"Kamikaze Dub" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates. Re-released for JAMDUNG distributed exclusively by KUDOS in limited edition LP from the original master tapes is available again at an affordable price, but hurry! Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did. Jammy's record came out first and that's why "Kamikaze Dub" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others. Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie

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Lloyd Parks, born on May 26, 1948, in Kingston, Jamaica, is a renowned reggae icon known for his soulful melodies and skillfully played bass lines. In the late 1960s, he performed with the Invincibles band, which included notable talents such as Ansell Collins, Sly Dunbar, and Ranchie McLean, before joining forces with Wentworth Vernal to form The Termites. He launched a successful solo career, releasing a series of self-produced singles, including the massive hit "Officially" in 1973; this single also provided the title for the legendary and and highly sought-after 1973 album, now reissued for the first time. Acknowledged as a talented studio bassist, Parks supported various reggae artists, including Justin Hinds on Duke Reid's Treasure Isle label. He was a member of Skin, Flesh and Bones, alongside Ansell Collins and Ranchie MacLean, contributing to Al Brown's hit "Here I Am Baby." When the group began recording for Channel One Studios, Parks renamed them The Revolutionaries and later joined Joe Gibbs' house band, The Professionals, showcasing his skills on hits like Althea & Donna's "Uptown Top Ranking." Throughout the 1970s, he collaborated with prominent artists such as Dennis Brown, The Abyssinians, The Itals, The Gladiators, Culture, and Prince Far I. In 1974, Parks founded the We The People Band, accompanying Dennis Brown on tours and regularly performing at festivals like Reggae Sunsplash and Reggae Sumfest.A long career studded with many important awards. "Officially" is his most cherished personal gem that, after too long, finally shines once more thanks to the discovery of the quarter-inch AMPEX tapes now owned by BMG (UK) and licensed to Jamdung Records.



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"Kamikaze Dub" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates. Re-released for JAMDUNG distributed exclusively by KUDOS in limited edition LP from the original master tapes is available again at an affordable price, but hurry! Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did. Jammy's record came out first and that's why "Kamikaze Dub" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others. Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie

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The LP includes an insert/poster 60x30cm

Joe Yamanaka, born in Yokohama, was of mixed descent. His father was a US Army soldier who hailed from the Caribbean. He played Psychedelic Rock with the Flower Travellin' Band. He was also a philanthropist, travelling around the world to help people in countries where conditions aren't great. He himself was raised in harsh conditions as well, being born in a brothel and growing up in an orphanage. In post-war Japan, it was not easy for him to grow up looking racially different from his peers.

Joe Yamanaka joined The Wailers after Bob Marley had passed away and recorded with them 'Reggae Vibration'.

The very first track is also called 'Reggae Vibration' and can be seen as his introduction to the genre, being a Rock artist in his home country. You will still hear a strong Rock influence in his songs.

'Reggae Vibration' was Recorded And Remixed At Tuff Gong Studios, 56 Hope RD Kingston Jamaica, In April 14th 1982 ~ April 30th 1982

Musicians:

Bass Guitar – Aston "Family Man" Barrett

Drums – Carlton "Carly" Barrett

Keyboards – Earl Lindo

Lead Guitar – Junior Marvin

Percussion – Alvin "Seeco" Patterson

Synthesizer [Minimoog] – Akira Ito

Vocals – Joe Yamanaka

Lisensed by Teichiku Enterteinment. From Original Master Tapes

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“Yassokiiba makes his debut with a two-track release, selected from his modular jam sessions filmed in his Tokyo apartment. Infused with his deep love for dub, reggae, electronica, and ambient, these tracks deliver pure MAXIMUM-DUB-PRESSURE — TOKYO STYLEE

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Fruits Records proudly presents ‘Let Peace Reign’, the brand new instrumental single by Nat Birchall and The 18th Parallel.

