Tracklisting:
1- African Melancholia
2- Butterfly
3- Rotten Tree
4- Crave
5- Father
6- Auaati
7- Story
8- Nancy
9- Two Of Us
10- Last Track
11- India Song
Info Text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
More
1- African Melancholia
2- Butterfly
3- Rotten Tree
4- Crave
5- Father
6- Auaati
7- Story
8- Nancy
9- Two Of Us
10- Last Track
11- India Song
Info Text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
More
More records from Leonie Pernet
CD - Territory: WORLD EX France
01_Mon amour tu bois trop - 3:27
02_Les chants de Maldoror - 4:37
03_À rebours - 3:33
04_Intérieur Négro - 3:13
05_Vowel - 2:33
06_Hard Billy - 3:41
07_La mort de Pierre - 2:38
08_Le cirque de consolation - 3:40
09_Il pleut des hommes - 3:43
10_Dandelion - 2:15
11_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
More
01_Mon amour tu bois trop - 3:27
02_Les chants de Maldoror - 4:37
03_À rebours - 3:33
04_Intérieur Négro - 3:13
05_Vowel - 2:33
06_Hard Billy - 3:41
07_La mort de Pierre - 2:38
08_Le cirque de consolation - 3:40
09_Il pleut des hommes - 3:43
10_Dandelion - 2:15
11_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
More
LP - Territory: WORLD EX France
LP
Vinyl edition:
Side A
A1_Mon amour tu bois trop - 3:27
A2_Les chants de Maldoror (Kraut Koto) - 4:37
A3_À rebours (Hang Bôté) - 3:33
A4_Intérieur Négro - 3:13
A5_Vowel - 2:33
Side B (20 minutes)
B1_Hard Billy - 3:41
B2_La mort de Pierre - 2:38
B3_Le cirque de consolation - 3:40
B4_Il pleut des hommes - 3:43
B5_Dandelion (Piano solo) - 2:15
B6_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
More
LP
Vinyl edition:
Side A
A1_Mon amour tu bois trop - 3:27
A2_Les chants de Maldoror (Kraut Koto) - 4:37
A3_À rebours (Hang Bôté) - 3:33
A4_Intérieur Négro - 3:13
A5_Vowel - 2:33
Side B (20 minutes)
B1_Hard Billy - 3:41
B2_La mort de Pierre - 2:38
B3_Le cirque de consolation - 3:40
B4_Il pleut des hommes - 3:43
B5_Dandelion (Piano solo) - 2:15
B6_Missing Love - 3:22
Short Info:
Léonie Pernet's second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Textextext - (add your write up)
The sought after whirlwind of French Pop that exploded onto the scene with her debut "Crave", Leonie Pernet, returns with her second album, "Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of "Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.
"This record parallels my life's journey," confirms Léonie, "it reflects what has happened in my life since 'Crave' came out and how I feel today. There's still a lot of melancholy, but a lot more sunshine and light. In four years, I've become sober, which has saved me; I've worked a lot on my voice, which is a part of a desire to speak, to address my audience more directly, and also a more pronounced pop desire." In line with her new-found "openness", Leonie invites another musician into her creative process for the first time on "Le Cirque de Consolation": Jean Sylvain le Gouic, who lended his coproduction and perspective to her, while Leonie still plays almost all instruments herself with an astounding prowess.
Leonie's voice oozes with a new-found self-confidence and takes center stage amidst eclectic, distinctively fun and open-minded production. Sometimes she sings in English, mostly in French: "I worked a lot on my voice," confirms Léonie, "I didn't dare to sing before, neither live, nor on record, nor in the studio." Surrounding her astounding, intoxicating voice are forays into any direction imaginable: from harsh, experimental electronics to the more sombre, organic and quiet moments - and everywhere, there is the vision of Africa, (also Middle East) it's many sonic gifts and cultures.
Leonie has found a universal utopia that she craves for - a musical, cultural amalgamation that is decidedly non-western, political and poetic, rooted in self-discovery and the connection with other humans: African and oriental percussion, synthesizers, drum-machines; Léonie mixes genres and instruments with ease and precision. The French novelist and philosopher Édouard Glissant - whose work and writing had a big influence on Pernet - coined the term "Creolization ", the "bringing together of several cultures or at least several elements of distinct cultures, in one part of the world, resulting in new data, totally unpredictable in relation to the sum or the simple synthesis of these elements."
From "Hard Billy ", a techno-influenced rebellious anthem, to "Les Chants de Maldoror," a club and dance song propelled forward by feverish derboukas, to the deeply moving "A rebours" and its Afro-electronic rock. Léonie Pernet inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music (Intérieur Négro), neo-classical music (Le Cirque de consolation, Dandelion), or the place of the voice, whether human or synthetic as in the atmospheric "Vowel". Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic.
Vital Sales Points:
- Léonie Pernet takes the vivid French electro-pop scene (Agar Agar, L´Impératrice, La Femme, Juniore…) in an activist and internationalist musical direction.
