1
Kelly Lane - J'Voudrais Qu'Tu M'Dises
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Kelly Lane - J'Voudrais Qu'Tu M'Dises (Version Radio)
3
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Instrumental)
4
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Version Dance Remix)
J’Voudrais Qu’Tu M’Dises marks another official 12? French re-issue from the Forest Jams label. Like the previous ‘Nathalie Letertre’ record we have a name on the front of the jacket but with little information behind it. What we do know is that Kelly Lane’s vocals sit atop this obscure synth-pop meets house meets slight boogie with a smooth aggression, equally cute as it is equally strong, funky indeed. For those that just want the music there’s an instrumental version on the B-side. Two extra versions taken from the CD are re-mastered and included on this release with a surprisingly dancey ‘radio’ version and a pumping/housier ‘version dance remix’. Let Kelly Lane’s “J’Voudrais Qu’Tu M’Dises” find its way to your heart.
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Germany
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More records from Forest Jams
1
Sergio Maria Saguaro (Hiroaki Sugawara) - Rain Clouds Looked Like The Face Of A Smiling Dog
2
Sergio Maria Saguaro (Hiroaki Sugawara) - Dog In The Window
3
Sergio Maria Saguaro (Hiroaki Sugawara) - Highspeed Grandma
4
Sergio Maria Saguaro (Hiroaki Sugawara) - Ana Maria
5
Sergio Maria Saguaro (Hiroaki Sugawara) - Ice Cream
6
Sergio Maria Saguaro (Hiroaki Sugawara) - Rain Guitar
7
Sergio Maria Saguaro (Hiroaki Sugawara) - Phillium Pulchrifolium
8
Sergio Maria Saguaro (Hiroaki Sugawara) - Water Front
9
Sergio Maria Saguaro (Hiroaki Sugawara) - Pinhole
10
Sergio Maria Saguaro (Hiroaki Sugawara) - Washing Machine
Legendary Hiroaki Sugawara in the form of Sergio Maria Saguaro presents Rain Guitar.
Step into paradise alone to deeply savor an exotic experience.
“I first learned about this album thanks to GOKA, who built the sound system for my record shop, CELLAR RECORDS. Around 2019, it was praised by some connoisseurs, but it’s different from the so-called “popular ambient” sound that was in vogue at the time. This work is a Japanese obscure pop album created in 2002 by Hiroaki Sugawara, who goes by the name “Sergio Maria Saguaro,” mixing all types of exotic moods and completed in a secluded space. In particular, A-2 “Window with a Dog” and B-5 “Washing Machine” are truly a sonic paradise. When you put this record on your shelf, be sure to place it next to Tatsuhiko Asano’s excellent soundtrack “Following in the Footsteps of Doshin,” which was happily reissued in 2022, or Steve Hiett’s “Down On The Road By The Beach.”” -??? (Cellar Records)
“This sophisticated sound file paints natural landscapes, depicting rich and abundant scenes while floating through them, creating a world that is as beautiful as a kaleidoscope, appearing in the soundscape in a way that is always gentle, natural, and organic. It makes extensive use of four types of stringed instruments, modulators, flutes, and ethnic instruments, possessing a refined sense of elegant ambiance.” -Walearic / Gokaine Sound Research Institute
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Step into paradise alone to deeply savor an exotic experience.
“I first learned about this album thanks to GOKA, who built the sound system for my record shop, CELLAR RECORDS. Around 2019, it was praised by some connoisseurs, but it’s different from the so-called “popular ambient” sound that was in vogue at the time. This work is a Japanese obscure pop album created in 2002 by Hiroaki Sugawara, who goes by the name “Sergio Maria Saguaro,” mixing all types of exotic moods and completed in a secluded space. In particular, A-2 “Window with a Dog” and B-5 “Washing Machine” are truly a sonic paradise. When you put this record on your shelf, be sure to place it next to Tatsuhiko Asano’s excellent soundtrack “Following in the Footsteps of Doshin,” which was happily reissued in 2022, or Steve Hiett’s “Down On The Road By The Beach.”” -??? (Cellar Records)
“This sophisticated sound file paints natural landscapes, depicting rich and abundant scenes while floating through them, creating a world that is as beautiful as a kaleidoscope, appearing in the soundscape in a way that is always gentle, natural, and organic. It makes extensive use of four types of stringed instruments, modulators, flutes, and ethnic instruments, possessing a refined sense of elegant ambiance.” -Walearic / Gokaine Sound Research Institute
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Germany
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1
Chito Kawachi - Bayou
2
Chito Kawachi - Scribble Dance
3
Chito Kawachi - Sanghyang
4
Chito Kawachi - Astral Lamp
5
Chito Kawachi - Jagg-Chagg
6
Chito Kawachi - Bayou (Last Night Mix)
7
Chito Kawachi - Filament
8
Chito Kawachi - Heaven's Breath
9
Chito Kawachi - Jagg-Chagg (Ambient)
10
Chito Kawachi - Boroboe
Words courtesy of FOND/SOUND –
What makes CHITOTIHC/KULA-kura so fascinating is that, in some weird way, it’s a meeting of minds and musical language of disparate artists at the forefront of a new kind of groove. There might be no “L” in the Japanese language but that doesn’t stop it from trying to find a working substitute. Similarly, Chito enlisted members from his Asiabeat and East Pulse, others from Mu-Project, K2, and Adi, and brought in Haruomi Hosono to play mercurial bass. In the great expanse of experimental Japanese-made pop music all of them might have gone in “out-there” in separate directions but on this record it was Chito who pointed their focus all on the same track.
“Bayou” presents this floating idea of dance music with beats and rhythms that hover among the ethereal. Other like “Scribble Dance” use Harry’s acid bass lines to dig cavernous grooves that only come up for air via adrenaline-fueled jumps by Haruo Kubota’s quite Adrian Belew-esque guitar lines. Perhaps, Discipline-era King Crimson is an apt comparison to what Chito and his crew pull off here.
Where Discipline signaled a way to reconcile the most out-there polymeter music of prog with the more satisfying parts of post-punk and the new electronic wave, so to do I think CHITOTIHC/KULA-kura has that bit of heart/spirit in mind. This is the out-there of Japanese experimental music satisfying the best parts of the, then, new electronic wave. It takes a certain degree of proficiency and sheer chutzpah to go from “11” to the wonderfully impressionistic, ambient minimalism of a track like “Sanghyang”.
It’s the joy of not knowing what each new track will hold and just letting yourself follow the hard-working hands of such learned musicians that brings the most out of Chito’s vision. It’s this very liquid music that keeps you on your toes on tracks like “Astral Lamp”. Tracks like “Jagg-chagg” and “Filament” present a fourth world music bifurcated in exponential parts by the glitch of newer, modern, electronic modalities, intersected by expressions by differing voices. Every track you switch to presents a new way to get lost in the many phases and places Chito wants you to travel to.
