1
Moor Mother - One For Archie
2
Moor Mother - They’ve Got A Plan
12" Vinyl
Track List:
A 1 One For Archie 04:07
Nicole Mitchell: Flute
Nduduzo Makhathini: Piano
Moor Mother: Voice
Written by Moor Mother, Nicole Mitchell & Nduduzo Makhathini
Produced by Nicole Mitchell & Nduduzo Makhathini
Recorded at Enjoy Jazz Festival Germany by Patrick Destandeau
B 1 They’ve Got A Plan 04:55
Moor Mother
Written, composed and produced by Moor Mother
Mastered by Lopazz at Mixmastering
Cover Artwork: Nonot Studio
A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List:
A 1 One For Archie 04:07
Nicole Mitchell: Flute
Nduduzo Makhathini: Piano
Moor Mother: Voice
Written by Moor Mother, Nicole Mitchell & Nduduzo Makhathini
Produced by Nicole Mitchell & Nduduzo Makhathini
Recorded at Enjoy Jazz Festival Germany by Patrick Destandeau
B 1 They’ve Got A Plan 04:55
Moor Mother
Written, composed and produced by Moor Mother
Mastered by Lopazz at Mixmastering
Cover Artwork: Nonot Studio
A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Moor Mother
Label:vinyl factory
Cat-No:vf260
Release-Date:24.05.2017
Genre:Electronic, Electronica
Configuration:12"
Label:vinyl factory
Cat-No:vf260
Release-Date:24.05.2017
Genre:Electronic, Electronica
Configuration:12"
The Motionless Present is a collection of unreleased poems and soundscapes by the Philadelphia-based artist and activist Camae Ayewa, who performs as Moor Mother. Reverberating and rumbling through the thoracic cavity, few records spoke to the contemporary black American experience quite like Moor Mother’s 2016 protest album Fetish Bones. Her first new material since that visceral and political work,The Motionless Present is a statement towards understanding the disconnect between humanity and injustice. The release features various new collaborations and previews of upcoming projects: Black Quantum Futurism, Moor Jewelry, Mental Jewelry, 700 Bliss and more. The Motionless Present was created in collaboration with The Vinyl Factory ahead of Moor Mother’s CTM festival performance at Berghain. Artwork designed by BCMH using the collage artwork of Grassi.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Enjoy Jazz Records
1
Green Dolphin Orchestra - Part I
2
Green Dolphin Orchestra - Part II
3
Green Dolphin Orchestra - Part III
4
Green Dolphin Orchestra - Part IV
5
Green Dolphin Orchestra - Part V
6
Green Dolphin Orchestra - Part VI
7
Green Dolphin Orchestra - Part VII
8
Green Dolphin Orchestra - Part VIII
Vinyl Edition plus Download Code
Track List
A Side
Parts I-IV
B Side
Parts V-VIII
In the midst of the pandemic, Enjoy Jazz Festival has developed a musical project whose members will be recruited new every year and then debut at a concert on UNESCO International Jazz Day, April 30. The members come from the jazz scene of the German state of Baden-Württemberg. "We wanted," festival director Rainer Kern stresses, "not only to revitalize the fragile network of outstanding creative minds, but also to rethink it artistically as a rolling system." Two experienced and renowned band leaders, Alexandra Lehmler and Erwin Ditzner, now curate an annually changing ensemble of outstanding artists of the most diverse provenance. As part of a voluntary commitment, the ensemble is to be organized in a sustainable, diverse, and, in three years at the latest, completely gender-equal
and climate-fair manner. Thus, as a commitment to the goals of the "European/Local Green Deal" (and with reference to the jazz standard "On Green Dolphin Street"), the name Green Dolphin Orchestra was created. Another special feature: The renowned Oriental Music Academy Mannheim (OMM), a long-standing partner of the Enjoy Jazz Festival, receives a white card, so that musicians with a migration background or protagonists from other musical cultures are always part of this "orchestra of many" and constantly expand its sound language.
The project has a free improvisation approach with changing personnel. "We actually even thought of drawing lots for the different formats within the band pool," explains saxophonist Alexandra Lehmler. "We decided against it in the case of the first concert and instead put together curated formations." And drummer Erwin Ditzner adds, "In principle, however, this procedure remains an option." It was important to the two of them to also mix the genres represented by the individual musicians in such a way that free space for something truly new could emerge. "We wanted to challenge ourselves," Lehmler sums it up. The only restriction: a time code was assigned to each sub-project. "Each formation was given a time limit, although it was possible to virtually override this limit by spontaneous
reshuffling," says Ditzner, explaining one central of the few rules. "In concrete terms, this meant that after eight minutes, the improvisation in progress was either ended or new musicians simply joined in the ongoing creative process, while others took themselves out of the game."
Alexandra Lehmler summarizes the artistic impact of the ensemble as follows: "We really cross-fertilize each other. In order to push this process even further, we forced ourselves when putting together the ensemble not to fall back on our 'favorite playing partners', i.e. musicians with whom one feels particularly at home. In other words, we consciously wanted to step out of our comfort zone with this project." The present pieces were recorded live in Heidelberg during the ensemble's premiere concert on the occasion of International Jazz Day on April 30, 2022.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List
A Side
Parts I-IV
B Side
Parts V-VIII
In the midst of the pandemic, Enjoy Jazz Festival has developed a musical project whose members will be recruited new every year and then debut at a concert on UNESCO International Jazz Day, April 30. The members come from the jazz scene of the German state of Baden-Württemberg. "We wanted," festival director Rainer Kern stresses, "not only to revitalize the fragile network of outstanding creative minds, but also to rethink it artistically as a rolling system." Two experienced and renowned band leaders, Alexandra Lehmler and Erwin Ditzner, now curate an annually changing ensemble of outstanding artists of the most diverse provenance. As part of a voluntary commitment, the ensemble is to be organized in a sustainable, diverse, and, in three years at the latest, completely gender-equal
and climate-fair manner. Thus, as a commitment to the goals of the "European/Local Green Deal" (and with reference to the jazz standard "On Green Dolphin Street"), the name Green Dolphin Orchestra was created. Another special feature: The renowned Oriental Music Academy Mannheim (OMM), a long-standing partner of the Enjoy Jazz Festival, receives a white card, so that musicians with a migration background or protagonists from other musical cultures are always part of this "orchestra of many" and constantly expand its sound language.