- Assets: 2 video before the release date
More
Tracklisting:
A1 - African Melancholia
A2 - Butterfly
A3 - Rotten Tree
A4 - Crave
A5 - Father
B1 - Auaati
B2 - Rose
B3 - Story
B4 - Nancy
B5 - Last Track
B6 - India Song
Info text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
More
A1 - African Melancholia
A2 - Butterfly
A3 - Rotten Tree
A4 - Crave
A5 - Father
B1 - Auaati
B2 - Rose
B3 - Story
B4 - Nancy
B5 - Last Track
B6 - India Song
Info text:
For her first album, 28-year-old Parisian artist Léonie Pernet carries you along in the whirlwind of an endless night. This record comes from such an oppressive desire that it has taken Léonie three years since her first EP Two of us to compose it and, finally, share it. Léonie is unique - drummer (as discovered in the band with Yuksek), pianist, arranger, and singer with a wide vocal range. Written in a solitude that only the producer Alf (Stéphane Briat) pierced through for the mixing process, Crave is a relentless album, as multiple and complex as the talents and influences of his author. When African Melancholia reminds us of the mechanical animals of Marilyn Manson, there is the appearance in Crave of the baroque spectrum of Klaus Nomi. Elsewhere are the echoes of Mansfield Tya, the memory of Jeanne Moreau, Rachmaninov or even Philip Glass and Caribou. A poem by François de Malherbe gives Rose it's words when the sublime Auaati approaches the anxiety of being in Arabic psalms.
More
More records from InFiné
1
Murcof - Going Home (IRCAM version)
2
Murcof - All These Worlds Part. I
3
Murcof - All These Worlds Part. II
4
Murcof - Tomorrow Part. II
5
Murcof - They Glow
6
Murcof - Enemy
7
Murcof - Fight
territories : ww -fr -benelux -uk
Genre: Electronic, Experimental
Tracklist
A1_Going Home (IRCAM version)
A2_All These Worlds Part. I
A3_All These Worlds Part. II
A4_Tomorrow Part. II
B1_They Glow
B2_Enemy
B3_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
More
Genre: Electronic, Experimental
Tracklist
A1_Going Home (IRCAM version)
A2_All These Worlds Part. I
A3_All These Worlds Part. II
A4_Tomorrow Part. II
B1_They Glow
B2_Enemy
B3_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
More
1
Murcof - Going Home (IRCAM version)
2
Murcof - All These Worlds Part. I
3
Murcof - All These Worlds Part. II
4
Murcof - Tomorrow Part. II
5
Murcof - They Glow
6
Murcof - Enemy
7
Murcof - Fight
territories : ww -fr -benelux -uk
Genre: Electronic, Experimental
Tracklist
01_Going Home (IRCAM version)
02_All These Worlds Part. I
03_All These Worlds Part. II
04_Tomorrow Part. II
05_They Glow
06_Enemy
07_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
More
Genre: Electronic, Experimental
Tracklist
01_Going Home (IRCAM version)
02_All These Worlds Part. I
03_All These Worlds Part. II
04_Tomorrow Part. II
05_They Glow
06_Enemy
07_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
More
territories : ww -fr -benelux -uk
Genre: Electronic
Tracklist :
A1 - Intro
A2 - Spanish Breakfast
A3 - Belleville
A4 - Aya Ama
A5 - Interlude In The Bed
A6 - Poisson Pilote
B1 - Bora Vocal (feat Alain Damasio)
B2 - Tasty City
B3 - La Dame Blanche
B4 - Outro
15 Years Anniversary Edition of the debut full length from French producer/DJ Rone. Printed on Neon Pink Transparent bio-vinyl.
In 2009, Rone released Spanish Breakfast, an album that marked the first step of an extraordinary musical journey. Today, as we celebrate its 15th anniversary, we’re thrilled to announce a special edition reissue — sustainably crafted on vibrant neon pink vinyl, created as a tribute to the album that started it all. This limited release isn’t just a record; it’s a piece of history and a celebration of where it all began.
A record of simmering techno bubbles and gentle wells and releases swimming elegantly over its duration. A playful and woozy effort, Rone fills up the stereo field with widescreen synthscapes and dreamy bleeps popping from every audio crevice. In Spanish Breakfast the young Frenchman has crafted a player that is primed for hazy Spring afternoons bathed in sunshine. bleep like this alot...
More
Genre: Electronic
Tracklist :
A1 - Intro
A2 - Spanish Breakfast
A3 - Belleville
A4 - Aya Ama
A5 - Interlude In The Bed
A6 - Poisson Pilote
B1 - Bora Vocal (feat Alain Damasio)
B2 - Tasty City
B3 - La Dame Blanche
B4 - Outro
15 Years Anniversary Edition of the debut full length from French producer/DJ Rone. Printed on Neon Pink Transparent bio-vinyl.
