LP

GENRE/S: Electronic-Jazz-Poetry-Vocals

TRACKLIST:
A1-Flammes d’autruches
A2-Free Root
A3-Kidnappeur
A4-The showdowless
A5-Ding Dong
B1-3 Spirit
B2-Ghedalia
B3-Moderne R&B
B4-Sprit 3
B5-Tango Fracatsal

SHORT INFO:

Fracatso was born during a spontaneous weekend break away from home of four good friends, emerging from the collective desire to record together in total freedom. This remarkable album that will delight you as it did us, is made of two distinct sessions recorded in Laura Lippie's Lyon apartment, composed on site using various acoustic and electronic instruments by Lippie, Iueke, Lowjack and Zaltan, fueled by wine, laughter and song and an honest need for aimless creation and poetical collaboration .

During an impromptu meeting in Amsterdam, Zaltan played to Gilb'R these unrevised original recordings lead by the powerful and whimsical words and voice of Lippie, and the known talent of the band creating bucolic arrangements in unformatted musical identities. Gilb'R instantly proposed to release the sessions on Versatile Records on the spot! And hear you have it , Fracatso lives.

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2LP

Electronica-dub-techno-house

Special remarks: Printed Inner Sleeves

Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure

Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.

Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.
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Tracklisting:
A1. Triangle Days (Davy Kehoe Vocal Mix)
A2. Triangle Days (Davy Kehoe Remix)
B1. L Inconscient Rebel
B2. Super Spreader (Ruutu Poiss Remix)

3 remixes and 1 new track here.

Davy Kehoe, from Dublin's Wah Wah Wino delivers 2 remixes of Triangle Days, a highlight from Gilb'R's LP On danse comme des fous. While the instrumental remix drives us into a melancholic vibe, where Davy uses harmonica in a subtle way as he did for his latest live show, the vocal mix is an unusual approach to remixing. Davy decided to add his own vocals on top of his mix, and arranged it in a different way. The result is that the track is brought into a total pop territory.
Ruutu Poiss, an Amsterdam based Estonian producer has deconstructed Super Spreader, to rebuild it into a complex yet driving form of club music.
And last but not least, Gilb'R offers an unreleased jam recorded live during the Triangle studio days in Amsterdam. Some latin electronics? Digital guaguancó? A weird groover at 120 bpm to drop in the mix for fearless DJ's.




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Tracklisting:
A1 Session 4
A2 Session 5
B1 Session 6
B2 Session 7

Improvising as a way to end a track, a moment in time lasting forever, a singularity as a constant: this is the illusion created by I:Cube for these Cubo Live Sessions: to jam and to edit, a free conversation with his machines.
This new found freedom is a natural evolution following years of hard work in the Versatile basement. We used to hear Cube sweating for days on a single sound or loop, we know through those Live Sessions that Cube has realised that perfection is not of this world. Or rather that perfection precisely is that ephemeral instant, that will to capture a dream and bring back a fragment from his multidimensional travels.
From this precarious equilibrium, this big bang, proceeds an entire universe, an almost living organism. I:Cube always touched by grace, smiling demiurge building track by track an ever growing intimacy with his listeners.

Gilbert Cohen


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A1. On M'a Dit (Full Length vocal mix) (5:52)
A2. On M'a Dit (Restez Con reprise) (2:31)
B1. On M'a Dit (Bufiman Prog Frog mix) (4:56)
B2. On M'a Dit (Bufiman Disco instrumental) (5:06)

"On m'a dit…" by Floco Floco is a lofi afro-disco stomper hailing straight from the new ghettos created by confinement. Something had to give and we are glad that Floco Floco, whoever he is, has chosen us to ease his lock down mind:

"I've been told to stay at home, on WhatsApp all day long, working in the studio, reading books I haven't read, I hope it won't be too long, I don't know if I can hold, smoking weed day & night, like never I have been before"

Not a message, just a statement.

