1
Dino Sabatini - Peuceus
2
Dino Sabatini - Dryalus
3
Dino Sabatini - Perimedes
4
Dino Sabatini - Antimache
Genre/s: Techno
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
More
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
More
More records from Dino Sabatini
1
Dino Sabatini - A1: Reversus Sum
2
Dino Sabatini - A2: Inenarrabilis
3
Dino Sabatini - B1: Plena Lunae
4
Dino Sabatini - B2: Ego Experior
12"
2. GENRE/S: Electronic / Downtempo / Techno
3. TRACKLISTS:
A1: Reversus Sum
A2: Inenarrabilis
B1: Plena Lunae
B2: Ego Experior
4. SHORT INFO:
Italian sound Dino Sabatini is back on his own Outis Music, Opera Quattro Ep on the Outis Opera Series it's a mesmerizing collection of playful electronica, heavily influenced by trip-hop and dub music, perfectly capturing Sabatini's current state of mind. Balancing in between half-tempo drum and bass and organic techno grooves, it's an essential pack of Italian deep techno trips.
More
2. GENRE/S: Electronic / Downtempo / Techno
3. TRACKLISTS:
A1: Reversus Sum
A2: Inenarrabilis
B1: Plena Lunae
B2: Ego Experior
4. SHORT INFO:
Italian sound Dino Sabatini is back on his own Outis Music, Opera Quattro Ep on the Outis Opera Series it's a mesmerizing collection of playful electronica, heavily influenced by trip-hop and dub music, perfectly capturing Sabatini's current state of mind. Balancing in between half-tempo drum and bass and organic techno grooves, it's an essential pack of Italian deep techno trips.
More
1
Dino Sabatini - Dakarai
2
Dino Sabatini - Afra
3
Dino Sabatini - Lewa
4
Dino Sabatini - Akanke
Proving that patience doesn't necessarily forego energy, Dino Sabatini arrives on Delsin's Mantis series with a charged, imposing statement of meditative techno. Sabatini has been at the forefront of the deep techno scene since the mid 00s, cultivating a sound with his own Outis Music which acknowledges the structures of club music while reaching beyond obvious drama and brute force, offering something more subliminal instead. On Mantis 06, Sabatini blurs the lines between organic and electronic percussion as he doubles down on steadfast rhythms executed with delicacy and impact in equal measure.
More
1
Dino Sabatini, - Modulation A
2
Dino Sabatini, - Modulation B
2020 REISSUE in Original Art
Tracklist
A-Modulation A
B-Modulation B
Shortinfo:
The Two Tunes You Find In This Debut Ep Have Been Fully Written And Produced By Dino Sabatini In His Studio In Berlin. Modulation A May Be A Perfect Introduction For The Journey. It Is A Dense, Tense Ride Into A Liquid Atmosphere Of A Techno Playground. Far To Be Aggressive, Though. Go Through It, And Youll Get The Essence Of Outis Label. Modulation B Can Be Taken As A Tool, Yet Totally Undependent By Its Brother. As A Standalone Track, It Can Bring The Dancefloor Into An Evanescent State Of Ghostly Fog, Self-spreading All Around You. But When Played Over Another Track, Its Capable Of Adding The Spiral Touch Of A Transparent Radiation, Like Being In A Boundless Land You've Never Been Before
More
Tracklist
A-Modulation A
B-Modulation B
Shortinfo:
The Two Tunes You Find In This Debut Ep Have Been Fully Written And Produced By Dino Sabatini In His Studio In Berlin. Modulation A May Be A Perfect Introduction For The Journey. It Is A Dense, Tense Ride Into A Liquid Atmosphere Of A Techno Playground. Far To Be Aggressive, Though. Go Through It, And Youll Get The Essence Of Outis Label. Modulation B Can Be Taken As A Tool, Yet Totally Undependent By Its Brother. As A Standalone Track, It Can Bring The Dancefloor Into An Evanescent State Of Ghostly Fog, Self-spreading All Around You. But When Played Over Another Track, Its Capable Of Adding The Spiral Touch Of A Transparent Radiation, Like Being In A Boundless Land You've Never Been Before
More
1
Dino Sabatini - No Title
2
Dino Sabatini - No Title
3
Dino Sabatini - No Title
Dino Sabatini drops us 2 hypnotic techno tracks with solid grooves and strong ambient pads. Dino is well known for his personal touch into the deep techno scene consolidated in the past years with many release and with his own label (Outis Music). His "Monochromatic Reality" EP is a masterpiece of syncopated rhythms and hypnotic pads, a mental trip in a constantly change with micro-movements of rhythm and groove. The remix of Svreca close the circle and fits so good with the direction of Dino's work, pushing the trip above all limits.
ltd. to 150 copies More
ltd. to 150 copies More
1
dino sabatini - Apparition
2
dino sabatini - Prophecy
3
dino sabatini - Soul Capture
4
dino sabatini - Trance State
5
dino sabatini - Ritual
6
dino sabatini - Vision Quest
7
dino sabatini - Extraction
8
dino sabatini - Totem
9
dino sabatini - White Witch
10
dino sabatini - Parallel Perception
11
dino sabatini - Icaro
Vinyl version 2x12" LP (Special Edition)
Tracklist LP:
Disk 1
A1-Apparition
A2-Prophecy
A3-Soul Capture
B1-Trance State
B2-Ritual
B3-Vision Quest
Disk 2
C1-Extraction
C2-Totem
D1-White Witch
D2-Parallel Perception
D3-Icaro
Short Info:
Vinyl version 2x12" LP (Special Edition)
After having been released in CD and Single EP format on Prologue Music (October 2012), Outis Music is proud to announce a new special edition of SHAMAN'S PATHS - the complete album in a double-vinyl compilation (2x12''LP) coming out as a part of Outis Opera Series.
Vital Sales Points:
- Global Promo.
- Artwork by Suloni Robertson.
More
Tracklist LP:
Disk 1
A1-Apparition
A2-Prophecy
A3-Soul Capture
B1-Trance State
B2-Ritual
B3-Vision Quest
Disk 2
C1-Extraction
C2-Totem
D1-White Witch
D2-Parallel Perception
D3-Icaro
Short Info:
Vinyl version 2x12" LP (Special Edition)
After having been released in CD and Single EP format on Prologue Music (October 2012), Outis Music is proud to announce a new special edition of SHAMAN'S PATHS - the complete album in a double-vinyl compilation (2x12''LP) coming out as a part of Outis Opera Series.
Vital Sales Points:
- Global Promo.
- Artwork by Suloni Robertson.
More
1
Dino Sabatini - Sometimes Back (Touched by Howie B )
2
Dino Sabatini - If (feat. Antonello Salis) Dino Sabatini Variation
3
Dino Sabatini - The Unexpected (ASC's Grey Area Mix)
4
Dino Sabatini - And it all ends here (Dino Sabatini & Antonello Salis Variation)
This is the remix edition of Dino Sabatini's recent second album "Omonimo" (April 2016, Outis Music).Like the recent album, this EP "Concentrica" features renowned Italian veteran pianist/accordionist Antonello Salis on the tracks "If" and "It All Ends Here", albeit here in different versions. Out of these two tracks the former is on "Concentrica" reworked by Dino Sabatini and the latter in a collaborative live variation between Salis and Dino Sabatini.
Simultaneously with the announcement of "Concentrica" was it announced that Dino and Antonello are launching their new live project: Dino Sabatini & Antonello Salis present 'Electronic Opera Concentrica'.
Howie B is veteran producer mainly known as a purveyor of early trip hop, having produced cuts from Tricky's debut album, Björk's "Post" and "Homogenic" as well as other major like U2.
