Format: 7”

Tracklist

A1. Manctalo Beach - Original
B1. Manctalo Beach - Version


Info:

Manchester producer, DJ and dancefloor spirit guide Ruf Dug gets fruity on his Korg DW8000, for this homage to Manctalo pioneers Red Laser Disco who have revitalised the Italo sound over the last decade. Given that Ruffy lives on the same street as Red Laser head honcho “Il Bosco” it’s unsurprising that his latest release is heavily influenced by his noisy neighbour’s antics.

Manctalo Beach has gone through several versions over the years to arrive, like a chilled Bianco, at the crisp beauty you hear today. Packed with chunky bass arpeggios, pixelated pitch-bent melodies and freeze-frame drum fills, the A-side conjures images of coastline sunsets and waterski waves. Meanwhile on the flip, the bonus beats proceed in a more dubbed disco direction, with acres more space, cascading delays and tripped-out breakdowns. One for your speedboat!






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Tracklist:
A1. Another Beach 06:00
A2. Unison 05:14
B1. In Between State 05:30
B2. Durchs Hinterland 06:15


Info:
Inexplicably, yet true, Lexx returns to International Feel with a record that lives exactly where his music feels most at home. In Between State is a gentle navigation between memory and motion, between what has passed and what is still quietly unfolding. It is reflective without nostalgia, uplifting without force. A record that trusts the listener to drift.
Another Beach opens as a meditation on time and possibility. It looks back with warmth but keeps its gaze fixed on the horizon. A reminder that nothing is fixed, everything moves, and somewhere ahead there is always another sunset waiting on another shore.
Unison follows as a celebration of togetherness. Open-hearted and weightless, it captures the simple magic of shared moments with friends, music traveling across a room, and the quiet certainty that joy multiplies when experienced collectively.
The title track In Between State settles into that suspended hour where day dissolves into night. Inspired by early 90s electronica yet unmistakably Balearic in spirit, it drifts forward with a subtle psychedelic glow, neither arriving nor
departing, just perfectly hovering in place.
Closing the journey, Durchs Hinterland rolls steadily outward into open space. Born from long rides through backwoods and side roads, it moves with hypnotic momentum and the calm rhythm of forward motion. Endorphins rise, thoughts loosen, and the landscape begins to breathe with you.
Four tracks, quietly luminous. Music for transition, companionship, and the spaces in between. Lexx remains exactly where he should be.







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Tracklist:
A1. Dhol Parade
A2. Icari
B1. Huldufolk
B2. Viaggio Tascabile

Info:
Daniele Baldelli and Jolly Mare come together for a record that feels less like a collaboration and more like a shared state of mind. Flusso Uno moves through Afro-cosmic kraut-inflected psychedelia and cinematic electronics with a natural, unforced flow, where rhythm, texture and narrative all pull in the same direction.
Rather than referencing the past, the EP treats it as a living language. The longform, ritualistic percussion of early cosmic dance culture meets the hypnotic motorik pulse of krautrock and the more structured, sample-driven tribalism that followed in later decades. What ties it all together is a deep sense of atmosphere and
intention: music that feels physical, emotional and quietly transportive.
“We particularly focused on ritual percussions, hypnotic grooves and suspended atmospheres, trying to blend musical anthropology, auteur electronics and narrative instinct.”
Dhol Parade opens the journey like a slow-burning procession, drums circling and expanding as if guiding the listener into another space. With Icari the perspective lifts, melodic lines drifting and tilting, constantly searching for balance between gravity and flight. Huldufolk pulls everything back into a shadowy, nocturnal zone, where textures feel half-real, half-imagined.
Finally, Viaggio Tascabile loses the record in a quietly reflective way, a compact voyage that sums up the EP’s philosophy: small in scale, deep in meaning. Flusso Uno is not about nostalgia or revivalism. It is about taking the spirit of cosmic culture and letting it breathe in the present, where storytelling, dancefloor
intuition and sonic exploration still meet. A record made for open ears, open minds and long nights.








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2025 Repress

Tracklist:
A1. Into The Stream
B1. Ode To Mode
B2. Abun-dance

Inexplicably, yet true, Lexx has never appeared in any way, shape, or form on International Feel recordings – until now. And it’s been worth the wait. Into the Stream is one of the finest endeavors of the Zurich record hound, DJ, musical mastermind, and Balearic baron to date. Bespoke for International Feel, it feels like a comforting blanket for hard times. Inspired by early 90s electronica and serene landscapes, the title track embodies those magical moments just before sunset on warm summer days — a light breeze carrying the sweet scent of earth as you cycle past a peaceful herd of white, black, and brown sheep moving in unison.
Revisiting stages of faith and devotion of one of the favorite bands of nearly every 1980s teenager, and using their formal vocabulary after a deep dive into their rich discography, Lexx delivers a respectful nod and a heartfelt bow, one that is not only a question of lust, but simply irresistible.
Last, but not least, Abun-dance is a celebration of life and love. It manages to tap into the stream and discover the true abundance of the (Balearic) bliss that surrounds us. A match made in heaven.
Lexx, we salute you. credits








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Tracklist
A1. Lucy’s Electricity
A2. Stompin n Risin (Pacific Loon Version)
B1. ONE (Forest Stage Mix)
B2. Love 2 Love ft. Hanne Uekermann

