Going belly up, guess it’s always a possibility. Following the release of their latest acclaimed record You Never End (Pitchfork, The Quietus, RA) Moin follow up with their latest EP. Belly Up will be out via AD 93 on the 9th May.
Tracklist:
A1 - SEE
A2 - I’M REALLY FLAGGING (OR I
TRUSTED U)
A3 - YOU LEAVE ME BREATHLESS
B1 - X.U.Y. B2 - I DON’T KNOW WHERE TO LOOK
B3 - THE DAY
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Tracklist:
A1 - SEE
A2 - I’M REALLY FLAGGING (OR I
TRUSTED U)
A3 - YOU LEAVE ME BREATHLESS
B1 - X.U.Y. B2 - I DON’T KNOW WHERE TO LOOK
B3 - THE DAY
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More records from Moin
1
Moin - Foot Wrong
2
Moin - Melon
3
Moin - Yep Yep
4
Moin - Forgetting Is Like Syrup
5
Moin - In A Tizzy
6
Moin - Knuckle
7
Moin - Hung Up
8
Moin - Life Choices
9
Moin - Sink
‘Paste’ is the new album by Moin (Joe Andrews, Tom Halstead & Valentina Magaletti) due for release on the 28th October 2022 via AD 93.
The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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Germany
Contact: [email protected]More
1
Moin - No Title
2
Moin - No Title
3
Moin - No Title
4
Moin - No Title
5
Moin - No Title
6
Moin - No Title
7
Moin - No Title
Post Punk inspired heat from London's Moin. TIP!
Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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WAS - Word and Sound Medien GmbH
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Germany
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You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93 on the 25th October. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin’s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.
Tracklist
1.1Guess It's Wrecked
1.2Cubby
1.3Family Way
1.4What If You Didn't Need A Reason
1.5Lift You
1.6It's Messy Coping
1.7We Know What Gives
1.8C'mon Dive
1.9Anything But Sopo
1.10Happy In The Wrong Way
1.11Just Married
https://listen.k7.com/122cae12-2075-44eb-8c56-21a043607f94
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Tracklist
1.1Guess It's Wrecked
1.2Cubby
1.3Family Way
1.4What If You Didn't Need A Reason
1.5Lift You
1.6It's Messy Coping
1.7We Know What Gives
1.8C'mon Dive
1.9Anything But Sopo
1.10Happy In The Wrong Way
1.11Just Married
https://listen.k7.com/122cae12-2075-44eb-8c56-21a043607f94
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More records from AD 93
YELLOW VINYL REPRESS
YHWH Nailgun announce their debut album "45 Pounds", out via AD 93. "45 Pounds" is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growl sof Zack Borzone. Across the record the four-piece reimagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.
TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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YHWH Nailgun announce their debut album "45 Pounds", out via AD 93. "45 Pounds" is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growl sof Zack Borzone. Across the record the four-piece reimagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.
TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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Much of the Collide"s sound is derived from an old Aria Pro II electric guitar from Leif"s childhood, scratched up with damaged and unpredictable electrics. The record leans into this sense of things being broken or damaged - and how sometimes things need to break in order for us to make sense of them- revelling in, rather than resisting, unpredictability. Lush textures traverse us across unexpected terrains.
Tracklist
1.1How to Eat an Orange (Part 1)
1.2How to Eat an Orange (Part 2)
1.3Yes No
1.4Wrong Way
1.5Aria
1.6Filmed Backwards
1.7Learn and Unlearn
1.8Wearing the Sea
Listen: https://listen.k7.com/3f3f3e53-65ae-4a20-affc-0251ce55efcd
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Tracklist
1.1How to Eat an Orange (Part 1)
1.2How to Eat an Orange (Part 2)
1.3Yes No
1.4Wrong Way
1.5Aria
1.6Filmed Backwards
1.7Learn and Unlearn
1.8Wearing the Sea
Listen: https://listen.k7.com/3f3f3e53-65ae-4a20-affc-0251ce55efcd
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Prolific South East London guitarist and songwriter Alpha Maid presents her album Is this a queue, out via AD 93 on the 21st November.
Streaming link: https://s.disco.ac/secpszhevisv
Tracklisting:
A1 - 6-9
A2 - 2 Number (ft. Leo Hermitt)
A3 - Guarded
A4 - CC
A5 - GOAT Rosetta
B1 - WHY WE HAVE TO MOVE (ft. Valentina Magaletti)
B2 - On Smoke
B3 - Strut In Straddle
B4 - Palimpsest (ft. Coby Sey & Ben Vince)
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Streaming link: https://s.disco.ac/secpszhevisv
Tracklisting:
A1 - 6-9
A2 - 2 Number (ft. Leo Hermitt)
A3 - Guarded
A4 - CC
A5 - GOAT Rosetta
B1 - WHY WE HAVE TO MOVE (ft. Valentina Magaletti)
B2 - On Smoke
B3 - Strut In Straddle
B4 - Palimpsest (ft. Coby Sey & Ben Vince)
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Conamara-raised musician and performer Olan Monk has announced Songs for Nothing, their second album will be released on London label AD 93, on 7 November 2025.
Listen: listen.k7.com/bd38f2c5-4b7f-4035-9f1d-d83f19e6c19b
TRACK LIST
A1 CORP
A2 DOWN 3
A3 10 DAYS
A4 BLANK PAGE
A5 DRÓN FEADÓIGE
B1 OATMILK
B2 CAN’T WAIT
B3 POMEGRANATE
B4 FATE (REPRISE)
B5 AMHRÁN MHAÍNSE
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Listen: listen.k7.com/bd38f2c5-4b7f-4035-9f1d-d83f19e6c19b
TRACK LIST
A1 CORP
A2 DOWN 3
A3 10 DAYS
A4 BLANK PAGE
A5 DRÓN FEADÓIGE
B1 OATMILK
B2 CAN’T WAIT
B3 POMEGRANATE
B4 FATE (REPRISE)
B5 AMHRÁN MHAÍNSE
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Joanne Robertson follows up on AD 93 with the album Blurrr, out 19th September.
