Territories : WW -UK -BENELUX -FR
Genre: Avant-pop
Format: CD
Tracklist
01_Brûler Pour briller
02_Je suis un souvenir
03_Touareg
04_Le pas de l’au-delà
05_Réparer le monde
06_L’horizon ose
07_Dispack dispac’h
08_Paris-Brazzaville
09_Acid Niger
10_Les rênes
11_Nymphéas
Léonie Pernet signs her comback with a third album, Poèmes Pulvérisés, a compelling, hard-hitting avant-pop odyssey. Constructing a hypnotic soundscape where hope and chaos converge, this third opus is both an invocation to the dancefloor and a cinematic call to resistance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Avant-pop
Format: CD
Tracklist
01_Brûler Pour briller
02_Je suis un souvenir
03_Touareg
04_Le pas de l’au-delà
05_Réparer le monde
06_L’horizon ose
07_Dispack dispac’h
08_Paris-Brazzaville
09_Acid Niger
10_Les rênes
11_Nymphéas
Léonie Pernet signs her comback with a third album, Poèmes Pulvérisés, a compelling, hard-hitting avant-pop odyssey. Constructing a hypnotic soundscape where hope and chaos converge, this third opus is both an invocation to the dancefloor and a cinematic call to resistance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Léonie Pernet
Territories : WW -UK -BENELUX -FR
Genre: Avant-pop
Format: LP, white bio-vinyl
Tracklist
A1_Brûler Pour briller
A2_Je suis un souvenir
A3_Touareg
A4_Le pas de l’au-delà
A5_Réparer le monde
B1_L’horizon ose
B2_Dispack dispac’h
B3_Paris-Brazzaville
B4_Acid Niger
B5_Les rênes
B6_Nymphéas
Léonie Pernet signs her comback with a third album, Poèmes Pulvérisés, a compelling, hard-hitting avant-pop odyssey. Constructing a hypnotic soundscape where hope and chaos converge, this third opus is both an invocation to the dancefloor and a cinematic call to resistance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Avant-pop
Format: LP, white bio-vinyl
Tracklist
A1_Brûler Pour briller
A2_Je suis un souvenir
A3_Touareg
A4_Le pas de l’au-delà
A5_Réparer le monde
B1_L’horizon ose
B2_Dispack dispac’h
B3_Paris-Brazzaville
B4_Acid Niger
B5_Les rênes
B6_Nymphéas
Léonie Pernet signs her comback with a third album, Poèmes Pulvérisés, a compelling, hard-hitting avant-pop odyssey. Constructing a hypnotic soundscape where hope and chaos converge, this third opus is both an invocation to the dancefloor and a cinematic call to resistance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP - Territory: WORLD EX France
LP
Vinyl edition:
Side A
A1_Mon amour tu bois trop - 3:27
A2_Les chants de Maldoror (Kraut Koto) - 4:37
A3_À rebours (Hang Bôté) - 3:33
A4_Intérieur Négro - 3:13
A5_Vowel - 2:33
Side B (20 minutes)
B1_Hard Billy - 3:41
B2_La mort de Pierre - 2:38
B3_Le cirque de consolation - 3:40
B4_Il pleut des hommes - 3:43
B5_Dandelion (Piano solo) - 2:15
B6_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
Vinyl edition:
Side A
A1_Mon amour tu bois trop - 3:27
A2_Les chants de Maldoror (Kraut Koto) - 4:37
A3_À rebours (Hang Bôté) - 3:33
A4_Intérieur Négro - 3:13
A5_Vowel - 2:33
Side B (20 minutes)
B1_Hard Billy - 3:41
B2_La mort de Pierre - 2:38
B3_Le cirque de consolation - 3:40
B4_Il pleut des hommes - 3:43
B5_Dandelion (Piano solo) - 2:15
B6_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD - Territory: WORLD EX France
01_Mon amour tu bois trop - 3:27
02_Les chants de Maldoror - 4:37
03_À rebours - 3:33
04_Intérieur Négro - 3:13
05_Vowel - 2:33
06_Hard Billy - 3:41
07_La mort de Pierre - 2:38
08_Le cirque de consolation - 3:40
09_Il pleut des hommes - 3:43
10_Dandelion - 2:15
11_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01_Mon amour tu bois trop - 3:27
02_Les chants de Maldoror - 4:37
03_À rebours - 3:33
04_Intérieur Négro - 3:13
05_Vowel - 2:33
06_Hard Billy - 3:41
07_La mort de Pierre - 2:38
08_Le cirque de consolation - 3:40
09_Il pleut des hommes - 3:43
10_Dandelion - 2:15
11_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting:
1- African Melancholia
2- Butterfly
3- Rotten Tree
4- Crave
5- Father
6- Auaati
7- Story
8- Nancy
9- Two Of Us
10- Last Track
11- India Song
Info Text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1- African Melancholia
2- Butterfly
3- Rotten Tree
4- Crave
5- Father
6- Auaati
7- Story
8- Nancy
9- Two Of Us
10- Last Track
11- India Song
Info Text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting:
A1 - African Melancholia
A2 - Butterfly
A3 - Rotten Tree
A4 - Crave
A5 - Father
B1 - Auaati
B2 - Rose
B3 - Story
B4 - Nancy
B5 - Last Track
B6 - India Song
Info text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 - African Melancholia
A2 - Butterfly
A3 - Rotten Tree
A4 - Crave
A5 - Father
B1 - Auaati
B2 - Rose
B3 - Story
B4 - Nancy
B5 - Last Track
B6 - India Song
Info text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Infine
Territories : WW -UK -BENELUX -FR
Genre: Avant-pop
Format: LP, white bio-vinyl
Tracklist
A1_Brûler Pour briller
A2_Je suis un souvenir
A3_Touareg
A4_Le pas de l’au-delà
A5_Réparer le monde
B1_L’horizon ose
B2_Dispack dispac’h
B3_Paris-Brazzaville
B4_Acid Niger
B5_Les rênes
B6_Nymphéas
Léonie Pernet signs her comback with a third album, Poèmes Pulvérisés, a compelling, hard-hitting avant-pop odyssey. Constructing a hypnotic soundscape where hope and chaos converge, this third opus is both an invocation to the dancefloor and a cinematic call to resistance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Avant-pop
Format: LP, white bio-vinyl
Tracklist
A1_Brûler Pour briller
A2_Je suis un souvenir
A3_Touareg
A4_Le pas de l’au-delà
A5_Réparer le monde
B1_L’horizon ose
B2_Dispack dispac’h
B3_Paris-Brazzaville
B4_Acid Niger
B5_Les rênes
B6_Nymphéas
Léonie Pernet signs her comback with a third album, Poèmes Pulvérisés, a compelling, hard-hitting avant-pop odyssey. Constructing a hypnotic soundscape where hope and chaos converge, this third opus is both an invocation to the dancefloor and a cinematic call to resistance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deena Abdelwahed - The Key To The Exit - 06:36
2
Deena Abdelwahed - Each day - 05:40
3
Deena Abdelwahed - Six as oil - 06:05
4
Deena Abdelwahed - Complain - 05:03
5
Deena Abdelwahed - Violence for free - 06:15
6
Deena Abdelwahed - Naive - 08:40
7
Deena Abdelwahed - Pre Island - 06:13
Territories: WORLD EXCL FRANCE
Tracklist LP:
A1_The Key To The Exit - 06:36
A2_Each day - 05:40
A3_Six as oil - 06:05
A4_Complain - 05:03
B1_Violence for free - 06:15
B2_Naive - 08:40
B3_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist LP:
A1_The Key To The Exit - 06:36
A2_Each day - 05:40
A3_Six as oil - 06:05
A4_Complain - 05:03
B1_Violence for free - 06:15
B2_Naive - 08:40
B3_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deena Abdelwahed - The Key To The Exit - 06:36
2
Deena Abdelwahed - Each day - 05:40
3
Deena Abdelwahed - Six as oil - 06:05
4
Deena Abdelwahed - Complain - 05:03
5
Deena Abdelwahed - Violence for free - 06:15
6
Deena Abdelwahed - Naive - 08:40
7
Deena Abdelwahed - Pre Island - 06:13
Territories: WORLD EXCL FRANCE