In the end, as always, it’s not the destination but the journey through it that plants this album in your memory. – Diego Olivas
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Germany
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What makes CHITOTIHC/KULA-kura so fascinating is that, in some weird way, it’s a meeting of minds and musical language of disparate artists at the forefront of a new kind of groove. There might be no “L” in the Japanese language but that doesn’t stop it from trying to find a working substitute. Similarly, Chito enlisted members from his Asiabeat and East Pulse, others from Mu-Project, K2, and Adi, and brought in Haruomi Hosono to play mercurial bass. In the great expanse of experimental Japanese-made pop music all of them might have gone in “out-there” in separate directions but on this record it was Chito who pointed their focus all on the same track.
“Bayou” presents this floating idea of dance music with beats and rhythms that hover among the ethereal. Other like “Scribble Dance” use Harry’s acid bass lines to dig cavernous grooves that only come up for air via adrenaline-fueled jumps by Haruo Kubota’s quite Adrian Belew-esque guitar lines. Perhaps, Discipline-era King Crimson is an apt comparison to what Chito and his crew pull off here.
Where Discipline signaled a way to reconcile the most out-there polymeter music of prog with the more satisfying parts of post-punk and the new electronic wave, so to do I think CHITOTIHC/KULA-kura has that bit of heart/spirit in mind. This is the out-there of Japanese experimental music satisfying the best parts of the, then, new electronic wave. It takes a certain degree of proficiency and sheer chutzpah to go from “11” to the wonderfully impressionistic, ambient minimalism of a track like “Sanghyang”.
It’s the joy of not knowing what each new track will hold and just letting yourself follow the hard-working hands of such learned musicians that brings the most out of Chito’s vision. It’s this very liquid music that keeps you on your toes on tracks like “Astral Lamp”. Tracks like “Jagg-chagg” and “Filament” present a fourth world music bifurcated in exponential parts by the glitch of newer, modern, electronic modalities, intersected by expressions by differing voices. Every track you switch to presents a new way to get lost in the many phases and places Chito wants you to travel to.
In the end, as always, it’s not the destination but the journey through it that plants this album in your memory. – Diego Olivas
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Germany
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1
E.S. Island - Track 1
2
E.S. Island - Fernanda
3
E.S. Island - Track 3
4
E.S. Island - Trail
5
E.S. Island - Wave
6
E.S. Island - Prayre
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E.S. Island - Bush
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E.S. Island - Mother Forest
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E.S. Island - Track 9
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E.S. Island - Wind
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E.S. Island - Track 11
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E.S. Island - Dancin' Stars
FJLP-05 continues with Forest Jams recent trend of Japanese re-issues from the 90’s. This one is E.S. Island’s “Southwind from Hachijo” a deep ambient exploration that is more tribal and spiritual than prior E.S. Island releases. This was recorded on Hachijo Island featuring several traditional instruments with the bulk of the music being played by Eisuke Takahashi (R.I.P.) and Nene Sanae. Limited copies.
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Germany
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1
Mouth Music - Bratach Bana (White Banners)
2
Mouth Music - Co Ni Mire Rium? (Who Will Have Fun With Me?)
3
Mouth Music - Mor A' Cheannaich
4
Mouth Music - Martin Martin
5
Mouth Music - Chi Mi Na Morbheanna (I See The Great Mountains)
6
Mouth Music - I Bhi A Da
7
Mouth Music - Seinn O!
8
Mouth Music - Mile Marbh' Aisg Air A' Ghaol (A Thousand Death Shrouds On Love)
9
Mouth Music - Air Fail A Lail O (Falalalo)
10
Mouth Music - Fraoch A Ronaigh (Heather Of Rona)
Mouth Music, a Scottish-inspired musical project with core members Martin Swan and Talitha Mackenzie, mixed Gaelic vocals (including the traditional ‘mouth music’ techniques of sung rhythms) with African percussion and dance sounds. The self-titled debut album was originally released on the Triple Earth record label in 1990 on CD and in limited quantities on vinyl. The Gaelic technological music is now more widely available through this Forest Jams re-issue.
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1
Mori Ra - Catharsis Edit
2
Mori Ra - Seinn O! Edit
3
Mori Ra - The Grandson Traveler
4
Mori Ra - That Star
Repress!
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer. Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey. During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes ??? the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, ??? That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end. The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer. Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey. During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes ??? the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, ??? That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end. The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.
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Germany
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1
Osamu Kitajima - Beyond The Circle
2
Osamu Kitajima - Mind Thieves
3
Osamu Kitajima - Darkness Desired
4
Osamu Kitajima - Blue Fire
5
Osamu Kitajima - Evening Privilege
6
Osamu Kitajima - The Bush Warbler
7
Osamu Kitajima - Fading Sky
8
Osamu Kitajima - Bonito Moxie
9
Osamu Kitajima - Goldfish Lingo
10
Osamu Kitajima - Distant Episode
An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.
As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
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As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
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1
Hotatsu-Nami - Luna
2
Hotatsu-Nami - Like A Snake
3
Hotatsu-Nami - Endless
4
Hotatsu-Nami - Utsuru
5
Hotatsu-Nami - Has He Gone
6
Hotatsu-Nami - Fossils Of Childhood
7
Hotatsu-Nami - Nariyama
8
Hotatsu-Nami - Ring Kerry
9
Hotatsu-Nami - To Lappland
“Originally released on the lauded Green Energy label from experimental maverick Henry Kawahara, Forest Jams is thrilled to present the official re-issue of Nami Hotatsu’s sophomore album – revised and re-christened “Ultra Hyper Cosmic Voice” by the artist herself. Equal parts beguiling and inviting, Nami’s mixture of vocals and driving propulsive beats still sound as fresh and as captivating as when they were originally released in 1994. Now, thirty years later, we invite you to discover Nami’s “perfect world of being” in its totality – awakening yourself to the unknown world inside through what lauded producer Haruomi Hosono hailed as a “shamanistic” vision!” – Hsu Jui-Ting
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1
Simon Peter - Every Cloud
2
Simon Peter - You Don't Send Slow Waves Anymore
3
Simon Peter - Every Cloud (Coastlines Remix)
4
Simon Peter - You Don't Send Slow Waves Anymore (Shu Suzuki Remix)
Forest Jams sticks close to recent original balearic/beach records like the Starving Daughters LP & Expositions EP with a 12" by Simon Peter. Simon Peter has previously had his work showcased on labels such as Claremont 56, Aficionado, and Archeo Recordings, and now has two intimate, original balearic productions on the Forest Jams label. The B-Side of the record utilizes two remixes both from Japan. One from the duo Coastlines (Flower Records, Be With Records) with their signature down-tempo lush sound filled with beautiful piano work throughout and the other from newcomer Shu Suzuki who takes things on a non-stop psychedelic journey that’s both beautiful & mind-bending. Artwork by Ty Williams.
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Strange Valleys, the 2018 full-length from Starving Daughters, is a progression as well as a shift in sound from the LA band's already-stellar previous releases. Make no doubt about it that the sound of Progressive Rock and Psychedelia still play a big role here but there's certainly a greater influence from Library Music on the new LP. The Starving Daughters Vinyl Impressions blog, led by Chris Tillotson of the band, shared the music of Chris's collection of which many were Library LP's. These records seemed to have seeped into the mind, body, and souls of the whole band on this Strange Valleys LP.
