1
Mori Ra - Catharsis Edit
2
Mori Ra - Seinn O! Edit
3
Mori Ra - The Grandson Traveler
4
Mori Ra - That Star
Repress!
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer. Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey. During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes ??? the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, ??? That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end. The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer. Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey. During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes ??? the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, ??? That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end. The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Mori Ra
1
Mori Ra - Gaia Caos
2
Mori Ra - Goreate
3
Mori Ra - Gaia Disco
4
Mori Ra - Penguins Repair
Tracklist: 12":
A1) Gaia Caos 8:33
A2) Goreate 5:24
B1) Gaia Disco 5:04
B2) Penguins Repair 5:11
Mori Ra strikes back at MM Discos with "Gaia Edits", after the successful release back in May on the label of the "portuñol" duo, Da Silva and Dj Katah welcome again Osaka's best record collector with 4 new high quality editions.
Staying loyal to his eclecticism, Mori Ra approaches this time a lil more to the dancefloor by doing a more hedonistic work than his previous release on "MM Discos" , an exuberant "disco-no-disco" exercise mixed with ethnic references, wicked percussion, charming marimbas and an endless of psychedelic elements. A record done for the soul; spiritual, mystic, highly addictive and 100% danceable.
A very special release where the Japanese artist has involved his son who helped with choosing the sound source for this record.
Enjoy the trip! :)
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DE - 22113 Hamburg
Germany
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A1) Gaia Caos 8:33
A2) Goreate 5:24
B1) Gaia Disco 5:04
B2) Penguins Repair 5:11
Mori Ra strikes back at MM Discos with "Gaia Edits", after the successful release back in May on the label of the "portuñol" duo, Da Silva and Dj Katah welcome again Osaka's best record collector with 4 new high quality editions.
Staying loyal to his eclecticism, Mori Ra approaches this time a lil more to the dancefloor by doing a more hedonistic work than his previous release on "MM Discos" , an exuberant "disco-no-disco" exercise mixed with ethnic references, wicked percussion, charming marimbas and an endless of psychedelic elements. A record done for the soul; spiritual, mystic, highly addictive and 100% danceable.
A very special release where the Japanese artist has involved his son who helped with choosing the sound source for this record.
Enjoy the trip! :)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mori Ra - El Grito del Discos
2
Mori Ra - Tsimmairuudiralla
3
Mori Ra - Natural Kogili
4
Mori Ra - Der Hangebruckenlator's
Vinyl Only! lim to 300 Copies!
It's an honor for us to i ntroduce you to one of the artists that has i nfluenced us the most since we
started our story back i n 2015. I still remember l istening to the first edits that Mori-Ra posted on his
soundcloud page and since then, here at MM Discos we've always had an eye on every single thing
that he has put on the streets.
Obsessed digger and one of Japan's most esteemed collectors, Osaka's based dj Mori Ra must be
one of the most determinate artists on the scene. His Vast knowledge of l ocal and i nternational
music has developed his wide ranging style.
An artist that flees from fashions, vinyl l over and a true tastemaker. Eclecticism i s probably the word
that i t could define him better; Disco, Balearic, New Age, New Wave, Jazz, Rock, Experimental and
everything i n between should be expected on his sets and edits, blending all this genres and
breaking all the rules i n order to keep the dancers and music l overs on their toes and grooving.
Mori Ra's MM Discos 13 i s the result of the continuous and relentless exploration for years of
thousands of ( almost) forgotten records, regardless of genre and author. A work not suitable for all
tastes, unclassifiable and highly addictive.
A1) El Grito del Discos 5:14
A2) Tsimmairuudiralla 6:04
B1) Natural Kogili 5:29
B2) Der Hangebruckenlator's 6:00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It's an honor for us to i ntroduce you to one of the artists that has i nfluenced us the most since we
started our story back i n 2015. I still remember l istening to the first edits that Mori-Ra posted on his
soundcloud page and since then, here at MM Discos we've always had an eye on every single thing
that he has put on the streets.
Obsessed digger and one of Japan's most esteemed collectors, Osaka's based dj Mori Ra must be
one of the most determinate artists on the scene. His Vast knowledge of l ocal and i nternational
music has developed his wide ranging style.
An artist that flees from fashions, vinyl l over and a true tastemaker. Eclecticism i s probably the word
that i t could define him better; Disco, Balearic, New Age, New Wave, Jazz, Rock, Experimental and
everything i n between should be expected on his sets and edits, blending all this genres and
breaking all the rules i n order to keep the dancers and music l overs on their toes and grooving.