Tracklist CD :
1_The Key To The Exit - 06:36
2_Each day - 05:40
3_Six as oil - 06:05
4_Complain - 05:03
5_Violence for free - 06:15
6_Naive - 08:40
7_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist CD :
1_The Key To The Exit - 06:36
2_Each day - 05:40
3_Six as oil - 06:05
4_Complain - 05:03
5_Violence for free - 06:15
6_Naive - 08:40
7_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: WORLD EXCL FRANCE
Tracklist CD:
1_Bengue
2_LoBa
3_Ndomè
4_Li Yanga
5_Wata
6_Nop
7_Hola Mè
8_Séa
9_Bissaï
10_Touye
11_Mètam
12_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist CD:
1_Bengue
2_LoBa
3_Ndomè
4_Li Yanga
5_Wata
6_Nop
7_Hola Mè
8_Séa
9_Bissaï
10_Touye
11_Mètam
12_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: WORLD EXCL FRANCE
Tracklist LP:
A_side
A1_Bengue
A2_LoBa
A3_Ndomè
A4_Li Yanga
A5_Wata
A6_Nop
B_side
B1_Hola Mè
B2_Séa
B3_Bissaï
B4_Touye
B5_Mètam
B6_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist LP:
A_side
A1_Bengue
A2_LoBa
A3_Ndomè
A4_Li Yanga
A5_Wata
A6_Nop
B_side
B1_Hola Mè
B2_Séa
B3_Bissaï
B4_Touye
B5_Mètam
B6_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sabrina Bellaouel - Trust
Territories: WORLD EXCL FRANCE
Tracklist CD:
1_Tanger
2_Body
3_Jah
4_Shop
5_Period Point Blank
6_Kesh Feat. Crystallmess
7_Clémence
8_Rapture
9_Legit
10_Eclipse
11_Trust
12_Al Hadr
13_Goodbye Feat. Bonnie Banane
Short Info:
On Al Hadr, Sabrina Bellaouel taps into myriad influences: from spirituality, astrology to club culture, romance, the body and self-love. Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
Following two solo EPs, also on InFiné — 2020’s We Don’t Need To Be Enemies and 2021’s Libra — the French-Algerian producer and vocalist’s unique style of electronic R&B blossoms with Al Hadr, a 13-track album featuring collaborations with dance producer Basile3, experimental club DJ and writer Crystallmess, jazz musician Monomite and pop singer Bonnie Banane, among others.
Born, raised and based in Bagneux, outside the southern périphérique of Paris, Bellaouel lives between worlds. At home, her Algerian heritage and Muslim faith have fused tight familial bonds and a keen sense of history and culture; as “Berbers”, she speaks French and Arabic. In her headphones, she finds comfort in the sparse experimentalism of Radiohead and romantic tales of Jill Scott. On the hot club dance floors of Paris, driving house beats connect her to her body.
In swirling these private and public passions together on Al Hadr — which translates from Arabic as “the present time” — Bellaouel is the most vulnerable she’s ever been on record. Classic neo-soul and silken R&B blend with club electronics. Tender harmonies are sung and rhymes are spoken in English, French and Arabic, exploring love, faith and identity. Samples of drum machines are the backbone for wisps of woodwind, strings, keys and environmental ‘found sounds’, including Bellaouel’s own live recordings.
Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist CD:
1_Tanger
2_Body
3_Jah
4_Shop
5_Period Point Blank
6_Kesh Feat. Crystallmess
7_Clémence
8_Rapture
9_Legit
10_Eclipse
11_Trust
12_Al Hadr
13_Goodbye Feat. Bonnie Banane
Short Info:
On Al Hadr, Sabrina Bellaouel taps into myriad influences: from spirituality, astrology to club culture, romance, the body and self-love. Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
Following two solo EPs, also on InFiné — 2020’s We Don’t Need To Be Enemies and 2021’s Libra — the French-Algerian producer and vocalist’s unique style of electronic R&B blossoms with Al Hadr, a 13-track album featuring collaborations with dance producer Basile3, experimental club DJ and writer Crystallmess, jazz musician Monomite and pop singer Bonnie Banane, among others.
Born, raised and based in Bagneux, outside the southern périphérique of Paris, Bellaouel lives between worlds. At home, her Algerian heritage and Muslim faith have fused tight familial bonds and a keen sense of history and culture; as “Berbers”, she speaks French and Arabic. In her headphones, she finds comfort in the sparse experimentalism of Radiohead and romantic tales of Jill Scott. On the hot club dance floors of Paris, driving house beats connect her to her body.
In swirling these private and public passions together on Al Hadr — which translates from Arabic as “the present time” — Bellaouel is the most vulnerable she’s ever been on record. Classic neo-soul and silken R&B blend with club electronics. Tender harmonies are sung and rhymes are spoken in English, French and Arabic, exploring love, faith and identity. Samples of drum machines are the backbone for wisps of woodwind, strings, keys and environmental ‘found sounds’, including Bellaouel’s own live recordings.
Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
GASPAR CLAUS - 01_Inside - 13:57
2
GASPAR CLAUS - 02_Beyond - 11:59
World excl. France
01_Inside - 13:57
02_Beyond - 11:59
Scaphandre' is the story of an image found in a lost time on the internet a few years ago. It inspired two sound pieces conceived so that one can dive into it as into the sea.
Once their composition was finished, I looked for the origin of this image. It is one of the very first submarine pictures in history, taken by Louis Boutan in 1893 in the bay of Banyuls-sur-Mer... my home town. The original photo as well as a fantastic series of archives documenting this event can be found at the Arago Laboratory, where I often went as a child, after school, amazed by what the researchers were showing me. They just had never told me this story.
This is how this record found its scenery.
Gaspar Claus
The two pieces Gaspar Claus brought together on Scaphandre form an abstract and mysterious B-side of Tancade, released in the fall of 2021. Both composed during the long, initial period of his first album's conception, this mini album's two episodes, each tinged with minimal and noisy abstractions, unfold more than 10 minutes of total immersion into the abyss of experimental music on the first, and drone for the second.
In their own way, these tracks are a form of raw, unadorned escape, a film negative of the cellist's surface creations, which we know are bathed in sunshine and fresh air.
'Inside' is a moment of distraction while Gaspar worked on a film soundtrack. The title took time to mature in the musician's head, abandoned then picked up again and modified until it found its signature progression of strings where time seems suspended. The reverberations dress its fourteen-minute sound canvas in a way that is reminiscent of endless, sub-marine darkness.
'Beyond' was recorded in three takes during a writing session for his first album with David Chalmin in the Basque Country. The post-production phase required a long process of refinement to obtain this invasive sound material that cuts the listener off from their real environment and films them with a hypnotic feeling of depths and apnea.