Everything from the instrumentation, the attention to melody, to the track-length shows the large appreciation they have for Library music. That being said, this moog-heavy, psychedelic-prog-funk, California-themed record is certainly unique and adventurous.
Winding through the exotic roads of Strange Valleys is certainly a trip well worth taking over and over again.
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Everything from the instrumentation, the attention to melody, to the track-length shows the large appreciation they have for Library music. That being said, this moog-heavy, psychedelic-prog-funk, California-themed record is certainly unique and adventurous.
Winding through the exotic roads of Strange Valleys is certainly a trip well worth taking over and over again.
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Basil & Rogers is a sleazy, California Disco duo made up of Heru (DJ) Johnny Basil and Body Rogers. Basil, a multi-instrumentalist, long-time record collector, and energy healer is a man that's been making music for a long time under many different guises and in many different styles. Heru Avenger (Acid/Psych Rock), Non Stop (Electronic/Free Jazz), Baast (Kraut Rock/Jazz Funk), and Kandi Jones (Slut Rock) are just a few of his projects, past and present. Most of this music has been around for the entirety of the 90's and 2000's without being heard because despite Basil's outspoken appearance (described by many as looking like Iggy Pop's twin brother and would never be caught wearing a T-shirt no matter the location) he's very quiet about his musical output. Body Rogers is also part of the Non Stop group and is a master of electronics and engineering. On the Basil & Rogers project the two have made a disco 12" that is influenced by classic-era dance music while still being completely unique and far from conforming. It's crazy, it's sexy, and it's sleazy. 'Tune In'.
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Customers who bought this also bought this
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Azoto - Fire Fly
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Azoto - Anytime Or Place
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Azoto - Soft Emotion
4
Azoto - San Salvador
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Azoto - Exalt-Exalt
Limited Repress!
AZOTO is a Celso Valli’s project, one of the most important exponents of Italo-disco. He pioneered the whole italo sound, with incredibly ahead of their time productions going right back back too ’70’s. “DISCO FIZZ” contain ‘San Salvador’, one of the most covered disco tracks of all time, which has reared its head under countless of remixes and cover versions, however if you dig a little deeper this album is packed full of incredible and timeless italo disco: ‘Anytime Or Place’ literally jumps out the speakers to get you moving, while ‘Exalt-Exalt’ showcases their take on the darker side of electronic disco. “DISCO FIZZ” bridging traditional disco from america ‘s 70s with the spaceage syntheziser/vocoder powered Italian brand of Disco that was beginning to invade with new innovations at that time (1979).
The record is officially reprinted on LP for the 1st time from original master tapes, and includes a sticker inside. A must-have for any DJs.
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AZOTO is a Celso Valli’s project, one of the most important exponents of Italo-disco. He pioneered the whole italo sound, with incredibly ahead of their time productions going right back back too ’70’s. “DISCO FIZZ” contain ‘San Salvador’, one of the most covered disco tracks of all time, which has reared its head under countless of remixes and cover versions, however if you dig a little deeper this album is packed full of incredible and timeless italo disco: ‘Anytime Or Place’ literally jumps out the speakers to get you moving, while ‘Exalt-Exalt’ showcases their take on the darker side of electronic disco. “DISCO FIZZ” bridging traditional disco from america ‘s 70s with the spaceage syntheziser/vocoder powered Italian brand of Disco that was beginning to invade with new innovations at that time (1979).
The record is officially reprinted on LP for the 1st time from original master tapes, and includes a sticker inside. A must-have for any DJs.
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1
Annie A (Felicia Atkinson, Time is Away, - A1. First the Crocus
2
Annie A (Felicia Atkinson, Time is Away, - A2. The Wind That Had Not Touched Land
3
Annie A (Felicia Atkinson, Time is Away, - A3. For Anni Albers
4
Annie A (Felicia Atkinson, Time is Away, - A4. Aria
5
Annie A (Felicia Atkinson, Time is Away, - B1. Like a Sail or a Bed
6
Annie A (Felicia Atkinson, Time is Away, - B2. Chaque Plante, Chaque Personne
7
Annie A (Felicia Atkinson, Time is Away, - B3. The Air Moving
8
Annie A (Felicia Atkinson, Time is Away, - B4. Maxine Funke - Nasturtium Runners (Read by the Rain)
Special remarks : Full-colour sleeve with poetry and lyric sheet
Tracklist
A1. First the Crocus
A2. The Wind That Had Not Touched Land
A3. For Anni Albers
A4. Aria
B1. Like a Sail or a Bed
B2. Chaque Plante, Chaque Personne
B3. The Air Moving
B4. Maxine Funke - Nasturtium Runners (Read by the Rain)
Shortinfo:
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where time on stage was shared by Atkinson, Time is Away and Petrie. Atkinson had previously found solace in Time is Away's Ballads (ACOLOUR041), Funke's Seance (ACOLOUR035) and particularly the voice of poet Petrie, whose delivery drifts from a wide-eyed stream of consciousness to crystalline sensory expression. It is the perfect accompaniment to Atkinson's hushed tones, spoken sensitively like a mother to a resting child.
Atkinson's evocative sonic landscapes are formed from keyboard, voice and organic materials collected from life on the dramatic coast of Normandy, as well as field recordings from places far and wide. She breathes life into liminal spaces, the sound of wind, whispers and the distant clatter of rocks conjuring visions of places both beautiful and eerily familiar. Time is Away delicately arranges the field of sounds, their weaving and layering likened to the assembly of an Anni Albers textile. The spirit of Albers guides the piece, Petrie's recounting of her loom and thread a symbol of her endurance, vitality and seeking wonder in intricacies. The piece also features an exclusive concluding track by Maxine Funke, whose meditation on vulnerability confronts and surrenders herself to the enchanting natural world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. First the Crocus
A2. The Wind That Had Not Touched Land
A3. For Anni Albers
A4. Aria
B1. Like a Sail or a Bed
B2. Chaque Plante, Chaque Personne
B3. The Air Moving
B4. Maxine Funke - Nasturtium Runners (Read by the Rain)
Shortinfo:
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where time on stage was shared by Atkinson, Time is Away and Petrie. Atkinson had previously found solace in Time is Away's Ballads (ACOLOUR041), Funke's Seance (ACOLOUR035) and particularly the voice of poet Petrie, whose delivery drifts from a wide-eyed stream of consciousness to crystalline sensory expression. It is the perfect accompaniment to Atkinson's hushed tones, spoken sensitively like a mother to a resting child.