Mori Ra's MM Discos 13 i s the result of the continuous and relentless exploration for years of
thousands of ( almost) forgotten records, regardless of genre and author. A work not suitable for all
tastes, unclassifiable and highly addictive.
A1) El Grito del Discos 5:14
A2) Tsimmairuudiralla 6:04
B1) Natural Kogili 5:29
B2) Der Hangebruckenlator's 6:00
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DE - 22113 Hamburg
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Cat-No:FJRS-01
Release-Date:10.04.2021
Configuration:2LP
Cat-No:FJRS-01
Release-Date:10.04.2021
Configuration:2LP
1
Mori Ra - Feel
2
Mori Ra - Starry
3
Mori Ra - Pygmy
4
Mori Ra - Caravan
5
Mori Ra - Magical
6
Mori Ra - Sky
7
Mori Ra - Mordern
8
Mori Ra - Suddenly
9
Mori Ra - Mood
10
Mori Ra - Bush
11
Mori Ra - Image
12
Mori Ra - Lyon
Mori Ra with the fastest diggers trigger in all the land completes a set of dancefloor ready edits of Japanese electronic & city-pop songs culled from his well-known Japanese Breeze mix series that he does with the Rotating Souls record label. Some of the tunes are familiar and some rare and unknown but Mori puts his own touch that can only come from years of experience and an extreme relationship to the originals. This record is a joint release between both Rotating Souls & Forest Jams.
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Germany
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Germany
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1
mori ra - No Title
2
mori ra - No Title
After a killer 12 inch from Mori Ra, Jongno Edits is back with two tunes, blurring the lines between editing and sampling.
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Germany
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1
mori ra - Heavenly Me edit
2
mori ra - No One Knows edit
For its fourth release, Jongno Edits got two tracks of pure korean grooves by editing wizard Mori Ra. Two sides, two atmospheres: Side A is a boogie banger that embraces all the elements of the top tunes of that era: strong drum beat, slappy bass synth and violins break downs… Reinforced by killer funky guitars and congas that hold the groove tight! Side B is your perfect sunset Balearic cut for this summer.
The dreamlike bells match perfectly the suave voices to prepare your ascend to the clouds of delayed organs and acoustic guitar where Jeju becomes Ibiza…
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The dreamlike bells match perfectly the suave voices to prepare your ascend to the clouds of delayed organs and acoustic guitar where Jeju becomes Ibiza…
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Germany
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1
mori ra - Wilderness
2
mori ra - Machinally City
3
mori ra - Candy Fllow
4
mori ra - Musically Time
Tracy Island, surrounded by natures greatest and ever rising force of the Ocean, is a place emanating peace and joy. The label is a concept representing the isolation and appeal of Island life, contrasted with thought provoking and mesmerising melodies to draw us away from main land mentality, offering feelings of tranquility and wonder. In these controversial times the necessity to escape or break away grows as we feel increasingly submerged by the world’s realities, now more than ever we should strive to protect both the environment and the purpose of this planet. Tracy Island will follow a 10 episode framework taking inspiration from Thunderbirds, all of which aptly named after the original series. The first episode welcomes Mori Ra of Osaka, with four old edits from way back when on “Trapped In The Sky”. “ Located in the South Pacific, the heavily camouflaged Island's ulterior function is to serve as the secret base of the International Rescue Organisation. Music For Hope. With love from Tracy Island. “
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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More records from Forest Jams
1
Sergio Maria Saguaro (Hiroaki Sugawara) - Rain Clouds Looked Like The Face Of A Smiling Dog
2
Sergio Maria Saguaro (Hiroaki Sugawara) - Dog In The Window
3
Sergio Maria Saguaro (Hiroaki Sugawara) - Highspeed Grandma
4
Sergio Maria Saguaro (Hiroaki Sugawara) - Ana Maria
5
Sergio Maria Saguaro (Hiroaki Sugawara) - Ice Cream
6
Sergio Maria Saguaro (Hiroaki Sugawara) - Rain Guitar
7
Sergio Maria Saguaro (Hiroaki Sugawara) - Phillium Pulchrifolium
8
Sergio Maria Saguaro (Hiroaki Sugawara) - Water Front
9
Sergio Maria Saguaro (Hiroaki Sugawara) - Pinhole
10
Sergio Maria Saguaro (Hiroaki Sugawara) - Washing Machine
Legendary Hiroaki Sugawara in the form of Sergio Maria Saguaro presents Rain Guitar.
Step into paradise alone to deeply savor an exotic experience.