Streaming links: https://s.disco.ac/crophlnmvsji
Tracklist
A1 - Ghost
A2 - Why Me
A3 - Friendly
A4 - Exit Vendor
B2 - Always Were
B2 - Peaceful
B3 - Gown
B4 - Doubt
B5 - Last Hay
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Streaming links: https://s.disco.ac/crophlnmvsji
Tracklist
A1 - Ghost
A2 - Why Me
A3 - Friendly
A4 - Exit Vendor
B2 - Always Were
B2 - Peaceful
B3 - Gown
B4 - Doubt
B5 - Last Hay
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Contact: [email protected]More
1
james K - Days Go By
2
james K - Blinkmoth (July Mix)
3
james K - Shoegaze Gwen
4
james K - Idea.2
5
james K - Nbalmed
6
james K - Rider
7
james K - On God
8
james K - Peel
9
james K - Lude (Unwind)
10
james K - Play
11
james K - Lung Slide
12
james K - Hypersoft Lovejinx Junkdream
13
james K - Collapse (Falling Forward Blussfully All The Time)
Transparent Vinyl!
** 2LP gatefold sleeve with printed inners
An opening of the portal, Friend is the culmination of a decade of K’s work; the gates of which gleam like a slow drip of melodic infusion, at once a remedy and an inquiry. Friend encapsulates a lifelong praxis of intuitive music making, delivering a more precise and controlled sound, with versions of songs shifting into focus like recovered memories. Feeling her way through textures, a return to an intimacy and clarity of voice with a melding of refined technique, these soundscapes lay down a framework over time that traces the history of her practice.
james K has been a cosmic point of the aesthetic underground across the world, as a vocalist, producer, artist and collaborator. Her breathy, lilting vocals have floated across some of the past year’s best music. Expanding and ethereal, they make you feel like the call is coming from inside the house. You can trace touch points across her lengthy catalogue, spanning from the foundational urgency of 2013’s debut Rum EP, to the prismatic elasticity of PET (She Rocks!/Dial), to the strange-faced, visceral and, at times, sepulchral intoxication of Random Girl (Incienso), to the universal ecstasy of trip-hop lullaby ‘Scorpio’ (AD 93). To this day, her ??transmutative career has led K to amass a bouquet of collaborations with artists like Heith, Moin, Fergus Jones + Huerco S., Priori, Yves Tumor, Drew McDowall, LEYA, and others.
Friend is K’s return to the core; each song anchored by the past, present and future: all inherently connected, yet each compressing its own raw emotion, transmuting across a spectrum of fully realized manifestations. K holds a prism to the personal and reflects it outwards, illuminating her blues with a vibrant acceptance of love. Based in New York where she was born and has lived most of her life, there is a constant evolution of the city which she embodies sonically, like the growth, decay and push, pull of relationships and spaces. At the crux of these crossroads is the homespun and ever-evolving DIY rave culture which continues to embody and cycle through lives of its own. This ecology spans across geographical lines and remains the touchstone and core of the james K vocation: the backbone and infrastructure from which her distinctive command of interwoven guitar and electronic arrangements ultimately coalesces. Grafting fragments of the real and the surreal is the provenance she draws from in her thoughtful and emotive international performances including Dekmantel, Sustain Release, Mutek, iii Points, and more. Her international recognition has guided her to the stages of both her contemporaries and pioneers: some of these including James Ferraro, Robert Aiki Aubrey Lowe, Morton Subotnick, Nick Leon, Arushi Jain, Malibu, and Priori, among others.
Friend was written and produced in studios between New York and Montreal; featuring collaborations with contemporaries and friends, Special Guest DJ, Francis Latrielle, Ben Bondy, Patrick Holland, Hank Jackson, and Adam Feingold. The new record is anchored by K’s penchant for melody at the forefront, which feature her ‘heavenly vocals. Her delivery glistens with the Elizabeth Fraser effect: carried foremost by feeling, the curvature of her indecipherable lyrics capture the fleeting moment in which euphoria sinks into quiet melancholy,’ and a dreamy flow-state of softly-textured, finitely detailed hi-fi production. K’s willingness to be vulnerable - to delve into/feel her way through rangelessness is her signature: exploring the contours of all genres, and laying the framework for new conversations between artists.)
Listen: https://s.disco.ac/mlslyxaszdiq
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** 2LP gatefold sleeve with printed inners
An opening of the portal, Friend is the culmination of a decade of K’s work; the gates of which gleam like a slow drip of melodic infusion, at once a remedy and an inquiry. Friend encapsulates a lifelong praxis of intuitive music making, delivering a more precise and controlled sound, with versions of songs shifting into focus like recovered memories. Feeling her way through textures, a return to an intimacy and clarity of voice with a melding of refined technique, these soundscapes lay down a framework over time that traces the history of her practice.
james K has been a cosmic point of the aesthetic underground across the world, as a vocalist, producer, artist and collaborator. Her breathy, lilting vocals have floated across some of the past year’s best music. Expanding and ethereal, they make you feel like the call is coming from inside the house. You can trace touch points across her lengthy catalogue, spanning from the foundational urgency of 2013’s debut Rum EP, to the prismatic elasticity of PET (She Rocks!/Dial), to the strange-faced, visceral and, at times, sepulchral intoxication of Random Girl (Incienso), to the universal ecstasy of trip-hop lullaby ‘Scorpio’ (AD 93). To this day, her ??transmutative career has led K to amass a bouquet of collaborations with artists like Heith, Moin, Fergus Jones + Huerco S., Priori, Yves Tumor, Drew McDowall, LEYA, and others.