In 2009, Rone released Spanish Breakfast, an album that marked the first step of an extraordinary musical journey. Today, as we celebrate its 15th anniversary, we’re thrilled to announce a special edition reissue — sustainably crafted on vibrant neon pink vinyl, created as a tribute to the album that started it all. This limited release isn’t just a record; it’s a piece of history and a celebration of where it all began.
A record of simmering techno bubbles and gentle wells and releases swimming elegantly over its duration. A playful and woozy effort, Rone fills up the stereo field with widescreen synthscapes and dreamy bleeps popping from every audio crevice. In Spanish Breakfast the young Frenchman has crafted a player that is primed for hazy Spring afternoons bathed in sunshine. bleep like this alot...
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territories : ww -fr -benelux -uk
Genre: Electronic, Alternative, Pop
Tracklist
A1_Delay
A2_L’Orage
A3_Les os du lac
A4_Tako-Tsubo
A5_Barcelona
B1_No Blood From a Stone
B2_L’E dans L’O
B3_Scorpion
B4_Le jour et la nuit
B5_Foetus
B6_Reveries
Recorded in the southwest of France, O’o’s second album broadens the group's musical horizons, enriched by the contrasts and surprises of rural life. Revisiting the animal parables from their first album Touche, Victoria Suter's lyrics draw inspiration from literature where humor and eccentricity blend with the mystery and supernatural elements of rural life, making her voice resonate in all its uniqueness. Mathieu Daubigné's productions serve as an ideal expressionist backdrop, showcasing incredible musical versatility by combining his expertise in club atmospheres, dynamic synthpop melodies, and contemplative experiments. Songs of Wishes and Bones is an album of chiaroscuro tones and a new centerpiece of the French indie-dance scene.
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Genre: Electronic, Alternative, Pop
Tracklist
A1_Delay
A2_L’Orage
A3_Les os du lac
A4_Tako-Tsubo
A5_Barcelona
B1_No Blood From a Stone
B2_L’E dans L’O
B3_Scorpion
B4_Le jour et la nuit
B5_Foetus
B6_Reveries
Recorded in the southwest of France, O’o’s second album broadens the group's musical horizons, enriched by the contrasts and surprises of rural life. Revisiting the animal parables from their first album Touche, Victoria Suter's lyrics draw inspiration from literature where humor and eccentricity blend with the mystery and supernatural elements of rural life, making her voice resonate in all its uniqueness. Mathieu Daubigné's productions serve as an ideal expressionist backdrop, showcasing incredible musical versatility by combining his expertise in club atmospheres, dynamic synthpop melodies, and contemplative experiments. Songs of Wishes and Bones is an album of chiaroscuro tones and a new centerpiece of the French indie-dance scene.
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territories : ww minus UK & Benelux & France
Tracklist CD:
01_Silent Cloud (Beat Version - iF edit)
02_Call From the Ground (iF edit)
03_Summer Mood (iF edit)
04_Summer Ocean (iF edit)
05_Silent Sky (iF edit)
06_A Life That Can Only Be Dream Now (iF edit)
07_Birds of Passage (iF edit)
08_Summer Sketch (Floating Through Space In A Dream - iF edit)
09_Nexus 2 (Beatless Version - iF edit)
10_The Land at Breath (iF edit) - Bonus CD exclusive
11_Encounter (iF edit) - Bonus CD exclusive
12_Paradigm Shift (iF edit) - Bonus CD exclusive
Hiroshi Watanabe, a musician, photographer, and DJ from the Japanese electronic scene, based in Saitama near Tokyo, has been a prolific figure for twenty-five years. He has explored most major genres of electronic music through more than twenty albums. He proudly becomes the very first Japanese artist of InFiné.
After Ryuichi Sakamoto, he is one of the very few Japanese artists who have gained the favor of Western audiences, alongside notable names such as Cornelius, Towa Tei, DJ Krush, Ken Ishii, Susumu Yokota, and more recently Hiroshi Yoshimura. In Europe, he is best known for his project Kaito, which began in 2001 under the prestigious Kompakt label. The name Kaito, in addition to being the name of his son born the same year, carries a double meaning in Japanese, signifying both "universe" and "secret." These references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre.
The collaboration between Kaito and the InFiné label began with his participation in the compilation "Music Activists 2020 (From Home)," which supported artists affected by the Covid crisis, followed by a remix for the single "Motion" by Rone and Vanessa Wagner in 2023. These initial contributions led to a new album featuring nine tracks of ambient music.
Kaito's new album ‘Collection’ comprises nine ambient and melodic tracks composed during the Covid-19 pandemic. These compositions present a majestic minimal and harmonious therapy in response to the world’s adversities, showcasing the producer’s return to the peak of his art. ‘Collection’ was remastered by another genre legend, the German Rashad Becker, and released on vinyl and CD by InFiné in 2024.
