Genre/s: Techno

Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache

Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2020 REISSUE in Original Art

Tracklist
A-Modulation A
B-Modulation B


Shortinfo:

The Two Tunes You Find In This Debut Ep Have Been Fully Written And Produced By Dino Sabatini In His Studio In Berlin. Modulation A May Be A Perfect Introduction For The Journey. It Is A Dense, Tense Ride Into A Liquid Atmosphere Of A Techno Playground. Far To Be Aggressive, Though. Go Through It, And Youll Get The Essence Of Outis Label. Modulation B Can Be Taken As A Tool, Yet Totally Undependent By Its Brother. As A Standalone Track, It Can Bring The Dancefloor Into An Evanescent State Of Ghostly Fog, Self-spreading All Around You. But When Played Over Another Track, Its Capable Of Adding The Spiral Touch Of A Transparent Radiation, Like Being In A Boundless Land You've Never Been Before





Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Vinyl version 2x12" LP (Special Edition)

Tracklist LP:

Disk 1

A1-Apparition
A2-Prophecy
A3-Soul Capture
B1-Trance State
B2-Ritual
B3-Vision Quest

Disk 2

C1-Extraction
C2-Totem
D1-White Witch
D2-Parallel Perception
D3-Icaro

Short Info:
Vinyl version 2x12" LP (Special Edition)
After having been released in CD and Single EP format on Prologue Music (October 2012), Outis Music is proud to announce a new special edition of SHAMAN'S PATHS - the complete album in a double-vinyl compilation (2x12''LP) coming out as a part of Outis Opera Series.

Vital Sales Points:

- Global Promo.
- Artwork by Suloni Robertson.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

This is the remix edition of Dino Sabatini's recent second album "Omonimo" (April 2016, Outis Music).Like the recent album, this EP "Concentrica" features renowned Italian veteran pianist/accordionist Antonello Salis on the tracks "If" and "It All Ends Here", albeit here in different versions. Out of these two tracks the former is on "Concentrica" reworked by Dino Sabatini and the latter in a collaborative live variation between Salis and Dino Sabatini.
Simultaneously with the announcement of "Concentrica" was it announced that Dino and Antonello are launching their new live project: Dino Sabatini & Antonello Salis present 'Electronic Opera Concentrica'.
Howie B is veteran producer mainly known as a purveyor of early trip hop, having produced cuts from Tricky's debut album, Björk's "Post" and "Homogenic" as well as other major like U2.

Tracklist EP:
A1 - Sometimes Back (Touched by Howie B), A2 - If (feat. Antonello Salis)
B1 - The Unexpected (ASC's Grey Area Remix) , B2 - And it All Ends Here (Salis & Sabatini Variation)

After inaugurating the 'Opera' sub-series of his Outis Music label with the sublime 'Omonimo' double LP this April, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini's atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label's commitment to dismantling the 'either-or' logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, 'Concentrica', draws on the material from 'Omonimo' and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.

The leadoff contribution, a variation on 'Sometimes Back' from Howie B, unwinds slowly and undulates gracefully, luring the listener into a dense thicket of sound foliage before a surprise entrance from sonic beasts made of thick distortion and delay effects. The deceptively light percussion touches and keystrokes give this cyborg dub a deceptive tranquillity that contrasts delightfully with the growls and feverish swells of the 'lead' synths. This fades into a re-imagining of 'If' by Sabatini, augmenting the original's ambience with all kinds of new elements from rolling toms to translucent curtains of harmonic string-like sounds. More of a continuation of the original than a reprise, it strikes that perfect balance between passivity and activity - the listener can 'relax' but still have the freedom to actively, deeply explore inner space.
Next up is a focused mix of 'The Unexpected' from ASC, known for his many contributions to the Silent Season label and for a kinship with uncategorizable artists like Kangding Ray and L.B. Dub Corp. Though subtitled as his 'Grey Area' mix, this track is rich with tone colour and a feeling of curiosity that, thanks to the producer's flair for layering sound washes and filtering percussive elements, never elevates into full-on anxiety and leaves one wanting to know what lies behind the door from which these hazy sounds are escaping.