The project has a free improvisation approach with changing personnel. "We actually even thought of drawing lots for the different formats within the band pool," explains saxophonist Alexandra Lehmler. "We decided against it in the case of the first concert and instead put together curated formations." And drummer Erwin Ditzner adds, "In principle, however, this procedure remains an option." It was important to the two of them to also mix the genres represented by the individual musicians in such a way that free space for something truly new could emerge. "We wanted to challenge ourselves," Lehmler sums it up. The only restriction: a time code was assigned to each sub-project. "Each formation was given a time limit, although it was possible to virtually override this limit by spontaneous
reshuffling," says Ditzner, explaining one central of the few rules. "In concrete terms, this meant that after eight minutes, the improvisation in progress was either ended or new musicians simply joined in the ongoing creative process, while others took themselves out of the game."
Alexandra Lehmler summarizes the artistic impact of the ensemble as follows: "We really cross-fertilize each other. In order to push this process even further, we forced ourselves when putting together the ensemble not to fall back on our 'favorite playing partners', i.e. musicians with whom one feels particularly at home. In other words, we consciously wanted to step out of our comfort zone with this project." The present pieces were recorded live in Heidelberg during the ensemble's premiere concert on the occasion of International Jazz Day on April 30, 2022.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jutta Glaser & Claus Boesser-Ferrari - The Sea was Alone (06:27)
2
Jutta Glaser & Claus Boesser-Ferrari - Two Suns That Morning (03:52)
3
Jutta Glaser & Claus Boesser-Ferrari - Return & Crossing (05:05)
4
Jutta Glaser & Claus Boesser-Ferrari - The Princess of Yesteryears (01:29)
5
Jutta Glaser & Claus Boesser-Ferrari - The Sun Darkened (04:40)
6
Jutta Glaser & Claus Boesser-Ferrari - Mount Tamalpais (04:06)
7
Jutta Glaser & Claus Boesser-Ferrari - A Song On Earth (04:14)
8
Jutta Glaser & Claus Boesser-Ferrari - Like A Country Bell (03:21)
9
Jutta Glaser & Claus Boesser-Ferrari - I’m A Bird (02:33)
10
Jutta Glaser & Claus Boesser-Ferrari - Love Is A Forest (01:49)
11
Jutta Glaser & Claus Boesser-Ferrari - Sometimes Big Trees (05:34)
12
Jutta Glaser & Claus Boesser-Ferrari - There’s No Road - Keep Going (01:33)
CD
Track List
1. The Sea was Alone 06:27
2. Two Suns That Morning 03:52
3. Return & Crossing 05:05
4. The Princess of Yesteryears 01:29
5. The Sun Darkened 04:40
6. Mount Tamalpais 04:06
7. A Song On Earth 04:14
8. Like A Country Bell 03:21
9. I’m A Bird 02:33
10. Love Is A Forest 01:49
11. Sometimes Big Trees 05:34
12. There’s No Road - Keep Going 01:33
Info:
They have been working together again and again for more than 20 years and have constantly explored the boundaries of their instructions and not infrequently even expanded them: singer Jutta Glaser and guitarist Claus Boesser-Ferrari. Their current project "Return & Crossing" is a tribute to the Lebanese-American painter, film artist and poet Etel Adnan. An artist of multiple talents, Adnan has exhibited at documenta (13) in 2012 and elsewhere, but has also received several prestigious literary awards. "Her poetry is a kind of sound language for me. It's actually music," Boesser-Ferrari finds. "But you wouldn't do it justice with the usual song structures. And that was exactly our challenge."
So Jutta Glaser and Claus Boesser-Ferrari have opened their music wide to Adnan's poems. In doing so, they have not simply deconstructed their compositions, but, on the contrary, restructured them in a way that floats in the flow of the language, that is, in a peculiarly fluid way. They have deliberately worked in a more sound-painting manner in order to take up the aspect of multiple talents or Etel Adnan's interdisciplinary approach and mirror it in a corresponding art form. "We have been," explains guitarist Boesser-Ferrari, "basically improvising composition. The CD recordings are like a kind of essence in this, but in concerts they always develop in new and different ways, artistically and atmospherically." Just as Adnan's poetry is always read in a new and different way, so is this music, which is so changeable in itself.
Jutta Glaser's singing is a sometimes tender and fragile, sometimes highly expressive, but always respectfully bow to Adnan's texts. Glaser transfers them as virtuously as sensitively into congenial improvisations and alienations, without overstretching the natural richness of the texts' relationships. "Adnan's poetry is, after all, first of all a very high and pure art. To come into contact with it as a singer and to take the freedom to experiment and allow irritation at times, in other words, to work in a way that is both counterpoint and appreciative at the same time, was a very exciting experience."
Claus Boesser-Ferrari, supported by cleverly used electronics, functions here not as an accompanist, but as a second voice in a dialogue of different artistic means and formal languages. The guitarist moves in his usual stylistically confident manner between lyrical sound surfaces, percussive pointing and expressive outbursts.
"Return & Crossing" is a multi-layered dramaturgical production, which not only elaborates the high musicality of Adnan's language, organized in diffuse-open spaces, with love and meticulousness, but also makes it sound as multi-layered as it is rousing.
These recordings thus preserve not least the legacy of the great artist Etel Adnan, who died in Paris in 2021 at the age of 96. For these 12 new pieces are not simply songs, but contributions to the understanding of art.
Jutta Glaser: vocals
Claus Boesser-Ferrari: guitar, electronics
All songs composed by Boesser-Ferrari/Glaser,
except : “The Sea was Alone…” by Bisha/Boesser-Ferrari
All poems by Etel Adnan
Recorded 13.7.2022 & 19.8.2022 at Adax Dörsam Studio, Rimbach
Cover Artwork: Jutta Glaser
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List
1. The Sea was Alone 06:27
2. Two Suns That Morning 03:52
3. Return & Crossing 05:05
4. The Princess of Yesteryears 01:29
5. The Sun Darkened 04:40
6. Mount Tamalpais 04:06
7. A Song On Earth 04:14
8. Like A Country Bell 03:21
9. I’m A Bird 02:33
10. Love Is A Forest 01:49
11. Sometimes Big Trees 05:34
12. There’s No Road - Keep Going 01:33
Info:
They have been working together again and again for more than 20 years and have constantly explored the boundaries of their instructions and not infrequently even expanded them: singer Jutta Glaser and guitarist Claus Boesser-Ferrari. Their current project "Return & Crossing" is a tribute to the Lebanese-American painter, film artist and poet Etel Adnan. An artist of multiple talents, Adnan has exhibited at documenta (13) in 2012 and elsewhere, but has also received several prestigious literary awards. "Her poetry is a kind of sound language for me. It's actually music," Boesser-Ferrari finds. "But you wouldn't do it justice with the usual song structures. And that was exactly our challenge."
