Going belly up, guess it’s always a possibility. Following the release of their latest acclaimed record You Never End (Pitchfork, The Quietus, RA) Moin follow up with their latest EP. Belly Up will be out via AD 93 on the 9th May.
Tracklist:
A1 - SEE
A2 - I’M REALLY FLAGGING (OR I
TRUSTED U)
A3 - YOU LEAVE ME BREATHLESS
B1 - X.U.Y. B2 - I DON’T KNOW WHERE TO LOOK
B3 - THE DAY
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Tracklist:
A1 - SEE
A2 - I’M REALLY FLAGGING (OR I
TRUSTED U)
A3 - YOU LEAVE ME BREATHLESS
B1 - X.U.Y. B2 - I DON’T KNOW WHERE TO LOOK
B3 - THE DAY
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More records from Moin
1
Moin - Foot Wrong
2
Moin - Melon
3
Moin - Yep Yep
4
Moin - Forgetting Is Like Syrup
5
Moin - In A Tizzy
6
Moin - Knuckle
7
Moin - Hung Up
8
Moin - Life Choices
9
Moin - Sink
‘Paste’ is the new album by Moin (Joe Andrews, Tom Halstead & Valentina Magaletti) due for release on the 28th October 2022 via AD 93.
The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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Germany
Contact: [email protected]More
1
Moin - No Title
2
Moin - No Title
3
Moin - No Title
4
Moin - No Title
5
Moin - No Title
6
Moin - No Title
7
Moin - No Title
Post Punk inspired heat from London's Moin. TIP!
Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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WAS - Word and Sound Medien GmbH
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Germany
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You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93 on the 25th October. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin’s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.
Tracklist
1.1Guess It's Wrecked
1.2Cubby
1.3Family Way
1.4What If You Didn't Need A Reason
1.5Lift You
1.6It's Messy Coping
1.7We Know What Gives
1.8C'mon Dive
1.9Anything But Sopo
1.10Happy In The Wrong Way
1.11Just Married
https://listen.k7.com/122cae12-2075-44eb-8c56-21a043607f94
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Tracklist
1.1Guess It's Wrecked
1.2Cubby
1.3Family Way
1.4What If You Didn't Need A Reason
1.5Lift You
1.6It's Messy Coping
1.7We Know What Gives
1.8C'mon Dive
1.9Anything But Sopo
1.10Happy In The Wrong Way
1.11Just Married
https://listen.k7.com/122cae12-2075-44eb-8c56-21a043607f94
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More records from AD 93
YELLOW VINYL REPRESS
YHWH Nailgun announce their debut album "45 Pounds", out via AD 93. "45 Pounds" is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growl sof Zack Borzone. Across the record the four-piece reimagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.
TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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YHWH Nailgun announce their debut album "45 Pounds", out via AD 93. "45 Pounds" is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growl sof Zack Borzone. Across the record the four-piece reimagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.
TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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Much of the Collide"s sound is derived from an old Aria Pro II electric guitar from Leif"s childhood, scratched up with damaged and unpredictable electrics. The record leans into this sense of things being broken or damaged - and how sometimes things need to break in order for us to make sense of them- revelling in, rather than resisting, unpredictability. Lush textures traverse us across unexpected terrains.
Tracklist
1.1How to Eat an Orange (Part 1)
1.2How to Eat an Orange (Part 2)
1.3Yes No
1.4Wrong Way
1.5Aria
1.6Filmed Backwards
1.7Learn and Unlearn
1.8Wearing the Sea
Listen: https://listen.k7.com/3f3f3e53-65ae-4a20-affc-0251ce55efcd
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Tracklist
1.1How to Eat an Orange (Part 1)
1.2How to Eat an Orange (Part 2)
1.3Yes No
1.4Wrong Way
1.5Aria
1.6Filmed Backwards
1.7Learn and Unlearn
1.8Wearing the Sea
Listen: https://listen.k7.com/3f3f3e53-65ae-4a20-affc-0251ce55efcd
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Prolific South East London guitarist and songwriter Alpha Maid presents her album Is this a queue, out via AD 93 on the 21st November.
Streaming link: https://s.disco.ac/secpszhevisv
Tracklisting:
A1 - 6-9
A2 - 2 Number (ft. Leo Hermitt)
A3 - Guarded
A4 - CC
A5 - GOAT Rosetta
B1 - WHY WE HAVE TO MOVE (ft. Valentina Magaletti)
B2 - On Smoke
B3 - Strut In Straddle
B4 - Palimpsest (ft. Coby Sey & Ben Vince)
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Streaming link: https://s.disco.ac/secpszhevisv
Tracklisting:
A1 - 6-9
A2 - 2 Number (ft. Leo Hermitt)
A3 - Guarded
A4 - CC
A5 - GOAT Rosetta
B1 - WHY WE HAVE TO MOVE (ft. Valentina Magaletti)
B2 - On Smoke
B3 - Strut In Straddle
B4 - Palimpsest (ft. Coby Sey & Ben Vince)
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Conamara-raised musician and performer Olan Monk has announced Songs for Nothing, their second album will be released on London label AD 93, on 7 November 2025.