Atkinson's evocative sonic landscapes are formed from keyboard, voice and organic materials collected from life on the dramatic coast of Normandy, as well as field recordings from places far and wide. She breathes life into liminal spaces, the sound of wind, whispers and the distant clatter of rocks conjuring visions of places both beautiful and eerily familiar. Time is Away delicately arranges the field of sounds, their weaving and layering likened to the assembly of an Anni Albers textile. The spirit of Albers guides the piece, Petrie's recounting of her loom and thread a symbol of her endurance, vitality and seeking wonder in intricacies. The piece also features an exclusive concluding track by Maxine Funke, whose meditation on vulnerability confronts and surrenders herself to the enchanting natural world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
System Olympia - Lamb
2
System Olympia - Close To My Nebula
3
System Olympia - Call Girl
4
System Olympia - Mystified
5
System Olympia - Falling In Love
6
System Olympia - My Lincoln
7
System Olympia - Jade Stones
8
System Olympia - Night Rise
9
System Olympia - Scandalous
2025 Repress!
All your favourite System Olympia songs in one vinyl record.
Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
All your favourite System Olympia songs in one vinyl record.
Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:LPS254
Release-Date:04.07.2025
Configuration:LP Excl
Cat-No:LPS254
Release-Date:04.07.2025
Configuration:LP Excl
1
JOE MEEK - A1. I Hear A New World
2
JOE MEEK - A2.Orbit Around The Moon
3
JOE MEEK - A3.Entry Of The Globbots
4
JOE MEEK - A4.The Bublight
5
JOE MEEK - A5.March Of The Dribcots
6
JOE MEEK - A6.Love Dance Of The Saroos
7
JOE MEEK - B1.Glob Waterfall
8
JOE MEEK - B2.Magnetic Field
9
JOE MEEK - B3.Valley Of The Saroos
10
JOE MEEK - B4.Dribcots Space Boat
11
JOE MEEK - B5.Disc Dance Of The Globbots
12
JOE MEEK - B6.Valley Of No Return
NON EXCL LP , Black Vinyl
The first and most independent of all independent producers, Joe Meek needs little introduction. He was the first to chart in both the UK and the USA with an independently produced song -which was actually recorded in his home’s kitchen- when The Tornados' Telstar took the world in 1962. Meek was, of course, one of the most in vogue producers of the first half of the 1960s, providing the soundtrack to the evolution of UK Rock’n'Roll to Swinging London, scoring hits with actors like John Leyton (Johnny Remember Me), showmen like Screaming Lord Sutch and bands like The Outlaws and The Tornados. He also produced a wide stream of R&B and freakbeat 45s that are nowadays hardly sought after by the collectors with the biggest bank accounts.
Joe Meek experimented with all kinds of recording techniques in his home studio, his tricks and gimmicks won his productions chart placement and critical and public acclaim, but none of his projects was so advanced and way out as the avantgarde experimentation showed in his I Hear a New World electronic symphony from 1960. Aided by The Blue Men formed by Rod Freeman (group leader, guitar, vocals), Ken Harvey (tenor sax, vocals), Roger Fiola (Hawaiian Guitar), Chris White (guitar), Doug Collins (bass), Dave Golding (drums) -also known as Rodd-Ken and The Cavaliers- who provided a tight base to his electronically produced sounds, Meek came up with what he envisioned as the soundtrack of the future, the sounds he envisioned were to be heard in outer space. It was too way out for its time, certainly. To the point that of all the opus, only four tracks saw the light of day on a 7" EP released on Triumph, Meeks very own label. It wouldn’t be until 1991 that the whole recordings from the I Hear a New World sessions would see the light of day on a CD issued by the RPM label.
Wah Wah offers a new reissue of this now classic early electronics masterpiece, housed in a beautiful front-laminated back-flapped sleeve and offered as a limited 400 copies only black vinyl version and an ultra-limited 100 copies only transparent purple vinyl. Get yours before they fly!
RIYL : Delia Derbyshire and The BBC Radiophonic Workshop, Louis and Bebe Barron’s soundtrack to Forbidden Planet, Raymond Scott, Tom Dissevelt & Kid Baltan, Morton Subotnick…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The first and most independent of all independent producers, Joe Meek needs little introduction. He was the first to chart in both the UK and the USA with an independently produced song -which was actually recorded in his home’s kitchen- when The Tornados' Telstar took the world in 1962. Meek was, of course, one of the most in vogue producers of the first half of the 1960s, providing the soundtrack to the evolution of UK Rock’n'Roll to Swinging London, scoring hits with actors like John Leyton (Johnny Remember Me), showmen like Screaming Lord Sutch and bands like The Outlaws and The Tornados. He also produced a wide stream of R&B and freakbeat 45s that are nowadays hardly sought after by the collectors with the biggest bank accounts.
Joe Meek experimented with all kinds of recording techniques in his home studio, his tricks and gimmicks won his productions chart placement and critical and public acclaim, but none of his projects was so advanced and way out as the avantgarde experimentation showed in his I Hear a New World electronic symphony from 1960. Aided by The Blue Men formed by Rod Freeman (group leader, guitar, vocals), Ken Harvey (tenor sax, vocals), Roger Fiola (Hawaiian Guitar), Chris White (guitar), Doug Collins (bass), Dave Golding (drums) -also known as Rodd-Ken and The Cavaliers- who provided a tight base to his electronically produced sounds, Meek came up with what he envisioned as the soundtrack of the future, the sounds he envisioned were to be heard in outer space. It was too way out for its time, certainly. To the point that of all the opus, only four tracks saw the light of day on a 7" EP released on Triumph, Meeks very own label. It wouldn’t be until 1991 that the whole recordings from the I Hear a New World sessions would see the light of day on a CD issued by the RPM label.
Wah Wah offers a new reissue of this now classic early electronics masterpiece, housed in a beautiful front-laminated back-flapped sleeve and offered as a limited 400 copies only black vinyl version and an ultra-limited 100 copies only transparent purple vinyl. Get yours before they fly!
RIYL : Delia Derbyshire and The BBC Radiophonic Workshop, Louis and Bebe Barron’s soundtrack to Forbidden Planet, Raymond Scott, Tom Dissevelt & Kid Baltan, Morton Subotnick…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:LPS252
Release-Date:11.07.2025
Configuration:LP Excl
Cat-No:LPS252
Release-Date:11.07.2025
Configuration:LP Excl
1
THE ANDROID SISTERS - A1.Sss-X Minus One
2
THE ANDROID SISTERS - A2.Invansion
3
THE ANDROID SISTERS - A3.Down On The Electronic Farm
4
THE ANDROID SISTERS - A4.Telephones Wires In The Tropics
5
THE ANDROID SISTERS - A5.Huh
6
THE ANDROID SISTERS - A6.Ray-Dee-Oh
7
THE ANDROID SISTERS - A7.Electronic Sheep
8
THE ANDROID SISTERS - B1.Living in the 50's
9
THE ANDROID SISTERS - B2.Coconut Coed
10
THE ANDROID SISTERS - B3.Robots Are Coming
11
THE ANDROID SISTERS - B4.Dumb Is Fun
12
THE ANDROID SISTERS - B5.Macho Robot
13
THE ANDROID SISTERS - B6.Money Money Money
NON EXCL LP . Black Vinyl
f this LP exists it is thanks to the vision, energies, work and perseverance of Thomas M. Lopez, aka Meatball Fulton. He is the president and one of the founding members of the ZBS Foundation (ZBS stands for Zero Bullshit), where the audio dramas written by Lopez himself were born. Dramatic programs with stories that blended noir, comedy and science-fiction genres such as Ruby The Galactic Gumshoe or Jack Flanders were produced to critic and public acclaim. It was in Ruby The Galactic Gumshoe that the Android Sisters, who would later have their own spin-off series, first appeared. The characters represent two robotic siblings that Tom Lopez created under big influence from Do Androids Dream of Electric Sheep?, the Philip K. Dick novel that was taken to cinema by Ridley Scott in Blade Runner. The Androids were performed by actresses Ruth Maleczech and Valeria Wasilewski.
