The original 12" versions officially reissued for the first time, licensed directly from Greg Henderson, remastered and cut at 45 rpm. A standout choice on any playlist, Master Force’s 1979 release ‘Hey Girl’ c/w ‘Don’t Fight The Feeling’ has become a staple classic across generations tuned into the soul-funk-disco sounds of late 70’s New York and all its makings. Originally released on both 12” and 7”, both singles had different mixes and are equally sought-after.



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Reissued officially on 12" for the first time, another New York boogie sure shot licensed directly from Greg Henderson, remastered and cut at 45 RPM. Sung by Rome Jefferies and backed by vocal trio Lorali (led by Isabelle Coles of Kleeer), ‘Good Love’ was produced and arranged by maestro Greg Henderson and independently released on his Rain Records imprint in 1983. Wind the clocks forward to the present, and the track is revered as an underground classic from Mr “H”, who'd spent the 70s performing with Soul, Funk, and R&B bands on the New York live circuit, and leading groups like Master Force. To paraphrase Greg Wilson that "Boogie was, in essence, the direct continuation of Disco in its purest form", Henderson’s handful of releases on Rain combined the old with the new in that same way, connecting the dots between the Disco Funk era with the undiluted and independent underground NY dance scene of the early 80s.

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Classic early 80s New York boogie from Greg Henderson & Leugene Whitfield officially reissued on 12" for the first time, remastered and cut at 45 RPM.

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Repress!

Recorded in New York in 1982 as a cover version of Atmosfear’s ‘Xtra Special’ from the same year, the single has become a flagship release amongst collectors and music lovers from a long line of versions under the production of Began Cekic and his various Brooklyn-based labels. Epitomising the time-honoured sounds of early 80s New York underground, Dolette Mcdonald's classic cover version has become a sought-after keeper amongst DJs and collectors worldwide.

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This reissue brings a sought-after slice of reggae history back to the forefront. Originally released in 1973, this 7" single features two gems miscredited to Ken Parker but rightfully belonging to Alton Ellis and Slim Smith. Side A presents Smith's soulful rendition of Curtis Mayfield's 'We Must Be In Love', a reggae-infused take on the classic tune. On the flip, Ellis delivers a heartfelt performance of 'I Wish I Could Make You Mine', showcasing his smooth vocals and impeccable phrasing. This reissue corrects a historical inaccuracy and makes these two rare tracks accessible once more.

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Originally released in 1985 on Jo & Neville Carnegie's Brixton-based Dove Records, the wonderful 'Flying' returns on 12" and has been cut from the original master tape so could not sound better. Jo wrote the track while imagining the world from above and in an attempt to escape the tensions of war and political unrest. Amid Britain's lovers rock explosion, the song offered a breath of fresh air and truth be told, with so much raw still raging across the world, it still does. "Back in the day, sound systems would string up giant speakers, and that's when the dances were the best," Jo once recalled. This tune revives the spirit of an era when music provided solace and freedom and will help you soar high above the negativity of the times.

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This reissue brings a fascinating piece of reggae history back to the light, showcasing a unique collaboration between Alton Ellis and Slim Smith. Recorded in 1971 at Chalk Farm Studios, this 7-inch single captures a moment of creative exploration and cross-cultural fusion. Side A features 'Sho-Be-Do-Be-Do (I Love You)', a mid-tempo soul duet where their voices intertwine in a display of effortless harmony and heartfelt emotion. Their performance blends soulful melodies with a distinctly Jamaican rhythmic sensibility. On the flip, Ellis takes the lead with 'Be True', a reggae-funk infused cut that highlights his versatility. The track is a testament to Ellis' ability to seamlessly blend genres. Originally intended for release on A&M Records, these tracks were part of a larger project spearheaded by producer Stanley Pemberton. This reissue sheds light on this intriguing chapter in reggae history and allows listeners to appreciate the artistry of Ellis and Smith in a new light. Their collaboration is a testament to their vocal prowess and their ability to create music that transcends cultural boundaries.

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7" single from the Soul Of Haringey EP featuring Jennifer Viban's stand-out track 'Miracles' coupled with the previously unreleased 'How Can I Get To Know You' recorded during the Soul Of Haringey sessions.



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Recorded in the mid-80s, a decade after the first advent of UK lovers rock and tailor-made for bass-heavy sound system playback, Christine Lewin’s cover of Tyrone Davis’s ‘In The Mood’ transformed his sensual after-hours classic into a female-led hit that became a staple on Lovers playlists both then and now. Similarly, Tricia Dean’s cover of Jean Carn’s soul favourite ‘Don’t Let It Go To Your Head’ follows the same formula from producers Kpiaye and Smokey, synth-led rhythms reflecting the times rooted firmly in a local London scene. Marvin James's under the radar vocal cover of The Spinners' 'I'll Be Around' gets a reissue on vinyl for the first time backed up by the sought-after Kpiaye instrumental mix aka 'Dub mix by Surgeon McEdit'.

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“In my opinion, the greatest UK street soul tune ever made! It’s all about the message of unity” - Delasy StudioEight.

Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.

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Isabel Roberts mid-80s stand-out singles from the Hot Vinyl stabel reissued for the first time back-to-back on one 12". UK electric-boogie-synth-funk essentials on limited 12" as part of Backatcha's 'Hot Vinyl' reissue series.



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Originally released on an elusive white label by DJ Smokey Joe, only a boxful of copies ever changed hands across the counter of his East London Record shop back in 1986 - 'Experience My Love' was hard to find on release let alone decades later. Produced by musician and song-writer Steve Slavin, the single was bound for a Hot Vinyl release the same year but it never materialised. Available now on limited 7".



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Soul Of Haringey 12" EP; comes with printed inner sleeve w/picture sleeve. In 1985, A-Level Economic students at Highgate Wood School in North London ran an advert in Melody Maker looking for material for a school project to release a compilation EP of local artists from Haringey. The result was a 5-track EP 12" released the following year on the 'A.L.E.' imprint that was distributed and sold in local shops before disappearing into obscurity. Featuring a mix of old school electro, pop, funk and soul infused tracks that echo the musical styles of mid-80s London, it's now a highly coveted rarity amongst DJ's and collectors. Whether it's a balearic set, an old school electro hip-hop playlist, a dive into mid-80's British independent soulful pop or the latest nu-disco set, the Sound Of Haringey is on track.


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Backatcha continues to delve into the back catalogue of British 80s soul outfit Intrigue, a combo born in the Britfunk and boogie era whose independently released records have long been sought-after by disco diggers and record collectors alike. Having already reissued the band's best-known tune, 1982's 'I Like It', they've now turned their attention to a more overlooked gem: 1986 single 'One Touch'. Glossy, colourful and effortlessly soulful, it's a fine chunk of polished, club-ready 80s street soul with nods to electrofunk. Flipside 'Touch Down', a more extended affair, is an alternative, largely instrumental dub mix that adds layers of effects to key elements while stretching out the synth-heavy groove.

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En-To-End's 'Money Talks' is an old school street soul classic from the late 80s. It's been reissued before by Backatcha Records but is an ever-green anthem so is also welcome back. This version comes with a yellow label on limited 12". And so to the tunes - 'Money Talks' is a low-slung groove with spoke-sung vocals and lush chord work. Also included is the brilliant drum work of 'I Still Love You' with its r&b vocals and irresistible groove. Instrumentals of each feature on the flip but the vocal versions really are the ones.

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