The final track, as it was on 'Omonimo', is once again 'And it All Ends Here', although this time Salis and Sabatini reach the ending in a drastically different way than before: a dramatic fade-in of music box and environmental ambience gives way to even more dramatic string arrangements, quick piano stabs and time-reversed ephemera. As such, the record ends in mystery, with a question mark or a 'to be continued...' rather than a resolute conclusion, but this is part of the record's appeal: imagining what lies beyond the grooves is just as rewarding as the listening experience.




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:
1 - Foreword 2 - Choosing the Right Way 3 - It's My Forest 4 - Follow Me 5 - The Unexpected 6 - Just When I Think About You 7 - Sometimes Back 8 - The Untold Story 9 - Homeward 10 - If (feat. Antonello Salis) 11 - Summary 12 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.

After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.

And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist LP:
A1 - Foreword A2 - Choosing the Right Way A3 - It's My Forest
B1 - Follow Me B2 - The Unexpected B3 - Just When I Think About You
C1 - Sometimes Back C2 - The Untold Story C3 - Homeward
D1 - If (feat. Antonello Salis) D2 - Summary D3 - And it All Ends Here (feat. Antonello Salis)

Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.

After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.

And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Dino Sabatini is not just a Prologue artist having the first 12" release in our catalogue, he is also one of the most authentic Prologue artists who is responsible for providing the well known Prologue sound aesthetic. Dino´s productions always deliver exactly our vision of music; deep, hypnotic, atmospheric and mind-driven. It's no surprise that we are more than proud to announce the third Prologue album this year, which comes from our high respected mate from Berlin. The album is called "Shaman's Paths" and it is more than just an album for all of us. Dino´s Shaman's Paths is his personal interpretation of the sounds of Africa, which provides since decades the basis of trance in order to loose your mind in sounds and drum arrangements and it is his personal interpretation of the Prologue sound aesthetic. The Album is planned for October 2012 and will be distributed over "WordandSound". One part will be a CD mixed with all tracks, which simply is the Shaman's Paths to follow. Further we will also have one 12" Vinyl which will contain the most club oriented hypnotic tracks from the Album and a complete digital album with all separate tracks. Dino is now available for bookings and his album tour.
Tracklisting:
01 - Apparition
02 - Prophecy
03 - Soul capture
04 - Trance state
05 - Ritual
06 - Vision quest
07 - Totem
08 - Extraction
09 - White Witch
10 - Parallel perception
11 - Icaro


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Dino Sabatini is not just a Prologue artist having the first 12" release in our catalogue, he is also one of the most authentic Prologue artists who is responsible for providing the well known Prologue sound aesthetic. Dino´s productions always deliver exactly our vision of music; deep, hypnotic, atmospheric and mind-driven. It's no surprise that we are more than proud to announce the third Prologue album this year, which comes from our high respected mate from Berlin. The album is called "Shaman's Paths" and it is more than just an album for all of us. Dino´s Shaman's Paths is his personal interpretation of the sounds of Africa, which provides since decades the basis of trance in order to loose your mind in sounds and drum arrangements and it is his personal interpretation of the Prologue sound aesthetic. The Album is planned for October 2012 and will be distributed over "WordandSound". One part will be a CD mixed with all tracks, which simply is the Shaman's Paths to follow. Further we will also have one 12" Vinyl which will contain the most club oriented hypnotic tracks from the Album and a complete digital album with all separate tracks. Dino is now available for bookings and his album tour.
Tracklisting:
A1 - Vision Quest
A2 - Totem
B1 - White Witch


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

transparent/ ice color - 180gr - transparent plastic cover

Genre/s: Techno

Tracklist:
A1: Pelias
A2: Medea
B1: Euphemus
B2: Echion

Text:
Dino Sabatini welcomes Concrete Records owner Maurizio Cascella to Outis Music.
Together they created their Chiron EP, an important chapter on Outis, bringing Sabatini’s immersive hypno grooves and the captivating sonorities of Cascella together. The duo explores mythological and archetypal themes, intertwining the intensity of mental techno with dark and transcendental atmospheres.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Genre/s: Techno

Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache

Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Genre: Techno


Italian duo Crossing Avenue debuts on Outis Music with Piromanzia, their fourth solo EP, presenting a fresh batch of their organic rhythm tools. It's the duo's first EP on Dino Sabatini's Outis Music where they released three EPs on Spazio Disponibile before. First track Piromante is a dark and spooky hypnotizer in optimal form. Sacrificio brings out the drums, the pulsating rhythm groove subtly transforms into a playful DJ weapon where the EP closer Fuoco Freddo dives into the deeper techno territories being a true heads down kick drum roller. It's an exciting selection of carefully crafted noodling jams that makes this an essential pack of Italian techno.


Tracklist 12":

A1-Piromante
A2-Sacrificio
B - Fuoco Freddo


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2020 REISSUE in Original Art

Tracklist
A-Modulation A
B-Modulation B


Shortinfo:

The Two Tunes You Find In This Debut Ep Have Been Fully Written And Produced By Dino Sabatini In His Studio In Berlin. Modulation A May Be A Perfect Introduction For The Journey. It Is A Dense, Tense Ride Into A Liquid Atmosphere Of A Techno Playground. Far To Be Aggressive, Though. Go Through It, And Youll Get The Essence Of Outis Label. Modulation B Can Be Taken As A Tool, Yet Totally Undependent By Its Brother. As A Standalone Track, It Can Bring The Dancefloor Into An Evanescent State Of Ghostly Fog, Self-spreading All Around You. But When Played Over Another Track, Its Capable Of Adding The Spiral Touch Of A Transparent Radiation, Like Being In A Boundless Land You've Never Been Before





Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Vinyl version 2x12" LP (Special Edition)

Tracklist LP:

Disk 1

A1-Apparition
A2-Prophecy
A3-Soul Capture
B1-Trance State
B2-Ritual
B3-Vision Quest

Disk 2

C1-Extraction
C2-Totem
D1-White Witch
D2-Parallel Perception
D3-Icaro

Short Info:
Vinyl version 2x12" LP (Special Edition)
After having been released in CD and Single EP format on Prologue Music (October 2012), Outis Music is proud to announce a new special edition of SHAMAN'S PATHS - the complete album in a double-vinyl compilation (2x12''LP) coming out as a part of Outis Opera Series.

Vital Sales Points:

- Global Promo.
- Artwork by Suloni Robertson.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist
A-Ecate
B1-Leto
B2-Esperide

Shortinfo:
A year on from Luigi Tozzi and label head Dino Sabatini's collaborative Manticora EP, Outis return with a striking, singular solo work from Tozzi. Ecate EP sees the Roman producer bringing three distinct slices of techno, each with its own set of subtleties and the crystal, adept sound design that defines Tozzi's work.
Spanning the A-side is Ecate. This title track is rolling and hypnotic, with muscular, percussive bass. Throughout the track, angelic chords come and go, washing the listener in euphoria. Alongside, we hear a disorienting melody, grounded by the lightly swung four to the floor kick that gives this track an infectious groove.
The flip opens with Leto, which immediately defines itself as a club track with an unbroken but evolving set of percussion and a weighty kick. It's around this kick that other elements build. We hear long, ringing, resonant string sounds, and a bell like melody morph and unfold as other percussive components come and go. The track falls away into atmospheric eeriness, which perfectly sets the stage for the EP's finale.
Esperede's swung, panning drums give it a disorienting feeling of otherworldliness from the get go. This is before you're greeted by an alien, slightly dubbed out melody and a hanting backing drone that feels like a reference (perhaps in opposition) to the angelic chords of the EP's first track. It's on this closing track that Tozzi's delicate, expert sound design best shines through, and really has to be heard to be understood.