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A1. De Luscious (Leo James Remix)
B1. Tu Ne Peux Pas Savoir (Priori Vocal Mix)
B2. Tribu Sauvage (Gilb R Late Night Remix)

Here are three remixes linked to the Head Voices of Ariel Kalma and Gilbert Cohen recent lp.
Australian producer Leo James turned De Luscious into an epic 12 minute monster dub version, in the vein of Rhythm and Sound. On the flip, Canadian producer Priori who recently released his great On A Nimbus, gave a deeper and minimal interpretation of Tu ne peux pas savoir.
An exclusive version of Tribu sauvage(track previously only digitally released), remixed by Gilb'R closes the chapter.
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A1. Prismatic
A2. Vantableu
A3. Gypsotheque
A4. La Grotte Aux Fees
B1. Kaszio
B2. 0_0_01_48
B3. Montsouris
B4. Infinite Melodies

I:Cube has made a new album. It is a very "hands on" album, as the eight tracks on show were created almost entirely by improvising with electronic hardware - synthesizers, sequencers, drum machines and effects units - and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track.

During the time he spent recording it, which was in part inspired by the processes behind his 'Cubo Live Sessions' series, I:Cube had fun, experimented, unleashed the raw, primitive energy of his machines, and emptied his head of thought. The resultant tracks are instinctive, immersive and otherworldly, driven by the emotion of the moment rather than the formulaic structures of dance music. They are unpolished and immediate, but also immersive and sincere.

Think of it as a soundtrack to time spent alone in the studio, daydreaming in darkness and light, translating mental and physical messages in real time. It is not calculated, overblown or over-produced like much modern electronic music, but gently odd, engaging and pleasingly rough round the edges. In some ways, it is I:Cube's most personal and emotional album to date.
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A. Rex Ilusivii, Goran Vejvoda and Milan Mladeno - Untitled
B. CHBB - NBKE

UPROOTED, the sound of here and there.
Uprooted is a project curated by Vidal Benjamin. The concept behind the project comes from his
own personal experience of being uprooted. Under the wing of Versatile Records, he has
decided to launch a collection of double-sided limited edition, vinyl only, celebrating the duality
of people who take their roots from a place and embrace another culture.
The idea is to ask an appreciated music activist with a double cultural pedigree to choose two
tracks. One track that incarnates the place where he or she comes from (the sound of there,
side A) and another

No digital for this série.
Vinyl only.


#1-Vladimir Ivkovic


From Belgrade to Düsseldorf, uprooted or not, I compiled 2 tracks from my 2 cities.
Tracks that were always meant to be released on one 7".

On the Belgrade side there are Rex, Vejvoda, Milan. Rex Ilusivii, Goran Vejvoda and Milan Mladenovi?.
Summer of 1984, a short nighttime session on an improvised 4 track 1/4¨ tape studio setup in Goran's parents small living room in Belgrade, Yugoslavia.
Three young men getting away from their dry intellectual framework at the tail end of the influence of "My Life in the Bush of Ghosts". Maybe. Maybe not. A recording that should not exist, from the city that does not exist, from the country that could have shown the world how a melting pot can blend and stick together, no matter how countless obstacles lay ahead.

On the Düsseldorf side there is CHBB. Chrislo Haas and Beate Bartel. One track from the first of their four tapes, recorded and self-released in Düsseldorf in 1981. Rough powerful electronics with attitude, the future that happened more than 40 years ago and that is yet to come.

Untitled licensed courtesy of Ruža Suboti?, Goran Vejvoda and Zadužbina Milana Mladenovi?a.
NbkE licensed courtesy of Beate Bartel CHBB-Musik.

14.9.2022
Vladimir Ivkovic
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A1. Le Couple Coupable
A2. Caltecs Dance
A3. White Layers Over Black Papers
A4. Hephaistos Breeze
B1. Gelbe Schlange
B2. A Zombies Passeport
B3. Le Souffle D'hephaistos Attisant Le Fourneau Qui Crépite D'impatience
B4. L'Incantation Du Heros Aux Yeux Bandes

Imagine Prometheus, the thief of fire, the father of civilisation, had been spellbound by the sirens chanting and never felt pain, when the eagle bit his liver. Total enchantment, created by sound to overcome the pain of existence. A sound, styled by the ideal harmony of body and soul. And yet, the pain is still there, hidden between the notes, driving a romantic vision of salvation.

