In Love', a reggae-infused take on the classic tune. On the flip, Ellis delivers a heartfelt performance of 'I Wish I Could Make You Mine', showcasing his smooth vocals and impeccable phrasing. This reissue corrects a historical inaccuracy and makes these two rare tracks accessible once more.
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1
Jennifer Viban - "Miracles"
2
Jennifer Viban - "How Can I Get To Know You"
7" single from the Soul Of Haringey EP featuring Jennifer Viban's stand-out track 'Miracles' coupled with the previously unreleased 'How Can I Get To Know You' recorded during the Soul Of Haringey sessions.
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1
Various Artists - Christine Lewin - "In The Mood"
2
Various Artists - Marvin James - "I'll Be Around"
3
Various Artists - Tricia Dean - "Don't Let It Go To Your Head"
4
Various Artists - Christine Lewin - "In The Mood" (instrumental)
5
Various Artists - Marvin James - "I'll Be Around" (instrumental)
6
Various Artists - Tricia Dean - "Don't Let It Go To Your Head" (instrumental)
Recorded in the mid-80s, a decade after the first advent of UK lovers rock and tailor-made for bass-heavy sound system playback, Christine Lewin’s cover of Tyrone Davis’s ‘In The Mood’ transformed his sensual after-hours classic into a female-led hit that became a staple on Lovers playlists both then and now. Similarly, Tricia Dean’s cover of Jean Carn’s soul favourite ‘Don’t Let It Go To Your Head’ follows the same formula from producers Kpiaye and Smokey, synth-led rhythms reflecting the times rooted firmly in a local London scene. Marvin James's under the radar vocal cover of The Spinners' 'I'll Be Around' gets a reissue on vinyl for the first time backed up by the sought-after Kpiaye instrumental mix aka 'Dub mix by Surgeon McEdit'.
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1
U-Bert - "Got To Make Sure" (Pablo mix)
2
U-Bert - "Got To Make Sure" (remix)
3
U-Bert - "Got To Make Sure" (Minister mix)
“In my opinion, the greatest UK street soul tune ever made! It’s all about the message of unity” - Delasy StudioEight.
Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.
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Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.
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1
Isabel Roberts Feat. Robert Chandler - "Love Situation" (feat Robert Chandler)
2
Isabel Roberts Feat. Robert Chandler - "Love Situation" (instrumental)
3
Isabel Roberts Feat. Robert Chandler - "I Just Fall In Love"
4
Isabel Roberts Feat. Robert Chandler - "I Just Fall In Love" (instrumental)
Isabel Roberts mid-80s stand-out singles from the Hot Vinyl stabel reissued for the first time back-to-back on one 12". UK electric-boogie-synth-funk essentials on limited 12" as part of Backatcha's 'Hot Vinyl' reissue series.
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1
Robert Chandler - "Experience My Love"
2
Robert Chandler - "Experience My Love" (instrumental)
Originally released on an elusive white label by DJ Smokey Joe, only a boxful of copies ever changed hands across the counter of his East London Record shop back in 1986 - 'Experience My Love' was hard to find on release let alone decades later. Produced by musician and song-writer Steve Slavin, the single was bound for a Hot Vinyl release the same year but it never materialised. Available now on limited 7".
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1
Intrigue - "One Touch"
2
Intrigue - "Touch Down"
Backatcha continues to delve into the back catalogue of British 80s soul outfit Intrigue, a combo born in the Britfunk and boogie era whose independently released records have long been sought-after by disco diggers and record collectors alike. Having already reissued the band's best-known tune, 1982's 'I Like It', they've now turned their attention to a more overlooked gem: 1986 single 'One Touch'. Glossy, colourful and effortlessly soulful, it's a fine chunk of polished, club-ready 80s street soul with nods to electrofunk. Flipside 'Touch Down', a more extended affair, is an alternative, largely instrumental dub mix that adds layers of effects to key elements while stretching out the synth-heavy groove.
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1
En To End - "Money Talks"
2
En To End - "I Still Love You" (feat Intrigue)
3
En To End - "Money Talks" (instrumental)
4
En To End - "I Still Love You" (feat Intrigue - instrumental)
En-To-End's 'Money Talks' is an old school street soul classic from the late 80s. It's been reissued before by Backatcha Records but is an ever-green anthem so is also welcome back. This version comes with a yellow label on limited 12". And so to the tunes - 'Money Talks' is a low-slung groove with spoke-sung vocals and lush chord work. Also included is the brilliant drum work of 'I Still Love You' with its r&b vocals and irresistible groove. Instrumentals of each feature on the flip but the vocal versions really are the ones.