“I first learned about this album thanks to GOKA, who built the sound system for my record shop, CELLAR RECORDS. Around 2019, it was praised by some connoisseurs, but it’s different from the so-called “popular ambient” sound that was in vogue at the time. This work is a Japanese obscure pop album created in 2002 by Hiroaki Sugawara, who goes by the name “Sergio Maria Saguaro,” mixing all types of exotic moods and completed in a secluded space. In particular, A-2 “Window with a Dog” and B-5 “Washing Machine” are truly a sonic paradise. When you put this record on your shelf, be sure to place it next to Tatsuhiko Asano’s excellent soundtrack “Following in the Footsteps of Doshin,” which was happily reissued in 2022, or Steve Hiett’s “Down On The Road By The Beach.”” -??? (Cellar Records)
“This sophisticated sound file paints natural landscapes, depicting rich and abundant scenes while floating through them, creating a world that is as beautiful as a kaleidoscope, appearing in the soundscape in a way that is always gentle, natural, and organic. It makes extensive use of four types of stringed instruments, modulators, flutes, and ethnic instruments, possessing a refined sense of elegant ambiance.” -Walearic / Gokaine Sound Research Institute
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Step into paradise alone to deeply savor an exotic experience.
“I first learned about this album thanks to GOKA, who built the sound system for my record shop, CELLAR RECORDS. Around 2019, it was praised by some connoisseurs, but it’s different from the so-called “popular ambient” sound that was in vogue at the time. This work is a Japanese obscure pop album created in 2002 by Hiroaki Sugawara, who goes by the name “Sergio Maria Saguaro,” mixing all types of exotic moods and completed in a secluded space. In particular, A-2 “Window with a Dog” and B-5 “Washing Machine” are truly a sonic paradise. When you put this record on your shelf, be sure to place it next to Tatsuhiko Asano’s excellent soundtrack “Following in the Footsteps of Doshin,” which was happily reissued in 2022, or Steve Hiett’s “Down On The Road By The Beach.”” -??? (Cellar Records)
“This sophisticated sound file paints natural landscapes, depicting rich and abundant scenes while floating through them, creating a world that is as beautiful as a kaleidoscope, appearing in the soundscape in a way that is always gentle, natural, and organic. It makes extensive use of four types of stringed instruments, modulators, flutes, and ethnic instruments, possessing a refined sense of elegant ambiance.” -Walearic / Gokaine Sound Research Institute
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DE - 22113 Hamburg
Germany
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1
Chito Kawachi - Bayou
2
Chito Kawachi - Scribble Dance
3
Chito Kawachi - Sanghyang
4
Chito Kawachi - Astral Lamp
5
Chito Kawachi - Jagg-Chagg
6
Chito Kawachi - Bayou (Last Night Mix)
7
Chito Kawachi - Filament
8
Chito Kawachi - Heaven's Breath
9
Chito Kawachi - Jagg-Chagg (Ambient)
10
Chito Kawachi - Boroboe
Words courtesy of FOND/SOUND –
What makes CHITOTIHC/KULA-kura so fascinating is that, in some weird way, it’s a meeting of minds and musical language of disparate artists at the forefront of a new kind of groove. There might be no “L” in the Japanese language but that doesn’t stop it from trying to find a working substitute. Similarly, Chito enlisted members from his Asiabeat and East Pulse, others from Mu-Project, K2, and Adi, and brought in Haruomi Hosono to play mercurial bass. In the great expanse of experimental Japanese-made pop music all of them might have gone in “out-there” in separate directions but on this record it was Chito who pointed their focus all on the same track.
“Bayou” presents this floating idea of dance music with beats and rhythms that hover among the ethereal. Other like “Scribble Dance” use Harry’s acid bass lines to dig cavernous grooves that only come up for air via adrenaline-fueled jumps by Haruo Kubota’s quite Adrian Belew-esque guitar lines. Perhaps, Discipline-era King Crimson is an apt comparison to what Chito and his crew pull off here.
Where Discipline signaled a way to reconcile the most out-there polymeter music of prog with the more satisfying parts of post-punk and the new electronic wave, so to do I think CHITOTIHC/KULA-kura has that bit of heart/spirit in mind. This is the out-there of Japanese experimental music satisfying the best parts of the, then, new electronic wave. It takes a certain degree of proficiency and sheer chutzpah to go from “11” to the wonderfully impressionistic, ambient minimalism of a track like “Sanghyang”.
It’s the joy of not knowing what each new track will hold and just letting yourself follow the hard-working hands of such learned musicians that brings the most out of Chito’s vision. It’s this very liquid music that keeps you on your toes on tracks like “Astral Lamp”. Tracks like “Jagg-chagg” and “Filament” present a fourth world music bifurcated in exponential parts by the glitch of newer, modern, electronic modalities, intersected by expressions by differing voices. Every track you switch to presents a new way to get lost in the many phases and places Chito wants you to travel to.