Listen: listen.k7.com/bd38f2c5-4b7f-4035-9f1d-d83f19e6c19b
TRACK LIST
A1 CORP
A2 DOWN 3
A3 10 DAYS
A4 BLANK PAGE
A5 DRÓN FEADÓIGE
B1 OATMILK
B2 CAN’T WAIT
B3 POMEGRANATE
B4 FATE (REPRISE)
B5 AMHRÁN MHAÍNSE
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Listen: listen.k7.com/bd38f2c5-4b7f-4035-9f1d-d83f19e6c19b
TRACK LIST
A1 CORP
A2 DOWN 3
A3 10 DAYS
A4 BLANK PAGE
A5 DRÓN FEADÓIGE
B1 OATMILK
B2 CAN’T WAIT
B3 POMEGRANATE
B4 FATE (REPRISE)
B5 AMHRÁN MHAÍNSE
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Joanne Robertson follows up on AD 93 with the album Blurrr, out 19th September.
Streaming links: https://s.disco.ac/crophlnmvsji
Tracklist
A1 - Ghost
A2 - Why Me
A3 - Friendly
A4 - Exit Vendor
B2 - Always Were
B2 - Peaceful
B3 - Gown
B4 - Doubt
B5 - Last Hay
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Streaming links: https://s.disco.ac/crophlnmvsji
Tracklist
A1 - Ghost
A2 - Why Me
A3 - Friendly
A4 - Exit Vendor
B2 - Always Were
B2 - Peaceful
B3 - Gown
B4 - Doubt
B5 - Last Hay
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Contact: [email protected]More
1
james K - Days Go By
2
james K - Blinkmoth (July Mix)
3
james K - Shoegaze Gwen
4
james K - Idea.2
5
james K - Nbalmed
6
james K - Rider
7
james K - On God
8
james K - Peel
9
james K - Lude (Unwind)
10
james K - Play
11
james K - Lung Slide
12
james K - Hypersoft Lovejinx Junkdream
13
james K - Collapse (Falling Forward Blussfully All The Time)
Transparent Vinyl!
** 2LP gatefold sleeve with printed inners
An opening of the portal, Friend is the culmination of a decade of K’s work; the gates of which gleam like a slow drip of melodic infusion, at once a remedy and an inquiry. Friend encapsulates a lifelong praxis of intuitive music making, delivering a more precise and controlled sound, with versions of songs shifting into focus like recovered memories. Feeling her way through textures, a return to an intimacy and clarity of voice with a melding of refined technique, these soundscapes lay down a framework over time that traces the history of her practice.
james K has been a cosmic point of the aesthetic underground across the world, as a vocalist, producer, artist and collaborator. Her breathy, lilting vocals have floated across some of the past year’s best music. Expanding and ethereal, they make you feel like the call is coming from inside the house. You can trace touch points across her lengthy catalogue, spanning from the foundational urgency of 2013’s debut Rum EP, to the prismatic elasticity of PET (She Rocks!/Dial), to the strange-faced, visceral and, at times, sepulchral intoxication of Random Girl (Incienso), to the universal ecstasy of trip-hop lullaby ‘Scorpio’ (AD 93). To this day, her ??transmutative career has led K to amass a bouquet of collaborations with artists like Heith, Moin, Fergus Jones + Huerco S., Priori, Yves Tumor, Drew McDowall, LEYA, and others.
Friend is K’s return to the core; each song anchored by the past, present and future: all inherently connected, yet each compressing its own raw emotion, transmuting across a spectrum of fully realized manifestations. K holds a prism to the personal and reflects it outwards, illuminating her blues with a vibrant acceptance of love. Based in New York where she was born and has lived most of her life, there is a constant evolution of the city which she embodies sonically, like the growth, decay and push, pull of relationships and spaces. At the crux of these crossroads is the homespun and ever-evolving DIY rave culture which continues to embody and cycle through lives of its own. This ecology spans across geographical lines and remains the touchstone and core of the james K vocation: the backbone and infrastructure from which her distinctive command of interwoven guitar and electronic arrangements ultimately coalesces. Grafting fragments of the real and the surreal is the provenance she draws from in her thoughtful and emotive international performances including Dekmantel, Sustain Release, Mutek, iii Points, and more. Her international recognition has guided her to the stages of both her contemporaries and pioneers: some of these including James Ferraro, Robert Aiki Aubrey Lowe, Morton Subotnick, Nick Leon, Arushi Jain, Malibu, and Priori, among others.
Friend was written and produced in studios between New York and Montreal; featuring collaborations with contemporaries and friends, Special Guest DJ, Francis Latrielle, Ben Bondy, Patrick Holland, Hank Jackson, and Adam Feingold. The new record is anchored by K’s penchant for melody at the forefront, which feature her ‘heavenly vocals. Her delivery glistens with the Elizabeth Fraser effect: carried foremost by feeling, the curvature of her indecipherable lyrics capture the fleeting moment in which euphoria sinks into quiet melancholy,’ and a dreamy flow-state of softly-textured, finitely detailed hi-fi production. K’s willingness to be vulnerable - to delve into/feel her way through rangelessness is her signature: exploring the contours of all genres, and laying the framework for new conversations between artists.)
Listen: https://s.disco.ac/mlslyxaszdiq
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** 2LP gatefold sleeve with printed inners
An opening of the portal, Friend is the culmination of a decade of K’s work; the gates of which gleam like a slow drip of melodic infusion, at once a remedy and an inquiry. Friend encapsulates a lifelong praxis of intuitive music making, delivering a more precise and controlled sound, with versions of songs shifting into focus like recovered memories. Feeling her way through textures, a return to an intimacy and clarity of voice with a melding of refined technique, these soundscapes lay down a framework over time that traces the history of her practice.
james K has been a cosmic point of the aesthetic underground across the world, as a vocalist, producer, artist and collaborator. Her breathy, lilting vocals have floated across some of the past year’s best music. Expanding and ethereal, they make you feel like the call is coming from inside the house. You can trace touch points across her lengthy catalogue, spanning from the foundational urgency of 2013’s debut Rum EP, to the prismatic elasticity of PET (She Rocks!/Dial), to the strange-faced, visceral and, at times, sepulchral intoxication of Random Girl (Incienso), to the universal ecstasy of trip-hop lullaby ‘Scorpio’ (AD 93). To this day, her ??transmutative career has led K to amass a bouquet of collaborations with artists like Heith, Moin, Fergus Jones + Huerco S., Priori, Yves Tumor, Drew McDowall, LEYA, and others.