Friend is K’s return to the core; each song anchored by the past, present and future: all inherently connected, yet each compressing its own raw emotion, transmuting across a spectrum of fully realized manifestations. K holds a prism to the personal and reflects it outwards, illuminating her blues with a vibrant acceptance of love. Based in New York where she was born and has lived most of her life, there is a constant evolution of the city which she embodies sonically, like the growth, decay and push, pull of relationships and spaces. At the crux of these crossroads is the homespun and ever-evolving DIY rave culture which continues to embody and cycle through lives of its own. This ecology spans across geographical lines and remains the touchstone and core of the james K vocation: the backbone and infrastructure from which her distinctive command of interwoven guitar and electronic arrangements ultimately coalesces. Grafting fragments of the real and the surreal is the provenance she draws from in her thoughtful and emotive international performances including Dekmantel, Sustain Release, Mutek, iii Points, and more. Her international recognition has guided her to the stages of both her contemporaries and pioneers: some of these including James Ferraro, Robert Aiki Aubrey Lowe, Morton Subotnick, Nick Leon, Arushi Jain, Malibu, and Priori, among others.
Friend was written and produced in studios between New York and Montreal; featuring collaborations with contemporaries and friends, Special Guest DJ, Francis Latrielle, Ben Bondy, Patrick Holland, Hank Jackson, and Adam Feingold. The new record is anchored by K’s penchant for melody at the forefront, which feature her ‘heavenly vocals. Her delivery glistens with the Elizabeth Fraser effect: carried foremost by feeling, the curvature of her indecipherable lyrics capture the fleeting moment in which euphoria sinks into quiet melancholy,’ and a dreamy flow-state of softly-textured, finitely detailed hi-fi production. K’s willingness to be vulnerable - to delve into/feel her way through rangelessness is her signature: exploring the contours of all genres, and laying the framework for new conversations between artists.)
Listen: https://s.disco.ac/mlslyxaszdiq
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1
Valentina Magaletti & YPY - One Hour Visa
2
Valentina Magaletti & YPY - Kansai Bruises
3
Valentina Magaletti & YPY - Float
4
Valentina Magaletti & YPY - Lantern Lit Run
5
Valentina Magaletti & YPY - Her Own Reflection
6
Valentina Magaletti & YPY - Silhouette
7
Valentina Magaletti & YPY - Interlude For Fog Days
8
Valentina Magaletti & YPY - Pesto
Drummer, percussionist and composer Valentina Magaletti (Moin, Holy Tongue, Vanishing Twin) has
combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP,
Kansai Bruises.
The pair crash through Osaka’s neon-lit streets with abrasive drums and handcrafted Japanese electronics
that hit like pavement against skin. This is bliss carved from bruises—hope and fear tangled in metallic
percussion while dreams of pesto float through sake-soaked alleyways.
[Artwork: Will Bankhead]
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combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP,
Kansai Bruises.
The pair crash through Osaka’s neon-lit streets with abrasive drums and handcrafted Japanese electronics
that hit like pavement against skin. This is bliss carved from bruises—hope and fear tangled in metallic
percussion while dreams of pesto float through sake-soaked alleyways.
[Artwork: Will Bankhead]
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1
Biosphere - A1 - Time Of Man
2
Biosphere - A2 - The Way Of Time
3
Biosphere - A3 - Like The End Of The World
4
Biosphere - B1 - All Stars Have Names
5
Biosphere - B2 - The Old Way Was Gone
6
Biosphere - B3 - The Way Of Time (On And On)
Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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For their second album 'The Foel Tower', Quade holed up in an old stone barn in the cradle of a Welsh mountain valley. It was an environment that would shape the band – a Bristol four piece made up of Barney Matthews, Leo Fini, Matt Griffiths and Tom Connolly – and the record they have made. It’s an album that is as dreamy as it is melancholic, and as quiet and tender as it is forceful and potent – gliding across genres like winds blowing over those wide-spanning Welsh hills.
Tracklisting:
A1 - Beckett
A2 - See Unit
A3 - Bylaw 7.1
B1 - Nannerth Ganol
B2 - Canada Geese
B3 - Black Kites
Listen: https://listen.k7.com/e8c2ea1d-39f6-4f92-83e9-66143e55cb56
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Tracklisting:
A1 - Beckett
A2 - See Unit
A3 - Bylaw 7.1
B1 - Nannerth Ganol
B2 - Canada Geese
B3 - Black Kites
Listen: https://listen.k7.com/e8c2ea1d-39f6-4f92-83e9-66143e55cb56
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"Kind Regards" is the second duo release from guitarist Oren Ambarchi and drummer Eric Thielemans, out via AD 93. The record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance documented on their LP Double Consciousness (Matière Mémorie, 2023). Kind Regards finds the duo refining their shared language while continuing to take risks, allowing the music"s gravitational pull to lead them from meditative calm to unexpectedly expressive passages of melodic invention and rhythmic drive.
Tracklist
1.1Kind Regards (Beginning)
1.2Kind Regards (Conclusion)
https://listen.k7.com/7e96712e-a51a-4c64-9b78-6c00f774ccc8
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Tracklist
1.1Kind Regards (Beginning)
1.2Kind Regards (Conclusion)
https://listen.k7.com/7e96712e-a51a-4c64-9b78-6c00f774ccc8
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YHWH Nailgun announce their debut album "45 Pounds", out via AD 93. "45 Pounds" is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growl sof Zack Borzone. Across the record the four-piece reimagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.
TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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Wojciech Rusin is a Polish-born audio visual artist based in London. He draws inspiration from alchemical and gnostic texts, early renaissance choral music and Eastern European mythologies. "Honey for the Ants" completes an "alchemical trilogy", after The Funnel and Syphon. These albums are informed by mystical and gnostic texts, celebrating the weird, unhinged and occasionally beautiful.
Tracklist
1.1Flesh Eater
1.2Magus
1.3Behind the Palazzo
1.4Gifts for the Surgeon
1.5Tools for Humanity
1.6Carpathian Stone Spinners
1.7Kittens meet Puppies for the First Time
1.8Hands of a Despot
1.9Heretic Milieu
1.10Even the Moon
Listen: https://listen.k7.com/ce69bf95-9981-4e1f-9a71-643375cbca8b
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Tracklist
1.1Flesh Eater
1.2Magus
1.3Behind the Palazzo
1.4Gifts for the Surgeon
1.5Tools for Humanity
1.6Carpathian Stone Spinners
1.7Kittens meet Puppies for the First Time
1.8Hands of a Despot
1.9Heretic Milieu
1.10Even the Moon
Listen: https://listen.k7.com/ce69bf95-9981-4e1f-9a71-643375cbca8b
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1
TSVI & DJ Plead - Triple It
2
TSVI & DJ Plead - Swanky
3
TSVI & DJ Plead - Gallop
4
TSVI & DJ Plead - Breath Work
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TSVI & DJ Plead - Twos And Fours
Two Tuscan Geese
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Jump Ship, Sit Lean, Be Still, Stand Tall is a collaborative LP from BZDB, comprised of Duncan Bellamy and Belinda Zhawi (MA.MOYO), that will be released via AD 93. The record is a collection of sonic-poetry setting Zhawi"s illuminating, elliptical words in dialogue with diffuse, explorative music and sound by Bellamy. Together they render these disparate forms into something distinct, melancholic and luminous, fluctuating between expansive contemporary classical arrangements and intimate layered vocal experiments.
Tracklist
1.1Dancesing
1.2Stockwell
1.3Jump Ship
1.4Shield
1.5Water
1.6Tomb
1.7Dream Sequence
1.8La Recherche
1.9Holes
1.10Your Absence
https://listen.k7.com/bccee580-9a94-4195-8481-0a86edf20edb
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Tracklist
1.1Dancesing
1.2Stockwell
1.3Jump Ship
1.4Shield
1.5Water
1.6Tomb
1.7Dream Sequence
1.8La Recherche
1.9Holes
1.10Your Absence
https://listen.k7.com/bccee580-9a94-4195-8481-0a86edf20edb
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GAISTER (Olivia Salvadori, Akihide Monna and Coby Sey) bring their self-titled LP out via AD 93 on the 1st November 2024.
Tracklist
1.1Source
1.2Conscious Concentration
1.3Solar
1.4Geist
1.5Shi
1.6Track 6
1.7Assonanze
1.8Sento
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Tracklist
1.1Source
1.2Conscious Concentration
1.3Solar
1.4Geist
1.5Shi
1.6Track 6
1.7Assonanze
1.8Sento
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1
Moin - Foot Wrong
2
Moin - Melon
3
Moin - Yep Yep
4
Moin - Forgetting Is Like Syrup
5
Moin - In A Tizzy
6
Moin - Knuckle
7
Moin - Hung Up
8
Moin - Life Choices
9
Moin - Sink
‘Paste’ is the new album by Moin (Joe Andrews, Tom Halstead & Valentina Magaletti) due for release on the 28th October 2022 via AD 93.
The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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1
Moin - No Title
2
Moin - No Title
3
Moin - No Title
4
Moin - No Title
5
Moin - No Title
6
Moin - No Title
7
Moin - No Title
Post Punk inspired heat from London's Moin. TIP!
Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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Perpetually in demand bonafide Dubstep classic and Bristol anthem repressed. Essential addition to anyones collection
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Perpetually in demand bonafide Dubstep classic and Bristol anthem repressed. Essential addition to anyones collection
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In celebration of Pride Month, Kinga struts to Dark Entries with “Sexy Boy,” a steamy Canadian pop gem. Inspired by gender-bending pop stars of the 1980s like Boy George and Janet Jackson, a young Tomas Fussey aka Kinga ditched his “schoolboy appearance” to adopt an edgier, androgynous style. Immersed in Calgary nightlife, he became acquainted with sexy synthpop and disco songs like Madonna’s “Everybody,” Divine’s “Native Love,” and the Flirts’ “Passion” - songs which still linger in his mind. He began writing music: “It was 80s. Everyone was making a record. So I made one too.” In 1988 he teamed up with keyboardist Dan Madison and veteran producer Bob Gallo to make “Elevator Operator” and “Sexy Boy.” Kinga was surprised when the B-side “Sexy Boy” garnered substantial radio play from CFNY in Toronto. But he notes: “They saw the obvious... My physical appearance supported the lyrics.” In 1989, Amok Records backed a new “Late Night Dance Mix” version of “Sexy Boy.” Almost every part was re-recorded or remade, including Kinga’s vocals. The new version surprised Kinga with its slick production and moody atmosphere. Sales were disappointing, and Kinga stated “It was not the sound of the moment.” But these deeper house-inflected grooves feel like the sound of our current moment. This release of Sexy Boy includes five different mixes, including the original 7” mix, three versions from the 12”, and the previously unreleased “TV Mix”. Sexy Boy comes sleeved in a reproduction of the original artwork and includes an insert with liner notes and lyrics, as well as an 8x10 glossy press photo of the sexy boy himself.