Hailed by Gilles Peterson as ‘one of the best musicians in the UK’, jazz and reggae saxophonist Nat Birchall has grabbed listeners attention with his soulful sound and inspirational spiritual music. He has produced some of the finest vintage roots reggae instrumentals including majestic works with Vin Gordon and Al Breadwinners. His ethereal tone reminiscent of reggae giant Cedric ‘Im’ Brooks (Light of Saba) is the perfect match to The 18th Parallel raw and heavy sound.

Recorded fully live on 2-inch tape by the Swiss rhythm section, the session captures the raw, authentic energy of roots reggae at its purest. With warm, organic tones and a timeless feel, ‘Let Peace Reign’ not only pays homage to the greatest days of instrumental music and to the golden era of reggae recording, but also send a much needed message to a troubled world: Let Peace Reign. Pressed with care on 7-inch vinyl, with a super heavy dub mix on B side by French duet Dub Shepherds, this release is more than just a record – it’s a tribute to the culture of collecting records, preserving sound, and sharing vibes across generations.

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The subtitle for this PRINCE ISTARI release is top ranking stepper science class. But not only steppers are on this six tracker. here we step into the 8th grade of junior high school with two cuts of the EWIL-MERODUB, one acid stepper and one strip down drum and bass version.

Ewil-Merodach son of Nebukadnezar is also known as Amel-Marduk (Second Book of Kings 25,27). The last tune on the A-side is DIKE DISCO STYLE DUB with some synth keys into niceness land. Flipside TROUBLE NO SET LIKE RAIN brings you a deep rockers riddim with some melancholic horns section. this one is a heavy load tune!

STEP INTO CALABI-YAU follows up and is a particular type of manifold gently stepperdub which has certain properties, such as Ricci flatness tom tom echos, yielding electro piano applications in theoretical physics.

Last tune is the tricky ones here in terms of the drum beats (it’s based upon the Peanuts Vendor Riddim Beat for those of you who want to know) and is called BODERATION TIMES DUB and features PRINCE ISTARI on his 6 string bass guitar solo. Its more of a serious dubinstrumental then a dub tune.

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Spanish roots singer Marcus I is well known among the reggae community for his masterpieces ‘2000 Years Showcase’ and ‘Jesus Was Black’ or more recent works with producer aDUBta on F-Spot Records and Hornin’s Sounds. Backed by the heavyweight sound of The 18th Parallel, Marcus I delivers a heartfelt anthem for every selector and music devotee who treasures the magic of black wax. A tune dedicated to all vinyl lovers and record collectors worldwide, ‘Wax Box’ is a celebration of the sound system culture. Reggae has been shaped by sound operators and selectors collecting the best and most obscure 45rpm records and revealing the full potential of a tune with heavy bass and crisp trebbles to their audience.

What makes this cut even more special is its sound: recorded fully live on 2-inch tape by The 18th Parallel, the session captures the raw, authentic energy of roots reggae at its purest. With warm, organic tones and a timeless feel, ‘Wax Box’ pays homage not only to record collectors but also to the golden era of reggae recording. Pressed with care on 7-inch vinyl, with a super heavy dub mix on B side by French duet Dub Shepherds, this release is more than just a record – it’s a tribute to the culture of collecting records, preserving sound, and sharing vibes across generations.

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2025 repress

Tracklisting
A1 Babe Roots - Intro
A2 Babe Roots feat. Milly James - Falling
A3 Babe Roots feat. Stephy Wright - Jah Nuh Dead
A4 Babe Roots feat. Milly James - Sun Is Shining
B1 Babe Roots feat. Baba Ras - Bless Me
B2 Babe Roots feat. Kojo Neatness - Sufferation Time
B3 Babe Roots feat. Baba Ras - Peace, Love and Unity
B4 Babe Roots feat. Kojo Neatness - Work Hard

Sales Note
- 2025 repress -

First Babe Roots album perfectly executed. This is the perfect balance between dub structures and reggae rhythms.