In the end, as always, it’s not the destination but the journey through it that plants this album in your memory. – Diego Olivas
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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What makes CHITOTIHC/KULA-kura so fascinating is that, in some weird way, it’s a meeting of minds and musical language of disparate artists at the forefront of a new kind of groove. There might be no “L” in the Japanese language but that doesn’t stop it from trying to find a working substitute. Similarly, Chito enlisted members from his Asiabeat and East Pulse, others from Mu-Project, K2, and Adi, and brought in Haruomi Hosono to play mercurial bass. In the great expanse of experimental Japanese-made pop music all of them might have gone in “out-there” in separate directions but on this record it was Chito who pointed their focus all on the same track.
“Bayou” presents this floating idea of dance music with beats and rhythms that hover among the ethereal. Other like “Scribble Dance” use Harry’s acid bass lines to dig cavernous grooves that only come up for air via adrenaline-fueled jumps by Haruo Kubota’s quite Adrian Belew-esque guitar lines. Perhaps, Discipline-era King Crimson is an apt comparison to what Chito and his crew pull off here.
Where Discipline signaled a way to reconcile the most out-there polymeter music of prog with the more satisfying parts of post-punk and the new electronic wave, so to do I think CHITOTIHC/KULA-kura has that bit of heart/spirit in mind. This is the out-there of Japanese experimental music satisfying the best parts of the, then, new electronic wave. It takes a certain degree of proficiency and sheer chutzpah to go from “11” to the wonderfully impressionistic, ambient minimalism of a track like “Sanghyang”.
It’s the joy of not knowing what each new track will hold and just letting yourself follow the hard-working hands of such learned musicians that brings the most out of Chito’s vision. It’s this very liquid music that keeps you on your toes on tracks like “Astral Lamp”. Tracks like “Jagg-chagg” and “Filament” present a fourth world music bifurcated in exponential parts by the glitch of newer, modern, electronic modalities, intersected by expressions by differing voices. Every track you switch to presents a new way to get lost in the many phases and places Chito wants you to travel to.
In the end, as always, it’s not the destination but the journey through it that plants this album in your memory. – Diego Olivas
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
E.S. Island - Track 1
2
E.S. Island - Fernanda
3
E.S. Island - Track 3
4
E.S. Island - Trail
5
E.S. Island - Wave
6
E.S. Island - Prayre
7
E.S. Island - Bush
8
E.S. Island - Mother Forest
9
E.S. Island - Track 9
10
E.S. Island - Wind
11
E.S. Island - Track 11
12
E.S. Island - Dancin' Stars
FJLP-05 continues with Forest Jams recent trend of Japanese re-issues from the 90’s. This one is E.S. Island’s “Southwind from Hachijo” a deep ambient exploration that is more tribal and spiritual than prior E.S. Island releases. This was recorded on Hachijo Island featuring several traditional instruments with the bulk of the music being played by Eisuke Takahashi (R.I.P.) and Nene Sanae. Limited copies.
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1
Mouth Music - Bratach Bana (White Banners)
2
Mouth Music - Co Ni Mire Rium? (Who Will Have Fun With Me?)
3
Mouth Music - Mor A' Cheannaich
4
Mouth Music - Martin Martin
5
Mouth Music - Chi Mi Na Morbheanna (I See The Great Mountains)
6
Mouth Music - I Bhi A Da
7
Mouth Music - Seinn O!
8
Mouth Music - Mile Marbh' Aisg Air A' Ghaol (A Thousand Death Shrouds On Love)
9
Mouth Music - Air Fail A Lail O (Falalalo)
10
Mouth Music - Fraoch A Ronaigh (Heather Of Rona)
Mouth Music, a Scottish-inspired musical project with core members Martin Swan and Talitha Mackenzie, mixed Gaelic vocals (including the traditional ‘mouth music’ techniques of sung rhythms) with African percussion and dance sounds. The self-titled debut album was originally released on the Triple Earth record label in 1990 on CD and in limited quantities on vinyl. The Gaelic technological music is now more widely available through this Forest Jams re-issue.
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1
Kelly Lane - J'Voudrais Qu'Tu M'Dises
2
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Version Radio)
3
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Instrumental)
4
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Version Dance Remix)
J’Voudrais Qu’Tu M’Dises marks another official 12? French re-issue from the Forest Jams label. Like the previous ‘Nathalie Letertre’ record we have a name on the front of the jacket but with little information behind it. What we do know is that Kelly Lane’s vocals sit atop this obscure synth-pop meets house meets slight boogie with a smooth aggression, equally cute as it is equally strong, funky indeed. For those that just want the music there’s an instrumental version on the B-side. Two extra versions taken from the CD are re-mastered and included on this release with a surprisingly dancey ‘radio’ version and a pumping/housier ‘version dance remix’. Let Kelly Lane’s “J’Voudrais Qu’Tu M’Dises” find its way to your heart.