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Jeff Dread - Dub The Farmer's Daughter
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A Dub The Farmer's Daughter
B Out On A Limb
Short info:
A double shot of Y2K digi thrillers from Sydney via Bromley electro-dub producer Jeff Dread. Part of the city’s burgeoning network of blunted bass and sound system culture, Dread worked in parallel with the likes of Sheriff Lindo, Andy Rantzen and Ali Omar, issuing two dynamite albums on Creative Vibes in 1999 and 2001.
Utilising the Atari 1020 Ste, Dread would frantically live mix up to 9 tracks direct to CD-R, echoing the same rough and ready low tech intuition as Jamaican trailblazers King Tubby, Scientist and Jack Ruby and their UK-based disciples Jah Shaka, Adrian Sherwood and Mad Professor. While unmarked discs of his indulgently durational sessions litter the archives, this plate showcases versions immortalised by two crucial compilation CDs. Wicked stepper ‘Dub The Farmer’s Daughter’ burrows the ear canal with its addictive melodica and tightly coiled acid synth lines, edited for high impact by Sheriff Lindo for his volume of Dub For the Masses (Dread would curate its successor), while ‘Out On A Limb’ hails from Just Is, a double album sequenced by legendary Sydney queer party crew Club Kooky. A bass bin creeper that was extended with horns for his second longplayer Return From Alpha One, it’s this unembellished work in progress that really stings.
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Tracklist
A Dub The Farmer's Daughter
B Out On A Limb
Short info:
A double shot of Y2K digi thrillers from Sydney via Bromley electro-dub producer Jeff Dread. Part of the city’s burgeoning network of blunted bass and sound system culture, Dread worked in parallel with the likes of Sheriff Lindo, Andy Rantzen and Ali Omar, issuing two dynamite albums on Creative Vibes in 1999 and 2001.
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With Dread’s allegiance to local sound system heavyweights Firehouse, these totally brained studio jams are tried and tested weapons, finally blasting on the sacred 7” format.
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A. GET UP
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Label:Lustpoderosa
Cat-No:LPDR013
Release-Date:30.08.2024
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Lustpoderosa
Cat-No:LPDR013
Release-Date:30.08.2024
Genre:Electronic, Electronica
Configuration:LP Excl
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—S—F— - A1 - Club SF (1999) - 00:04:48 min
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—S—F— - A2 - Invasion der Venus (2000) - 00:05:05
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—S—F— - A3 - Das Verlangen (Ladada) (2004) - 00:02:39
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—S—F— - A4 - originale Ansage Talisman (1986) - 00:00:37
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—S—F— - B3 - Die Falsche Wahl (2002) - 00:05:19
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—S—F— - B4 - originale Ansage Schreittanz (1986) - 00:00:40
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—S—F— - B5 - Schreittanz (1986) - 00:05:36
Format: LP + Inlay
TRACKLIST
A1 - Club SF (1999) - 00:04:48 min.
A2 - Invasion der Venus (2000) - 00:05:05
A3 - Das Verlangen (Ladada) (2004) - 00:02:39
A4 - originale Ansage Talisman (1986) - 00:00:37
A5 - Talisman (1986) - 00:04:01
B1 - Lola (1999) - 00:02:02
B2 - Geranienblumenkästen (2002) - 00:06:07
B3 - Die Falsche Wahl (2002) - 00:05:19
B4 - originale Ansage Schreittanz (1986) - 00:00:40
B5 - Schreittanz (1986) - 00:05:36
RELEASE INFO
This obscure record showcases a selection of 10 tracks created between 1986 and 2002.
Remastered and reworked, this material provides a unique insight into SF aka Schielfried
Frankenstein's journey as a performance artist and musician during that period. While Manuel
Göttsching produced SF's first record (Ordal/1985), this release, proudly presented by
Lustpoderosa, introduces a fresh perspective. Partly reworked and mixed by Ismael Zouaoui and
mastered by @Sneaker at Tailout Studios, it is complemented by remixes from contemporary
artists, bridging the gap between the past and present.
© Written and produced by —-S—F— (1986 – 2004)
© Lyrics & Vocals by —S—F—
Additional Vocals A3 by Lucy
Mastering by Sneaker at TailOut Mastering 2022
Mixinig by Ismael Zouaoui 2022
Front Cover by XXXX
Layout & Graphics by Caroline Kunstwadl
Art Direction by Levo Kriegleder & Olaf Yarce
Copyright by Lustpoderosa 2023
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TRACKLIST
A1 - Club SF (1999) - 00:04:48 min.
A2 - Invasion der Venus (2000) - 00:05:05
A3 - Das Verlangen (Ladada) (2004) - 00:02:39
A4 - originale Ansage Talisman (1986) - 00:00:37
A5 - Talisman (1986) - 00:04:01
B1 - Lola (1999) - 00:02:02
B2 - Geranienblumenkästen (2002) - 00:06:07
B3 - Die Falsche Wahl (2002) - 00:05:19
B4 - originale Ansage Schreittanz (1986) - 00:00:40
B5 - Schreittanz (1986) - 00:05:36
RELEASE INFO
This obscure record showcases a selection of 10 tracks created between 1986 and 2002.
Remastered and reworked, this material provides a unique insight into SF aka Schielfried
Frankenstein's journey as a performance artist and musician during that period. While Manuel
Göttsching produced SF's first record (Ordal/1985), this release, proudly presented by
Lustpoderosa, introduces a fresh perspective. Partly reworked and mixed by Ismael Zouaoui and
mastered by @Sneaker at Tailout Studios, it is complemented by remixes from contemporary
artists, bridging the gap between the past and present.