Vital Sales Points: Social networks and Promotion by Tailored Communication


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Tracklist
A1. Manticora - B1. Celeno - B2. Aello

Shortinfo:
It's a match made in heaven, techno veteran Dino Sabatini meets up and coming talent Luigi Tozzi, who over the last couple of years has delivered stellar EPs for the likes of Hypnus Records, Dynamic Reflection, Mental Modern, and Sabatini's own Outis Music. Anyone familiar with the two will know they share an aptitude for adventurous and evolving techno. This is crystallised in this collaboration, which doesn't take the easy path of creating straightforward club tracks. Instead, the three tracks on this release explore the subtler sides of the two producers. That's not to say this isn't club music - it
is - but they have a lot more to offer than pure functionality. The EP opens with Manticora. This eight-minute experience takes the listener through
winding claustrophobia as ringing feedback pulses across the stereo field and cavernous rhythms dance about, hard to quite grab. These rhythms build to a point to which they solidify and fall into place, a point at which the track gains a feeling of propulsion, alongside shifting and emotive reverberations and resonances. Next up is Celeno, a track that slowly unravels under a backing of shuffling hats and a rolling kick drum. Twinkling synths swirl around before giving way to a rhythmic and compelling melody. Celeno's musical themes continue into the third and final track, Aello, which eases you in with softer drums while a haunting drone builds up. Over this, ghostly arpeggios develop alongside weightier drums that carry the track through until the end, leaving just enough time for the drone to ring out and provide a fitting end to the EP.


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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
A1 Athena A2 Eumaeus B1 Eurycleia B2 Laertes Theme

Short info:
Picking up where they left off three years ago, Modern Heads, the much-respected collaboration between Gianluca Meloni and Dino Sabatini, are back with a dynamic and intriguing four track EP. The duo go straight in here with the club-ready Athena. Throughout this track, tight percussive elements wind in and around one another, creating an ever-changing rhythm that you can only just hold onto. Under this, tense synths pulse away, producing an opaque and insular atmosphere. Next up, Eumaeus lightens the mood somewhat, providing clarity with a distinct opening drum pattern. This mood doesn't last long though, as indiscernible, haunting vocals begin to echo in the distance, gradually moving closer and further in the mix as sharp pads swoosh either side. Side B of the record opens with the deepest and longest track of the EP, Eurycleia. Simple yet unrelenting drums frame this hypnotic sci-fi episode, through which otherworldly screeches and rumbles reverberate over the twinkling sounds of machines. Eurycleia's atmosphere continues straight into the final track, Laertes Theme. This beatless piece takes Eurycleia's exploratory mood and extrapolates it over five and a half minutes, resulting in what feels like the perfect soundtrack to a glacial expedition in alien territory. As an EP this is a complete and coherent package; a perfect extension to Modern Heads previous work. The sound palette is familiar, yet refined, developed upon and taken further. The Old Beggar is undeniably worth the wait for anyone with a taste for the extraterrestrial.

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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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This is the remix edition of Dino Sabatini's recent second album "Omonimo" (April 2016, Outis Music).Like the recent album, this EP "Concentrica" features renowned Italian veteran pianist/accordionist Antonello Salis on the tracks "If" and "It All Ends Here", albeit here in different versions. Out of these two tracks the former is on "Concentrica" reworked by Dino Sabatini and the latter in a collaborative live variation between Salis and Dino Sabatini.
Simultaneously with the announcement of "Concentrica" was it announced that Dino and Antonello are launching their new live project: Dino Sabatini & Antonello Salis present 'Electronic Opera Concentrica'.
Howie B is veteran producer mainly known as a purveyor of early trip hop, having produced cuts from Tricky's debut album, Björk's "Post" and "Homogenic" as well as other major like U2.

Tracklist EP:
A1 - Sometimes Back (Touched by Howie B), A2 - If (feat. Antonello Salis)
B1 - The Unexpected (ASC's Grey Area Remix) , B2 - And it All Ends Here (Salis & Sabatini Variation)

After inaugurating the 'Opera' sub-series of his Outis Music label with the sublime 'Omonimo' double LP this April, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini's atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label's commitment to dismantling the 'either-or' logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, 'Concentrica', draws on the material from 'Omonimo' and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.