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1
Osamu Kitajima - Beyond The Circle
2
Osamu Kitajima - Mind Thieves
3
Osamu Kitajima - Darkness Desired
4
Osamu Kitajima - Blue Fire
5
Osamu Kitajima - Evening Privilege
6
Osamu Kitajima - The Bush Warbler
7
Osamu Kitajima - Fading Sky
8
Osamu Kitajima - Bonito Moxie
9
Osamu Kitajima - Goldfish Lingo
10
Osamu Kitajima - Distant Episode
An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.
As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
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As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
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1
Hotatsu-Nami - Luna
2
Hotatsu-Nami - Like A Snake
3
Hotatsu-Nami - Endless
4
Hotatsu-Nami - Utsuru
5
Hotatsu-Nami - Has He Gone
6
Hotatsu-Nami - Fossils Of Childhood
7
Hotatsu-Nami - Nariyama
8
Hotatsu-Nami - Ring Kerry
9
Hotatsu-Nami - To Lappland
“Originally released on the lauded Green Energy label from experimental maverick Henry Kawahara, Forest Jams is thrilled to present the official re-issue of Nami Hotatsu’s sophomore album – revised and re-christened “Ultra Hyper Cosmic Voice” by the artist herself. Equal parts beguiling and inviting, Nami’s mixture of vocals and driving propulsive beats still sound as fresh and as captivating as when they were originally released in 1994. Now, thirty years later, we invite you to discover Nami’s “perfect world of being” in its totality – awakening yourself to the unknown world inside through what lauded producer Haruomi Hosono hailed as a “shamanistic” vision!” – Hsu Jui-Ting
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1
Simon Peter - Every Cloud
2
Simon Peter - You Don't Send Slow Waves Anymore
3
Simon Peter - Every Cloud (Coastlines Remix)
4
Simon Peter - You Don't Send Slow Waves Anymore (Shu Suzuki Remix)
Forest Jams sticks close to recent original balearic/beach records like the Starving Daughters LP & Expositions EP with a 12" by Simon Peter. Simon Peter has previously had his work showcased on labels such as Claremont 56, Aficionado, and Archeo Recordings, and now has two intimate, original balearic productions on the Forest Jams label. The B-Side of the record utilizes two remixes both from Japan. One from the duo Coastlines (Flower Records, Be With Records) with their signature down-tempo lush sound filled with beautiful piano work throughout and the other from newcomer Shu Suzuki who takes things on a non-stop psychedelic journey that’s both beautiful & mind-bending. Artwork by Ty Williams.
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Strange Valleys, the 2018 full-length from Starving Daughters, is a progression as well as a shift in sound from the LA band's already-stellar previous releases. Make no doubt about it that the sound of Progressive Rock and Psychedelia still play a big role here but there's certainly a greater influence from Library Music on the new LP. The Starving Daughters Vinyl Impressions blog, led by Chris Tillotson of the band, shared the music of Chris's collection of which many were Library LP's. These records seemed to have seeped into the mind, body, and souls of the whole band on this Strange Valleys LP.
Everything from the instrumentation, the attention to melody, to the track-length shows the large appreciation they have for Library music. That being said, this moog-heavy, psychedelic-prog-funk, California-themed record is certainly unique and adventurous.
Winding through the exotic roads of Strange Valleys is certainly a trip well worth taking over and over again.
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Everything from the instrumentation, the attention to melody, to the track-length shows the large appreciation they have for Library music. That being said, this moog-heavy, psychedelic-prog-funk, California-themed record is certainly unique and adventurous.
Winding through the exotic roads of Strange Valleys is certainly a trip well worth taking over and over again.
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Basil & Rogers is a sleazy, California Disco duo made up of Heru (DJ) Johnny Basil and Body Rogers. Basil, a multi-instrumentalist, long-time record collector, and energy healer is a man that's been making music for a long time under many different guises and in many different styles. Heru Avenger (Acid/Psych Rock), Non Stop (Electronic/Free Jazz), Baast (Kraut Rock/Jazz Funk), and Kandi Jones (Slut Rock) are just a few of his projects, past and present. Most of this music has been around for the entirety of the 90's and 2000's without being heard because despite Basil's outspoken appearance (described by many as looking like Iggy Pop's twin brother and would never be caught wearing a T-shirt no matter the location) he's very quiet about his musical output. Body Rogers is also part of the Non Stop group and is a master of electronics and engineering. On the Basil & Rogers project the two have made a disco 12" that is influenced by classic-era dance music while still being completely unique and far from conforming. It's crazy, it's sexy, and it's sleazy. 'Tune In'.