Taken in 1898 by Louis Boutan a few dozen kilometres from the beach of Tancade in Banyuls sur mer - Gaspar's family village - the photographs of Scaphandre seal the vinyl sleeve with a unique auditory experience presenting the submerged side of the cellist. Obscure, dense, haunting, excitingly weightless.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01_Inside - 13:57
02_Beyond - 11:59
Scaphandre' is the story of an image found in a lost time on the internet a few years ago. It inspired two sound pieces conceived so that one can dive into it as into the sea.
Once their composition was finished, I looked for the origin of this image. It is one of the very first submarine pictures in history, taken by Louis Boutan in 1893 in the bay of Banyuls-sur-Mer... my home town. The original photo as well as a fantastic series of archives documenting this event can be found at the Arago Laboratory, where I often went as a child, after school, amazed by what the researchers were showing me. They just had never told me this story.
This is how this record found its scenery.
Gaspar Claus
The two pieces Gaspar Claus brought together on Scaphandre form an abstract and mysterious B-side of Tancade, released in the fall of 2021. Both composed during the long, initial period of his first album's conception, this mini album's two episodes, each tinged with minimal and noisy abstractions, unfold more than 10 minutes of total immersion into the abyss of experimental music on the first, and drone for the second.
In their own way, these tracks are a form of raw, unadorned escape, a film negative of the cellist's surface creations, which we know are bathed in sunshine and fresh air.
'Inside' is a moment of distraction while Gaspar worked on a film soundtrack. The title took time to mature in the musician's head, abandoned then picked up again and modified until it found its signature progression of strings where time seems suspended. The reverberations dress its fourteen-minute sound canvas in a way that is reminiscent of endless, sub-marine darkness.
'Beyond' was recorded in three takes during a writing session for his first album with David Chalmin in the Basque Country. The post-production phase required a long process of refinement to obtain this invasive sound material that cuts the listener off from their real environment and films them with a hypnotic feeling of depths and apnea.
Taken in 1898 by Louis Boutan a few dozen kilometres from the beach of Tancade in Banyuls sur mer - Gaspar's family village - the photographs of Scaphandre seal the vinyl sleeve with a unique auditory experience presenting the submerged side of the cellist. Obscure, dense, haunting, excitingly weightless.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Vanessa Wagner - Philip Glass - The Poet Acts
2
Vanessa Wagner - Moondog - Sea Horses
3
Vanessa Wagner - Ryuichi Sakamoto - Solitude
4
Vanessa Wagner - Philip Glass - Etude 4
5
Vanessa Wagner - Philip Glass - Etude 2
6
Vanessa Wagner - Nico Mulhy - Quiet Music
7
Vanessa Wagner - Camille Pépin - Number 1
8
Vanessa Wagner - Léo Ferré - Opus X
9
Vanessa Wagner - Melaine Dalibert - Six + Six
10
Vanessa Wagner - Sylvain Chauveau - Mineral
Territories: WORLD EXCL FRANCE
Tracklist CD:
1_Philip Glass - The Poet Acts
2_Moondog - Sea Horses
3_ Ryuichi Sakamoto - Solitude
4_Philip Glass - Etude 4
5_Philip Glass - Etude 2
6_Nico Mulhy - Quiet Music
7_Camille Pépin - Number 1
8_Léo Ferré - Opus X
9_Melaine Dalibert - Six + Six
10_Sylvain Chauveau - Mineral
Short Info:
French pianist Vanessa Wagner collects solo piano studies of graceful minimalism and rare finesse for new album Mirrored.
Quickly following March 2022’s Study of the Invisible album, Vanessa Wagner returns with a new collection of work that paints in many colours. The application of shadow in Mirrored evokes haunting poignancy; the care and delicateness of its negative space leaves room for undulating melodic motifs to ebb and flow; its bold splashes of luminescence are striking and rich. And while the album collates re-interpretations of works by composers as varied as Philip Glass, Nico Muhly, Moondog, Leo Ferré and Camille Pepin, the potency and effect of the collection as a whole reflects only Vanessa Wagner and the extraordinary breadth of her abilities.
Performing solo, exposed to timbre, tempo and clarity, many of the pieces here - such as “Sea Horses” by (Vanessa’s one-time mentor) Moondog or Philip Glass’ “Etude 4” - demand virtuosic abilities as a performer and interpreter. But in Vanessa Wagner’s hands, they are not only made her own, but made mesmeric and magical by the sensitivity of her touch.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist CD:
1_Philip Glass - The Poet Acts
2_Moondog - Sea Horses
3_ Ryuichi Sakamoto - Solitude
4_Philip Glass - Etude 4
5_Philip Glass - Etude 2
6_Nico Mulhy - Quiet Music
7_Camille Pépin - Number 1
8_Léo Ferré - Opus X
9_Melaine Dalibert - Six + Six
10_Sylvain Chauveau - Mineral
Short Info:
French pianist Vanessa Wagner collects solo piano studies of graceful minimalism and rare finesse for new album Mirrored.
Quickly following March 2022’s Study of the Invisible album, Vanessa Wagner returns with a new collection of work that paints in many colours. The application of shadow in Mirrored evokes haunting poignancy; the care and delicateness of its negative space leaves room for undulating melodic motifs to ebb and flow; its bold splashes of luminescence are striking and rich. And while the album collates re-interpretations of works by composers as varied as Philip Glass, Nico Muhly, Moondog, Leo Ferré and Camille Pepin, the potency and effect of the collection as a whole reflects only Vanessa Wagner and the extraordinary breadth of her abilities.
Performing solo, exposed to timbre, tempo and clarity, many of the pieces here - such as “Sea Horses” by (Vanessa’s one-time mentor) Moondog or Philip Glass’ “Etude 4” - demand virtuosic abilities as a performer and interpreter. But in Vanessa Wagner’s hands, they are not only made her own, but made mesmeric and magical by the sensitivity of her touch.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
FRIEDER NAGEL - They Kept Walking
2
FRIEDER NAGEL - Blossom
3
FRIEDER NAGEL - Obey feat. Mima
4
FRIEDER NAGEL - Run
5
FRIEDER NAGEL - Evolve (live)
Working with artists like David August and Daniel Brandt, Frieder Nagel is known for managing projects in venues ranging from theatres to clubs, for concerts to audiovisual experiments. He finally signs his first solo work “Distract Robots” to be released on January 18 on InFiné and invites his listeners to get lost in an universe that spans from euphoric to devastating excitement. - mastered by Zino Mikorey, the magician behind Nils Frahm’s latest album.
TRACKISTING
01 They Kept Walking , 02 Blossom , 03 Obey feat. Mima , 04 Run, 05 Evolve (live)
Frieder Nagel invites his listeners to get lost in a universe that spans from euphoric to devastating excitement. He is known for managing projects in venues ranging from theatres to clubs, for concerts to audio-visual experiments - working with artists like David August, La Boum Fatale and Daniel Brandt (Brandt Brauer Frick). The first time he appeared on stage, in 2016 at Berlin's infamous Radialsystem V, armed with several synthesizers, effects, drum machines, one grand piano; and backed by the German Symphony Orchestra (DSO). This critically acclaimed debut was streamed by Boiler Room later and led to further collaborations with Philharmonie Essen or his ensemble show at Reeperbahn Festival.
Now finally Nagel ´s first solo work “Distract Robots” will be released by French label InFine´. This 12" has become an album in miniature with a final polish by mastering guru Zino Mikorey – known for his work for Nils Frahm ´s All Melody. This EP offers up a mystical world, full of warm synths and detailed sound clusters morphing into each other to form utterly dark and dystopian ballads. Nagel gets lost in obsessively endless sessions with his instruments. He isolates himself and spends night after night drifting away from reality. The result is that his tracks carry moments of utterly deep relief and deliverance, as well as despairing sadness and stoical escapism.