Tracklist EP:
A1 - Sometimes Back (Touched by Howie B), A2 - If (feat. Antonello Salis)
B1 - The Unexpected (ASC's Grey Area Remix) , B2 - And it All Ends Here (Salis & Sabatini Variation)
After inaugurating the 'Opera' sub-series of his Outis Music label with the sublime 'Omonimo' double LP this April, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini's atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label's commitment to dismantling the 'either-or' logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, 'Concentrica', draws on the material from 'Omonimo' and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.
The leadoff contribution, a variation on 'Sometimes Back' from Howie B, unwinds slowly and undulates gracefully, luring the listener into a dense thicket of sound foliage before a surprise entrance from sonic beasts made of thick distortion and delay effects. The deceptively light percussion touches and keystrokes give this cyborg dub a deceptive tranquillity that contrasts delightfully with the growls and feverish swells of the 'lead' synths. This fades into a re-imagining of 'If' by Sabatini, augmenting the original's ambience with all kinds of new elements from rolling toms to translucent curtains of harmonic string-like sounds. More of a continuation of the original than a reprise, it strikes that perfect balance between passivity and activity - the listener can 'relax' but still have the freedom to actively, deeply explore inner space.
Next up is a focused mix of 'The Unexpected' from ASC, known for his many contributions to the Silent Season label and for a kinship with uncategorizable artists like Kangding Ray and L.B. Dub Corp. Though subtitled as his 'Grey Area' mix, this track is rich with tone colour and a feeling of curiosity that, thanks to the producer's flair for layering sound washes and filtering percussive elements, never elevates into full-on anxiety and leaves one wanting to know what lies behind the door from which these hazy sounds are escaping.
The final track, as it was on 'Omonimo', is once again 'And it All Ends Here', although this time Salis and Sabatini reach the ending in a drastically different way than before: a dramatic fade-in of music box and environmental ambience gives way to even more dramatic string arrangements, quick piano stabs and time-reversed ephemera. As such, the record ends in mystery, with a question mark or a 'to be continued...' rather than a resolute conclusion, but this is part of the record's appeal: imagining what lies beyond the grooves is just as rewarding as the listening experience.
More
Simultaneously with the announcement of "Concentrica" was it announced that Dino and Antonello are launching their new live project: Dino Sabatini & Antonello Salis present 'Electronic Opera Concentrica'.
Howie B is veteran producer mainly known as a purveyor of early trip hop, having produced cuts from Tricky's debut album, Björk's "Post" and "Homogenic" as well as other major like U2.
Tracklist EP:
A1 - Sometimes Back (Touched by Howie B), A2 - If (feat. Antonello Salis)
B1 - The Unexpected (ASC's Grey Area Remix) , B2 - And it All Ends Here (Salis & Sabatini Variation)
After inaugurating the 'Opera' sub-series of his Outis Music label with the sublime 'Omonimo' double LP this April, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini's atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label's commitment to dismantling the 'either-or' logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, 'Concentrica', draws on the material from 'Omonimo' and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.
The leadoff contribution, a variation on 'Sometimes Back' from Howie B, unwinds slowly and undulates gracefully, luring the listener into a dense thicket of sound foliage before a surprise entrance from sonic beasts made of thick distortion and delay effects. The deceptively light percussion touches and keystrokes give this cyborg dub a deceptive tranquillity that contrasts delightfully with the growls and feverish swells of the 'lead' synths. This fades into a re-imagining of 'If' by Sabatini, augmenting the original's ambience with all kinds of new elements from rolling toms to translucent curtains of harmonic string-like sounds. More of a continuation of the original than a reprise, it strikes that perfect balance between passivity and activity - the listener can 'relax' but still have the freedom to actively, deeply explore inner space.
Next up is a focused mix of 'The Unexpected' from ASC, known for his many contributions to the Silent Season label and for a kinship with uncategorizable artists like Kangding Ray and L.B. Dub Corp. Though subtitled as his 'Grey Area' mix, this track is rich with tone colour and a feeling of curiosity that, thanks to the producer's flair for layering sound washes and filtering percussive elements, never elevates into full-on anxiety and leaves one wanting to know what lies behind the door from which these hazy sounds are escaping.
The final track, as it was on 'Omonimo', is once again 'And it All Ends Here', although this time Salis and Sabatini reach the ending in a drastically different way than before: a dramatic fade-in of music box and environmental ambience gives way to even more dramatic string arrangements, quick piano stabs and time-reversed ephemera. As such, the record ends in mystery, with a question mark or a 'to be continued...' rather than a resolute conclusion, but this is part of the record's appeal: imagining what lies beyond the grooves is just as rewarding as the listening experience.
More
Tracklist LP:
A1 - Foreword A2 - Choosing the Right Way A3 - It's My Forest
B1 - Follow Me B2 - The Unexpected B3 - Just When I Think About You
C1 - Sometimes Back C2 - The Untold Story C3 - Homeward
D1 - If (feat. Antonello Salis) D2 - Summary D3 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
A1 - Foreword A2 - Choosing the Right Way A3 - It's My Forest
B1 - Follow Me B2 - The Unexpected B3 - Just When I Think About You
C1 - Sometimes Back C2 - The Untold Story C3 - Homeward
D1 - If (feat. Antonello Salis) D2 - Summary D3 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
Tracklist:
1 - Foreword 2 - Choosing the Right Way 3 - It's My Forest 4 - Follow Me 5 - The Unexpected 6 - Just When I Think About You 7 - Sometimes Back 8 - The Untold Story 9 - Homeward 10 - If (feat. Antonello Salis) 11 - Summary 12 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
1 - Foreword 2 - Choosing the Right Way 3 - It's My Forest 4 - Follow Me 5 - The Unexpected 6 - Just When I Think About You 7 - Sometimes Back 8 - The Untold Story 9 - Homeward 10 - If (feat. Antonello Salis) 11 - Summary 12 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
Dino Sabatini is not just a Prologue artist having the first 12" release in our catalogue, he is also one of the most authentic Prologue artists who is responsible for providing the well known Prologue sound aesthetic. Dino´s productions always deliver exactly our vision of music; deep, hypnotic, atmospheric and mind-driven. It's no surprise that we are more than proud to announce the third Prologue album this year, which comes from our high respected mate from Berlin. The album is called "Shaman's Paths" and it is more than just an album for all of us. Dino´s Shaman's Paths is his personal interpretation of the sounds of Africa, which provides since decades the basis of trance in order to loose your mind in sounds and drum arrangements and it is his personal interpretation of the Prologue sound aesthetic. The Album is planned for October 2012 and will be distributed over "WordandSound". One part will be a CD mixed with all tracks, which simply is the Shaman's Paths to follow. Further we will also have one 12" Vinyl which will contain the most club oriented hypnotic tracks from the Album and a complete digital album with all separate tracks. Dino is now available for bookings and his album tour.
Tracklisting:
01 - Apparition
02 - Prophecy
03 - Soul capture
04 - Trance state
05 - Ritual
06 - Vision quest
07 - Totem
08 - Extraction
09 - White Witch
10 - Parallel perception
11 - Icaro
More
Tracklisting:
01 - Apparition
02 - Prophecy
03 - Soul capture
04 - Trance state
05 - Ritual
06 - Vision quest
07 - Totem
08 - Extraction
09 - White Witch
10 - Parallel perception
11 - Icaro
More
Dino Sabatini is not just a Prologue artist having the first 12" release in our catalogue, he is also one of the most authentic Prologue artists who is responsible for providing the well known Prologue sound aesthetic. Dino´s productions always deliver exactly our vision of music; deep, hypnotic, atmospheric and mind-driven. It's no surprise that we are more than proud to announce the third Prologue album this year, which comes from our high respected mate from Berlin. The album is called "Shaman's Paths" and it is more than just an album for all of us. Dino´s Shaman's Paths is his personal interpretation of the sounds of Africa, which provides since decades the basis of trance in order to loose your mind in sounds and drum arrangements and it is his personal interpretation of the Prologue sound aesthetic. The Album is planned for October 2012 and will be distributed over "WordandSound". One part will be a CD mixed with all tracks, which simply is the Shaman's Paths to follow. Further we will also have one 12" Vinyl which will contain the most club oriented hypnotic tracks from the Album and a complete digital album with all separate tracks. Dino is now available for bookings and his album tour.