© Written and produced by —-S—F— (1986 – 2004)
© Lyrics & Vocals by —S—F—
Additional Vocals A3 by Lucy
Mastering by Sneaker at TailOut Mastering 2022
Mixinig by Ismael Zouaoui 2022
Front Cover by XXXX
Layout & Graphics by Caroline Kunstwadl
Art Direction by Levo Kriegleder & Olaf Yarce
Copyright by Lustpoderosa 2023
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DE - 22113 Hamburg
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Giraffi Dog & Erik Jäähalli - Members Of Warning 2021
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We like to present to you our upcoming release with a day one selection of friends.
The 12” starts with the euphoric rave anthem “Members of Warning 2021” by Giraffi Dog & Erik Jähalli. A track title some of you might recognize which will bring peace and harmony to your mind again but also reflects the everyday struggle in autotuneish melancholy. Second we have the heartwarming Hip Hop cut “Shout Outs” which is dedicated to da family and our sweet raver posse. The B side hits different as Henry 3000 is a G when it comes to baba Electro bombs while DJ Hummer understands to cool it down in trancy Westcoast Funk manner.
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The 12” starts with the euphoric rave anthem “Members of Warning 2021” by Giraffi Dog & Erik Jähalli. A track title some of you might recognize which will bring peace and harmony to your mind again but also reflects the everyday struggle in autotuneish melancholy. Second we have the heartwarming Hip Hop cut “Shout Outs” which is dedicated to da family and our sweet raver posse. The B side hits different as Henry 3000 is a G when it comes to baba Electro bombs while DJ Hummer understands to cool it down in trancy Westcoast Funk manner.
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DE - 22113 Hamburg
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Contact: [email protected]More
1
Cody Currie & Kapote - Answer (Cody Version)
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Cody Currie & Kapote - D.G.A.F. (Extended Version)
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Tracklist 12":
A1) Answer (Cody Version)
A2) Hard Work (Extended Version)
B1) D.G.A.F. (Extended Version)
B2) Dance Dance Dance (Extended Version)
Cody Currie & Kapote together in the studio! Delivering a 4 track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way.
Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have what we call THE VIBE. Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music". Makes us laugh, but also fits well. And yes: Both are a bit crazy... like every extremely talented musician.
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A1) Answer (Cody Version)
A2) Hard Work (Extended Version)
B1) D.G.A.F. (Extended Version)
B2) Dance Dance Dance (Extended Version)
Cody Currie & Kapote together in the studio! Delivering a 4 track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way.
Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have what we call THE VIBE. Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music". Makes us laugh, but also fits well. And yes: Both are a bit crazy... like every extremely talented musician.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Strangelove
Cat-No:SL115
Release-Date:06.10.2023
Genre:Indie Rock/Alternative
Configuration:2LP Excl
Label:Strangelove
Cat-No:SL115
Release-Date:06.10.2023
Genre:Indie Rock/Alternative
Configuration:2LP Excl
1
Various - Elsewhere Junior II - A1 Alice George Perez & sofa- Little Dogs 2:47
2
Various - Elsewhere Junior II - A2 Jumbrel- Sintidesbald 4:38
3
Various - Elsewhere Junior II - A3 t-woc & Empress of Nature- Rapper's Delight 3:54
4
Various - Elsewhere Junior II - A4 Aroma von Troisdorf (feat. Marla Bereska)- Das Ozeall 3:44
5
Various - Elsewhere Junior II - B1 Puma & The Dolphin- How To Send Email 3:40
6
Various - Elsewhere Junior II - B2 Mytron - Fajny Dzie? 4:19
7
Various - Elsewhere Junior II - B3 Naomie Klaus- How Do We Make The Babies 4:20
8
Various - Elsewhere Junior II - B4 Androo- Police Justice 1:03
9
Various - Elsewhere Junior II - C1 A, C, and The Omni Ox3- Cyril's Stories 2:42
10
Various - Elsewhere Junior II - C2 Felix Kubin feat. Bela Elektra- On y va 2:51
11
Various - Elsewhere Junior II - C3 Sexo Y Fantasia- Gioca All'Amore 5:33
12
Various - Elsewhere Junior II - C4 Conny Frischauf - Ton Tour 5:11
13
Various - Elsewhere Junior II - D1 Das Unkenduo- Fortifrogs 5:14
14
Various - Elsewhere Junior II - D2 Oslo Karamell- t3 4:43
15
Various - Elsewhere Junior II - D3 Little Boy & The Mindful Potheads- Krautkid 5:54
2LP
Belgian producer and curator soFa launches from Strangelove once again, this time with his celebrated compilation series. A second trip round the stars "elsewhere junior Vol 2" features a bunch of unknown and familiar offworld entertainers. Kosmische music lands amongst leftfield club krypton as our crew collaborate with young space cadets.
Tracklist:
Side A
A1 Alice George Perez & sofa- Little Dogs 2:47
A2 Jumbrel- Sintidesbald 4:38
A3 t-woc & Empress of Nature- Rapper's Delight 3:54
A4 Aroma von Troisdorf (feat. Marla Bereska)- Das Ozeall 3:44
Side B
B1 Puma & The Dolphin- How To Send Email 3:40
B2 Mytron - Fajny Dzie? 4:19
B3 Naomie Klaus- How Do We Make The Babies 4:20
B4 Androo- Police Justice 1:03
Side C
C1 A, C, and The Omni Ox3- Cyril's Stories 2:42
C2 Felix Kubin feat. Bela Elektra- On y va 2:51
C3 Sexo Y Fantasia- Gioca All'Amore 5:33
C4 Conny Frischauf - Ton Tour 5:11
Side D
D1 Das Unkenduo- Fortifrogs 5:14
D2 Oslo Karamell- t3 4:43
D3 Little Boy & The Mindful Potheads- Krautkid 5:54
Short info:
Belgian producer and curator soFa launches from Strangelove once again, this time with his celebrated compilation series. A second trip round the stars "elsewhere junior Vol 2" features a bunch of unknown and familiar offworld entertainers. Kosmische music lands amongst leftfield club krypton as our crew collaborate with young space cadets.