So Jutta Glaser and Claus Boesser-Ferrari have opened their music wide to Adnan's poems. In doing so, they have not simply deconstructed their compositions, but, on the contrary, restructured them in a way that floats in the flow of the language, that is, in a peculiarly fluid way. They have deliberately worked in a more sound-painting manner in order to take up the aspect of multiple talents or Etel Adnan's interdisciplinary approach and mirror it in a corresponding art form. "We have been," explains guitarist Boesser-Ferrari, "basically improvising composition. The CD recordings are like a kind of essence in this, but in concerts they always develop in new and different ways, artistically and atmospherically." Just as Adnan's poetry is always read in a new and different way, so is this music, which is so changeable in itself.
Jutta Glaser's singing is a sometimes tender and fragile, sometimes highly expressive, but always respectfully bow to Adnan's texts. Glaser transfers them as virtuously as sensitively into congenial improvisations and alienations, without overstretching the natural richness of the texts' relationships. "Adnan's poetry is, after all, first of all a very high and pure art. To come into contact with it as a singer and to take the freedom to experiment and allow irritation at times, in other words, to work in a way that is both counterpoint and appreciative at the same time, was a very exciting experience."
Claus Boesser-Ferrari, supported by cleverly used electronics, functions here not as an accompanist, but as a second voice in a dialogue of different artistic means and formal languages. The guitarist moves in his usual stylistically confident manner between lyrical sound surfaces, percussive pointing and expressive outbursts.
"Return & Crossing" is a multi-layered dramaturgical production, which not only elaborates the high musicality of Adnan's language, organized in diffuse-open spaces, with love and meticulousness, but also makes it sound as multi-layered as it is rousing.
These recordings thus preserve not least the legacy of the great artist Etel Adnan, who died in Paris in 2021 at the age of 96. For these 12 new pieces are not simply songs, but contributions to the understanding of art.
Jutta Glaser: vocals
Claus Boesser-Ferrari: guitar, electronics
All songs composed by Boesser-Ferrari/Glaser,
except : “The Sea was Alone…” by Bisha/Boesser-Ferrari
All poems by Etel Adnan
Recorded 13.7.2022 & 19.8.2022 at Adax Dörsam Studio, Rimbach
Cover Artwork: Jutta Glaser
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Yuriy Gurzhy - Vivian Kanner – An allem sind (immer noch) die Juden schuld
2
Yuriy Gurzhy - Geoff Berner – Half-German Girlfriend
3
Yuriy Gurzhy - Daniel Kahn & The Painted Bird – Six Million Germans
4
Yuriy Gurzhy - You Shouldn´t Know From It – Tants, Tants
5
Yuriy Gurzhy - Jewrhythmics – Kinder Yoren
6
Yuriy Gurzhy - Paul Brody´s Sadawi – Mighty Max
7
Yuriy Gurzhy - Solomon & Socalled – Alt. Shul Kale Bazetsn
8
Yuriy Gurzhy - Fayvish – Yeder Yesh
9
Yuriy Gurzhy - Jewdyssee – Beltz, mayn shtetele
10
Yuriy Gurzhy - RotFront – Girl from Bayreuth
11
Yuriy Gurzhy - Forshpil – Meydl in di yorn
12
Yuriy Gurzhy - Jewish Monkeys – All the great things
13
Yuriy Gurzhy - KlezCore – Pferdeporno
14
Yuriy Gurzhy - The Disorientalists – Prince of the Orient
15
Yuriy Gurzhy - Andrea Pancur – Isar
16
Yuriy Gurzhy - Yahoodi – Crazy Ass Jew
17
Yuriy Gurzhy - Frank London´s Klezmer Brass Allstars – Oysgemischt
18
Yuriy Gurzhy - Shazalakazoo/Edi Partizani – Hava Nagila
CD
Earlier this year, Yuriy Gurzhy, former DJ of the legendary "Russendisko" and co-founder of the
multilingual Berlin band RotFront, presented his first book: a fascinating interview volume compiled
in a kind of sampling aesthetic on the subject of "Richard Wagner & and the Klezmer Band. In Search
of the New Jewish Sound in Germany" (Ariella Verlag). The idea for it arose in a conversation
between Gurzhy and Rainer Kern, the director of the Enjoy Jazz Festival. The book quickly attracted
keen interest far beyond the feuilletons. "Suddenly readers were complaining to me that reading it
had made them very keen to hear the music, but they couldn't hear it. What they wanted, and I
thought it was actually quite logical, was a soundtrack to the book."
And that very soundtrack is now available. Yuriy Gurzhy, as a DJ a specialist in the field of compiling,
has knowledgeably selected all the pieces himself. "It was important to me that the music could be
listened to with pleasure even without having read the book. It's a good eclectic mix, ranging from
folk to hip-hop. In the end, however, it will be in many cases that the music will make you want to
listen to the book and vice versa. The two dimensions complement each other perfectly." The 18-
track CD is also the first release from Enjoy Jazz Records, the new "festival label for jazz and more."
At first glance, it may seem irritating that Gurzhy mentions the avowed anti-Semite Richard Wagner
and klezmer, i.e. Jewish folk music, in the same sentence. In the "Jüdische Allgemeine" Gurzhy
answered the question why he included the German composer in the title of his book: "This is just
my little revenge on Wagner, because his anti-Semitism is also a cliché. And for many musicians and
music listeners, klezmer is also a cliché and a synonym for Jewish music, although there is much more
to it than that."
Against this background, by the way, Gurzhy himself provides one of the highlights of the album. For
in the RotFront song "Girl from Bayreuth" he bilingually tells the absurdly convoluted story of how a
man falls unrequitedly in love with a blond German violinist during a Wagner concert in Tel Aviv and
from then on incessantly maltreats his neighbor through the thin walls with a mixture of crying fits
and Wagner music. In addition, there is a wonderfully ironic side-splitting by Geoff Berner,
performed in a children's song ductus ("Half-German Girlfriend"), a Balkanese brass version of the
folk song "Hava Nagila" by Shazalakazoo/Edi Partizani or the organ-soaked rock of Forshpil ("Meydl in
di yorn"), of course with guitar solo.