Tracklisting:
A1 - Vision Quest
A2 - Totem
B1 - White Witch
More
Tracklisting:
A1 - Vision Quest
A2 - Totem
B1 - White Witch
More
More records from Outis Music
1
Dino Sabatini - A1: Reversus Sum
2
Dino Sabatini - A2: Inenarrabilis
3
Dino Sabatini - B1: Plena Lunae
4
Dino Sabatini - B2: Ego Experior
12"
2. GENRE/S: Electronic / Downtempo / Techno
3. TRACKLISTS:
A1: Reversus Sum
A2: Inenarrabilis
B1: Plena Lunae
B2: Ego Experior
4. SHORT INFO:
Italian sound Dino Sabatini is back on his own Outis Music, Opera Quattro Ep on the Outis Opera Series it's a mesmerizing collection of playful electronica, heavily influenced by trip-hop and dub music, perfectly capturing Sabatini's current state of mind. Balancing in between half-tempo drum and bass and organic techno grooves, it's an essential pack of Italian deep techno trips.
More
2. GENRE/S: Electronic / Downtempo / Techno
3. TRACKLISTS:
A1: Reversus Sum
A2: Inenarrabilis
B1: Plena Lunae
B2: Ego Experior
4. SHORT INFO:
Italian sound Dino Sabatini is back on his own Outis Music, Opera Quattro Ep on the Outis Opera Series it's a mesmerizing collection of playful electronica, heavily influenced by trip-hop and dub music, perfectly capturing Sabatini's current state of mind. Balancing in between half-tempo drum and bass and organic techno grooves, it's an essential pack of Italian deep techno trips.
More
Genre: Techno
Italian duo Crossing Avenue debuts on Outis Music with Piromanzia, their fourth solo EP, presenting a fresh batch of their organic rhythm tools. It's the duo's first EP on Dino Sabatini's Outis Music where they released three EPs on Spazio Disponibile before. First track Piromante is a dark and spooky hypnotizer in optimal form. Sacrificio brings out the drums, the pulsating rhythm groove subtly transforms into a playful DJ weapon where the EP closer Fuoco Freddo dives into the deeper techno territories being a true heads down kick drum roller. It's an exciting selection of carefully crafted noodling jams that makes this an essential pack of Italian techno.
Tracklist 12":
A1-Piromante
A2-Sacrificio
B - Fuoco Freddo
More
Italian duo Crossing Avenue debuts on Outis Music with Piromanzia, their fourth solo EP, presenting a fresh batch of their organic rhythm tools. It's the duo's first EP on Dino Sabatini's Outis Music where they released three EPs on Spazio Disponibile before. First track Piromante is a dark and spooky hypnotizer in optimal form. Sacrificio brings out the drums, the pulsating rhythm groove subtly transforms into a playful DJ weapon where the EP closer Fuoco Freddo dives into the deeper techno territories being a true heads down kick drum roller. It's an exciting selection of carefully crafted noodling jams that makes this an essential pack of Italian techno.
Tracklist 12":
A1-Piromante
A2-Sacrificio
B - Fuoco Freddo
More
1
Dino Sabatini, - Modulation A
2
Dino Sabatini, - Modulation B
2020 REISSUE in Original Art
Tracklist
A-Modulation A
B-Modulation B
Shortinfo:
The Two Tunes You Find In This Debut Ep Have Been Fully Written And Produced By Dino Sabatini In His Studio In Berlin. Modulation A May Be A Perfect Introduction For The Journey. It Is A Dense, Tense Ride Into A Liquid Atmosphere Of A Techno Playground. Far To Be Aggressive, Though. Go Through It, And Youll Get The Essence Of Outis Label. Modulation B Can Be Taken As A Tool, Yet Totally Undependent By Its Brother. As A Standalone Track, It Can Bring The Dancefloor Into An Evanescent State Of Ghostly Fog, Self-spreading All Around You. But When Played Over Another Track, Its Capable Of Adding The Spiral Touch Of A Transparent Radiation, Like Being In A Boundless Land You've Never Been Before
More
Tracklist
A-Modulation A
B-Modulation B
Shortinfo:
The Two Tunes You Find In This Debut Ep Have Been Fully Written And Produced By Dino Sabatini In His Studio In Berlin. Modulation A May Be A Perfect Introduction For The Journey. It Is A Dense, Tense Ride Into A Liquid Atmosphere Of A Techno Playground. Far To Be Aggressive, Though. Go Through It, And Youll Get The Essence Of Outis Label. Modulation B Can Be Taken As A Tool, Yet Totally Undependent By Its Brother. As A Standalone Track, It Can Bring The Dancefloor Into An Evanescent State Of Ghostly Fog, Self-spreading All Around You. But When Played Over Another Track, Its Capable Of Adding The Spiral Touch Of A Transparent Radiation, Like Being In A Boundless Land You've Never Been Before
More
1
dino sabatini - Apparition
2
dino sabatini - Prophecy
3
dino sabatini - Soul Capture
4
dino sabatini - Trance State
5
dino sabatini - Ritual
6
dino sabatini - Vision Quest
7
dino sabatini - Extraction
8
dino sabatini - Totem
9
dino sabatini - White Witch
10
dino sabatini - Parallel Perception
11
dino sabatini - Icaro
Vinyl version 2x12" LP (Special Edition)
Tracklist LP:
Disk 1
A1-Apparition
A2-Prophecy
A3-Soul Capture
B1-Trance State
B2-Ritual
B3-Vision Quest
Disk 2
C1-Extraction
C2-Totem
D1-White Witch
D2-Parallel Perception
D3-Icaro
Short Info:
Vinyl version 2x12" LP (Special Edition)
After having been released in CD and Single EP format on Prologue Music (October 2012), Outis Music is proud to announce a new special edition of SHAMAN'S PATHS - the complete album in a double-vinyl compilation (2x12''LP) coming out as a part of Outis Opera Series.
Vital Sales Points:
- Global Promo.
- Artwork by Suloni Robertson.
More
Tracklist LP:
Disk 1
A1-Apparition
A2-Prophecy
A3-Soul Capture
B1-Trance State
B2-Ritual
B3-Vision Quest
Disk 2
C1-Extraction
C2-Totem
D1-White Witch
D2-Parallel Perception
D3-Icaro
Short Info:
Vinyl version 2x12" LP (Special Edition)
After having been released in CD and Single EP format on Prologue Music (October 2012), Outis Music is proud to announce a new special edition of SHAMAN'S PATHS - the complete album in a double-vinyl compilation (2x12''LP) coming out as a part of Outis Opera Series.
Vital Sales Points:
- Global Promo.
- Artwork by Suloni Robertson.
More
1
Luigi Tozzi - Ecate
2
Luigi Tozzi - Leto
3
Luigi Tozzi - Esperide
Tracklist
A-Ecate
B1-Leto
B2-Esperide
Shortinfo:
A year on from Luigi Tozzi and label head Dino Sabatini's collaborative Manticora EP, Outis return with a striking, singular solo work from Tozzi. Ecate EP sees the Roman producer bringing three distinct slices of techno, each with its own set of subtleties and the crystal, adept sound design that defines Tozzi's work.
Spanning the A-side is Ecate. This title track is rolling and hypnotic, with muscular, percussive bass. Throughout the track, angelic chords come and go, washing the listener in euphoria. Alongside, we hear a disorienting melody, grounded by the lightly swung four to the floor kick that gives this track an infectious groove.