The Empress of Nature & t-woc cover the interplanetary boogie hit 'Rappers Delight' , while Felix Kubin & daughter Bela waltz through the stratus. Conny Frischauf and The Mindful Potheads take us to lynchian journeys of kindergarten Kraut. Mytron's motorik moon dance spins past Naomi Klaus' martian punk shuffle, all amongst a stellar double pack of electronics orbiting Uranus.
In these gloomy times some whimsical fun and a little lightness is just what we need right? Put on your space helmets, fly high and enjoy these trippy sonic explorations..
Vital Sales Points:
Follow up soFa's previous Strangelove releases CCCVVV (SL111) and Psychedelic Digestion Therapy (SL109)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Belgian producer and curator soFa launches from Strangelove once again, this time with his celebrated compilation series. A second trip round the stars "elsewhere junior Vol 2" features a bunch of unknown and familiar offworld entertainers. Kosmische music lands amongst leftfield club krypton as our crew collaborate with young space cadets.
Tracklist:
Side A
A1 Alice George Perez & sofa- Little Dogs 2:47
A2 Jumbrel- Sintidesbald 4:38
A3 t-woc & Empress of Nature- Rapper's Delight 3:54
A4 Aroma von Troisdorf (feat. Marla Bereska)- Das Ozeall 3:44
Side B
B1 Puma & The Dolphin- How To Send Email 3:40
B2 Mytron - Fajny Dzie? 4:19
B3 Naomie Klaus- How Do We Make The Babies 4:20
B4 Androo- Police Justice 1:03
Side C
C1 A, C, and The Omni Ox3- Cyril's Stories 2:42
C2 Felix Kubin feat. Bela Elektra- On y va 2:51
C3 Sexo Y Fantasia- Gioca All'Amore 5:33
C4 Conny Frischauf - Ton Tour 5:11
Side D
D1 Das Unkenduo- Fortifrogs 5:14
D2 Oslo Karamell- t3 4:43
D3 Little Boy & The Mindful Potheads- Krautkid 5:54
Short info:
Belgian producer and curator soFa launches from Strangelove once again, this time with his celebrated compilation series. A second trip round the stars "elsewhere junior Vol 2" features a bunch of unknown and familiar offworld entertainers. Kosmische music lands amongst leftfield club krypton as our crew collaborate with young space cadets.
The Empress of Nature & t-woc cover the interplanetary boogie hit 'Rappers Delight' , while Felix Kubin & daughter Bela waltz through the stratus. Conny Frischauf and The Mindful Potheads take us to lynchian journeys of kindergarten Kraut. Mytron's motorik moon dance spins past Naomi Klaus' martian punk shuffle, all amongst a stellar double pack of electronics orbiting Uranus.
In these gloomy times some whimsical fun and a little lightness is just what we need right? Put on your space helmets, fly high and enjoy these trippy sonic explorations..
Vital Sales Points:
Follow up soFa's previous Strangelove releases CCCVVV (SL111) and Psychedelic Digestion Therapy (SL109)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Cheezy Crust Records
Cat-No:CCR004
Release-Date:06.11.2020
Genre:Acid House
Configuration:12" Excl
Label:Cheezy Crust Records
Cat-No:CCR004
Release-Date:06.11.2020
Genre:Acid House
Configuration:12" Excl
1
CVSO - A1
2
CVSO - A2
3
CVSO - B1
4
CVSO - B2
180G Vinyl, Mastering by Thomas P. Heckmann
Genre: Early techno / electro
Tracklist 12":
A1
A2
B1
B2
Short Info:
So here we are with another first – the next vinyl debut on Cheezy Crust Records as well as the
first ever release for the two-piece project that is CVSO which is their „Basic Cuts EP“.
Comprised of Mainz / Germany-based producers Mint Huus who made his solo debut on
Cheezy Crust in 2019 and Get In Touch head honcho Willberg their joint venture project CVSO
caters a total of four tracks on limited to 200 copies 12“ vinyl, all aptly named after their individual
placement and position on the actual record itself.
Mastered by electronic music legend and pioneer Thomas P. Heckmann the trademark sound of
CVSO presented on this EP is informed by classic early to mid-90s Techno and Intelligent
Techno vibes with its ever evolving flow and stripped down aesthetic which fuses subtle harmonic
changes, spatial meanderings within the stereo field as well as a hypnotic, time-dissolving attitude
for heavy dancefloor abuse.
This said, CVSO are aiming for nothing less than their introduction to the ivy league of Techno
with these „Basic Cuts“, providing classy, absolutely timeless and expertly assembled DJ tools
which are aiming to perfectly blend in with and match the vibe of all those now classic tunes that
have never left a DJs bag for a quarter of a century or more, even though CVSO are tackling their
sound design and production approach with a modern contemporary twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Early techno / electro
Tracklist 12":
A1
A2
B1
B2
Short Info:
So here we are with another first – the next vinyl debut on Cheezy Crust Records as well as the
first ever release for the two-piece project that is CVSO which is their „Basic Cuts EP“.
Comprised of Mainz / Germany-based producers Mint Huus who made his solo debut on
Cheezy Crust in 2019 and Get In Touch head honcho Willberg their joint venture project CVSO
caters a total of four tracks on limited to 200 copies 12“ vinyl, all aptly named after their individual
placement and position on the actual record itself.