Friend is K’s return to the core; each song anchored by the past, present and future: all inherently connected, yet each compressing its own raw emotion, transmuting across a spectrum of fully realized manifestations. K holds a prism to the personal and reflects it outwards, illuminating her blues with a vibrant acceptance of love. Based in New York where she was born and has lived most of her life, there is a constant evolution of the city which she embodies sonically, like the growth, decay and push, pull of relationships and spaces. At the crux of these crossroads is the homespun and ever-evolving DIY rave culture which continues to embody and cycle through lives of its own. This ecology spans across geographical lines and remains the touchstone and core of the james K vocation: the backbone and infrastructure from which her distinctive command of interwoven guitar and electronic arrangements ultimately coalesces. Grafting fragments of the real and the surreal is the provenance she draws from in her thoughtful and emotive international performances including Dekmantel, Sustain Release, Mutek, iii Points, and more. Her international recognition has guided her to the stages of both her contemporaries and pioneers: some of these including James Ferraro, Robert Aiki Aubrey Lowe, Morton Subotnick, Nick Leon, Arushi Jain, Malibu, and Priori, among others.
Friend was written and produced in studios between New York and Montreal; featuring collaborations with contemporaries and friends, Special Guest DJ, Francis Latrielle, Ben Bondy, Patrick Holland, Hank Jackson, and Adam Feingold. The new record is anchored by K’s penchant for melody at the forefront, which feature her ‘heavenly vocals. Her delivery glistens with the Elizabeth Fraser effect: carried foremost by feeling, the curvature of her indecipherable lyrics capture the fleeting moment in which euphoria sinks into quiet melancholy,’ and a dreamy flow-state of softly-textured, finitely detailed hi-fi production. K’s willingness to be vulnerable - to delve into/feel her way through rangelessness is her signature: exploring the contours of all genres, and laying the framework for new conversations between artists.)
Listen: https://s.disco.ac/mlslyxaszdiq
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1
Valentina Magaletti & YPY - One Hour Visa
2
Valentina Magaletti & YPY - Kansai Bruises
3
Valentina Magaletti & YPY - Float
4
Valentina Magaletti & YPY - Lantern Lit Run
5
Valentina Magaletti & YPY - Her Own Reflection
6
Valentina Magaletti & YPY - Silhouette
7
Valentina Magaletti & YPY - Interlude For Fog Days
8
Valentina Magaletti & YPY - Pesto
Drummer, percussionist and composer Valentina Magaletti (Moin, Holy Tongue, Vanishing Twin) has
combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP,
Kansai Bruises.
The pair crash through Osaka’s neon-lit streets with abrasive drums and handcrafted Japanese electronics
that hit like pavement against skin. This is bliss carved from bruises—hope and fear tangled in metallic
percussion while dreams of pesto float through sake-soaked alleyways.
[Artwork: Will Bankhead]
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combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP,
Kansai Bruises.
The pair crash through Osaka’s neon-lit streets with abrasive drums and handcrafted Japanese electronics
that hit like pavement against skin. This is bliss carved from bruises—hope and fear tangled in metallic
percussion while dreams of pesto float through sake-soaked alleyways.
[Artwork: Will Bankhead]
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1
Biosphere - A1 - Time Of Man
2
Biosphere - A2 - The Way Of Time
3
Biosphere - A3 - Like The End Of The World
4
Biosphere - B1 - All Stars Have Names
5
Biosphere - B2 - The Old Way Was Gone
6
Biosphere - B3 - The Way Of Time (On And On)
Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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For their second album 'The Foel Tower', Quade holed up in an old stone barn in the cradle of a Welsh mountain valley. It was an environment that would shape the band – a Bristol four piece made up of Barney Matthews, Leo Fini, Matt Griffiths and Tom Connolly – and the record they have made. It’s an album that is as dreamy as it is melancholic, and as quiet and tender as it is forceful and potent – gliding across genres like winds blowing over those wide-spanning Welsh hills.
Tracklisting:
A1 - Beckett
A2 - See Unit
A3 - Bylaw 7.1
B1 - Nannerth Ganol
B2 - Canada Geese
B3 - Black Kites
Listen: https://listen.k7.com/e8c2ea1d-39f6-4f92-83e9-66143e55cb56
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Tracklisting:
A1 - Beckett
A2 - See Unit
A3 - Bylaw 7.1
B1 - Nannerth Ganol
B2 - Canada Geese
B3 - Black Kites
Listen: https://listen.k7.com/e8c2ea1d-39f6-4f92-83e9-66143e55cb56
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"Kind Regards" is the second duo release from guitarist Oren Ambarchi and drummer Eric Thielemans, out via AD 93. The record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance documented on their LP Double Consciousness (Matière Mémorie, 2023). Kind Regards finds the duo refining their shared language while continuing to take risks, allowing the music"s gravitational pull to lead them from meditative calm to unexpectedly expressive passages of melodic invention and rhythmic drive.