Both the CD and the book deliberately refuse to give a clear definition of what Jewish music actually
is. But it is precisely from this careful distance to encyclopedic delimitation that an open and exciting
musical discourse emerges. For Gurzhy himself, by the way, Jewish music was first and foremost "the
music that my grandfather played to me on his record player when I was a child in Kharkiv". Since
those days, the Ukrainian-born musician, who has lived in Berlin for almost 30 years, has said: "Music
is a home." And with a wink he adds, "With music it's probably like with love. You can analyze for a
very long time why you feel so comfortable with a person, but to really explain it is difficult."
Yuriy Gurzhy sums up the meaning of this music for himself as follows: "It's the soundtrack to the
search for one's Jewish identity." Because, Gurzhy says, "For me, questions like 'What does it
fundamentally mean to be Jewish?' but also 'What does it mean to be Jewish in 21st century
Germany?' are always connected to music." Thus, this music curated by Gurzhy has at least one
common denominator. Specific musical as well as extra-musical Jewish experiences are collected in it
- in great diversity and filled with the artistic power to permanently renew itself.
Yuriy Gurzhy is available for interviews. Appointment at [email protected]
Track List
1. Vivian Kanner – An allem sind (immer noch) die Juden schuld
2. Geoff Berner – Half-German Girlfriend
3. Daniel Kahn & The Painted Bird – Six Million Germans
4. You Shouldn´t Know From It – Tants, Tants
5. Jewrhythmics – Kinder Yoren
6. Paul Brody´s Sadawi – Mighty Max
7. Solomon & Socalled – Alt. Shul Kale Bazetsn
8. Fayvish – Yeder Yesh
9. Jewdyssee – Beltz, mayn shtetele
10. RotFront – Girl from Bayreuth
11. Forshpil – Meydl in di yorn
12. Jewish Monkeys – All the great things
13. KlezCore – Pferdeporno
14. The Disorientalists – Prince of the Orient
15. Andrea Pancur – Isar
16. Yahoodi – Crazy Ass Jew
17. Frank London´s Klezmer Brass Allstars – Oysgemischt
18. Shazalakazoo/Edi Partizani – Hava Nagila
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Earlier this year, Yuriy Gurzhy, former DJ of the legendary "Russendisko" and co-founder of the
multilingual Berlin band RotFront, presented his first book: a fascinating interview volume compiled
in a kind of sampling aesthetic on the subject of "Richard Wagner & and the Klezmer Band. In Search
of the New Jewish Sound in Germany" (Ariella Verlag). The idea for it arose in a conversation
between Gurzhy and Rainer Kern, the director of the Enjoy Jazz Festival. The book quickly attracted
keen interest far beyond the feuilletons. "Suddenly readers were complaining to me that reading it
had made them very keen to hear the music, but they couldn't hear it. What they wanted, and I
thought it was actually quite logical, was a soundtrack to the book."
And that very soundtrack is now available. Yuriy Gurzhy, as a DJ a specialist in the field of compiling,
has knowledgeably selected all the pieces himself. "It was important to me that the music could be
listened to with pleasure even without having read the book. It's a good eclectic mix, ranging from
folk to hip-hop. In the end, however, it will be in many cases that the music will make you want to
listen to the book and vice versa. The two dimensions complement each other perfectly." The 18-
track CD is also the first release from Enjoy Jazz Records, the new "festival label for jazz and more."
At first glance, it may seem irritating that Gurzhy mentions the avowed anti-Semite Richard Wagner
and klezmer, i.e. Jewish folk music, in the same sentence. In the "Jüdische Allgemeine" Gurzhy
answered the question why he included the German composer in the title of his book: "This is just
my little revenge on Wagner, because his anti-Semitism is also a cliché. And for many musicians and
music listeners, klezmer is also a cliché and a synonym for Jewish music, although there is much more
to it than that."
Against this background, by the way, Gurzhy himself provides one of the highlights of the album. For
in the RotFront song "Girl from Bayreuth" he bilingually tells the absurdly convoluted story of how a
man falls unrequitedly in love with a blond German violinist during a Wagner concert in Tel Aviv and
from then on incessantly maltreats his neighbor through the thin walls with a mixture of crying fits
and Wagner music. In addition, there is a wonderfully ironic side-splitting by Geoff Berner,
performed in a children's song ductus ("Half-German Girlfriend"), a Balkanese brass version of the
folk song "Hava Nagila" by Shazalakazoo/Edi Partizani or the organ-soaked rock of Forshpil ("Meydl in
di yorn"), of course with guitar solo.
Both the CD and the book deliberately refuse to give a clear definition of what Jewish music actually
is. But it is precisely from this careful distance to encyclopedic delimitation that an open and exciting
musical discourse emerges. For Gurzhy himself, by the way, Jewish music was first and foremost "the
music that my grandfather played to me on his record player when I was a child in Kharkiv". Since
those days, the Ukrainian-born musician, who has lived in Berlin for almost 30 years, has said: "Music
is a home." And with a wink he adds, "With music it's probably like with love. You can analyze for a
very long time why you feel so comfortable with a person, but to really explain it is difficult."
Yuriy Gurzhy sums up the meaning of this music for himself as follows: "It's the soundtrack to the
search for one's Jewish identity." Because, Gurzhy says, "For me, questions like 'What does it
fundamentally mean to be Jewish?' but also 'What does it mean to be Jewish in 21st century
Germany?' are always connected to music." Thus, this music curated by Gurzhy has at least one
common denominator. Specific musical as well as extra-musical Jewish experiences are collected in it
- in great diversity and filled with the artistic power to permanently renew itself.