The leadoff contribution, a variation on 'Sometimes Back' from Howie B, unwinds slowly and undulates gracefully, luring the listener into a dense thicket of sound foliage before a surprise entrance from sonic beasts made of thick distortion and delay effects. The deceptively light percussion touches and keystrokes give this cyborg dub a deceptive tranquillity that contrasts delightfully with the growls and feverish swells of the 'lead' synths. This fades into a re-imagining of 'If' by Sabatini, augmenting the original's ambience with all kinds of new elements from rolling toms to translucent curtains of harmonic string-like sounds. More of a continuation of the original than a reprise, it strikes that perfect balance between passivity and activity - the listener can 'relax' but still have the freedom to actively, deeply explore inner space.
Next up is a focused mix of 'The Unexpected' from ASC, known for his many contributions to the Silent Season label and for a kinship with uncategorizable artists like Kangding Ray and L.B. Dub Corp. Though subtitled as his 'Grey Area' mix, this track is rich with tone colour and a feeling of curiosity that, thanks to the producer's flair for layering sound washes and filtering percussive elements, never elevates into full-on anxiety and leaves one wanting to know what lies behind the door from which these hazy sounds are escaping.

The final track, as it was on 'Omonimo', is once again 'And it All Ends Here', although this time Salis and Sabatini reach the ending in a drastically different way than before: a dramatic fade-in of music box and environmental ambience gives way to even more dramatic string arrangements, quick piano stabs and time-reversed ephemera. As such, the record ends in mystery, with a question mark or a 'to be continued...' rather than a resolute conclusion, but this is part of the record's appeal: imagining what lies beyond the grooves is just as rewarding as the listening experience.




Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist LP:
A1 - Foreword A2 - Choosing the Right Way A3 - It's My Forest
B1 - Follow Me B2 - The Unexpected B3 - Just When I Think About You
C1 - Sometimes Back C2 - The Untold Story C3 - Homeward
D1 - If (feat. Antonello Salis) D2 - Summary D3 - And it All Ends Here (feat. Antonello Salis)

Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.

After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.

And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.


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Tracklist:
1 - Foreword 2 - Choosing the Right Way 3 - It's My Forest 4 - Follow Me 5 - The Unexpected 6 - Just When I Think About You 7 - Sometimes Back 8 - The Untold Story 9 - Homeward 10 - If (feat. Antonello Salis) 11 - Summary 12 - And it All Ends Here (feat. Antonello Salis)
Short info:
As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his "Mnemosyne" co-release with Edit Select, in which each track is dedicated to a separate Greek goddess). With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini's works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, "Omonimo" (that's "homonym" for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.

After a pulsating "Foreword" massages the mind and prepares it for the story that Sabatini is about to tell, "Choosing the Right Way" blankets the listener in a rainy day ambience punctuated with tantalizingly distant vocal refrains and nimble piano. At once solemn and erotic, it sets the pace perfectly for a set of tracks that have a cohesive feel, yet all use their own sonic vocabulary and color palette to tell unique variations on the story. "It's My Forest," for example, sticks to the reliable trip-hop / mid-tempo framework while introducing quick snatches of tabla and signaling, hovering synth arpeggios. "Follow Me" retains the lush synth pads and cycling percussive loops of that track, and then things take a turn for the slightly darker with "The Unexpected," a sudden uptick in percussive punch and apprehensive intensity. The album's main, recurring motif of cascading note patterns continues on "Just When I Think About You" and "Sometimes Back," with the former benefitting from a fat, insistent bass synth throb both of these pieces benefitting from the return of tastefully minimal piano accents.