Info:
From a 4x5m room stacked with vinyl, ashtrays, magazine drafts, and semifunctional synths, Stompin n Risin rises again—reincarnated but not revised.
Originally a spontaneous ritual from the days of blunted dreaming and one-eyeopen ambition, this track first snuck into the world under a different name (Jacobite Fool, courtesy of those tasteful Belgians at International Feel) and went on to
become a cult curio. Now, it’s back—rebuilt with the very same machines that once hummed beside the mattress, but still left to run wild like they used to.
The rest of the EP stays close to that spirit: music as lived experience, jammed with friends, lovers, and ex-boyfriends (literally). Lucy’s Electricity is a shimmering daydream, born from a jam with Daniele Labbate, recharged by a whirlwind
wedding, and soundtracked by a bittersweet guitar line courtesy of the groom’s bride’s ex. A track for walking into churches—or out of time entirely. A personal favorite of the artist, and maybe the only funeral anthem with this much static joy.
One takes things inward—made with the Moog One for open-air yoga sessions during the era of no-dancing-but-still-dreaming. It’s a sun-dappled, slow-motion
dancefloor where breath and bass align. Love 2 Love closes the circle: an unearthed jam with long-time collaborator and platonic supermodel Hanne Uekermann, revived from hard drive purgatory and infused with new life. A love
song to the music, the moments, and the friendship behind it.
This record isn’t just a collection of tracks. It’s a lived-in photo album, a soft pulse through oceanic memory, a reminder that all sound comes from life, and maybe all life comes from sound.








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Tracklist
A1. Charlie Charlie - Hill St - Bella Boo Edit
A2. Charlie Charlie - Save Us feat. Mapei - Mondag Remix
A3. Charlie Charlie - Lorena - Gerd Janson Ambient Edit
B1. Hypernatural - Stormfront - Gerd Janson Remix
B2. Hypernatural - Spirit Walk - Knightlife Remix

If there’s one thing we know at International Feel, it’s that good things take time. But sometimes, just sometimes, they take a little longer than expected. Enter IFEEL088, a split remix 12” that stitches together two albums, two projects, and a collection of kindred spirits who understand the delicate art of sonic transformation.
Charlie Charlie (the Swedish duo of Chords and Bella Boo) have been long-time admirers of Mondag, ever since their ears first met the melancholic splendor of Sad Soup. When it came time to create Save Us, they had one request: a sax solo from Kristian (of Mondag fame). A beautiful idea, but as the fates (and studio schedules) would have it, the horns never made it onto the album.
Fast forward, and what began as a missed opportunity has now come full circle. Mondag, still taken with Save Us, took matters into their own hands and offered up a remix – a shimmering, unexpected rework of a track that already carried so much weight. Charlie Charlie obliged. And, because there’s no such thing as too much of a good thing, Bella Boo herself offers a tight and nimble edit, while Gerd Janson drapes the track in an ambient mist for those more horizontally inclined.
Hypernatural exists in some liminal space between waking life and dreamstate, it makes sense that its remixes should play with perspective. The trio—Dan Whitford (Cut Copy), Mirko Vogel, and Mike Gamwell (a.k.a. Knightlife)—crafted their album between the Swedish coast and the Scottish highlands, capturing the sublime and the surreal in equal measure. Now, it’s time to hand things over to new guides.
Mike Gamwell himself steps up, delivering a fresh take that bends and stretches time, while Gerd Janson follows, offering another piece for the puzzle—one that slots seamlessly into the hazy, transportive nature of the Hypernatural sound.
One record, two projects, three perspectives, and infinite interpretations. IFEEL088 is a reminder that sometimes the best things in life are worth the wait.








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Tracklist
A1. île Flottante
A2. Central Park
A3. Crystal Snowflakes
A4. Katamaran
B1. Low Tide
B2. Cedar Sunset
B3. Ocean Spray
B4. Dance Of The Dolphin

Île Flottante is Mr. Beatnick´s 5th album, following 2023’s Joy In Variation (including the notorious cover of Love on a Real Train) and his well-received off-beat collaboration with London-based avant-garde agitator Richard Greenan – Coasty – this is his first contribution to the International Feel trademark. Probably best known for some big deep house revivalist tunes circa 2013 on the now dormant Don’t Be Afraid record label, Beatnick now converts that aural quality and dimensionality into the Balearic system.
Île Flottante takes its name from the tastiest French pudding of Mr. Beatnick’s childhood holidays. The name, also a jeux de mots - floating island - hinting at the album’s inspirations and sense of identity, as a danceable soundtrack to a fictional island. Explored with high intensity and over a yearlong process, the sounds of the well-worn, but never failing Balearic universes were a mind expanding influence. Think of genre staples like Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
„I spent a year listening to a lot of synthesized island music, and marveling at the many twinkling wonders of the Balearic musical universe. Struck by a sense of belonging that had often eluded me on my musical journey thus far, as the weirdo at the back of the club who had orbited many scenes for 20 years, but never felt like I fitted in, I found music that made me feel like I had come home. The songs that came out of this process are presented in the order that they were written - an open book of ocean hymns, honest and spoken from the heart.“
Île Flottante tries its very hardest to avoid being any one thing in particular. At one point, it is a gentle beach walk accompanied by polyrhythmic drum plod and flourishes of Guzheng. At another, the infamous James Yancey septuplet swing is repurposed against a marimba melody that wouldn’t be out of place in one of Link’s forest adventures.
Elsewhere, there are the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality, facets which are often attributed to Mr. Beatnick’s holistic b-boy approach. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze.