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Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!
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1
Sewell And The Gong - Better Words (Wallace Remix)
2
My Friend Dario - Tellaro (SIRS Remix)
3
Verdo - Boulevardier (Pedro Bertho Remix)
Hell Yeah series File Under Balearic Gabba continues its mission to bring some vital, previously digital-only Balearic Gabba weaponry to vinyl for the first time. This second volume has artwork by Planet Luke and features Wallace next to new school stars SIRS and Pedro Bertho.
Tartan Records label head and British talent Wallace opens up with a remix of Sewell And The Gong's 'Better Words' that has been a real summer hit for label head Marco Gallerani.
The original came on Jason Boardman's fine Before I Die label and is one of those jams that transcends genre and wins over techno heads, Adriatic beach groovers and festival main stages alike. It is 'proper Balearic Gabba' says Marco with its tropical percussion, humid pads and watery droplets all adding lush atmosphere to the dubby drums. The chords and reedy leads are beautifully delicate but get floors in a blissed-out, loved-up trance.
SIRS is an artist on fire right now and already impressed on this label with his remix of Aura Safari which is one of the year's standout Balearic house jams. He has a new single on the way for Hell Yeah but first flips label mate My Friend Dario's 'Tellaro' into a wobbly, psyched-out dub disco and breakbeat chugger. The zippy synths and shimmering keys are underpinned with a taught bassline and playful vocals that bring great fun and irresistible party vibes to any set.
Hell Yeah mainstay Verdo then has his 'Boulevardier' remixed by Pedro Bertho, a rising talent from Brazil with a steamy South American style. This one is a modern beach classic that unites both young and old heads with its frayed analogue drums and snappy percussion joining the dots between 80s Chicago house, new age and Balearic with its big piano chords and phased bass all getting hands the air.
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Tartan Records label head and British talent Wallace opens up with a remix of Sewell And The Gong's 'Better Words' that has been a real summer hit for label head Marco Gallerani.
The original came on Jason Boardman's fine Before I Die label and is one of those jams that transcends genre and wins over techno heads, Adriatic beach groovers and festival main stages alike. It is 'proper Balearic Gabba' says Marco with its tropical percussion, humid pads and watery droplets all adding lush atmosphere to the dubby drums. The chords and reedy leads are beautifully delicate but get floors in a blissed-out, loved-up trance.
SIRS is an artist on fire right now and already impressed on this label with his remix of Aura Safari which is one of the year's standout Balearic house jams. He has a new single on the way for Hell Yeah but first flips label mate My Friend Dario's 'Tellaro' into a wobbly, psyched-out dub disco and breakbeat chugger. The zippy synths and shimmering keys are underpinned with a taught bassline and playful vocals that bring great fun and irresistible party vibes to any set.
Hell Yeah mainstay Verdo then has his 'Boulevardier' remixed by Pedro Bertho, a rising talent from Brazil with a steamy South American style. This one is a modern beach classic that unites both young and old heads with its frayed analogue drums and snappy percussion joining the dots between 80s Chicago house, new age and Balearic with its big piano chords and phased bass all getting hands the air.
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2 LP Gatefold vinyl + CD - REEDITION AS PARTof 10 Years Because Music Anniversary
Tracklist LP : A1. PATRICK JUVET .LE REVE. / A2. DIDIER MAROUANI « TEMPS X » / A3. DROIDS « SHANTI DANCE PART 1 & PART 2 » / A4. FRANÇOIS DE ROUBAIX « SURVOL » / A5. SPACE « MAGIC FLY » B1. UNIVERSAL ENERGY « DISCO ENERGY (I) » / B2. PIERRE BACHELET « MOTEL SHOW » / B3. SPACE ART « LOVE MACHINE » / B4. THE ATOMIC CROCUS « OMBILIC CONTACT » / B5. JEAN MICHEL JARRE « BLACKBIRD » C1. BERNARD FEVRE « THAT IS TO BE » / C2. CERRONE « GENERIQUE (DEBUT) » C3. FREDERIC MERCIER « SPIRIT » / C4. QUARTZ « CHAOS »
D1. RENE ROUSSEL « CARAMEL » / D2. SERGE GAINSBOURG « LE PHYSIQUE ET LE FIGURE » / D3. DVWB « ACQUA» / D4. ALAIN GORAGUER « LE BRACELET» / D5. JEAN-JACQUES PERREY « E.V.A. » / D6. ROCKETS « ROCKET MAN (INSTRUMENTAL) »
At the start of the 70.s, France had no petrol, but it had ideas and artists that managed to tip them into the 21st Century 30 years in advance. Cosmic Machine compiles 20 rare tracks put together with passion and erudition by Uncle O (who previously did the Shaolin Soul compilations) and throws together a collection of stars, a few free-spirits, and also shooting stars. This group of people don.t form a scene per say, they.re more like a collection of individuals who, through sheer ingenuity and with all their singularity, managed to break down the barriers between pop and experimental to give birth to a mutant variety of electronic music that owes as much to mobile discos as sound illustration, to the GRM, to the Bogdanoff brothers, to Métal Hurlant and the European Space Program. Cosmic Machine is a panoramic dive into this epic era when the synthesizer
was man.s best friend and when the future had a future: our present time. Daft Punk, Air, Justice, Zombie Zombie. Or Add N To (X), Stereolab, Broadcast in the rest of the world. weren.t born in incubators. The electric fairy stood above their cradle and they.re all the children of these French pioneers who were, among the first to celebrate the union of flesh and circuits. Androïds, robots, humans and other celestial creatures: now board the Cosmic Machine.