If Prometheus could have translated his fictitious epiphany into singing, it might sound like Ghédalia Tazartès's chanting in "White Layers Over Black Paper", one of the eight snake dance tracks-not-tracks by German producer Detlef Weinrich aka Tolouse Low Trax and French singer, hurdy-gurdy, spinet and harp player Emmanuelle Parrenin. During some days of intimate plays in Paris they created "Jours de Grève", a bouquet of music full of mirrors, eyes, statues, secret doors, rooms, and blood. With the offhanded help by friends and like-minded souls like Versatile aura mystic Gilbert Cohen, French avant-garde saxophone player Quentin Rollet and his fellow countryman, experimental voice artist Ghédalia Tazartès, they transformed in Cohen's studio impulsive emotions into a kind of medieval cult sound that dances with tribal dub layers in search for a higher ground.

The session took place during an intensive time of public strikes in the French capital, that tied up the public life of Paris and gave birth to the album's title "Jours de Grève". After the jam, Weinrich drove back to his old hometown Düsseldorf, sat down with his friend Jan Schulte aka Wolf Müller and mixed the captured notes, sounds, rhythms and singings into pristine tripping music, that avoids stylistic categorisations. As rather architecture, sculpture, painting, performing or film could express what Parrenin's hypnotic hurdy-gurdy performances, Tazartès's ancient deeply emotive ululations, Rollet's almost religious saxophone notes and Weinrich's toting grooves evoke in the psyche, it might be better to go back to Prometheus and the fire, that brought us light and warmth. "Jours de Grève" does too.

And it is a stolen one. A borrowed one. Affected by art and life outside of sound. Lent from a forgotten monument in a random city around the world. Swayed by an afternoon glass of wine in a Parisian street café. Affected by music of all ages. Unconsciously developed in the spirit of Philippe Doray and Les Asociaux Associés, Théâtre du Chêne Noir d'Avignon or Areski Belkacem's collaborations with Brigitte Fontaine. Above all Emmanuelle Parrenin extramundane voice swings, mutating between speech and chant, while Ghédalia Tazartès mourns like a wise illusionist. In tunes like "Caltec's Dance" you even feel the airiness of early Fun Boy Three recordings. All that is rooted on Weinrich's Tolouse Low Trax magnetic signature grooves, this time floating between dark tribal upbeat sexiness and dubbed-down bass sculpturalism.

If it is true that illuminating music stirs by its mysterious resemblance to the objects and feelings which motivated it, then "Jours de Grève" is an in impulse composed primitive state of rhizomatic paranormal psychic phenomenon, that incorporates all the worlds, that the naked eye cannot see.

Michael Leuffen

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Tracklist:
A. Hans – B1. Heinrich – B2. Oskar
Info:
Three impeccable pieces of stripped down, unfeigned tanz trax make out
the debut release of Esther Silex – deejay extraordinaire, Colognian
woman-about-town and very dear new addition to the Studio Barnhus
family. The gargantuan yet free-flowing bassline of Hans, the menacing
tension of Heinrich and the dawntime anthem Oskar are all testaments to
Esther's unquestionable status as an impassioned powerhouse with
enough West German swagger to create timeless music with equal parts
simplicity and beauty. More

Tracklist

A1. Things Can’t Go On Like This Forever (Main Mix)
A2. Things Can’t Go On Like This Forever (Instrumental)
A3. Things Can’t Go On Like This Forever (Freestyle Mix)
B1. So I Go Dancing (Gerd Janson DJ Remix)
B2. Things Can’t Go On Like This Forever (Freestyle Instrumental)
B3. Things Can’t Go On Like This Forever (Freestyle Beats)

Maximum vocal power and prime time dramatics by Chrissy and Carrie Wilds. The San Francisco based DJ and producer shows his stylistic versatility and technical capability to work with vocals, melodies and sound sources. Like a facsimile of the late 1980s house/freestyle record that you never owned, Things Can’t Go On Like This Forever ticks all the right boxes. Heartfelt vocals (by the great Carrie Wilds): check! Timely social message: check! Melodic euphoria: check! Old school house and true school freestyle flavor: check! Comes in various mixes and with a freestyle bonus beat special.