Short:
Île Flottante is Mr. Beatnick´s 5th album and first contribution the Balearic system of International Feel. Full of ocean hymns and forest adventures, it includes marimba melodies, the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze. For fans of: Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.








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Tracklist:
A1. Mazzara Return
A2. Half Baked
B1. Hustle
B2. Respiro feat. Penelope Rossano
B3. Respiro (Instrumental)

Calabra are London based duo DJ Toni Rossano and musician Neil Simons.

Having hung out as teenagers in the Midlands the friends went on to pursue different musical paths in the capital. Neil has engineered, mixed and produced a wide variety of artists whilst Toni, a DJ/Producer, was part of the pirate soul explosion as Blackbeard in the noughties and currently dabbles under the Gospel guise as The Showfa. Now many moons later...

The idea for Calabra was born during fuzzy after-party hours on the pebbles of a brisk Brighton beach and is the musical yearning for adventures on warmer Balearic shores. Sunshine inspired beats and melodic guitars lead a cast of analogue synths, percussion, fender bass, oboe and voices all lovingly coloured by 70’s art rock, New Age, folk and inspired Ghanaian High Life.

Picked up by Gerd Janson the Calabra EP features four debut tracks. The leading ‘Mazzara Return ’has a midtempo Balearic-like feel with lead guitar, house-up styled beats and electronica inspired atmospherics. Followed by the sci-fi synth driven ‘Half Baked ’with melodic spanish guitar riffs and sequenced synthesizers for that old skool analogue sounding thrill! ‘Hustle ’launches with a rolling live played bass and synth line on top of the guitar chill-out like licks fused with congas, bongos and cowbell rhythm courtesy of Yam Who? percussionist Des Morgan. ‘Respiro ’the EP’s grand finale introduces vocalist and songwriter Penelope Rossano and is a folk/jazz style ballad showcasing not
only a poetic gentle beauty in the song but also her own oboe composition to make a perfect book ending with the bonus of an instrumental added for measure for this debut EP on International Feel.








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Tracklist:

A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection

B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm



This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.

As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.

Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.

Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).

Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!



Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.








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Tracklist

A1. About Time
A2. Zwang!
B1. Anyway, Music
B2. Lost In The Forest
B3. Where’s The Fifty?

Release Info:
Marco Vella and Anth Wendt step up to International Feel with a five-track EP of Balearic-tinged bliss for their first collaborative release as Other Mother.

There’s definitely something in the air round the Adelaide Hills. Longtime friends Marco (aka Body Corp) and Anth (aka Oisima) finally got together in Anth’s studio after the pandemic and the result is Numero Uno an EP of laidback synth guitar and drum machine workouts mixing 303 riffs and sunsets for a supremely low-slung vibe.

After cruising around the Hills in the day the pair worked on tracks by night and their carefree days soaking up the sun shines through. Opening track About Time sets a steady pace with its lush delayed guitars slow-rising acid melody and hefty sub perfect for Sunday pub garden appreciation. A side closer Zwang! drops the tempo but brings the percussion into focus for another masterclass in tension and release with interwoven 303s and dub feedback.

Side B keeps the beach-side atmos flowing with guitar licks working around sumptuous synth chords for Anyway Music - a song that’s the ultimate soundtrack understated parts fitting together seamlessly in service to the feeling and belying the technique required. Lost In The Forest makes use of expansive ambient pads synth riffs and shakers to evoke a sense of wonder sunlight coming through the trees.

The EP concludes with Where’s The Fifty a dreamy piece of drum synth phrases and 303 interplay that perfectly characterizes Marco and Anth’s collaboration - two musicians and producers playing to serve the song. They write elements that combine for a harmonious whole greater than the sum of its parts. This is the underlying feel of Other Mother and Numero Uno - we’re all in this together - and by working collaboratively a brighter future might just be around the corner.










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Tracklist:

A1. Pulsar Diaries
A2. Delphic Expanse
A3. Blackburn Tales
B1. Fourth Amendment
B2. Farewell Theme
B2. Ursa Major

Release Info:

The Croatian production powerhouse and disco boogie impresario steps up to International Feel, and takes a left turn into deep space with a new six track LP Pulsar Diaries.

Ilija’s discography stretches back to 2003, and over those 20 years he’s packed it full with albums, versions, remixes and singles. His releases are often perfectly-penned love letters to ‘80s boogie, electro and disco, and like postcards from an old flame, they’ve landed in an array of record label catalogs, from Bear Funk, Rong, and Electric Minds, to Is It Balearic? as well as his own Red Music and Imogen Recordings. He’s long-been an active voice on the underground club scene, and if you’ve been out dancing in Zagreb, Berlin or even Tisno beach, chances are you’ve gotten down to one of his beautifully blended sets of cosmic-tinged electro funk and disco dubs.

On Pulsar Diaries, Ilija delivers a panoramic collection of spaced-out synths and drum machine grooves, dedicated to the planet and our place in the universe. The A side opens up with the blissful, weightless pads of the title track, before it breaks out into filtered stabs over a minimal b-boy bounce. Delphic Expanse ebbs and flows like a lunar eclipse, sounding like a futuristic version of Key-Matic’s Breaking In Space, all uprock rhythms and syrupy synth horns as it spins off beyond the asteroid belt. Side A closes out with Blackburn Tales, a suspenseful and spacious electro rhythm packed with strings and 303 squelch, which you might call anti-gravity acid, if you were so inclined.