Tracklist
1.1Kind Regards (Beginning)
1.2Kind Regards (Conclusion)
https://listen.k7.com/7e96712e-a51a-4c64-9b78-6c00f774ccc8
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Tracklist
1.1Kind Regards (Beginning)
1.2Kind Regards (Conclusion)
https://listen.k7.com/7e96712e-a51a-4c64-9b78-6c00f774ccc8
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YHWH Nailgun announce their debut album "45 Pounds", out via AD 93. "45 Pounds" is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growl sof Zack Borzone. Across the record the four-piece reimagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.
TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER
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Wojciech Rusin is a Polish-born audio visual artist based in London. He draws inspiration from alchemical and gnostic texts, early renaissance choral music and Eastern European mythologies. "Honey for the Ants" completes an "alchemical trilogy", after The Funnel and Syphon. These albums are informed by mystical and gnostic texts, celebrating the weird, unhinged and occasionally beautiful.
Tracklist
1.1Flesh Eater
1.2Magus
1.3Behind the Palazzo
1.4Gifts for the Surgeon
1.5Tools for Humanity
1.6Carpathian Stone Spinners
1.7Kittens meet Puppies for the First Time
1.8Hands of a Despot
1.9Heretic Milieu
1.10Even the Moon
Listen: https://listen.k7.com/ce69bf95-9981-4e1f-9a71-643375cbca8b
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
1.1Flesh Eater
1.2Magus
1.3Behind the Palazzo
1.4Gifts for the Surgeon
1.5Tools for Humanity
1.6Carpathian Stone Spinners
1.7Kittens meet Puppies for the First Time
1.8Hands of a Despot
1.9Heretic Milieu
1.10Even the Moon
Listen: https://listen.k7.com/ce69bf95-9981-4e1f-9a71-643375cbca8b
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1
TSVI & DJ Plead - Triple It
2
TSVI & DJ Plead - Swanky
3
TSVI & DJ Plead - Gallop
4
TSVI & DJ Plead - Breath Work
5
TSVI & DJ Plead - Twos And Fours
Two Tuscan Geese
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DE - 22113 Hamburg
Germany
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Germany
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Jump Ship, Sit Lean, Be Still, Stand Tall is a collaborative LP from BZDB, comprised of Duncan Bellamy and Belinda Zhawi (MA.MOYO), that will be released via AD 93. The record is a collection of sonic-poetry setting Zhawi"s illuminating, elliptical words in dialogue with diffuse, explorative music and sound by Bellamy. Together they render these disparate forms into something distinct, melancholic and luminous, fluctuating between expansive contemporary classical arrangements and intimate layered vocal experiments.
Tracklist
1.1Dancesing
1.2Stockwell
1.3Jump Ship
1.4Shield
1.5Water
1.6Tomb
1.7Dream Sequence
1.8La Recherche
1.9Holes
1.10Your Absence
https://listen.k7.com/bccee580-9a94-4195-8481-0a86edf20edb
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
1.1Dancesing
1.2Stockwell
1.3Jump Ship
1.4Shield
1.5Water
1.6Tomb
1.7Dream Sequence
1.8La Recherche
1.9Holes
1.10Your Absence
https://listen.k7.com/bccee580-9a94-4195-8481-0a86edf20edb
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GAISTER (Olivia Salvadori, Akihide Monna and Coby Sey) bring their self-titled LP out via AD 93 on the 1st November 2024.
Tracklist
1.1Source
1.2Conscious Concentration
1.3Solar
1.4Geist
1.5Shi
1.6Track 6
1.7Assonanze
1.8Sento
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Germany
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Tracklist
1.1Source
1.2Conscious Concentration
1.3Solar
1.4Geist
1.5Shi
1.6Track 6
1.7Assonanze
1.8Sento
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1
Moin - Foot Wrong
2
Moin - Melon
3
Moin - Yep Yep
4
Moin - Forgetting Is Like Syrup
5
Moin - In A Tizzy
6
Moin - Knuckle
7
Moin - Hung Up
8
Moin - Life Choices
9
Moin - Sink
‘Paste’ is the new album by Moin (Joe Andrews, Tom Halstead & Valentina Magaletti) due for release on the 28th October 2022 via AD 93.
The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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Germany
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The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.
By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.
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1
Moin - No Title
2
Moin - No Title
3
Moin - No Title
4
Moin - No Title
5
Moin - No Title
6
Moin - No Title
7
Moin - No Title
Post Punk inspired heat from London's Moin. TIP!
Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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Germany
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Moin is made of Joe Andrews and Tom Halstead (Raime / Blackest Ever Black) as well as long time collaborator and percussionist visionary Valentina Magaletti (Tomaga / Vanishing Twin). A serendipitous conversation brought the project to life. The band say simply: “The record was made as an experiment really, it felt like the right time to play on the fringes of this kind of music. The priority was to be direct at first and then change the edges perhaps. Make something to experience rather than something as a spectacle.”
Moot! a quick and painless album to create, allowed the musicians to re-appreciate the recording process, using a combination of live recording and studio techniques. As Andrews, Halstead and Magaletti come together as Moin, they’re freed from any past inhibitions or self-made parameters to explore uncharted territory. The album spans psychedelia, alternative rock and post-punk mixed with their signature electronics and sampling practice.