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Tracklist CD:
01_Silent Cloud (Beat Version - iF edit)
02_Call From the Ground (iF edit)
03_Summer Mood (iF edit)
04_Summer Ocean (iF edit)
05_Silent Sky (iF edit)
06_A Life That Can Only Be Dream Now (iF edit)
07_Birds of Passage (iF edit)
08_Summer Sketch (Floating Through Space In A Dream - iF edit)
09_Nexus 2 (Beatless Version - iF edit)
10_The Land at Breath (iF edit) - Bonus CD exclusive
11_Encounter (iF edit) - Bonus CD exclusive
12_Paradigm Shift (iF edit) - Bonus CD exclusive
Hiroshi Watanabe, a musician, photographer, and DJ from the Japanese electronic scene, based in Saitama near Tokyo, has been a prolific figure for twenty-five years. He has explored most major genres of electronic music through more than twenty albums. He proudly becomes the very first Japanese artist of InFiné.
After Ryuichi Sakamoto, he is one of the very few Japanese artists who have gained the favor of Western audiences, alongside notable names such as Cornelius, Towa Tei, DJ Krush, Ken Ishii, Susumu Yokota, and more recently Hiroshi Yoshimura. In Europe, he is best known for his project Kaito, which began in 2001 under the prestigious Kompakt label. The name Kaito, in addition to being the name of his son born the same year, carries a double meaning in Japanese, signifying both "universe" and "secret." These references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre.
The collaboration between Kaito and the InFiné label began with his participation in the compilation "Music Activists 2020 (From Home)," which supported artists affected by the Covid crisis, followed by a remix for the single "Motion" by Rone and Vanessa Wagner in 2023. These initial contributions led to a new album featuring nine tracks of ambient music.
Kaito's new album ‘Collection’ comprises nine ambient and melodic tracks composed during the Covid-19 pandemic. These compositions present a majestic minimal and harmonious therapy in response to the world’s adversities, showcasing the producer’s return to the peak of his art. ‘Collection’ was remastered by another genre legend, the German Rashad Becker, and released on vinyl and CD by InFiné in 2024.
More
territories : ww minus UK & Benelux & France
LP (Red Opaque Vinyl)
Tracklist LP:
01_Silent Cloud (Beat Version - iF edit)
02_Call From the Ground (iF edit)
03_Summer Mood (iF edit)
04_Summer Ocean (iF edit)
05_Silent Sky (iF edit)
06_A Life That Can Only Be Dream Now (iF edit)
07_Birds of Passage (iF edit)
08_Summer Sketch (Floating Through Space In A Dream - iF edit)
09_Nexus 2 (Beatless Version - iF edit)
Hiroshi Watanabe, a musician, photographer, and DJ from the Japanese electronic scene, based in Saitama near Tokyo, has been a prolific figure for twenty-five years. He has explored most major genres of electronic music through more than twenty albums. He proudly becomes the very first Japanese artist of InFiné.
After Ryuichi Sakamoto, he is one of the very few Japanese artists who have gained the favor of Western audiences, alongside notable names such as Cornelius, Towa Tei, DJ Krush, Ken Ishii, Susumu Yokota, and more recently Hiroshi Yoshimura. In Europe, he is best known for his project Kaito, which began in 2001 under the prestigious Kompakt label. The name Kaito, in addition to being the name of his son born the same year, carries a double meaning in Japanese, signifying both "universe" and "secret." These references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre.
The collaboration between Kaito and the InFiné label began with his participation in the compilation "Music Activists 2020 (From Home)," which supported artists affected by the Covid crisis, followed by a remix for the single "Motion" by Rone and Vanessa Wagner in 2023. These initial contributions led to a new album featuring nine tracks of ambient music.
Kaito's new album ‘Collection’ comprises nine ambient and melodic tracks composed during the Covid-19 pandemic. These compositions present a majestic minimal and harmonious therapy in response to the world’s adversities, showcasing the producer’s return to the peak of his art. ‘Collection’ was remastered by another genre legend, the German Rashad Becker, and released on vinyl and CD by InFiné in 2024.
More
LP (Red Opaque Vinyl)
Tracklist LP:
01_Silent Cloud (Beat Version - iF edit)
02_Call From the Ground (iF edit)
03_Summer Mood (iF edit)
04_Summer Ocean (iF edit)
05_Silent Sky (iF edit)
06_A Life That Can Only Be Dream Now (iF edit)
07_Birds of Passage (iF edit)
08_Summer Sketch (Floating Through Space In A Dream - iF edit)
09_Nexus 2 (Beatless Version - iF edit)
Hiroshi Watanabe, a musician, photographer, and DJ from the Japanese electronic scene, based in Saitama near Tokyo, has been a prolific figure for twenty-five years. He has explored most major genres of electronic music through more than twenty albums. He proudly becomes the very first Japanese artist of InFiné.
After Ryuichi Sakamoto, he is one of the very few Japanese artists who have gained the favor of Western audiences, alongside notable names such as Cornelius, Towa Tei, DJ Krush, Ken Ishii, Susumu Yokota, and more recently Hiroshi Yoshimura. In Europe, he is best known for his project Kaito, which began in 2001 under the prestigious Kompakt label. The name Kaito, in addition to being the name of his son born the same year, carries a double meaning in Japanese, signifying both "universe" and "secret." These references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre.