Having grown up in the music scene of Southern Germany, Nagel spent his childhood mainly backstage - sleeping in cars while his father played in jazz clubs, or bored out of his mind during the endless orchestra rehearsals of his mother. While he never took proper classes to learn an instrument, the young autodidact could always count on his hearing. After moving to Berlin at 17, Nagel soon started working in the music business - at first with small student-jobs and later as a producer. He created his studio Resonant Workshop, a self-built wooden room-in-room construction to craft music and sound design.
After years of being in charge, controlling the process of artistic creation for others, it was not always easy for Nagel to focus on his own music. No sooner had he started to press record - he had to leave his studio due a serious water leak from ceiling causing him to be displaced to create. Trying to turn this throwback into an advantage, Nagel focussed mainly on improving his improvisational skills and started to work in different locations, and musicians he found in many directions. As a result, Distract Robots creates its dense atmosphere out of all kind of musical sources like field recordings, jam sessions, and analog machinery.
Despite its melodic complexity, improvisational skills and vivid drums, Distract Robots is rooted with one foot in the basement of an underground club featuring loops building up with unescapable pressure, majestic voice samples, and analog sawtooth wavefronts – while still reminding listeners of an electrified music combo playing live. This EP has become Nagel ´s long-awaited step away from behind the studio desk to finally addressing the audience directly. Lining up with the exquisite cast of euphoric-melancholic artists from InFine´ - like Rone, Apparat, Arandel or Murcof - inevitably feeding his hunger for acoustic sessions and electronic gear, the audience can be sure to hear more from Frieder Nagel.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKISTING
01 They Kept Walking , 02 Blossom , 03 Obey feat. Mima , 04 Run, 05 Evolve (live)
Frieder Nagel invites his listeners to get lost in a universe that spans from euphoric to devastating excitement. He is known for managing projects in venues ranging from theatres to clubs, for concerts to audio-visual experiments - working with artists like David August, La Boum Fatale and Daniel Brandt (Brandt Brauer Frick). The first time he appeared on stage, in 2016 at Berlin's infamous Radialsystem V, armed with several synthesizers, effects, drum machines, one grand piano; and backed by the German Symphony Orchestra (DSO). This critically acclaimed debut was streamed by Boiler Room later and led to further collaborations with Philharmonie Essen or his ensemble show at Reeperbahn Festival.
Now finally Nagel ´s first solo work “Distract Robots” will be released by French label InFine´. This 12" has become an album in miniature with a final polish by mastering guru Zino Mikorey – known for his work for Nils Frahm ´s All Melody. This EP offers up a mystical world, full of warm synths and detailed sound clusters morphing into each other to form utterly dark and dystopian ballads. Nagel gets lost in obsessively endless sessions with his instruments. He isolates himself and spends night after night drifting away from reality. The result is that his tracks carry moments of utterly deep relief and deliverance, as well as despairing sadness and stoical escapism.
Having grown up in the music scene of Southern Germany, Nagel spent his childhood mainly backstage - sleeping in cars while his father played in jazz clubs, or bored out of his mind during the endless orchestra rehearsals of his mother. While he never took proper classes to learn an instrument, the young autodidact could always count on his hearing. After moving to Berlin at 17, Nagel soon started working in the music business - at first with small student-jobs and later as a producer. He created his studio Resonant Workshop, a self-built wooden room-in-room construction to craft music and sound design.
After years of being in charge, controlling the process of artistic creation for others, it was not always easy for Nagel to focus on his own music. No sooner had he started to press record - he had to leave his studio due a serious water leak from ceiling causing him to be displaced to create. Trying to turn this throwback into an advantage, Nagel focussed mainly on improving his improvisational skills and started to work in different locations, and musicians he found in many directions. As a result, Distract Robots creates its dense atmosphere out of all kind of musical sources like field recordings, jam sessions, and analog machinery.
Despite its melodic complexity, improvisational skills and vivid drums, Distract Robots is rooted with one foot in the basement of an underground club featuring loops building up with unescapable pressure, majestic voice samples, and analog sawtooth wavefronts – while still reminding listeners of an electrified music combo playing live. This EP has become Nagel ´s long-awaited step away from behind the studio desk to finally addressing the audience directly. Lining up with the exquisite cast of euphoric-melancholic artists from InFine´ - like Rone, Apparat, Arandel or Murcof - inevitably feeding his hunger for acoustic sessions and electronic gear, the audience can be sure to hear more from Frieder Nagel.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
LA FRAICHEUR - The Movements (Scalameriya Remix)
2
LA FRAICHEUR - Renegade (Noncompliant Remix)
3
LA FRAICHEUR - Eaux Troubles (VTSS Remix)
4
LA FRAICHEUR - The New Is Not Born Yet (Soukie & Windish Remix)
Self Fulfilling Prophecy remixes recasts in vinyl version the Techno esprit of La Fraicheur´s original album with four reworks, which condition the dancers to unstoppable footwork as much as they open the listeners ‘minds up. Four remixers each fighting against wordly injustice in their own way.
TRACKISTING
1. The Movements (Scalameriya Remix)
2. Renegade (Noncompliant Remix)
3. Eaux Troubles (VTSS Remix)
4. The New Is Not Born Yet (Soukie & Windish Remix)
With her debut album Self Fulfilling Prophecy, released by InFiné last June, the French producer closed the
loop on the first sequence of her life. A sequence filled with transformations, encounters and
collaborations: her successive moves to Montréal and Berlin (where she was closely involved with feminist
activism), and her foundational residency at Detroit’s Underground Resistance, among others, informed
her authentic, global-minded techno aesthetic. The aptly-named Self Fulfilling Prophecy is thus the honest
expression of a artist who has found herself at the center of techno activism, an eloquent testimonial to
“how today’s electronic is made.” With the necessary hindsight and application, La Fraicheur has created
an opus that blends raging techno with more atmospheric moments. An opus that is now being reviewed in
light of the electronic scene’s main pillar: the dancefloor.
"Self Fulfilling Prophecy remixes" recasts in vinyl version the Techno esprit of La Fraicheur´s original album
with four reworks, which condition the dancers to unstoppable footwork as much as they open the
listeners ‘minds up.
On the A-side, an activist of the Polish scene, VTSS is a leading figure in the protest against conservatism,
racism and ambient homophobia and one of the founders of the Brutaz parties in Warsaw. She rocks “Eau
Troubles” in an "industrial" soundscape, as disturbing as fascinating. Noncompliant (also known as Dj
Shiva), an icon of US techno rave scene of the 80s, today widely supported by the demanding international
Technosphere (with releases on Dark entries or Fidel Two) is animated by the same fury instilled by worldly
injustices. Her remix for “Renegade” is propelled by an unstoppable steamroller of offensive analogic
sounds and a weird hi-hat.
On the flipside, Serbian producer Scalameriya (Genesa Records, Perc Trax) takes over “The Movements” in
a chokehold that evokes techno’s struggle against space and bodies. In conclusion, Fritz Windish & Nayan
Soukie divert the metronomic kick of “The New is Not Born Yet”, with a good dose of insouciance tinged
with psychedelism, classic ingredients of the Berlin set deejays at sunrise.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKISTING
1. The Movements (Scalameriya Remix)
2. Renegade (Noncompliant Remix)
3. Eaux Troubles (VTSS Remix)
4. The New Is Not Born Yet (Soukie & Windish Remix)
With her debut album Self Fulfilling Prophecy, released by InFiné last June, the French producer closed the
loop on the first sequence of her life. A sequence filled with transformations, encounters and
collaborations: her successive moves to Montréal and Berlin (where she was closely involved with feminist
activism), and her foundational residency at Detroit’s Underground Resistance, among others, informed
her authentic, global-minded techno aesthetic. The aptly-named Self Fulfilling Prophecy is thus the honest
expression of a artist who has found herself at the center of techno activism, an eloquent testimonial to
“how today’s electronic is made.” With the necessary hindsight and application, La Fraicheur has created
an opus that blends raging techno with more atmospheric moments. An opus that is now being reviewed in
light of the electronic scene’s main pillar: the dancefloor.