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Customers who bought this also bought this
1
Average White Band - Stop the Rain
2
Average White Band - Atlantic Avenue (Vocal Cut)
The long awaiting "Stop the rain" by Average White Band is now a 45 for the first time. Massive club track and sampled by Leana Conquest for the 90s classic Boundies, a must have 7" for the collection, Scotlands funkiest band. On the flip is the classic Atlantic Avenue from the same LP.
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1
Intrigue - "One Touch"
2
Intrigue - "Touch Down"
Backatcha continues to delve into the back catalogue of British 80s soul outfit Intrigue, a combo born in the Britfunk and boogie era whose independently released records have long been sought-after by disco diggers and record collectors alike. Having already reissued the band's best-known tune, 1982's 'I Like It', they've now turned their attention to a more overlooked gem: 1986 single 'One Touch'. Glossy, colourful and effortlessly soulful, it's a fine chunk of polished, club-ready 80s street soul with nods to electrofunk. Flipside 'Touch Down', a more extended affair, is an alternative, largely instrumental dub mix that adds layers of effects to key elements while stretching out the synth-heavy groove.
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1
The Strangers - Wanna Take Your Body
2
The Strangers - Let Me Take You Home
3
The Strangers - Show Me How You Like It
4
The Strangers - Love Rescue
5
The Strangers - Step Out Of My Dream
6
The Strangers - It's Too Late
7
The Strangers - Stimulation
Territories: Worldwide no restrictions
Track List:
A1 Wanna Take Your Body
A2 Let Me Take You Home
A3 Show Me How You Like It
B1 Love Rescue
B2 Step Out Of My Dream
B3 It's Too Late
B4 Stimulation
A surefire Salsoul classic and comfortably one of the label's finest moments, the self-titled LP from The Strangers was originally released in that golden year of 1983 and is one of the greatest albums of the post-disco era. It’s one of Be With's favourite ever LPs and it's a complete honour to be giving it our reissue treatment.
Still strangely overlooked but not for much longer, The Strangers contains flawless tracks with truly top tier production and includes the eternal Paradise Garage favourite "Step Out of My Dream"
Are they Strangers to us? Well, no, they shouldn't be. The Strangers were a US electronic-funk studio concept group comprising Edward "Tree" Moore, Howard King and Hubert Eaves III, all key members of Mtume and Gary Bartz NTU Troop and, in the case of Eaves, one half of D-Train.
Now I KNOW you're gonna dig this!
We kick off with the dope electro-funk of "Wanna Take Your Body" which features Gary Bartz on sax (!) and becomes more sensational and irresistible the longer it plays. The wonky super-bomb "Let Me Take You Home" has a punk-funk, post-Prince feel, driving and delicate all at the same time while "Show Me How You Like It" is pure FUNK, the groove just pure fire.
Side B is perfection. It kicks off with the NTS favourite "Love Rescue", a track so slick it positively SLAPS out the gate and, while it bangs throughout, the vocals and melodies elevate this to the status of EMOTIONAL POP.
Next up, "Step Out Of My Dream" swaggers forth, the undisputed masterpiece that was huge with the London DJs and UK Soul fraternity; it's not hard to see why. It's a gliding, smooth, soulful piece of once-in-a-lifetime magic.
The breezy "It's Too Late" is a perfect slow jam before this remarkable set is rounded out with the sickest proto-acid synth-drizzled jam, "Stimulation"; a perfect slab of 80s funk and a strutting vocoder-laced funk workout.
Meticulously remastered and cut by both Simon Francis and Cicely Balston at Abbey Road respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.
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Track List:
A1 Wanna Take Your Body
A2 Let Me Take You Home
A3 Show Me How You Like It
B1 Love Rescue
B2 Step Out Of My Dream
B3 It's Too Late
B4 Stimulation
A surefire Salsoul classic and comfortably one of the label's finest moments, the self-titled LP from The Strangers was originally released in that golden year of 1983 and is one of the greatest albums of the post-disco era. It’s one of Be With's favourite ever LPs and it's a complete honour to be giving it our reissue treatment.
Still strangely overlooked but not for much longer, The Strangers contains flawless tracks with truly top tier production and includes the eternal Paradise Garage favourite "Step Out of My Dream"
Are they Strangers to us? Well, no, they shouldn't be. The Strangers were a US electronic-funk studio concept group comprising Edward "Tree" Moore, Howard King and Hubert Eaves III, all key members of Mtume and Gary Bartz NTU Troop and, in the case of Eaves, one half of D-Train.
Now I KNOW you're gonna dig this!