Side B picks up the tempo with Fourth Amendment, perfect for the space station discotheque with its sweeping bass filters and ice-cold synth melodies hovering in orbit. Farewell Theme takes an introspective moment, slowing the pace to a cosmic 90 bpm and inviting a certain cinematic feel to proceedings. This feeling applies not just to the vivid landscapes we travel through, but also wider thoughts about humankind: as we pause for a breath and look around, we find ourselves in Ilija’s space, considering human motivations, like the pursuit of happiness, or the eternal struggle with the self.

Every journey begins with a goodbye, and so the last track of the album feels like the arrival at a new destination: Ursa Major is ablaze with cascading drum fills, bubble-wrapped bass riffs and bright synth chords that sparkle like city lights underneath a re-orbiting satellite.

With Pulsar Diaries, Ilija Rudman has created a rare artifact: an album that straddles several worlds at once. Part soundtrack to space travel, part meditation on the human condition, part deep-burning dancefloor dynamo - whether in the club surrounded by friends or at home by yourself, this is a record that expands the mind and lets the imagination soar.









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Tracklist

A1. Subtle Body
A2. Nightfall (Instrumental)
B1. The Light Of Jesus
B2. Room ’96 (Recorded live at Room Nightclub, Hull)

Release Info:
Hot on the heels of last year’s Mermaids reissue retrospective, Hull’s deep listening house forerunners return: this time revisiting a pair of originals as well as previously unreleased versions.

It’s testament to the depth of feeling that Steve Cobby and David McSherry can conjure, that these tracks sound as potent and impactful as they did when they first came out - and not just for the dance. Throughout their 30+ years, the Yorkshire duo have produced ten albums amid many more collaborations, and transformed the remix into an artform, putting their fingerprints on everyone from Busta Rhymes to The Orb to Radiohead.

This EP collection finds them at the full scope of their powers: from disembodied mood music, to tripped-out dubby beats and raw house sessions for the club. The title track Subtle Body sounds like it drifted in through the window in the middle of a snowy night. Its layered chimes, looped delay feedback and floaty chords (played on a Wurlitzer Electronic Piano that Steve bought from Bill Nelson), mark it out as an enduring piece of ambient music, and a favorite for film-makers, able to soundtrack both haunted memories and afterparty comedowns with finesse. It precedes an unreleased instrumental version of Nightfall from Fila Brazillia’s 2002 album Jump Leads (named Mixmag’s chill album of the year), and as an instrumental, the chunky electro bass and mix of ephemeral tones and bird-like chirrups are brought clearly into focus. The attention to detail is what makes Fila Brazillia’s sound palette so rich, and Nightfall a certified smokers’ anthem.

On the B side, the tempo and temperature rises, and we’re treated to The Light Of Jesus, a favorite from Fila Brazillia’s 1994 debut LP Old Codes: New Chaos. Atop a bumping house groove, the song weaves together smooth organ pads and electrified guitar licks with syrupy bass and gospel-tinged exaltations from Charles Bukowski. The EP rounds out with Room ‘96, a live house jam from Hull’s Room nightclub, and a veritable time capsule back to the halcyon ‘90s rave days, when the lights were still on, everyone was home, and anything seemed possible.

The songs here on Subtle Body might be a window into a time long past, but they remain in the present: and as long as bodies seek pleasure, and dancers want to keep going til sunrise, Fila Brazillia will endure, and soundtrack those moments for us all to get lost in.






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Tracklist:

A1. Coding
A2. Positive People
B1. Expensive Zeit
B2. Decline All Cookies

Info:
Running Back regular Feater aka Daniel Meuzard puts his newly-transplanted studio through its paces for the first time since relocating from Vienna, swapping out the bustle of the city for the fresh mountain breeze of the West Alps. The Positive People EP proves that a change is as good as a rest, as the wide open nature not only had some rejuvenating effects on the creative process - it also gave Feater some room in his head to ponder questions about nature, nurture, and whether our inner morality is externally programmed.

The taut jazz funk of opening track Coding springs into action like the montage music of a lost ‘70s TV show, while the title track Positive People plays on the ambiguity of its title, with cascading synth notes, tastefully dubby 303 stabs, and an afro-cuban drum figure that forms the foundation for a spaced-out dancefloor workout. It's a combo of tracks that should appeal to chat room moderators and serotonin programmers alike.

Expensive Zeit kicks off sounding like grime maverick XTC had been brought up on Murder Capital electro rather than East London garage - before it morphs into a bumpin electrofunk and percussion session, with its sights set firmly on an aquatic worm hole. The EP rounds out with Decline All Cookies, which breaks out of a flanged-out half-time drum 'n' effects intro to reveal a lush chord progression, flipping a soul jazz piano mood into a trippy slice of modern instrumental funk.


Can man be the master of his own destiny? It seems with this change of location and musical direction, Feater might just have figured out the answer.