Additional airtime is given to the now classic Chrissy production So I Go Dancing. Done in a traditional remix fashion by Gerd Janson it highlights all the features of the original and again Carrie‘s enchanting voice, extends the included hysteria and adds a few snare rolls. Let‘s go dancing to brighten the darkness. Dance music in its purest and maybe most US-American form.





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Tracklist:

Comedy Side
A1) Andras - The Same Old Boring Thing (01:37 min)
A2) Tambien - Breakbeat Frosch Interlude (02:53 min)
A3) Franziska Kronitzer - Drehen und Lächeln (02:52 min)
A4) Bell Towers - I Make Music For Myself And I DJ For Money (02:00 min)

Rhythm Side
B1) 5AM - Answer (03:42 min)
B2) Coper - Stop (03:14 min)
B3) Samo DJ - Turning Point (03:59 min)

Sun Side
C1) Eden Burns - 10 Years Off (05:04 min)

Moon Side
D1) Bell Towers & Adam - Keep Moving Forward (02:53 min)
D2) DJ City - Tu Trouveras (03:59 min)
D3) Nice Girl – Make Things Better (03:02 min)

Bang Bang Bam Side
E1) Mr. Tophat - Fade Away (06:36 min)
E2) Mainline Magic Orchestra - House Music 2 The World (Lokotron Live Mix) (04:00 min)
E3) Olaf Nicolai – Everday At Noon (00:04 min)

Soft Side
F1) Salamanda - Whistling (03:47 min)
F2) Aiden Ayers - Canyon No. 1 (07:33 min)
F3) Martin Brugger - Low Mute (03:55 min)
F4) World Gym - It Always Ends In Tears (04:41 min)

Short info:
Public Possession turns 10. What holds it all together?
Comedy & Rhythm. Find us in between the sun and the moon. Onward, forward, don’t step backward.
The source is everywhere.
• Where (Who) Am I? An angel with an UFO.
• Toot, Toot, Beep, Beep....
• Maintain a child’s mind
• Listen, talk, see
• Archaeology (dig it)
• WOW (curiosity)
• Easy & Difficult
• Mix It Up
• Soft Education
• Love Unlimited
We are not doing this alone.
The biggest thank you goes to the P.P. Team & all label artists.
To many more years!!
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mini-LP

Tracklist

A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?







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Tracklist:
A1. Believe – A2. Do U Wanna Freak? – B1. Hook Up 4 Real – B2. Dans från igår
Info:
Our planet... IS NEXT!? Yes, this is in fact the case, at least according to one Stockholmdwelling,
30-something (wishes-he-was-a) failed pop star, real name Arvid Wretman.
Just how he fell from his position as poster boy of Kärrtorp's ever-vibrant noise scene to
the pill-popping, Cher-covering discotheque pleaser standing before us today, we could
not tell you. What we do know is that Studio Barnhus stands ready to ride that cash
train all the way 'til the bitter end!
So yeah, wanna pop some pills? Or do you wanna chill? Varför alltid dansa och spela det
ena? ...and do you, or not, believe in life after love? These and many other questions are
posed, but never answered, on this YPIN EP, the starting point of what we hope will be a
particularly lucrative bizniz venture between those two powerhouses of Scandi-tronica,
Your Planet Is Next and Studio Barnhus.
PS. Your Planet Is Next's live show will bring added marketing value and guaranteed
customer satisfaction to your dance party. Contact Studio Barnhus for booking
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Tracklist 12":

A1) The Party (Extended Version)
A2) The See Me (Extended Version)
B1) The Come On (Extended Version)
B2) The Slide


A new Toy Tonics EP! By label boss Kapote!