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Tracklist LP : A1. PATRICK JUVET .LE REVE. / A2. DIDIER MAROUANI « TEMPS X » / A3. DROIDS « SHANTI DANCE PART 1 & PART 2 » / A4. FRANÇOIS DE ROUBAIX « SURVOL » / A5. SPACE « MAGIC FLY » B1. UNIVERSAL ENERGY « DISCO ENERGY (I) » / B2. PIERRE BACHELET « MOTEL SHOW » / B3. SPACE ART « LOVE MACHINE » / B4. THE ATOMIC CROCUS « OMBILIC CONTACT » / B5. JEAN MICHEL JARRE « BLACKBIRD » C1. BERNARD FEVRE « THAT IS TO BE » / C2. CERRONE « GENERIQUE (DEBUT) » C3. FREDERIC MERCIER « SPIRIT » / C4. QUARTZ « CHAOS »
D1. RENE ROUSSEL « CARAMEL » / D2. SERGE GAINSBOURG « LE PHYSIQUE ET LE FIGURE » / D3. DVWB « ACQUA» / D4. ALAIN GORAGUER « LE BRACELET» / D5. JEAN-JACQUES PERREY « E.V.A. » / D6. ROCKETS « ROCKET MAN (INSTRUMENTAL) »
At the start of the 70.s, France had no petrol, but it had ideas and artists that managed to tip them into the 21st Century 30 years in advance. Cosmic Machine compiles 20 rare tracks put together with passion and erudition by Uncle O (who previously did the Shaolin Soul compilations) and throws together a collection of stars, a few free-spirits, and also shooting stars. This group of people don.t form a scene per say, they.re more like a collection of individuals who, through sheer ingenuity and with all their singularity, managed to break down the barriers between pop and experimental to give birth to a mutant variety of electronic music that owes as much to mobile discos as sound illustration, to the GRM, to the Bogdanoff brothers, to Métal Hurlant and the European Space Program. Cosmic Machine is a panoramic dive into this epic era when the synthesizer
was man.s best friend and when the future had a future: our present time. Daft Punk, Air, Justice, Zombie Zombie. Or Add N To (X), Stereolab, Broadcast in the rest of the world. weren.t born in incubators. The electric fairy stood above their cradle and they.re all the children of these French pioneers who were, among the first to celebrate the union of flesh and circuits. Androïds, robots, humans and other celestial creatures: now board the Cosmic Machine.
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1
Scruscru - One For Xsuxsu
2
Scruscru - Kyoto Sunshine
3
Scruscru - Horomi & Rikishi
4
Scruscru - Secret Dream
5
Scruscru - Nippon Bossa
6
Scruscru - Scrutinized Tune
Edit master Scruscru rarely misses no matter what sounds he decides to put under his scalpel. For this one on his own superb Scruniversal label he turns his attention to the lush sound world of City Pop over in Japan. On one vital 12" the maestro cooks up six varied but equally vital sizzlers starting with the funky sounds and big brass of 'One For Xsuxsu' then taking in the blissed out disco and house beats of 'Kyoto Sunshine', jazzy keys of 'Horomi & Rikishi', funky bass twangs of 'Secret Dream' and jazz lunge excellence of 'Nippon Bossa' before 'Scrutinised Tune' closes out with brown beats and sunny chords. Scruperb stuff.