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Tracklist

A1. Don’t Give In (Street Soul Vocal Version)
A2. Don’t Give In (Street Soul Instrumental Version)

B1. Don’t Give In (Reggae Vocal Version)
B2. Don’t Give In (Reggae Instrumental Version)


Release Info:
Manchester’s balearic synth provocateur Ruf Dug teams up with Private Joy for a sizzling slice of laidback street soul - if the streets were lined with palm trees, that is. Ruffy admits to not having any recollection of making the beat, which adds to the sundrenched, day-dream quality. Modulated pads evaporate in the heat haze, while a synth saxophone riff dances on the breeze, all setting the scene for a tropically-tinged marimba and a piano solo that respectfully nods to Vladimir Cosma’s Sentimental Walk. When Gerd enquired about a possible vocal, Ruffy reached out to Private Joy, who sings like the fate of the track was entwined with her own, and it elevates the track to a whole other soulful level. In true ‘90s tradition, Ruffy delivers an alternate reggae mix for the flip, putting an off-beat bump to the track, while the instrumental versions shine a light on Ruffy’s pitch-perfect production, and provide plenty of ammunition for acapellas of all sorts.





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LP

Tracklist:

A1 Capitolo 1 Consacrazione
A2 Cities
A3 Drum Talk
A4 Congiuzioni

B1 Capitolo 2 Coscienza
B2 Time Spirals
B3 Giallo assoluto
B4 Ritorno al domani
B5 Capitolo 3 Terra

Release Info:
Rome’s own disco wizard L.U.C.A. aka Francesco De Bellis is back for his second LP Terra, hot on the heels of his Venus 12” EP earlier this year. In this far-reaching album, the Edizioni Mondo founder explores the deteriorating relationship between Man and Nature, and the dire consequences. The album is split into two themes - part one is Consacrazione (Consecration) and side two is Coscienza (Conscience) - as L.U.C.A. charts a trip through mankind’s psychic universe, and imagines worlds beyond our physical dimension.

The opening composition Cities is an uptempo number that slowly comes into focus, as dreamy drum machines emerge from the urban bustle, before settling into a soulful groove as keyboard, upright bass and guitar figures dance across bright percussion. As it builds up a head of steam, the piece gives way to an ambient, tribal breakdown, which is also echoed in the following song, Drum Talk. This second tune sets up in a fourth world dreamscape of drums, synths, and abstracted echo effects, and is peppered with word fragments from the bush of ghosts. By the time we’ve reached the third track, Congiunzione sounds like travelling at singularity speed, beaming in from a future where human consciousness and gaia can finally dance on a cosmic plain.

Part two of Terra details how revelation of the spirit can guide the mind, as Time Spirals rises out of a drum motif with a nod to classic ragas, as a disembodied voice asks questions on the nature of corporeality. The sound design is just as front and centre as the sitar and fretless bass, and the song gives way to a richly-layered soup that sounds like the vast space between atoms. It’s this shift from composition to ambience that is the dynamic core of Terra, giving L.U.C.A. plenty of space to showcase his next-level audio and arranging skills. Midway through part two, Giallo Assoluto begins with reverb tails and choral voices before expanding in brightness and texture until the audio field is practically levitating your hi-fi speakers, vibrating them with drones, twinkling keys and shards of digital noise. The closing composition Ritorno al Domani is a perfect balance of optimism and mystery. Tension and release collapse in on themselves as waves of ambient pads crescendo and then break over stretched-out sonic turbulence, before reversed synths bring the listener to a closing door, and the end of the journey.

It’s a mind-expanding musical exploration of other worlds and parallel universes which are surely all around us, and in many ways serve to remind us of the marvel that is our own planet.








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Format: 7”

Tracklist

A1. Manctalo Beach - Original
B1. Manctalo Beach - Version


Info:

Manchester producer, DJ and dancefloor spirit guide Ruf Dug gets fruity on his Korg DW8000, for this homage to Manctalo pioneers Red Laser Disco who have revitalised the Italo sound over the last decade. Given that Ruffy lives on the same street as Red Laser head honcho “Il Bosco” it’s unsurprising that his latest release is heavily influenced by his noisy neighbour’s antics.

Manctalo Beach has gone through several versions over the years to arrive, like a chilled Bianco, at the crisp beauty you hear today. Packed with chunky bass arpeggios, pixelated pitch-bent melodies and freeze-frame drum fills, the A-side conjures images of coastline sunsets and waterski waves. Meanwhile on the flip, the bonus beats proceed in a more dubbed disco direction, with acres more space, cascading delays and tripped-out breakdowns. One for your speedboat!






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Tracklist

A1. Nebula
A2. Optical Bells
B1. Luce Eterna ai Sognatori
B2. Templum Dub


Info:


With the two-part EP Mediterranean Dreams, Perugia producer and composer Feel Fly revisits his musical roots and pays tribute to the sounds and ‘sun-kissed nostalgia’ that informed his style.


Mediterranean Dreams Part 1 collected four tracks, and added that Feel Fly touch of emotive chord progressions and layered production onto cosmic disco grooves to powerful dancefloor effect. Now with Mediterranean Dream Part 2, Feel Fly switches the tempo both up and down, to fully demonstrate his affinity for club moments of all shapes and sizes.


Nebula flies out the gate with full intent, recalling classic Detroit techno while pushing the vibe even more wide-screen - it’s driving, melodic dance music that delivers on the fine details as much as it does on the life-affirming, big picture sentiment.