The collaboration between Kaito and the InFiné label began with his participation in the compilation "Music Activists 2020 (From Home)," which supported artists affected by the Covid crisis, followed by a remix for the single "Motion" by Rone and Vanessa Wagner in 2023. These initial contributions led to a new album featuring nine tracks of ambient music.
Kaito's new album ‘Collection’ comprises nine ambient and melodic tracks composed during the Covid-19 pandemic. These compositions present a majestic minimal and harmonious therapy in response to the world’s adversities, showcasing the producer’s return to the peak of his art. ‘Collection’ was remastered by another genre legend, the German Rashad Becker, and released on vinyl and CD by InFiné in 2024.
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1
Basile3 - Wire Rise Feat. Lloydfears
2
Basile3 - Air Quality
3
Basile3 - Grateful, After All
4
Basile3 - U Stole The Summer
5
Basile3 - Secret Gathering
6
Basile3 - Love Machine Feat. Daisy Ray
7
Basile3 - 4Friends
8
Basile3 - My Window Feat. Lucy Sissy Miller
9
Basile3 - In The Clouds
10
Basile3 - Sirens Feat. Thelma Cappello
11
Basile3 - …And Tuning (Stereo Mix)
LP - Territory: WORLD EX France,UK,BENELUX
Tracklist LP :
A1. Wire Rise Feat. Lloydfears
A2. Air Quality
A3. Grateful, After All
A4. U Stole The Summer
A5. Secret Gathering
A6. Love Machine Feat. Daisy Ray
B1. 4Friends
B2. My Window Feat. Lucy Sissy Miller
B3. In The Clouds
B4. Sirens Feat. Thelma Cappello
B5. …And Tuning (Stereo Mix)
43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer.
In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes.
Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller and Minor Science.
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Tracklist LP :
A1. Wire Rise Feat. Lloydfears
A2. Air Quality
A3. Grateful, After All
A4. U Stole The Summer
A5. Secret Gathering
A6. Love Machine Feat. Daisy Ray
B1. 4Friends
B2. My Window Feat. Lucy Sissy Miller
B3. In The Clouds
B4. Sirens Feat. Thelma Cappello
B5. …And Tuning (Stereo Mix)
43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer.
In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes.
Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller and Minor Science.
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Release Title: When all you want to do is be the fire part of fire
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Release Title: When all you want to do is be the fire part of fire
Territories: ww -fr -uk -benelux
LP, LTD, orange vinyl
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Territories: ww -fr -uk -benelux
LP, LTD, orange vinyl
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Release Title: When all you want to do is be the fire part of fire
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
1
Rone - A1 - Tikkoun
2
Rone - A2 - Tikkoun, Piano 1
3
Rone - A3 - Power
4
Rone - A4 - Tikkoun, Piano 2
5
Rone - A5 - Tikkoun, Electronic Variation 1
6
Rone - A6 - Tikkoun, Piano & Synth
7
Rone - A7 - Tikkoun, Quintet 2
8
Rone - A8 - Tikkoun, Piano 3
9
Rone - A9 - D'argent et de sang
10
Rone - B1 - Tikkoun, Electronic Variation 2
11
Rone - B2 - Tikkoun, Quintet 3
12
Rone - B3 - J'en veux...
13
Rone - B4 - Carbon
14
Rone - B5 - Madness
15
Rone - B6 - Stress
16
Rone - B7 - Jackpot
17
Rone - B8 - Prayer
Territories: ww -fr -uk -benelux
Tracklist LP:
VINYL
A1 - Tikkoun
A2 - Tikkoun, Piano 1
A3 - Power
A4 - Tikkoun, Piano 2
A5 - Tikkoun, Electronic Variation 1
A6 - Tikkoun, Piano & Synth
A7 - Tikkoun, Quintet 2
A8 - Tikkoun, Piano 3
A9 - D'argent et de sang
B1 - Tikkoun, Electronic Variation 2
B2 - Tikkoun, Quintet 3
B3 - J'en veux...
B4 - Carbon
B5 - Madness
B6 - Stress
B7 - Jackpot
B8 - Prayer
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
Tracklist LP:
VINYL
A1 - Tikkoun
A2 - Tikkoun, Piano 1
A3 - Power
A4 - Tikkoun, Piano 2
A5 - Tikkoun, Electronic Variation 1
A6 - Tikkoun, Piano & Synth
A7 - Tikkoun, Quintet 2
A8 - Tikkoun, Piano 3
A9 - D'argent et de sang
B1 - Tikkoun, Electronic Variation 2
B2 - Tikkoun, Quintet 3
B3 - J'en veux...