The flip opens with Leto, which immediately defines itself as a club track with an unbroken but evolving set of percussion and a weighty kick. It's around this kick that other elements build. We hear long, ringing, resonant string sounds, and a bell like melody morph and unfold as other percussive components come and go. The track falls away into atmospheric eeriness, which perfectly sets the stage for the EP's finale.
Esperede's swung, panning drums give it a disorienting feeling of otherworldliness from the get go. This is before you're greeted by an alien, slightly dubbed out melody and a hanting backing drone that feels like a reference (perhaps in opposition) to the angelic chords of the EP's first track. It's on this closing track that Tozzi's delicate, expert sound design best shines through, and really has to be heard to be understood.
Vital Sales Points: Social networks and Promotion by Tailored Communication
More
A-Ecate
B1-Leto
B2-Esperide
Shortinfo:
A year on from Luigi Tozzi and label head Dino Sabatini's collaborative Manticora EP, Outis return with a striking, singular solo work from Tozzi. Ecate EP sees the Roman producer bringing three distinct slices of techno, each with its own set of subtleties and the crystal, adept sound design that defines Tozzi's work.
Spanning the A-side is Ecate. This title track is rolling and hypnotic, with muscular, percussive bass. Throughout the track, angelic chords come and go, washing the listener in euphoria. Alongside, we hear a disorienting melody, grounded by the lightly swung four to the floor kick that gives this track an infectious groove.
The flip opens with Leto, which immediately defines itself as a club track with an unbroken but evolving set of percussion and a weighty kick. It's around this kick that other elements build. We hear long, ringing, resonant string sounds, and a bell like melody morph and unfold as other percussive components come and go. The track falls away into atmospheric eeriness, which perfectly sets the stage for the EP's finale.
Esperede's swung, panning drums give it a disorienting feeling of otherworldliness from the get go. This is before you're greeted by an alien, slightly dubbed out melody and a hanting backing drone that feels like a reference (perhaps in opposition) to the angelic chords of the EP's first track. It's on this closing track that Tozzi's delicate, expert sound design best shines through, and really has to be heard to be understood.
Vital Sales Points: Social networks and Promotion by Tailored Communication
More
Tracklist
A1. Manticora - B1. Celeno - B2. Aello
Shortinfo:
It's a match made in heaven, techno veteran Dino Sabatini meets up and coming talent Luigi Tozzi, who over the last couple of years has delivered stellar EPs for the likes of Hypnus Records, Dynamic Reflection, Mental Modern, and Sabatini's own Outis Music. Anyone familiar with the two will know they share an aptitude for adventurous and evolving techno. This is crystallised in this collaboration, which doesn't take the easy path of creating straightforward club tracks. Instead, the three tracks on this release explore the subtler sides of the two producers. That's not to say this isn't club music - it
is - but they have a lot more to offer than pure functionality. The EP opens with Manticora. This eight-minute experience takes the listener through
winding claustrophobia as ringing feedback pulses across the stereo field and cavernous rhythms dance about, hard to quite grab. These rhythms build to a point to which they solidify and fall into place, a point at which the track gains a feeling of propulsion, alongside shifting and emotive reverberations and resonances. Next up is Celeno, a track that slowly unravels under a backing of shuffling hats and a rolling kick drum. Twinkling synths swirl around before giving way to a rhythmic and compelling melody. Celeno's musical themes continue into the third and final track, Aello, which eases you in with softer drums while a haunting drone builds up. Over this, ghostly arpeggios develop alongside weightier drums that carry the track through until the end, leaving just enough time for the drone to ring out and provide a fitting end to the EP.
More
A1. Manticora - B1. Celeno - B2. Aello
Shortinfo:
It's a match made in heaven, techno veteran Dino Sabatini meets up and coming talent Luigi Tozzi, who over the last couple of years has delivered stellar EPs for the likes of Hypnus Records, Dynamic Reflection, Mental Modern, and Sabatini's own Outis Music. Anyone familiar with the two will know they share an aptitude for adventurous and evolving techno. This is crystallised in this collaboration, which doesn't take the easy path of creating straightforward club tracks. Instead, the three tracks on this release explore the subtler sides of the two producers. That's not to say this isn't club music - it
is - but they have a lot more to offer than pure functionality. The EP opens with Manticora. This eight-minute experience takes the listener through
winding claustrophobia as ringing feedback pulses across the stereo field and cavernous rhythms dance about, hard to quite grab. These rhythms build to a point to which they solidify and fall into place, a point at which the track gains a feeling of propulsion, alongside shifting and emotive reverberations and resonances. Next up is Celeno, a track that slowly unravels under a backing of shuffling hats and a rolling kick drum. Twinkling synths swirl around before giving way to a rhythmic and compelling melody. Celeno's musical themes continue into the third and final track, Aello, which eases you in with softer drums while a haunting drone builds up. Over this, ghostly arpeggios develop alongside weightier drums that carry the track through until the end, leaving just enough time for the drone to ring out and provide a fitting end to the EP.
More
1
modern heads - Athena
2
modern heads - Eumaeus
3
modern heads - Eurycleia
4
modern heads - Laertes Theme
Tracklist:
A1 Athena A2 Eumaeus B1 Eurycleia B2 Laertes Theme
Short info:
Picking up where they left off three years ago, Modern Heads, the much-respected collaboration between Gianluca Meloni and Dino Sabatini, are back with a dynamic and intriguing four track EP. The duo go straight in here with the club-ready Athena. Throughout this track, tight percussive elements wind in and around one another, creating an ever-changing rhythm that you can only just hold onto. Under this, tense synths pulse away, producing an opaque and insular atmosphere. Next up, Eumaeus lightens the mood somewhat, providing clarity with a distinct opening drum pattern. This mood doesn't last long though, as indiscernible, haunting vocals begin to echo in the distance, gradually moving closer and further in the mix as sharp pads swoosh either side. Side B of the record opens with the deepest and longest track of the EP, Eurycleia. Simple yet unrelenting drums frame this hypnotic sci-fi episode, through which otherworldly screeches and rumbles reverberate over the twinkling sounds of machines. Eurycleia's atmosphere continues straight into the final track, Laertes Theme. This beatless piece takes Eurycleia's exploratory mood and extrapolates it over five and a half minutes, resulting in what feels like the perfect soundtrack to a glacial expedition in alien territory. As an EP this is a complete and coherent package; a perfect extension to Modern Heads previous work. The sound palette is familiar, yet refined, developed upon and taken further. The Old Beggar is undeniably worth the wait for anyone with a taste for the extraterrestrial. More
A1 Athena A2 Eumaeus B1 Eurycleia B2 Laertes Theme
Short info:
Picking up where they left off three years ago, Modern Heads, the much-respected collaboration between Gianluca Meloni and Dino Sabatini, are back with a dynamic and intriguing four track EP. The duo go straight in here with the club-ready Athena. Throughout this track, tight percussive elements wind in and around one another, creating an ever-changing rhythm that you can only just hold onto. Under this, tense synths pulse away, producing an opaque and insular atmosphere. Next up, Eumaeus lightens the mood somewhat, providing clarity with a distinct opening drum pattern. This mood doesn't last long though, as indiscernible, haunting vocals begin to echo in the distance, gradually moving closer and further in the mix as sharp pads swoosh either side. Side B of the record opens with the deepest and longest track of the EP, Eurycleia. Simple yet unrelenting drums frame this hypnotic sci-fi episode, through which otherworldly screeches and rumbles reverberate over the twinkling sounds of machines. Eurycleia's atmosphere continues straight into the final track, Laertes Theme. This beatless piece takes Eurycleia's exploratory mood and extrapolates it over five and a half minutes, resulting in what feels like the perfect soundtrack to a glacial expedition in alien territory. As an EP this is a complete and coherent package; a perfect extension to Modern Heads previous work. The sound palette is familiar, yet refined, developed upon and taken further. The Old Beggar is undeniably worth the wait for anyone with a taste for the extraterrestrial. More
1
Dino Sabatini - Sometimes Back (Touched by Howie B )
2
Dino Sabatini - If (feat. Antonello Salis) Dino Sabatini Variation
3
Dino Sabatini - The Unexpected (ASC's Grey Area Mix)
4
Dino Sabatini - And it all ends here (Dino Sabatini & Antonello Salis Variation)
This is the remix edition of Dino Sabatini's recent second album "Omonimo" (April 2016, Outis Music).Like the recent album, this EP "Concentrica" features renowned Italian veteran pianist/accordionist Antonello Salis on the tracks "If" and "It All Ends Here", albeit here in different versions. Out of these two tracks the former is on "Concentrica" reworked by Dino Sabatini and the latter in a collaborative live variation between Salis and Dino Sabatini.