Optical Bells opens in meditative style, not unlike a new dawn in a Tibetan monastery, before each element of the track slowly reveals itself and assumes its place. It’s an arrangement technique that Feel Fly employs masterfully, and gives the impression of a camera lens moving into focus, or a storyteller setting the scene. The revolving chord changes pull you in and while whisking you away, you’re compelled to engage with the moment - like being asked to dance by a mysterious stranger.


The B side kicks off with Luce Eterna Ai Sognatori, still keeping the tempo high while cherry-picking disco house drum patterns and piano synths with a slight Italo flavor to create an irresistible slice of dancefloor dessert. This is a soundtrack for Sognatori, in whose dreams anything is possible.


The EP finishes up with a superb cut of echoey balearic dub in the form of Templum Dub. Putting the drums through its mixing desk paces, Feel Fly reanimates the drum kit with delays, phasers and flangers, and wraps it up in hazy drifting pads that could accompany any moment of contemplation - from that morning espresso to a midnight phone call.


Mediterranean Dreams Part 2 acts as the perfect compliment to its prequel Part 1, and shows a producer at the height of his powers, reimagining his musical roots and composing a love letter to the sounds and stories of his youth.





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Tracklist

A1. Onironauta
A2. Grace In Space
B1. Mediterranean Dreams
B2. Becalmed


Info:
Perugia producer, synth collector and linchpin of the underground scene Feel Fly pokes his head above the trenches to deliver a consummate four track EP Mediterranean Dreams - Part 1.

Onironauta rolls up all the best bits of spaced-out disco and italo house into an expansive dancefloor soundtrack that would sound equally at home in a Den Haag squat as by an Ibizan hillside pool. Sounding in turns both futuristic and nostalgic, it sets the tone for the dream-like timezone in which this EP resides.

Meanwhile slowed-down 303 chugger Grace In Space sounds perfect for Room 2 - that is, if the room is on an orbiting space station and someone adjusted the gravity settings. The track concludes the side with timeless balearic drift and a dash of kosmiche afro percussion sprinkled on top.

Flip the 12” over and the title track Mediterranean Dreams seeps through, with more than a slight nod to the summer of ‘88, like a faded photograph. The revolving chord progression and melodic synth phrases that weave through the groove fit together sweeter than the cogs in a swiss watch.

EP closer Becalmed rounds proceedings out in fine cosmic disco style, firing more 16th note lasers through the dry ice than KITT, as melancholic pads float over the rhythm section like a négligée. It’s a stylish way to sign off a collection of tracks that are equal parts fond memory, hopeful optimism, and hazy dance-fuelled hedonism.




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Tracklist
A. Stages - Prins Thomas Edit 08:34
B1. I Wanna Be Myself - Gerd Janson Edit 07:20
B2. Stages Of Love - Original 05:55

Info:
Some tracks don’t need fixing. They just need a bit more room. South African composer and keyboard wizard Don Laka has been quietly sitting in DJ bags for years, especially with people who like their synth music warm, slightly
mysterious, and impossible to date properly. Somewhere between jazz funk, township pulse and studio electronics, but really just its own thing.
Stages was an obvious candidate for extension. Prins Thomas what he does best here: opens the arrangement, lets the synth lines breathe, stretches the groove until it starts floating a little higher off the ground. Nothing forced, nothing added for
the sake of it. Just more of a very good thing. I Wanna Be Myself gets a gentle nudge from Gerd Janson. The idea was simple: keep the personality, and give DJs a version that lands naturally in a modern set without losing the original charm. It’s still the same track, just standing a bit straighter.
And because the source matters, the original version of “Stages” is here as well. Always good to remember where the magic started. Three versions, no drama. Just strong music that already knew what it was doing.

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UK Street Soul, electronic, Deep House

After enticing tastemakers and fans the world over with her 2-track junket into street soul, Be Loved / What Could Happen, Kuzco doubles down with the after-hours antidote. Bound to Be presents the final two tracks to complete the 4-track EP, plus 2 remixes from Ladymonix and Black Moonchild.

Ladymonix delivers an uncompromising scat dub of Be Loved - a niche and signature style to emerge from the Detroit underground that Ladymonix champions. This one is strictly for the house dancers. The B-side features "Waaalk" and "Ha Ha Ha", a sultry and energetic jaunt into ghetto tech and electro. If it wasn't already evident, Kuzco is clearly making a stand and representing the FLINTA and queer club spaces that she embodies.

The B-side is perfectly complemented by an outstanding remix from Detroit powerhouse Black Moonchild - a superbly deep and hypnotic techno groove reminiscent of UFO activity over the Motor City, with bleeping electronic signals passing through jittery hi-hat and drum passages, married with Kuzco's saucy spoken word.

Tracklist:

A1. What Could Happen
A2. Be Loved
A3. Be Loved - LADYMONIX Scat Dub Remix

B1. Waaalk
B2. HA HA HA
B3. HA HA HA - Blackmoonchild Remix



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12" vinyl with full cover print

TRACKLIST:

A1. MAD RACE
A2. REVIVAL

B1. SAWLIM
B2. INTERLUDE




INFO:

Following his previous appearances on Figure, French producer Arkan returns with Mad Race, a four-track EP that further sharpens his distinct vision of mental techno. Balancing hypnotic restraint with driving intensity, the release finds the artist navigating deeper into textured, immersive territory while maintaining a strong sense of propulsion throughout.