The big success of these “cosmic and comic” sci-fi series, as they are described in the ZBS Foundations website, led to the releasing of cassette tapes, CDs, USBs and podcasting of the stories. Along with these, several music albums were also released in different formats. One of them is Songs Of Electric Despair, the first of two released by the Android Sisters. The songs contained are written by Tom Lopez and his long time collaborator experimental musician Tim Clark.
The Android Sisters Songs Of Electronic Despair LP was originally released as a ZBS Foundation cassette and also as a vinyl LP on Vanguard in 1984. It featured 11 compositions (two bonus tracks not on the original LP have been added to the Wah Wah reissue) on which the experimental synthesizer music of Tim Clark finds a perfect counterpoint in the deliciously surrealistic, cosmic social satire of Tom Lopez’s texts, magically performed by the robotic, yet sensual voices of the Android Sisters as performed by Maleczech and Wasilewski. Clark composed and performed the backing tracks on the Synclavier II synthesizer.
The Wah Wah reissue comes with two bonus tracks not on the original 1984 LP, respects the beautiful original album artwork and enhances it with a 4 pages full colour insert with notes and lyrics of the songs.
BARBARELLA MEETS PHILLIP K. DICK!
RIYL : SYNTH POP CYBERPUNK with DEVO’s sense of humor, LOGIC SYSTEM, FRANK CHICKENS or even some 1990s things to come such as LIKE A TIM or ARPANET.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
f this LP exists it is thanks to the vision, energies, work and perseverance of Thomas M. Lopez, aka Meatball Fulton. He is the president and one of the founding members of the ZBS Foundation (ZBS stands for Zero Bullshit), where the audio dramas written by Lopez himself were born. Dramatic programs with stories that blended noir, comedy and science-fiction genres such as Ruby The Galactic Gumshoe or Jack Flanders were produced to critic and public acclaim. It was in Ruby The Galactic Gumshoe that the Android Sisters, who would later have their own spin-off series, first appeared. The characters represent two robotic siblings that Tom Lopez created under big influence from Do Androids Dream of Electric Sheep?, the Philip K. Dick novel that was taken to cinema by Ridley Scott in Blade Runner. The Androids were performed by actresses Ruth Maleczech and Valeria Wasilewski.
The big success of these “cosmic and comic” sci-fi series, as they are described in the ZBS Foundations website, led to the releasing of cassette tapes, CDs, USBs and podcasting of the stories. Along with these, several music albums were also released in different formats. One of them is Songs Of Electric Despair, the first of two released by the Android Sisters. The songs contained are written by Tom Lopez and his long time collaborator experimental musician Tim Clark.
The Android Sisters Songs Of Electronic Despair LP was originally released as a ZBS Foundation cassette and also as a vinyl LP on Vanguard in 1984. It featured 11 compositions (two bonus tracks not on the original LP have been added to the Wah Wah reissue) on which the experimental synthesizer music of Tim Clark finds a perfect counterpoint in the deliciously surrealistic, cosmic social satire of Tom Lopez’s texts, magically performed by the robotic, yet sensual voices of the Android Sisters as performed by Maleczech and Wasilewski. Clark composed and performed the backing tracks on the Synclavier II synthesizer.
The Wah Wah reissue comes with two bonus tracks not on the original 1984 LP, respects the beautiful original album artwork and enhances it with a 4 pages full colour insert with notes and lyrics of the songs.
BARBARELLA MEETS PHILLIP K. DICK!
RIYL : SYNTH POP CYBERPUNK with DEVO’s sense of humor, LOGIC SYSTEM, FRANK CHICKENS or even some 1990s things to come such as LIKE A TIM or ARPANET.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Das Komplex - Pajda Banana
2
Ubre Blanca - Renzo
3
Gregory (AT) ft. Alexander Wirth - Peaks
4
Kelton Prima - Strawberry Cream
Special remarks: handstamped vinyl, cover sticker
Tracklist 12":
A1. Das Komplex - Pajda Banana
A2. Ubre Blanca - Renzo
B1. Gregory (AT) ft. Alexander Wirth - Peaks
B2. Kelton Prima - Strawberry Cream
Short Info:
Luv Shack Records serves up another irresistible batch of sonic treats with Disco Biscuits 6, blending sun-drenched disco vibes, hypnotic grooves, and deep-dive dancefloor goodness.
Kicking things off, Das Komplex delivers the cheekily titled Pajda Banana, a lush and sprawling jam brimming with cosmic textures and low-slung funk. Ubre Blanca follows with Renzo, a synth-driven trip balancing cinematic tension with pure Italo heat.
On the flip side, Gregory (AT) teams up with Alexander Wirth for Peaks, a shimmering House excursion with soaring melodies and a pulse built for late-night euphoria. Closing out the pack, Kelton Prima’s Strawberry Cream oozes with silky basslines and irresistible groove — the perfect sugar rush for discerning selectors.
From deep disco dreamscapes to peak-time party weapons, Disco Biscuits 6 has all the flavor you need.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1. Das Komplex - Pajda Banana
A2. Ubre Blanca - Renzo
B1. Gregory (AT) ft. Alexander Wirth - Peaks
B2. Kelton Prima - Strawberry Cream
Short Info:
Luv Shack Records serves up another irresistible batch of sonic treats with Disco Biscuits 6, blending sun-drenched disco vibes, hypnotic grooves, and deep-dive dancefloor goodness.
Kicking things off, Das Komplex delivers the cheekily titled Pajda Banana, a lush and sprawling jam brimming with cosmic textures and low-slung funk. Ubre Blanca follows with Renzo, a synth-driven trip balancing cinematic tension with pure Italo heat.
On the flip side, Gregory (AT) teams up with Alexander Wirth for Peaks, a shimmering House excursion with soaring melodies and a pulse built for late-night euphoria. Closing out the pack, Kelton Prima’s Strawberry Cream oozes with silky basslines and irresistible groove — the perfect sugar rush for discerning selectors.