"Self Fulfilling Prophecy remixes" recasts in vinyl version the Techno esprit of La Fraicheur´s original album
with four reworks, which condition the dancers to unstoppable footwork as much as they open the
listeners ‘minds up.
On the A-side, an activist of the Polish scene, VTSS is a leading figure in the protest against conservatism,
racism and ambient homophobia and one of the founders of the Brutaz parties in Warsaw. She rocks “Eau
Troubles” in an "industrial" soundscape, as disturbing as fascinating. Noncompliant (also known as Dj
Shiva), an icon of US techno rave scene of the 80s, today widely supported by the demanding international
Technosphere (with releases on Dark entries or Fidel Two) is animated by the same fury instilled by worldly
injustices. Her remix for “Renegade” is propelled by an unstoppable steamroller of offensive analogic
sounds and a weird hi-hat.
On the flipside, Serbian producer Scalameriya (Genesa Records, Perc Trax) takes over “The Movements” in
a chokehold that evokes techno’s struggle against space and bodies. In conclusion, Fritz Windish & Nayan
Soukie divert the metronomic kick of “The New is Not Born Yet”, with a good dose of insouciance tinged
with psychedelism, classic ingredients of the Berlin set deejays at sunrise.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
RONE - Mirapolis (Johannes Brecht Remix)
2
RONE - Mirapolis (Matias Aguayo Remix)
3
RONE - Mirapolis (Laurent Garnier Remix)
4
RONE - Mirapolis (Video Edit)
Tracklist:
1. Mirapolis (Johannes Brecht Remix) 06:33
2. Mirapolis (Matias Aguayo Remix) 06:21
3. Mirapolis (Laurent Garnier Remix) 09:19
4. Mirapolis (Video Edit) 03:14
The flamboyant and off-kilter title track from Rone's latest album, "Mirapolis" is one of the last
solo tracks that the producer composed in the spring of 2017: "it's one of the rare tracks on the
album for which I thought about the live performance. While putting the final touches to it in the
studio, I imagined myself at festivals via memories of previous tours. I wanted to record a festive
track, which completely stands by its ‘funfair’ vibe.” With this new four-track EP (including three
remixes), combined with a new video by Aurélie Castex, Rone extends the carnival of electronic
cultures of his latest musical citadel to the dancefloor – and our screens.
Johannes Brecht, shadow craftsman of the Hamburg label Diyanamic's studios, offers a refined
reading throbbing with cerebral pulsations. Appropriating the main theme in a subtle way, coated
with multiple harmonic layers, his textures alternate white noise with organic basses that builds up
to a delightfully classical cello outro.
German-based figurehead of the South American scene, Comeme label boss and founding
member of the late Closer Music project, Matias Aguayo, has never ceased throughout his career
to set off little revolutions on the planet of demanding dancefloors. Playful and wild, Aguayo
sweeps in with a ritornello of chiptune sounds and orchestral arrangements, washing it over with a
huge wave of analog synthesizers that destroys everything in its path.
French techno scene boss Laurent Garnier embraces the original piece in all its meticulousness
and its psychedelic lifeblood. A hypnotic and mischievous loop infiltrates itself without warning into
the reptilian cells of the listener's brain who surrenders to the ecstasy of the remix, forgetting the
futility of everyday problems and tapping into the universal energy of the dancefloor. Garnier
couldn't have given Mirapolis a better gift.
This release of Mirapolis Remixes is set to coincide with the release of a new video by Rone’s
sister Aurélie Castex, draftswoman for French magazines like Elle. The radiant quadricolour
odyssey will be available on Apple Music from August 28, and everywhere else on the Web from
September 5.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About Versus: Monumental symphonic versions of Carl Craig?s? classic material, re-enforced and magnified by Les Siecles Orchestra. Iconic French conductor François-Xavier Roth is at the helm of the symphony whilst InFiné mainstay Francesco Tristano supports on piano. From an initial recording in 2010, the project evolved into a full album that has been tweaked further in the studio by Craig himself. The re-works reveal the timelessness of `At Les´ and `Darkness´ through tense yet fragile new arrangements, along with two original compositions by Tristano ? ?Barcelona Trist? and ?The Melody? Versus first took form as a captivating live concert on May 18th, 2008 at Paris? Cité de la Musique, featuring this very same line-up. The hedonism of club culture made a rare incursion into the hallowed grounds of more serious traditional music, merging the vocabularies and syntaxes of two genres that seem to be from their own faraway galaxies, but actually turned out to be more porous than expected as they collided into one another. A bemused Carl Craig recalls that the ?audience stopped just short of snapping their fingers to the rhythm. Everyone was literally on the verge of dancing, and François-Xavier was getting his first taste of that thrill that DJs get when they are playing for a room. We were like two kids rummaging through a candy shop ? I toured him through my universe and he showed me his.? The album?s release is also set to coincide with the launch of the Versus Synthesiser Ensemble, a back-to-basics live performance featuring six synthesisers and a piano, as directed by Craig. Detroit?s Movement Festival will be the tour?s launching pad, allowing for the possible grafting of a full symphonic orchestra as time progresses. The Versus universe is thus one that is predicated on transforming, remixing and reinterpreting, on creating of new forms of expression, but also on breaking down hierarchies to confront genres and worlds that seem further apart than they really are. An optimistic, if not idealistic project, with a title that was perfectly chosen to echo Carl?s mantra: ?the point is to change the audience?s perceptions, to surprise people, but also blow the dust off the conventional wisdom about music, its place in the world, and its audience ? without demagoguery and with fresh and new arguments.? This much awaited new studio album will be available worldwide on May 5th as a 2LP gatefold vinyl, a limited edition 3LP edition that incudes a bonus vinyl of stripped back versions (2000 copies only) and CD.