Simultaneously with the announcement of "Concentrica" was it announced that Dino and Antonello are launching their new live project: Dino Sabatini & Antonello Salis present 'Electronic Opera Concentrica'.
Howie B is veteran producer mainly known as a purveyor of early trip hop, having produced cuts from Tricky's debut album, Björk's "Post" and "Homogenic" as well as other major like U2.
Tracklist EP:
A1 - Sometimes Back (Touched by Howie B), A2 - If (feat. Antonello Salis)
B1 - The Unexpected (ASC's Grey Area Remix) , B2 - And it All Ends Here (Salis & Sabatini Variation)
After inaugurating the 'Opera' sub-series of his Outis Music label with the sublime 'Omonimo' double LP this April, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini's atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label's commitment to dismantling the 'either-or' logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, 'Concentrica', draws on the material from 'Omonimo' and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.
The leadoff contribution, a variation on 'Sometimes Back' from Howie B, unwinds slowly and undulates gracefully, luring the listener into a dense thicket of sound foliage before a surprise entrance from sonic beasts made of thick distortion and delay effects. The deceptively light percussion touches and keystrokes give this cyborg dub a deceptive tranquillity that contrasts delightfully with the growls and feverish swells of the 'lead' synths. This fades into a re-imagining of 'If' by Sabatini, augmenting the original's ambience with all kinds of new elements from rolling toms to translucent curtains of harmonic string-like sounds. More of a continuation of the original than a reprise, it strikes that perfect balance between passivity and activity - the listener can 'relax' but still have the freedom to actively, deeply explore inner space.
Next up is a focused mix of 'The Unexpected' from ASC, known for his many contributions to the Silent Season label and for a kinship with uncategorizable artists like Kangding Ray and L.B. Dub Corp. Though subtitled as his 'Grey Area' mix, this track is rich with tone colour and a feeling of curiosity that, thanks to the producer's flair for layering sound washes and filtering percussive elements, never elevates into full-on anxiety and leaves one wanting to know what lies behind the door from which these hazy sounds are escaping.
The final track, as it was on 'Omonimo', is once again 'And it All Ends Here', although this time Salis and Sabatini reach the ending in a drastically different way than before: a dramatic fade-in of music box and environmental ambience gives way to even more dramatic string arrangements, quick piano stabs and time-reversed ephemera. As such, the record ends in mystery, with a question mark or a 'to be continued...' rather than a resolute conclusion, but this is part of the record's appeal: imagining what lies beyond the grooves is just as rewarding as the listening experience.
More
Simultaneously with the announcement of "Concentrica" was it announced that Dino and Antonello are launching their new live project: Dino Sabatini & Antonello Salis present 'Electronic Opera Concentrica'.
Howie B is veteran producer mainly known as a purveyor of early trip hop, having produced cuts from Tricky's debut album, Björk's "Post" and "Homogenic" as well as other major like U2.
Tracklist EP:
A1 - Sometimes Back (Touched by Howie B), A2 - If (feat. Antonello Salis)
B1 - The Unexpected (ASC's Grey Area Remix) , B2 - And it All Ends Here (Salis & Sabatini Variation)
After inaugurating the 'Opera' sub-series of his Outis Music label with the sublime 'Omonimo' double LP this April, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini's atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label's commitment to dismantling the 'either-or' logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, 'Concentrica', draws on the material from 'Omonimo' and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.
The leadoff contribution, a variation on 'Sometimes Back' from Howie B, unwinds slowly and undulates gracefully, luring the listener into a dense thicket of sound foliage before a surprise entrance from sonic beasts made of thick distortion and delay effects. The deceptively light percussion touches and keystrokes give this cyborg dub a deceptive tranquillity that contrasts delightfully with the growls and feverish swells of the 'lead' synths. This fades into a re-imagining of 'If' by Sabatini, augmenting the original's ambience with all kinds of new elements from rolling toms to translucent curtains of harmonic string-like sounds. More of a continuation of the original than a reprise, it strikes that perfect balance between passivity and activity - the listener can 'relax' but still have the freedom to actively, deeply explore inner space.
Next up is a focused mix of 'The Unexpected' from ASC, known for his many contributions to the Silent Season label and for a kinship with uncategorizable artists like Kangding Ray and L.B. Dub Corp. Though subtitled as his 'Grey Area' mix, this track is rich with tone colour and a feeling of curiosity that, thanks to the producer's flair for layering sound washes and filtering percussive elements, never elevates into full-on anxiety and leaves one wanting to know what lies behind the door from which these hazy sounds are escaping.
The final track, as it was on 'Omonimo', is once again 'And it All Ends Here', although this time Salis and Sabatini reach the ending in a drastically different way than before: a dramatic fade-in of music box and environmental ambience gives way to even more dramatic string arrangements, quick piano stabs and time-reversed ephemera. As such, the record ends in mystery, with a question mark or a 'to be continued...' rather than a resolute conclusion, but this is part of the record's appeal: imagining what lies beyond the grooves is just as rewarding as the listening experience.
More
Tracklist LP:
A1 - Foreword A2 - Choosing the Right Way A3 - It's My Forest
B1 - Follow Me B2 - The Unexpected B3 - Just When I Think About You
C1 - Sometimes Back C2 - The Untold Story C3 - Homeward
D1 - If (feat. Antonello Salis) D2 - Summary D3 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
A1 - Foreword A2 - Choosing the Right Way A3 - It's My Forest
B1 - Follow Me B2 - The Unexpected B3 - Just When I Think About You
C1 - Sometimes Back C2 - The Untold Story C3 - Homeward
D1 - If (feat. Antonello Salis) D2 - Summary D3 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
Tracklist:
1 - Foreword 2 - Choosing the Right Way 3 - It's My Forest 4 - Follow Me 5 - The Unexpected 6 - Just When I Think About You 7 - Sometimes Back 8 - The Untold Story 9 - Homeward 10 - If (feat. Antonello Salis) 11 - Summary 12 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
1 - Foreword 2 - Choosing the Right Way 3 - It's My Forest 4 - Follow Me 5 - The Unexpected 6 - Just When I Think About You 7 - Sometimes Back 8 - The Untold Story 9 - Homeward 10 - If (feat. Antonello Salis) 11 - Summary 12 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.
After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.
And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.
More
1
modern heads - Beginning (Claudio PRC Remix)
2
modern heads - Beginning (Giorgio Gigli Remix)
3
modern heads - Beginning (Donato Dozzy Remix)
Tracklist:
A1 / 1 - Beginning (Claudio PRC Remix) , A2 / 2 - Beginning (Giorgio Gigli Remix) , B1 / 3 - Beginning (Donato Dozzy Remix)
Short info:
It all began about ten years ago in a basement in the heart of Rome; the story of a crew of people who followed a musical ideal and created an original sound and an unmistakable style.
After the return of Modern Heads with Outis 006 "Chapter II", memories once again led me to friends I made during the period of the first productions on Elettronica Romana, and I asked them for personal interpretations of the track "Beginning". From the youngest Claudio PRC to the veterans Donato Dozzy and Giorgio Gigli, all together on an amazing release.