From deep disco dreamscapes to peak-time party weapons, Disco Biscuits 6 has all the flavor you need.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lee Stevens - Theme For Disco Biscuits
2
Endrik Schroeder - Infinity
3
Jakobin & Domino - One Of A Kind
4
Golden Boogie Connection - Dull Grey
Special remarks: handstamped vinyl, cover sticker
Tracklist 12":
A1. Lee Stevens – Theme For Disco Biscuits
A2. Endrik Schroeder - Infinity
B1. Jakobin & Domino – One Of A Kind
B2. Golden Boogie Connection – Dull Grey
Short Info:
Hungry for biscuits? Look no further, as the third batch of Disco Biscuits is fresh out of the oven at Luv Shack headquarters! On the A side we have Lee Stevens “Theme forDisco Biscuits” , a modern Italo stomper with heavy synth work and delicious sprinkles of breakbeat, sitting alongside Endrik Schröders „Infinity“, an ecstatic, upbeat Synth-Disco hybrid that is generously coated in syrup made from 80s Hi-Energy and earlynineties scandinavian Disco. The B Side opens with “One Of A Kind”, a slowly baked house chugger by Jakobin & Domino, taking its time to rise and develop a rich and deep flavour before the Golden Boogie Connection hit us with “Dull Grey”, a laid back Disco affair that is topped with a slab of Acid, which is neither dull nor grey!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1. Lee Stevens – Theme For Disco Biscuits
A2. Endrik Schroeder - Infinity
B1. Jakobin & Domino – One Of A Kind
B2. Golden Boogie Connection – Dull Grey
Short Info:
Hungry for biscuits? Look no further, as the third batch of Disco Biscuits is fresh out of the oven at Luv Shack headquarters! On the A side we have Lee Stevens “Theme forDisco Biscuits” , a modern Italo stomper with heavy synth work and delicious sprinkles of breakbeat, sitting alongside Endrik Schröders „Infinity“, an ecstatic, upbeat Synth-Disco hybrid that is generously coated in syrup made from 80s Hi-Energy and earlynineties scandinavian Disco. The B Side opens with “One Of A Kind”, a slowly baked house chugger by Jakobin & Domino, taking its time to rise and develop a rich and deep flavour before the Golden Boogie Connection hit us with “Dull Grey”, a laid back Disco affair that is topped with a slab of Acid, which is neither dull nor grey!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
RRO - A New Chapter
2
RRO - Crazy Horse
3
RRO - Pulp Disco
4
RRO - 8000 in Italia
NO RETURN!
Limited to 500 Pieces, Vinyl Only, Mastered by DJ Steaw, Made in Europe
A1: A New Chapter
A2: Crazy Horse
B1: Pulp Disco
B2: 8000 in Italia
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited to 500 Pieces, Vinyl Only, Mastered by DJ Steaw, Made in Europe
A1: A New Chapter
A2: Crazy Horse
B1: Pulp Disco
B2: 8000 in Italia
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:WBSLP023
Release-Date:11.07.2025
Configuration:LP Excl
Cat-No:WBSLP023
Release-Date:11.07.2025
Configuration:LP Excl
1
NEIL ARDLEY - A1 A Symphony of Amaranths_ Carillon _ Nocturne _ Entracte _ Impromptu
2
NEIL ARDLEY - B1 The Dong With a Luminous Nose
3
NEIL ARDLEY - B2 Three Poems_ After Long Silence _ She Weeps Over Rahoon _ Will You Walk a Lit
4
NEIL ARDLEY - B3 National Anthem & Tango (Bonus Track)
NON EXCL LP , Black Vinyl
When we did the first ever vinyl reissue of this 1972 masterpiece back in 2012 it sold out so fast and so many lost the chance to grab a copy has translated into continuous messages asking us to do a repressing of this marvel - which we did and, again, it sold like hot bread. So here is a new edition of this UK jazz masterpiece, this time with a twist :
- Silk-screened cover art : we respect the original design, but have upgraded the printing from regular offset to silk screen to give it an artistic touch!
- In adition to the limited black vinyl edition (400 copies), we offer an ultra limited clear vinyl version (100 copies-only!)
One of the big names in UK Jazz, Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett andHenry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.
By 1972 the NJO was already defunct, but his legacy remained in the works of its members. Ardley's 'A Symphony Of Amaranths' is a perfect example of what was boiling in the UK jazz scene. It was Ardleys tribute to his idols Duke Ellington and Gil Evans, and featured the skills of some great musicians of the scene including Don Rendell,Stan Tracey, Henry Lowther, Harry Beckett, Jeff Clyne & Jon Hiseman. Side B is inspired by the words of Edward Lear, W. B. Yeats, James Joyce and Lewis Carroll that are musicated by Ardley and feature, among other highlights, Ivor Cutler's narration of 'The Dong With A Luminous Nose' and Norma Winstone's vocals on 'Will You Walk A Little Faster'.
Musicians that participated in the recording session :
- Derek Watkins, Nigel Carter, Henry Lowther, Harold Beckett (trumpets)
- Derek Wadsworth, Ray Premru (trombones)
- Dick Hart (tuba)
- Barbara Thompson, Dave Gelly, Don Rendell, Dick Heckstall-Smith (woodwind, saxes)
- John Clementson (oboe)
- Bunny Gould (bassoon)
- Dave Gelly (glockenspiel)
- Neil Ardley (prepared piano)
- David Snell, Sidonie Goossens (harp)
- Stan Tracey (piano, celeste)
- Karl Jenkins (electric piano)
- Alan Branscombe (harpsichord)
- Frank Ricotti (vibraphone, percussion)
- Chris Laurence, Jeff Clyne (bass)
- Jon Hiseman (drums, percussion)
- Eric Gruenberg, Jack Rothstein, Kelly Isaacs (violin)
- Ken Essex (viola)
- Charles Tunnell, Francis Gabarro (cello)
- Ivor Cutler (narrator)
- Norma Winstone (vocal)
- Jack Rothstein, Neil Ardley (conductors)
The Wah Wah reissue features newly mastered sound from the original tapes, an insert with liner notes and one bonus track not on the original edition.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
When we did the first ever vinyl reissue of this 1972 masterpiece back in 2012 it sold out so fast and so many lost the chance to grab a copy has translated into continuous messages asking us to do a repressing of this marvel - which we did and, again, it sold like hot bread. So here is a new edition of this UK jazz masterpiece, this time with a twist :
- Silk-screened cover art : we respect the original design, but have upgraded the printing from regular offset to silk screen to give it an artistic touch!
- In adition to the limited black vinyl edition (400 copies), we offer an ultra limited clear vinyl version (100 copies-only!)
One of the big names in UK Jazz, Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett andHenry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.
By 1972 the NJO was already defunct, but his legacy remained in the works of its members. Ardley's 'A Symphony Of Amaranths' is a perfect example of what was boiling in the UK jazz scene. It was Ardleys tribute to his idols Duke Ellington and Gil Evans, and featured the skills of some great musicians of the scene including Don Rendell,Stan Tracey, Henry Lowther, Harry Beckett, Jeff Clyne & Jon Hiseman. Side B is inspired by the words of Edward Lear, W. B. Yeats, James Joyce and Lewis Carroll that are musicated by Ardley and feature, among other highlights, Ivor Cutler's narration of 'The Dong With A Luminous Nose' and Norma Winstone's vocals on 'Will You Walk A Little Faster'.