Yuriy Gurzhy is available for interviews. Appointment at [email protected]
Track List
1. Vivian Kanner – An allem sind (immer noch) die Juden schuld
2. Geoff Berner – Half-German Girlfriend
3. Daniel Kahn & The Painted Bird – Six Million Germans
4. You Shouldn´t Know From It – Tants, Tants
5. Jewrhythmics – Kinder Yoren
6. Paul Brody´s Sadawi – Mighty Max
7. Solomon & Socalled – Alt. Shul Kale Bazetsn
8. Fayvish – Yeder Yesh
9. Jewdyssee – Beltz, mayn shtetele
10. RotFront – Girl from Bayreuth
11. Forshpil – Meydl in di yorn
12. Jewish Monkeys – All the great things
13. KlezCore – Pferdeporno
14. The Disorientalists – Prince of the Orient
15. Andrea Pancur – Isar
16. Yahoodi – Crazy Ass Jew
17. Frank London´s Klezmer Brass Allstars – Oysgemischt
18. Shazalakazoo/Edi Partizani – Hava Nagila
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DE - 22113 Hamburg
Germany
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musclecars & Toribio - A1. That’s My Story (Featuring Roland Clark)
2
musclecars & Toribio - A2. That’s My Story (Breakthrough Dub)
3
musclecars & Toribio - B1. Be Honest
4
musclecars & Toribio - B2. Agua de Florida
Two jewels in the crown of the soulful electronic music scene in NYC unite for a spellbinding EP on Rhythm Section International. ”Full Circle” is a brand new body of work from Musclecars & Toribio.
To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!
The record kicks off with a soulful house behemoth, “ That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell , Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.
‘
Be Honest’ maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.
Agua De Florida serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!
The record kicks off with a soulful house behemoth, “ That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell , Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.
‘
Be Honest’ maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.
Agua De Florida serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
EX GENERATION - More Saiyaan
2
EX GENERATION - Aao Naa
3
EX GENERATION - Jung Chid Hai
4
EX GENERATION - Pancha Bhuta (The Five Elements)
5
EX GENERATION - Shringara
6
EX GENERATION - Lady of the Lake
7
EX GENERATION - Bandra Hustle
8
EX GENERATION - Dunes of Thar
9
EX GENERATION - Sochti Hun, O Mere Jaanam (Thinking of You)
Moody and Zeitgeist have had the utmost privilege to bring onboard a team of some of the most accomplished musicians/wordsmiths India has to offer for this album. Working out of Island City Studios in Khar West, Mumbai, the duo assembled a team of musicians including acclaimed and awarded vocalists Vinay Sugatha Ramadasan and Anuja Zokarkar. The pair bring a lyrical depth to the music informed by millennia of North-Indian classical poetry and melody. Metaphor and imagery is intermingled with EX GENERATION's unapologetic rhythm and production style to form something that is profound and complex, whilst also accessible and innate in the way it confronts the listener.
VITAL SALES POINTS:
-The Mumbai Exchange was fully recorded and produced in the heart of Mumbai with local talents
-First opus of the project the Napoli Exchange received support from Coco Maria, Gilles Peterson, …
SIDE A
A1. More Saiyaan
A2. Aao Naa
A3. Jung Chid Hai
A4. Pancha Bhuta (The Five Elements)
SIDE B
B1. Shringara
B2. Lady of the Lake
B3. Bandra Hustle
B4. Dunes of Thar
B5. Sochti Hun, O Mere Jaanam (Thinking of You)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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VITAL SALES POINTS:
-The Mumbai Exchange was fully recorded and produced in the heart of Mumbai with local talents
-First opus of the project the Napoli Exchange received support from Coco Maria, Gilles Peterson, …
SIDE A
A1. More Saiyaan
A2. Aao Naa
A3. Jung Chid Hai
A4. Pancha Bhuta (The Five Elements)
SIDE B
B1. Shringara
B2. Lady of the Lake
B3. Bandra Hustle
B4. Dunes of Thar
B5. Sochti Hun, O Mere Jaanam (Thinking of You)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Cat-No:RWR02LP
Release-Date:19.09.2025
Configuration:LP Excl
Cat-No:RWR02LP
Release-Date:19.09.2025
Configuration:LP Excl
1
Fruit Distro Collective - A1: Infusion
2
Fruit Distro Collective - A2: Spending Time
3
Fruit Distro Collective - A3: Being Here
4
Fruit Distro Collective - A4: When Birds Whistle
5
Fruit Distro Collective - B1: NOVA Pt. 1
6
Fruit Distro Collective - B2: NOVA Pt. 2
7
Fruit Distro Collective - B3: This One's For Jamie
LP
2. GENRE/S: Jazz / Ambient / Funk / Easy Listening
3. TRACKLISTS:
A1: Infusion
A2: Spending Time
A3: Being Here
A4: When Birds Whistle
B1: NOVA Pt. 1
B2: NOVA Pt. 2
B3: This One's For Jamie
4. SHORT INFO:
JUST. LIFE. is FDC's second endeavour after their 2022 debut 'Some Kind Of Wisdom'. The A-side draws inspiration from everyday life. Things that are often overlooked. Birds whistling. Just being somewhere spending time together. Whereas the first 4 tracks open up a can of playful jazz the B-side explores more heavy conceptualizations. Birth and love for a child & the passing of a friend. Life and death. The cyclicity of it all.
Fruit Distro Collective is a project by long-time friends Boris van der Hoff & Tristan Coco. Raised on boombap beats, schooled through Jazz composition and inspired by Afro & Latin styles. Pour some reel-to-reel tape sauce over it et voilá.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Jazz / Ambient / Funk / Easy Listening
3. TRACKLISTS:
A1: Infusion
A2: Spending Time
A3: Being Here
A4: When Birds Whistle
B1: NOVA Pt. 1
B2: NOVA Pt. 2
B3: This One's For Jamie
4. SHORT INFO:
JUST. LIFE. is FDC's second endeavour after their 2022 debut 'Some Kind Of Wisdom'. The A-side draws inspiration from everyday life. Things that are often overlooked. Birds whistling. Just being somewhere spending time together. Whereas the first 4 tracks open up a can of playful jazz the B-side explores more heavy conceptualizations. Birth and love for a child & the passing of a friend. Life and death. The cyclicity of it all.