SPECS: 3LP in 8mm gatefold vinyl sleeve with download card (digital download is the full CD version)
Limited edition vinyl (2000 units worldwide)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
SPECS: 3LP in 8mm gatefold vinyl sleeve with download card (digital download is the full CD version)
Limited edition vinyl (2000 units worldwide)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About Versus: Monumental symphonic versions of Carl Craig?s? classic material, re-enforced and magnified by Les Siecles Orchestra. Iconic French conductor François-Xavier Roth is at the helm of the symphony whilst InFiné mainstay Francesco Tristano supports on piano. From an initial recording in 2010, the project evolved into a full album that has been tweaked further in the studio by Craig himself. The re-works reveal the timelessness of `At Les´ and `Darkness´ through tense yet fragile new arrangements, along with two original compositions by Tristano ? ?Barcelona Trist? and ?The Melody? Versus first took form as a captivating live concert on May 18th, 2008 at Paris? Cité de la Musique, featuring this very same line-up. The hedonism of club culture made a rare incursion into the hallowed grounds of more serious traditional music, merging the vocabularies and syntaxes of two genres that seem to be from their own faraway galaxies, but actually turned out to be more porous than expected as they collided into one another. A bemused Carl Craig recalls that the ?audience stopped just short of snapping their fingers to the rhythm. Everyone was literally on the verge of dancing, and François-Xavier was getting his first taste of that thrill that DJs get when they are playing for a room. We were like two kids rummaging through a candy shop ? I toured him through my universe and he showed me his.? The album?s release is also set to coincide with the launch of the Versus Synthesiser Ensemble, a back-to-basics live performance featuring six synthesisers and a piano, as directed by Craig. Detroit?s Movement Festival will be the tour?s launching pad, allowing for the possible grafting of a full symphonic orchestra as time progresses. The Versus universe is thus one that is predicated on transforming, remixing and reinterpreting, on creating of new forms of expression, but also on breaking down hierarchies to confront genres and worlds that seem further apart than they really are. An optimistic, if not idealistic project, with a title that was perfectly chosen to echo Carl?s mantra: ?the point is to change the audience?s perceptions, to surprise people, but also blow the dust off the conventional wisdom about music, its place in the world, and its audience ? without demagoguery and with fresh and new arguments.? This much awaited new studio album will be available worldwide on May 5th as a 2LP gatefold vinyl, a limited edition 3LP edition that incudes a bonus vinyl of stripped back versions (2000 copies only) and CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About Versus: Monumental symphonic versions of Carl Craig?s? classic material, re-enforced and magnified by Les Siecles Orchestra. Iconic French conductor François-Xavier Roth is at the helm of the symphony whilst InFiné mainstay Francesco Tristano supports on piano. From an initial recording in 2010, the project evolved into a full album that has been tweaked further in the studio by Craig himself. The re-works reveal the timelessness of `At Les´ and `Darkness´ through tense yet fragile new arrangements, along with two original compositions by Tristano ? ?Barcelona Trist? and ?The Melody? Versus first took form as a captivating live concert on May 18th, 2008 at Paris? Cité de la Musique, featuring this very same line-up. The hedonism of club culture made a rare incursion into the hallowed grounds of more serious traditional music, merging the vocabularies and syntaxes of two genres that seem to be from their own faraway galaxies, but actually turned out to be more porous than expected as they collided into one another. A bemused Carl Craig recalls that the ?audience stopped just short of snapping their fingers to the rhythm. Everyone was literally on the verge of dancing, and François-Xavier was getting his first taste of that thrill that DJs get when they are playing for a room. We were like two kids rummaging through a candy shop ? I toured him through my universe and he showed me his.? The album?s release is also set to coincide with the launch of the Versus Synthesiser Ensemble, a back-to-basics live performance featuring six synthesisers and a piano, as directed by Craig. Detroit?s Movement Festival will be the tour?s launching pad, allowing for the possible grafting of a full symphonic orchestra as time progresses. The Versus universe is thus one that is predicated on transforming, remixing and reinterpreting, on creating of new forms of expression, but also on breaking down hierarchies to confront genres and worlds that seem further apart than they really are. An optimistic, if not idealistic project, with a title that was perfectly chosen to echo Carl?s mantra: ?the point is to change the audience?s perceptions, to surprise people, but also blow the dust off the conventional wisdom about music, its place in the world, and its audience ? without demagoguery and with fresh and new arguments.? This much awaited new studio album will be available worldwide on May 5th as a 2LP gatefold vinyl, a limited edition 3LP edition that incudes a bonus vinyl of stripped back versions (2000 copies only) and CD.
SPECS: 2LP in 5mm gatefold vinyl sleeve with download card (digital download is the full CD version)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
SPECS: 2LP in 5mm gatefold vinyl sleeve with download card (digital download is the full CD version)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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2
Drexciya - Soul Of The Sea 04:30
3
Drexciya - Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
4
Drexciya - Song Of The Green Whale 04:56
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Drexciya - Lake Haze 05:16
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Drexciya - Mission To Ociya Syndor And Back 05:12
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Drexciya - Under Sea Disturbances 08:06
2025 Repress
Territories: World excl. UK
FORMAT 2x12" 180g vinyl, silver pantone, UV spot varnish
Tracklist 2LP
A1 Digital Tsunami 06:20
A2 Soul Of The Sea 04:30
B1 Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
B2 Song Of The Green Whale 04:56
C1 Lake Haze 05:16
C2 Mission To Ociya Syndor And Back 05:12
D Under Sea Disturbances 08:06
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the
long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World excl. UK
FORMAT 2x12" 180g vinyl, silver pantone, UV spot varnish
Tracklist 2LP
A1 Digital Tsunami 06:20
A2 Soul Of The Sea 04:30
B1 Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
B2 Song Of The Green Whale 04:56
C1 Lake Haze 05:16
C2 Mission To Ociya Syndor And Back 05:12
D Under Sea Disturbances 08:06
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the
long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Excluding Benelux and UK
2LP smokey vinyl with OBI strip
“ Originally released in 1998 "First Floor” is Detroit/Chicago auteur Theo Parrish’s debut album. Released on vinyl in two parts for maximum playability; the raw bluesy, soulful offbeat grooves have long since buried themselves deep under the skin of the house community. ”
Private Listening Link: https://on.soundcloud.com/IoiiJGy2hzXDqzvvGI
Tracklist:
Electric Alleycat
JB's Edit
Dark Patterns
Heal Yourself And Move
Sky Walking
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP smokey vinyl with OBI strip
“ Originally released in 1998 "First Floor” is Detroit/Chicago auteur Theo Parrish’s debut album. Released on vinyl in two parts for maximum playability; the raw bluesy, soulful offbeat grooves have long since buried themselves deep under the skin of the house community. ”
Private Listening Link: https://on.soundcloud.com/IoiiJGy2hzXDqzvvGI
Tracklist:
Electric Alleycat
JB's Edit
Dark Patterns
Heal Yourself And Move
Sky Walking
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Excluding Benelux and UK
2LP smokey vinyl with OBI strip
“ Originally released in 1998 "First Floor” is Detroit/Chicago auteur Theo Parrish’s debut album. Released on vinyl in two parts for maximum playability; the raw bluesy, soulful offbeat grooves have long since buried themselves deep under the skin of the house community. ”
Private Listening Link: https://on.soundcloud.com/IoiiJGy2hzXDqzvvGI
Tracklist:
First Floor Metaphor
Only The Beginning
Sweet Sticky
Paradise Architects
Love Is War For Miles
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP smokey vinyl with OBI strip
“ Originally released in 1998 "First Floor” is Detroit/Chicago auteur Theo Parrish’s debut album. Released on vinyl in two parts for maximum playability; the raw bluesy, soulful offbeat grooves have long since buried themselves deep under the skin of the house community. ”
Private Listening Link: https://on.soundcloud.com/IoiiJGy2hzXDqzvvGI
Tracklist:
First Floor Metaphor
Only The Beginning
Sweet Sticky
Paradise Architects
Love Is War For Miles
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Text
Cat-No:TEXT042LP
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Text
Cat-No:TEXT042LP
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
2025 REPRESS.
2 x LP 180gm Heavyweight Vinyl.
Gatefold Sleeve.
Black Poly-lined Inner.
A1 Angel Echoes 4:00 A2 Love Cry 9:13 B1 Circling 5:15 B2 Pablo's Heart 0:11 B3 Sing 6:48 C1 The Unfolds 7:47 C2 Reversing 2:40 D1 Plastic People 6:33 D2 She Just Likes To Fight 4:34
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2 x LP 180gm Heavyweight Vinyl.
Gatefold Sleeve.
Black Poly-lined Inner.