The title track Mad Race opens the record in forceful fashion, locking into a tightly wound groove as restless synth movements and looming atmospheres continuously build pressure around the rhythm section. Revival follows with a more spacious approach, letting emotive chords and swelling layers unfold gradually over a firm, rolling foundation, capturing a feeling of momentum suspended somewhere between tension and release.

On the flipside, Sawlim pushes further into trippy terrain. Dense percussion and spiralling effects interact with pulsing low-end pressure to create a heads-down club tool filled with subtle movement and detail. Closing track Interlude shifts the focus once more, exploring a more restrained and introspective mood through cavernous textures and hypnotic repetition while still holding onto the EP's underlying drive.

Digital bonus track Make You Horny rounds out the package with a rawer and more playful energy, bringing punchy drums and jagged synth work together into a functional late-night workout.

With Mad Race, Arkan continues refining his own blend of deep, atmospheric and cerebral techno, further cementing his place within the evolving sound of Figure.


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12"

GENRE/S:
House

TRACKLIST:
A Roland Leesker – What You Need (Original Mix)
B Roland Leesker – What You Need (Mysterious Eastern Force Edit)

SHORT INFO:
Roland Leesker reimagines a House Classic with Vinyl-Only Cover of ‘What You Need’.
Definitive Recordings presents a special vinyl-only release as Roland Leesker delivers his cover version of ‘What You Need’,
the seminal house anthem originally released in 1990 by Soft House Company. This release is a respectful homage to one of
house music’s defining records, crafted for DJs and collectors alike.
On the Original Mix, Leesker stays close to the spirit of Soft House Company’s classic, faithfully honoring the original
arrangement but properly pumping.
On the flip, Leesker presents his ‘Mysterious Eastern Force Edit’, an expansive, eleven-minute journey designed for deep
dancefloor moments. While retaining the essence of the original, this version introduces a more energetic bassline before
weaving in a subtle 303 acid line, bridging different eras of house music history into one hypnotic, evolving arrangement.
This vinyl-only release is a tribute to the legacy of house music — respectful, powerful, and made to be played loud on a proper
sound system.

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GENRE/S: Minimal House/House

TRACKLISTS:
A1 Gom Jabbar
A2 Prana Bindu
B1 We Shall Know How
B2 Gom Jabbar (Bottomless Mix)

SHORT INFO:
Desert planet house from inner spaces - the mountain people‘s premiere full EP outside their own imprint. Featuring sand shattering subbasses alongside vintage stabs, wobbling chords and otherworldly chanting. Something you will not dig up easily from your discogs collection and which will further enchant the children of the light.
Play or face the Gom Jabbar.



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2026 Repress

Tracklist
A1. Asahi Ga Yondeiru ft Courtney Bailey 07:14
A2. Left At Sunset 07:48
B1. Plasticine 09:25

Info:
On Left At Sunset, Tornado Wallace taps into those fragile, glowing moments after a long night in the club, when the lights come up just enough, the bass softens, and the first hint of morning slips through the windows. Time feels suspended.
The lead track Asahi Ga Yondeiru (“the morning sun is calling”) captures that feeling perfectly. Built around Courtney Bailey’s gentle vocal, it drifts somewhere between late-night house and early morning reflection. It is not about the peak. It is about what comes after it. That quiet euphoria when you realize the night gave you something you will carry back into the real world. The rest of the EP stays in that same emotional zone: warm, slightly melancholic, but full of light. These are tracks for the very last dance, when the floor is half-empty, hearts are wide open, and every sound feels a little more meaningful. Not an ending, really. Just the beginning of whatever comes next.






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Double LP: Heavy 350gsm Sleeve, Liner Notes, Sticker
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!

Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental

Tracklisting Double LP Album

A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
B1. Wütendes Glas
B2. Kälte Kriecht
B3. Kunstgewerbe
B4. Der Weg Zu Zweit
B5. In Der Nacht
C1. Eisbär
C2. Ich Lieb Sie
C3. Moskau
C4. Ein Tanz Mit Dem Tod
D1. Traüme Mit Mir
D2. Ich Und Du
D3. Wütendes Glas (Maxi Version)
D4. Raum
D5. Film 1

WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.

The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".

Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.

This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.




Points of interests

- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.

- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).


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Genre: UK Garage / 2Step

180 Gr. black Vinyl - limited 250 pressing!!

L&F is back with 4 tracks for your clubbing pleasures...

A1. The UG - L&F
A2. What You Do - L&F
B1. I Feel It - L&F
B2. Oi Listen - L&F

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Format :LP

2. GENRE/S: Industrial / Experimental / 80s

3. TRACKLISTS:
A1. Morale
A2. Cruel When Complete
A3. Twilight Furniture
A4. Hello Skinny
A5. Losers In A Lost Land
B1. My New Carrer
B2. Girl
B3. The Best Kept Secret
B4. Dark Times
B5. Not Yet Remembered

4. SHORT INFO:
Second Cover Album from Tobias. & Friends following NSP 21 TOP TEN





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Tracklisting:
A1 - (Wanna) Be Free (A Good Christian Edit)
B1 - On A Summer Night (Abel Edit)


Info: Oh yes hello, it's more Balearic bliss from our Surfing cowboys from Kansas. Limited edition 7".