4 tracks for the dancefloor inspired by Italo Disco, New Wave Funk and NYC 90ies House. A perfect sound for the new Y2K vibes on 2024 dancefloors.

A new Kapote release is a rare thing. Although he is a musician and producer in the first place he rarely releases music. Why? Because the last years he was busy djing every weekend around the world (as a regular at clubs like Berlin’s Panorama Bar and London’s Phonox but also Festivals like Melt or Kala) and creating the Toy Tonics madness with his label friends. The Berlin based label that is the home base for 15 international artists (Cody Currie, Coeo, Gee Lane, Athlete Whippet, Baby‘s Berserk, Stump Valley…) became THE brand for a colorful and diverse, innovative and ‘organic’ funk oriented post - digital dance music.
Kapote and his friends release music that connects analogue and band vibes with digital production in a very fresh and unique way. Influenced by European underground disco and American house as well as afro beats, new wave and soulful Electronica.
But he and his label also have achieved a great reputation for working with some of the hottest names in Berlin graphic design and art to release the limited edition Toy Tonics Shirts, the label own TT Pocket Poster Magazine, posters and organizing exhibitions and visual shows.
Kapote aka Mathias Modica was and his 3 members TT krew were busy building all this.
Including also the Toy Tonics Jams. The label parties that started in an illegal venue in Berlin 2020 and exploded in 2023. With more than 120 TT events all over Europe. Where the label represents his very own vison of sound, vibe and style. Kapote organized all this with his krew. And it looks like 2024 will be even busier. With Toy Tonics Events at clubs but also museums (Palais de Tokio/ Paris, Milano Design Festjval) or Kapote & Toy Tonics Crew playing with Kaytranada and Peggy Gou at Sonar Festival.

In case you missed the last production works of Kapote check out his album ‘What it is’. Originally relased 2019. Re-released with new songs 2023. Or some of the 5 EPs he did on Toy Tonics in the last 8 years.
In case you don’t know his work under the name of Munk on his former label Gomma records (RIP) check it out. Kapote aka Munk co- produced the first 2 albums of Danish band WhoMadeWho, NYC art freak The Rammellzee, disco albums for Peaches and Nancy Whang of LCD Soundsystem, singles with DJ Chloe and many others.

(Words by Clara de Vernies)











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Tracklist 12" EP:
A) Some Song Teachers
B) Dilemma

Short info:
Continuous movement of ones foot (first foot) then second foot - two feet.
One foot (first foot) then second foot (two feet) - continuing movement.
Selected & None Selected Sequences of human movements may lead into ecstatic trance states.
Regularly repeating pulse (beat/tactus) establishes tempo, supports and directs participants.
Here are some songs to teach you.
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Special remarks : 2LP, 2022 Repress Edition

Vital Sales Points:
- Released by popular NTS show Noise In My Head
- Liner notes from Ivan Smagghe and artwork from Misha Hollenbach (Perks and Mini)
- Features many rarities reissued for the first time ever (Karen Marks' most wanted Australian cold wave single last sold for 290€ while Once traded for 170€)
- All tracks officially licensed, sourcing original masters when available
- Includes digital download

Tracklist
A1. Linda Smith - I So Liked Spring , A2. Karen Marks - Cold Café , A3. Bruce Langhorne - Leaving Del Norte , A4. The Seraphims - Conciousness of Happening
B1. Garry Davenport - Sarra , B2. Some of My Best Friends Are Canadians - Feeling Sheepish , B3. The Rising Storm - Frozen Laughter
C1. Warfield Spillers - Daddy's Little Girl , C2. Joyce Heath - I Wouldn't Dream Of It , C3. Joe Tossini and Friends - Wild Dream , C4. Scott Seskind - I Remember
D1. Angel - Driving (Down) , D2. Nini Raviolette and Hugo Weris - Slow , D3. Nora Guthrie - Home Before Dark , D4. Once - Joanna

Short info:
Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.