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Almost fifteen years since the release of her self-titled debut LP on Mr Bongo, reggae’s orator of love Hollie Cook is returning to the label for Shy Girl, her fifth studio album and her most authentic yet. Woven with tight grooves, beautiful vocals and catchy melodies, Shy Girl hears singer and songwriter Hollie Cook revel in her contemporary lovers rock sound, more confident and open to vulnerability than ever before.

A sun-drenched exploration of love in all its guises, Shy Girl tells stories of the magical and the melancholy, the heart-lifting and heart-breaking, across 12 luscious, analogue reggae compositions - the culmination of a soft-hued and instantly recognisable “tropical pop” sound that Cook has made her own.

Put together across three years and four cities – from LA and NYC, to Vejer de la Frontera in Spain and Cook’s hometown London – Shy Girl was written with long-time collaborators, The General Roots Band, and features a contribution from legendary dub MC, Horseman, who lends his voice to the album’s first single ‘Night Night’.

The album opens with the title track ‘Shy Girl’, a buoyant and elastic slice of lovers rock that was written in a moment of spontaneous intuition, and bubbles with a charisma and positivity that Cook radiates. “I’m not a natural show-off,” Cook explains. “The Shy Girl theme is me. It’s just about being my most vulnerable self and being as true to the music that Iove as possible.” It is this honesty which shines throughout, from the chugging deep dub of ‘Frontline’, complete with raking electric guitar lines, to the bittersweet roots ballad ‘We Share Love’, which closes out the album.

It's clear to see that Cook’s songwriting draws on a lifetime of musical influences and inspirations. From her father, Sex Pistols drummer Paul Cook’s record collection and touring with post-punk icon Ari Up’s The Slits, to her love for strong female-led pop music and the bassweight of London’s sound system culture. Enamoured with the music of Janet Kay and Phyllis Dillon, Shy Girl represents a homecoming and a coming-of-age for Hollie Cook, distilling and refining a shimmering reggae sound that will capture your heart, as it first captured hers.

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Repress!

* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves

Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.

The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.

As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.

An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.

Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to.

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(blue transparent vinyl, limited edition of 1000) Age Of Love's 3 most famous remixes on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix

Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years.

Now its 3 most famous remixes are available on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix.



Limited to 1000 copies.



Tracklist

A. Age Of Love - The Age Of Love (Charlotte de Witte & Enrico Sangiuliano Remix)

B1. Age Of Love - The Age Of Love (Jam & Spoon Watch Out For Stella Mix - 2021 Remaster)
B2. Age Of Love - The Age Of Love (Solomun's Renaissance Remix)




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A rare and juicy tropical fruit. Acid Pauli conjures up a summer hit here. The original version was written by Val Xalino (singer, guitarist, percussionist, ukulele player), a legend from the Cape Verde Islands. His albums from the 1980s are extremely rare. Dançá Dançá!

TRACKLIST:

Side A: A1. "Dançá Dançá T'Manchê" (Acid Pauli's Fullmix) (6:59)
Side B: B1. "Dançá Dançá T'Manchê" (Acid Pauli's Autowah Dub) (6.20) B2. "Dançá Dançá T'Manchê" (Acid Pauli's Sublib Dub) (6.59

LINKS:

Website (Acid Pauli): www.acidpauli.de
Instagram (Acid Pauli): www.instagram.com/therealacidpauli
Facebook (Acid Pauli): www.facebook.com/therealacidpauli
Resident Advisor (Acid Pauli): https://de.ra.co/dj/acidpauli
Spotify (Acid Pauli): https://open.spotify.com/intl-de/artist/3LHqODf1hGAgZ5LTw1Gf4C
Spotify (Val Xalino): https://open.spotify.com/intl-de/artist/0Ypk9dtgVcxLJXwjJxDDIg

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Reissue of this italo disco rarity from 1986 coming with remixes by the one and only Flemming Dalum and Brutus Novelli!

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12" WHITE VINYL 2025 OFFICIAL REISSUE

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