Mastered by electronic music legend and pioneer Thomas P. Heckmann the trademark sound of
CVSO presented on this EP is informed by classic early to mid-90s Techno and Intelligent
Techno vibes with its ever evolving flow and stripped down aesthetic which fuses subtle harmonic
changes, spatial meanderings within the stereo field as well as a hypnotic, time-dissolving attitude
for heavy dancefloor abuse.
This said, CVSO are aiming for nothing less than their introduction to the ivy league of Techno
with these „Basic Cuts“, providing classy, absolutely timeless and expertly assembled DJ tools
which are aiming to perfectly blend in with and match the vibe of all those now classic tunes that
have never left a DJs bag for a quarter of a century or more, even though CVSO are tackling their
sound design and production approach with a modern contemporary twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
St. Germain - Rose Rouge
2
St. Germain - Rose Rouge (Jorja Smith Cover) (Joy Orbision Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
LDS - pow 05:16
2
LDS - diff, block mix 03:51
3
LDS - zipp prompt 04:27
4
LDS - stadion progg 06:12
5
LDS - stadion progg, jean redondo remix 04:12
6
LDS - pow2, epilog 01:47
7
LDS - mud zu (digital bonus) 06:03
FORMAT 12" vinyl, generic sleeve, postcard download card 10x15cm
TRACKLIST
1. / A1 pow 05:16
2. / A2 diff, block mix 03:51
3. / A3 zipp prompt 04:27
4. / B1 stadion progg 06:12
5. / B2 stadion progg, jean redondo remix 04:12
6. / B3 pow2, epilog 01:47
7. / DX mud zu (digital bonus) 06:03
To speak to Luca Daniel Schwarz aka LDS about his music is to be enthusiastically guided into a complex world of his own creation: clean and powerful techno which pulses with life from the textured patterns and drum sequences
that have fills and accents that would make anyone who’s picked up a set of drumsticks envious. Yet this ecosystem of noise is deceptive; Schwarz’s process for making music is very different to how a live drummer would create the same subtlety of performance. Forever researching new technology, Luca got deeply interested in different programming languages, and created a series of probability-based music tools for manoeuvring sounds and sequencing.
Manipulating those probabilities takes a skilful alchemy, needing understanding of both musical structure and how the tools he devised work. To return to the drummer analogy, if the drummer is focussed and intentional in the
moment of playing, then the method used in LDS tracks is almost diametrically opposed, with all of the intention coming in the assembly of the instruments, potential paths, and gateways; once play is pressed the music flows,
following all the rules that were set in advance, not unlike a domino run or Rube Goldberg machine. And like a domino run, the results are fascinating and, ultimately, fun: staccato vocals pop in and out in ‘zipp
prompt’; laser-like synths pulse; background noises sweep across the aural plane of the dub techno of ‘diff, blockmix’ and ‘pow’ adding texture that brings vitality all-too-easily missed out when complex mathematical
processes become entwined with music creation. The high sensitivity to texture and rhythmic detail in Stadion Progg is multiplied further on Jean Redondo's remix - whose track, Hypersonic, was the backbone of 2023’s ‘yet’
compilation on Tresor.
The balance between technology and a sense of fun might also come from the maker; it’s not easy to overstate Schwarz’s passion for what is now his favourite way to make music, “it never gets boring. There’s always a moment
of anticipation to see what actually emerges.” And the true “power of 2” comes into play when the resulting music can be fed back through the system again and again, potentiating the music in exponential ways.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. / A1 pow 05:16
2. / A2 diff, block mix 03:51
3. / A3 zipp prompt 04:27
4. / B1 stadion progg 06:12
5. / B2 stadion progg, jean redondo remix 04:12
6. / B3 pow2, epilog 01:47
7. / DX mud zu (digital bonus) 06:03
To speak to Luca Daniel Schwarz aka LDS about his music is to be enthusiastically guided into a complex world of his own creation: clean and powerful techno which pulses with life from the textured patterns and drum sequences
that have fills and accents that would make anyone who’s picked up a set of drumsticks envious. Yet this ecosystem of noise is deceptive; Schwarz’s process for making music is very different to how a live drummer would create the same subtlety of performance. Forever researching new technology, Luca got deeply interested in different programming languages, and created a series of probability-based music tools for manoeuvring sounds and sequencing.
Manipulating those probabilities takes a skilful alchemy, needing understanding of both musical structure and how the tools he devised work. To return to the drummer analogy, if the drummer is focussed and intentional in the
moment of playing, then the method used in LDS tracks is almost diametrically opposed, with all of the intention coming in the assembly of the instruments, potential paths, and gateways; once play is pressed the music flows,
following all the rules that were set in advance, not unlike a domino run or Rube Goldberg machine. And like a domino run, the results are fascinating and, ultimately, fun: staccato vocals pop in and out in ‘zipp
prompt’; laser-like synths pulse; background noises sweep across the aural plane of the dub techno of ‘diff, blockmix’ and ‘pow’ adding texture that brings vitality all-too-easily missed out when complex mathematical
processes become entwined with music creation. The high sensitivity to texture and rhythmic detail in Stadion Progg is multiplied further on Jean Redondo's remix - whose track, Hypersonic, was the backbone of 2023’s ‘yet’
compilation on Tresor.
The balance between technology and a sense of fun might also come from the maker; it’s not easy to overstate Schwarz’s passion for what is now his favourite way to make music, “it never gets boring. There’s always a moment
of anticipation to see what actually emerges.” And the true “power of 2” comes into play when the resulting music can be fed back through the system again and again, potentiating the music in exponential ways.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More