The band conclude: “All of this sounds very matter of fact, which is correct. It’s immediate music that isn’t pretending to be anything but.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs. Negrea Love Dub', originally released in 1978, is a cornerstone in the reggae dub scene. Linval Thompson produced riddims which were laid at Channel One studio by The Revolutionaries – at the time a celebrated studio band led by drum and bass partners Sly Dunbar & Robbie Shakespear – and mixed at King Tubby's renown studio at 18 Dromilly Avenue in Kingston by Prince Jammy. The sound of the ten dubs featured here is hypnotic and its effects are euphoric to say the least.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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Cat-No:LPS208
Release-Date:17.06.2022
Configuration:LP Excl
Cat-No:LPS208
Release-Date:17.06.2022
Configuration:LP Excl
1
LONG ORME - Nos Rêves
2
LONG ORME - Le Hibou
3
LONG ORME - Galère
4
LONG ORME - Tourterelle
5
LONG ORME - Les Ancêtres Hébraïques
6
LONG ORME - Henry
7
LONG ORME - La Page Blanche
8
LONG ORME - Le Troubadour
9
LONG ORME - Arboc
10
LONG ORME - Galigai
11
LONG ORME - Long Orme
12
LONG ORME - Les Enfants
NON EXCL-LP. Limited edition, 500 copies only.
Ultra rare, sought after French acid folk psychedelic masterpiece, Long Orme is the work of singer-guitarist-songwriter Yves Fajnberg, his girlfriend singer Anne Marie Butel plus a full cohort of musician friends. The LP was laid down to a 2 track Revox Reel To Reel recorder between late 1974 and early 1975 and originally released in 1975 by Sonart Disques to such a limited run that an original copy sells nowadays for no less than 400 euros.Together with Yves Chauvet, Fajnberg had worked on Dominique Droin’s Wave On LP issued by Le Kiosque d’Orphée, all done on a small home studio set by Chauvet. They used the same facilities, mainly two 2-track Revox reel-to-reel magnetophones and an 8-track mixer, to produce a delightful peace of poetry and acoustic guitar acid folk sounds which will appeal to fans of artists such as Season, Jeff, Beautiful Losers, Yves, Serge & Victor, Manu Lannhuel, Denis, Jean Yves Tourbin, a.o. Never reissued before, the Wah Wah edition features original sleeve artwork plus an insert with liner notes & interviews by Quentin Orléan.
Tracklist:
A1 Nos Rêves
A2 Le Hibou
A3 Galère
A4 Tourterelle
A5 Les Ancêtres Hébraïques
A6 Henry
B1 La Page Blanche
B2 Le Troubadour
B3 Arboc
B4 Galigai
B5 Long Orme
B6 Les Enfants
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ultra rare, sought after French acid folk psychedelic masterpiece, Long Orme is the work of singer-guitarist-songwriter Yves Fajnberg, his girlfriend singer Anne Marie Butel plus a full cohort of musician friends. The LP was laid down to a 2 track Revox Reel To Reel recorder between late 1974 and early 1975 and originally released in 1975 by Sonart Disques to such a limited run that an original copy sells nowadays for no less than 400 euros.Together with Yves Chauvet, Fajnberg had worked on Dominique Droin’s Wave On LP issued by Le Kiosque d’Orphée, all done on a small home studio set by Chauvet. They used the same facilities, mainly two 2-track Revox reel-to-reel magnetophones and an 8-track mixer, to produce a delightful peace of poetry and acoustic guitar acid folk sounds which will appeal to fans of artists such as Season, Jeff, Beautiful Losers, Yves, Serge & Victor, Manu Lannhuel, Denis, Jean Yves Tourbin, a.o. Never reissued before, the Wah Wah edition features original sleeve artwork plus an insert with liner notes & interviews by Quentin Orléan.
Tracklist:
A1 Nos Rêves
A2 Le Hibou
A3 Galère
A4 Tourterelle
A5 Les Ancêtres Hébraïques
A6 Henry
B1 La Page Blanche
B2 Le Troubadour
B3 Arboc
B4 Galigai
B5 Long Orme
B6 Les Enfants
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93 on the 25th October. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin’s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.
Tracklist
1.1Guess It's Wrecked
1.2Cubby
1.3Family Way
1.4What If You Didn't Need A Reason
1.5Lift You
1.6It's Messy Coping
1.7We Know What Gives
1.8C'mon Dive
1.9Anything But Sopo
1.10Happy In The Wrong Way
1.11Just Married
https://listen.k7.com/122cae12-2075-44eb-8c56-21a043607f94
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Guess It's Wrecked
1.2Cubby
1.3Family Way
1.4What If You Didn't Need A Reason
1.5Lift You
1.6It's Messy Coping
1.7We Know What Gives
1.8C'mon Dive
1.9Anything But Sopo
1.10Happy In The Wrong Way
1.11Just Married
https://listen.k7.com/122cae12-2075-44eb-8c56-21a043607f94
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Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop / Beats
Configuration:2LP Excl
Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop / Beats
Configuration:2LP Excl
1
Bahamadia - Intro (0:50)
2
Bahamadia - WordPlay (3:17)
3
Bahamadia - Spontaneity (4:08)
4
Bahamadia - Rugged Ruff (3:08)
5
Bahamadia - Interlude (0:29)
6
Bahamadia - I Confess (4:06)
7
Bahamadia - UKNOWHOWWEDU (3:35)
8
Bahamadia - Interlude (1:09)
9
Bahamadia - Total Wreck (3:26)
10
Bahamadia - Innovation (3:23)
11
Bahamadia - Da Jawn (5:19)
12
Bahamadia - Interlude (1:05)
13
Bahamadia - True Honey Buns (Dat Freak Sh t) (3:41)
14
Bahamadia - 3 Tha Hard Way (4:12)
15
Bahamadia - Biggest Part Of Me (4:51)
16
Bahamadia - Path To Rhythm (3:24)
Territories: Worldwide no restrictions
Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Danny Scott Lane - Another Classic
2
Danny Scott Lane - Elvis
3
Danny Scott Lane - I Can’t See
4
Danny Scott Lane - View Of The Beach
5
Danny Scott Lane - The One You Love
6
Danny Scott Lane - Getting Started
7
Danny Scott Lane - Both Of Us
8
Danny Scott Lane - In One House
9
Danny Scott Lane - Not Knowing
10
Danny Scott Lane - Two Times
11
Danny Scott Lane - Missing Romeo
Territories: World
LP: Limited Edition of 500, Heavy 350gsm Metallic Silver Cardboard Sleeve, Sticker
Tracklisting LP
A1. Another Classic
A2. Elvis
A3. I Can’t See
A4. View Of The Beach
A5. The One You Love
B1. Getting Started
B2. Both Of Us
B3. In One House
B4. Not Knowing
B5. Two Times
B6. Missing Romeo
Info
WRWTFWW Records is happy to announce its fourth collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the release of his newest full-length Songs For Sex. The seductive 11-track album is available as a limited edition LP (500 copies worldwide) housed in a shiny 350gsm silver cardboard sleeve. It is also available digitally.