A1 Angel Echoes 4:00 A2 Love Cry 9:13 B1 Circling 5:15 B2 Pablo's Heart 0:11 B3 Sing 6:48 C1 The Unfolds 7:47 C2 Reversing 2:40 D1 Plastic People 6:33 D2 She Just Likes To Fight 4:34
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Moor Mother - One For Archie
2
Moor Mother - They’ve Got A Plan
12" Vinyl
Track List:
A 1 One For Archie 04:07
Nicole Mitchell: Flute
Nduduzo Makhathini: Piano
Moor Mother: Voice
Written by Moor Mother, Nicole Mitchell & Nduduzo Makhathini
Produced by Nicole Mitchell & Nduduzo Makhathini
Recorded at Enjoy Jazz Festival Germany by Patrick Destandeau
B 1 They’ve Got A Plan 04:55
Moor Mother
Written, composed and produced by Moor Mother
Mastered by Lopazz at Mixmastering
Cover Artwork: Nonot Studio
A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List:
A 1 One For Archie 04:07
Nicole Mitchell: Flute
Nduduzo Makhathini: Piano
Moor Mother: Voice
Written by Moor Mother, Nicole Mitchell & Nduduzo Makhathini
Produced by Nicole Mitchell & Nduduzo Makhathini
Recorded at Enjoy Jazz Festival Germany by Patrick Destandeau
B 1 They’ve Got A Plan 04:55
Moor Mother
Written, composed and produced by Moor Mother
Mastered by Lopazz at Mixmastering
Cover Artwork: Nonot Studio
A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 1x Black 140 Grs Vinyl, 'Dufy' Sleeve with textured card & gold Pms, printed inner sleeve, marketing sticker. Vinyl cut at half-speed.
COLLECTOR VINYL 1LP,
- Restored "second edition" artwork with textured sleeve
- The exact textured card for the outer sleeve has been accurately sourced. Gold PMS finish, printed inner sleeve, marketing sticker.
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- ½ speed master
- Liner notes by The Durutti Column / Factory Records expert James Nice
VINYL EDITION
Side One (all 2025 remasters)
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
Side Two (all 2025 remasters)
1. Untitled
2. Beginning
3. Jazz
4. Sketch for Winter
5. Collette
6. In 'D'
7. Lips That Would Kiss
8. Madeleine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1x Black 140 Grs Vinyl, 'Dufy' Sleeve with textured card & gold Pms, printed inner sleeve, marketing sticker. Vinyl cut at half-speed.
COLLECTOR VINYL 1LP,
- Restored "second edition" artwork with textured sleeve
- The exact textured card for the outer sleeve has been accurately sourced. Gold PMS finish, printed inner sleeve, marketing sticker.
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- ½ speed master
- Liner notes by The Durutti Column / Factory Records expert James Nice
VINYL EDITION
Side One (all 2025 remasters)
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
Side Two (all 2025 remasters)
1. Untitled
2. Beginning
3. Jazz
4. Sketch for Winter
5. Collette
6. In 'D'
7. Lips That Would Kiss
8. Madeleine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Prins Thomas Musikk
Cat-No:PTM012LP
Release-Date:05.12.2025
Genre:Space Disco/House
Configuration:LP Excl
Label:Prins Thomas Musikk
Cat-No:PTM012LP
Release-Date:05.12.2025
Genre:Space Disco/House
Configuration:LP Excl
1
Prins Thomas - A1. Heartbreak
2
Prins Thomas - A2. 1000ML Del 2
3
Prins Thomas - A3. Denpasar Til Bangkok
4
Prins Thomas - B1. Søvnløs
5
Prins Thomas - B2. KLHouse
6
Prins Thomas - B3. 1000ML Del 1
LP, Brand New 2025 Album
Tracklist LP
A1. Heartbreak (6:29)
A2. 1000ML Del 2 (5:54)
A3. Denpasar Til Bangkok (5.57)
B1. Søvnløs (7:00)
B2. KLHouse (8:49)
B3. 1000ML Del 1 (5:27)
After a long hiatus relatively speaking("8" and "9" came out in April 2022) Prins Thomas drops his 10th studio album.
Picking up where the last record ended, it's an introspective but celebratory and uplifting affair. One-man-band jams
turning into mini epics, like coming up for air or seeing the bright lights at the end of a long dark tunnel.
Prins Thomas, October 2025
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist LP
A1. Heartbreak (6:29)
A2. 1000ML Del 2 (5:54)
A3. Denpasar Til Bangkok (5.57)
B1. Søvnløs (7:00)
B2. KLHouse (8:49)
B3. 1000ML Del 1 (5:27)
After a long hiatus relatively speaking("8" and "9" came out in April 2022) Prins Thomas drops his 10th studio album.
Picking up where the last record ended, it's an introspective but celebratory and uplifting affair. One-man-band jams
turning into mini epics, like coming up for air or seeing the bright lights at the end of a long dark tunnel.
Prins Thomas, October 2025
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic, Electronica
Configuration:2CD Excl
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic, Electronica
Configuration:2CD Excl
Rights: World excluding France & UK
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Intro: Temple Of Dos De Agua 01:00
2
Drexciya - Andreaen Sand Dunes 06:15
3
Drexciya - Running Out Of Space 01:54
4
Drexciya - Universal Element 01:55
5
Drexciya - Habitat 'O' Negative 05:16
6
Drexciya - Funk Release Valve 03:06
7
Drexciya - Organic Hydropoly Spores 02:07
8
Drexciya - Draining Of The Tanks 02:43
9
Drexciya - Surface Terrestrial Colonization 06:56
10
Drexciya - Oxyplasmic Gyration Beam 04:17
11
Drexciya - Triangular Hydrogen Strain 03:55
12
Drexciya - Bottom Feeders 03:25
13
Drexciya - C To The Power Of X + C To The Power Of X=MM=Unknown 02:35
2025 Repress
Territories: World excl. UK
FORMAT FORMAT 2LP, 180g vinyl, silverpantone printed sleeve w/ UV spot varnish, incl. download code with digital bonus tracks
Tracklist 2LP:
A1 Intro: Temple Of Dos De Agua 01:00
A2 Andreaen Sand Dunes 06:15
A3 Running Out Of Space 01:54
A4 Universal Element 01:55
B1 Habitat 'O' Negative 05:16
B2 Funk Release Valve 03:06
B3 Organic Hydropoly Spores 02:07
B4 Draining Of The Tanks 02:43
C1 Surface Terrestrial Colonization 06:56
C2 Oxyplasmic Gyration Beam 04:17
D1 Triangular Hydrogen Strain 03:55
D2 Bottom Feeders 03:25
D3 C To The Power Of X + C To The Power Of X=MM=Unknown 02:35
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
The series starts with Neptune's Lair, first released in 1999, with the Hydro Doorways single arriving shortly after. In November, Harnessed The Storm and Digital Tsunami are coming. In 2023 comes the release of Transllusion in February. The series is completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World excl. UK
FORMAT FORMAT 2LP, 180g vinyl, silverpantone printed sleeve w/ UV spot varnish, incl. download code with digital bonus tracks
Tracklist 2LP:
A1 Intro: Temple Of Dos De Agua 01:00
A2 Andreaen Sand Dunes 06:15
A3 Running Out Of Space 01:54
A4 Universal Element 01:55
B1 Habitat 'O' Negative 05:16
B2 Funk Release Valve 03:06
B3 Organic Hydropoly Spores 02:07
B4 Draining Of The Tanks 02:43
C1 Surface Terrestrial Colonization 06:56
C2 Oxyplasmic Gyration Beam 04:17
D1 Triangular Hydrogen Strain 03:55
D2 Bottom Feeders 03:25
D3 C To The Power Of X + C To The Power Of X=MM=Unknown 02:35
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
The series starts with Neptune's Lair, first released in 1999, with the Hydro Doorways single arriving shortly after. In November, Harnessed The Storm and Digital Tsunami are coming. In 2023 comes the release of Transllusion in February. The series is completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 2 x CD, harcover sleeve (like a book) with textured card , dimensions 14,7 cm x 19,6 cm, 48 page booklet , marketing sticker.