And speaking of piano, the album's feeling of grandeur truly hits its stride with the assistance of jazz pianist Antonello Salis: on the tracks "If" and the swansong "And it All Ends Here", Salis' input allows Sabatini's blossoming arrangements to truly breathe while accommodating his partner's contemplative presence, culminating in free-floating, luminous wisps of romanticism. Nestling neatly between a number of contemporary genres, and wisely avoiding their fatal clichés, tracks like the Sabatini / Salis collaborations will point listeners forward to a new kind of compositional freedom, and a style that can melt away feelings of pervasive stress without ever silencing the mind's innate curiosity.


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Tracklist:
A1 / 1 - Beginning (Claudio PRC Remix) , A2 / 2 - Beginning (Giorgio Gigli Remix) , B1 / 3 - Beginning (Donato Dozzy Remix)
Short info:
It all began about ten years ago in a basement in the heart of Rome; the story of a crew of people who followed a musical ideal and created an original sound and an unmistakable style.
After the return of Modern Heads with Outis 006 "Chapter II", memories once again led me to friends I made during the period of the first productions on Elettronica Romana, and I asked them for personal interpretations of the track "Beginning". From the youngest Claudio PRC to the veterans Donato Dozzy and Giorgio Gigli, all together on an amazing release.
- Dino Sabatini


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Tracklist:
A1 / 1 - Calipso A2 / 2 - Ambrosia B1 / 3 - Nostos B2 / 4 - Nostos (Dino Sabatini Version)
Short info:
Luigi Tozzi is a young Roman artist just twenty-three years old but with a profound musical knowledge. His productions reflect the distinct musical style coming from the Italian capital, a style purveyed by artists now considered icons within the international techno scene. It's the direct link to this sound that aligns Luigi's music perfectly with the musical realm of Outis Music. The EP's opening and title track "Calipso" is dedicated to the Goddess of the Sea "Calypso", elegantly adding subtly trance-like traits to a classic 4/4 beat. Next piece "Ambrosia" finishes the first side with a deep, sophisticated and refined device dedicated to the Ocean God. Devotion to the return to home is the theme of the following cut "Nostos", a substantial tool that's hypnotic and encapsulating. On the EP's final piece "Nostos (Dino Sabatini Version)", label founder Dino Sabatini provides a different point of view on Luigi's original in his own classic and unmistakable style.


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Tracklist:
A1 - Icore (Original Mix) A2 - Icore (Nuel Rmx) B - Icore (Dino Sabatini Rmx)
Short info:
After the latest podcast of its series, for the next release Outis Music has chosen Sardinian artists Claudio PRC and Ness. Both known previously for their solo projects, their collaborations, and also together as "The Gods Planet" they journey deep into remote sides of techno music. The affinity between concepts of their TGP project and Dino Sabatini's philosophy leads them to make their contribution to the label. "Icore" is an obsessive and straight 4/4 track, where a hypnotic and synthetic arp floats into visceral and noisy atmospheres. Beside the original, Italian artist Nuel give his dry and wild version, as well label boss Dino Sabatini complete the EP with a very deep and transcendental remix.


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UPC: 82717056446 Release: 13.10.2014
Tracklist: A - Beginning B - Unknown Route
Short info:
After a few years away from the scene Modern Heads aka Dino Sabatini & Gianluca Meloni are back with a new 12" "Chapter II" .
The second chapter of an adventure that began in 2001 in a basement in Rome, a journey through various labels - Elettronica Romana, Dozzy Records and Stroboscopic Artefacts.
The duo comes up with a vinyl 12" of two tracks -
A . Beginning - the track which this new 12" is based around - a feeling of space, harmony, and distant tribal references
B - Unknown Route - you can use this track as a tool - acidic and sharp


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Back Catalogue - shipping beginning by June 20


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Tracklist 12":

A1) Answer (Cody Version)
A2) Hard Work (Extended Version)
B1) D.G.A.F. (Extended Version)
B2) Dance Dance Dance (Extended Version)

Cody Currie & Kapote together in the studio! Delivering a 4 track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way.
Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have what we call THE VIBE. Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music". Makes us laugh, but also fits well. And yes: Both are a bit crazy... like every extremely talented musician.



