Musicians that participated in the recording session :
- Derek Watkins, Nigel Carter, Henry Lowther, Harold Beckett (trumpets)
- Derek Wadsworth, Ray Premru (trombones)
- Dick Hart (tuba)
- Barbara Thompson, Dave Gelly, Don Rendell, Dick Heckstall-Smith (woodwind, saxes)
- John Clementson (oboe)
- Bunny Gould (bassoon)
- Dave Gelly (glockenspiel)
- Neil Ardley (prepared piano)
- David Snell, Sidonie Goossens (harp)
- Stan Tracey (piano, celeste)
- Karl Jenkins (electric piano)
- Alan Branscombe (harpsichord)
- Frank Ricotti (vibraphone, percussion)
- Chris Laurence, Jeff Clyne (bass)
- Jon Hiseman (drums, percussion)
- Eric Gruenberg, Jack Rothstein, Kelly Isaacs (violin)
- Ken Essex (viola)
- Charles Tunnell, Francis Gabarro (cello)
- Ivor Cutler (narrator)
- Norma Winstone (vocal)
- Jack Rothstein, Neil Ardley (conductors)
The Wah Wah reissue features newly mastered sound from the original tapes, an insert with liner notes and one bonus track not on the original edition.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Paul Older - Che Disco Vuoi (Extended Version)
2
Riva Starr - Allora Amore (Extended Mix)
3
Valentino Vivace - Statua Greca
4
Hey Cabrera! - Tutto Matto (Extended Version)
5
Sam Ruffillo & Fimiani feat. Gianni D'uo - Non Era Facile (Extended Version)
6
Kymono - Lasciati Andare (Extended Version)
7
Dov'e Liana - La Notte Infinita (Extended Version)
8
Mille Punti - Matto (Extended Version)
9
Bruno Belissimo - Donna Piu
10
Fimiani - Proibito (Extended Version)
11
Alessandro Rotter - La Sera, La Discoteca, La Spiaggia
12
Alberto Melloni - Credimi
Tracklist:
A1) Paul Older - Che Disco Vuoi (Extended Version)
A2) Riva Starr - Allora Amore (Extended Mix)
A3) Valentino Vivace - Statua Greca
B1) Hey Cabrera! - Tutto Matto (Extended Version)
B2) Sam Ruffillo & Fimiani feat. Gianni D'uomo - Non Era Facile (Extended Version)
B3) Kymono - Lasciati Andare (Extended Version)
C1) Dov'e Liana - La Notte Infinita (Extended Version)
C2) Mille Punti - Matto (Extended Version)
C3) Bruno Belissimo - Donna Piu
D1) Fimiani - Proibito (Extended Version)
D2) Alessandro Rotter - La Sera, La Discoteca, La Spiaggia
D3) Alberto Melloni – Credimi
Toy Tonics ITALOMANIA Vol. 3 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
14 young contemporary Italian producers made new organic disco, indie dance, pop house tracks with Italian vocals.
Everything on this compilation has been produced in 2024. Fresh dance music by Italian artists
Paul Older, Riva Starr, Valentino Vivace, Sam Ruffillo & Fimiani, Kymono, Mille Punti, Mind Enterprises, Bruno Belissimo and legendary cosmic disco pioneer Daniele Baldelli + french italo hitmakers Dov'e Liana.
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
ITALOAMNIA is a MANIFESTO to show the status of Italian Disco of today.
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco with Italian vocals.
Italian Disco is not Italo Disco.
The last years the trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival.
But this compilation is about something else: It’s about this Italian Disco. Because the popularity of good Italian pop music is rising all over the world.
And Toy Tonics want to show a new way to combine Italianity with dance culture.
Its funny that also in France, Swiss and Germany there are new artists singing in Italian.
Let’s not forget: The culture of party, dancing, show bizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beaches and high fashion, but it’s also the original country of dance music. Since the ancient roman times the Italians have been the kings of entertainment.
And if it comes to music; The DISCO wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA Pt 3 artists
Kymono
..are a jazz-funk band from Bologna. They are just at the beginning but can easily be compared to bands like Nu Genea or Il Mago Del Gelato, They are 5 amazing musicians, influenced by the great soul bands from the 1070es. Kool and the Gang, Jamiroquai, Roy Ayers… are they heroes and you can hear this in their music. They combine these skills with a big love for Italian songwriters like Battisti or Lucio Dalla. They can be big on day!
Mille Punti
is an indie dance band from Milano. Coming from a 1980s love of guitar bands with post punk attitude now they started to combine this vibes with disco. And its fun! Very catchy and very indie.
Bruno Bellissimo
is also coming from a more rock and indie scene. He plays bass, he sings, he tours around Italy as part of the band of Fra Quintale and other gib artists. Now he started to produce dance music and runs the fabulous POLYAMORE record label from Bologna.
Dov’e Liana
are from Paris, but sing in Italian language. Their raw, ironic electro pop music has been very popular over the last 2 years. They fill big concert venues in Italy now, with thousands of young fans singing they songs. It’s a phenomenon!
Riva Starr
..come from Napoli, lives in London and is one of the most successful house music producers coming from Italy since the 1990ies. He worked with Defected and many other labels. Is a regular in all important Ibiza clubs and made this pop house hit song „Allora Amore“ for Toy Tonics together with Dario Basssolino from Napoli.
Paul Older
Italian from the north. Famous in the dance world for producing funky, new school disco tracks that are played by DJs like Folamour, Jamie Jones and DJ Tennis. His song „Che Disco Vuoi“ has a big 1970ies influence. Deep & soulful.
Sam Ruffillo
Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instagram you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
Valentino Vivace
is Italian from Switzerland. And is one of the most promising artists on this compilation. He combined 1980ies Italo Disco vibes with new House music and very catchy song writing. His live show with a 6 person band is one of the most existing bands of the new Italian dance scene you can see currently on stages all over Europe.
Mind Enterprises
.. are dedicated totally to the trash pop 1980ies sounds. ironic, funny, catchy. They are regularly playing in Ibiza with the hybrid live show. And their song „Americano“ is probably a radio hit…
Daniele Baldelli and DJ Rocca
are not new to the scene. Baldelli was a legend already in the 1990ies because he co-started the Cosmic Music thing with FDJs like Loda or Mozart. He is one of the most important guys in the Italian dance scene and the only older person on this compilation.
An although his Munk and Kapote music was an underground phenomena his music has always been a favourite of many great people from the scene.
Supported by DJs like Harvey, Chromeo, Moodymann, Jennifer Cardini, Gerd Janson, MYD, Andrew Weatherall to Blessed Madonna, Justice and Laurent Garnier… to name just a few.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Paul Older - Che Disco Vuoi (Extended Version)
A2) Riva Starr - Allora Amore (Extended Mix)
A3) Valentino Vivace - Statua Greca
B1) Hey Cabrera! - Tutto Matto (Extended Version)
B2) Sam Ruffillo & Fimiani feat. Gianni D'uomo - Non Era Facile (Extended Version)
B3) Kymono - Lasciati Andare (Extended Version)
C1) Dov'e Liana - La Notte Infinita (Extended Version)
C2) Mille Punti - Matto (Extended Version)
C3) Bruno Belissimo - Donna Piu
D1) Fimiani - Proibito (Extended Version)
D2) Alessandro Rotter - La Sera, La Discoteca, La Spiaggia
D3) Alberto Melloni – Credimi
Toy Tonics ITALOMANIA Vol. 3 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
14 young contemporary Italian producers made new organic disco, indie dance, pop house tracks with Italian vocals.