OVERVIEW
Alongside Joy Division, The Durutti Column were amongst the first artists to be released by Factory Records. Their debut album, produced by Martin Hannett, showcased the filigree guitar work of Vini Reilly, awash with reverb and early experiments with synthesisers. It would be a first album of a five-decade career, in which The Durutti Column would quietly emerge as one of the most influential acts from the Manchester scene and beyond.
"Essential." The Quietus
"..the most distinctive LP in the Factory canon" Record Collector ?????
"..a perfect meeting of the minds" BBC
".. a quietly stunning debut" All Music ????1/2
To celebrate the album's 45th anniversary, London Records revisits the album with new editions, with audio sourced and remastered from the original tapes, with vinyl cut at ½ speed.
DELUXE DOUBLE CD SET
- 33 tracks
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- 2 Discs including original album, bonus tracks, home and studio demos, and early live tracks. Features two home demos exclusive to this format.
- Housed in a special hardback tall storybook edition (dimensions 147mm (w) x 196mm (h)). 48p page booklet.
- Restored 1985 "cassette edition" artwork with textured "tall book" sleeve
- The exact textured card for the outer sleeve has been accurately sourced.
- 3 essays by The Durutti Column / Factory Records expert James Nice, Primal Scream's Bobby Gillespie and MOJO editor Ian Harrison.
TRACKLISTING:
DOUBLE CD EDITION
CD1
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
5. Untitled
6. Beginning
7. Jazz
8. Sketch for Winter
9. Collette
10. In 'D'
11. Lips That Would Kiss
12. Madeleine
CD2
1. No Communication
2. Thin Ice
3. Won't Look Out (Gammer and His Familiars ft. Vini Reilly)
4. Intervals (Home Recording -1978)
5. Katharine (Home Recording -1978)
6. Untitled (Home Recording -1978)
7. Conduct (Home Recording -1978)
8. I'm a Face (Studio Demo - 1980)
9. Sketch for Summer (Studio Demo - 1980)
10. Requiem for a Father ((Studio Demo - 1980)
11. Madeleine (Studio Demo - 1980)
12. Katharine (Studio Demo - 1980)
13. Lindsay (Studio Demo - 1980)
14. For Belgian Friends (Studio Demo - 1980)
15. Detail for Annik (Live - Leeds Polytechnic 1980)
16. Sketch for Summer (Live - Leeds Polytechnic 1980)
17. Requiem for a Father (Live - Leeds Polytechnic 1980)
18. Conduct (Live - Brussels 1981)
19. Self Portrait (Live - Brussels 1981)
20. For Belgian Friends (Live - Brussels 1981)
21. Sketch for Summer (Live - Brussels 1981)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 2 x CD, harcover sleeve (like a book) with textured card , dimensions 14,7 cm x 19,6 cm, 48 page booklet , marketing sticker.
OVERVIEW
Alongside Joy Division, The Durutti Column were amongst the first artists to be released by Factory Records. Their debut album, produced by Martin Hannett, showcased the filigree guitar work of Vini Reilly, awash with reverb and early experiments with synthesisers. It would be a first album of a five-decade career, in which The Durutti Column would quietly emerge as one of the most influential acts from the Manchester scene and beyond.
"Essential." The Quietus
"..the most distinctive LP in the Factory canon" Record Collector ?????
"..a perfect meeting of the minds" BBC
".. a quietly stunning debut" All Music ????1/2
To celebrate the album's 45th anniversary, London Records revisits the album with new editions, with audio sourced and remastered from the original tapes, with vinyl cut at ½ speed.
DELUXE DOUBLE CD SET
- 33 tracks
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- 2 Discs including original album, bonus tracks, home and studio demos, and early live tracks. Features two home demos exclusive to this format.
- Housed in a special hardback tall storybook edition (dimensions 147mm (w) x 196mm (h)). 48p page booklet.
- Restored 1985 "cassette edition" artwork with textured "tall book" sleeve
- The exact textured card for the outer sleeve has been accurately sourced.
- 3 essays by The Durutti Column / Factory Records expert James Nice, Primal Scream's Bobby Gillespie and MOJO editor Ian Harrison.
TRACKLISTING:
DOUBLE CD EDITION
CD1
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
5. Untitled
6. Beginning
7. Jazz
8. Sketch for Winter
9. Collette
10. In 'D'
11. Lips That Would Kiss
12. Madeleine
CD2
1. No Communication
2. Thin Ice
3. Won't Look Out (Gammer and His Familiars ft. Vini Reilly)
4. Intervals (Home Recording -1978)
5. Katharine (Home Recording -1978)
6. Untitled (Home Recording -1978)
7. Conduct (Home Recording -1978)
8. I'm a Face (Studio Demo - 1980)
9. Sketch for Summer (Studio Demo - 1980)
10. Requiem for a Father ((Studio Demo - 1980)
11. Madeleine (Studio Demo - 1980)
12. Katharine (Studio Demo - 1980)
13. Lindsay (Studio Demo - 1980)
14. For Belgian Friends (Studio Demo - 1980)
15. Detail for Annik (Live - Leeds Polytechnic 1980)
16. Sketch for Summer (Live - Leeds Polytechnic 1980)
17. Requiem for a Father (Live - Leeds Polytechnic 1980)
18. Conduct (Live - Brussels 1981)
19. Self Portrait (Live - Brussels 1981)
20. For Belgian Friends (Live - Brussels 1981)
21. Sketch for Summer (Live - Brussels 1981)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Fusion Flats (Octave One Remix)
2
Drexciya - Fusion Flats (Original)
3
Drexciya - Fusion Flats (Kaotic Spacial Rhythms Remix)
4
Drexciya - Fusion Flats (043 Chaos Remix)
Territories: WORLD EXCLUDING UK
TRACKLIST
1. / A1 Fusion Flats (Octave One Remix) 07:12
2. / A2 Fusion Flats (Original) 02:46
3. / B1 Fusion Flats (Kaotic Spacial Rhythms Remix) 05:46
4. / B2 Fusion Flats (043 Chaos Remix) 05:09
Info
Tresor Records announces the first-ever reissue of Drexciya’s Fusion Flats 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos.
Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series.
25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. / A1 Fusion Flats (Octave One Remix) 07:12
2. / A2 Fusion Flats (Original) 02:46
3. / B1 Fusion Flats (Kaotic Spacial Rhythms Remix) 05:46
4. / B2 Fusion Flats (043 Chaos Remix) 05:09
Info
Tresor Records announces the first-ever reissue of Drexciya’s Fusion Flats 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos.
Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series.
25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Quantum Hydrodynamics 01:16
2
Drexciya - Polymono Plexusgel 03:08
3
Drexciya - Lost Vessel 05:52
4
Drexciya - Species Of The Pod 03:53
5
Drexciya - Drifting Into A Time Of No Future 03:33
6
Drexciya - Devil Ray Cove 02:49
2025 Repress
Territories: World excl. UK
FORMAT 12" 180g vinyl
TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World excl. UK
FORMAT 12" 180g vinyl
TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More