- Dino Sabatini
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A1 / 1 - Beginning (Claudio PRC Remix) , A2 / 2 - Beginning (Giorgio Gigli Remix) , B1 / 3 - Beginning (Donato Dozzy Remix)
Short info:
It all began about ten years ago in a basement in the heart of Rome; the story of a crew of people who followed a musical ideal and created an original sound and an unmistakable style.
After the return of Modern Heads with Outis 006 "Chapter II", memories once again led me to friends I made during the period of the first productions on Elettronica Romana, and I asked them for personal interpretations of the track "Beginning". From the youngest Claudio PRC to the veterans Donato Dozzy and Giorgio Gigli, all together on an amazing release.
- Dino Sabatini
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1
luigi tozzi - calipso
2
luigi tozzi - ambrosia
3
luigi tozzi - nostos
4
luigi tozzi - nostos, dino sabatini rmx
Tracklist:
A1 / 1 - Calipso A2 / 2 - Ambrosia B1 / 3 - Nostos B2 / 4 - Nostos (Dino Sabatini Version)
Short info:
Luigi Tozzi is a young Roman artist just twenty-three years old but with a profound musical knowledge. His productions reflect the distinct musical style coming from the Italian capital, a style purveyed by artists now considered icons within the international techno scene. It's the direct link to this sound that aligns Luigi's music perfectly with the musical realm of Outis Music. The EP's opening and title track "Calipso" is dedicated to the Goddess of the Sea "Calypso", elegantly adding subtly trance-like traits to a classic 4/4 beat. Next piece "Ambrosia" finishes the first side with a deep, sophisticated and refined device dedicated to the Ocean God. Devotion to the return to home is the theme of the following cut "Nostos", a substantial tool that's hypnotic and encapsulating. On the EP's final piece "Nostos (Dino Sabatini Version)", label founder Dino Sabatini provides a different point of view on Luigi's original in his own classic and unmistakable style.
More
A1 / 1 - Calipso A2 / 2 - Ambrosia B1 / 3 - Nostos B2 / 4 - Nostos (Dino Sabatini Version)
Short info:
Luigi Tozzi is a young Roman artist just twenty-three years old but with a profound musical knowledge. His productions reflect the distinct musical style coming from the Italian capital, a style purveyed by artists now considered icons within the international techno scene. It's the direct link to this sound that aligns Luigi's music perfectly with the musical realm of Outis Music. The EP's opening and title track "Calipso" is dedicated to the Goddess of the Sea "Calypso", elegantly adding subtly trance-like traits to a classic 4/4 beat. Next piece "Ambrosia" finishes the first side with a deep, sophisticated and refined device dedicated to the Ocean God. Devotion to the return to home is the theme of the following cut "Nostos", a substantial tool that's hypnotic and encapsulating. On the EP's final piece "Nostos (Dino Sabatini Version)", label founder Dino Sabatini provides a different point of view on Luigi's original in his own classic and unmistakable style.
More
1
claudio prc & ness (tgp) - icore
2
claudio prc & ness (tgp) - icore, nuel remix
3
claudio prc & ness (tgp) - icore, dino sabatini remix
Tracklist:
A1 - Icore (Original Mix) A2 - Icore (Nuel Rmx) B - Icore (Dino Sabatini Rmx)
Short info:
After the latest podcast of its series, for the next release Outis Music has chosen Sardinian artists Claudio PRC and Ness. Both known previously for their solo projects, their collaborations, and also together as "The Gods Planet" they journey deep into remote sides of techno music. The affinity between concepts of their TGP project and Dino Sabatini's philosophy leads them to make their contribution to the label. "Icore" is an obsessive and straight 4/4 track, where a hypnotic and synthetic arp floats into visceral and noisy atmospheres. Beside the original, Italian artist Nuel give his dry and wild version, as well label boss Dino Sabatini complete the EP with a very deep and transcendental remix.
More
A1 - Icore (Original Mix) A2 - Icore (Nuel Rmx) B - Icore (Dino Sabatini Rmx)
Short info:
After the latest podcast of its series, for the next release Outis Music has chosen Sardinian artists Claudio PRC and Ness. Both known previously for their solo projects, their collaborations, and also together as "The Gods Planet" they journey deep into remote sides of techno music. The affinity between concepts of their TGP project and Dino Sabatini's philosophy leads them to make their contribution to the label. "Icore" is an obsessive and straight 4/4 track, where a hypnotic and synthetic arp floats into visceral and noisy atmospheres. Beside the original, Italian artist Nuel give his dry and wild version, as well label boss Dino Sabatini complete the EP with a very deep and transcendental remix.
More
1
mordern heads - beginning
2
mordern heads - unknown route
UPC: 82717056446 Release: 13.10.2014
Tracklist: A - Beginning B - Unknown Route
Short info:
After a few years away from the scene Modern Heads aka Dino Sabatini & Gianluca Meloni are back with a new 12" "Chapter II" .
The second chapter of an adventure that began in 2001 in a basement in Rome, a journey through various labels - Elettronica Romana, Dozzy Records and Stroboscopic Artefacts.
The duo comes up with a vinyl 12" of two tracks -
A . Beginning - the track which this new 12" is based around - a feeling of space, harmony, and distant tribal references
B - Unknown Route - you can use this track as a tool - acidic and sharp
More
Tracklist: A - Beginning B - Unknown Route
Short info:
After a few years away from the scene Modern Heads aka Dino Sabatini & Gianluca Meloni are back with a new 12" "Chapter II" .
The second chapter of an adventure that began in 2001 in a basement in Rome, a journey through various labels - Elettronica Romana, Dozzy Records and Stroboscopic Artefacts.
The duo comes up with a vinyl 12" of two tracks -
A . Beginning - the track which this new 12" is based around - a feeling of space, harmony, and distant tribal references
B - Unknown Route - you can use this track as a tool - acidic and sharp
More
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The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.
The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.
'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.
'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.
Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita, More
The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.
'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.
'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.
Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita, More
1
Fab Mayday - Ritmo
2
Fab Mayday - Mare
3
Fab Mayday - Lovetti
4
Fab Mayday - Fra Martino
Italian digger extraordinaire Fab Mayday supplies another four beauties from the vaults! Limited to 200 copies, no repress.
More
1
NAP92 - Must Protect
2
NAP92 - Blue Superman
3
NAP92 - -
4
NAP92 - Laurent
5
NAP92 - Body, Body
House, Techno
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
More
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
More
1
Cody Currie - No Ice
2
Cody Currie - Touch
3
Cody Currie - Warp Zone feat. Ally McMahon
4
Cody Currie - Fool
Tracklist 12":
A1) No Ice
A2) Touch
B1) Warp Zone feat. Ally McMahon
B2) Fool
Toy Tonics presents a new EP by one of the label’s lead artists: CODY CURRIE. The London born talent comes with 4 new tracks that combine neo soul and jazz funk with uptempo house music
Cody usually plays all the instruments on his tracks working as the bassplayer, singer, guitar virtuoso and drummer and becoming one of the hot names in London's club scene as a DJ around 5 years ago at a young age.
His vibe is similar to his the soulful and extravagant sound as these his heros had. Not needing any help from anybody. Even mixing and engeenering all his music himself
Cody Currie’s sound is perfect for today’s DJ sets and fits with the current wave of funky house and groove oriented music coming from London that is taking over the clubs.
More
A1) No Ice
A2) Touch
B1) Warp Zone feat. Ally McMahon
B2) Fool
Toy Tonics presents a new EP by one of the label’s lead artists: CODY CURRIE. The London born talent comes with 4 new tracks that combine neo soul and jazz funk with uptempo house music
Cody usually plays all the instruments on his tracks working as the bassplayer, singer, guitar virtuoso and drummer and becoming one of the hot names in London's club scene as a DJ around 5 years ago at a young age.