B4 - Carbon
B5 - Madness
B6 - Stress
B7 - Jackpot
B8 - Prayer
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
Territories: ww -fr -uk -benelux
Tracklist CD:
1. Tikkoun
2. Tikkoun, Piano 1 02:11
3. Power 02:06
4. Tikkoun, Piano 2
5. Tikkoun, Electronic Variation 1
6. Tikkoun, Piano & Synth
7. Tikkoun, Quintet 2
8. Tikkoun, Piano 3
9. D'argent et de sang
10. Tikkoun, Electronic Variation 2
11. Tikkoun, Piano 4
12. Tikkoun, Quintet 3
13. J'en veux...
14. Carbon
15. Madness
16. Stress
17. SNDJ
18. dRONE03
19. Jackpot
20. Prayer
21. Tikkoun, Quintet 4
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
Tracklist CD:
1. Tikkoun
2. Tikkoun, Piano 1 02:11
3. Power 02:06
4. Tikkoun, Piano 2
5. Tikkoun, Electronic Variation 1
6. Tikkoun, Piano & Synth
7. Tikkoun, Quintet 2
8. Tikkoun, Piano 3
9. D'argent et de sang
10. Tikkoun, Electronic Variation 2
11. Tikkoun, Piano 4
12. Tikkoun, Quintet 3
13. J'en veux...
14. Carbon
15. Madness
16. Stress
17. SNDJ
18. dRONE03
19. Jackpot
20. Prayer
21. Tikkoun, Quintet 4
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
1
Bruce Brubaker - Music for Airports, 1/1 - 17:12
2
Bruce Brubaker - By This River - 03:31
3
Bruce Brubaker - The Chill Air - 01:55
4
Bruce Brubaker - Music for Airports, 2/1 - 08:32
5
Bruce Brubaker - Music for Airports, 2/2 - 06:07
6
Bruce Brubaker - Emerald and Stone - 02:30
LP - Territory: WORLD EX France
Tracklist LP :
A SIDE (23 minutes)
A1_Music for Airports, 1/1 - 17:12
A2_By This River - 03:31
A3_The Chill Air - 01:55
B SIDE (21.30 minutes)
B1_Music for Airports, 2/1 - 08:32
B2_Music for Airports, 2/2 - 06:07
B3_Emerald and Stone - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
Tracklist LP :
A SIDE (23 minutes)
A1_Music for Airports, 1/1 - 17:12
A2_By This River - 03:31
A3_The Chill Air - 01:55
B SIDE (21.30 minutes)
B1_Music for Airports, 2/1 - 08:32
B2_Music for Airports, 2/2 - 06:07
B3_Emerald and Stone - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
1
Bruce Brubaker - Music for Airports, 1/1 - 17:12
2
Bruce Brubaker - Music for Airports, 2/1 - 08:32
3
Bruce Brubaker - The Chill Air - 01:55
4
Bruce Brubaker - By This River - 03:31
5
Bruce Brubaker - Music for Airports, 2/2 - 06:07
6
Bruce Brubaker - Emerald and Stone - - 02:30
LP - Territory: WORLD EX France
Tracklist CD :
1_Music for Airports, 1/1 - 17:12
2_Music for Airports, 2/1 - 08:32
3_The Chill Air - 01:55
4_By This River - 03:31
5_Music for Airports, 2/2 - 06:07
6_Emerald and Stone - - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
Tracklist CD :
1_Music for Airports, 1/1 - 17:12
2_Music for Airports, 2/1 - 08:32
3_The Chill Air - 01:55
4_By This River - 03:31
5_Music for Airports, 2/2 - 06:07
6_Emerald and Stone - - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
1
Labelle - Le fil vers Feat. Hasawa
2
Labelle - L’homme félin - 04:36
3
Labelle - Danse chamane - 04:08
4
Labelle - Voir le point - 04:18
5
Labelle - Entre-allée - 04:32
6
Labelle - Ciel - 04:10
7
Labelle - Futurity - 04:25
8
Labelle - Instant Clair Temporel - 03:17
9
Labelle - Temple océan univers - 02:19
10
Labelle - Turn - 04:48
11
Labelle - Apporter l’amour - 03:29
LP - Territory: WORLD EX France
Tracklist LP:
A SIDE - 21:25
A1_Le fil vers Feat. Hasawa
A2_L’homme félin - 04:36
A3_Danse chamane - 04:08
A4_Voir le point - 04:18
A5_Entre-allée - 04:32
B SIDE - 22:31
B1_Ciel - 04:10
B2_Futurity - 04:25
B3_Instant Clair Temporel - 03:17
B4_Temple océan univers - 02:19
B5_Turn - 04:48
B6_Apporter l’amour - 03:29
Short Info:
Since his first album, Labelle has been dovetailing the techno that so captivated his imagination as a teenager, with traditional Maloya music - native to the French overseas department where he grew up and still lives.
His new album submerges itself in the darker recesses of the psyche. NOIR ANIMA is a reflective portrait of a soul enshrouded by the darkness of night, inching towards a euphoric morning.
Over the last decade, the Réunion Island-based composer has made a name for himself exploring syncretic religion and philosophy throughout his work and, for his fifth studio album, his search for truth has turned inwards. On NOIR ANIMA, we are offered a glimpse into the emotional state of the artist making this extraordinary and dynamic music.