Fruit Distro Collective is a project by long-time friends Boris van der Hoff & Tristan Coco. Raised on boombap beats, schooled through Jazz composition and inspired by Afro & Latin styles. Pour some reel-to-reel tape sauce over it et voilá.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:NeighbourSoul Rhythms
Cat-No:NBS009
Release-Date:11.07.2025
Genre:Space Disco/House
Configuration:12" Excl
Label:NeighbourSoul Rhythms
Cat-No:NBS009
Release-Date:11.07.2025
Genre:Space Disco/House
Configuration:12" Excl
1
JKriv - Big Feelings
2
JKriv - Keep Pushing
3
JKriv - Turndown Service
4
JKriv - Sarará Crioulo
GENRE/S: Disco, funk, house
TRACKLISTS:
A1. Big Feelings
A2. Keep Pushing
B1. Turndown Service
B2. Sarará Crioulo
SHORT INFO:
4 disco weapons straight from Brooklyn's groove master. Serious heat!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A1. Big Feelings
A2. Keep Pushing
B1. Turndown Service
B2. Sarará Crioulo
SHORT INFO:
4 disco weapons straight from Brooklyn's groove master. Serious heat!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Fett Burger & DJ Sommer - Sommer Burger Trip
2
DJ Fett Burger & DJ Sommer - Sommer Burger Galaxy
3
DJ Fett Burger & DJ Sommer - Sommber Burger Deep Groove
4
DJ Fett Burger & DJ Sommer - Sommer Burger Party Vibe
Sex Tags UFO presents the second instalment of the non stop ongoing HOUSE music collaboration between the Burger man and DJ Sommer! Music created as house music as a FEELING!
Another four track EP smashing out some fine underground house music, all with the mix of DJ Sommers studio skills and old-school hardware approach, and the Burger man's wonky touch! The almost weekly live session recorded in DJ Sommer's studio, then arranged and mixed at Casa de Fett bare some fruits, and here is their second record!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Another four track EP smashing out some fine underground house music, all with the mix of DJ Sommers studio skills and old-school hardware approach, and the Burger man's wonky touch! The almost weekly live session recorded in DJ Sommer's studio, then arranged and mixed at Casa de Fett bare some fruits, and here is their second record!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Random Alias - Supra
2
Random Alias - Buzzr
3
Random Alias - Pluma
4
Random Alias - Signals
5
Random Alias - Parallax
Electro / Techno
Parallax explores the shifting boundary between human intuition and algorithmic logic, a space where two perspectives converge and blur until the center is lost. Composed through a hybrid system of voltage-controlled hardware and digital manipulation, the five tracks apply FM synthesis, granular processing, and bit-level degradation to rigid electro structures. Sequences are shaped by modulation instability and clock drift, gradually disrupting pattern integrity and simulating a loss of systemic control. Precise yet disrupted grooves hint at a deeper malfunction, as if something is corrupting the system from within. Parallax is the gap between the human who creates and the algorithm that imitates.
A1. Supra
A2. Buzzr
B1. Pluma
B2. Signals
B3. Parallax
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Parallax explores the shifting boundary between human intuition and algorithmic logic, a space where two perspectives converge and blur until the center is lost. Composed through a hybrid system of voltage-controlled hardware and digital manipulation, the five tracks apply FM synthesis, granular processing, and bit-level degradation to rigid electro structures. Sequences are shaped by modulation instability and clock drift, gradually disrupting pattern integrity and simulating a loss of systemic control. Precise yet disrupted grooves hint at a deeper malfunction, as if something is corrupting the system from within. Parallax is the gap between the human who creates and the algorithm that imitates.
A1. Supra
A2. Buzzr
B1. Pluma
B2. Signals
B3. Parallax
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
D Stone - Yes I am
2
D Stone - Move over Feat. ELY
3
D Stone - Time selection
4
D Stone - One thing
5
D Stone - Everything from the Organ
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1 Yes I am
A2 Move over Feat. ELY
A3 Time selection
B1 One thing
B2 Everything from the Organ
Release Info:
D Stone debuts on Heist Recordings with a record that shows us why he's one of the hottest talents in house music right now
Chloe Caillet is in on it. Cinthie is in on it. SG lewis and Demi Riquísimo are in on it too. So are Folamour, Barry Can't Swim and, of course, Dam Swindle. In on what exactly?
In on the fact that D Stone might be the most exciting young producer and DJ you will find in the house scene right now. Oh, and he's also a great guy who says Heist was his dream label to release on. When we found out we were fans of on each other, it was only logical that we signed his 'Time Selection' EP; A 5-track record that shows us how cool and catchy underground house music can be if it's done well.
D Stone, born Daan Steenhuizen has had a meteoric rise in the scene in the past years and has only just finished his study at the Conservatory, where Lars was one of his mentors. His vinyl debut was on Cecille in 2023 with that absolute anthem 'Total unison'. He then released on Cinthie's 803 Crystal Grooves in 2024 and has a busy 2025 with releases on Chloe Caillet's label Smiile, Semi Delicious, a release planned for Barry Can't Swim's fresh label 'Earth's only paradise' and now, Heist. He's been touring relentlessly in between, already playing legendary places like Ibiza's Pikes, Amsterdam's Shelter and with big shows planned at Warehouse project and in Australia, you can just feel all the right things happening for him.
The 'Time Selection' EP kicks off with 'Yes I Am', an upbeat house track with plenty of hints of the old school, playful vocal chops and above all, some lovely piano work. It's stripped back, but full of energy, with driving 909 percussion, retro flutes and a rolling bass line. It's as much a pallet cleanser in a set as it is a teasing mid-set highlight.
'Move Over' features the vocals of ELY and sees D Stone dive deeper into vintage house territory, with a classic bassline and percussion that stays true to the core of the classic drum machines, hinting as much towards the electro-pop sound of New Order and the futurism of early Mr. Fingers releases. The vocal is daring and cute at the same time, and does a great job tapping into the nostalgia of the pop-house cross-over songs of the early 90s.
'Time Selection' is arguably the heaviest cut of the record, much in style of his breakthrough track 'Total Unison'. This track is built around a strong piano theme, supported by driving 909 drums, strings and cleverly placed disco bleeps to keep the track accessible and uplifting. Add to that a big breakdown, and you'll understand why we've been reaching for this track peak set for the past months.
On the flip, we've got 'One Thing', a subtle and introverted track built around a bumpy disco bassline with a hook that's silly on first listen but will end up being the one thing you'll keep humming for the rest of the day. In short, it's a banger in disguise.
The last track of the EP is 'Everything from the Organ', a track where D Stone is not afraid to show his love for throwback ravey elements. There's organ licks, horns and chopped vocals that propel you straight to the front-left of whichever dancefloor D Stone is reigning at that moment.