His vibe is similar to his the soulful and extravagant sound as these his heros had. Not needing any help from anybody. Even mixing and engeenering all his music himself
Cody Currie’s sound is perfect for today’s DJ sets and fits with the current wave of funky house and groove oriented music coming from London that is taking over the clubs.
More
1
Zellmani - Yongheng Forever
2
Zellmani & Piotr - Nuevo Portamento
3
Zellmani & Gojiano - Smutt
4
Zellmani - Eternal Loop of Emotions
Tracklist:
A1) Zellmani - Yongheng Forever
A2) Zellmani & Piotr - Nuevo Portamento
B1) Zellmani & Gojiano - Smutt
B2) Zellmani - Eternal Loop of Emotions
Short info:
We are back with more songs from Nicolai Zellmani, presenting a selection of 4 previously unreleased tracks from the vaults, retouched and Deejay ready.
Fans of his first EP on Public Possession „Percussion Heaven“ will notice with delight: a similarly tribalistic, warm & spheric approach to Techno on the tracks „Yongheng Forever“ and „Smutt“. Then you have „Nuevo Portamento“ a crazy, harmonius leftfield anthem and „Eternal Loop“ the ultimate song for a late night (early morning) ecstasy experience. Big Tip!
More
A1) Zellmani - Yongheng Forever
A2) Zellmani & Piotr - Nuevo Portamento
B1) Zellmani & Gojiano - Smutt
B2) Zellmani - Eternal Loop of Emotions
Short info:
We are back with more songs from Nicolai Zellmani, presenting a selection of 4 previously unreleased tracks from the vaults, retouched and Deejay ready.
Fans of his first EP on Public Possession „Percussion Heaven“ will notice with delight: a similarly tribalistic, warm & spheric approach to Techno on the tracks „Yongheng Forever“ and „Smutt“. Then you have „Nuevo Portamento“ a crazy, harmonius leftfield anthem and „Eternal Loop“ the ultimate song for a late night (early morning) ecstasy experience. Big Tip!
More
1
Fimiani - Disco Music (Young Pulse Remix)
2
Fimiani - Disco Music (Elado Remix)
3
Fimiani - Disco Music (Original)
4
Fimiani - Drums From The Motherland
Tracklist 12":
A1) Disco Music (Young Pulse Remix)
A2) Disco Music (Elado Remix)
B1) Disco Music (Original)
B2) Drums From The Motherland
Disco Music is probably one of Toy Tonics’s catchiest tracks. Played by DJs like Palms Trax, A-Trak, Louie Vega, Folamour and tons of other big names, this track could become a anthem for the new wave of disco that is invading the clubs 2024. After techno and trance revivals of the last year not just the italo disco movement has become massive among the younger generation but all kinds of afro, latin, new wave and indie disco are invading the dancefloors.
Fimiani who made this track, inspired by a rare old song from the 1970ies played all instruments himeself with a group of friends (no samples).
Now its time to bring on variations of the track, Remixes by Young Pulse, the house maestro from paris, Elado, crazy edit king fro Tel Aviv, Berlin's Delfonic, who one more time proves that he knows how to tune a soul song into a dancfloor anthem and last but not east Paul Older, the guy who just released his debut EP on Toy Tonics with massive support himself by DJs like Folamour, Master at Work and many others..
These remixes are all dancefloor gold. Fimiani is on the roll.
More
A1) Disco Music (Young Pulse Remix)
A2) Disco Music (Elado Remix)
B1) Disco Music (Original)
B2) Drums From The Motherland
Disco Music is probably one of Toy Tonics’s catchiest tracks. Played by DJs like Palms Trax, A-Trak, Louie Vega, Folamour and tons of other big names, this track could become a anthem for the new wave of disco that is invading the clubs 2024. After techno and trance revivals of the last year not just the italo disco movement has become massive among the younger generation but all kinds of afro, latin, new wave and indie disco are invading the dancefloors.
Fimiani who made this track, inspired by a rare old song from the 1970ies played all instruments himeself with a group of friends (no samples).
Now its time to bring on variations of the track, Remixes by Young Pulse, the house maestro from paris, Elado, crazy edit king fro Tel Aviv, Berlin's Delfonic, who one more time proves that he knows how to tune a soul song into a dancfloor anthem and last but not east Paul Older, the guy who just released his debut EP on Toy Tonics with massive support himself by DJs like Folamour, Master at Work and many others..
These remixes are all dancefloor gold. Fimiani is on the roll.
More
1
Cinthie - Rave Baby
2
Cinthie - I Warned You Baby
3
Cinthie - What's Poppin'
Coloured vinyl
Tracklist:
Side A
1. Rave Baby
Side B
1. I Warned You Baby
2. What's Poppin'
Cinthie steps up to Aus Music's 200 series with Rave Baby EP.
The popular underground mainstay offers three effective and emotive house weapons Cinthie has been at the heart of the European underground for many years. The Berlin-based artist heads up her cultured 803 Crystal Grooves label and the well-respected Elevate.Berlin recordstore. She has a vast vinyl collection and a deep understanding of house that makes her a favourite all around the world. She has long been a key part of the Aus family and has recently branched out into playing live, all while continuing to serve up timeless sounds that range from rave-ready to deep and driving.
This EP is the third in a run of four releases from different artists to mark the 200th outing of Will
Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's
brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.
Cinthie pushes herself into a more ravey fast-paced direction with her lead single 'Rave Baby'. The well swung kicks are full of warmth as a nimble bassline phrase gets hands in the air and crisp percussion cuts up the beats. It's peak-time fun that completely takes off with the raved-up piano stabs and a steamy female vocal. 'I Warned You Baby' sinks into a deeper groove that harks back to 90s New Jersey with diffuse chords, Nu Groove style vocals and punchy drum programming full of good vibes. Closer 'What's Poppin'' is passionate house music with depth and drive. Raw percussion, turbo-charged retro stabs and another standout bassline make it a high-class weapon.
More
Tracklist:
Side A
1. Rave Baby
Side B
1. I Warned You Baby
2. What's Poppin'
Cinthie steps up to Aus Music's 200 series with Rave Baby EP.
The popular underground mainstay offers three effective and emotive house weapons Cinthie has been at the heart of the European underground for many years. The Berlin-based artist heads up her cultured 803 Crystal Grooves label and the well-respected Elevate.Berlin recordstore. She has a vast vinyl collection and a deep understanding of house that makes her a favourite all around the world. She has long been a key part of the Aus family and has recently branched out into playing live, all while continuing to serve up timeless sounds that range from rave-ready to deep and driving.
This EP is the third in a run of four releases from different artists to mark the 200th outing of Will
Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's
brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.
Cinthie pushes herself into a more ravey fast-paced direction with her lead single 'Rave Baby'. The well swung kicks are full of warmth as a nimble bassline phrase gets hands in the air and crisp percussion cuts up the beats. It's peak-time fun that completely takes off with the raved-up piano stabs and a steamy female vocal. 'I Warned You Baby' sinks into a deeper groove that harks back to 90s New Jersey with diffuse chords, Nu Groove style vocals and punchy drum programming full of good vibes. Closer 'What's Poppin'' is passionate house music with depth and drive. Raw percussion, turbo-charged retro stabs and another standout bassline make it a high-class weapon.
More
1
Lavan - For The Love ft. manpaintinghouse
2
Lavan - Folk Song
3
Lavan - Daamn
4
Lavan - For The Love (Black Eyes Hydro-Trip Mix)
Incoming for the second release on House Music label Ascension on Wax, AoW's co-founder Lavan is dropping his 'For The Love EP.' This raw, authentic, party-ready release is arguably his best to date and pushes the purity of the old-school house music sound, whilst bringing it into the present. Lavans notorious usage of MPC sampling and borrowed synthesisers is flowing throughout the release alongside gorgeous jazz elements. Hydro-trip specialist Black Eyes closes the EP with a subterranean, downtempo roller of a remix which gives a nod to the iconic Detroit sound championed by the late Mike Huckaby amongst many others.