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Three other edits by the Italo Deviance’s founder Marcello Giordani. Stop is an Italian release from 1983 with 303, live & electronic drums, and percussions…a very Chicago feeling till the lead vocal starts so become very early 80’s Italo Disco! Automatic is from an Italian singer / soubrette called Patrizia Pellegrino…warm bass and synth pianos with a space/flangered lead vocals. P&P is a must for all disco lovers, taken from the break of Nightlife Unlimited “Peaches & Prunes” it’s a tribute to Ron Hardy (who has been the first to edit the song)
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Mysterious ensemble CRISTALLI LIQUIDI are back on Artifact with their second single. This is another all-Italian new wave affair entitled CANZONE REGISTRATA (Recorded Song). Of course we have no idea of what the song is about since the lyrics are in Italian, but it sounds awesome and just like the first single it was produced by BOTTIN. In addition to the juicy extended and dub versions we have remix duties aptly carried out by the Florentine godfather of italo disco ALEXANDER ROBOTNICK and Milanese dream-team LE MACCHINE (consisting of The Love Supreme & The Barking Dogs) who deliver a killer retro house (or maybe nu-new-beat?) remix ready to break the toughest dancefloor like an ice pick. Be quick, very limited supplies as always with this label. If it ends up like the first single, it will sell out even before actual release date!
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1
Utroit & K.O.S - A1 Utroit & K.O.S - Oubaitori
2
Utroit & K.O.S - A2 Utroit & K.O.S - Motegi
3
Utroit & K.O.S - B1 Utroit & K.O.S - Jaga?
4
Utroit & K.O.S - B2 Utroit & K.O.S - Kamiki
Genre: Techno
Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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1
Claudio PRC & Andrea Cossu - Praya Dubia
2
Claudio PRC & Andrea Cossu - Hydrozoa
3
Claudio PRC & Andrea Cossu - Biofluorescence
The number nine of 012’s catalogue titled “Praya Dubia” marks the very first collaboration between Berlin-based DJs and producers Claudio PRC and Andrea Cossu. Both natives of Sardinia, they have crafted a delightful deep and dub techno journey, hypnotic yet, full of colors and shades available both on vinyl and digital format.
W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
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W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
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1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dino Sabatini - Peuceus
2
Dino Sabatini - Dryalus
3
Dino Sabatini - Perimedes
4
Dino Sabatini - Antimache
Genre/s: Techno
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Roman Flügel - No Solutions
2
Roman Flügel - Sapphire
3
Roman Flügel - Dragged
Roman Flügel returns to Phantasy with his second release of 2024 on Erol Alkan’s beloved London label, ‘No Solutions EP’. Following on from ‘Hotel Kathargo / Energies’, which garnered a summer of support from a typically diverse array of DJs including Gerd Janson, Jamie Jones and Saoirse, ‘No Solutions’ expands Flügel’s contributions to Phantasy into a triple track delight, another generous expression of his lifelong immersion in electronic music culture. Transporting the zeitgeist of future-facing, eighties pop production onto modern dance floors, the title track ‘No Solutions’ is a fizzy, escalating ode to some of Flügel’s very earliest musical influences. Playfully channeling the wide-eyed electronics pioneered by The Human League or Soft Cell, it accelerates into a contemporary funhouse of wild oscillations and dreamy melodies. ‘Sapphire’ shifts this sound palette forward, a steady acid-not-acid bubbler that maintains maximum intrigue and pressure, occasionally breaking through its hazy clouds with pillowy breakdowns and a sense of space-age whimsy. Flügel takes the same palette in a different, more exacting direction on ‘Dragged’, spinning a creeping, Krautrock-esque groove that pays homage to the steady, lifting pulse of German kosmische traditions. Lift off!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Blawan - NPCs Making Hot Dinner
2
Blawan - Fires
3
Blawan - Done Eclipse
4
Blawan - BuoQ
Blawan returns with ‘BouQ’, the follow-up to his acclaimed 2023 “Dismantled Into Juice” EP; one that was heralded by Pitchfork as “dazzling… part of a long, proud tradition of UK club tracks that turn the dancefloor on its ear” and Resident Advisor as “mind-melting… truly unchartered territory.” “Fires”, the first single revealed from his freshly-announced new EP, has received global support from the likes of Four Tet and Skrillex over the summer, and sees Blawan push his distorted, syncopated productions into a new broken-pop lane, his own vocal creating an intense, visceral hook that rips through the track's multi-layered, pulsing beats.
A1 NPCs Making Hot Dinner [2m 35s]
A2 Fires [3m 39s]
B1 Done Eclipse [3m 30s]
B2 BouQ [3m 23s]
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 NPCs Making Hot Dinner [2m 35s]
A2 Fires [3m 39s]
B1 Done Eclipse [3m 30s]
B2 BouQ [3m 23s]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More