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After a string of heavy hitters, RAW SOUL returns with a raw and relentless 3-tracker from none other than Swiss groove architect Washerman. Known for his deep roots in the scene and a catalog that speaks for itself, he's back with Svizzera Analogica - a pure hardware-driven EP that channels the energy of classic machines into timeless dancefloor pressure.
From hypnotic grooves to gritty percussion and analog warmth, this one's tailored for those late-night sessions where only the realness counts. No gimmicks, just straight-up House music with soul and bite.
Strictly for the heads. Don't sleep.

A1. Washerman - Jam Da House
B1. Washerman - Funkz'n'Dub
B2. Washerman - Life


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Back Catalogue - shipping beginning by June 20


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Genre: Techno / Electronica / Leftfield

The Current Thing EP, first release in a series of three, marks the debut of 'Confusion is next to Happiness' (CINTH); a record label and party series unbound by restraint and defined by complete freedom to bridge idiosyncratic and divergent sounds into the world.
With home base at Sameheads and appearances across Germany with Säule in Berghain, Golden Pudel Club in Hamburg, and PRXXXT in Leipzig, CINTH is an emerging powerhouse for all things twisted and freaky.
Duo Lucas Brell and Marvin Uhde, known as Kinzua, deliver a three track EP featuring minimalist yet richly textured compositions with haunting ambience capturing the edge between intensity and transcendence. The trance-inducing atmosphere and subtle modulations will pull you deep into a meditative wormhole.

Credit
Written and produced by Lucas Brell & Marvin Uhde, 2023-2025
Mixed and Arranged by Lucas Brell & Marvin Uhde at CSG Studios, Leipzig and the Love Secret Domain, Berlin
Final Mixdown by Rabih El Beaini at Morphine Raum, Berlin
Mastered by Rashad Becker, Clunk Studio, Berlin
Lacquer Cut by Schnittstelle, Berlin
Manufactured by R.A.N.D. Musik, Leipzig Cover Artwork by Kit MacArthur (Overturn)
Graphic Design / Art Direction by Alexander Pfeiffenberger

A1 Kinzua - More Wood for the Fires
A2 Kinzua - First Row, Full Circle
B1 Kinzua - Peyote

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Gliding across the slipstreams, leaving no frequency unturned, unraveling the tether into the glitter and the gloss. The strata meander, the grooves contract then explode with gusto and grace, the listener transported along through the haze and into a soundscape of such purpose and feeling. Its emotive music at its most enticing, it’s most enigmatic, it’s most surprising…..

If there ever were an artist who defied the notion of labels and embraced the boundlessness of the unknown, it would undoubtedly be Gacha Bakradze, who has taken listeners on the most sublime of journeys through his releases. It’s easier to say his sound is grounded in emotional purity than in one singular genre (or indeed a group of genres), as Bakradze prefers to skirt between the lines, picking up and manipulating the frequencies that persist within the electronic stratosphere. His inspiring technical touch is partnered with a joyous exploratory nature, guidance that has seen him put very few feet wrong as he swerves between a multitude of styles and genres. From his now-fabled releases on the legendary Apollo label, through to his deeply thought-provoking LP efforts on Lapsus, along with a number of astonishing EPs on imprints such as Cin Cin, Best Works, Fever AM and more, Bakradze always finds room to involve the listener with his world – so that the two can grow more fond of each other. The bond that Bakradze crafts with his music to the people who come into contact with is undeniable, as his journey caresses the ground and points in so many directions – it’s simply a matter of seeing It reach out and surprise us once again. No matter what mood you find yourself in, his music gives as much as it takes, a bountiful relationship that only serves to expand your mind and make you feel like you’ve never felt before.