Danny Scott Lane returns with Songs For Sex, a sultry funk, jazz, and ambient exploration inspired by candid conversations about intimacy. Smooth yet messy, uplifting yet off-kilter, this album captures every mood. It’s sensual furniture (leather sofa) music, deep passion minimalism, hedonistic downtempo, glossy and warm soul electronica.
The velvety sonic affair features the lush sounds of Joseph Shabson, David Lackner, and Simon Herody on flutes and saxophones, making it an irresistible modern brand of smooth jazz, the ideal soundtrack for your favorite pastime.
Songs For Sex follows the release of Danny Scott Lane’s chillout masterpieces Home Decor, Shower, and Caput, all available on WRWTFWW Records. Complete the funky collection now!
Points of interests
For fans of smooth ambient jazz, cool jazz, downtempo, flutes and saxophones, sensual seduction, intimacy, good times, cozy nights and easy mornings, wild nights and easy mornings, leather sofas, and feeling alive.
Super limited imited edition vinyl for Danny Scott Lane’s seductive 2025 album Songs For Sex.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: Limited Edition of 500, Heavy 350gsm Metallic Silver Cardboard Sleeve, Sticker
Tracklisting LP
A1. Another Classic
A2. Elvis
A3. I Can’t See
A4. View Of The Beach
A5. The One You Love
B1. Getting Started
B2. Both Of Us
B3. In One House
B4. Not Knowing
B5. Two Times
B6. Missing Romeo
Info
WRWTFWW Records is happy to announce its fourth collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the release of his newest full-length Songs For Sex. The seductive 11-track album is available as a limited edition LP (500 copies worldwide) housed in a shiny 350gsm silver cardboard sleeve. It is also available digitally.
Danny Scott Lane returns with Songs For Sex, a sultry funk, jazz, and ambient exploration inspired by candid conversations about intimacy. Smooth yet messy, uplifting yet off-kilter, this album captures every mood. It’s sensual furniture (leather sofa) music, deep passion minimalism, hedonistic downtempo, glossy and warm soul electronica.
The velvety sonic affair features the lush sounds of Joseph Shabson, David Lackner, and Simon Herody on flutes and saxophones, making it an irresistible modern brand of smooth jazz, the ideal soundtrack for your favorite pastime.
Songs For Sex follows the release of Danny Scott Lane’s chillout masterpieces Home Decor, Shower, and Caput, all available on WRWTFWW Records. Complete the funky collection now!
Points of interests
For fans of smooth ambient jazz, cool jazz, downtempo, flutes and saxophones, sensual seduction, intimacy, good times, cozy nights and easy mornings, wild nights and easy mornings, leather sofas, and feeling alive.
Super limited imited edition vinyl for Danny Scott Lane’s seductive 2025 album Songs For Sex.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Peter Ludemann & Pit Troja - A1 : The Now Generation
2
Peter Ludemann & Pit Troja - A2 : Panama
3
Peter Ludemann & Pit Troja - A3 : Inorganic Matter
4
Peter Ludemann & Pit Troja - A4 : African Nightclub
5
Peter Ludemann & Pit Troja - A5 : Grease Plant
6
Peter Ludemann & Pit Troja - A6 : Southerly
7
Peter Ludemann & Pit Troja - B1 : Mechanical Heart
8
Peter Ludemann & Pit Troja - B2 : Chemical Threat
9
Peter Ludemann & Pit Troja - B3 : Steady Going
10
Peter Ludemann & Pit Troja - B4 : Nepal Trek
Format Notes:
140g vinyl, remastered from the original analogue tapes, metallic silver sleeve
Territories:
Worldwide no restrictions
Track List:
A1 : The Now Generation (3:29)
A2 : Panama (2:24)
A3 : Inorganic Matter (3:27)
A4 : African Nightclub (3:18)
A5 : Grease Plant (3:20)
A6 : Southerly (2:15)
B1 : Mechanical Heart (7:22)
B2 : Chemical Threat (3:26)
B3 : Steady Going (3:16)
B4 : Nepal Trek (2:47)
Release Notes:
Release Notes:
They Say: “Documentary and industrial underlays for current themes of modern life”.