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Tracklist

A1. Who Dis
B1. Dance With Your Feet (ACD Mix)


After a 6-year break, a poignant love affair between Life and Death and Marvin & Guy resumes with two catchy but effective tracks that breaks a two-year hiatus from releasing original music.Minimal and purposefully crafted for dancefloors, a departure from the usual emphasis on melodies we all get used to listen from them. This record emerges organically during playful experimentation with just a bass on a synthesizer, preserving its distinctive rhythmic and harmonic changes.The girlfriend's continuous request to play "Who Dis" underscores its contagious allure. Both songs incorporate sounds like shattered glass, opening doors, a whip, and an authentic Formula 1 engine roar – all meticulously recorded specifically for these ideas. There's not really specific creative process beside having fun with synthesizers; it's simply music crafted for the joy of dancing.

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12"

GENRE/S:
House, Raptor House, Bass, Techno, Tribal

TRACKLISTS:
A1 The Journey
A2 In the Groove
B1 Xpansion Move
B2 In the Jungle


DJ Babatr, an influential figure in Caracas' miniteca scene, pioneered the city's distinctive raptor house sound,
also known as changa tuki. Breaking free from established norms, DJ Babatr explores genres, creating a sonic
universe that defies easy classification. Born from the rich tapestry of Venezuelan sound, DJ Babatr boldly
reimagines electronic music within the nation's unique context, shaping and redefining the global landscape with
Raptor House. His recent resurgence in the electronic music scene, catalysed by his contribution to Nick León's
breakout track "Xtasis," has rightfully brought attention to his innovative work. This vinyl release on Paryìa, the
next chapter in the ongoing narrative of electronic music, captures the essence of Venezuela's electronic
evolution. It serves as a testament to a cultural movement originating in vibrant Venezuelan neighbourhoods,
inviting listeners on a transcendent journey through innovative electronic landscapes. As electronic music
continues to evolve, DJ Babatr's story underscores the importance of diverse voices and Latin rhythms in
shaping the genre's global roots and influences. To seal off this special release, NYC’s Ayesha's percussive
remix of DJ Babatr's track brings a fresh, dynamic energy to the raptor house sound, infusing it with pulsating
rhythms and vibrant textures.

VITAL SALES POINTS:

- Collaborations with Nick León (Resident Advisor's Best Track of 2022)
- Second EP on Vinyl
- Profile in Shawn Reynaldo's "First Floor" newsletter

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GENRE/S: Indie Dance

TRACKLISTS:
A-SIDE
A1_Bawrut “Freedom”
B-SIDE
B1_Lele Sacchi “Flim Flam”

Short Info:
For the second release of the Back to Back series of Stolen Goods goes for two stables of the scene: label manager and old school pillar of the Italian scene Lele Sacchi and Italo Spanish beat master Bawrut.
After B2B1 saw the funky deep sound of Rogue D feat Joe Le Groove and the raw house grooves of Ruff Stuff got played by Laurent Garnier on his show and by peeps like Jamie Jones and Oliver Dollar in their sets and chosen by Beatport in most of their weekend picks here we are ready for two bangers for clubbing prime time! Bawrut's fame goes a long way back to in the best of Europe's crossover of electronic dancefloor music and indie and urban flavours. An album on Ransome Note, hits for Life & Death, Correspondant and tracks supported by Dixon, Jennifer Cardini, Ricardo Villalobos Sven Bath and playing B2B with Kink and Skream in festival and clubs like Sonar, Nuits Sonores, Fabric, Sub Club, Nitsa, etc. and now this massive hands in the hair, goosebumps in the back monster of retro future rave piece of music!
Lele Sacchi is known to have an ear for bangers having been behind the decks all over the world for nearly 30 years, so whenever and with various aliases he turns into producer is quite normal to find his music out on labels like Snatch, Soul Clap, Nervous, Internasjonal, Crosstown Rebels, Pokerflat, Rebirth and more and more classic underground dance stables. This time he keeps his know funkier deep groove but adds a kille stab in the breakdown to represent a vein of peaktime monster attitude.
Again a message 'From Clubbers to Clubbers' as we love to say here at Stolen Goods records.













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