We kick off with the dope electro-funk of "Wanna Take Your Body" which features Gary Bartz on sax (!) and becomes more sensational and irresistible the longer it plays. The wonky super-bomb "Let Me Take You Home" has a punk-funk, post-Prince feel, driving and delicate all at the same time while "Show Me How You Like It" is pure FUNK, the groove just pure fire.
Side B is perfection. It kicks off with the NTS favourite "Love Rescue", a track so slick it positively SLAPS out the gate and, while it bangs throughout, the vocals and melodies elevate this to the status of EMOTIONAL POP.
Next up, "Step Out Of My Dream" swaggers forth, the undisputed masterpiece that was huge with the London DJs and UK Soul fraternity; it's not hard to see why. It's a gliding, smooth, soulful piece of once-in-a-lifetime magic.
The breezy "It's Too Late" is a perfect slow jam before this remarkable set is rounded out with the sickest proto-acid synth-drizzled jam, "Stimulation"; a perfect slab of 80s funk and a strutting vocoder-laced funk workout.
Meticulously remastered and cut by both Simon Francis and Cicely Balston at Abbey Road respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.
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1
Mark Grusane - Sun Sun Sun (Edit)
2
Mark Grusane - Ensemble (Edit)
DISCO EDITS
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1
Funtown - Get Real
2
Funtown - Italian Airlines
3
Funtown - General Hospital
4
Funtown - Gamma Ray Rock
5
Funtown - Funk Jam
6
Funtown - Ooh Chukka
DISCO EDITS
PICTURE SLEEVE, HYPE STICKER, SHRINK WRAP.
Quality Cosmic Disco Edits from the FUNTOWN JAPAN CREW. Mastered and Pressed over 2x12" achieving the HIGHEST AUDIO QUALITY.
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PICTURE SLEEVE, HYPE STICKER, SHRINK WRAP.
Quality Cosmic Disco Edits from the FUNTOWN JAPAN CREW. Mastered and Pressed over 2x12" achieving the HIGHEST AUDIO QUALITY.
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1
En To End - "Money Talks"
2
En To End - "I Still Love You" (feat Intrigue)
3
En To End - "Money Talks" (instrumental)
4
En To End - "I Still Love You" (feat Intrigue - instrumental)
En-To-End's 'Money Talks' is an old school street soul classic from the late 80s. It's been reissued before by Backatcha Records but is an ever-green anthem so is also welcome back. This version comes with a yellow label on limited 12". And so to the tunes - 'Money Talks' is a low-slung groove with spoke-sung vocals and lush chord work. Also included is the brilliant drum work of 'I Still Love You' with its r&b vocals and irresistible groove. Instrumentals of each feature on the flip but the vocal versions really are the ones.
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1
Rahaan - Freedom
2
Rahaan - Wait On
3
Rahaan - Everything
4
Rahaan - Give Your Love To God
5
Rahaan - Reach
6
Rahaan - Smoke
GOSPEL EDITS
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Nature - Superstar
2
DJ Nature - Train
3
DJ Nature - Amor
Disco Edits
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Funtown - Turnaround
2
Funtown - Jungle Rumble
DISCO EDITS
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Labyrinthine - Coleoptera
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Labyrinthine - Diogenes Syndrome
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Labyrinthine - Ebola
4
Labyrinthine - Integumento Labyrinthum
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Labyrinthine - Diptera
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Labyrinthine - Bondye
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Labyrinthine - Oculos Tenebrarum
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Labyrinthine - Daemonium Cithara
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Labyrinthine - Delirium Tremens
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Labyrinthine - Phthiraptera
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Labyrinthine - Nematode
Rejoice fiends, as this halloween Utter ventures into the darkness for its long-lost 13th release, a limited double LP by infamous electro sorcerer Labyrinthine.
'II-V' wrangles 11 daemonic invocations from the infernal vortex, cut loud at 45rpm on deep red vinyl and incarcerated within artwork by Alison Flora, painted in her own blood.
'II-V' is not for the faint of heart, as its cursed soundscapes have been known to intoxicate and overwhelm even the strongest and purest of minds. Listener beware!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'II-V' wrangles 11 daemonic invocations from the infernal vortex, cut loud at 45rpm on deep red vinyl and incarcerated within artwork by Alison Flora, painted in her own blood.
'II-V' is not for the faint of heart, as its cursed soundscapes have been known to intoxicate and overwhelm even the strongest and purest of minds. Listener beware!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
U-Bert - "Got To Make Sure" (Pablo mix)
2
U-Bert - "Got To Make Sure" (remix)
3
U-Bert - "Got To Make Sure" (Minister mix)
“In my opinion, the greatest UK street soul tune ever made! It’s all about the message of unity” - Delasy StudioEight.
Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More