'For The Love EP' follows Lavan's 'It's Happening EP' on SlothBoogie released earlier in 2024 and his feature in DJ Mag's emerging artists section. This is a gentleman who is proving his dedication to his craft.
More
'For The Love EP' follows Lavan's 'It's Happening EP' on SlothBoogie released earlier in 2024 and his feature in DJ Mag's emerging artists section. This is a gentleman who is proving his dedication to his craft.
More
1
RekaB - My Inspiration (05:54)
2
RekaB - Soul Brother 88 (07:03)
3
RekaB - Future Times (06:43)
4
RekaB - Random Fragments (07:13)
Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist 12", strictly limited to 250 copies, no repress!
A1. RekaB - My Inspiration 05:54
A2. RekaB - Soul Brother 88 07:03
B1. RekaB – Future Times 06:43
B2. RekaB – Random Fragments 07:13
Release Info:
ReKaB drops another strong four-track EP, rooted firmly in the Detroit sound with a nod to the soulful techno styles that shaped the UK underground in the 90s. His second EP for Cologne's YORE Records. The production, as always, is spot on—sharp, detailed, and endlessly listenable. While the tracks carry the weight of tradition, they’re not stuck in it. There’s a fresh, forward-facing energy here that keeps things exciting.
My Inspiration opens with classic metallic strings and a tight, robotic square bass that locks you in straight away. Just when you think you know where it’s going, the vocal drops—a bold touch that shifts the track into more human territory, giving it an emotional pull without losing its edge.
Soul Brother is a late-night cruiser. Rhodes chords, rolling bass, and lush strings set the scene for a proper cityscape vibe. It’s smooth, it’s warm, and it glides effortlessly, all while keeping enough groove to move.
Future Times kicks things up a gear with more tempo and bite. Acidic basslines and a writhing lead sit alongside deep chords, making it equal parts hypnotic and urgent. It’s the kind of track that turns heads in the club—direct and effective without being predictable.
Wrapping it up, Random Fragments pulls things back into a more reflective, dubby space. The layers are rich but restrained, with chirps and analogue echoes drifting through a hazy atmosphere. It’s introspective but not sleepy, the perfect comedown to round off the EP.
ReKaB’s consistency is something else—each release feels like it’s levelling up, pushing his sound forward without losing its roots. This EP is no different. It’s a tight package of ideas, all executed with precision and style. One for the heads, no question.
More
Tracklist 12", strictly limited to 250 copies, no repress!
A1. RekaB - My Inspiration 05:54
A2. RekaB - Soul Brother 88 07:03
B1. RekaB – Future Times 06:43
B2. RekaB – Random Fragments 07:13
Release Info:
ReKaB drops another strong four-track EP, rooted firmly in the Detroit sound with a nod to the soulful techno styles that shaped the UK underground in the 90s. His second EP for Cologne's YORE Records. The production, as always, is spot on—sharp, detailed, and endlessly listenable. While the tracks carry the weight of tradition, they’re not stuck in it. There’s a fresh, forward-facing energy here that keeps things exciting.
My Inspiration opens with classic metallic strings and a tight, robotic square bass that locks you in straight away. Just when you think you know where it’s going, the vocal drops—a bold touch that shifts the track into more human territory, giving it an emotional pull without losing its edge.
Soul Brother is a late-night cruiser. Rhodes chords, rolling bass, and lush strings set the scene for a proper cityscape vibe. It’s smooth, it’s warm, and it glides effortlessly, all while keeping enough groove to move.
Future Times kicks things up a gear with more tempo and bite. Acidic basslines and a writhing lead sit alongside deep chords, making it equal parts hypnotic and urgent. It’s the kind of track that turns heads in the club—direct and effective without being predictable.
Wrapping it up, Random Fragments pulls things back into a more reflective, dubby space. The layers are rich but restrained, with chirps and analogue echoes drifting through a hazy atmosphere. It’s introspective but not sleepy, the perfect comedown to round off the EP.
ReKaB’s consistency is something else—each release feels like it’s levelling up, pushing his sound forward without losing its roots. This EP is no different. It’s a tight package of ideas, all executed with precision and style. One for the heads, no question.
More
1
Monsieur Van Pratt - No Te Perdereì
2
Monsieur Van Pratt - Believe
We here at TSTD are longtime fans of Mexican producer/musician MONSIEUR VAN PRATT. So it’s a great pleasure to finally work with the man. For this 7 inch he delivers two tracks:
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe More
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe More
Label:Smallville Records
Cat-No:smallville67
Release-Date:06.12.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville67
Release-Date:06.12.2024
Genre:Deephouse
Configuration:12" Excl
1
Snad - Bubblescope
2
Snad - Lukewarm Lava
3
Snad - Tanni
Artwork and Typography by Stefan Marx
Snad is back on Smallville.
Shyam Anand is a long-term friend of Smallville and an MPC wizard with a wide-open heart. We are super happy to finally present a 12“ that is fully his own.
After an amazing contribution to Smallville 49 (check out Excerptz!), Snad aka Spandrel aka Shyam Anand presents a full 3-tracker on Smallville, packed with his irrisistible grooves, the usual unexpected twists and an overall magical atmosphere. Growing up near Philadelphia, then moving to Chicago and later exploring the global underground scenes of Berlin and Mexico City, among others, Snad is a busy man. He runs his own imprint Spandrel, co-runs We R The Aliens and has an impressive back-catalogue of contributions for several favourites like Running Back, Courtesy of Balance, Kimochi, Long Vehicle, 20:20 Vision, Phonica and many more.
On this 12" the A side belongs solely to Bubblescope - 14 and a half minutes of mesmerizing Ensoniq DP/4 Vocoder driven modular spheres, an endlessly deep bubbling piece of art that builds an intense feeling that could last for hours.
The B side sees Snad staying deep – Lukewarm Lava explores the broken beat world before taking you on a ride. The beloved B2-spot goes to Tanni - an integral part of Julius' warmup-sets since forever and thus a special one to finally put on wax.
Bubblescope comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
A1 Bubblescope
B1 Lukewarm Lava
B2 Tanni
All tracks written & produced by Shyam Anand
Mastering and Vinyl cut by Helmut Erler at Lathesville More
Snad is back on Smallville.
Shyam Anand is a long-term friend of Smallville and an MPC wizard with a wide-open heart. We are super happy to finally present a 12“ that is fully his own.
After an amazing contribution to Smallville 49 (check out Excerptz!), Snad aka Spandrel aka Shyam Anand presents a full 3-tracker on Smallville, packed with his irrisistible grooves, the usual unexpected twists and an overall magical atmosphere. Growing up near Philadelphia, then moving to Chicago and later exploring the global underground scenes of Berlin and Mexico City, among others, Snad is a busy man. He runs his own imprint Spandrel, co-runs We R The Aliens and has an impressive back-catalogue of contributions for several favourites like Running Back, Courtesy of Balance, Kimochi, Long Vehicle, 20:20 Vision, Phonica and many more.
On this 12" the A side belongs solely to Bubblescope - 14 and a half minutes of mesmerizing Ensoniq DP/4 Vocoder driven modular spheres, an endlessly deep bubbling piece of art that builds an intense feeling that could last for hours.
The B side sees Snad staying deep – Lukewarm Lava explores the broken beat world before taking you on a ride. The beloved B2-spot goes to Tanni - an integral part of Julius' warmup-sets since forever and thus a special one to finally put on wax.
Bubblescope comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
A1 Bubblescope
B1 Lukewarm Lava
B2 Tanni
All tracks written & produced by Shyam Anand
Mastering and Vinyl cut by Helmut Erler at Lathesville More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More