To provide a space for Bakradze to bottle his magic should be at the top of the list for many a label, and Oath has looked to do just that with ‘Forget’. The five trackers has the hallmarks of whatever you might define as his ‘classic’ emotive hallmarks, but with plenty of dynamic motifs thrown in for good measure that provide the listener with that sense of progression – not to mention the expertness in his craft, which is evident throughout. ‘Shifting’ kicks things off, with a quietly involving arpeggio providing the basis for the kicks and gorgeous piano leads to come into play, and by the time the bass notes come into play, there is already that engrossing feeling coming to the surface. It’s a subtle electro kind of vibe, gentle and swaying but with a hefty dollop of energy that surfaces through the breaks and the swerves. ‘Lake’ continues onwards with another delicate arpeggio getting things going before ascending into a deep, diverse and expansive scape indeed. The energy swerves, grows and rises from top to bottom, ensuring the journey feels like it has no end – the gorgeous key line that lands itself within the higher ends around the mid-way mark seals the deal.

‘What You Say’ starts in a similar manner, swirling and growing whilst also not giving much away in terms of the tempo – this is smashed as the kicks come in heavy. Whilst the previous efforts displayed a gentler side to proceedings, this cut is all about the bass and the fuzz, filling in the gaps between the ever-shifting rhythmic structure as the dance is guided toward euphoria. ‘Form’ lands next, and this one builds upon the vibrations of the last number and runs off with it. This one creates this dark and dubby atmosphere, one where the dancers are contorted, the emotive elements stripped back which keeps the rhythm in charge, and we are all for it. To wrap things up, we have ‘Broken Wing’, which meanders back into the softly undulating territory of the first couple of numbers. Bakradze brings the arpeggio motif back into view, his soft touch applied also to the drums as they quietly grow into the mix, as the two layers intertwine beautifully and with a true sense of purpose. Its a fitting end to a record that provides so much, an effort that pours over itself to continually find new methods of wowing, and you leave the experience feeling like you have listened to four EPs in one. A truly remarkable statement from one of dance musics most enigmatic producers.

Gacha Bakradze has also looked for a greater meaning in his music, be it in terms of sonics, scope or indeed how everything flows and meanders from one source to the next. This latest EP on Oath is no exception and stands tall as yet another piece of significance to flow from his fingertips. His ability to weave the listener into a world filled with such beauty and rhythm is remarkable, the music eager to envelop and allow you to explore to your heart’s content. It creates a bond that is strong from track and by the end, it is unbreakable. So go on, wrap yourself around this absolute stunner….

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Tracklist:

01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake


Short info:

Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.


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LP

Special remarks: 180g

Tracklist:

A1) Hatsuhinode 06:55 min
A2) Agora 02:39 min
A3) Ostinato 03:56 min
A4) Hibari 04:59 min
B1) Maya 06:55 min
B2) Shizuku 04:40 min
B3) Niwa 04:07 min
B4) Tio 08:04 min

Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with 'Nozomi', the follow-up to their 2022 debut 'MMMMH'.
The Japanese title, which translates to ‘hope’, felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope.
The music on Nozomi unfolds gently, with Lindermayr’s airy tone and lyrical playing being wrapped in Ohta’s chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto’s ‘Hibari’, the arrangements are largely improvised, letting the duo’s intuition guide the course and build the form.
Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.




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LP

Special remarks:
180g

Tracklist:

A1) Ronpchi 02:14 min
A2) Honsu 05:48 min
A3) Lian 02:05 min
A4) Benbut 08:18 min
A5) Onyx 04:11 min
B1) Skid 02:27 min
B2) Imber 04:50 min
B3) Nakuku 05:29 min
B4) Ysop 05:40 min
B5) Eyb 01:59 min

Info:

Roots run deep on "Candid', the first LP by Munich-based producer Polygonia and drummer Simon Popp. The record is a perfect blend of their distinct voices, with Popp's drumset and his signature percussion sounds buzzing around Polygonia's bold and blooming productions.
Comprised of live material recorded at Munich's ZIRKA in late 2022 and over several studio sessions in-between touring duties, 'Candid' is a meadow of herbal Electronic, mystic at times, but joyful nonetheless.


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LP / Special remarks : Full-colour sleeve, postcard, liner notes by Simon Fisher Turner. Terre Thaemlitz Remix appears on vinyl only

Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner



Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.

In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.

"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."



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