Don't sleep on the Heist debut of one of Amsterdam's biggest talents, cause this one will go like hot cakes! As always, enjoy the music and play it loud!
Yours, Maarten & Lars
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list:
A1 Yes I am
A2 Move over Feat. ELY
A3 Time selection
B1 One thing
B2 Everything from the Organ
Release Info:
D Stone debuts on Heist Recordings with a record that shows us why he's one of the hottest talents in house music right now
Chloe Caillet is in on it. Cinthie is in on it. SG lewis and Demi Riquísimo are in on it too. So are Folamour, Barry Can't Swim and, of course, Dam Swindle. In on what exactly?
In on the fact that D Stone might be the most exciting young producer and DJ you will find in the house scene right now. Oh, and he's also a great guy who says Heist was his dream label to release on. When we found out we were fans of on each other, it was only logical that we signed his 'Time Selection' EP; A 5-track record that shows us how cool and catchy underground house music can be if it's done well.
D Stone, born Daan Steenhuizen has had a meteoric rise in the scene in the past years and has only just finished his study at the Conservatory, where Lars was one of his mentors. His vinyl debut was on Cecille in 2023 with that absolute anthem 'Total unison'. He then released on Cinthie's 803 Crystal Grooves in 2024 and has a busy 2025 with releases on Chloe Caillet's label Smiile, Semi Delicious, a release planned for Barry Can't Swim's fresh label 'Earth's only paradise' and now, Heist. He's been touring relentlessly in between, already playing legendary places like Ibiza's Pikes, Amsterdam's Shelter and with big shows planned at Warehouse project and in Australia, you can just feel all the right things happening for him.
The 'Time Selection' EP kicks off with 'Yes I Am', an upbeat house track with plenty of hints of the old school, playful vocal chops and above all, some lovely piano work. It's stripped back, but full of energy, with driving 909 percussion, retro flutes and a rolling bass line. It's as much a pallet cleanser in a set as it is a teasing mid-set highlight.
'Move Over' features the vocals of ELY and sees D Stone dive deeper into vintage house territory, with a classic bassline and percussion that stays true to the core of the classic drum machines, hinting as much towards the electro-pop sound of New Order and the futurism of early Mr. Fingers releases. The vocal is daring and cute at the same time, and does a great job tapping into the nostalgia of the pop-house cross-over songs of the early 90s.
'Time Selection' is arguably the heaviest cut of the record, much in style of his breakthrough track 'Total Unison'. This track is built around a strong piano theme, supported by driving 909 drums, strings and cleverly placed disco bleeps to keep the track accessible and uplifting. Add to that a big breakdown, and you'll understand why we've been reaching for this track peak set for the past months.
On the flip, we've got 'One Thing', a subtle and introverted track built around a bumpy disco bassline with a hook that's silly on first listen but will end up being the one thing you'll keep humming for the rest of the day. In short, it's a banger in disguise.
The last track of the EP is 'Everything from the Organ', a track where D Stone is not afraid to show his love for throwback ravey elements. There's organ licks, horns and chopped vocals that propel you straight to the front-left of whichever dancefloor D Stone is reigning at that moment.
Don't sleep on the Heist debut of one of Amsterdam's biggest talents, cause this one will go like hot cakes! As always, enjoy the music and play it loud!
Yours, Maarten & Lars
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:All Is Acid
Cat-No:AIA001
Release-Date:24.10.2025
Genre:Electronic, Electronica
Configuration:12" Excl
Label:All Is Acid
Cat-No:AIA001
Release-Date:24.10.2025
Genre:Electronic, Electronica
Configuration:12" Excl
1
Acid Pauli - Den Mahlstrom rauf
2
Acid Pauli - Den Mahlstrom runter
3
Acid Pauli - Den Mahlstrom rauf (Adiel Remix)
GENRE/S:
Electronica, Breaks
TRACKLIST:
A. Den Mahlstrom rauf
B1. Den Mahlstrom runter
B2. Den Mahlstrom rauf (Adiel Remix)
SHORT INFO:
For Martin Gretschmann, the ever-evolving Berlin artist known as both Acid Pauli and Console, music has always been a deeply personal journey.
His new imprint, All Is Acid, is the destination, a creative home for his uncompromising and experimental sound. Breaking from the cycle of trends, the label is a return to the essential, offering just a few curated releases a year. Each is intended as a timeless artifact for deep listening, primarily showcasing Acid Pauli's own intricate and intimate productions.
The label debuts with a newly remastered version of his classic 2010 EP "Den Mahlstrom rauf." But the release is given a powerful new dimension by a standout remix from Italian artist Adiel. Their collaboration was sparked by pure serendipity: a fan video of Acid Pauli playing her music in Milan reached Adiel, who responded with a short film for Vogue. In it, she revealed that "Den Mahlstrom rauf" was a formative influence and one of the very first records she ever bought.
Inviting her to remix the track that helped shape her sound was a full-circle moment, artistically and emotionally. Her bold, reverent reinterpretation honors the original's spirit while imprinting it with her own unique signature. With this release, All Is Acid launches not just with music, but with a story of connection, community and a shared artistic lineage
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Electronica, Breaks
TRACKLIST:
A. Den Mahlstrom rauf
B1. Den Mahlstrom runter
B2. Den Mahlstrom rauf (Adiel Remix)
SHORT INFO:
For Martin Gretschmann, the ever-evolving Berlin artist known as both Acid Pauli and Console, music has always been a deeply personal journey.
His new imprint, All Is Acid, is the destination, a creative home for his uncompromising and experimental sound. Breaking from the cycle of trends, the label is a return to the essential, offering just a few curated releases a year. Each is intended as a timeless artifact for deep listening, primarily showcasing Acid Pauli's own intricate and intimate productions.
The label debuts with a newly remastered version of his classic 2010 EP "Den Mahlstrom rauf." But the release is given a powerful new dimension by a standout remix from Italian artist Adiel. Their collaboration was sparked by pure serendipity: a fan video of Acid Pauli playing her music in Milan reached Adiel, who responded with a short film for Vogue. In it, she revealed that "Den Mahlstrom rauf" was a formative influence and one of the very first records she ever bought.