More
Tracklist LP:
A SIDE - 21:25
A1_Le fil vers Feat. Hasawa
A2_L’homme félin - 04:36
A3_Danse chamane - 04:08
A4_Voir le point - 04:18
A5_Entre-allée - 04:32
B SIDE - 22:31
B1_Ciel - 04:10
B2_Futurity - 04:25
B3_Instant Clair Temporel - 03:17
B4_Temple océan univers - 02:19
B5_Turn - 04:48
B6_Apporter l’amour - 03:29
Short Info:
Since his first album, Labelle has been dovetailing the techno that so captivated his imagination as a teenager, with traditional Maloya music - native to the French overseas department where he grew up and still lives.
His new album submerges itself in the darker recesses of the psyche. NOIR ANIMA is a reflective portrait of a soul enshrouded by the darkness of night, inching towards a euphoric morning.
Over the last decade, the Réunion Island-based composer has made a name for himself exploring syncretic religion and philosophy throughout his work and, for his fifth studio album, his search for truth has turned inwards. On NOIR ANIMA, we are offered a glimpse into the emotional state of the artist making this extraordinary and dynamic music.
More
1
Cindy Pooch - Issemou (short) - 04:49
2
Cindy Pooch - Redondant d’amour - 05:09
3
Cindy Pooch - Poulileu - 03:34
4
Cindy Pooch - Secret précieux - 03:04
5
Cindy Pooch - Tout ou rien - 03:54
6
Cindy Pooch - Enlève ton coeur - 03:45
7
Cindy Pooch - Délicatesse - 03:56
8
Cindy Pooch - Le Feu - 04:14
9
Cindy Pooch - Le goût de ça - 03:23
10
Cindy Pooch - Nyanga - 03:36
11
Cindy Pooch - Je saute - 05:36
12
Cindy Pooch - Rien de mal - 03:54
LP - Territory: WORLD EX France
Tracklist LP:
SIDE A - 24:15 min
A1_Issemou (short) - 04:49
A2_Redondant d’amour - 05:09
A3_Poulileu - 03:34
A4_Secret précieux - 03:04
A5_Tout ou rien - 03:54
A6_Enlève ton coeur - 03:45
SIDE B - 24:40 min
B1_Délicatesse - 03:56
B2_Le Feu - 04:14
B3_Le goût de ça - 03:23
B4_Nyanga - 03:36
B5_Je saute - 05:36
B6_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
Tracklist LP:
SIDE A - 24:15 min
A1_Issemou (short) - 04:49
A2_Redondant d’amour - 05:09
A3_Poulileu - 03:34
A4_Secret précieux - 03:04
A5_Tout ou rien - 03:54
A6_Enlève ton coeur - 03:45
SIDE B - 24:40 min
B1_Délicatesse - 03:56
B2_Le Feu - 04:14
B3_Le goût de ça - 03:23
B4_Nyanga - 03:36
B5_Je saute - 05:36
B6_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
1
Cindy Pooch - Issemou (short) - 04:49
2
Cindy Pooch - Redondant d’amour - 05:09
3
Cindy Pooch - Poulileu - 03:34
4
Cindy Pooch - Secret précieux - 03:04
5
Cindy Pooch - Tout ou rien - 03:54
6
Cindy Pooch - Enlève ton coeur - 03:45
7
Cindy Pooch - Délicatesse - 03:56
8
Cindy Pooch - Le Feu - 04:14
9
Cindy Pooch - Le goût de ça - 03:23
10
Cindy Pooch - Nyanga - 03:36
11
Cindy Pooch - Je saute - 05:36
12
Cindy Pooch - Rien de mal - 03:54
LP - Territory: WORLD EX France
Tracklist CD :
1_Issemou (short) - 04:49
2_Redondant d’amour - 05:09
3_Poulileu - 03:34
4_Secret précieux - 03:04
5_Tout ou rien - 03:54
6_Enlève ton coeur - 03:45
7_Délicatesse - 03:56
8_Le Feu - 04:14
9_Le goût de ça - 03:23
10_Nyanga - 03:36
11_Je saute - 05:36
12_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
Tracklist CD :
1_Issemou (short) - 04:49
2_Redondant d’amour - 05:09
3_Poulileu - 03:34
4_Secret précieux - 03:04
5_Tout ou rien - 03:54
6_Enlève ton coeur - 03:45
7_Délicatesse - 03:56
8_Le Feu - 04:14
9_Le goût de ça - 03:23
10_Nyanga - 03:36
11_Je saute - 05:36
12_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
1
Deena Abdelwahed - 01- Saratan - 03:42
2
Deena Abdelwahed - 02- Ababab - 05:40
3
Deena Abdelwahed - 03- Tawa - 03:53
4
Deena Abdelwahed - 04- Fdhiha - 05:51
5
Deena Abdelwahed - 05- Ken Skett… - 05:12
6
Deena Abdelwahed - 06- Al Hobb Al Mouharreb - 05:37
7
Deena Abdelwahed - 07- 5/5 - 04:40
8
Deena Abdelwahed - 08- A Scream In The Consciousness - 07:01
9
Deena Abdelwahed - 09- Rabbouni - 02:45
2023 Re Issue
Territories : World excl. FR
TRACKLISTING LP
01- Saratan - 03:42
02- Ababab - 05:40
03- Tawa - 03:53
04- Fdhiha - 05:51
05- Ken Skett… - 05:12
06- Al Hobb Al Mouharreb - 05:37
07- 5/5 - 04:40
08- A Scream In The Consciousness - 07:01
09- Rabbouni - 02:45
Deena Abdelwahed's first album is shifting the epicenter of contemporary electronic music south: "Khonnar" will be released on November 16, 2018 by InFiné.