We say: Mind-blowing, percussion-heavy, Afro-tinged, cosmic-disco library bomb.
This is the one. An absolutely outstanding record from 1983 and definitely one of the hardest to find on the collectable German library label, Coloursound. The Now Generation (Percussive Underscores) is comfortably one of the very best library records full stop.
The record comes galloping out the gate with a pair of rapid synthy-eurodisco bombs - the title-track and “Panama” - before slowing down to a woozy pace on “Inorganic Matter”. “African Nightclub” sounds like it reads, and is a particular favourite of Prins Thomas. Indeed, it was used to great effect on his seminal Cosmo Galactic Prism mix for Eskimo back in 2007. It’s followed by the dark, druggy, slow motion industrial groove of “Grease Plant” before “Southerly” lifts the tempo to close out side A with its Latin funk strut of bells and melancholic keys.
For us, though, it’s all about the opener to side B: “Mechanical Heart”. Seven minutes of building, mid-tempo disco-funk joy, deceptively explosive, club-ready gear for body and soul. The back cover dryly describes the track as “Guitar and percussion, light industrial underlay”. Hmmm. How about, “after finally emerging from a particularly heavy week jamming in a sunless, lawless German warehouse, Chic warily press record on a wayward, illicit instrumental for basement gatherings”. Just wait for those drums at the 3 minute mark…
The beatless ambience and menacing stabs of the proto-electro “Chemical Threat” follows, before the open drums and incredible fills of the metronomic “Steady Going” and fantastically monotonous funk breaks of “Nepal Trek” round out this sensational set.
This is a library masterpiece in no uncertain terms, full of synth funk, afro beats, exotica, leftfield madness, dance floor dynamite and all-around greatness.
As with our KPM and Themes re-issues, the audio for The Now Generation comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metalic silver glory.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
140g vinyl, remastered from the original analogue tapes, metallic silver sleeve
Territories:
Worldwide no restrictions
Track List:
A1 : The Now Generation (3:29)
A2 : Panama (2:24)
A3 : Inorganic Matter (3:27)
A4 : African Nightclub (3:18)
A5 : Grease Plant (3:20)
A6 : Southerly (2:15)
B1 : Mechanical Heart (7:22)
B2 : Chemical Threat (3:26)
B3 : Steady Going (3:16)
B4 : Nepal Trek (2:47)
Release Notes:
Release Notes:
They Say: “Documentary and industrial underlays for current themes of modern life”.
We say: Mind-blowing, percussion-heavy, Afro-tinged, cosmic-disco library bomb.
This is the one. An absolutely outstanding record from 1983 and definitely one of the hardest to find on the collectable German library label, Coloursound. The Now Generation (Percussive Underscores) is comfortably one of the very best library records full stop.
The record comes galloping out the gate with a pair of rapid synthy-eurodisco bombs - the title-track and “Panama” - before slowing down to a woozy pace on “Inorganic Matter”. “African Nightclub” sounds like it reads, and is a particular favourite of Prins Thomas. Indeed, it was used to great effect on his seminal Cosmo Galactic Prism mix for Eskimo back in 2007. It’s followed by the dark, druggy, slow motion industrial groove of “Grease Plant” before “Southerly” lifts the tempo to close out side A with its Latin funk strut of bells and melancholic keys.
For us, though, it’s all about the opener to side B: “Mechanical Heart”. Seven minutes of building, mid-tempo disco-funk joy, deceptively explosive, club-ready gear for body and soul. The back cover dryly describes the track as “Guitar and percussion, light industrial underlay”. Hmmm. How about, “after finally emerging from a particularly heavy week jamming in a sunless, lawless German warehouse, Chic warily press record on a wayward, illicit instrumental for basement gatherings”. Just wait for those drums at the 3 minute mark…
The beatless ambience and menacing stabs of the proto-electro “Chemical Threat” follows, before the open drums and incredible fills of the metronomic “Steady Going” and fantastically monotonous funk breaks of “Nepal Trek” round out this sensational set.
This is a library masterpiece in no uncertain terms, full of synth funk, afro beats, exotica, leftfield madness, dance floor dynamite and all-around greatness.
As with our KPM and Themes re-issues, the audio for The Now Generation comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metalic silver glory.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ali Omar - Hashish
2
Ali Omar - The Last Straw
3
Ali Omar - Nu Stone Groove
4
Ali Omar - On Release
5
Ali Omar - Poor Man Beggar Man Thief (Feat Kye)
6
Ali Omar - Suicide Bomber
7
Ali Omar - Roll Up
8
Ali Omar - For Love's Sake
Tracklist:
01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake
Short info:
Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake
Short info:
Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Sorcerers' latest long player lands in perfect time for the summer, offering a further progression into their unique take on Ethio-inspired jazz. Other Worlds and Habitats is, of course, released on ATA Records and is blessed with the analogue recording and painstakingly loving production we have come to expect from this boutique studio. This, The Sorcerers eagerly anticipated fourth LP, follows on from the success of I Too Am A Stranger, a record which garnered praise from BBC Radio 2’s Jamie Cullum, “I love this, this is so good!”, Ethio-jazz legend Mulatu Astatke, “I like the grooves, and it is good to see The Sorcerers interpret Ethio jazz in their own unique way”, and Nightmares on Wax, “This sounds great! Love the way it's recorded”.