Inviting her to remix the track that helped shape her sound was a full-circle moment, artistically and emotionally. Her bold, reverent reinterpretation honors the original's spirit while imprinting it with her own unique signature. With this release, All Is Acid launches not just with music, but with a story of connection, community and a shared artistic lineage
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Vick Lavender - Santiago (Vick’s Extended DTN Mix)
2
Vick Lavender - Flight (Vick’s Time Traveler Full Mix)
3
Vick Lavender - Galaxy Surfin (Vick’s Time Traveler Main Mix)
4
Vick Lavender - SuperHero (Vick’s Extended DTN Mix)
Vick Lavender's four-track EP, "SuperHero," is a testament to Chicago House Music's enduring power. It's a journey through vibrant, classic, and futuristic soundscapes, all crafted with masterful purpose. Don’t Sleep on this Future Classic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
effgee - Your Light
2
effgee - Birds
3
effgee - Roland Bass
4
effgee - Your Light (Nico Lahs Remix)
Special edition: artwork and sleeves designed and hand screen-printed by the artist, limited and hand-signed to 250 copies
GENRE/S: Deep House / House
TRACKLISTS:
A1 effgee - Your Light
A2 effgee - Birds
B1 effgee - Roland Bass
B2 effgee - Your Light (Nico Lahs Remix)
SHORT INFO:
effgee returns on his own imprint fellice with three deep house cuts, warm, soul-inspired and topped with dreamy sampled vocals. fellice 005 comes as a special edition: each sleeve is hand screen-printed by the artist, limited to 250 copies.
Another special feature is the label's first remix: a greeting from sunny Bari to the dance floors by Italian deep house fratello Nico Lahs.
"Your Light" reaches back to effgee's production roots - soulful sampling, dreamy textures and groove-heavy. "Birds" shifts into a fresher club direction, while "Roland Bass" brings together the essentials of his production recipe: analogue synths, sampling, and a punchy kick at the core. fellice 005 is a deeply personal record - both musically and visually.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Deep House / House
TRACKLISTS:
A1 effgee - Your Light
A2 effgee - Birds
B1 effgee - Roland Bass
B2 effgee - Your Light (Nico Lahs Remix)
SHORT INFO:
effgee returns on his own imprint fellice with three deep house cuts, warm, soul-inspired and topped with dreamy sampled vocals. fellice 005 comes as a special edition: each sleeve is hand screen-printed by the artist, limited to 250 copies.
Another special feature is the label's first remix: a greeting from sunny Bari to the dance floors by Italian deep house fratello Nico Lahs.
"Your Light" reaches back to effgee's production roots - soulful sampling, dreamy textures and groove-heavy. "Birds" shifts into a fresher club direction, while "Roland Bass" brings together the essentials of his production recipe: analogue synths, sampling, and a punchy kick at the core. fellice 005 is a deeply personal record - both musically and visually.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Loods & Gerd Janson - In Love Again (Vocal)
2
Loods & Gerd Janson - In Love Again (Paradise Mix)
3
Loods & Gerd Janson - In Love Again (Acid Mix)
4
Loods & Gerd Janson - Danse
Tracklist
A1. In Love Again (Vocal)
A2. In Love Again (Paradise Mix)
B1. In Love Again (Acid Mix)
B2. Danse
Info:
A transcontinental meeting of minds, methods, and Volvos. What started as a remix request became a studio session and, eventually, a four-track affair of acid-tinged house, Italo accents, trance echoes, and techno pulse.
In Love Again captures the shared DNA of Loods and Gerd Janson, bright, melodic, and built for the beach club (Massimo Vitali's cover makes it official). Four flavours of the same spirit, each mix a nod to a time when 12-inches told a whole story.
For best results: play loud, add sea breeze.
Photo titled Blooemendaal Night 3", 2001 by Massimo Vitali
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. In Love Again (Vocal)
A2. In Love Again (Paradise Mix)
B1. In Love Again (Acid Mix)
B2. Danse
Info:
A transcontinental meeting of minds, methods, and Volvos. What started as a remix request became a studio session and, eventually, a four-track affair of acid-tinged house, Italo accents, trance echoes, and techno pulse.
In Love Again captures the shared DNA of Loods and Gerd Janson, bright, melodic, and built for the beach club (Massimo Vitali's cover makes it official). Four flavours of the same spirit, each mix a nod to a time when 12-inches told a whole story.
For best results: play loud, add sea breeze.
Photo titled Blooemendaal Night 3", 2001 by Massimo Vitali
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
JACY - Night Fantasy
2
JACY - Just Change
3
JACY - Dat Tape
4
JACY - Come On
Territories: World
Tracklist:
A1 / Night Fantasy
A2 / Just Change
A3 / Dat Tape
A4 / Come On
Info
Italian producer and DJ Jacy remains one of the stand-out musical characters from a dazzling ensemble of atmosphere builders who were so prevalent during the late 80s and early 90s. His craftsmanship is simply legendary, his music quite simply some of the finest to exude from this period of time, and of which is still making waves in the collective sands now. His dedication to the creation of emotive sweeps, gorgeous rippling tones and easy going, freeing atmospheres has remained a cornerstone of his sound, from the early days through to his excellent work on his imprint Home of House. Jacy’s sound was broadcast to the world once again via Safe Trip’s ‘Welcome To Paradise’ compilations, where his inclusions were something that lingered long in the memory – an essential component of what is known as the ‘Dream House’ sound. It’s difficult to convey into words exactly how a Jacy record can take the listener, but perhaps it’s different for everyone – one thing can be agreed on though, it’s an experience like no other.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 / Night Fantasy
A2 / Just Change
A3 / Dat Tape
A4 / Come On
Info
Italian producer and DJ Jacy remains one of the stand-out musical characters from a dazzling ensemble of atmosphere builders who were so prevalent during the late 80s and early 90s. His craftsmanship is simply legendary, his music quite simply some of the finest to exude from this period of time, and of which is still making waves in the collective sands now. His dedication to the creation of emotive sweeps, gorgeous rippling tones and easy going, freeing atmospheres has remained a cornerstone of his sound, from the early days through to his excellent work on his imprint Home of House. Jacy’s sound was broadcast to the world once again via Safe Trip’s ‘Welcome To Paradise’ compilations, where his inclusions were something that lingered long in the memory – an essential component of what is known as the ‘Dream House’ sound. It’s difficult to convey into words exactly how a Jacy record can take the listener, but perhaps it’s different for everyone – one thing can be agreed on though, it’s an experience like no other.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More