Pronounced "Ronnar" (an essential detail so as to avoid facile misinterpretation by French-speakers) it is a term that makes the most of Tunisia's cultural and linguistic spectrum. It evokes the dark, shameful and disturbing side of things, the one we usually seek to hide, but which Deena instead sticks our noses in with her debut. It is a testament to Deena's coming into her own as a world citizen, and as an artist. A self-construction made of frustrations and constraints, borne of retrograde mindsets, which are not the prerogative of either the East or the West, and which she tirelessly strives to expose and break.
Throughout the 45 minutes of "Khonnar", Deena breaks down the codes of bass, techno and experimental music, and writes the manifesto for a generation that does not seek to please or to conform, taking back control of its identity - with all the attendant losses and chaos. A new creative world order is taking shape, a new tilting point between north and south, the response of a connected and liberated youth who takes the control of the new decolonization.
About Deena Abdelwahed
A Tunisian producer and DJ, Deena Abdelwahed arrived in France at the age of 26 after earning her stripes on the Tunis scene and as part of the Arabstazy collective. Her hybridized DJ sets, on the outer reaches of sub-cultures, and especially the one she performed at Sonar 2017 (one of the edition's Top 10 according to the New York Times), propelled the young artist into the clubbing universe's most demanding spheres (Boiler Room, Concrete, Room for Resistance, Säule/Berghain…). As a producer, she was the creator of an acclaimed performance at the CTM Berlin Festival ("All Hail Mother Internet"). Her first EP "Klabb", released in early 2017 on InFiné, was met with critical acclaim from the blogosphere and electronic media. That same year, she collaborated on the tracks "Plunge" and "An Itch" from Fever Ray's second album.
Mask and photography by London based artist Judas Companion, whose work is about transformation of human identity. She makes masks and masked portraits to create different layers of the human being.
More
Territories : World excl. FR
TRACKLISTING LP
01- Saratan - 03:42
02- Ababab - 05:40
03- Tawa - 03:53
04- Fdhiha - 05:51
05- Ken Skett… - 05:12
06- Al Hobb Al Mouharreb - 05:37
07- 5/5 - 04:40
08- A Scream In The Consciousness - 07:01
09- Rabbouni - 02:45
Deena Abdelwahed's first album is shifting the epicenter of contemporary electronic music south: "Khonnar" will be released on November 16, 2018 by InFiné.
Pronounced "Ronnar" (an essential detail so as to avoid facile misinterpretation by French-speakers) it is a term that makes the most of Tunisia's cultural and linguistic spectrum. It evokes the dark, shameful and disturbing side of things, the one we usually seek to hide, but which Deena instead sticks our noses in with her debut. It is a testament to Deena's coming into her own as a world citizen, and as an artist. A self-construction made of frustrations and constraints, borne of retrograde mindsets, which are not the prerogative of either the East or the West, and which she tirelessly strives to expose and break.
Throughout the 45 minutes of "Khonnar", Deena breaks down the codes of bass, techno and experimental music, and writes the manifesto for a generation that does not seek to please or to conform, taking back control of its identity - with all the attendant losses and chaos. A new creative world order is taking shape, a new tilting point between north and south, the response of a connected and liberated youth who takes the control of the new decolonization.
About Deena Abdelwahed
A Tunisian producer and DJ, Deena Abdelwahed arrived in France at the age of 26 after earning her stripes on the Tunis scene and as part of the Arabstazy collective. Her hybridized DJ sets, on the outer reaches of sub-cultures, and especially the one she performed at Sonar 2017 (one of the edition's Top 10 according to the New York Times), propelled the young artist into the clubbing universe's most demanding spheres (Boiler Room, Concrete, Room for Resistance, Säule/Berghain…). As a producer, she was the creator of an acclaimed performance at the CTM Berlin Festival ("All Hail Mother Internet"). Her first EP "Klabb", released in early 2017 on InFiné, was met with critical acclaim from the blogosphere and electronic media. That same year, she collaborated on the tracks "Plunge" and "An Itch" from Fever Ray's second album.
Mask and photography by London based artist Judas Companion, whose work is about transformation of human identity. She makes masks and masked portraits to create different layers of the human being.
More