Everything on this compilation has been produced in 2024. Fresh dance music by Italian artists
Paul Older, Riva Starr, Valentino Vivace, Sam Ruffillo & Fimiani, Kymono, Mille Punti, Mind Enterprises, Bruno Belissimo and legendary cosmic disco pioneer Daniele Baldelli + french italo hitmakers Dov'e Liana.
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
ITALOAMNIA is a MANIFESTO to show the status of Italian Disco of today.
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco with Italian vocals.
Italian Disco is not Italo Disco.
The last years the trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival.
But this compilation is about something else: It’s about this Italian Disco. Because the popularity of good Italian pop music is rising all over the world.
And Toy Tonics want to show a new way to combine Italianity with dance culture.
Its funny that also in France, Swiss and Germany there are new artists singing in Italian.
Let’s not forget: The culture of party, dancing, show bizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beaches and high fashion, but it’s also the original country of dance music. Since the ancient roman times the Italians have been the kings of entertainment.
And if it comes to music; The DISCO wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA Pt 3 artists
Kymono
..are a jazz-funk band from Bologna. They are just at the beginning but can easily be compared to bands like Nu Genea or Il Mago Del Gelato, They are 5 amazing musicians, influenced by the great soul bands from the 1070es. Kool and the Gang, Jamiroquai, Roy Ayers… are they heroes and you can hear this in their music. They combine these skills with a big love for Italian songwriters like Battisti or Lucio Dalla. They can be big on day!
Mille Punti
is an indie dance band from Milano. Coming from a 1980s love of guitar bands with post punk attitude now they started to combine this vibes with disco. And its fun! Very catchy and very indie.
Bruno Bellissimo
is also coming from a more rock and indie scene. He plays bass, he sings, he tours around Italy as part of the band of Fra Quintale and other gib artists. Now he started to produce dance music and runs the fabulous POLYAMORE record label from Bologna.
Dov’e Liana
are from Paris, but sing in Italian language. Their raw, ironic electro pop music has been very popular over the last 2 years. They fill big concert venues in Italy now, with thousands of young fans singing they songs. It’s a phenomenon!
Riva Starr
..come from Napoli, lives in London and is one of the most successful house music producers coming from Italy since the 1990ies. He worked with Defected and many other labels. Is a regular in all important Ibiza clubs and made this pop house hit song „Allora Amore“ for Toy Tonics together with Dario Basssolino from Napoli.
Paul Older
Italian from the north. Famous in the dance world for producing funky, new school disco tracks that are played by DJs like Folamour, Jamie Jones and DJ Tennis. His song „Che Disco Vuoi“ has a big 1970ies influence. Deep & soulful.
Sam Ruffillo
Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instagram you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
Valentino Vivace
is Italian from Switzerland. And is one of the most promising artists on this compilation. He combined 1980ies Italo Disco vibes with new House music and very catchy song writing. His live show with a 6 person band is one of the most existing bands of the new Italian dance scene you can see currently on stages all over Europe.
Mind Enterprises
.. are dedicated totally to the trash pop 1980ies sounds. ironic, funny, catchy. They are regularly playing in Ibiza with the hybrid live show. And their song „Americano“ is probably a radio hit…
Daniele Baldelli and DJ Rocca
are not new to the scene. Baldelli was a legend already in the 1990ies because he co-started the Cosmic Music thing with FDJs like Loda or Mozart. He is one of the most important guys in the Italian dance scene and the only older person on this compilation.
An although his Munk and Kapote music was an underground phenomena his music has always been a favourite of many great people from the scene.
Supported by DJs like Harvey, Chromeo, Moodymann, Jennifer Cardini, Gerd Janson, MYD, Andrew Weatherall to Blessed Madonna, Justice and Laurent Garnier… to name just a few.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lee Stevens - Run Away
2
Das Komplex - Ennio
3
Space Echo - Woo Disco
4
Siggatunez - Love N' Affection
Special remarks: handstamped vinyl, cover sticker
Tracklist 12":
A1. Lee Stevens - Run Away
A2. Das Komplex - Ennio
B1. Space Echo - Woo Disco
B2. Siggatunez - Love N' Affection
Short Info:
Just in time for festival season, another batch of Disco Biscuits has landed on Luv Shack Records.
This time the maitre de’s Lee Stevens, Das Komplex, Space Echo and Siggatunez have whipped up extra delicious treats using only their favourite recipes to ensure maximum satisfaction on the dancefloor!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1. Lee Stevens - Run Away
A2. Das Komplex - Ennio
B1. Space Echo - Woo Disco
B2. Siggatunez - Love N' Affection
Short Info:
Just in time for festival season, another batch of Disco Biscuits has landed on Luv Shack Records.
This time the maitre de’s Lee Stevens, Das Komplex, Space Echo and Siggatunez have whipped up extra delicious treats using only their favourite recipes to ensure maximum satisfaction on the dancefloor!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tommy Guerrero - Hello Again
2
Tommy Guerrero - The Under Dog
3
Tommy Guerrero - Badder Than Bullets
4
Tommy Guerrero - Tomorrow’s Goodbye
5
Tommy Guerrero - No Guns More Glory
6
Tommy Guerrero - War No More
7
Tommy Guerrero - Salve
8
Tommy Guerrero - Mission Flats
9
Tommy Guerrero - 1966
10
Tommy Guerrero - Don’t Fake It
11
Tommy Guerrero - Just Ain’t Me
12
Tommy Guerrero - Create And Destroy
13
Tommy Guerrero - Let Me In Let Me Out
14
Tommy Guerrero - Molotov Telegram
Format: LP
Format Notes: 2025 repress, Remastered, 180g vinyl, first time on vinyl
EAN: 4251648413387
Track List:
A1 : Hello Again
A2 : The Under Dog
A3 : Badder Than Bullets
A4 : Tomorrow’s Goodbye
A5 : No Guns More Glory
A6 : War No More
A7 : Salve
A8 : Mission Flats
B1 : 1966
B2 : Don’t Fake It
B3 : Just Ain’t Me
B4 : Create And Destroy
B5 : Let Me In Let Me Out
B6 : Molotov Telegram
Release Notes:
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 2025 repress, Remastered, 180g vinyl, first time on vinyl
EAN: 4251648413387
Track List:
A1 : Hello Again
A2 : The Under Dog
A3 : Badder Than Bullets
A4 : Tomorrow’s Goodbye
A5 : No Guns More Glory
A6 : War No More
A7 : Salve
A8 : Mission Flats
B1 : 1966
B2 : Don’t Fake It
B3 : Just Ain’t Me
B4 : Create And Destroy
B5 : Let Me In Let Me Out
B6 : Molotov Telegram
Release Notes:
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More