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2-LP ltd colored vinyl, 140 gram, gatefold, mp3 Download PostCard

Genres: Soul, Funk, Pop, AOR, Yacht

After smooth detours into Soul covers, French Neo-Disco, modern Sunset Disco and Brazilian AOR, in 2022 DJ Supermarkt's Too Slow to Disco series makes a joyous return to its original Westcoast AOR/Yacht roots. Celebrating the 10th TSTD compilation. Who would have thought….
The Berlin curator releases a killer 4th edition of the original compilation art form, "Too Slow to Disco", featuring forgotten and overseen gems from the mid 70s to the early 80s from a global world of smooth, brilliant lost and overproduced tracks from Finland via London and L.A. to Trinidad and beyond.
The great 'un-vanisher' of lost lazy classics, DJ Supermarkt once again unearthed some incredible music that labels, publishers (in many cases also those, who actually own the rights to those tracks…) and streaming services have often long overlooked. You're welcome, world!

These sixteen tracks of newly ‘un-vanished’ hit-making genius find us once more in that delightfully Westcoast state of mind, the musical breeze in our hair as we corner on the headland, the top most definitely down. Too Slow to Disco 4 is also a love letter to the genre-smashing bravery of that era, Yacht Pop rubbing shoulders with Christian Gospel, groovy Folk, Country-Soul and Blue-Eyed Soul. As ever, DJ Supermarkts genius is to uncover the musical through line that joins these missing-in-action names and the tunes that could have been their big moment. The result is a kind of joyous alternative history of the era, where a very different pantheon of pop gods became the names we love.

As usual these tunes feature ludicrous levels of musical competence, boasting tight grooves in tighter polyester, and yet there’s (almost) not a single household name in sight. DJ Supermarkt is once again looking for the special “geniuses” in the background and behind the sound, musicians and a-list composers, whose names are not well known, but who wrote million selling tracks for other acts in the spotlight: Like Kenny Nolan, who a.o. wrote “Lady Marmalade”, The Dukes, who penned Sheena Easton’s “Modern Girl”, Air Supply’s “Every Woman In The World” and Chaka Khan’s “Fate”, famously sampled by Stardust for their French House Club-Hit “Music Sounds Better With You”.

Four of these 16 tracks are taken from super rare private press vinyls, unearthed by Dj Supermarkt over several years by chasing down the original composers, musicians or producers, and now officially rereleased for the very first time.



2-LP:

SideA:
THE DUKES - Mystery Girl
PRIME TIME BAND - Fall In Love In Outer Space
KENNY NOLAN - You're So Beautiful Tonight
PETER SKELLERN - Now That I Need You

Side B:
MARC JORDAN - Generalities
SEVERIN BROWNE - Stay
THE FARAGHER BROTHERS - Stay The Night
ALAN PRICE - Groovy Times

Side C:
JAMES FELIX - Open Up
HIRTH MARTINEZ - Altogether Alone
MAX LEAKE - Tell Me The Reasons Why
STPEHEN ENCINAS - Music In Me

Side D:
ERIC ANDERSEN - Can't Get You Out Of My Life
JIMMIE SPHEERIS - Beautiful News
JEANNINE OTIS & HEIKKI SARMANTO - Magic Song
PLEASURE - Nothin' To It


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Repress

Territories: WORLD EXCLUDING UK

TRACKLIST
1. / A1 The Warning (Remastered) 04:22
2. / A2 Ghost (Remastered) 05:57
3. / B1 Ex- (Remastered) 04:55
4. / B2 Dark Bässe (Remastered) 04:58
5. / B3 Luv Is Blind (Remastered) 02:06

Throughout 2025, Tresor Records will reactivate Detroit house and techno originator Blake Baxter's vast Tresor catalogue digitally in chronological order, starting with 1992’s Dream Sequence, closely followed by his 1995 album, Endless Reflection. To inaugurate and celebrate this retrospective of one the genre’s true founders, an artist whose connections to Tresor go back to the very beginning, the label announces a special 12” release, Dream Sequence X, featuring remastered tracks from the early days and highlighting the harder side of his output.
Initially inspired by post-punk and funk, Baxter started making music as early as 1985. By 1991 he had already released several seminal records on classic labels like Underground Resistance, KMS, and Incognito, as well as providing multiple tracks to the groundbreaking UK compilation Techno! The New Dance Sound of Detroit, which was many European listeners’ introduction to the genre, solidifying the term techno, and launching the international careers of many of the contributors.
1992 saw Baxter make the first trip to play Tresor, on the first UR Europe tour ever, thereby pioneering the now legendary Berlin-Detroit Connection. This visit led to a long and fruitful partnership with the club’s new-fledged label beginning with Mills', Banks' & Hood’s X-101 and Baxter’s Dream Sequence, from which the first four tracks on the new 12” come.
Whilst he would become more renowned for his signature seductive vocals and a smoother music style closer to house music, these early tracks are heavier, classic 90s techno, revealing the influence of industrial, post-punk and pop of the time. Indeed the collection is something of a time capsule: jacking 909 drums, intense, ravey synth stabs, samples from classic soul breakbeat and the Speak & Spell voice synthesizer; classic sounds and styles of the era all make appearances on the record. All tracks have been remastered by Manmade Mastering breathing a new vitality and sharpness for the modern dancefloor.
In a world where longevity is difficult and superlatives are too easily deployed, it is still difficult to overstate the long-lasting influence that Blake Baxter has had on modern music. His visionary output can be heard across modern electronic and pop to this day and with this series of remasters, there has never been a better time for the world to hear it at source.




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