Listen: https://listen.k7.com/c818ca27-8f1b-41bc-aecb-b693b7c240f7
Tracklisting:
SIDE 1 (A)
1. ECHOES OF EARTH
2. ANCESTRAL MACHINES
3. ABANDONED SATELLITES
4. THE GREAT BELL
SIDE 2 (B)
1. BENEATH THE DUNES
2. THE GHOSTS OF THE BLACK
DRIFT 3. THE INFINITE
4. THE LAST TRANSMISSION
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/c818ca27-8f1b-41bc-aecb-b693b7c240f7
Tracklisting:
SIDE 1 (A)
1. ECHOES OF EARTH
2. ANCESTRAL MACHINES
3. ABANDONED SATELLITES
4. THE GREAT BELL
SIDE 2 (B)
1. BENEATH THE DUNES
2. THE GHOSTS OF THE BLACK
DRIFT 3. THE INFINITE
4. THE LAST TRANSMISSION
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
P0lyrhythm - 313 Hazy Days 06:55
2
P0lyrhythm - Shimmering Lights 07:27
3
P0lyrhythm - Motor City Dreams 07:41
4
P0lyrhythm - X-Ray Eyes 05:25
Genre: Detroit Techno, Techno, Soulful Techno
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kinga - Sexy Boy (Late Night Dance Mix)
2
Kinga - Sexy Boy (Dub)
3
Kinga - Sexy Boy (7" Mix)
4
Kinga - Sexy Boy (7" Remix/Edit)
5
Kinga - Sexy Boy (TV Mix)
In celebration of Pride Month, Kinga struts to Dark Entries with “Sexy Boy,” a steamy Canadian pop gem. Inspired by gender-bending pop stars of the 1980s like Boy George and Janet Jackson, a young Tomas Fussey aka Kinga ditched his “schoolboy appearance” to adopt an edgier, androgynous style. Immersed in Calgary nightlife, he became acquainted with sexy synthpop and disco songs like Madonna’s “Everybody,” Divine’s “Native Love,” and the Flirts’ “Passion” - songs which still linger in his mind. He began writing music: “It was 80s. Everyone was making a record. So I made one too.” In 1988 he teamed up with keyboardist Dan Madison and veteran producer Bob Gallo to make “Elevator Operator” and “Sexy Boy.” Kinga was surprised when the B-side “Sexy Boy” garnered substantial radio play from CFNY in Toronto. But he notes: “They saw the obvious... My physical appearance supported the lyrics.” In 1989, Amok Records backed a new “Late Night Dance Mix” version of “Sexy Boy.” Almost every part was re-recorded or remade, including Kinga’s vocals. The new version surprised Kinga with its slick production and moody atmosphere. Sales were disappointing, and Kinga stated “It was not the sound of the moment.” But these deeper house-inflected grooves feel like the sound of our current moment. This release of Sexy Boy includes five different mixes, including the original 7” mix, three versions from the 12”, and the previously unreleased “TV Mix”. Sexy Boy comes sleeved in a reproduction of the original artwork and includes an insert with liner notes and lyrics, as well as an 8x10 glossy press photo of the sexy boy himself.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Various Artists - Trust Me
2
Various Artists - Open Spaces
3
Various Artists - Arabs
4
Various Artists - Full Treatment
5
Various Artists - Sedation
6
Various Artists - Hakka Suru
7
Various Artists - Wind It Up
8
Various Artists - Do You Do It?
9
Various Artists - Bikini Atoll
10
Various Artists - I Want My Mummy
LP. 2025 RE PRESS
Vital Sales Points:
Boiler Room Collections video feature to premiere the week of release
Companion piece to András and Instant Peterson's cult all-Australian mix series
Tracklist
A1. Maria Kozic and the MK Sound - Trust Me
A2. Whadya Want? - Open Spaces
A3. Poets of the Machine - Arabs
A4. The Couch - Full Treatment
A5. ??? - Sedation
B1. The Igniters - Hakka Suru
B2. Mumbo Jumbo - Wind It Up
B3. Mix - Do You Do It?
B4. Cameron Allen and Graham Bidstrup - Bikini Atoll
B5. Foot and Mouth - I Want My Mummy
On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.
Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson's investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as ??? (pronounced "Tch Tch Tch").
Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward's dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.
The collection binds a certain musicianship that's indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine's Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle's rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo's sole release Wind It Up is only now basking in it's brilliance.
The remaining figures shape the diversity further. There's Sydney dub addicts The Igniters, Mix's groovy synth song about masturbation and the Cameron Allen/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation's namesake.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Vital Sales Points:
Boiler Room Collections video feature to premiere the week of release
Companion piece to András and Instant Peterson's cult all-Australian mix series
Tracklist
A1. Maria Kozic and the MK Sound - Trust Me
A2. Whadya Want? - Open Spaces
A3. Poets of the Machine - Arabs
A4. The Couch - Full Treatment
A5. ??? - Sedation
B1. The Igniters - Hakka Suru
B2. Mumbo Jumbo - Wind It Up
B3. Mix - Do You Do It?
B4. Cameron Allen and Graham Bidstrup - Bikini Atoll
B5. Foot and Mouth - I Want My Mummy
On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.
Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson's investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as ??? (pronounced "Tch Tch Tch").
Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward's dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.
The collection binds a certain musicianship that's indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine's Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle's rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo's sole release Wind It Up is only now basking in it's brilliance.
The remaining figures shape the diversity further. There's Sydney dub addicts The Igniters, Mix's groovy synth song about masturbation and the Cameron Allen/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation's namesake.
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